Dedication To Lady Windsor
Where violets blue to olives gray
From furrows brown lift laughing eyes,
And silvery Mensola sings its way
Through terraced slopes, nor seeks to stay,
But onward and downward leaps and flies;
Where vines, just newly burgeoned, link
Their hands to join the dance of Spring,
Green lizards glisten from clest and chink,
And almond blossoms rosy pink
Cluster and perch, ere taking wing;
Where over strips of emerald wheat
Glimmer red peach and snowy pear,
And nightingales all day long repeat
Their love-song, not less glad than sweet,
They chant in sorrow and gloom elsewhere;
Where, as the mid-day belfries peal,
The peasant halts beside his steer,
And, while he muncheth his homely meal,
The swelling tulips blush to feel
The amorous currents of the year;
Where purple iris-banners scale
Defending wall and crumbling ledge,
And virgin windflowers, lithe and frail,
Now mantling red, now trembling pale,
Peep out from furrow and hide in hedge;
Where with loud song the labourer tells
His love to maiden loitering nigh,
And in the fig-tree's wakening cells
The honeyed sweetness swarms and swells,
And mountains prop the spacious sky;
Where April-daring roses blow
From sunny wall and sheltered bower,
And Arno flushes with melted snow,
And Florence glittering down below
Peoples the air with dome and tower;-
How sweet, when vernal thoughts once more
Uncoil them in one's veins, and urge
My feet to fly, my wings to soar,
And, hastening downward to the shore,
I spurn the sand and skim the surge,
And, never lingering by the way,
But hastening on past candid lakes,
Mysterious mountains grim and gray,
Past pine woods dark, and bounding spray
White as its far-off parent flakes;
And thence from Alp's unfurrowed snow,
By Apennine's relenting slope,
Zigzagging downward smooth and slow
To where, all flushed with the morning glow,
Valdarno keeps its pledge with hope;
And then,-the end, the longed-for end!
Climbing the hill I oft have clomb,
Down which Mugello's waters wend,
Again, dear hospitable friend,
To find You in your Tuscan home.
You, with your kind lord, standing there,
Crowning the morn with youth and grace,
And radiant smiles that reach me ere
Our hands can touch, and Florence fair
Seems fairer in your comely face.
Behind you, Phyllis, mother's pet,
Your gift unto the Future, stands,
Dimpling your skirt, uncertain yet
If she recalls or I forget,
With violets fresh in both her hands.
And next, his eyes and cheeks aflame,
See Other with his sword arrive;
Other, who thus recalls the name,
May he some day renew the fame
And feats, who boasts the blood, of Clive.
How sweet! how fair! From vale to crest,
Come wafts of song and waves of scent,
Whose sensuous beauty in the breast
Might haply breed a vague unrest,
Did not your presence bring content.
For you, not tender more than true,
Blend Northern worth with Southern grace;
And sure Boccaccio never drew
A being so designed as you
To be the Genius of the place.
But whether among Tuscan flowers
You dwell, fair English flower, or where
Saint Fagan lifts its feudal towers,
Or Hewell from ancestral bowers
Riseth afresh, and yet more fair;
Still may your portals, eve or morn,
Fly open when they hear his name,
Who, though indeed he would not scorn
Welcome from distant days unborn,
Prizes your friendship more than fame.
poem by Alfred Austin
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On Returning To England
There! once again I stand on home,
Though round me still there swirls the foam,
Leaping athwart the vessel's track
To bid a wanderer welcome back,
And though as yet through softening haze
White cliffs but vaguely greet my gaze.
For, England! yours the waves, the spray,
And, be one's foothold what it may,
Wherever billow wafts or wends,
Your soil is trodden, your shore extends.
How stern! how sweet! Though fresh from lands
Where soft seas heave on slumbering strands,
And zephyrs moistened by the south
Seem kisses from an infant's mouth,
My northern blood exults to face
The rapture of this rough embrace,
Glowing in every vein to feel
The cordial caress of steel
From spear-blue air and sword-blue sea,
The armour of your liberty.
Braced by the manly air, I reach
My soul out to the approaching beach,
And own, the instant I arrive,
The dignity of being alive!
And now with forward-faring feet
Eager I leap to land, and greet
The hearty grasp, the honest gaze,
The voice that means the thing it says,
The gait of men by birthright free,
Unceremonial courtesy.
None frown, none cringe, but, fearless-eyed,
Are kindly all; since, side by side,
Authority and Freedom reign
In twin equality, and drain
Their sanction from the self-same breast,
And Law is wise Will manifest.
Yes, this is England, frank and fair:
I tread its turf, I breathe its air,
And catch from every stalwart lung
The music of my mother tongue.
And who are these that cluster round
With hastening feet and silvery sound,
And eyes as liquid as the dawn,
When laughs the dew on Kentish lawn?
These England's daughters, frank yet arch,
Supple as April, strong as March:
Like pink-white windflowers in the grove,
That came while east and west wind strove
For mastery, and Spring seemed late,
Hardy alike and delicate.
How well their faces fit the scene,
The copses gray, the hedgerows green,
The white-veiled blackthorn, gorse afire,
The cottage yew, the village spire;
The pastures flecked with frisking lambs
Around their gravely grazing dams;
The children loitering home from school,
Their hands and pinafores all full
Of cuckoo-pint and bluebell spike,
Gathered in dingle, dell, and dyke;
The comely homes one just can see
Through flowering belts of bush and tree,
That all combine, all, all conspire,
To more than satisfy desire,
To make one love this lovely earth,
And bless Heaven for one's British birth.
Bewitching climes! where late I sought
In change of scene a change of thought,
Refreshment from familiar ground,
And, what I sought for, more than found,
Where old enchantment haunteth still
Ligurian coast and Tuscan hill,
Climes I have ventured oft and long
To celebrate in faltering song,
Where fearless almond, faery larch,
Smiling, disarm the frown of March,
Snow hath no terrors, frost no sting,
And playful Winter mimics Spring,
Deem me not thankless, nor deny
Fresh welcome from your shore and sky,
Repose from thought so oft implored,
And ne'er refused, if, now restored
By you to health, by you to home,
Glad I return, late glad to roam.
For dear to me though wayside shrine
By silent gorge or murmuring brine;
Dear though the barefoot peasant folk
Who lop the vine and steer the yoke
Of soft-eyed, sleek-skinned, creamy beeves,
Up narrow ways to broad slant eaves;
The stony mule-tracks twisting slow
Up slopes where cherry-blossoms blow
'Mid olive gray and ilex brown,
On to some sun-bronzed mountain town;
The hush and cool of marble domes,
Where, wed to reverie, one roams
Through transept, chancel, cloister, cell,
Where still with far-off faces dwell
Sages and saints devoutly limned
By hands long dust and eyes long dimmed;
Dear though all these, and ne'er forgot,
No southern shore, no sunniest spot,
Not Roccabruna's hamlet crest,
Not Eza's brow, not Taggia's breast,
Not Bellosguardo's sunset hour,
Not Dante's seat nor Giotto's Tower,
Nor even Spiaggiascura's foam,
Moisten and melt my heart like home.
For here the cuckoo seems more glad,
The nightingale more sweetly sad,
Primroses more akin in gaze
To childlike wonder, childlike ways;
And all things that one sees and hears,
Since rooted in the bygone years,
And blending with their warm caress
A touch of homely tenderness,
Bid the quick instinct in one's blood
Pay tribute unto motherhood.
How should strange lands, it boots not where,
Divorce one from one's native air,
Or in a loyal breast dethrone
Unreasoning reverence for one's own?
Yet love and reason surely blend
To stir this passion and commend?
And who will blame if, though one seeks
In gentler tides, and sterner peaks
That tower above a wider plain,
Contrast to northern hill and main,
I cherish still and hold apart
The fondest feeling in my heart
For where, beneath one's parent sky,
Our dear ones live, our dead ones lie?
And you, dear friend, who linger still
Beside the iris-crested rill
That silvers through your olives gray
From convent-capped Fiesole,
Think not that I forget, forswear,
The scenes we lately vowed so fair.
To these your wandering footsteps bring
The freshness of an English Spring;
And even Florence sunnier glows,
When Phyllis prattles and Ivor crows.
And, though among them still you stray,
Sweet-lengthening-out a Tuscan May,
You too will here return before
Our Northern roses blow once more,
To prove to all of kindred birth,
For winsome grace and sterling worth,
Nothing can match, where'er we roam,
An English wife in English home.
poem by Alfred Austin
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Florence
City acclaimed from far-off days
Fair, and baptized in field of flowers,
Once more I scan, with eager gaze,
Your soaring domes, your storied towers.
Nigh on eight lustres now have flown
Since first with trembling heart I came,
And, girdled by your mountain zone,
Found you yet fairer than your fame.
It was the season purple-sweet,
When figs are plucked, and grapes are pressed,
And all your folk with following feet
Bore a dead Poet to sacred rest.
You seemed to fling your gates ajar,
And gently lead me by the hand,
Saying, ``Behold! henceforth you are
No stranger in this Tuscan land.''
And though no love my love can wean
From Albion's crags and cradling sea,
You, Florence, since that hour, have been
More than a foster-nurse to me.
And seems that welcome half profaned,
If, in your lap lain oft and long,
I cherish to have something drained
Of Dante's soul and Petrarch's song?
But more than even Muse can give,
Is Love, which, songless though we be,
While the unloving jarring live,
Makes life one long sweet melody.
And you with love and friendship still
Have teemed, as teem your hills with wine,
And, through the seasons good or ill,
Have made their mellow vintage mine.
But most, while Fancy yet was young,
Yet timely cared no more to roam,
You lent your tender Tuscan tongue
To help me in my English home.
So now from soft Sicilian shore,
And Tiber's sterner tide, I bring
My Autumn sheaves, to share once more
The rapture of your rainbow Spring.
I, lingering in your palaced town,
Asudden, 'neath some beetling pile,
Catch sight of Dante's awful frown,
Or Vinci's enigmatic smile;
Then, following olden footsteps, stroll
To where, from May-day's mocking pyre,
Savonarola's tortured soul
Went up to Heaven in tongues of fire;
Or Buonarroti's godlike hand
Made marble block from Massa's steep
Dawn into Day at his command,
Or plunged it into Night and Sleep.
Onward I pass through radiant squares,
And widening ways whose foliage shames
Our leafless streets, to one that bears
The best-beloved of English names,
And climb the white-veiled slopes arrayed
In bridal bloom of peach and pear,
While, 'neath the olive's phantom shade,
Lupine and beanflower scent the air.
The wild-bees hum round golden bay,
The green frog sings on fig-tree bole,
And, see! down daisy-whitened way
Come the slow steers and swaying pole.
The fresh-pruned vine-stems, curving, bend
Over the peaceful wheaten spears,
And with the glittering sunshine blend
Their transitory April tears.
O'er wall and trellis trailed and wound,
Hang roses blushing, roses pale;
And, hark! what was that silvery sound?
The first note of the nightingale.
Curtained, I close my lids and dream
Of Beauty seen not but surmised,
And, lulled by scent and song, I seem
Immortally imparadised.
When from the deep sweet swoon I wake
And gaze past slopes of grape and grain,
Where Arno, like some lonely lake,
Silvers the far-off seaward plain,
I see celestial sunset fires
That lift us from this earthly leaven,
And darkly silent cypress spires
Pointing the way from hill to Heaven.
Then something more than mortal steals
Over the wavering twilight air,
And, messenger of nightfall, peals
From each crowned peak a call to prayer.
And now the last meek prayer is said,
And, in the hallowed hush, there is
Only a starry dome o'erhead,
Propped by columnar cypresses.
poem by Alfred Austin
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How Florence Rings Her Bells
With shimmer of steel and blare of brass,
And Switzers marching with martial stride,
And cavaliers trampling brown the grass,
Came bow-legged Charles through the Apennine pass,
With black Il Moro for traitor guide;
And, passing by Pisa's ransomed towers,
He swept up stream over Arno's plain,
Where Florence garlands herself with flowers
From burgeoning vineyards and olive bowers,
And emerald furrows of sprouting grain;
And, flying and flaunting his pennons proud,
Crossed her bridges with naked sword,
And sware he would flourish his trumpets loud
And bristle his spears, save her beauty bowed
Itself to his stirrup, and owned him lord.
Then Savonarola's voice was heard
Swelling as Arno, storm-flushed, sweels,
And, with threat for threat, and with gird for gird,
Capponi flashed back the famous word,
``Then blow your trumpets, we'll ring our bells!''
And lo! as he spake, into street and square
Streamed Florentine burghers in grim array:
Then Charles, and Sforza, and groom Beaucaire,
Scared by the city they deemed but fair,
Shouldered their pikes, and passed away.
But now a Monarch more mighty far
Than ever from Gallic or Teuton throne
Swooped from the Alps upon wings of war,
Comes welcome as April and west winds are,
When Winter is over and mistral flown.
The Fair City peacefully rings her bells,
Rings her bells, and the loving peal
In the lazuline ether ascends and swells,
Till hoary turrets and convent cells
Feel young once more as the young buds feel.
And iris gonfalons scale her walls,
And rustic roses storm square and street;
In sound of her gates the cuckoo calls,
And the slow-swaying ox-wain creaks and crawls
'Twixt blossoming bean and beardless wheat.
In gabled pathway and shaded porch
Men gather and wait to acclaim ``The Queen'';
While over the wall, where the sunrays scorch
And the lizard is lost, the silvery torch
Of the fig is tipped with a flame of green.
And cypress spire and stonepine dome,
And circling mountain look on and smile,
Saying, ``Hitherward evermore seek your home,
When you traverse the furrows of fallow foam
That nourish with glory your Northern Isle,
And from weightier cares than a Caesar's brain
Pondered of old, would crave release;
Wise Ruler whose long victorious Reign
Imposes on love-loyal land and main
The fetters of proud Imperial Peace.''
poem by Alfred Austin
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My Playmate
The pines were dark on Ramoth hill,
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.
The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.
For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.
She kissed the lips of kith and kin,
She laid her hand in mine
What more could ask the bashful boy
Who fed her father's kine?
She left us in the bloom of May
The constant years told o'er
Their seasons with as sweet May morns,
But she came back no more.
I walk, with noiseless feet, the round
Of uneventful years;
Still o'er and o'er I sow the spring
And reap the autumn ears.
She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.
There haply with her jewelled hands
She smooths her silken gown,-
No more the homespun lap wherein
I shook the walnuts down.
The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,-
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?
What cares she that the orioles build
For other eyes than ours,-
That other hands with nuts are filled,
And other laps with flowers?
O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o'er it lean.
The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.
And still the pines of Ramoth wood
Are moaning like the sea,-
The moaning of the sea of change
Between myself and thee!
poem by John Greenleaf Whittier
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Said The Skylark
'O soft, small cloud, the dim, sweet dawn adorning,
Swan-like a-sailing on its tender grey;
Why dost thou, dost thou float,
So high, the wing'd, wild note
Of silver lamentation from my dark and pulsing throat
May never reach thee,
Tho' every note beseech thee
To bend thy white wings downward thro' the smiling of the morning,
And by the black wires of my prison lightly stray?
'O dear, small cloud, when all blue morn is ringing
With sweet notes piped from other throats than mine;
If those glad singers please
The tall and nodding trees--
If to them dance the pennants of the swaying columbine,
If to their songs are set
The dance of daffodil and trembling violet--
Will they pursue thee
With tireless wings as free and bold as thine?
Will they woo thee
With love throbs in the music of their singing?
Ah, nay! fair Cloud, ah, nay!
Their hearts and wings will stay
With yellow bud of primrose and soft blush of the May;
Their songs will thrill and die,
Tranc'd in the perfume of the rose's breast.
While I must see thee fly
With white, broad, lonely pinions down the sky.
'O fair, small cloud, unheeding o'er me straying,
Jewell'd with topaz light of fading stars;
Thy downy edges red
As the great eagle of the Dawn sails high
And sets his fire-bright head
And wind-blown pinions towards thy snowy breast;
And thou canst blush while I
Must pierce myself with song and die
On the bald sod behind my prison bars;
Nor feel upon my crest
Thy soft, sunn'd touches delicately playing!
'O fair, small cloud, grown small as lily flow'r!
Even while I smite the bars to see thee fade;
The wind shall bring thee
The strain I sing thee--
I, in wired prison stay'd,
Worse than the breathless primrose glade.
That in my morn,
I shrilly sang to scorn;
I'll burst my heart up to thee in this hour!
'O fair, small cloud, float nearer yet and hear me!
A prison'd lark once lov'd a snowy cloud,
Nor did the Day
With sapphire lips, and kiss
Of summery bliss,
Draw all her soul away;
Vainly the fervent East
Deck'd her with roses for their bridal feast;
She would not rest
In his red arms, but slipp'd adown the air
And wan and fair,
Her light foot touch'd a purple mountain crest,
And touching, turn'd
Into swift rain, that like to jewels burn'd;
In the great, wondering azure of the sky;
And while a rainbow spread
Its mighty arms above, she, singing, fled
To the lone-feather'd slave,
In his sad weird grave,
Whose heart upon his silver song had sped
To her in days of old,
In dawns of gold,
And murmuring to him, said:
'O love, I come! O love, I come to cheer thee--
Love, to be near thee!''
poem by Isabella Valancy Crawford
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Spring Dirge
A child came singing through the dusty town
A song so sweet that all men stayed to hear,
Forgetting for a space their ancient fear
Of evil days and death and fortune’s frown.
She sang of Winter dead and Spring new-born
In the green fields beyond the far hills’ bound;
And how this fair Spring, coming blossom-crowned,
Would cross the city’s threshold on the morn.
And each caged bird in every house anigh,
Even as she sang, caught up the glad refrain
Of Love and Hope and fair days come again,
Till all who heard forgot they had to die.
And all the ghosts of buried woes were laid
That heard the song of this sweet sorceress;
The Past grew to a dream of old distress,
And merry were the hearts of man and maid.
So, at the first faint blush of tender dawn,
Spring stole with noiseless steps through the gray gloom,
And men knew only by a strange perfume
That she had softly entered and withdrawn.
But ah! the lustre of her violet eyes
Was dimmed with tears for her sweet singing maid,
Whose voice would sound no more in shine or shade
To charm men’s souls at set of sun or rise.
For there, with dews of dawn upon her hair,
Like a fair flower plucked and flung away,
Dead in the street the little maiden lay
Who gave new life to hearts nigh dead of care.
Alas! must this be still the bitter doom
Awaiting those, the finer-souled of earth,
Who make for men a morning song of mirth
While yet the birds are dumb amid the gloom?
They walk on thorny ways with feet unshod,
Sing one last song, and die as that song dies.
There is no human hand to close their eyes,
And very heavy is the hand of God.
poem by Victor James Daley
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A Brown Study
LET them sing of their primrose and cowslip,
Their daffodil-gold-coloured hair,
Their bluebells, blue eyes, and white violets,
All the pale dreamy things they find fair;
Give me stir of brown leaves in the sunshine,
The whir of brown wings through the wheat,
The rush of brown hares through the clover,
And the light in brown eyes of my sweet!
Gold hair? Well, I never could love it,
Yet gold, I suppose, has its worth;
The head that I love is as dusky
As the breast of our mother, the earth;
With a gleam like the shine of wet seaweed,
Round pools that the tide has left clear,
And warm like the breast of a linnet,
And as brown, is the hair of my dear.
From the edge of the cliff we look downwards
On the shore, and the bay, and the town,
And brown is the short turf we lean on,
The fishing-boats' sails are all brown:
The sky may be blue--that's the background,--
But the picture itself, to be fair,
However it's shaded and varied,
Should be brown as the dress that you wear.
A lark bursts to sudden sweet singing--
That tuft of brown grass is his home--
And now, a brown speck, he is rising
Against the clear windy sky-dome;
And he sings--how I know? Love instructs me
To know all his notes, what they mean--
That it isn't the colour I care for,
But yourself, oh, my gipsy, my queen!
Ah! the lark knows my heart--I his language;
It's my heart he sings out to the skies;
It is you that I love, and what matter
The colour of hair or of eyes?
No doubt I should love you as dearly
Were your hair like an apricot's down,
And your eyes like the grey of the morning;
But I'm glad, all the same, that they're brown.
poem by Edith Nesbit
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Anne
Her eyes be like the violets,
Ablow in Sudbury lane;
When she doth smile, her face is sweet
As blossoms after rain;
With grief I think of my gray hairs,
And wish me young again.
In comes she through the dark old door
Upon this Sabbath day;
And she doth bring the tender wind
That sings in bush and tree;
And hints of all the apple boughs
That kissed her by the way.
Our parson stands up straight and tall,
For our dear souls to pray,
And of the place where sinners go
Some grewsome things doth say:
Now, she is highest Heaven to me;
So Hell is far away.
Most stiff and still the good folk sit
To hear the sermon through;
But if our God be such a God,
And if these things be true,
Why did He make her then so fair,
And both her eyes so blue?
A flickering light, the sun creeps in,
And finds her sitting there;
And touches soft her lilac gown,
And soft her yellow hair;
I look across to that old pew,
And have both praise and prayer.
Oh, violets in Sudbury lane,
Amid the grasses green,
This maid who stirs ye with her feet
Is far more fair, I ween!
I wonder how my forty years
Look by her sweet sixteen!
poem by Lizette Woodworth Reese
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The Adopted Child
'Why wouldst thou leave me, oh! gentle child?
Thy home on the mountain is bleak and wild,
A straw-roof'd cabin, with lowly wall“
Mine is a fair and a pillar'd hall,
Where many an image of marble gleams,
And the sunshine of picture for ever streams.'
'Oh! green is the turf where my brothers play,
Thro' the long bright hours of the summer-day;
They find the red cup-moss where they climb,
And they chase the bee o'er the scented thyme,
And the rocks where the heath-flower blooms they know“
Lady, kind lady! oh! let me go.'
'Content thee, boy! in my bower to dwell,
Here are sweet sounds which thou lovest well;
Flutes on the air in the stilly noon,
Harps which the wandering breezes tune;
And the silvery wood-note of many a bird,
Whose voice was ne'er in thy mountains heard.'
'Oh! my mother sings, at the twilight's fall,
A song of the hills far more sweet than all;
She sings it under our own green tree,
To the babe half slumb'ring on her knee;
I dreamt last night of that music low“
Lady, kind lady! oh! let me go.'
'Thy mother is gone from her cares to rest,
She hath taken the babe on her quiet breast;
Thou would'st meet her footstep, my boy, no more,
Nor hear her song at the cabin door.
Come thou with me to the vineyards nigh,
And we'll pluck the grapes of the richest dye.'
'Is my mother gone from her home away?“
But I know that my brothers are there at play.
I know they are gathering the foxglove's bell,
Or the long fern-leaves by the sparkling well;
Or they launch their boats where the bright streams flow,“
Lady, kind lady! oh! let me go.'
'Fair child, thy brothers are wanderers now,
They sport no more on the mountain's brow,
They have left the fern by the spring's green side,
And the streams where the fairy barks were tried.
Be thou at peace in thy brighter lot,
For thy cabin-home is a lonely spot.'
'Are they gone, all gone from the sunny hill?“
But the bird and the blue-fly rove o'er it still;
And the red-deer bound in their gladness free,
And the heath is bent by the singing bee,
And the waters leap, and the fresh winds blow,“
Lady, kind lady! oh! let me go.'
poem by Felicia Dorothea Hemans
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A Pastoral Ballad III: Solicitude
Why will you my passion reprove?
Why term it a folly to grieve?
Ere I shew you the charms of my love,
She is fairer than you can believe.
With her mien she enamours the brave;
With her wit she engages the free;
With her modesty pleases the grave;
She is ev'ry way pleasing to me.
O you that have been of her train,
Come and join in my amorous lays;
I could lay down my life for the swain,
That will sing but a song in her praise.
When he sings, may the nymphs of the town
Come trooping, and listen the while;
Nay on him let not Phyllida frown;
-- But I cannot allow her to smile.
For when Paridel tries in the dance
Any favour with Phyllis to find,
O how, with one trivial glance,
Might she ruin the peace of my mind!
In ringlets he dresses his hair,
And his crook is be-studded around;
And his pipe -- oh may Phyllis beware
Of a magic there is in the sound.
'Tis his with mock passion to glow;
'Tis his in smooth tales to unfold,
``How her face is as bright as the snow,
And her bosom, be sure, is as cold?
How the nightingales labour the strain,
With the notes of his charmer to vie;
How they vary their accents in vain,
Repine at her triumphs, and die.''
To the grove or the garden he strays,
And pillages every sweet;
Then, suiting the wreath to his lays
He throws it at Phyllis's feet.
``O Phyllis, he whispers, more fair,
More sweet than the jessamine's flow'r!
What are pinks, in a morn, to compare?
What is eglantine, after a show'r?
Then the lily no longer is white;
Then the rose is depriv'd of its bloom;
Then the violets die with despight,
And the wood-bines give up their perfume.''
Thus glide the soft numbers along,
And he fancies no shepherd his peer;
-- Yet I never should envy the song,
Were not Phyllis to lend it an ear.
Let his crook be with hyacinths bound,
So Phyllis the trophy despise:
Let his forehead with laurels be crown'd,
So they shine not in Phyllis's eyes.
The language that flows from the heart
Is a stranger to Paridel's tongue;
-- Yet may she beware of his art,
Or sure I must envy the song.
poem by William Shenstone
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A Song
There is ever a song somewhere, my dear;
There is ever a something sings alway:
There's the song of the lark when the skies are clear,
And the song of the thrush when the skies are gray.
The sunshine showers across the grain,
And the bluebird trills in the orchard tree;
And in and out, when the eaves dip rain,
The swallows are twittering ceaselessly.
There is ever a song somewhere, my dear,
Be the skies above or dark or fair,
There is ever a song that our hearts may hear--
There is ever a song somewhere, my dear
There is ever a song somewhere!
There is ever a song somewhere, my dear,
In the midnight black, or the mid-day blue:
The robin pipes when the sun is here,
And the cricket chirrups the whole night through.
The buds may blow, and the fruit may grow,
And the autumn leaves drop crisp and sear;
But whether the sun, or the rain, or the snow,
There is ever a song somewhere, my dear.
There is ever a song somewhere, my dear,
Be the skies above or dark or fair,
There is ever a song that our hearts may hear--
There is ever a song somewhere, my dear--
There is ever a song somewhere!
poem by James Whitcomb Riley
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The Return Of Youth
My friend, thou sorrowest for thy golden prime,
For thy fair youthful years too swift of flight;
Thou musest, with wet eyes, upon the time
Of cheerful hopes that filled the world with light,--
Years when thy heart was bold, thy hand was strong,
And quick the thought that moved thy tongue to speak,
And willing faith was thine, and scorn of wrong
Summoned the sudden crimson to thy cheek.
Thou lookest forward on the coming days,
Shuddering to feel their shadow o'er thee creep;
A path, thick-set with changes and decays,
Slopes downward to the place of common sleep;
And they who walked with thee in life's first stage,
Leave one by one thy side, and, waiting near,
Thou seest the sad companions of thy age--
Dull love of rest, and weariness and fear.
Yet grieve thou not, nor think thy youth is gone,
Nor deem that glorious season e'er could die.
Thy pleasant youth, a little while withdrawn,
Waits on the horizon of a brighter sky;
Waits, like the morn, that folds her wing and hides,
Till the slow stars bring back her dawning hour;
Waits, like the vanished spring, that slumbering bides
Her own sweet time to waken bud and flower.
There shall he welcome thee, when thou shalt stand
On his bright morning hills, with smiles more sweet
Than when at first he took thee by the hand,
Through the fair earth to lead thy tender feet.
He shall bring back, but brighter, broader still,
Life's early glory to thine eyes again,
Shall clothe thy spirit with new strength, and fill
Thy leaping heart with warmer love than then.
Hast thou not glimpses, in the twilight here,
Of mountains where immortal morn prevails?
Comes there not, through the silence, to thine ear
A gentle rustling of the morning gales;
A murmur, wafted from that glorious shore,
Of streams that water banks for ever fair,
And voices of the loved ones gone before,
More musical in that celestial air?
poem by William Cullen Bryant
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Roses Are Red (Jessica)
Roses are red Violets are blue,
Honey is so sweet and so are you darling!
Roses are red Violets are blue,
You've made my dreams come true!
Roses are red Violets are blue,
I have my brown eyes glued on YOU!
Roses are red Violets are blue,
I feel like i have known you!
Roses are red Violets are blue,
You are so FINE that you give me the BLUES!
Roses are red Violets are blue,
Lord knows that im falling for you!
Roses are red Violets are blue,
I just want to Rock with you!
Roses are red Violets are blue,
These lips can't wait to be kissing you!
Roses are red Violets are blue,
I do anything to claim you!
Roses are red Violets are blue,
I bow down to you!
Roses are red Violets are blue,
I've never met anyone as HOT as you!
Roses are red Violets are blue,
never knew i would meet you!
Roses are red Violets are blue,
I'm going to bed would you like to come too!
Roses are red Violets are blue,
I rather spend my precious time with you!
Roses are red Violets are blue,
You are beautiful as sparkling DIAMOND!
Roses are red Violets are blue,
You have me speechless everytime i talk to you!
Roses are red Violets are blue,
May i have this dance with you (JESSICA)
Roses are red Violets are blue,
I have mentioned your name so many time i have lost count!
Roses are red Violets are blue,
I dont want no-one if i cant have you. #PERIOD
Roses are red Violets are blue,
I want to give you everlasting Joy, Happiness, and especially LOVE!
Roses are red Violets are blue,
I'm the one who will make your dreams come true
Roses are red Violets are blue,
Chilli is hot and so are you!
Roses are red Violets are blue,
JESSICA ITA JAMES WILL YOU BE MY GIRLFRIEND! ! ! ! ! ! ! ! !
Roses are red Violets are blue,
THIS POEM WAS MADE FOR YOU.......
poem by Obi Onyenwe
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Compensation
In that new world toward which our feet are set,
Shall we find aught to make our hearts forget
Earth's homely joys and her bright hours of bliss?
Has heaven a spell divine enough for this?
For who the pleasure of the spring shall tell
When on the leafless stalk the brown buds swell,
When the grass brightens and the days grow long,
And little birds break out in rippling song?
O sweet the dropping eve, the blush of morn,
The starlit sky, the rustling fields of corn,
The soft airs blowing from the freshening seas,
The sunflecked shadow of the stately trees,
The mellow thunder and the lulling rain,
The warm, delicious, happy summer rain,
When the grass brightens and the days grow long,
And little birds break out in rippling song!
O beauty manifold, from morn till night,
Dawn's flush, noon's blaze and sunset's tender light!
O fair, familiar features, changes sweet
Of her revolving seasons, storm and sleet
And golden calm, as slow she wheels through space,
From snow to roses, - and how dear her face,
When the grass brightens, when the days grow long,
And little birds break out in rippling song!
O happy earth! O home so well beloved!
What recompense have we, from thee removed?
One hope we have that overtops the whole, -
The hope of finding every vanished soul,
We love and long for daily, and for this
Gladly we turn from thee, and all thy bliss,
Even at thy loveliest, when the days are long,
And little birds break out in rippling song.
poem by Celia Thaxter
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The Happy Couple
AFTER these vernal rains
That we so warmly sought,
Dear wife, see how our plains
With blessings sweet are fraught!
We cast our distant gaze
Far in the misty blue;
Here gentle love still strays,
Here dwells still rapture true.
Thou seest whither go
Yon pair of pigeons white,
Where swelling violets blow
Round sunny foliage bright.
'Twas there we gather'd first
A nosegay as we roved;
There into flame first burst
The passion that we proved.
Yet when, with plighted troth,
The priest beheld us fare
Home from the altar both,
With many a youthful pair,--
Then other moons had birth,
And many a beauteous sun,
Then we had gain'd the earth
Whereon life's race to run.
A hundred thousand fold
The mighty bond was seal'd;
In woods, on mountains cold,
In bushes, in the field,
Within the wall, in caves,
And on the craggy height,
And love, e'en o'er the waves,
Bore in his tube the light.
Contented we remain'd,
We deem'd ourselves a pair;
'Twas otherwise ordain'd,
For, lo! a third was there;
A fourth, fifth, sixth appear'd,
And sat around our board;
And now the plants we've rear'd
High o'er our heads have soar'd!
How fair and pleasant looks,
On yonder beauteous spot,
Embraced by poplar-brooks,
The newly-finish'd cot!
Who is it there that sits
In that glad home above?
Is't not our darling Fritz
With his own darling love?
Beside yon precipice,
Whence pent-up waters steal,
And leaving the abyss,
Fall foaming through the wheel,
Though people often tell
Of millers' wives so fair,
Yet none can e'er excel
Our dearest daughter there!
Yet where the thick-set green
Stands round yon church and sad,
Where the old fir-tree's seen
Alone tow'rd heaven to nod,--
'Tis there the ashes lie
Of our untimely dead;
From earth our gaze on high
By their blest memory's led.
See how yon hill is bright
With billowy-waving arms!
The force returns, whose might
Has vanquished war's alarms.
Who proudly hastens here
With wreath-encircled brow?
'Tis like our child so dear
Thus Charles comes homeward now.
That dearest honour'd guest
Is welcom'd by the bride;
She makes the true one blest,
At the glad festal tide.
And ev'ry one makes haste
To join the dance with glee;
While thou with wreaths hast graced
The youngest children three.
To sound of flute and horn
The time appears renew'd,
When we, in love's young morn,
In the glad dance upstood;
And perfect bliss I know
Ere the year's course is run,
For to the font we go
With grandson and with son!
poem by Johann Wolfgang von Goethe
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The Change
She leaned out into the soft June weather,
With her long loose tresses the night breeze played;
Her eyes were as blue as the bells on the heather:
Oh, what is so fair as a fair young maid!
She folded her hands, like the leaves of a lily,
'My life, ' she said, 'is a night in June,
Fair and quiet, and calm and stilly;
Bring me a change, O changeful moon!
'Who would drift on a lake forever?
Young hearts weary - it is not strange,
And sigh for the beautiful bounding river;
New moon, true moon, bring me a change! '
The rose that rivalled her maiden blushes
Dropped from her breast, at a strangers feet;
Only a glance; but the hot blood rushes
To mantle a fair face, shy and sweet.
To and fro, while the moon is waning,
They walk, and the stars shine on above;
And one is in earnest, and one is feigning -
Oh, what is so sweet as a sweet young love?
A young life crushed, and a young heart broken,
A bleak wind blows through the lovely bower,
And all that remains of the love vows spoken -
Is the trampled leaf of a faded flower.
The night is dark, for the moon is failing -
And what is so pale as a pale old moon?
Cold is the wind through the tree tops wailing -
Woe that the change should come so soon.
poem by Ella Wheeler Wilcox
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Maiden May
Maiden May sat in her bower,
In her blush rose bower in flower,
Sweet of scent;
Sat and dreamed away an hour,
Half content, half uncontent.
‘Why should rose blossoms be born,
Tender blossoms, on a thorn
Though so sweet?
Never a thorn besets the corn
Scentless in its strength complete.
‘Why are roses all so frail,
At the mercy of a gale,
Of a breath?
Yet so sweet and perfect pale,
Still so sweet in life and death.’
Maiden May sat in her bower,
In her blush rose bower in flower,
Where a linnet
Made one bristling branch the tower
For her nest and young ones in it.
‘Gay and clear the linnet trills;
Yet the skylark only, thrills
Heaven and earth
When he breasts the height, and fills
Height and depth with song and mirth.
‘Nightingales which yield to night
Solitary strange delight,
Reign alone:
But the lark for all his height
Fills no solitary throne;
‘While he sings, a hundred sing;
Wing their flight below his wing
Yet in flight;
Each a lovely joyful thing
To the measure of its delight.
‘Why then should a lark be reckoned
One alone, without a second
Near his throne?
He in skyward flight unslackened,
In his music, not alone.’
Maiden May sat in her bower;
Her own face was like a flower
Of the prime,
Half in sunshine, half in shower,
In the year's most tender time.
Her own thoughts in silent song
Musically flowed along,
Wise, unwise,
Wistful, wondering, weak or strong:
As brook shallows sink or rise.
Other thoughts another day,
Maiden May, will surge and sway
Round your heart;
Wake, and plead, and turn at bay,
Wisdom part, and folly part.
Time not far remote will borrow
Other joys, another sorrow,
All for you;
Not to-day, and yet to-morrow
Reasoning false and reasoning true.
Wherefore greatest? Wherefore least?
Hearts that starve and hearts that feast?
You and I?
Stammering Oracles have ceased,
And the whole earth stands at ‘why?’
Underneath all things that be
Lies an unsolved mystery;
Over all
Spreads a veil impenetrably,
Spreads a dense unlifted pall.
Mystery of mysteries:
This creation hears and sees
High and low -
Vanity of vanities:
This we test and this we know.
Maiden May, the days of flowering
Nurse you now in sweet embowering,
Sunny days;
Bright with rainbows all the showering,
Bright with blossoms all the ways.
Close the inlet of your bower,
Close it close with thorn and flower,
Maiden May;
Lengthen out the shortening hour, -
Morrows are not as to-day.
Stay to-day which wanes too soon,
Stay the sun and stay the moon,
Stay your youth;
Bask you in the actual noon,
Rest you in the present truth.
Let to-day suffice to-day:
For itself to-morrow may
Fetch its loss,
Aim and stumble, say its say,
Watch and pray and bear its cross.
poem by Christina Georgina Rossetti
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Marjory
Spring Stornelli.
THE RIVULET.
OH clear smooth rivulet, creeping through our bridge
With backward waves that cling around the shore,
And is thy world beyond the dim blue ridge
More dear than this, or does it need thee more?
Oh lingering stream, upon thy ceaseless way
Glide to to-morrow; yet 'tis fair to-day:
Beyond the hills and haze to-morrows hide;
To-day is fair; glide lingering, ceaseless tide.
SPRING AND SUMMER.
And summer time is good; but at its heat
The fair poor blossoms wither for the fruit,
And song-birds go that made our valley sweet
With useless ecstasies, and the boughs are mute.
And I would keep the blossoms and the song,
And I would have it spring the whole year long:
And I would have my life a year-long spring
To never pass from hopes and blossoming.
THE PRIMROSE.
Dear welcome, sweet pale stars of hope and spring,
Young primroses, blithe with the April air;
My darlings, waiting for my gathering,
Sit in my bosom, nestle in my hair.
But, oh! the fairest laughs behind the brook,
I cannot have it, I can only look:
Oh happy primrose on the further beach,
One can but look on thee, one cannot reach.
LINNET AND LARK.
Oh buoyant linnet in the flakes of thorn,
Sing thy loud lay; for joy and song are one.
Oh skylark floating upwards into morn,
Pour out thy carolling music of the sun.
Sing, sing; be voices of the life-ful air,
Glad things that never knew the cage nor snare:
Be voices of the air, and fill the sky,
Glad things that have no heed of by-and-by.
Summer Stornelli.
THE BEES IN THE LIME.
AMID the thousand blossoms of the lime,
The gossip bees go humming to and fro:
And oh the busy joy of working time!
And oh the fragrance when the lime trees blow!
Take the sweet honeys deftly, happy bees,
And store them for the later days than these:
Store, happy bees, these honeys for the frost,
That sweetness of the blossom be not lost.
THE CORNFLOWER.
A field-plant in my sheltered garden bed,
And I have set it there to love it dear;
It makes blue flowers to match skies overhead,
Blue flowers for all the while the summer's here.
Sky-blooms that woke and budded with the wheat,
Ye last and make the livelong summer sweet:
Spread while the green wheat passes into gold,
Sky-blooms I planted in the garden-mould.
THE FLOWING TIDE.
The slow green wave comes curling from the bay
And leaps in spray along the sunny marge,
And steals a little more and more away,
And drowns the dulse, and lifts the stranded barge.
Leave me, strong tide, my smooth and yellow shore;
But the clear waters deepen more and more:
Leave me my pathway of the sands, strong tide;
Yet are the waves more fair than all they hide.
THE WHISPER.
Some one has said a whispered word to me;
The whisper whispers on within my ear.
Oh little word, hush, hush, and let me be;
Hush, little word, too vexing sweet to hear.
And, if it will not hush, what must I do?
The word was 'Love'; perchance the word was true:
And, if it will not hush, must I repine?
I am his love; perchance then he is mine.
THE HEART THAT LACKS ROOM.
I love him, and I love him, and I love:
Oh heart, my love goes welling o'er the brim.
He makes my light more than the sun above,
And what am I save what I am to him?
All will, all hope I have, to him belong;
Oh heart, thou art too small for love so strong:
Oh heart, grow large, grow deeper for his sake;
Oh love him better, heart, or thou wilt break!
THE LOVERS.
And we are lovers, lovers he and I:
Oh sweet dear name that angels envy us;
Lovers for now, lovers for by and by,
And God to hear us call each other thus.
Flow softly, river of our life, and fair;
We float together to the otherwhere:
Storm, river of our life, if storm must be,
We brunt thy tide together to that sea.
THE NIGHTINGALE.
From the dusk elm rings out a changing lay;
The human-hearted nightingale sings there.
Why not, like little minstrels of the day,
Sweet voice, fling only raptures on the air?
'Tis that she's kin to us and has our woe,
Something that's lost or something yet to know:
'Tis that she's kin to us and sings our bliss,
Loving, to know love is yet more than this.
THE STORM.
Storm in the dimness of the purpled sky,
And the sharp flash leaps out from cloud to cloud:
But the blue, lifted, corner spreads more high,
Brightness, and brightness, bursts the gathered shroud.
Aye, pass, black storm, thou hadst thy threatening hour;
Now.the freed beams make rainbows of the shower:
Now the freed sunbeams break into the air;
Pass, and the sky forgets thee and is fair.
BABY EYES.
Blue baby eyes, they are so sweetest sweet,
And yet they have not learned love's dear replies;
They beg not smiles, nor call for me, nor greet,
But clear, unshrinking, note me with surprise.
But, eyes that have your father's curve of lid,
You'll learn the look that he keeps somewhere hid:
You'll smile, grave baby eyes, and I shall see
The look your father keeps for only me.
THE BINDWEED.
In all fair hues from white to mingled rose,
Along the hedge the clasping bindweed flowers;
And when one chalice shuts a new one blows,
There's blooming for all minutes of the hours.
Along the hedge beside the trodden lane
Where day by day we pass and pass again:
Rosy and white along the busy mile,
A flower for every step and all the while.
Autumn Stornelli.
THE HEATHER.
THE leagues of heather lie on moor and hill,
And make soft purple dimness and red glow;
No butterfly may call the blithe wind chill
That brings the ruddy heather-bells a-blow.
The song-birds half forget the world is fair,
And pipe no lays because the heather's there:
Oh foolish birds that have no joyous lay,
With hill and moor a garden ground to-day!
LATE ROSES.
The swallows went last week, but 'twas too soon;
For, look, the sunbeams streaming on their eaves;
And, look, my rose, a very child of June,
Spreading its crimson coronet of leaves.
Was it too late, my rose, to bud and blow?
For when the summer wanes her roses go:
Bloom, rose, there are more roses yet to wake,
With hearts of sweetness for the summer's sake.
THE BRAMBLES.
So tall along the dusty highway row,
So wide on the free heath the brambles spread;
Here's the pink bud, and here the full white blow,
And here the black ripe berry, here the red.
Bud, flower, and fruit, among the mingling thorns;
And dews to feed them in the autumn morns:
Fruit, flower, and bud, together, thou rich tree!
And oh but life's a happy time for me!
WE TWO.
The road slopes on that leads us to the last,
And we two tread it softly, side by side;
'Tis a blithe count the milestones we have passed,
Step fitting step, and each of us for guide.
My love, and I thy love, our road is fair,
And fairest most because the other's there:
Our road is fair, adown the harvest hill,
But fairest that we two are we two still.
WE TWO.
We two, we two! the children's smiles are dear—
Thank God how dear the bonny children's smiles!—
But 'tis we two among our own ones here,
We two along life's way through all the whiles.
To think if we had passed each other by;
And he not he apart, and I not I!
And oh to think if we had never known;
And I not I and he not he alone!
THE APPLE ORCHARD.
The apple branches bend with ripening weight,
The apple branches rosy as with flowers;
You'd think red giant fuchsias blooming late
Within this sunny orchard ground of ours.
Give us your shade, fair fountain trees of fruits;
We rest upon the mosses at your roots:
Fair fountain trees of fruits, drop windfalls here;
Lo, ripening store for all the coming year.
Winter Stornelli.
THE SNOWS.
THE green and happy world is hidden away;
Cold, cold, the ghostly snows lie on its breast;
The white miles reach the shadows wan and grey
'Neath wan grey skies unchanged from east to west.
Sleep on beneath the snows, chilled, barren, earth;
There are no blossoms for thy winter dearth:
Break not nor melt, fall still from heaven, wan snows;
Hide the spoiled earth, and numb her to repose.
THE HOLLY.
'Tis a brave tree. While round its boughs in vain
The warring wind of January bites and girds,
It holds the clusters of its crimson grain,
A winter pasture for the shivering birds.
Oh patient holly, that the children love,
No need for thee of smooth blue skies above:
Oh green strong holly, shine amid the frost;
Thou dost not lose one leaf for sunshine lost.
THE GRAVEYARD.
They sleep here well who have forgotten to-day,
They weep not while we weep, nor wake each morn
To bitter new surprise, as mourners may
That knew not in their rest they were forlorn.
Calm graveyard, 'tis more pleasant to sit here
Than where loud life pretends its eager cheer:
Calm graveyard, where he waits and I shall be,
Thou hast the spot of earth most dear to me.
THE FROZEN RIVER.
Dead stream beneath the icy silent blocks
That motionless stand soddening into grime,
Thy fretted falls hang numb, frost pens the locks;
Dead river, when shall be thy waking time?
'Not dead;' the river spoke and answered me,
'My burdened current, hidden, finds the sea'
'Not dead, not dead;' my heart replied at length,
'The frozen river holds a hidden strength.'
THE DAUGHTER.
Go forth, my darling, in the wreath and veil;
My hand shall place them for thee; so goodbye.
Thou hast Love's rose, and tend it without fail;
It withers, dear, if lovers let it lie.
Go, my own singing bird, and be his now;
And I am more than half as glad as thou.
Ah me! the singing birds that were our own
Fly forth and mate: and 'tis long life alone.
WE TWO.
We two that could not part are parted long;
He in the far-off Heaven, and I to wait.
A fair world once, all blossom-time and song;
But to be lonely tires, and I live late.
To think we two have not a word to change:
And one without the other here is strange!
To think we two have nothing now to share:
I wondering here, and he without me there!
WE TWO.
We two, we two! we still are linked and nigh:
He could not have forgotten in any bliss;
Surely he feels my being yet; and I,
I have no thought but seems some part of his.
Oh love gone out of reach of yearning eyes,
Our hearts can meet to gather-in replies:
Oh love past touch of lip and clasp of hand,
Thou canst not be too far to understand.
THE FLOWERS TO COME.
The drift is in the hollows of the hill,
Yet primrose leaves uncurl beneath the hedge;
Frosts pierce the dawn, and the north wind blows chill,
Yet snowdrop spikelets rim the garden edge.
Dear plants that will make bud in coming spring,
Ye were not for one only blossoming:
More than one blossoming for all fair flowers;
And God keeps mine till spring is somewhere ours.
poem by Augusta Davies Webster
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Astrophel's Song Of Phyllida And Corydon
Fair in a morn (O fairest morn!),
Was never morn so fair,
There shone a sun, though not the sun
That shineth in the air.
For the earth, and from the earth,
(Was never such a creature!)
Did come this face (was never face
That carried such a feature).
Upon a hill (O blessèd hill!
Was never hill so blessèd),
There stood a man (was never man
For woman so distressed):
This man beheld a heavenly view,
Which did such virtue give
As clears the blind, and helps the lame,
And makes the dead man live.
This man had hap (O happy man!
More happy none than he);
For he had hap to see the hap
That none had hap to see.
This silly swain (and silly swains
Are men of meanest grace):
Had yet the grace (O gracious gift!)
To hap on such a face.
He pity cried, and pity came
And pitied so his pain,
As dying would not let him die
But gave him life again.
For joy whereof he made such mirth
As all the woods did ring;
And Pan with all his swains came forth
To hear the shepherd sing;
But such a song sung never was,
Nor shall be sung again,
Of Phyllida the shepherds' queen,
And Corydon the swain.
Fair Phyllis is the shepherds' queen,
(Was never such a queen as she,)
And Corydon her only swain
(Was never such a swain as he):
Fair Phyllis hath the fairest face
That ever eye did yet behold,
And Corydon the constant'st faith
That ever yet kept flock in fold;
Sweet Phyllis is the sweetest sweet
That ever yet the earth did yield,
And Corydon the kindest swain
That ever yet kept lambs in field.
Sweet Philomel is Phyllis' bird,
Though Corydon be he that caught her,
And Corydon doth hear her sing,
Though Phyllida be she that taught her:
Poor Corydon doth keep the fields
Though Phyllida be she that owes them,
And Phyllida doth walk the meads,
Though Corydon be he that mows them:
The little lambs are Phyllis' love,
Though Corydon is he that feeds them,
The gardens fair are Phyllis' ground,
Though Corydon is he that weeds them.
Since then that Phyllis only is
The only shepherd's only queen;
And Corydon the only swain
That only hath her shepherd been,--
Though Phyllis keep her bower of state,
Shall Corydon consume away?
No, shepherd, no, work out the week,
And Sunday shall be holiday.
poem by Nicholas Breton
Submitted by Poetry Lover
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The Path Through The Corn
WAVY and bright in the summer air,
Like a pleasant sea when the wind blows fair,
And its roughest breath has scarcely curled
The green highway to a distant world,--
Soft whispers passing from shore to shore,
As from hearts content, yet desiring more--
Who feels forlorn,
Wandering thus down the path through the corn?
A short space since, and the dead leaves lay
Mouldering under the hedgerow gray,
Nor hum of insect, nor voice of bird,
O'er the desolate field was ever heard;
Only at eve the pallid snow
Blushed rose-red in the red sun-glow;
Till, one blest morn,
Shot up into life the young green corn.
Small and feeble, slender and pale,
It bent its head to the winter gale,
Hearkened the wren's soft note of cheer,
Hardly believing spring was near:
Saw chestnuts bud out and campions blow,
And daisies mimic the vanished snow
Where it was born,
On either side of the path through the corn.
The corn, the corn, the beautiful corn,
Rising wonderful, morn by morn:
First, scarce as high as a fairy's wand,
Then, just in reach of a child's wee hand;
Then growing, growing, tall, brave, and strong:
With the voice of new harvests in its song;
While in fond scorn
The lark out-carols the whispering corn.
A strange, sweet path, formed day by day,
How, when, and wherefore, we cannot say,
No more than of our life-paths we know,
Whither they lead us, why we go;
Or whether our eyes shall ever see
The wheat in the ear or the fruit on the tree;
Yet, who's forlorn?--
He who watered the furrows can ripen the corn.
poem by Dinah Maria Mulock Craik
Submitted by Poetry Lover
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