The Indian Myna
Gimme the town an' its clamour an' clutter;
I ain't very fond of the bush;
For my cobbers are coves of the gardens and gutter-
A tough metropolitan push.
I ain't never too keen on the countryfield life;
It's the hustle an' bustle for me an' me wife.
So I swagger an' strut an' I cuss an' I swagger;
I'm wise to the city's hard way.
A bit of a bloke an' a bit of a bragger;
I've always got plenty to say.
Learned thro' knockin' about since my people came out
From the land at the back of Bombay.
When out in the bush I am never a ranger;
There never ain't nothin' to see.
Besides, them bush birds got no time for a stranger;
So town an' the traffic for me.
I sleep in the gardens an' loaf in the street,
An' sling off all day at the fellers I meet.
An' I swagger an' scold an' strut an' I swagger,
An' pick up me fun where I can,
Or tell off me wife, who's a bit of a nagger,
Or scrap with the sparrers for scran.
A bonzer at bluffin', I give you my word,
For, between you an' me, I'm a pretty tough bird.
poem by Clarence Michael James Stanislaus Dennis

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Related quotes
Some folks look at me and see a certain swagger, which in Texas is called ""walking.""
quote by George W. Bush

Submitted by Lucian Velea
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Toughest Street In Town
Outside the window the neon flashes
In the morning light
Down on the sidewalk theres a woman with a problem
But she dont know how to fight
Shes destitute and broken down
She softly whispers is there no one around
And no one hears the sound
Her knees give way and hit the ground
This is the toughest street in town
This is the toughest street in town
This is the toughest street in town
This is the toughest
Like a rat in a pack it attacks
From the back
Through a crack in a track
And you take a smack
This jack has had a hard day
No one told him it would be like this
Hes had to score the hard way
Working on twenty hour shifts
This is the toughest street in town
This is the toughest
Its tough stuff
This is the toughest street around
This is the toughest
Dont you do down
No how
Its just another black spot
Where far too many people have died
Its just another grave yard
And theres not too many people left alive
This is the toughest
Are you tough enough
This is the toughest
Are you rough enough
This is the toughest
Can you bluff enough
Just a minor misery did me no harm
But its there to warn outside the window
The neon is still flashing in the morning light
Down on the sidewalk that woman was blown away
Out of sight
All across the city no one gives a damn
All across the city no one seems to understand
This is the toughest
This is the toughest street in town
This is the toughest street around
This is the toughest
Are you rough enough
This is the toughest
If I were you I wouldnt come around here
This is the toughest
This is the toughest
Are you tough enough
song performed by by Thin Lizzy

Submitted by Lucian Velea
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The Hundredth Year
Not that I'd quarrel with the way
They celebrates their hundredth year
In town (said old Pete Parraday),
But that don't suit us bush blokes here.
So let bells ring and whistles blare
And fill the town with mighty sound,
Let motor noises tear the air
An' bonfires light the hills around.
When I'm five score I want some say
In things (said old Peter Parraday).
I've lived me life here in the bush
(Said Pete) since I was but a boy;
An' all this city noise an' push
Ain't my idea of showin' joy.
Me ears ain't tooned to sich like noise,
And fire is like to wake our fear.
Them ain't the things that we enjoys
When celebratin' birthdays here;
So, if I live so long, I pray
For peace (said old Peter Parraday).
A hundred year's a long, long spell
To hang about this mad ole earth,
And when man nears his century - well
He don't crave much of noisy mirth -
Not for himself, with life near run
Its length, such comes for others yet;
Not for himself; for he is done,
With all life's hectic fuss an' fret.
So let me have my foolish way
In this (said old Pete Parraday).
I ask but this, an' nothin' more,
When comes my hundredth natal day;
Let me sit here beside my door
And dream (said old Pete Parraday).
While bush birds sing the songs I know,
And bush sounds that I love the best,
Wake memories of the long ago,
Let me sit here a while and rest.
Aye, rest, and sleep and, who shall say?
Sleep sound (said old Pete Parraday).
poem by Clarence Michael James Stanislaus Dennis

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No! Keep It
Why are you smiling so broadly?
It is clear you have been prevented,
From achieving your wishes and desires.
'Really?
Gee, I didn't know that.
And which wishes and desires,
Am I being prevented to achieve? '
I uh
Only you would know that.
Maybe those who are trying to prevent you,
Know that too.
'You might have a point.
Who are they? '
The ones preventing you from achieving!
You know
Your wishes and desires.
'Oh!
So
Maybe I shouldn't smile so broadly,
To have anyone detect
My wishes and desires have already been met.'
No!
Keep it.
Let them believe you are crazed.
They think it anyway.
But lose that skipping down the street business.
That will really throw them off.
'Hmmm
Maybe you have a point.
Maybe I'll go back to my arrogant strut and swagger.
You know
The one they associate with pretentiousness? '
poem by Lawrence S. Pertillar

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The Stranger's Friend
The strangest things and the maddest things, that a man can do or say,
To the chaps and fellers and coves Out Back are matters of every day;
Maybe on account of the lives they lead, or the life that their hearts discard—
But never a fool can be too mad or a ‘hard case’ be too hard.
I met him in Bourke in the Union days—with which we have nought to do
(Their creed was narrow, their methods crude, but they stuck to ‘the cause’ like glue).
He came into town from the Lost Soul Run for his grim half-yearly ‘bend,’
And because of a curious hobby he had, he was known as ‘The Stranger’s Friend.’
It is true to the region of adjectives when I say that the spree was ‘grim,’
For to go on the spree was a sacred rite, or a heathen rite, to him,
To shout for the travellers passing through to the land where the lost soul bakes—
Till they all seemed devils of different breeds, and his pockets were filled with snakes.
In the joyful mood, in the solemn mood—in his cynical stages too—
In the maudlin stage, in the fighting stage, in the stage when all was blue—
From the joyful hour when his spree commenced, right through to the awful end,
He never lost grip of his ‘fixed idee’ that he was the Stranger’s Friend.
‘The feller as knows, he can battle around for his bloomin’ self,’ he’d say—
‘I don’t give a curse for the “blanks” I know the hard-up bloke this way;
‘Send the stranger round, and I’ll see him through,’ and, e’en as the bushman spoke,
The chaps and fellers would tip the wink to a casual, ‘hard-up bloke.’
And it wasn’t only a bushman’s ‘bluff’ to the fame of the Friend they scored,
For he’d shout the stranger a suit of clothes, and he’d pay for the stranger’s board—
The worst of it was that he’d skite all night on the edge of the stranger’s bunk,
And never got helplessly drunk himself till he’d got the stranger drunk.
And the chaps and the fellers would speculate—by way of a ghastly joke—
As to who’d be caught by the ‘jim-jams’ first—the Friend or the hard-up bloke?
And the ‘Joker’ would say that there wasn’t a doubt as to who’d be damned in the end,
When the Devil got hold of a hard-up bloke in the shape of the Stranger’s Friend.
It mattered not to the Stranger’s Friend what the rest might say or think,
He always held that the hard-up state was due to the curse of drink,
To the evils of cards, and of company: ‘But a young cove’s built that way,
‘And I was a bloomin’ fool meself when I started out,’ he’d say.
At the end of the spree, in clean white ‘moles,’ clean-shaven, and cool as ice,
He’d give the stranger a ‘bob’ or two, and some straight Out Back advice;
Then he’d tramp away for the Lost Soul Run, where the hot dust rose like smoke,
Having done his duty to all mankind, for he’d ‘stuck to a hard-up bloke.’
They’ll say ’tis a ‘song of a sot,’ perhaps, but the Song of a Sot is true.
I have ‘battled’ myself, and you know, you chaps, what a man in the bush goes through:
Let us hope when the last of his sprees is past, and his cheques and his strength are done,
That, amongst the sober and thrifty mates, the Stranger’s Friend has one.
poem by Henry Lawson

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That Beating Of The Bush
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
I have this 'thing' about honest and truth.
And those who become offended,
By declaring them too harsh to accept!
There has not been an experience I received,
I regretted with a wish to forget!
And those attempting to live their lives,
In pretense to deceive believing this is not deception...
Will always escape with excuses and alibis to make.
Charading as if...
No one recognizes,
Who is in masquerade.
And who amongst them fakes!
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
An honesty and truth spoken,
From deceivers is rare.
Those who deceive perceive...
Those who are direct and honest,
Are insensitive and do not care!
With a sharing of this mentality...
To those empathetic,
In a keeping of delusions...
Spared from despair!
But I know I'm not the only one...
Who elects to see,
Dishonesty from all people get up and leave.
I can't be!
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
poem by Lawrence S. Pertillar

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Swagger
With a walk of pride,
And heads held high.
Displaying a confidence seen and undenied.
Some come to think of this still as arrogance.
Anyone appearing dignified and proud,
With an identity that speaks out loud...
And arrogance is applied to this stride that clouds,
Today's definition
Swagger is what that is called today.
In my day...
In times that seem so far away.
To act as if one was a foolish clown...
Was one who was down to Earth.
And had been taught this was acceptable,
With a teaching of this from one's birth.
Being a fool was preferred behavior.
In cycles where dysfunctions were revered.
Many times I was told I wasn't a bag of chips.
But easily spotted as a dim-witted dip!
To display one's intelligence...
Was for some an embarrassment.
Today...
Those 'dips' done by the ones with wit,
Appear to have a lot of emulated swagger.
With a hip-hop that raps and rocks!
poem by Lawrence S. Pertillar

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Care Free Bloke's Cigar
There's a little spark and a wisp of smoke
By the road where the tall gums are;
And a mile away a care-free bloke
Speeds onward in his car.
No thought of evil mars his day,
And he's well a hundred miles away
And safe at home, as skies grow grey,
With another fine cigar.
There's a spurt of flame in the breathless night
And a crackling in the scrub;
There's a withered mint-bush burning bright,
And a kindling dog-wood shrub.
For yards about the bush glows red
But the care-free bloke, his paper read,
Says, 'Bonzer day. And now for bed
After a bite of grub.'
There's a sickening roar as the fire sweeps down
From the mountainside aflame
On the helpless little forest town,
And one knew how it came.
Ten miles of blackened hills gape wide
And a stricken home on the mountain side ...
But the care-free bloke toils on in pride.
He saw no spark by the bush roadside,
So how is he to blame?
poem by Clarence Michael James Stanislaus Dennis

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I must go to the bush again
I must go to the bush again
and for a time be free,
from the inward chill
of the big city
and the emptiness
that life among strangers brings.
I must go to the bush again
and see the baobab trees,
frame against the setting sun
and know that somehow
the Almighty One
cares about everyone and me.
I must go to the bush again
and watch the wild buck,
drink from a stream
and see the crocodiles slide
into back into the water
and find the tranquillity
that nature brings.
I must go to the bush again
and give a prayer
and to find solace there,
from a world
that’s totally out of control.
poem by Gert Strydom

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27 Years In The Bush
27 years in the bush!
I am still finding my way through to reach to the city;
And i need a teacher on this issue to guid eme through this thick bush.
Life is very hard for me alone in this bush,
But i have to hide to save my name;
For the bombs are everywhere and many of my friends are dead already,
And i need a clever teacher who knows the bush very well to lead me on.
27 years in the bush!
Life in Africa does have many colours;
But my faith will surely lead me on till i reach to the city of love,
And i have to save myself from these bombs.
poem by Edward Kofi Louis

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I don't really go for the swagger thing too much.
quote by Will Sergeant

Submitted by Lucian Velea
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Tush (Anthony Acid (dirty) Radio Edit)
[Intro: Missy Elliott]
Oohhh... This that fire! Ghostface and Missy
[Ghostface Killah]
Somebody tell that girl that her ass too big
I give it to her right and she let me live
Can't eat that, cuz there's no relationship
I beat that, the next day you called in sick
Frontin', not for nothin', I pop buttons
Off Baby Phat, Levi's, J.Lo's, Guess and Gap
Cuz it's like that, young lady, bet I make you shake
Like the Puffy and Jay-Z's, Dre's and J.D.'s
Come on, if not you, I'mma beat this song
But if you were bout it, our business wouldn't be here this long
Let me break it down for you, all I wanted to know
If I could just feel it and touch it, and break it down into numbers and
Come with me and just leave your friends
Cuz we don't need no cock blocking
Tellin' you this without no option
Tell your friends "Peace, look, I'm bouncin'"
[Chorus: Missy Elliott (Ghostface Killah)]
Tush, tush, tush
Wanna slide in the bush, bush, bush?
(I'm on top, you like push, push, push
Keep it low like shush, shush, shush)
You wanna get up in my tush, tush, tush?
You could slide in the bush, bush, bush
(I'm on top, you like push, push, push
Keep it low like shush, shush, shush)
You wanna get up in that tush, tush, tush?
Wanna slide in my bush, bush, bush
(I'm on top, you like push, push, push
Keep it low like shush, shush, shush)
[Ghostface Killah]
Oh yeah, you jinglin' baby (well let me jump up on that ding-a-ling baby)
Ooh, gosh, you a nasty girl, sassy
Picture me layin' you inside my classic pearls
Toes'll curl, giddy up, you go girl
I'm about to, uh, do it slow girl
Ooh, you in control, it's in your world
She on,
song performed by by Ghostface Killah

Submitted by Lucian Velea
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0228 Streetwise
I was looking at this guy in the street
wishing I could walk with his swagger
as if he owned the street
when he caught me looking -
'you got a problem? ... '
so I thanked him for asking
and said yes
and explained
how I really wanted to express my manhood
without any suggestion of violence
or not respecting others' rights
but rather as a figure to be respected for myself...
and you know what
he just quietly walked away
seems he'd left his blade
stuck in the last guy
and was going back for it
poem by Michael Shepherd

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I have a natural swagger.
quote by Kevin Bacon

Submitted by Lucian Velea
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Accorjins
Where have the old accorjins gone?
I was askin' the coves at the Show;
Matt from the Mallee an' Dandenong Don,
An' a score of the fellers I know
Ole fellers, like me - an' they're missin' 'em sore;
For this wireless, it never makes up
For the merry ole music we knowed of yore
When Brindle was a pup
As they puts it
An' Bravo collared the Cup.
Where are the old accorjins now
Like me father used to play?
Times when we rested from harrers an' ploughs
An' we made rare holiday.
Or Accorjin Alf, poor half-wit coot,
To the bush dance used to come
An' beat the time with his hobnail boot,
Like the top of an big bass drum
'Ladies' Chain!'
Keep time to the top o' the drum.
Pipe in the sou'-west side of his mouth,
Hat on the back of his head,
Alf 'ud be there, come flood, come drouth,
For the dance in the shearin' shed.
Leaky bellers an' keys all broke,
Reeds near wearin' away;
But they put the ginger into a bloke,
Them toons as he used to play.
Hum a couple.
Reel toons of an older day.
'Hie to the Weddin'' an' 'Belle Mahone,'
'Wait Till the Clouds Roll by' ...
An' me an' yer ma crep' out alone,
Out under the starlit sky
Aw, jazz an' the wireless, things like these
Is a wonder to men, alright.
But gimme that ole accorjin's wheeze,
An' the bush, and a starlit night.
Kin yeh hear it?
A mopoke's call in the night.
poem by Clarence Michael James Stanislaus Dennis

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Their Own Myth
They swagger through the wastelands
of their own myth
believing the fantasy
they have built around themselves
of how great they are.
The shallow walls they built around themselves
with one stone could crumble away.
You see them in their peacock glory
prancing around everywhere.
Their heads stretched above the clouds
believing their own myth.
Their feet of clay can only erode
in the full flush of tidal waters.
Their peacock strut will become a limp
when their myth is broken
and things begin to challenge them.
For once, the tidal gate
is breached by leading questions
the clay feet and peacock strut
will be washed away,
and a new myth will absorb,
of bowing head and desperate look in eyes,
as their shallow walls crumble under tidal waters
and their own myth of self-greatness
loses momentum to sustain.
poem by David Harris

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Gimme What You Got
Baby picks off your plate-yours looks better
And she throws hers on the floor
Here, in the home of the brave
And the land of the free
The first word that baby learns is more
So youre out there floating like a big, puffy cloud
With the pool and the charcoal
And the kids and the wife
til the reruns of your dreams are interrupted
And you step out into life
And its still gimme, gimme what you got
I said gimme, gimme what you got
(I want it, I want it)
Gimme, gimme what you got
Now its take and take and takeover, takeover
Its all take and never give
All these trumped up towers
Theyre just golden showers
Where are people supposed to live?
You can arm yourself, alarm yourself
But theres nowhere you can run
cause a man with a briefcase
Can still more money
Than any man with a gun
I said gimme, gimme what you got
Said gimme, gimme what you got
Gimme, gimme what you got
Gimme, gimme what you got
You got the price of admission
You dont have to ask permission
To take somethin from another man
You cross a lawyer with the godfather, baby
Make you an offer that you cant understand
From main street to wall street to washington
From men to women to men
Its a nation of noses pressed up against the glass
Theyve seen it on the tv
And they want it pretty fast
You spend your whole life
Just pilin it up there
You got stack and stacks and stacks
Then, gabriel comes and taps you on the shoulder
But you dont see no hearses with luggage racks
Gimme, gimme what you got
I said gimme, gimme what you got
I said gimme, gimme what you got
(I want it, I want it)
Gimme, gimme what you got
song performed by by Don Henley

Submitted by Lucian Velea
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Victor Mature was a big man; he had a great swagger. I liked him and I knew we'd be good together on screen.
quote by Esther Williams

Submitted by Lucian Velea
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If you don't have a sensation of apprehension when you set out to find a story and a swagger when you sit down to write it, you are in the wrong business.
quote by A.M. Rosenthal

Submitted by Lucian Velea
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A Bit of Advice to a Bit of a Stud
Are you dreaming of a new romance
Or is that a pistol in your pants?
Judging by the way you swagger
You'd think you have a RIGHT to shag her! !
She, of course, is far less willing
Unless she thinks she can make a killing,
Unless you're rich, in other words,
Which is typical of bloody birds! !
Unfortunately, you don't have a penny
So Sarah, Anne, Denise or Jenny
Will not be opening their door
Like any tart or little whore.
You'll have to offer something more
Than just a romp between the sheets
With a guy who prowls the city streets! !
poem by John Thorkild Ellison

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