Restlessness
Would I had waked this morn where Florence smiles,
A-bloom with beauty, a white rose full-blown,
Yet rich in sacred dust, in storied stone,
Precious past all the wealth of Indian isles-
From olive-hoary Fiesole to feed
On Brunelleschi's dome my hungry eye,
And see against the lotus-colored sky,
Spring the slim belfry graceful as a reed.
To kneel upon the ground where Dante trod,
To breathe the air of immortality
From Angelo and Raphael-TO BE-
Each sense new-quickened by a demi-god.
To hear the liquid Tuscan speech at whiles,
From citizen and peasant, to behold
The heaven of Leonardo washed with gold-
Would I had waked this morn where Florence smile!
poem by Emma Lazarus
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Related quotes
Drink To Her
Drink to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
Oh! woman's heart was made
For minstrel hands alone;
By other fingers play'd,
It yields not half the tone.
Then here's to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
At Beauty's door of glass,
When Wealth and Wit once stood,
They ask'd her, "which might pass?"
She answer'd, "he who could."
With golden key Wealth thought
To pass -- but 'twould not do:
While Wit a diamond brought,
Which cut his bright way through.
So here's to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
The love that seeks a home
Where wealth or grandeur shines,
Is like the gloomy gnome,
That dwells in dark mines.
But oh! the poet's love
Can boast a brighter sphere;
Its native home's above,
Though woman keeps it here.
Then drink to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
poem by Thomas Moore
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The Old Bridge At Florence
Taddeo Gaddi built me. I am old,
Five centuries old. I plant my foot of stone
Upon the Arno, as St. Michael's own
Was planted on the dragon. Fold by fold
Beneath me as it struggles. I behold
Its glistening scales. Twice hath it overthrown
My kindred and companions. Me alone
It moveth not, but is by me controlled.
I can remember when the Medici
Were driven from Florence; longer still ago
The final wars of Ghibelline and Guelf.
Florence adorns me with her jewelry;
And when I think that Michael Angelo
Hath leaned on me, I glory in myself.
poem by Henry Wadsworth Longfellow
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Do Swans smile...?
Do Swans smile? ...
Serenity the note of their bodies' flow
Their secret song but none will know
The water's black and moonbeam's white
Become kin with them in the darkened night
Immaculate white, graceful form
Beauty with placid majesty born
To behold the sight of a Swan in waters adrift
Is for a rose to bloom amidst a heart's mists
A sense of quiet joy, warmly does spring
Her presence in the world a smile does bring
She will move with winds and waters in grace
Though no smile may be seen on Her face
And the poem that is She will linger with whom ever the beholder
A Swan brings the smile of sweet lyric though not worn on Her.
poem by Dilshan Boange
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Her love
Who waked up the morning shine?
Who waked up?
the love in my heart
soared the feeling of my soul
Oh; the glow of her smile
The glance of her smart
so gentle and tender her smooth
Skin, the golden shining face
of her, and the darkness hair of her
Her lips's callingness love
called life in me
Oh her dress which dressing her
is beauty her dress?
I can't define
if the beauty her or her dress
She waked up in me
the morning rays
whispering the love in me
poem by Sallam Yassin
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Piscataqua River
Thou singest by the gleaming isles,
By woods, and fields of corn,
Thou singest, and the sunlight smiles
Upon my birthday morn.
But I within a city, I,
So full of vague unrest,
Would almost give my life to lie
An hour upon upon thy breast.
To let the wherry listless go,
And, wrapt in dreamy joy,
Dip, and surge idly to and fro,
Like the red harbor-buoy;
To sit in happy indolence,
To rest upon the oars,
And catch the heavy earthy scents
That blow from summer shores;
To see the rounded sun go down,
And with its parting fires
Light up the windows of the town
And burn the tapering spires;
And then to hear the muffled tolls
From steeples slim and white,
And watch, among the Isles of Shoals,
The Beacon's orange light.
O River! flowing to the main
Through woods, and fields of corn,
Hear thou my longing and my pain
This sunny birthday morn;
And take this song which fancy shapes
To music like thine own,
And sing it to the cliffs and capes
And crags where I am known!
poem by Thomas Bailey Aldrich
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Florentine Pilgrim
"I'll do the old dump in a day,"
He told me in his brittle way.
"Two more, I guess, I'll give to Rome
Before I hit the trail for home;
But while I'm there I kindo' hope
To have an audience with the Pope."
We stood upon the terraced height
With sunny Florence in our sight.
I gazed and gazed, too moved to speak
Until he queried: "What's that creek?"
"The Arno, sir," I said surprised;
He stared at it with empty eyes.
"It is," said I, "the storied stream
Where Dante used to pace and dream,
And wait for Beatrice to pass."
(Oh how I felt a silly ass
Explaining this.) With eyes remote
He asked: "Was Beatrice a boat?"
Then tranced by far Fiesole
Softly I sought to steal away;
But his adhesiveness was grim,
I could not pry apart from him:
And so in our hotel-ward walk
Meekly I listened to his talk.
"Bologna! Say, the lunch was swell;
Them wops know how to feed you well.
Verona! There I met a blonde"
Oh how that baby could respond!
Siena! That's the old burg where
We soused on Asti in the square.
"Antiquity! Why, that's the bunk -
Statues and all that mouldy junk
Will never get you anywhere . . .
My line is ladies' underware,
And better than a dozen Dantes
Is something cute in female scanties. . . .
"One day in Florence is too small
You think, maybe, to see it all.
Well, it don't matter what you've seen -
The thing is: you can say you've been."
poem by Robert William Service
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Invocation
Where Apennine slopes unto Tuscan plain,
And breaks into dimples, and laughs to flowers,
To see where the terrors of Winter wane,
And out of a valley of grape and grain
There blossoms a City of domes and towers,
Teuton, Lombard, and grasping Gaul,
Prince and Pontiff, have forced their way,
Have forded the river, and scaled the wall,
And made in its palaces stye and stall,
Where spears might glisten and war-steeds neigh.
But ever since Florence was fair and young,
And the sun upon turret and belfry shone,
Were her windows bannered and joy-bells rung,
When back to his saddle the Stranger sprung,
And lances were lifted and pikemen gone.
Yes, ever and ever till you, my Queen,
Came over the sea that is all your own,
When the tear on the tip of the vine is seen,
And the fig-tree cressets have flamed to green,
And windflower wakened, and tulip blown.
Then roses were showered before your feet,
And her lily-crowned gonfalons waved above,
And children chanted in square and street,
`All hail to the Monarch may free men greet,
Whose sceptre is Peace, and whose Throne is Love.'
And now that each snow-torrent foams and falls,
And the oreoles sing and the skylarks soar,
And the lithe swallow circles her rose-white walls,
Through the clefts of the Apennine Florence calls,
`More welcome than Spring, come back once more!
`Come back, for the cuckoo is on its way,
And the mountains, smiling, await your smile;
And still in my olive-groves bask and stray,
Till the warm-winged waters and winds of May
Shall waft you back to your own loved Isle.'
`The sickle hath performed its work
`The sickle hath performed its work,
The storm-gusts sweep the aspens bare,
Careering clouds and shadows mirk
Cow the disheartened air.
`No swallow circles round the roof,
No chirp redeems the dripping shed;
The very gables frown reproof,
``Why not already fled?'''
poem by Alfred Austin
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After Reading Trollope's History Of Florence
My books are on their shelves again
And clouds lie low with mist and rain.
Afar the Arno murmurs low
The tale of fields of melting snow.
List to the bells of times agone
The while I wait me for the dawn.
Beneath great Giotto's Campanile
The gray ghosts throng; their whispers steal
From poets' bosoms long since dust;
They ask me now to go. I trust
Their fleeter footsteps where again
They come at night and live as men.
The rain falls on Ghiberti's gates;
The big drops hang on purple dates;
And yet beneath the ilex-shades--
Dear trysting-place for boys and maids--
There comes a form from days of old,
With Beatrice's hair of gold.
The breath of lands or lilied streams
Floats through the fabric of my dreams;
And yonder from the hills of song,
Where psalmists brood and prophets throng,
The lone, majestic Dante leads
His love across the blooming meads.
Along the almond walks I tread
And greet the figures of the dead.
Mirandula walks here with him
Who lived with gods and seraphim;
Yet where Colonna's fair feet go
There passes Michael Angelo.
In Rome or Florence, still with her
Stands lone and grand her worshipper.
In Leonardo's brain there move
Christ and the children of His love;
And Raphael is touching now,
For the last time, an angel's brow.
Angelico is praying yet
Where lives no pang of man's regret,
And, mixing tears and prayers within
His palette's wealth, absolved from sin,
He dips his brush in hues divine;
San Marco's angel faces shine.
Within Lorenzo's garden green,
Where olives hide their boughs between,
The lovers, as they read betimes
Their love within Petrarca's lines,
Stand near the marbles found at Rome,
Lost shades that search in vain for home.
They pace the paths along the stream,
Dark Vallombrosa in their dream.
They sing, amidst the rain-drenched pines,
Of Tuscan gold that ruddier shines
Behind a saint's auroral face
That shows e'en yet the master's trace.
But lo, within the walls of gray,
E're yet there falls a glint of day,
And far without, from hill to vale,
Where honey-hearted nightingale
Or meads of pale anemones
Make sweet the coming morning breeze--
I hear a voice, of prophet tone,
A voice of doom, like his alone
That once in Gadara was heard;
The old walls trembled--lo, the bird
Has ceased to sing, and yonder waits
Lorenzo at his palace gates.
Some Romola in passing by
Turns toward the ruler, and his sigh
Wanders amidst the myrtle bowers
Or o'er the city's mantled towers,
For she is Florence! 'Wilt thou hear
San Marco's prophet? Doom is near.'
'Her liberties,' he cries, 'restore!
This much for Florence--yea, and more
To men and God!' The days are gone;
And in an hour of perfect dawn
I stand beneath the cypress trees
That shiver still with words like these.
poem by Eugene Field
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Near and Far
The air is full of perfume and the promise of the
spring,
From wintry mould the dainty blossoms come;
There's not a bird in all the boughs but 's eager
now to sing,
And from afar a ship is sailing home!
The cherry-blooms, all lightly blown about the ver-
dant sward,
With silver fleck the dandelion's gold;
The jasmine and arbutus breathe the fragrance
they have stored;
The crumpled ferns, like faery tents, unfold.
And low the rills are laughing, and the rivers in
the sun
Are gliding on, impatient for the sea;
The wintry days are past and gone, the summer is
begun,
And love from far is sailing home to me!
Ah, blessed spring!—how far more sweet than
any spring of yore!
No note of all thy harmonies is dumb;
With thee my heart awakes to hope and happiness
once more,
And from afar a ship is sailing home!
poem by Florence Earle Coates from Poems (1898)
Submitted by Veronica Serbanoiu
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Florence
City acclaimed from far-off days
Fair, and baptized in field of flowers,
Once more I scan, with eager gaze,
Your soaring domes, your storied towers.
Nigh on eight lustres now have flown
Since first with trembling heart I came,
And, girdled by your mountain zone,
Found you yet fairer than your fame.
It was the season purple-sweet,
When figs are plucked, and grapes are pressed,
And all your folk with following feet
Bore a dead Poet to sacred rest.
You seemed to fling your gates ajar,
And gently lead me by the hand,
Saying, ``Behold! henceforth you are
No stranger in this Tuscan land.''
And though no love my love can wean
From Albion's crags and cradling sea,
You, Florence, since that hour, have been
More than a foster-nurse to me.
And seems that welcome half profaned,
If, in your lap lain oft and long,
I cherish to have something drained
Of Dante's soul and Petrarch's song?
But more than even Muse can give,
Is Love, which, songless though we be,
While the unloving jarring live,
Makes life one long sweet melody.
And you with love and friendship still
Have teemed, as teem your hills with wine,
And, through the seasons good or ill,
Have made their mellow vintage mine.
But most, while Fancy yet was young,
Yet timely cared no more to roam,
You lent your tender Tuscan tongue
To help me in my English home.
So now from soft Sicilian shore,
And Tiber's sterner tide, I bring
My Autumn sheaves, to share once more
The rapture of your rainbow Spring.
I, lingering in your palaced town,
Asudden, 'neath some beetling pile,
Catch sight of Dante's awful frown,
Or Vinci's enigmatic smile;
Then, following olden footsteps, stroll
To where, from May-day's mocking pyre,
Savonarola's tortured soul
Went up to Heaven in tongues of fire;
Or Buonarroti's godlike hand
Made marble block from Massa's steep
Dawn into Day at his command,
Or plunged it into Night and Sleep.
Onward I pass through radiant squares,
And widening ways whose foliage shames
Our leafless streets, to one that bears
The best-beloved of English names,
And climb the white-veiled slopes arrayed
In bridal bloom of peach and pear,
While, 'neath the olive's phantom shade,
Lupine and beanflower scent the air.
The wild-bees hum round golden bay,
The green frog sings on fig-tree bole,
And, see! down daisy-whitened way
Come the slow steers and swaying pole.
The fresh-pruned vine-stems, curving, bend
Over the peaceful wheaten spears,
And with the glittering sunshine blend
Their transitory April tears.
O'er wall and trellis trailed and wound,
Hang roses blushing, roses pale;
And, hark! what was that silvery sound?
The first note of the nightingale.
Curtained, I close my lids and dream
Of Beauty seen not but surmised,
And, lulled by scent and song, I seem
Immortally imparadised.
When from the deep sweet swoon I wake
And gaze past slopes of grape and grain,
Where Arno, like some lonely lake,
Silvers the far-off seaward plain,
I see celestial sunset fires
That lift us from this earthly leaven,
And darkly silent cypress spires
Pointing the way from hill to Heaven.
Then something more than mortal steals
Over the wavering twilight air,
And, messenger of nightfall, peals
From each crowned peak a call to prayer.
And now the last meek prayer is said,
And, in the hallowed hush, there is
Only a starry dome o'erhead,
Propped by columnar cypresses.
poem by Alfred Austin
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The Flower of Liberty
WHAT flower is this that greets the morn,
Its hues from Heaven so freshly born?
With burning star and flaming band
It kindles all the sunset land:
Oh tell us what its name may be,--
Is this the Flower of Liberty?
It is the banner of the free,
The starry Flower of Liberty!
In savage Nature's far abode
Its tender seed our fathers sowed;
The storm-winds rocked its swelling bud,
Its opening leaves were streaked with blood,
Till lo! earth's tyrants shook to see
The full-blown Flower of Liberty!
Then hail the banner of the free,
The starry Flower of Liberty!
Behold its streaming rays unite,
One mingling flood of braided light,--
The red that fires the Southern rose,
With spotless white from Northern snows,
And, spangled o'er its azure, see
The sister Stars of Liberty!
Then hail the banner of the free,
The starry Flower of Liberty!
The blades of heroes fence it round,
Where'er it springs is holy ground;
From tower and dome its glories spread;
It waves where lonely sentries tread;
It makes the land as ocean free,
And plants an empire on the sea!
Then hail the banner of the free,
The starry Flower of Liberty!
Thy sacred leaves, fair Freedom's flower,
Shall ever float on dome and tower,
To all their heavenly colors true,
In blackening frost or crimson dew,--
And God love us as we love thee,
Thrice holy Flower of Liberty!
Then hail the banner of the free,
The starry FLOWER OF LIBERTY!
poem by Oliver Wendell Holmes
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March
I
Winter is long in this climate
and spring--a matter of a few days
only,--a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.
II
March,
you reminded me of
the pyramids, our pyramids--
stript of the polished stone
that used to guard them!
March,
you are like Fra Angelico
at Fiesole, painting on plaster!
March,
you are like a band of
young poets that have not learned
the blessedness of warmth
(or have forgotten it).
At any rate--
I am moved to write poetry
for the warmth there is in it
and for the loneliness--
a poem that shall have you
in it March.
III
See!
Ashur-ban-i-pal,
the archer king, on horse-back,
in blue and yellow enamel!
with drawn bow--facing lions
standing on their hind legs,
fangs bared! his shafts
bristling in their necks!
Sacred bulls--dragons
in embossed brickwork
marching--in four tiers--
along the sacred way to
Nebuchadnezzar's throne hall!
They shine in the sun,
they that have been marching--
marching under the dust of
ten thousand dirt years.
Now--
they are coming into bloom again!
See them!
marching still, bared by
the storms from my calender
--winds that blow back the sand!
winds that enfilade dirt!
winds that by strange craft
have whipt up a black army
that by pick and shovel
bare a procession to
the god, Marduk!
Natives cursing and digging
for pay unearth dragons with
upright tails and sacred bulls
alternately--
in four tiers--
lining the way to an old altar!
Natives digging at old walls--
digging me warmth--digging me sweet loneliness
high enamelled walls.
IV
My second spring--
passed in a monastery
with plaster walls--in Fiesole
on the hill above 'Florence.
My second spring--painted
a virgin--in a blue aureole
sitting on a three-legged stool,
arms crossed--
she is intently serious,
and still
watching an angel
with colored wings
half kneeling before her--
and smiling--the angel's eyes
holding the eyes of Mary
as a snake's hold a bird's.
On the ground there are flowers,
trees are in leaf.
V
But! now for the battle!
Now for murder--now for the real thing!
My third springtime is approaching!
Winds!
lean, serious as a virgin,
seeking, seeking the flowers of March.
Seeking
flowers nowhere to be found,
they twine among the bare branches
in insatiable eagerness--
they whirl up the snow
seeking under it--
they--the winds--snakelike
roar among yellow reeds
seeking flowers--flowers.
I spring among them
seeking one flower
in which to warm myself!
I deride with all the ridicule
of misery--
my own starved misery.
Counter-cutting winds
strike against me
refreshing their fury!
Come, good, cold fellows!
Have we no flowers?
Defy then with even more
desperation than ever--being
lean and frozen!
But though you are lean and frozen--
think of the blue bulls of Babylon.
Fling yourselves upon
their empty roses--
cut savagely!
But--
think of the painted monastery
at Fiesole.
poem by William Carlos Williams
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To An Artist
YOU tell me these great lords have raised up Art?
I say they have degraded it. Look you,
When ever did they let the Poet sing,
The Painter paint, the Sculptor hew and cast,
The Music raise her heavenly voice, except
To praise them and their wretched rule o'er men?
Behold our English poets that were poor
Since these great lords were rich and held the state:
Behold the glories of the German land,
Poets, Musicians, driven, like them, to death
Unless they'd tune their spirits' harps to play
Drawing-room pieces for the chattering fools
Who aped the taste for Art or for a leer.
I say, no Art was ever noble yet,
Noble and high, the speech of godlike men,
When fetters bound it, be they gold or flowers.
All that is noblest, highest, greatest, best,
Comes from the Galilean peasant's hut, comes from
The Stratford village, the Ayrshire plough, the shop
That gave us Chaucer, the humble Milton's trade —
Bach's, Mozart's, great Beethoven's — and these are they
Who knew the People, being what they knew!
Wherefore, if in the future years no strain,
No picture of earth's glory like to what
Your Artists raised for that small clique or this
Of supercilious imbecilities —
O if no better demi-gods of Art
Can rise save those whose barbarous tinsel yet
Makes hideous all the beauty of old homes —
Then let us seek the comforts of despair
In democratic efforts dead and gone;
Weep with Pheideian Athens, sigh an hour
With Raffaelle's Florence, beat the head and breast
O'er Shakspere's England that from Milton's took
In lips the name that leaped from lead and flame
From out her heart against the Spanish guns!
poem by Francis William Lauderdale Adams
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Dedication To Lady Windsor
Where violets blue to olives gray
From furrows brown lift laughing eyes,
And silvery Mensola sings its way
Through terraced slopes, nor seeks to stay,
But onward and downward leaps and flies;
Where vines, just newly burgeoned, link
Their hands to join the dance of Spring,
Green lizards glisten from clest and chink,
And almond blossoms rosy pink
Cluster and perch, ere taking wing;
Where over strips of emerald wheat
Glimmer red peach and snowy pear,
And nightingales all day long repeat
Their love-song, not less glad than sweet,
They chant in sorrow and gloom elsewhere;
Where, as the mid-day belfries peal,
The peasant halts beside his steer,
And, while he muncheth his homely meal,
The swelling tulips blush to feel
The amorous currents of the year;
Where purple iris-banners scale
Defending wall and crumbling ledge,
And virgin windflowers, lithe and frail,
Now mantling red, now trembling pale,
Peep out from furrow and hide in hedge;
Where with loud song the labourer tells
His love to maiden loitering nigh,
And in the fig-tree's wakening cells
The honeyed sweetness swarms and swells,
And mountains prop the spacious sky;
Where April-daring roses blow
From sunny wall and sheltered bower,
And Arno flushes with melted snow,
And Florence glittering down below
Peoples the air with dome and tower;-
How sweet, when vernal thoughts once more
Uncoil them in one's veins, and urge
My feet to fly, my wings to soar,
And, hastening downward to the shore,
I spurn the sand and skim the surge,
And, never lingering by the way,
But hastening on past candid lakes,
Mysterious mountains grim and gray,
Past pine woods dark, and bounding spray
White as its far-off parent flakes;
And thence from Alp's unfurrowed snow,
By Apennine's relenting slope,
Zigzagging downward smooth and slow
To where, all flushed with the morning glow,
Valdarno keeps its pledge with hope;
And then,-the end, the longed-for end!
Climbing the hill I oft have clomb,
Down which Mugello's waters wend,
Again, dear hospitable friend,
To find You in your Tuscan home.
You, with your kind lord, standing there,
Crowning the morn with youth and grace,
And radiant smiles that reach me ere
Our hands can touch, and Florence fair
Seems fairer in your comely face.
Behind you, Phyllis, mother's pet,
Your gift unto the Future, stands,
Dimpling your skirt, uncertain yet
If she recalls or I forget,
With violets fresh in both her hands.
And next, his eyes and cheeks aflame,
See Other with his sword arrive;
Other, who thus recalls the name,
May he some day renew the fame
And feats, who boasts the blood, of Clive.
How sweet! how fair! From vale to crest,
Come wafts of song and waves of scent,
Whose sensuous beauty in the breast
Might haply breed a vague unrest,
Did not your presence bring content.
For you, not tender more than true,
Blend Northern worth with Southern grace;
And sure Boccaccio never drew
A being so designed as you
To be the Genius of the place.
But whether among Tuscan flowers
You dwell, fair English flower, or where
Saint Fagan lifts its feudal towers,
Or Hewell from ancestral bowers
Riseth afresh, and yet more fair;
Still may your portals, eve or morn,
Fly open when they hear his name,
Who, though indeed he would not scorn
Welcome from distant days unborn,
Prizes your friendship more than fame.
poem by Alfred Austin
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Your Precious Love (feat. D'Angelo)
[Erykah]
Umm say baby won't you play it over for me
So I can get used to it
Yeah that's the part
[D'Angelo]
That's it
[Erykah]
Yeah that right there
I love that
[D'Angelo]
Ah this is what's coming up right here
[Erykah](D'Angelo)
Ooh yeah yes
(Ah yeah)
[D'Angelo]
Erykah, every day there's something new
Honey, to keep me lovin' you
And with every passing minute
Ah baby, so much joy wrapped up in it
[Both]
Oh, heaven must have sent you from above
Oh, heaven must have sent your precious love
[Erykah]
And I, I've got a song to sing
Telling' the world about the joy you bring, ooh
And you gave me, you gave me a reason for livin'
And ooh, you taught me, you taught me the meaning of giving
[Both]
Oh, heaven must have sent you from above
Oh, heaven must have sent your precious love
[D'Angelo]
Oh, to find a love like ours is rare these days
Cause you've shown me happiness means in so many ways
[Erykah]
I look in the mirror, and I'm glad to see
Laughter in the eyes where tears used to be
[D'Angelo]
What you've given me I could never return, yeah
'Cause there's so much, girl, I have yet to learn
[Erykah]
And I just wanna I just wanna show my appreciation
Cause when I found you, I found a new inspiration
[Both]
Oh, heaven must have sent you from above
Oh, heaven must have sent your precious love
song performed by by Erykah Badu
Submitted by Lucian Velea
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A Valentine
Fear not that I shall tell the world,
O lady mine, how sweet thou art,
Fear not that others so shall gain
The secret of my heart;
For though my lips should carol praise
From night till morn, from morn till eve,
Thy loveliness, O lady mine,
Who had not known could not believe!
To praise the rose is not to paint
Its perfume, in the air afloat;
No words can voice the violet,
Or trill the throstle's note;
Nor may I fondly hope in song
Thy mystic graces to impart,—
Who hath not known thee, lady mine,
Will never dream how sweet thou art!
poem by Florence Earle Coates from Poems (1898)
Submitted by Veronica Serbanoiu
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Prologue from Preparatory Meditations Before My Approach to The Lord's Supper
Lord, can a crumb of dust the earth outweigh,
Outmatch all mountains, nay the crystal sky?
Imbosom in't designs that shall display
And trace into the boundless deity?
Yea, hand a pen whose moisture doth gild o'er
Eternal glory with a glorious glore.
If it is pen had of an angel's quill,
And sharpened on a precious stone ground tight,
And dipped in liquid gold, and moved by skill
In crystal leaves should golden letters write,
It would but blot and blur, yea, jag and jar,
Unless Thou mak'st the pen and scribener.
I am this crumb of dust which is designed
To make my pen unto Thy praise alone,
And my dull fancy I would gladly grind
Unto an edge on Zion's precious stone;
And write in liquid gold upon Thy name
My letters till Thy glory forth doth flame.
Let not th' attempts break down my dust I pray,
Nor laugh Thou them to scorn, but pardon give.
Inspire this crumb of dust till it display
Thy glory through't: and then Thy dust shall live.
Its failings then Thou'lt overlook, I trust,
They being slips slipped from Thy crumb of dust.
Thy crumb of dust breathes two words from its breast,
That Thou wilt guide its pen to write aright
To prove Thou art and that Thou art the best
And shew Thy prosperties to shine most bright.
And then Thy works will shine as flowers on stems
Or as in jewelary shops do gems.
poem by Edward Taylor
Submitted by Poetry Lover
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The dying sycamores
A beauty like young womanhood's
Upon the green earth lies,
And June's sweet smile hath waked again
All summer's harmonies.
The insects hum their dreamy song,
The trees their honors wear,
And languid with its perfume spoils
Sighs the voluptuous air.
A gorgeous wealth of leaf and bloom
Enchants the dazzled sight;
And over earth and sky there smiles
A Presence of delight.
From yon sad dying Sycamores,
Alone a shadow falls, --
As from the ghastly form of Death,
In Egypt's banquet-halls.
Against the soft blue sky they stand,
Their naked limbs outspread,
And to the throbbing life around,
They murmur of the dead.
Spring, with her soft and odorous breath,
Hath sighed o'er them in vain,
Nor sun, nor dew, nor summer shower,
Awakes their bloom again.
Oh stately monarchs of the wood,
What blight hath o'er ye passed?
What kanker wastes your noble hearts?
What spell is on ye cast?
I watch ye where a thousand forms
With life and beauty glow,
Till half I deem that on ye lies
Some weight of human woe.
Sad emblems are ye of those hearts
In this fair world of ours,
Who live unloving and unloved,
Oh dying Sycamores.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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To June. Written After An Ungenial May
I'll heed no more the poet's lay-
His false-fond song shall charm no more-
My heart henceforth shall but adore
The real, not the misnamed May.
Too long I've knelt, and vainly hung
My offerings round an empty name;
O May! thou canst not be the same
As once thou wert when Earth was young.
Thou canst not be the same to-day-
The poet's dream-the lover's joy:-
The floral heaven of girl and boy
Were heaven no more, if thou wert May.
If thou wert May, then May is cold,
And, oh! how changed from what she has been-
Then barren boughs are bright with green,
And leaden skies are glad with gold.
And the dark clouds that veiled thy moon
Were silvery-threaded tissues bright,
Looping the locks of amber light
That float but on the airs of June.
O June! thou art the real May;
Thy name is soft and sweet as hers
But rich blood thy bosom stirs,
Her marble cheek cannot display.
She cometh like a haughty girl,
So conscious of her beauty's power,
She now will wear nor gem nor flower
Upon her pallid breast of pearl.
And her green silken summer dress,
So simply flower'd in white and gold,
She scorns to let our eyes behold,
But hides through very wilfulness:
Hides it 'neath ermined robes, which she
Hath borrowed from some wintry quean,
Instead of dancing on the green-
A village maiden fair and free.
Oh! we have spoiled her with our praise,
And made her froward, false, and vain;
So that her cold blue eyes disdain
To smile as in the earlier days.
Let her beware-the world full soon
Like me shall tearless turn away,
And woo, instead of thine, O May!
The brown, bright, joyous eyes of June.
O June! forgive the long delay,
My heart's deceptive dream is o'er-
Where I believe I will adore,
Nor worship June, yet kneel to May.
poem by Denis Florence MacCarthy
Submitted by Poetry Lover
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The Attribute of Venus
Yes; Fulvia is like Venus fair,
Has all her bloom, and shape, and air;
But still, to perfect every grace,
She wants-the smile upon her face.
The crown majestic Juno wore;
And Cynthia's brow the crescent bore;
An helmet mark'd Minerva's mien;
But smiles distinguish'd Beauty's queen.
Her train was form'd of Smiles and Loves;
Her chariot drawn by gentlest doves;
And from her zone, the nymph may find
'Tis Beauty's province to be kind.
Then smile, my Fair! and all, whose aim
Aspires to paint the Cyprian dame,
Or bid her breathe in living stone,
Shall take their forms from you alone.
poem by William Shenstone
Submitted by Poetry Lover
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