Over the Banisters
Over the banisters bends a face,
Daringly sweet and beguiling.
Somebody stands in careless grace,
And watches the picture, smiling.
The light burns dim in the hall below,
Nobody sees her standing,
Saying good-night again, soft and slow,
Half way up to the landing.
Nobody only the eyes of brown,
Tender and full of meaning,
That smile on the fairest face in town,
Over the banisters leaning.
Tired and sleepy, with drooping head,
I wonder why she lingers;
Now, when the good-nights all are said,
Why somebody holds her fingers.
He holds her fingers and draws her down,
Suddenly growing bolder,
Till the loose hair drops its masses brown,
Like a mantle over his shoulder.
Over the banisters soft hands, fair,
Brush his cheeks like a feather,
And bright brown tresses and dusky hair,
Meet and mingle together.
There's a question asked, there's a swift caress,
She has flown like a bird from the hallway,
But over the banisters drops a "yes,"
That shall brighten the world for him alway.
poem by Ella Wheeler Wilcox
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Related quotes
I Wrung My Hands
I wrung my hands under my dark veil. . .
"Why are you pale, what makes you reckless?"
-- Because I have made my loved one drunk
with an astringent sadness.
I'll never forget. He went out, reeling;
his mouth was twisted, desolate. . .
I ran downstairs, not touching the banisters,
and followed him as far as the gate.
And shouted, choking: "I meant it all
in fun. Don't leave me, or I'll die of pain."
He smiled at me -- oh so calmly, terribly --
and said: "Why don't you get out of the rain?"
poem by Anna Akhmatova
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Manami
I am Sorry. I am sorry those are the only words I can put to effort I am sorry I was not there to tell you good night, I am sorry that I wasn't there for your recitals. I am sorry I was not there to brush your hair, or get you ready for prom, I am sorry that I was not at you graduation that balmy June day. I am sorry that I was not at your wedding, to your dark haired handsome husband now that I look back and wish I could brush your blonde hair or to see your smiling face but, only in my dreams no more will I see the face of my young. I am sorry that I am your mother and for not being there when you need me the most so forgive me my sweet brown eyed blonde hair and with light tanned skin. Manami. I am Sorry.
poem by Raine Uchiha
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The Lass With The Delicate Air
Timid and smiling, beautiful and shy,
She drops her head at every passer bye.
Afraid of praise she hurries down the streets
And turns away from every smile she meets.
The forward clown has many things to say
And holds her by the gown to make her stay,
The picture of good health she goes along,
Hale as the morn and happy as her song.
Yet there is one who never feels a fear
To whisper pleasing fancies in her ear;
Yet een from him she shuns a rude embrace,
And stooping holds her hands before her face,--
She even shuns and fears the bolder wind,
And holds her shawl, and often looks behind.
poem by John Clare
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A Brown Study
LET them sing of their primrose and cowslip,
Their daffodil-gold-coloured hair,
Their bluebells, blue eyes, and white violets,
All the pale dreamy things they find fair;
Give me stir of brown leaves in the sunshine,
The whir of brown wings through the wheat,
The rush of brown hares through the clover,
And the light in brown eyes of my sweet!
Gold hair? Well, I never could love it,
Yet gold, I suppose, has its worth;
The head that I love is as dusky
As the breast of our mother, the earth;
With a gleam like the shine of wet seaweed,
Round pools that the tide has left clear,
And warm like the breast of a linnet,
And as brown, is the hair of my dear.
From the edge of the cliff we look downwards
On the shore, and the bay, and the town,
And brown is the short turf we lean on,
The fishing-boats' sails are all brown:
The sky may be blue--that's the background,--
But the picture itself, to be fair,
However it's shaded and varied,
Should be brown as the dress that you wear.
A lark bursts to sudden sweet singing--
That tuft of brown grass is his home--
And now, a brown speck, he is rising
Against the clear windy sky-dome;
And he sings--how I know? Love instructs me
To know all his notes, what they mean--
That it isn't the colour I care for,
But yourself, oh, my gipsy, my queen!
Ah! the lark knows my heart--I his language;
It's my heart he sings out to the skies;
It is you that I love, and what matter
The colour of hair or of eyes?
No doubt I should love you as dearly
Were your hair like an apricot's down,
And your eyes like the grey of the morning;
But I'm glad, all the same, that they're brown.
poem by Edith Nesbit
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Jeanie with the Light Brown Hair
1 I dream of Jeanie with the light brown hair,
2 Borne, like a vapor, on the summer air;
3 I see her tripping where the bright streams play,
4 Happy as the daisies that dance on her way.
5 Many were the wild notes her merry voice would pour.
6 Many were the blithe birds that warbled them o'er:
7 Oh! I dream of Jeanie with the light brown hair,
8 Floating, like a vapor, on the soft summer air.
9 I long for Jeanie with the daydawn smile,
10 Radiant in gladness, warm with winning guile;
11 I hear her melodies, like joys gone by,
12 Sighing round my heart o'er the fond hopes that die: --
13 Sighing like the night wind and sobbing like the rain, --
14 Wailing for the lost one that comes not again:
15 Oh! I long for Jeanie, and my heart bows low,
16 Never more to find her where the bright waters flow.
17 I sigh for Jeanie, but her light form strayed
18 Far from the fond hearts round her native glade;
19 Her smiles have vanished and her sweet songs flown,
20 Flitting like the dreams that have cheered us and gone.
21 Now the nodding wild flowers may wither on the shore
22 While her gentle fingers will cull them no more:
23 Oh! I sigh for Jeanie with the light brown hair,
24 Floating, like a vapor, on the soft summer air.
poem by Stephen C. Foster
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Another Acrostic ( In the style of Father William )
"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"
"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."
poem by Lewis Carroll
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Love In The Sunlight
we lie on the grass
in the late afternoon sunlight
the breeze rustles the leaves
of a scorched palm tree
hair sprawl on the grass
brown eyes look into blue eyes
blue eyes look into brown eyes
her fingers run though my hair
I close my eyes
I feel the warmth of the sun
I feel the sweetness of her fingers
running through my hair
it feels good
it feels right
our loves meet
poem by Georgios Andritsos
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Dead Roses
He placed a rose in my nut-brown hair--
A deep red rose with a fragrant heart
And said: 'We'll set this day apart,
So sunny, so wondrous fair.'
His face was full of a happy light,
His voice was tender and low and sweet,
The daisies and the violets grew at our feet--
Alas, for the coming of night!
The rose is black and withered and dead!
'Tis hid in a tiny box away;
The nut-brown hair is turning to gray,
And the light of the day is fled!
The light of the beautiful day is fled,
Hush'd is the voice so sweet and low--
And I--ah, me! I loved him so--
And the daisies grow over his head!
poem by Eugene Field
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The King's Breakfast
The King's Breakfast
The King asked
The Queen, and
The Queen asked
The Dairymaid:
"Could we have some butter for
The Royal slice of bread?"
The Queen asked the Dairymaid,
The Dairymaid
Said, "Certainly,
I'll go and tell the cow
Now
Before she goes to bed."
The Dairymaid
She curtsied,
And went and told
The Alderney:
"Don't forget the butter for
The Royal slice of bread."
The Alderney
Said sleepily:
"You'd better tell
His Majesty
That many people nowadays
Like marmalade
Instead."
The Dairymaid
Said, "Fancy!"
And went to
Her Majesty.
She curtsied to the Queen, and
She turned a little red:
"Excuse me,
Your Majesty,
For taking of
The liberty,
But marmalade is tasty, if
It's very
Thickly
Spread."
The Queen said
"Oh!:
And went to
His Majesty:
"Talking of the butter for
The royal slice of bread,
Many people
Think that
Marmalade
Is nicer.
Would you like to try a little
Marmalade
Instead?"
The King said,
"Bother!"
And then he said,
"Oh, deary me!"
The King sobbed, "Oh, deary me!"
And went back to bed.
"Nobody,"
He whimpered,
"Could call me
A fussy man;
I only want
A little bit
Of butter for
My bread!"
The Queen said,
"There, there!"
And went to
The Dairymaid.
The Dairymaid
Said, "There, there!"
And went to the shed.
The cow said,
"There, there!
I didn't really
Mean it;
Here's milk for his porringer,
And butter for his bread."
The Queen took
The butter
And brought it to
His Majesty;
The King said,
"Butter, eh?"
And bounced out of bed.
"Nobody," he said,
As he kissed her
Tenderly,
"Nobody," he said,
As he slid down the banisters,
"Nobody,
My darling,
Could call me
A fussy man -
BUT
I do like a little bit of butter to my bread!"
poem by Alan Alexander Milne
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At Lulworth Cove a Century Back
Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."
"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."
"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."
poem by Thomas Hardy
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Star Of The County Down
In banbridge town in the county down
One morning last july,
From a boreen green came a sweet colleen
And she smiled as she passed me by.
She looked so sweet fronn her two bare feet
To the sheen of her nut brown hair.
Such a coaxing elf, sure I shook myself
For to see I was really there.
Chorus:
From bantry bay up to derry quay and
From galway to dublin town,
No maid Ive seen like the brown colleen
That I met in the county down.
As she onward sped, sure I scratched my head,
And I looked with a feelin rare,
And I says, says i, to a passer-by,
Whose the maid with the nut brown hair?
He smiled at me and he sayss, says he,
Thats the gem of irelands crown.
Its rosie mccann from the banks of the bann,
Shes the star of the county down.
Chorus:
From bantry bay up to derry ouay and
From galway to dublin town,
No maid Ive seen like the brown colleen
That I met in the county down.
At the harvest fair shell be surely there
And Ill dress in my sunday clothes,
With my shoes shone bright and my hat cocked
Right for a smile from my nut brown rose.
No pipe Ill smoke, no horse Ill yoke
Till my plough turns rust coloured brown.
Till a smiling bride, by my own fireside
Sits the star of the county down.
Chorus / repeat
song performed by by Van Morrison
Submitted by Lucian Velea
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On A Good Night
(paul nelson/don cook/larry boone)
On a good night I could hop in my truck
Round up my friends and with any kind of luck
We could end up howling at a harvest moon
On a good night I could put on my hat
Head down to the honky tonk and dance
But on a real good night I meet a women like you
Brown hair blue eyes once in a life time countrified kind of girl
Heart-breaking chance-taking wild little love making
Shaking up my world
Hey on a good night I can picture the day
All my dreams come true
But on a real good night I meet a women like you
On a good night I can drive to the lake
Turn on the radio and find george strait
Then go play a little game of eight ball pool
On a good night I might be found
Draggin with the boys cross town
But on a real good night I meet a women like you
Brown hair blue eyes once in a life time countrified kind of girl
Heart-breaking chance-taking wild little love making
Shaking up my world
Hey on a good night I can picture the day
All my dreams come true
But on a real good night I meet a women like you
Brown hair blue eyes once in a life time countrified kind of girl
Heart-breaking chance-taking wild little love making
Shaking up my world
Hey on a good night I can picture the day
All my dreams come true
But on a real good night I meet a women like you
song performed by by Wade Hayes
Submitted by Lucian Velea
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Jenn
Jenn is the one that i always will love
through thick and thin we been through it all
i still love her like i always will
her eyes are brown and beautiful
when i look into them i see us and the future we have
i see us standing with a baby with her eyes
her hair is long soft and brown
when i touch it it feels so soft and i don't wanna let go of snuggling her
when i feel her hair i feel our baby's hair as soft as it's mothers
its eyes and hair they share
i will always love jenn forever and more
our future together is getting bright once more
i will tell you something today that will ashtonish you
if you don't already know
I love you jenn until the day i die
I wanna be with you now more then ever and again
poem by Roberto Camtoe
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The Farmer's Bride
Three summers since I chose a maid,
Too young maybe-but more's to do
At harvest-time that a bide and woo.
When us was wed she turned afraid
Of love and me and all things human;
Like the shut of winter's day
Her smile went out, and `twadn't a woman-
More like a little frightened fay.
One night, in the Fall, she runned away.
"Out 'mong the sheep, her be," they said,
Should properly have been abed;
But sureenough she wadn't there
Lying awake with her wide brown stare.
So over seven-acre field and up-along across the down
We chased her, flying like a hare
Before out lanterns. To Church-Town
All in a shiver and a scare
We caught her, fetched her home at last
And turned the key upon her, fast.
She does the work about the hosue
As well as most, but like a mouse:
Happy enough to cheat and play
With birds and rabbits and such as they,
So long as men-folk keep away
"Not near, not near!" her eyes beseech
When one of us comes within reach.
The woman say that beasts in stall
Look round like children at her call.
I've hardly heard her speak at all.
Shy as a leveret, swift as he,
Straight and slight as a young larch tree,
Sweet as the first wild violets, she,
To her wild self. But what to me?
The short days shorten and the oaks are brown,
The blue smoke rises to the low grey sky,
One leaf in the still air falls slowly down,
A magpie's spotted feathers lie
An the black earth spread white with rime,
The berries redden up to Christmas-time.
What's Christmas-time without there be
Some other in the house than we!
She sleeps up in the attic there
Alone, poor maid. `Tis but a stair
Betwixt us. Oh! my God! the down,
The soft young down of her, the brown,
The brown of her-her eyes, her hair, her hair!
poem by Charlotte Mary Mew
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Angel of the morning light
Angel of the morning light,
the sun is up
and the sun is bright
and still I see you sleep
on a Saturday morning.
Last night your cries
and lovely sighs
rang sweet in my ears
and now your head
is on a pillow
and your long brown hair
lies strewn like a sheaf of flowers.
I tend to the pets,
prepare some breakfast
and when you open your eyes
the gold of green and brown
glitters like fire
and there’s a sweet
smile on your face.
poem by Gert Strydom
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The Prince's Progress (excerpt)
"Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate.
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.
"Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leaped,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.
"Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair.
Now these are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?
"We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.
"We never heard her speak in haste;
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.
"You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo we who love weep not to-day,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread."
poem by Christina Georgina Rossetti
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The quill worker
Plains, plains, and the prairie land which the sunlight floods and fills,
To the north the open country, southward the Cyprus Hills;
Never a bit of woodland, never a rill that flows,
Only a stretch of cactus beds, and the wild, sweet prairie rose;
Never a habitation, save where in the far south-west
A solitary tepee lifts its solitary crest,
Where Neykia in the doorway, crouched in the red sunshine,
Broiders her buckskin mantle with the quills of the porcupine.
Neykia, the Sioux chief's daughter, she with the foot that flies,
She with the hair of midnight and the wondrous midnight eyes,
She with the deft brown fingers, she with the soft, slow smile,
She with the voice of velvet and the thoughts that dream the while,--
"Whence come the vague to-morrows? Where do the yesters fly?
What is beyond the border of the prairie and the sky?
Does the maid in the Land of Morning sit in the red sunshine,
Broidering her buckskin mantle with the quills of the porcupine?"
So Neykia, in the westland, wonders and works away,
Far from the fret and folly of the "Land of Waking Day."
And many the pale-faced trader who stops at the tepee door
For a smile from the sweet, shy worker, and a sigh when the hour is o'er.
For they know of a young red hunter who oftentimes has stayed
To rest and smoke with her father, tho' his eyes were on the maid;
And the moons will not be many ere she in the red sunshine
Will broider his buckskin mantle with the quills of the porcupine.
poem by Emily Pauline Johnson
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Mortality
"And we shall be changed.""And we shall be changed."
Ye dainty mosses, lichens grey,
Pressed each to each in tender fold,
And peacefully thus, day by day,
Returning to their mould;
Brown leaves, that with aerial grace
Slip from your branch like birds a-wing,
Each leaving in the appointed place
Its bud of future spring; --
If we, God's conscious creatures, knew
But half your faith in our decay,
We should not tremble as we do
When summoned clay to clay.
But with an equal patience sweet
We should put off this mortal gear,
In whatsoe'er new form is meet
Content to reappear.
Knowing each germ of life He gives
Must have in Him its source and rise,
Being that of His being lives
May change, but never dies.
Ye dead leaves, dropping soft and slow,
Ye mosses green and lichens fair,
Go to your graves, as I will go,
For God is also there.
poem by Dinah Maria Mulock Craik
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Fog Holds Lights
FOG HOLDS LIGHTS
Fog holds lights in soft hands stroking
the bay, floating across waters alive
with flickering rays. The night air whispers
of ancient sand castles and the gleam
of small stars stirring the romance of darkness.
It clings faithfully to the rise and fall
of waves washing in, swinging to
the rhythm of a sea singing love songs.
Fog holds lights in soft hands, clasps love
in tender touches, grasps hope in strong
fingers as it rolls in. Reality
blurs, an impressionist painting
lying just under the murky paint of fog.
Fog holds light in soft hands, embraces
dreams carefully as they swoop
across our sleep like moonbeams prowling
the night sky. It smothers the future and remolds
the past, leaving us in a blurred limbo.
Fog holds light in soft hands wet with tears.
When it is time for it to be gone,
it lifts silently and disappears.
poem by Raynette Eitel
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Some Children See Him
Some children see him
Some children see him lily white,
The baby jesus born this night,
Some children see him lily white,
With tresses soft and fair.
Some children see him bronzed and brown,
The lord of heavn to earth come down;
Some children see him bronzed and brown,
With dark and heavy hair.
Some children see him almond-eyed,
This savior whom we kneel beside,
Some children see him almond-eyed,
With skin of yellow hue.
Some children see him dark as they,
Sweet marys son to whom we pray,
Some children see him dark as they,
And, ah! they love him, too!
The children in each diffrent place
Will see the baby jesus face
Like theirs, but bright with heavnly grace,
And filled with holy light.
O lay aside each earthly thing,
And with thy heart as offering,
Come worship now the infant king.
tis love thats born tonight!
song performed by by Kenny Loggins
Submitted by Lucian Velea
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