Soldier, Maiden, and Flower

"Sweetheart, take this," a soldier said,
"And bid me brave good-by;
It may befall we ne'er shall wed,
But love can never die.
Be steadfast in thy troth to me,
And then, whate'er my lot,
'My soul to God, my heart to thee,'--
Sweetheart, forget me not!"

The maiden took the tiny flower
And nursed it with her tears:
Lo! he who left her in that hour
Came not in after years.
Unto a hero's death he rode
'Mid shower of fire and shot;
But in the maiden's heart abode
The flower, forget-me-not.

And when he came not with the rest
From out the years of blood,
Closely unto her widowed breast
She pressed a faded bud;
Oh, there is love and there is pain,
And there is peace, God wot,--
And these dear three do live again
In sweet forget-me-not.

'T is to an unmarked grave to-day
That I should love to go,--
Whether he wore the blue or gray,
What need that we should know?
"He loved a woman," let us say,
And on that sacred spot,
To woman's love, that lives for aye,
We'll strew forget-me-not.

1887.

poem by Eugene FieldReport problemRelated quotes
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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

poem by Michael DraytonReport problemRelated quotes
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Uhland's

There were three cavaliers that went over the Rhine,
And gayly they called to the hostess for wine.
"And where is thy daughter? We would she were here,--
Go fetch us that maiden to gladden our cheer!"

"I'll fetch thee thy goblets full foaming," she said,
"But in yon darkened chamber the maiden lies dead."
And lo! as they stood in the doorway, the white
Of a shroud and a dead shrunken face met their sight.

Then the first cavalier breathed a pitiful sigh,
And the throb of his heart seemed to melt in his eye,
And he cried, "Hadst thou lived, O my pretty white rose,
I ween I had loved thee and wed thee--who knows?"

The next cavalier drew aside a small space,
And stood to the wall with his hands to his face;
And this was the heart-cry that came with his tears:
"I loved her, I loved her these many long years!"

But the third cavalier kneeled him down in that place,
And, as it were holy, he kissed that dead face:
"I loved thee long years, and I love thee to-day,
And I'll love thee, dear maiden, forever and aye!"

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Rudyard Kipling

Soldier, Soldier

"Soldier, soldier come from the wars,
Why don't you march with my true love?"
"We're fresh from off the ship an' 'e's maybe give the slip,
An' you'd best go look for a new love."
New love! True love!
Best go look for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best go look for a new love.

"Soldier, soldier come from the wars,
What did you see o' my true love?"
"I seed 'im serve the Queen in a suit o' rifle-green,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did ye see no more o' my true love?"
"I seed 'im runnin' by when the shots begun to fly --
But you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did aught take 'arm to my true love?"
"I couldn't see the fight, for the smoke it lay so white --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll up an' tend to my true love!"
"'E's lying on the dead with a bullet through 'is 'ead,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll down an' die with my true love!"
"The pit we dug'll 'ide 'im an' the twenty men beside 'im --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Do you bring no sign from my true love?"
"I bring a lock of 'air that 'e allus used to wear,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
O then I know it's true I've lost my true love!"
"An' I tell you truth again -- when you've lost the feel o' pain
You'd best take me for your true love."
True love! New love!
Best take 'im for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best take 'im for your true love.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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At play

Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.

Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!

Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!

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Thomas Hardy

Ah, Are You Digging on My Grave?

"Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.'"

"Then who is digging on my grave,
My nearest dearest kin?"
-- "Ah, no: they sit and think, 'What use!
What good will planting flowers produce?
No tendance of her mound can loose
Her spirit from Death's gin.'"

"But someone digs upon my grave?
My enemy? -- prodding sly?"
-- "Nay: when she heard you had passed the Gate
That shuts on all flesh soon or late,
She thought you no more worth her hate,
And cares not where you lie.

"Then, who is digging on my grave?
Say -- since I have not guessed!"
-- "O it is I, my mistress dear,
Your little dog , who still lives near,
And much I hope my movements here
Have not disturbed your rest?"

"Ah yes! You dig upon my grave...
Why flashed it not to me
That one true heart was left behind!
What feeling do we ever find
To equal among human kind
A dog's fidelity!"

"Mistress, I dug upon your grave
To bury a bone, in case
I should be hungry near this spot
When passing on my daily trot.
I am sorry, but I quite forgot
It was your resting place."

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Thomas Hardy

In The Moonlight

"O lonely workman, standing there
In a dream, why do you stare and stare
At her grave, as no other grave where there?"

"If your great gaunt eyes so importune
Her soul by the shine of this corpse-cold moon,
Maybe you'll raise her phantom soon!"

"Why, fool, it is what I would rather see
Than all the living folk there be;
But alas, there is no such joy for me!"

"Ah - she was one you loved, no doubt,
Through good and evil, through rain and drought,
And when she passed, all your sun went out?"

"Nay: she was the woman I did not love,
Whom all the other were ranked above,
Whom during her life I thought nothing of."

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Different Threats

I ONCE into a forest far

My maiden went to seek,
And fell upon her neck, when: "Ah!"

She threaten'd, "I will shriek!"

Then cried I haughtily: "I'll crush

The man that dares come near thee!"
"Hush!" whisper'd she: "My loved one, hush!

Or else they'll overhear thee!"

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Thomas Hardy

The Subalterns

I

"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."

II

--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."

III

--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."

IV

--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"

V

We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.

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Liebestod

When I was bold, when I was bold-
And that's a hundred years!-
Oh, never I thought my breast could hold
The terrible weight of tears.

I said: "Now some be dolorous;
I hear them wail and sigh,
And if it be Love that play them thus,
Then never a love will I."

I said: "I see them rack and rue,
I see them wring and ache,
And little I'll crack my heart in two
With little the heart can break."

When I was gay, when I was gay-
It's ninety years and nine!-
Oh, never I thought that Death could lay
His terrible hand in mine.

I said: "He plies his trade among
The musty and infirm;
A body so hard and bright and young
Could never be meat for worm."

"I see him dull their eyes," I said,
"And still their rattling breath.
And how under God could I be dead
That never was meant for Death?"

But Love came by, to quench my sleep,
And here's my sundered heart;
And bitter's my woe, and black, and deep,
And little I guessed a part.

Yet this there is to cool my breast,
And this to ease my spell;
Now if I were Love's, like all the rest,
Then can I be Death's, as well.

And he shall have me, sworn and bound,
And I'll be done with Love.
And better I'll be below the ground
Than ever I'll be above.

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Suppose?

It's mighty nice at shut of day
With weariness to hit the hey,
To close your eyes, tired through and through,
And just forget that "you are you."

It's mighty sweet to wake again
When sunshine floods the window pain;
I love in cosy couch to lie,
And re-discover "I am I."

It would be grand could we conceive
A heaven in which to believe,
And in a better life to be be,
Find out with joy "we still are we."

Though we assume with lapsing breath
Eternal is the sleep of death,
Would it not be divinely odd
To wake and find that - "God is God."

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Sky Song

The flower of the Alps told the seashell: "You're shining"
The seashell told the sea: "You echo"
The sea told the boat: "You're shuddering"
The boat told the fire: "You're glowing brightly"
The fire told me: "I glow less brightly than her eyes"
The boat told me: "I shudder less than your heart does when she appears"
The sea told me: "I echo less than her name does in your love-making"
The seashell told me: "I shine less brightly than the phosphorus of desire in your hollow dream"
The flower of the Alps told me: "She's beautiful"
I said: "She's beautiful, so beautiful, she moves me."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Ah Me!

When maiden loves, she sits and sighs,
She wanders to and fro;
Unbidden tear-drops fill her eyes,
And to all questions she replies,
With a sad heigho!
'Tis but a little word - "heigho!"
So soft, 'tis scarcely heard - "heigho!"
An idle breath -
Yet life and death
May hang upon a maid's "heigho!"

When maiden loves, she mopes apart,
As owl mopes on a tree;
Although she keenly feels the smart,
She cannot tell what ails her heart,
With its sad "Ah me!"
'Tis but a foolish sigh - "Ah me!"
Born but to droop and die - "Ah me!"
Yet all the sense
Of eloquence
Lies hidden in a maid's "Ah me!"

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The Record

Fearing that she might go one day
With some fine fellow of her choice,
I called her from her childish play,
And made a record of her voice.
And now that she is truly gone,
I hear it sweet and crystal clear
From out my wheezy gramophone:
"I love you, Daddy dear."

Indeed it's true she went away,
But Oh she went all, all alone;
Into the dark she went for aye,
Poor little mite! ere girlhood grown.
Ah that I could with her have gone!
But this is all I have to show -
A ghost voice on a gramophone:
"Dear Dad, I love you so."

The saddest part of loss 'tis said,
Is that time tempers our regret;
But that is treason to the dead -
I'll not forget, I'll not forget.
Sole souvenir of golden years,
'Twas best to break this disc in two,
And spare myself a spate of tears . . .
But this I cannot do.

So I will play it every day,
And it will seem that she is near,
And once again I'll hear her say:
I love you so, Oh Daddy dear."
And then her kiss - a stab of woe.
The record ends . . . I breathe a plea:
"Oh God, speed me to where I know
Wee lass, you wait for me."

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