The Fact of the Matter
I'm wonderin' why those fellers who go buildin' chipper ditties,
'Bout the rosy times out drovin', an' the dust an' death of cities,
Don't sling the bloomin' office, strike some drover for a billet,
And soak up all the glory that comes handy while they fill it.
P'r'aps it's fun to travel cattle or to picnic with merinos,
But the drover don't catch on, sir, not much high-class rapture he knows.
As for sleepin' on the plains there in the shadder of the spear-grass,
That's liked best by the Juggins with a spring-bed an' a pier-glass.
An' the camp-fire, an' the freedom, and the blanky constellations,
The 'possum-rug an' billy, an' the togs an' stale ole rations -
It's strange they're only raved about by coves that dress up pretty,
An' sport a wife, an' live on slap-up tucker in the city.
I've tickled beef in my time clear from Clarke to Riverina,
An' shifted sheep all round the shop, but blow me if I've seen a
Single blanky hand who didn't buck at pleasures of this kidney,
And wouldn't trade his blisses for a flutter down in Sydney.
Night-watches are delightful when the stars are really splendid
To the chap who's fresh upon the job, but, you bet, his rapture's ended
When the rain comes down in sluice-heads, or the cuttin' hailstones pelter,
An' the sheep drift off before the wind, an' the horses strike for shelter.
Don't take me for a howler, but I find it come annoyin'
To hear these fellers rave about the pleasures we're enjoyin',
When p'r'aps we've nothin' better than some fluky water handy,
An' they're right on all the lickers - rum, an' plenty beer an' brandy.
The town is dusty, may be, but it isn't worth the curses
'Side the dust a feller swallers an' the blinded thirst he nurses
When he's on the hard macadam, where the jumbucks cannot browse, an'
The wind is in his whiskers, an' he follers twenty thousan'.
This drovin' on the plain, too, it's all O.K. when the weather
Isn't hot enough to curl the soles right off your upper leather,
Or so cold that when the mornin' wind comes hissin' through the grasses
You can feel it cut your eyelids like a whip-lash as it passes.
Then there's bull-ants in the blankets, an' a lame horse, an' muskeeters,
An' a D.T. boss like Halligan, or one like Humpy Peters,
Who is mean about the tucker, an' can curse from start to sundown,
An' can fight like fifty devils, an' whose growler's never run down.
Yes, I wonder why the fellers what go building chipper ditties
'Bout the rosy times out drovin' an' the dust an' death of cities,
Don't sling the bloomin' office, strike ole Peters for a billet,
An' soak up all the glory that comes handy while they fill it.
poem by Edward George Dyson

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The Drovers In Reply
We are wondering why those fellows who are writing cheerful ditties
Of the rosy times out droving, and the dust and death of cities,
Do not leave the dreary office, ask a drover for a billet,
And enjoy ‘the views,’ ‘the campfires,’ and ‘the freedom’ while they fill it.
If it’s fun to travel cattle or to picnic with merinoes,
Well the drover doesn’t see it—few poetic raptures he knows.
As for sleeping on the plains beneath ‘the pale moon’ always seen there,
That is most appreciated by the man who’s never been there.
And the ‘balmy air,’ the horses, and the ‘wondrous constellations,’
The ’possum-rugs, and billies, and the tough and musty rations,
It’s strange they only please the swell in urban streets residing,
Where the trams are always handy if he has a taste for riding.
We have travelled far with cattle for the very best of reasons—
For a living—we’ve gone droving in all latitudes and seasons,
But have never had a mate content with pleasures of this kidney,
And who wouldn’t change his blisses for a flutter down in Sydney.
Night watches are delightful when the stars are really splendid
To the sentimental stranger, but his joy is quickly ended
When the rain comes down in sluice-heads, or the cutting hailstones pelter,
And the sheep drift with the blizzard, and the horses bolt for shelter.
Don’t imagine we are soured, but it’s peculiarly annoying
To be told by city writers of the pleasures we’re enjoying,
When perhaps we’ve nothing better than some fluky water handy,
Whilst the scribes in showy bar-rooms take iced seltzer with their brandy.
The dust in town is nothing to the dust the drover curses,
And the dust a drover swallows, and the awful thirst he nurses
When he’s on the hard macadam, where the wethers cannot browse, and
The sirocco drives right at him, and he follows twenty thousand.
This droving on the plain is really charming when the weather
Isn’t hot enough to curl the soles right off your upper leather,
Or so cold that when the morning wind comes hissing through the grasses
You can feel it cut your eyelids like a whip-lash as it passes.
There are bull-ants in the blankets, wicked horses, cramps, and ‘skeeters,’
And a drinking boss like Halligan, or one like Humpy Peters,
Who is mean about the rations, and a flowing stream of curses
From the break of day to camping, through good fortune and reverses.
Yes, we wonder why the fellows who are building chipper ditties
Of the rosy times out droving and the dust and death of cities,
Do not quit the stuffy office, ask old Peters for a billet,
And enjoy the stars, the camp-fires, and the freedom while they fill it.
poem by Edward George Dyson

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The Drover Of The Stars
IT is little I care for earth's kings,
Its emperors, sultans and czars,
As I lie in the darkness and dream
All alone with my sheep and the stars.
For as dust of the moment are they,
Now agleam and now still on earth's breast;
But the stars, spreading wide in the night,
Travel on, ever on to the west.
My sheep, snugly camped in the dark,
Misty-white with the pale grasses blend;
But where is the camp of the stars?
And whither, O Night, do they wend?
Through leagues of dry distance we came,
Where dust-wreaths, wind-woven, upcurled,
Since Dawn dropped the rails of the east
And let the Day into our world.
Slow-moving we travelled the plains,
Trudging on through the sun and the wind,
Till Day galloped out of the west,
And Night set the sliprails behind.
And now, by my camp-fire alone,
A tryst with pale Wonder I keep —
That mystical Lady of Dreams,
Whose hour is the sleep-of-the-sheep.
Foot-tired in the grasses they lie,
Mist-pale in the darkness, and dumb;
Yet who was it mustered the stars,
And whence and what leagues have they come?
Who keeps them from straying apart?
Who urges them straight on their route?
No answer — none tell me; and lo!
The Night, though it listen, is mute!
Watch 'neath the stars of the Cross,
Orion, and Venus and Mars;
I am but a drover of sheep —
But who is the Drover of Stars?
poem by Roderic Quinn

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Handy Dandy
Handy dandy, controversy surrounds him
He been around the world and back again
Something in the moonlight still hounds him
Handy dandy, just like sugar and candy
Handy dandy, if every bone in his body was broken he would never admit it
He got an all girl orchestra and when he says
Strike up the band, they hit it
Handy dandy, handy dandy
Bridge #1:
You say, what are ya made of?
He says, can you repeat what you said?
Youll say, what are you afraid of?
Hell say, nothin neither live nor dead.
Handy dandy, he got a stick in his hand and a pocket full of money
He says, darling, tell me the truth, how much time I got?
She says, you got all the time in the world, honey.
Handy dandy, handy dandy
Bridge #2:
Hes got that clear crystal fountain
Hes got that soft silky skin
Hes got that fortress on the mountain
With no doors, no windows, no thieves can break in
Handy dandy, sitting with a girl named nancy in a garden feelin kind of lazy
He says, ya want a gun? Ill give you one. she says, boy, you talking crazy.
Handy dandy, just like sugar and candy
Handy dandy, pour him another brandy
Handy dandy, he got a basket of flowers and a bag full or sorrow
He finishes his drink, he gets up from the table he says,
Okay, boys, Ill see you tomorrow.
Handy dandy, handy dandy, just like sugar and candy
Handy dandy, just like sugar and candy
song performed by by Bob Dylan

Submitted by Lucian Velea
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Saltbush Bill
Now is the law of the Overland that all in the West obey --
A man must cover with travelling sheep a six-mile stage a day;
But this is the law which the drovers make, right easily understood,
They travel their stage where the grass is bad, but they camp where the grass is good;
They camp, and they ravage the squatter's grass till never a blade remains.
Then they drift away as the white clouds drift on the edge of the saltbush plains:
From camp to camp and from run to run they battle it hand to hand
For a blade of grass and the right to pass on the track of the Overland.
For this is the law of the Great Stock Routes, 'tis written in white and black --
The man that goes with a travelling mob must keep to a half-mile track;
And the drovers keep to a half-mile track on the runs where the grass is dead,
But they spread their sheep on a well-grassed run till they go with a two-mile spread.
So the squatters hurry the drovers on from dawn till the fall of night,
And the squatters' dogs and the drovers' dogs get mixed in a deadly fight.
Yet the squatters' men, thought they haunt the mob, are willing the peace to keep,
For the drovers learn how to use their hands when they go with the travelling sheep;
But this is the tale of a Jackaroo that came from a foreign strand,
And the fight that he fought with Saltbush Bill, the King of the Overland.
Now Saltbush Bill was a drover tough as ever the country knew,
He had fought his way on the Great Stock Routes from the sea to the big Barcoo;
He could tell when he came to a friendly run that gave him a chance to spread,
And he knew where the hungry owners were that hurried his sheep ahead;
He was drifting down in the Eighty drought with a mob that could scarcely creep
(When the kangaroos by the thousand starve, it is rough on the travelling sheep),
And he camped one night at the crossing-place on the edge of the Wilga run;
"We must manage a feed for them here," he said, "or half of the mob are done!"
So he spread them out when they left the camp wherever they liked to go,
Till he grew aware of a Jackaroo with a station-hand in tow.
They set to work on the straggling sheep, and with many a stockwhip crack
The forced them in where the grass was dead in the space of the half-mile track;
And William prayed that the hand of Fate might suddenly strike him blue
But he'd get some grass for his starving sheep in the teeth of that Jackaroo.
So he turned and cursed the Jackaroo; he cursed him, alive or dead,
From the soles of his great unwieldly feet to the crown of his ugly head,
With an extra curse on the moke he rode and the cur at his heels that ran,
Till the Jackaroo from his horse got down and went for the drover-man;
With the station-hand for his picker-up, though the sheep ran loose the while,
They battled it out on the well-grassed plain in the regular prize-ring style.
Now, the new chum fought for his honour's sake and the pride of the English race,
But the drover fought for his daily bread with a smile on his bearded face;
So he shifted ground, and he sparred for wind, and he made it a lengthy mill,
And from time to time as his scouts came in they whispered to Saltbush Bill --
"We have spread the sheep with a two-mile spread, and the grass it is something grand;
You must stick to him, Bill, for another round for the pride of the Overland."
The new chum made it a rushing fight, though never a blow got home,
Till the sun rode high in the cloudless sky and glared on the brick-red loam,
Till the sheep drew in to the shelter-trees and settled them down to rest;
Then the drover said he would fight no more, and gave his opponent best.
So the new chum rode to the homestead straight, and told them a story grand
Of the desperate fight that he fought that day with the King of the Overland;
And the tale went home to the Public Schools of the pluck of the English swell --
How the drover fought for his very life, but blood in the end must tell.
But the travelling sheep and the Wilga sheep were boxed on the Old Man Plain;
'Twas a full week's work ere they drafted out and hunted them off again;
A week's good grass in their wretched hides, with a curse and a stockwhip crack
They hunted them off on the road once more to starve on the half-mile track.
And Saltbush Bill, on the Overland, will many a time recite
How the best day's work that he ever did was the day that he lost the fight.
poem by Andrew Barton Paterson

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The Song Of Old Joe Swallow
When I was up the country in the rough and early days,
I used to work along ov Jimmy Nowlett's bullick-drays;
Then the reelroad wasn't heered on, an' the bush was wild an' strange,
An' we useter draw the timber from the saw-pits in the range --
Load provisions for the stations, an' we'd travel far and slow
Through the plains an' 'cross the ranges in the days of long ago.
Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
Nigger, digger, roarin', rovin'
Days o' long ago.
Once me and Jimmy Nowlett loaded timber for the town,
But we hadn't gone a dozen mile before the rain come down,
An' me an' Jimmy Nowlett an' the bullicks an' the dray
Was cut off on some risin' ground while floods around us lay;
An' we soon run short of tucker an' terbacca, which was bad,
An' pertaters dipped in honey was the only tuck we had.
An' half our bullicks perished when the drought was on the land,
An' the burnin' heat that dazzles as it dances on the sand;
When the sun-baked clay an' gravel paves for miles the burnin' creeks,
An' at ev'ry step yer travel there a rottin' carcase reeks --
But we pulled ourselves together, for we never used ter know
What a feather bed was good for in those days o' long ago.
But in spite ov barren ridges an' in spite ov mud an' heat,
An' dust that browned the bushes when it rose from bullicks' feet,
An' in spite ov cold and chilblains when the bush was white with frost,
An' in spite of muddy water where the burnin' plain was crossed,
An' in spite of modern progress, and in spite of all their blow,
'Twas a better land to live in, in the days o' long ago.
When the frosty moon was shinin' o'er the ranges like a lamp,
An' a lot of bullick-drivers was a-campin' on the camp,
When the fire was blazin' cheery an' the pipes was drawin' well,
Then our songs we useter chorus an' our yarns we useter tell;
An' we'd talk ov lands we come from, and ov chaps we useter know,
For there always was behind us OTHER days o' long ago.
Ah, them early days was ended when the reelroad crossed the plain,
But in dreams I often tramp beside the bullick-team again:
Still we pauses at the shanty just to have a drop er cheer,
Still I feels a kind ov pleasure when the campin'-ground is near;
Still I smells the old tarpaulin me an' Jimmy useter throw
O'er the timber-truck for shelter in the days ov long ago.
I have been a-driftin' back'ards with the changes ov the land,
An' if I spoke ter bullicks now they wouldn't understand,
But when Mary wakes me sudden in the night I'll often say:
`Come here, Spot, an' stan' up, Bally, blank an' blank an' come-eer-way.'
An' she says that, when I'm sleepin', oft my elerquince 'ill flow
In the bullick-drivin' language ov the days o' long ago.
Well, the pub will soon be closin', so I'll give the thing a rest;
But if you should drop on Nowlett in the far an' distant west --
An' if Jimmy uses doubleyou instead of ar an' vee,
An' if he drops his aitches, then you're sure to know it's he.
An' yer won't forgit to arsk him if he still remembers Joe
As knowed him up the country in the days o' long ago.
Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
Nigger, digger, roarin', rovin'
Days o' long ago.
poem by Henry Lawson

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Dust In The Wind
Music : Kerry Livgren
Lyrics: Kerry Livgren
I close my eyes
Only for a moment and the moment's gone
All my dreams
Pass before my eyes, a curiosity
Dust in the wind
All they are is dust in the wind
Same old song
Just a drop of water in an endless sea
All we do
Crumbles to the ground, though we refuse to see
Dust in the wind
All we are is dust in the wind
Now, Don't hang on
Nothing lasts forever but the earth and sky
It slips away
And all your money won't another minute buy
Dust in the wind
All we are is dust in the wind
Dust in the wind
All we are is dust in the wind
Dust in the wind
All we are is dust in the wind
Dust in the wind
All we are is dust in the wind
song performed by by Scorpions

Submitted by Lucian Velea
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Fire Bugs
Look 'ere. I'll bet a 'arf-a-crown
To anythink you like to name (said Bushy Bill),
If country fellers went to town,
An' burnt a few big buildin's down,
An' quids an' quids went up in flame (said Bushy Bill),
Do you suppose, by any chance,
You'd put it down to ignorance.
An' let 'em go their dilly way
To do the trick some other day? (Said Bushy Bill).
No fear. You'd take that crim'nal lot
An' likely lynch 'em on the spot.
Fine sense of property you got (said Bushy Bill).
Yet city coves come up this way,
Shootin' or goin' campin' out (said Bushy Bill).
But are they careful blokes? Not they.
An' when their camp fire gets away
They wonder what it's all about (said Bushy Bill).
They sling their matches round the place,
An' carry on a fair disgrace
Wise coots they are, all in the know,
Who reckons country coves is slow (said Bushy Bill).
But when two hundred thousand quid
Goes up, they dunno wot they did.
They can't think 'ow that green scrub caught
They never knoo. They never thought.
Look 'ere. IT'S TIME YOUS BLOKES WAS TAUGHT (said Bushy Bill).
poem by Clarence Michael James Stanislaus Dennis

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The Austral-aise
Fellers of Australier,
Blokes an' coves an' coots,
Shift yer --- carcases,
Move yer --- boots.
Gird yer --- loins up,
Get yer --- gun,
Set the --- enermy
An' watch the blighters run.
CHORUS:
Get a --- move on,
Have some --- sense.
Learn the --- art of
Self de- --- -fence.
Have some --- brains be-
Neath yer --- lids.
An' swing a --- sabre
Fer the missus an' the kids.
Chuck supportin' --- posts,
An' strikin' --- lights,
Support a ---- fam'ly an'
Strike fer yer --- rights.
CHORUS:
Get a --- move on, etc.
Joy is --- fleetin',
Life is --- short.
Wot's the use uv wastin' it
All on --- sport?
Hitch yer --- tip-dray
To a --- star.
Let yer --- watchword be
"Australi- --- -ar!"
CHORUS:
Get a --- move on, etc.
'0w's the --- nation
Goin' to ixpand
'Lest us --- blokes an' coves
Lend a --- 'and?
'Eave yer --- apathy
Down a --- chasm;
'Ump yer --- burden with
Enthusi- --- -asm.
CHORUS:
Get a --- move on, etc.
W'en old mother Britain
Calls yer native land
Take a --- rifle
In yer --- 'and
Keep yer --- upper lip
Stiff as stiff kin be,
An' speed a --- bullet for
Post- --- -ity.
CHORUS:
Get a --- move on, etc.
W'en the --- bugle
Sounds "Ad- --- -vance"
Don't be like a flock er sheep
In a --- trance
Biff the --- Kaiser
Where it don't agree
Spifler- --- -cate him
To Eternity.
CHORUS:
Get a --- move on, etc.
Fellers of Australier,
Cobbers, chaps an' mates,
Hear the --- German
Kickin' at the gates!
Blow the --- bugle,
Beat the --- drum,
Upper-cut an' out the cow
To kingdom- --- -come!
CHORUS:
Get a --- move on,
Have some --- sense.
Learn the --- art of
Self de- --- -fence.
poem by Clarence Michael James Stanislaus Dennis

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The Indian Myna
Gimme the town an' its clamour an' clutter;
I ain't very fond of the bush;
For my cobbers are coves of the gardens and gutter-
A tough metropolitan push.
I ain't never too keen on the countryfield life;
It's the hustle an' bustle for me an' me wife.
So I swagger an' strut an' I cuss an' I swagger;
I'm wise to the city's hard way.
A bit of a bloke an' a bit of a bragger;
I've always got plenty to say.
Learned thro' knockin' about since my people came out
From the land at the back of Bombay.
When out in the bush I am never a ranger;
There never ain't nothin' to see.
Besides, them bush birds got no time for a stranger;
So town an' the traffic for me.
I sleep in the gardens an' loaf in the street,
An' sling off all day at the fellers I meet.
An' I swagger an' scold an' strut an' I swagger,
An' pick up me fun where I can,
Or tell off me wife, who's a bit of a nagger,
Or scrap with the sparrers for scran.
A bonzer at bluffin', I give you my word,
For, between you an' me, I'm a pretty tough bird.
poem by Clarence Michael James Stanislaus Dennis

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Dust In The Wind
I close my eyes
Only for a moment and the moment's gone
All my dreams
Flash before my eyes of curiosity
Dust in the wind
All they are is dust in the wind
Same old song
Just a drop of water in an endless sea
All we do
Crumbles to the ground though we refuse to see
Dust in the wind
All we are is dust in the wind
Now
Don't hang on
Nothing lasts forever but the Earth and Sky
It slips away
And all your money won't another minute buy
Dust in the wind
All we are is dust in the wind
Dust in the wind
Everything is dust in the wind
song performed by by Kansas

Submitted by Lucian Velea
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The Stranger's Friend
The strangest things and the maddest things, that a man can do or say,
To the chaps and fellers and coves Out Back are matters of every day;
Maybe on account of the lives they lead, or the life that their hearts discard—
But never a fool can be too mad or a ‘hard case’ be too hard.
I met him in Bourke in the Union days—with which we have nought to do
(Their creed was narrow, their methods crude, but they stuck to ‘the cause’ like glue).
He came into town from the Lost Soul Run for his grim half-yearly ‘bend,’
And because of a curious hobby he had, he was known as ‘The Stranger’s Friend.’
It is true to the region of adjectives when I say that the spree was ‘grim,’
For to go on the spree was a sacred rite, or a heathen rite, to him,
To shout for the travellers passing through to the land where the lost soul bakes—
Till they all seemed devils of different breeds, and his pockets were filled with snakes.
In the joyful mood, in the solemn mood—in his cynical stages too—
In the maudlin stage, in the fighting stage, in the stage when all was blue—
From the joyful hour when his spree commenced, right through to the awful end,
He never lost grip of his ‘fixed idee’ that he was the Stranger’s Friend.
‘The feller as knows, he can battle around for his bloomin’ self,’ he’d say—
‘I don’t give a curse for the “blanks” I know the hard-up bloke this way;
‘Send the stranger round, and I’ll see him through,’ and, e’en as the bushman spoke,
The chaps and fellers would tip the wink to a casual, ‘hard-up bloke.’
And it wasn’t only a bushman’s ‘bluff’ to the fame of the Friend they scored,
For he’d shout the stranger a suit of clothes, and he’d pay for the stranger’s board—
The worst of it was that he’d skite all night on the edge of the stranger’s bunk,
And never got helplessly drunk himself till he’d got the stranger drunk.
And the chaps and the fellers would speculate—by way of a ghastly joke—
As to who’d be caught by the ‘jim-jams’ first—the Friend or the hard-up bloke?
And the ‘Joker’ would say that there wasn’t a doubt as to who’d be damned in the end,
When the Devil got hold of a hard-up bloke in the shape of the Stranger’s Friend.
It mattered not to the Stranger’s Friend what the rest might say or think,
He always held that the hard-up state was due to the curse of drink,
To the evils of cards, and of company: ‘But a young cove’s built that way,
‘And I was a bloomin’ fool meself when I started out,’ he’d say.
At the end of the spree, in clean white ‘moles,’ clean-shaven, and cool as ice,
He’d give the stranger a ‘bob’ or two, and some straight Out Back advice;
Then he’d tramp away for the Lost Soul Run, where the hot dust rose like smoke,
Having done his duty to all mankind, for he’d ‘stuck to a hard-up bloke.’
They’ll say ’tis a ‘song of a sot,’ perhaps, but the Song of a Sot is true.
I have ‘battled’ myself, and you know, you chaps, what a man in the bush goes through:
Let us hope when the last of his sprees is past, and his cheques and his strength are done,
That, amongst the sober and thrifty mates, the Stranger’s Friend has one.
poem by Henry Lawson

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Saltbush Bill's Second Flight
The news came down on the Castlereagh, and went to the world at large,
That twenty thousand travelling sheep, with Saltbush Bill in charge,
Were drifting down from a dried-out run to ravage the Castlereagh;
And the squatters swore when they heard the news, and wished they were well away:
For the name and the fame of Saltbush Bill were over the country-side
For the wonderful way that he fed his sheep, and the dodges and tricks he tried.
He would lose his way on a Main Stock Route, and stray to the squatters' grass;
He would come to a run with the boss away, and swear he had leave to pass;
And back of all and behind it all, as well the squatters knew,
If he had to fight, he would fight all day, so long as his sheep got through:
But this is the story of Stingy Smith, the owner of Hard Times Hill,
And the way that he chanced on a fighting man to reckon with Saltbush Bill.
'Twas Stingy Smith on his stockyard sat, and prayed for an early Spring,
When he started at sight of a clean-shaved tramp, who walked with a jaunty swing;
For a clean-shaved tramp with a jaunty walk a-swinging along the track
Is as rare a thing as a feathered frog on the desolate roads out back.
So the tramp he made for the travellers' hut, to ask could he camp the night;
But Stingy Smith had a bright idea, and called to him, "Can you fight?"
"Why, what's the game?" said the clean-shaved tramp, as he looked at him up and down;
"If you want a battle, get off that fence, and I'll kill you for half-a-crown!
But, Boss, you'd better not fight with me -- it wouldn't be fair nor right;
I'm Stiffener Joe, from the Rocks Brigade, and I killed a man in a fight:
I served two years for it, fair and square, and now I'm trampin' back,
To look for a peaceful quiet life away on the outside track."
"Oh, it's not myself, but a drover chap," said Stingy Smith with glee,
"A bullying fellow called Saltbush Bill, and you are the man for me.
He's on the road with his hungry sheep, and he's certain to raise a row,
For he's bullied the whole of the Castlereagh till he's got them under cow --
Just pick a quarrel and raise a fight, and leather him good and hard,
And I'll take good care that his wretched sheep don't wander a half a yard.
It's a five-pound job if you belt him well -- do anything short of kill,
For there isn't a beak on the Castlereagh will fine you for Saltbush Bill."
"I'll take the job," said the fighting man; "and, hot as this cove appears,
He'll stand no chance with a bloke like me, what's lived on the game for years;
For he's maybe learnt in a boxing school, and sparred for a round or so,
But I've fought all hands in a ten-foot ring each night in a travelling show;
They earned a pound if they stayed three rounds, and they tried for it every night.
In a ten-foot ring! Oh, that's the game that teaches a bloke to fight,
For they'd rush and clinch -- it was Dublin Rules, and we drew no colour line;
And they all tried hard for to earn the pound, but they got no pound of mine.
If I saw no chance in the opening round I'd slog at their wind, and wait
Till an opening came -- and it always came -- and I settled 'em, sure as fate;
Left on the ribs and right on the jaw -- and, when the chance comes, make sure!
And it's there a professional bloke like me gets home on an amateur:
For it's my experience every day, and I make no doubt it's yours,
That a third-class pro is an over-match for the best of the amateurs --"
"Oh, take your swag to the travellers' hut," said Smith, "for you waste your breath;
You've a first-class chance, if you lose the fight, of talking your man to death.
I'll tell the cook you're to have your grub, and see that you eat your fill,
And come to the scratch all fit and well to leather this Saltbush Bill."
'Twas Saltbush Bill, and his travelling sheep were wending their weary way
On the Main Stock Route, through the Hard Times Run, on their six-mile stage a day;
And he strayed a mile from the Main Stock Route, and started to feed along,
And when Stingy Smith came up Bill said that the Route was surveyed wrong;
And he tried to prove that the sheep had rushed and strayed from their camp at night,
But the fighting man he kicked Bill's dog, and of course that meant a fight.
So they sparred and fought, and they shifted ground, and never a sound was heard
But the thudding fists on their brawny ribs, and the seconds' muttered word,
Till the fighting man shot home his left on the ribs with a mighty clout,
And his right flashed up with a half-arm blow -- and Saltbush Bill "went out".
He fell face down, and towards the blow; and their hearts with fear were filled,
For he lay as still as a fallen tree, and they thought that he must be killed.
So Stingy Smith and the fighting man, they lifted him from the ground,
And sent back home for a brandy-flask, and they slowly fetched him round;
But his head was bad, and his jaw was hurt -- in fact, he could scarcely speak --
So they let him spell till he got his wits; and he camped on the run a week,
While the travelling sheep went here and there, wherever they liked to stray,
Till Saltbush Bill was fit once more for the track to the Castlereagh.
Then Stingy Smith he wrote a note, and gave to the fighting man:
'Twas writ to the boss of the neighbouring run, and thus the missive ran:
"The man with this is a fighting man, one Stiffener Joe by name;
He came near murdering Saltbush Bill, and I found it a costly game:
But it's worth your while to employ the chap, for there isn't the slightest doubt
You'll have no trouble from Saltbush Bill while this man hangs about."
But an answer came by the next week's mail, with news that might well appal:
"The man you sent with a note is not a fighting man at all!
He has shaved his beard, and has cut his hair, but I spotted him at a look;
He is Tom Devine, who has worked for years for Saltbush Bill as cook.
Bill coached him up in the fighting yard, and taught him the tale by rote,
And they shammed to fight, and they got your grass, and divided your five-pound note.
'Twas a clean take-in; and you'll find it wise -- 'twill save you a lot of pelf --
When next you're hiring a fighting man, just fight him a round yourself."
And the teamsters out on the Castlereagh, when they meet with a week of rain,
And the waggon sinks to its axle-tree, deep down in the black-soil plain,
When the bullocks wade in a sea of mud, and strain at the load of wool,
And the cattle-dogs at the bullocks' heels are biting to make them pull,
When the off-side driver flays the team, and curses tham while he flogs,
And the air is thick with the language used, and the clamour of men and dogs --
The teamsters say, as they pause to rest and moisten each hairy throat,
They wish they could swear like Stingy Smith when he read that neighbour's note.
poem by Andrew Barton Paterson

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The City Bushman
It was pleasant up the country, City Bushman, where you went,
For you sought the greener patches and you travelled like a gent;
And you curse the trams and buses and the turmoil and the push,
Though you know the squalid city needn't keep you from the bush;
But we lately heard you singing of the `plains where shade is not',
And you mentioned it was dusty -- `all was dry and all was hot'.
True, the bush `hath moods and changes' -- and the bushman hath 'em, too,
For he's not a poet's dummy -- he's a man, the same as you;
But his back is growing rounder -- slaving for the absentee --
And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet
Should have made a greater contrast to the faces in the street;
And, in short, we think the bushman's being driven to the wall,
And it's doubtful if his spirit will be `loyal thro' it all'.
Though the bush has been romantic and it's nice to sing about,
There's a lot of patriotism that the land could do without --
Sort of BRITISH WORKMAN nonsense that shall perish in the scorn
Of the drover who is driven and the shearer who is shorn,
Of the struggling western farmers who have little time for rest,
And are ruined on selections in the sheep-infested West;
Droving songs are very pretty, but they merit little thanks
From the people of a country in possession of the Banks.
And the `rise and fall of seasons' suits the rise and fall of rhyme,
But we know that western seasons do not run on schedule time;
For the drought will go on drying while there's anything to dry,
Then it rains until you'd fancy it would bleach the sunny sky --
Then it pelters out of reason, for the downpour day and night
Nearly sweeps the population to the Great Australian Bight.
It is up in Northern Queensland that the seasons do their best,
But it's doubtful if you ever saw a season in the West;
There are years without an autumn or a winter or a spring,
There are broiling Junes, and summers when it rains like anything.
In the bush my ears were opened to the singing of the bird,
But the `carol of the magpie' was a thing I never heard.
Once the beggar roused my slumbers in a shanty, it is true,
But I only heard him asking, `Who the blanky blank are you?'
And the bell-bird in the ranges -- but his `silver chime' is harsh
When it's heard beside the solo of the curlew in the marsh.
Yes, I heard the shearers singing `William Riley', out of tune,
Saw 'em fighting round a shanty on a Sunday afternoon,
But the bushman isn't always `trapping brumbies in the night',
Nor is he for ever riding when `the morn is fresh and bright',
And he isn't always singing in the humpies on the run --
And the camp-fire's `cheery blazes' are a trifle overdone;
We have grumbled with the bushmen round the fire on rainy days,
When the smoke would blind a bullock and there wasn't any blaze,
Save the blazes of our language, for we cursed the fire in turn
Till the atmosphere was heated and the wood began to burn.
Then we had to wring our blueys which were rotting in the swags,
And we saw the sugar leaking through the bottoms of the bags,
And we couldn't raise a chorus, for the toothache and the cramp,
While we spent the hours of darkness draining puddles round the camp.
Would you like to change with Clancy -- go a-droving? tell us true,
For we rather think that Clancy would be glad to change with you,
And be something in the city; but 'twould give your muse a shock
To be losing time and money through the foot-rot in the flock,
And you wouldn't mind the beauties underneath the starry dome
If you had a wife and children and a lot of bills at home.
Did you ever guard the cattle when the night was inky-black,
And it rained, and icy water trickled gently down your back
Till your saddle-weary backbone fell a-aching to the roots
And you almost felt the croaking of the bull-frog in your boots --
Sit and shiver in the saddle, curse the restless stock and cough
Till a squatter's irate dummy cantered up to warn you off?
Did you fight the drought and pleuro when the `seasons' were asleep,
Felling sheoaks all the morning for a flock of starving sheep,
Drinking mud instead of water -- climbing trees and lopping boughs
For the broken-hearted bullocks and the dry and dusty cows?
Do you think the bush was better in the `good old droving days',
When the squatter ruled supremely as the king of western ways,
When you got a slip of paper for the little you could earn,
But were forced to take provisions from the station in return --
When you couldn't keep a chicken at your humpy on the run,
For the squatter wouldn't let you -- and your work was never done;
When you had to leave the missus in a lonely hut forlorn
While you `rose up Willy Riley' -- in the days ere you were born?
Ah! we read about the drovers and the shearers and the like
Till we wonder why such happy and romantic fellows strike.
Don't you fancy that the poets ought to give the bush a rest
Ere they raise a just rebellion in the over-written West?
Where the simple-minded bushman gets a meal and bed and rum
Just by riding round reporting phantom flocks that never come;
Where the scalper -- never troubled by the `war-whoop of the push' --
Has a quiet little billet -- breeding rabbits in the bush;
Where the idle shanty-keeper never fails to make a draw,
And the dummy gets his tucker through provisions in the law;
Where the labour-agitator -- when the shearers rise in might --
Makes his money sacrificing all his substance for The Right;
Where the squatter makes his fortune, and `the seasons rise and fall',
And the poor and honest bushman has to suffer for it all;
Where the drovers and the shearers and the bushmen and the rest
Never reach the Eldorado of the poets of the West.
And you think the bush is purer and that life is better there,
But it doesn't seem to pay you like the `squalid street and square'.
Pray inform us, City Bushman, where you read, in prose or verse,
Of the awful `city urchin who would greet you with a curse'.
There are golden hearts in gutters, though their owners lack the fat,
And we'll back a teamster's offspring to outswear a city brat.
Do you think we're never jolly where the trams and buses rage?
Did you hear the gods in chorus when `Ri-tooral' held the stage?
Did you catch a ring of sorrow in the city urchin's voice
When he yelled for Billy Elton, when he thumped the floor for Royce?
Do the bushmen, down on pleasure, miss the everlasting stars
When they drink and flirt and so on in the glow of private bars?
You've a down on `trams and buses', or the `roar' of 'em, you said,
And the `filthy, dirty attic', where you never toiled for bread.
(And about that self-same attic -- Lord! wherever have you been?
For the struggling needlewoman mostly keeps her attic clean.)
But you'll find it very jolly with the cuff-and-collar push,
And the city seems to suit you, while you rave about the bush.
. . . . .
You'll admit that Up-the Country, more especially in drought,
Isn't quite the Eldorado that the poets rave about,
Yet at times we long to gallop where the reckless bushman rides
In the wake of startled brumbies that are flying for their hides;
Long to feel the saddle tremble once again between our knees
And to hear the stockwhips rattle just like rifles in the trees!
Long to feel the bridle-leather tugging strongly in the hand
And to feel once more a little like a native of the land.
And the ring of bitter feeling in the jingling of our rhymes
Isn't suited to the country nor the spirit of the times.
Let us go together droving, and returning, if we live,
Try to understand each other while we reckon up the div.
poem by Henry Lawson

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A Bushman's Song
I’M travellin’ down the Castlereagh, and I’m a station hand,
I’m handy with the ropin’ pole, I’m handy with the brand,
And I can ride a rowdy colt, or swing the axe all day,
But there’s no demand for a station-hand along the Castlereagh. +
So it’s shift, boys, shift, for there isn’t the slightest doubt
That we’ve got to make a shift to the stations further out,
With the pack-horse runnin’ after, for he follows like a dog,
We must strike across the country at the old jig-jog.
This old black horse I’m riding—if you’ll notice what’s his brand,
He wears the crooked R, you see—none better in the land.
He takes a lot of beatin’, and the other day we tried,
For a bit of a joke, with a racing bloke, for twenty pounds a side.
It was shift, boys, shift, for there wasn’t the slightest doubt
That I had to make him shift, for the money was nearly out;
But he cantered home a winner, with the other one at the flog—
He’s a red-hot sort to pick up with his old jig-jog.
I asked a cove for shearin’ once along the Marthaguy:
“We shear non-union here,” says he. “I call it scab,” says I.
I looked along the shearin’ floor before I turned to go—
There were eight or ten dashed Chinamen a-shearin’ in a row.
It was shift, boys, shift, for there wasn’t the slightest doubt
It was time to make a shift with the leprosy about.
So I saddled up my horses, and I whistled to my dog,
And I left his scabby station at the old jig-jog.
I went to Illawarra, where my brother’s got a farm,
He has to ask his landlord’s leave before he lifts his arm;
The landlord owns the country side—man, woman, dog, and cat,
They haven’t the cheek to dare to speak without they touch their hat.
It was shift, boys, shift, for there wasn’t the slightest doubt
Their little landlord god and I would soon have fallen out;
Was I to touch my hat to him?—was I his bloomin’ dog?
So I makes for up the country at the old jig-jog.
But it’s time that I was movin’, I’ve a mighty way to go
Till I drink artesian water from a thousand feet below;
Till I meet the overlanders with the cattle comin’ down,
And I’ll work a while till I make a pile, then have a spree in town.
So, it’s shift, boys, shift, for there isn’t the slightest doubt
We’ve got to make a shift to the stations further out;
The pack-horse runs behind us, for he follows like a dog,
And we cross a lot of country at the old jig-jog.
poem by Andrew Barton Paterson

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The Old Camp-Oven
WE DON’T keep a grand piano in our hut beside the creek,
And I’m pretty certain Hannah couldn’t bang it, anyhow,
But we’ve got one box of music, and I’d rather hear its squeak
Than the daisiest cantata that’s been fashioned up to now.
It’s an old camp-oven merely, with a handle made of wire,
But no organ built could nearly compensate to me for it
When I come off graft and find it playing tunes before the fire,
And I’m feeling sort of vacant, but just wonder fully fit.
In its sizzle, sizzle, sizzle,
There’s a thousand little airs,
And no man can sit and grizzle
’Bout his troubles and his cares
While the flames are gaily winding,
And the tea is down to brew,
And the old camp-oven’s grinding
All the reels he ever knew.
When the wet winds meet and whip me in the early winter nights,
And the hissing hailstones clip me all the way across the flat,
As I battle for’ards, water-logged, toward the beckoning lights,
There is always there a welcome to console a chap for that.
For my little wife is beaming brisk and bright beside the lamp,
And the old camp-oven’s going. Gosh! I feel just like a kid
As I peel and sluice so slippy, and I hear the storm winds vamp
To the singing of the oven when the missus lifts the lid.
There’s a sizzle and a splutter
And a whirr of many harps;
Where’s the instrument can utter
Such a maze of flats and sharps?
Not for me the great creations
When the old camp-oven plays
‘Home Sweet Home,’ with variations,
At the end of working days.
In the evenings dim and hazy, stretched outside along a butt,
Feeling reasonably lazy, blowing clouds that curl and climb,
I can hear the old camp-oven on the logs before the hut
Ripping out a mellow chorus that just suits the place and time.
If we strike it in the ranges, or The Windmill turns out well,
I suppose there’ll be some changes, and I’ll want to make things gee;
But the time will never happen when I’ll be so steep a swell
That the old camp-oven’s measure won’t be melody to me.
’Neath its bubble, bubble, bubble,
There’s the lilt of jigs and reels;
All the common kind of trouble
That the horney-handed feels
Is wiped out in half a minute
By the restfulness it brings,
And the peaceful rapture in it
When the old camp-oven sings.
poem by Edward George Dyson

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Cuppacumalonga
'Rover, rover, cattle-drover, where go you to-day?'
I go to Cuppacumalomga, fifty miles away;
Over plains where Summer rains have sung a song of glee,
Over hills where laughing rills go seeking for the sea,
I go to Cuppacumalonga, to my brother Bill.
Then come along, ah, come along!
Ah, come to Cuppacumalonga!
Come to Cuppacumalonga Hill!
'Rover, rover, cattle-drover, how do you get there?'
For twenty miles I amble on upon my pony mare,
The walk awhile and talk awhile to country men I know,
Then up to ride a mile beside a team that travels slow,
And last to Cuppacumalonga, riding with a will.
Then come along, ah, come along!
Ah, come to Cuppacumalonga!
Come to Cuppacumalonga Hill!
'Rover, rover, cattle-drover, what do you do then?'
I camp beneath a kurrajong with three good cattle-men;
Then off away at break of day, with strong hands on the reins,
To laugh and sing while mustering the cattle on the plains -
For up to Cuppacumalonga life is jolly still.
Then come along, ah, come along!
Ah, come to Cuppacumalonga!
Come to Cuppacumalonga Hill!
'Rover, rover, cattle-drover, how may I go too?'
I'll saddle up my creamy colt and he shall carry you -
My creamy colt who will not bolt, who does not shy nor kick -
We'll pack the load and take the road and travel very quick.
And if the day brings work or play we'll meet it with a will.
So Hi for Cuppacumalonga!
Come Along, ah, come along!
Ah, come to Cuppacumalonga Hill!
poem by Clarence Michael James Stanislaus Dennis

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The Green-Hand Rouseabout
Call this hot? I beg your pardon. Hot!—you don’t know what it means.
(What’s that, waiter? lamb or mutton! Thank you—mine is beef and greens.
Bread and butter while I’m waiting. Milk? Oh, yes—a bucketful.)
I’m just in from west the Darling, ‘picking-up’ and rolling wool.’
Mutton stewed or chops for breakfast, dry and tasteless, boiled in fat;
Bread or brownie, tea or coffee—two hours’ graft in front of that;
Legs of mutton boiled for dinner—mutton greasy-warm for tea—
Mutton curried (gave my order, beef and plenty greens for me.)
Breakfast, curried rice and mutton till your innards sacrifice,
And you sicken at the colour and the smell of curried rice.
All day long with living mutton—bits and belly-wool and fleece;
Blinded by the yoke of wool, and shirt and trousers stiff with grease,
Till you long for sight of verdure, cabbage-plots and water clear,
And you crave for beef and butter as a boozer craves for beer.
Dusty patch in baking mulga—glaring iron hut and shed—
Feel and smell of rain forgotten—water scarce and feed-grass dead.
Hot and suffocating sunrise—all-pervading sheep yard smell—
Stiff and aching green-hand stretches—‘Slushy’ rings the bullock-bell—
Pint of tea and hunk of brownie—sinners string towards the shed—
Great, black, greasy crows round carcass—screen behind of dust-cloud red.
Engine whistles. ‘Go it, tigers!’ and the agony begins,
Picking up for seven devils out of Hades—for my sins;
Picking up for seven devils, seven demons out of Hell!
Sell their souls to get the bell-sheep—half-a-dozen Christs they’d sell!
Day grows hot as where they come from—too damned hot for men or brutes;
Roof of corrugated iron, six-foot-six above the shoots!
Whiz and rattle and vibration, like an endless chain of trams;
Blasphemy of five-and-forty—prickly heat—and stink of rams!
‘Barcoo’ leaves his pen-door open and the sheep come bucking out;
When the rouser goes to pen them, ‘Barcoo’ blasts the rouseabout.
Injury with insult added—trial of our cursing powers—
Cursed and cursing back enough to damn a dozen worlds like ours.
‘Take my combs down to the grinder, will yer?’ ‘Seen my cattle-pup?’
‘There’s a sheep fell down in my shoot—just jump down and pick it up.’
‘Give the office when the boss comes.’ ‘Catch that gory sheep, old man.’
‘Count the sheep in my pen, will yer?’ ‘Fetch my combs back when yer can.’
‘When yer get a chance, old feller, will yer pop down to the hut?
‘Fetch my pipe—the cook’ll show yer—and I’ll let yer have a cut.’
Shearer yells for tar and needle. Ringer’s roaring like a bull:
‘Wool away, you (son of angels). Where the hell’s the (foundling) WOOL!!’
Pound a week and station prices—mustn’t kick against the pricks—
Seven weeks of lurid mateship—ruined soul and four pounds six.
What’s that? waiter? me? stuffed mutton! Look here, waiter, to be brief,
I said beef! you blood-stained villain! Beef—moo-cow—Roast Bullock—BEEF!
poem by Henry Lawson

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Cool Tubrid Water
The day is warm and dust fly in the breeze
And a forecast high of 35 degrees
And to quench my thirst I would need a cold beer
For no water like cool Tubrid water here.
Near Daylesford there's a spring well I recall
And I drank some water from it in the Fall
Of that clear spring I now could drink my fill
And Tubrid water even better still.
The skylark comes to Tubrid's bubbling spring
To bathe and drink and then fly off to sing
And o'er the bogland in the morning sky
You hear him pipe his heartfelt notes of joy.
I often called to Tubrid seldom though in May
And not to kneel at the grotto to pray
But to drink the water cool and crystal clear
A drink far better for your health than beer.
The water from the tap don't taste so nice
Though it feels cooler with a cube of ice
I have drank far better near Daylesford last Fall
Though Tubrid water still the best of all.
The day is warm and dust fly in the breeze
And a forecast high of 35 degrees
And to quench my thirst I would need a cold beer
For no water like cool Tubrid water here.
poem by Francis Duggan

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With the Cattle
The drought is down on field and flock,
The river-bed is dry;
And we must shift the starving stock
Before the cattle die.
We muster up with weary hearts
At breaking of the day,
And turn our heads to foreign parts,
To take the stock away.
And it’s hunt ‘em up and dog ‘em,
And it’s get the whip and flog ‘em,
For it’s weary work, is droving, when they’re dying every day;
By stock routes bare and eaten,
On dusty roads and beaten,
With half a chance to save their lives we take the stock away.
We cannot use the whip for shame
On beasts that crawl along;
We have to drop the weak and lame,
And try to save the strong;
The wrath of God is on the track,
The drought fiend holds his sway;
With blows and cries the stockwhip crack
We take the stock away.
As they fall we leave them lying,
With the crows to watch them dying,
Grim sextons of the Overland that fasten on their prey;
By the fiery dust-storm drifting,
And the mocking mirage shifting,
In heat and drought and hopeless pain we take the stock away.
In dull despair the days go by
With never hope of change,
But every stage we feel more nigh
The distant mountain range;
And some may live to climb the pass,
And reach the great plateau,
And revel in the mountain grass
By streamlets fed with snow.
As the mountain wind is blowing
It starts the cattle lowing
And calling to each other down the dusty long array;
And there speaks a grizzled drover:
“Well, thank God, the worst is over,
The creatures smell the mountain grass that’s twenty miles away.”
They press towards the mountain grass,
They look with eager eyes
Along the rugged stony pass
That slopes towards the skies;
Their feet may bleed from rocks and stones,
But, though the blood-drop starts,
They struggle on with stifled groans,
For hope is in their hearts.
And the cattle that are leading,
Though their feet are worn and bleeding,
Are breaking to a kind of run – pull up, and let them go!
For the mountain wind is blowing,
And the mountain grass is growing,
They’ll settle down by running streams ice-cold with melted snow.
The days are gone of heat and drought
Upon the stricken plain;
The wind has shifted right about,
And brought the welcome rain;
The river runs with sullen roar,
All flecked with yellow foam,
And we must take the road once more
To bring the cattle home.
And it’s “Lads! We’ll raise a chorus,
There’s a pleasant trip before us.”
And the horses bound beneath us as we start them down the track;
And the drovers canter, singing,
Through the sweet green grasses springing
Towards the far-off mountain-land, to bring the cattle back.
Are these the beasts we brought away
That move so lively now?
They scatter off like flying spray
Across the mountain’s brow;
And dashing down the rugged range
We hear the stockwhips crack –
Good faith, it is a welcome change
To bring such cattle back.
And it’s “Steady down the lead there!”
And it’s “Let ‘em stop and feed there!”
For they’re wild as mountain eagles, and their sides are all afoam;
But they’re settling down already,
And they’ll travel nice and steady;
With cheery call and jest and song we fetch the cattle home.
We have to watch them close at night
For fear they’ll make a rush,
And break away in headlong flight
Across the open bush;
And by the camp-fire’s cheery blaze,
With mellow voice and strong,
We hear the lonely watchman raise the Overlander’s song:
“Oh, it’s when we’re done with roving,
With the camping and the droving,
It’s homeward down the Bland we’ll go, and never more we’ll roam”;
While the stars shine out above us,
Like the eyes of those who love us –
The eyes of those who watch and wait to greet the cattle home.
The plains are all awave with grass,
The skies are deepest blue;
And leisurely the cattle pass
And feed the long day through;
But when we sight the station gate
We make the stockwhips crack,
A welcome sound to those who wait
To greet the cattle back:
And through the twilight falling
We hear their voices calling,
As the cattle splash across the ford and churn it into foam;
And the children run to meet us,
And our wives and sweethearts greet us,
Their heroes from the Overland who brought the cattle home.
poem by Andrew Barton Paterson

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Windy Town
Theres gotta be something more to this life were given
Gotta be peace o mind and a piece o living
When the losers have won
And the damage is done
Only then will you be saved.
She dancing on thin ice while her mind is skating
Hes building on the dust that is suffocating
And a baby that cries
In a city of lies
For a freedom that is craved
And high will you fly tonight
In dreams you can hold this tight
But when will love blow round
When will love blow through windy town.
Sunny had a street that she couldnt live in
Sunny had a room that she couldnt breath in
But a heart that could feel
And a hand that could heal
And a passion filled with rage.
I never felt the air with a wind of change
I only felt a storm with a wind and rain
A city so deep
A soul without sleep
And a heart thats filled with pain
And high will you fly tonight
In dreams you can hold this tight
But when will love blow round
When will love blow through windy town.
Look out on a million dreams
Theres fire in all those schemes
Feel the burn of investigation
Love will be your inspiration.
Baby lets go again
On me and you it all depends
The power of love is a powerful friend
And I will love you till the end.
And high will you fly tonight
In dreams you can hold this tight
But when will love blow round
When will love blow around
When will love blow through windy town.
Baby through windy town
When will love blow.
song performed by by Spandau Ballet

Submitted by Lucian Velea
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