Elizabeth Barrett Browning

Sonnet 18 - I never gave a lock of hair away

XVIII

I never gave a lock of hair away
To a man, Dearest, except this to thee,
Which now upon my fingers thoughtfully,
I ring out to the full brown length and say
'Take it.' My day of youth went yesterday;
My hair no longer bounds to my foot's glee,
Nor plant I it from rose or myrtle-tree,
As girls do, any more: it only may
Now shade on two pale cheeks the mark of tears,
Taught drooping from the head that hangs aside
Through sorrow's trick. I thought the funeral-shears
Would take this first, but Love is justified,—
Take it thou,—finding pure, from all those years,
The kiss my mother left here when she died.

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Elizabeth Barrett Browning

Sonnet XVIII

I never gave a lock of hair away
To a man, Dearest, except this to thee,
Which now upon my fingers thoughtfully,
I ring out to the full brown length and say
' Take it.' My day of youth went yesterday;
My hair no longer bounds to my foot's glee,
Nor plant I it from rose or myrtle-tree,
As girls do, any more: it only may
Now shade on two pale cheeks the mark of tears,
Taught drooping from the head that hangs aside
Through sorrow's trick. I thought the funeral-shears
Would take this first, but Love is justified,--
Take it thou,--finding pure, from all those years,
The kiss my mother left here when she died.

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Elizabeth Barrett Browning

Sonnet XVIII: I Never Gave a Lock of Hair

I never gave a lock of hair away
To a man, dearest, except this to thee,
Which now upon my fingers thoughtfully,
I ring out to the full brown length and say
Take it. My day of youth went yesterday;
My hair no longer bounds to my foot's glee,
Nor plant I it from rose or myrtle-tree,
As girls do, any more: it only may
Now shade on two pale cheeks the mark of tears,
Taught drooping from the head that hangs aside
Through sorrow's trick. I thought the funeral-shears
Would take this first, but Love is justified,--
Take it thou,--finding pure, from all those years,
The kiss my mother left here when she died.

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Elizabeth Barrett Browning

Xviii

I never gave a lock of hair away
To a man, Dearest, except this to thee,
Which now upon my fingers thoughtfully,
I ring out to the full brown length and say
' Take it.' My day of youth went yesterday;
My hair no longer bounds to my foot's glee,
Nor plant I it from rose or myrtle-tree,
As girls do, any more: it only may
Now shade on two pale cheeks the mark of tears,
Taught drooping from the head that hangs aside
Through sorrow's trick. I thought the funeral-shears
Would take this first, but Love is justified,--
Take it thou,--finding pure, from all those years,
The kiss my mother left here when she died.

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Emily Dickinson

Love—thou art high

453

Love—thou art high—
I cannot climb thee—
But, were it Two—
Who know but we—
Taking turns—at the Chimborazo—
Ducal—at last—stand up by thee—

Love—thou are deep—
I cannot cross thee—
But, were there Two
Instead of One—
Rower, and Yacht—some sovereign Summer—
Who knows—but we'd reach the Sun?

Love—thou are Veiled—
A few—behold thee—
Smile—and alter—and prattle—and die—
Bliss—were an Oddity—without thee—
Nicknamed by God—
Eternity—

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Emily Dickinson

You know that Portrait in the Moon

504

You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?

The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—

When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—

And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—

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Emily Dickinson

If I may have it, when it's dead

577

If I may have it, when it's dead,
I'll be contented—so—
If just as soon as Breath is out
It shall belong to me—

Until they lock it in the Grave,
'Tis Bliss I cannot weigh—
For tho' they lock Thee in the Grave,
Myself—can own the key—

Think of it Lover! I and Thee
Permitted—face to face to be—
After a Life—a Death—We'll say—
For Death was That—
And this—is Thee—

I'll tell Thee All—how Bald it grew—
How Midnight felt, at first—to me—
How all the Clocks stopped in the World—
And Sunshine pinched me—'Twas so cold—

Then how the Grief got sleepy—some—
As if my Soul were deaf and dumb—
Just making signs—across—to Thee—
That this way—thou could'st notice me—

I'll tell you how I tried to keep
A smile, to show you, when this Deep
All Waded—We look back for Play,
At those Old Times—in Calvary,

Forgive me, if the Grave come slow—
For Coveting to look at Thee—
Forgive me, if to stroke thy frost
Outvisions Paradise!

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Emily Dickinson

What if I say I shall not wait!

277

What if I say I shall not wait!
What if I burst the fleshly Gate—
And pass escaped—to thee!

What if I file this Mortal—off—
See where it hurt me—That's enough—
And wade in Liberty!

They cannot take me—any more!
Dungeons can call—and Guns implore
Unmeaning—now—to me—

As laughter—was—an hour ago—
Or Laces—or a Travelling Show—
Or who died—yesterday!

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Emily Dickinson

I think just how my shape will rise

237

I think just how my shape will rise—
When I shall be "forgiven"—
Till Hair—and Eyes—and timid Head—
Are out of sight—in Heaven—

I think just how my lips will weigh—
With shapeless—quivering—prayer—
That you—so late—"Consider" me—
The "Sparrow" of your Care—

I mind me that of Anguish—sent—
Some drifts were moved away—
Before my simple bosom—broke—
And why not this—if they?

And so I con that thing—"forgiven"—
Until& mdash;delirious—borne—
By my long bright—and longer—trust—
I drop my Heart—unshriven!

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Emily Dickinson

The Court is far away

235

The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!

I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—

That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—

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Emily Dickinson

Empty my Heart, of Thee

587

Empty my Heart, of Thee—
Its single Artery—
Begin, and leave Thee out—
Simply Extinction's Date—

Much Billow hath the Sea—
One Baltic—They—
Subtract Thyself, in play,
And not enough of me
Is left—to put away—
"Myself" meanth Thee—

Erase the Root—no Tree—
Thee—then—no me—
The Heavens stripped—
Eternity's vast pocket, picked—

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Emily Dickinson

I tend my flowers for thee

339

I tend my flowers for thee—
Bright Absentee!
My Fuchsia's Coral Seams
Rip—while the Sower—dreams—

Geraniums— tint—and spot—
Low Daisies—dot—
My Cactus—splits her Beard
To show her throat—

Carnations—tip their spice—
And Bees—pick up—
A Hyacinth—I hid—
Puts out a Ruffled Head—
And odors fall
From flasks—so small—
You marvel how they held—

Globe Roses—break their satin glake—
Upon my Garden floor—
Yet—thou—not there—
I had as lief they bore
No Crimson—more—

Thy flower—be gay—
Her Lord—away!
It ill becometh me—
I'll dwell in Calyx—Gray—
How modestly—alway—
Thy Daisy—
Draped for thee!

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Emily Dickinson

It knew no Medicine

559

It knew no Medicine—
It was not Sickness—then—
Nor any need of Surgery—
And therefore—'twas not Pain—

It moved away the Cheeks—
A Dimple at a time—
And left the Profile—plainer—
And in the place of Bloom

It left the little Tint
That never had a Name—
You've seen it on a Cast's face—
Was Paradise—to blame—

If momently ajar—
Temerity—drew near—
And sickened—ever afterward
For Somewhat that it saw?

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Emily Dickinson

The Winters are so short

403

The Winters are so short—
I'm hardly justified
In sending all the Birds away—
And moving into Pod—

Myself—for scarcely settled—
The Phoebes have begun—
And then—it's time to strike my Tent—
And open House—again—

It's mostly, interruptions—
My Summer—is despoiled—
Because there was a Winter—once—
And al the Cattle—starved—

And so there was a Deluge—
And swept the World away—
But Ararat's a Legend—now—
And no one credits Noah—

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Emily Dickinson

How many times these low feet staggered

187

How many times these low feet staggered—
Only the soldered mouth can tell—
Try—can you stir the awful rivet—
Try—can you lift the hasps of steel!

Stroke the cool forehead—hot so often—
Lift—if you care—the listless hair—
Handle the adamantine fingers
Never a thimble—more—shall wear—

Buzz the dull flies—on the chamber window—
Brave—shines the sun through the freckled pane—
Fearless—the cobweb swings from the ceiling—
Indolent Housewife—in Daisies—lain!

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Emily Dickinson

There came a Day at Summer's full

322

There came a Day at Summer's full,
Entirely for me—
I thought that such were for the Saints,
Where Resurrections—be—

The Sun, as common, went abroad,
The flowers, accustomed, blew,
As if no soul the solstice passed
That maketh all things new—

The time was scarce profaned, by speech—
The symbol of a word
Was needless, as at Sacrament,
The Wardrobe—of our Lord—

Each was to each The Sealed Church,
Permitted to commune this—time—
Lest we too awkward show
At Supper of the Lamb.

The Hours slid fast—as Hours will,
Clutched tight, by greedy hands—
So faces on two Decks, look back,
Bound to opposing lands—

And so when all the time had leaked,
Without external sound
Each bound the Other's Crucifix—
We gave no other Bond—

Sufficient troth, that we shall rise—
Deposed—at length, the Grave—
To that new Marriage,
Justified—through Calvaries of Love—

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Elizabeth Barrett Browning

Sonnet 14 - If thou must love me, let it be for nought

XIV

If thou must love me, let it be for nought
Except for love's sake only. Do not say
'I love her for her smile—her look—her way
Of speaking gently,—for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day'—
For these things in themselves, Beloved, may
Be changed, or change for thee,—and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry,—
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love's sake, that evermore
Thou mayst love on, through love's eternity.

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Emily Dickinson

I cannot dance upon my Toes

326

I cannot dance upon my Toes—
No Man instructed me—
But oftentimes, among my mind,
A Glee possesseth me,

That had I Ballet knowledge—
Would put itself abroad
In Pirouette to blanch a Troupe—
Or lay a Prima, mad,

And though I had no Gown of Gauze—
No Ringlet, to my Hair,
Nor hopped to Audiences—like Birds,
One Claw upon the Air,

Nor tossed my shape in Eider Balls,
Nor rolled on wheels of snow
Till I was out of sight, in sound,
The House encore me so—

Nor any know I know the Art
I mention—easy—Here—
Nor any Placard boast me—
It's full as Opera—

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Emily Dickinson

The first Day's Night had come

410

The first Day's Night had come—
And grateful that a thing
So terrible—had been endured—
I told my Soul to sing—

She said her Strings were snapt—
Her Bow—to Atoms blown—
And so to mend her—gave me work
Until another Morn—

And then—a Day as huge
As Yesterdays in pairs,
Unrolled its horror in my face—
Until it blocked my eyes—

My Brain—begun to laugh—
I mumbled—like a fool—
And tho' 'tis Years ago—that Day—
My Brain keeps giggling—still.

And Something's odd—within—
That person that I was—
And this One—do not feel the same—
Could it be Madness—this?

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Emily Dickinson

Only a Shrine, but Mine

918

Only a Shrine, but Mine—
I made the Taper shine—
Madonna dim, to whom all Feet may come,
Regard a Nun—

Thou knowest every Woe—
Needless to tell thee—so—
But can'st thou do
The Grace next to it—heal?
That looks a harder skill to us—
Still—just as easy, if it be thy Will
To thee—Grant me—
Thou knowest, though, so Why tell thee?

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Emily Dickinson

The Morning after Woe

364

The Morning after Woe—
'Tis frequently the Way—
Surpasses all that rose before—
For utter Jubilee—

As Nature did not care—
And piled her Blossoms on—
And further to parade a Joy
Her Victim stared upon—

The Birds declaim their Tunes—
Pronouncing every word
Like Hammers—Did they know they fell
Like Litanies of Lead—

On here and there—a creature—
They'd modify the Glee
To fit some Crucifixal Clef—
Some Key of Calvary—

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