En.Citatepedia^®.ro

Battle Passes

A quaint old gabled cottage sleeps be-
tween the raving hills.
To right and left are livid strife, but on the
deep, wide sills
The purple pot-flowers swell and glow, and
o'er the walls and eaves
Prinked creeper steals caressing hands, the
poplar drips its leaves.
Within the garden hot and sweet
Fair form and woven color meet,
While down the clear, cool stones, 'tween
banks with branch and blossom gay,
A little, bridged, blind rivulet goes touching
out its way.

Peace lingers hidden from the knife, the tear-
ing blinding shell,
Where falls the spattered sunlight on a lichen-
covered well.
No voice is here, no fall of feet, no smoke lifts
cool and grey,
But on the granite stoop a cat blinks vaguely
at the day.
From hill to hill across the vale
Storms man's terrific iron gale;
The cot roof on a brooding dove recks not the
distant gun.
A brown hen scolds her chickens chasing
midges in the sun.

Now down the eastward slope they come.
No call of life, no beat of drum,
But stealthily, and in the green,
Low hid, with rifle and machine,
Spit hate and death; and red blood flows
To shame the whiteness of the rose.

Crack followes crash; the bestial roar
Of gastly and insensate war
Breaks on the cot. A rending stoke,
The red roof springs, and in the smoke
And spume of shells the riven walls
Pile where the splintered elm-tree spawls.

From westward, streaming down hill,
Shot-ravaged, thinned, but urgent still,
The brown, fierce, blooded Anzacs sweep,
And Hell leaps a up. The lilies weep
Strange crimson tears. Tight-lipped and mute,
The grim, gaunt soldiers stab and shoot.

It passes. Frantic, fleeing death,
Wild-eyed, foam-flecked and every breath
A labored agony, like deer
That feel the hounds' keen teeth, appear
The Prussian men, and, wild to slay
The hunters press upon their prey.

Cries fade and fitful shots die down. The
Tumbled ruin now
Smoke faintly in the summer light, and lifts
The trodden bough.
A sigh stirs in the trampled green, and held
And tainted red
The rill creeps o'er a dead man's face and
steals along its bed.
One deep among the lilacs thrown
Shock all the stillness with a moan.
Peace like the snowflake lights again where
utter silence lies,
And softly with white finger-tips she seals a
soldier eyes.

poem by Edward George Dyson
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The Hut by the Black Swamp

Now comes the fierce north-easter, bound
About with clouds and racks of rain,
And dry, dead leaves go whirling round
In rings of dust, and sigh like pain
Across the plain.

Now twilight, with a shadowy hand
Of wild dominionship, doth keep
Strong hold of hollow straits of land,
And watery sounds are loud and deep
By gap and steep.

Keen, fitful gusts, that fly before
The wings of storm when day hath shut
Its eyes on mountains, flaw by flaw,
Fleet down by whistling box-tree butt,
Against the hut.

And, ringed and girt with lurid pomp,
Far eastern cliffs start up, and take
Thick steaming vapours from a swamp
That lieth like a great blind lake,
Of face opaque.

The moss that, like a tender grief,
About an English ruin clings -
What time the wan autumnal leaf
Faints, after many wanderings
On windy wings -

That gracious growth, whose quiet green
Is as a love in days austere,
Was never seen - hath never been -
On slab or roof, deserted here
For many a year.

Nor comes the bird whose speech is song -
Whose songs are silvery syllables
That unto glimmering woods belong,
And deep, meandering mountain dells
By yellow wells.

But rather here the wild-dog halts,
And lifts the paw, and looks, and howls;
And here, in ruined forest vaults,
Abide dim, dark, death-featured owls,
Like monks in cowls.

Across this hut the nettle runs,
And livid adders make their lair
In corners dank from lack of suns,
And out of foetid furrows stare
The growths that scare.

Here Summer's grasp of fire is laid
On bark and slabs that rot, and breed
Squat ugly things of deadly shade,
The scorpion, and the spiteful seed
Of centipede.

Unhallowed thunders, harsh and dry,
And flaming noontides, mute with heat,
Beneath the breathless, brazen sky,
Upon these rifted rafters beat
With torrid feet.

And night by night the fitful gale
Doth carry past the bittern's boom,
The dingo's yell, the plover's wail,
While lumbering shadows start, and loom,
And hiss through gloom.

No sign of grace - no hope of green,
Cool-blossomed seasons marks the spot;
But chained to iron doom, I ween,
'Tis left, like skeleton, to rot
Where ruth is not.

For on this hut hath murder writ,
With bloody fingers, hellish things;
And God will never visit it
With flower or leaf of sweet-faced Springs,
Or gentle wings.

poem by Henry Kendall
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An Old Picture

THERE are times when a dream delicious
Steals into a musing hour,
Like a face with love capricious
That peeps from a woodland bower;
And one dear scene comes changeless;
A wooded hill and a river;
A deep, cool bend, where the lilies end,
And the elm-tree shadows quiver.

And I lie on the brink there, dreaming
That the life I live is a dream;
That the real is but the seeming,
And the true is the sun-flecked stream.
Beneath me, the perch and the bream sail past
In the dim cool depths of the river;
The struggling fly breaks the mirrored sky
And the elm-tree shadows quiver.

There are voices of children away on the hill;
There are bees thro' the flag-flowers humming;
The lighter-man calls to the lock, and the mill
On the farther side is drumming.
And I sink to sleep in my dream of a dream,
In the grass by the brink of a river,
Where the voices blend and the lilies end
And the elm-tree shadows quiver.

Like a gift from the past is the kindly dream,
For the sorrow and passion and pain
Are adrift like the leaves on the breast of the stream,
And the child-life comes again.
O, the sweet sweet pain of a joy that died—
Of a pain that is joy forever!
O, the life that died in the stormy tide
That was once my sun-flecked river.

poem by John Boyle O'Reilly
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Lotus Leaves

I -
There is no peace beneath the moon,-
Ah! in those meadows is there peace
Where, girdled with a silver fleece,
As a bright shepherd, strays the moon? -
Queen of the gardens of the sky,
Where stars like lilies, white and fair,
Shine through the mists of frosty air,
Oh, tarry, for the dawn is nigh! -
Oh, tarry, for the envious day
Stretches long hands to catch thy feet.
Alas! but thou art overfleet,
Alas! I know thou wilt not stay.

II -
Eastward the dawn has broken red,
The circling mists and shadows flee;
Aurora rises from the sea,
And leaves the crocus-flowered bed. -
Eastward the silver arrows fall,
Splintering the veil of holy night:
And a long wave of yellow light
Breaks silently on tower and hall. -
And speeding wide across the wold
Wakes into flight some fluttering bird;
And all the chestnut tops are stirred,
And all the branches streaked with gold.

III -
To outer senses there is peace,
A dream-like peace on either hand,
Deep silence in the shadowy land,
Deep silence where the shadows cease, -
Save for a cry that echoes shrill
From some lone bird disconsolate;
A curlew calling to its mate;
The answer from the distant hill. -
And, herald of my love to Him
Who, waiting for the dawn, doth lie,
The orbed maiden leaves the sky,
And the white firs grow more dim.

IV -
Up sprang the sun to run his race,
The breeze blew fair on meadow and lea,
But in the west I seemed to see
The likeness of a human face. -
A linnet on the hawthorn spray
Sang of the glories of the spring,
And made the flow'ring copses ring
With gladness for the new-born day. -
A lark from out the grass I trod
Flew wildly, and was lost to view
In the great seamless veil of blue
That hangs before the face of God. -
The willow whispered overhead
That death is but a newer life
And that with idle words of strife
We bring dishonour on the dead. -
I took a branch from off the tree,
And hawthorn branches drenched with dew,
I bound them with a sprig of yew,
And made a garland fair to see. -
I laid the flowers where He lies
(Warm leaves and flowers on the stones):
What joy I had to sit alone
Till evening broke on tired eyes: -
Till all the shifting clouds had spun
A robe of gold for God to wear
And into seas of purple air
Sank the bright galley of the sun.

V -
Shall I be gladdened for the day,
And let my inner heart be stirred
By murmuring tree or song of bird,
And sorrow at the wild winds' play? -
Not so, such idle dreams belong
To souls of lesser depth than mine;
I feel that I am half divine;
I that I am great and strong. -
I know that every forest tree
By labour rises from the root
I know that none shall gather fruit
By sailing on the barren sea.

poem by Oscar Wilde
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In Memory of Edward Butler

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.

Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.

Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

poem by Henry Kendall
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He fell among Thieves

‘Ye have robb’d,’ said he, ‘ye have slaughter’d and made an end,
Take your ill-got plunder, and bury the dead:
What will ye more of your guest and sometime friend?’
‘Blood for our blood,’ they said.

He laugh’d: ‘If one may settle the score for five,
I am ready; but let the reckoning stand till day:
I have loved the sunlight as dearly as any alive.’
‘You shall die at dawn,’ said they.

He flung his empty revolver down the slope,
He climb’d alone to the Eastward edge of the trees;
All night long in a dream untroubled of hope
He brooded, clasping his knees.

He did not hear the monotonous roar that fills
The ravine where the Yassîn river sullenly flows;
He did not see the starlight on the Laspur hills,
Or the far Afghan snows.

He saw the April noon on his books aglow,
The wistaria trailing in at the window wide;
He heard his father’s voice from the terrace below
Calling him down to ride.

He saw the gray little church across the park,
The mounds that hid the loved and honour’d dead;
The Norman arch, the chancel softly dark,
The brasses black and red.

He saw the School Close, sunny and green,
The runner beside him, the stand by the parapet wall,
The distant tape, and the crowd roaring between,
His own name over all.

He saw the dark wainscot and timber’d roof,
The long tables, and the faces merry and keen;
The College Eight and their trainer dining aloof,
The Dons on the daëis serene.

He watch’d the liner’s stem ploughing the foam,
He felt her trembling speed and the thrash of her screw.
He heard the passengers’ voices talking of home,
He saw the flag she flew.

And now it was dawn. He rose strong on his feet,
And strode to his ruin’d camp below the wood;
He drank the breath of the morning cool and sweet:
His murderers round him stood.

Light on the Laspur hills was broadening fast,
The blood-red snow-peaks chill’d to a dazzling white;
He turn’d, and saw the golden circle at last,
Cut by the Eastern height.

‘O glorious Life, Who dwellest in earth and sun,
I have lived, I praise and adore Thee.’
A sword swept.
Over the pass the voices one by one
Faded, and the hill slept.

poem by Sir Henry Newbolt
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Sea Lullaby

The old moon is tarnished
With smoke of the flood,
The dead leaves are varnished
With colour like blood.

A treacherous smiler
With teeth white as milk,
A savage beguiler
In sheathings of silk

The sea creeps to pillage,
She leaps on her prey;
A child of the village
Was murdered today.

She came up to meet him
In a smooth golden cloak,
She choked him and beat him
to death, for a joke.

Her bright locks were tangled,
She shouted for joy
With one hand she strangled
A strong little boy.

Now in silence she lingers
Beside him all night
To wash her long fingers
In silvery light.

poem by Elinor Morton Wylie
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The Four Queens (Maoriland)

Wellington.
HERE, where the surges of a world of sea
Break on our bastioned walls with league-long sweep,
Four fair young queens their lonely splendour keep,
Each in a city throned. The first is she
Whose face is arrogant with empery;
Her throne from out the wounded hill-side steep
Is rudely fashioned, and beneath her creep
The narrow streets; and, stretching broad and free,
Like a green-waving meadow, lies the bay,
With blossom-sails and flower-wavelots flecked.
Elate she stands; her brown and windblown hair
Haloes a face with virgin freshness fair,
As she receives, exuberant, erect,
The stubborn homage that her sisters pay.

Dunedin.
And one is fair and winsome, and her face
Is strung with winter's kisses, and is yet
With winter's tears of parting sorrow wet;
And all her figure speaks of bonny grace.
High on the circling hills her seat has place,
Within a bower of the green bush set;
And 'neath her feet the city slopes—a net
Of broad-büilt streets and green-girt garden space.

Above her high the suburbs climb to crown
Her city's battlements; and in her thrall
Lie sleeping fiords, and forests call her queen.
About her waist she winds a belt of green,
And on her gleaming city looking down,
She hears the Siren South for ever call.

Christchurch.
And one within a level city lies;
To whose tree-shaded streets and squares succeed;
A vista of white roads and bordering meads,
Until each suburb in the great plain dies.
The clustering spires to crown her fair head rise,
And for a girdle round her form she leads
The Avon, green with waving river-weeds
And swept with swaying willows. And her eyes
Are quiet with a student's reverie;
And in the hair that clouds her dreaming face
There lurks the fragrance of some older place,
And memories awake to die again,
As, confident and careless, glad and sorrow-free
She waits, queen of the margeless golden plain.

Auckland.
Set all about with walls, the last fair queen
Over a tropic city holds her sway;
Her throne on sleeping Eden, whence through grey
And red-strewn roads and gleaming gardens green
The city wanders on, and seems to lean
To bathe her beauty in the cool, clear bay,
That out past isle and islet winds its way
To the wide ocean. In her hair a sheen
Of sunlight lives; her face is sweetly pale—
A queen who seems too young and maidenly,
Her beauty all too delicate and frail,
To hold a sway imperious. But forth
From deep, dark eyes, that dreaming seem to be,
There shine the strength and passion of the North.

poem by Arthur Henry Adams
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Scenes In London II - Oxford Street

LIFE in its many shapes was there,
The busy and the gay;
Faces that seemed too young and fair
To ever know decay.

Wealth, with its waste, its pomp, and pride,
Led forth its glittering train;
And poverty's pale face beside
Asked aid, and asked in vain.

The shops were filled from many lands,
Toys, silks, and gems, and flowers;
The patient work of many hands,
The hope of many hours.

Yet, mid life's myriad shapes around
There was a sigh of death;
There rose a melancholy sound,
The bugle's wailing breath.

They played a mournful Scottish air,
That on its native hill
Had caught the notes the night-winds bear
From weeping leaf and rill.

'Twas strange to hear that sad wild strain
Its warning music shed,
Rising above life's busy train,
In memory of the dead.

There came a slow and silent band
In sad procession by:
Reversed the musket in each hand,
And downcast every eye.

They bore the soldier to his grave;
The sympathyzing crowd
Divided like a parted wave
By some dark vessel ploughed.

A moment, and all sounds were mute,
For awe was over all;
You heard the soldier's measured foot,
The bugle's wailing call.

The gloves were laid upon the bier,
The helmet and the sword,
The drooping war-horse followed near,
As he, too, mourned his lord.

Slowly—I followed too—they led
To where a church arose,
And flung a shadow o'er the dead,
Deep as their own repose.

Green trees were there—beneath the shade
Of one, was made a grave;
And there to his last rest was laid
The weary and the brave.

They fired a volley o'er the bed
Of an unconscious ear;
The birds sprang fluttering overhead,
Struck with a sudden fear.

All left the ground, the bugles died
Away upon the wind;
Only the tree's green branches sighed
O'er him they left behind.

Again, all filled with light and breath,
I passed the crowded street—
Oh, great extremes of life and death,
How strangely do ye meet!

poem by Letitia Elizabeth Landon
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Daisy

Where the thistle lifts a purple crown
Six foot out of the turf,
And the harebell shakes on the windy hill--
O breath of the distant surf!--

The hills look over on the South,
And southward dreams the sea;
And with the sea-breeze hand in hand
Came innocence and she.

Where 'mid the gorse the raspberry
Red for the gatherer springs;
Two children did we stray and talk
Wise, idle, childish things.

She listened with big-lipped surprise,
Breast-deep 'mid flower and spine:
Her skin was like a grape whose veins
Run snow instead of wine.

She knew not those sweet words she spake,
Nor knew her own sweet way;
But there's never a bird, so sweet a song
Thronged in whose throat all day.

Oh, there were flowers in Storrington
On the turf and on the spray;
But the sweetest flower on Sussex hills
Was the Daisy-flower that day!

Her beauty smoothed earth's furrowed face.
She gave me tokens three:--
A look, a word of her winsome mouth,
And a wild raspberry.

A berry red, a guileless look,
A still word,--strings of sand!
And yet they made my wild, wild heart
Fly down to her little hand.

For standing artless as the air,
And candid as the skies,
She took the berries with her hand,
And the love with her sweet eyes.

The fairest things have fleetest end,
Their scent survives their close:
But the rose's scent is bitterness
To him that loved the rose.

She looked a little wistfully,
Then went her sunshine way--
The sea's eye had a mist on it,
And the leaves fell from the day.

She went her unremembering way,
She went and left in me
The pang of all he partings gone,
And partings yet to be.

She left me marvelling why my soul
Was sad that she was glad;
At all the sadness in the sweet,
The sweetness in the sad.

Still, still I seemed to see her, still
Look up with soft replies,
And take the berries with her hand,
And the love with her lovely eyes.

Nothing begins, and nothing ends,
That is not paid with moan,
For we are born in other's pain,
And perish in our own.

poem by Francis Thompson
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Love in the Valley

Under yonder beech-tree single on the green-sward,
Couched with her arms behind her golden head,
Knees and tresses folded to slip and ripple idly,
Lies my young love sleeping in the shade.
Had I the heart to slide an arm beneath her,
Press her parting lips as her waist I gather slow,
Waking in amazement she could not but embrace me:
Then would she hold me and never let me go?

Shy as the squirrel and wayward as the swallow,
Swift as the swallow along the river's light
Circleting the surface to meet his mirrored winglets,
Fleeter she seems in her stay than in her flight.
Shy as the squirrel that leaps among the pine-tops,
Wayward as the swallow overhead at set of sun,
She whom I love is hard to catch and conquer,
Hard, but O the glory of the winning were she won!

When her mother tends her before the laughing mirror,
Tying up her laces, looping up her hair,
Often she thinks, were this wild thing wedded,
More love should I have, and much less care.
When her mother tends her before the lighted mirror,
Loosening her laces, combing down her curls,
Often she thinks, were this wild thing wedded,
I should miss but one for many boys and girls.

Heartless she is as the shadow in the meadows
Flying to the hills on a blue and breezy noon.
No, she is athirst and drinking up her wonder:
Earth to her is young as the slip of the new moon.
Deals she an unkindness, 'tis but her rapid measure,
Even as in a dance; and her smile can heal no less:
Like the swinging May-cloud that pelts the flowers with hailstones
Off a sunny border, she was made to bruise and bless.

Lovely are the curves of the white owl sweeping
Wavy in the dusk lit by one large star.
Lone on the fir-branch, his rattle-note unvaried,
Brooding o'er the gloom, spins the brown eve-jar.
Darker grows the valley, more and more forgetting:
So were it with me if forgetting could be willed.
Tell the grassy hollow that holds the bubbling well-spring,
Tell it to forget the source that keeps it filled.

Stepping down the hill with her fair companions,
Arm in arm, all against the raying West
Boldly she sings, to the merry tune she marches,
Brave in her shape, and sweeter unpossessed.
Sweeter, for she is what my heart first awaking
Whispered the world was; morning light is she.
Love that so desires would fain keep her changeless;
Fain would fling the net, and fain have her free.

Happy happy time, when the white star hovers
Low over dim fields fresh with bloomy dew,
Near the face of dawn, that draws athwart the darkness,
Threading it with colour, as yewberries the yew.
Thicker crowd the shades while the grave East deepens
Glowing, and with crimson a long cloud swells.
Maiden still the morn is; and strange she is, and secret;
Strange her eyes; her cheeks are cold as cold sea-shells.

Sunrays, leaning on our southern hills and lighting
Wild cloud-mountains that drag the hills along,
Oft ends the day of your shifting brilliant laughter
Chill as a dull face frowning on a song.
Ay, but shows the South-West a ripple-feathered bosom
Blown to silver while the clouds are shaken and ascend
Scaling the mid-heavens as they stream, there comes a sunset
Rich, deep like love in beauty without end.

When at dawn she sighs, and like an infant to the window
Turns grave eyes craving light, released from dreams,
Beautiful she looks, like a white water-lily
Bursting out of bud in havens of the streams.
When from bed she rises clothed from neck to ankle
In her long nightgown sweet as boughs of May,
Beautiful she looks, like a tall garden lily
Pure from the night, and splendid for the day.

Mother of the dews, dark eye-lashed twilight,
Low-lidded twilight, o'er the valley's brim,
Rounding on thy breast sings the dew-delighted skylark,
Clear as though the dewdrops had their voice in him.
Hidden where the rose-flush drinks the rayless planet,
Fountain-full he pours the spraying fountain-showers.
Let me hear her laughter, I would have her ever
Cool as dew in twilight, the lark above the flowers.

All the girls are out with their baskets for the primrose;
Up lanes, woods through, they troop in joyful bands.
My sweet leads: she knows not why, but now she totters,
Eyes the bent anemones, and hangs her hands.
Such a look will tell that the violets are peeping,
Coming the rose: and unaware a cry
Springs in her bosom for odours and for colour,
Covert and the nightingale; she knows not why.

Kerchiefed head and chin she darts between her tulips,
Streaming like a willow grey in arrowy rain:
Some bend beaten cheek to gravel, and their angel
She will be; she lifts them, and on she speeds again.
Black the driving raincloud breasts the iron gateway:
She is forth to cheer a neighbour lacking mirth.
So when sky and grass met rolling dumb for thunder
Saw I once a white dove, sole light of earth.

Prim little scholars are the flowers of her garden,
Trained to stand in rows, and asking if they please.
I might love them well but for loving more the wild ones:
O my wild ones! they tell me more than these.
You, my wild one, you tell of honied field-rose,
Violet, blushing eglantine in life; and even as they,
They by the wayside are earnest of your goodness,
You are of life's, on the banks that line the way.

Peering at her chamber the white crowns the red rose,
Jasmine winds the porch with stars two and three.
Parted is the window; she sleeps; the starry jasmine
Breathes a falling breath that carries thoughts of me.
Sweeter unpossessed, have I said of her my sweetest?
Not while she sleeps: while she sleeps the jasmine breathes,
Luring her to love; she sleeps; the starry jasmine
Bears me to her pillow under white rose-wreaths.

Yellow with birdfoot-trefoil are the grass-glades;
Yellow with cinquefoil of the dew-grey leaf;
Yellow with stonecrop; the moss-mounds are yellow;
Blue-necked the wheat sways, yellowing to the sheaf:
Green-yellow bursts from the copse the laughing yaffle;
Sharp as a sickle is the edge of shade and shine:
Earth in her heart laughs looking at the heavens,
Thinking of the harvest: I look and think of mine.

This I may know: her dressing and undressing
Such a change of light shows as when the skies in sport
Shift from cloud to moonlight; or edging over thunder
Slips a ray of sun; or sweeping into port
White sails furl; or on the ocean borders
White sails lean along the waves leaping green.
Visions of her shower before me, but from eyesight
Guarded she would be like the sun were she seen.

Front door and back of the mossed old farmhouse
Open with the morn, and in a breezy link
Freshly sparkles garden to stripe-shadowed orchard,
Green across a rill where on sand the minnows wink.
Busy in the grass the early sun of summer
Swarms, and the blackbird's mellow fluting notes
Call my darling up with round and roguish challenge:
Quaintest, richest carol of all the singing throats!

Cool was the woodside; cool as her white dairy
Keeping sweet the cream-pan; and there the boys from school,
Cricketing below, rushed brown and red with sunshine;
O the dark translucence of the deep-eyed cool!
Spying from the farm, herself she fetched a pitcher
Full of milk, and tilted for each in turn the beak.
Then a little fellow, mouth up and on tiptoe,
Said, "I will kiss you": she laughed and leaned her cheek.

Doves of the fir-wood walling high our red roof
Through the long noon coo, crooning through the coo.
Loose droop the leaves, and down the sleepy roadway
Sometimes pipes a chaffinch; loose droops the blue.
Cows flap a slow tail knee-deep in the river,
Breathless, given up to sun and gnat and fly.
Nowhere is she seen; and if I see her nowhere,
Lightning may come, straight rains and tiger sky.

O the golden sheaf, the rustling treasure-armful!
O the nutbrown tresses nodding interlaced!
O the treasure-tresses one another over
Nodding! O the girdle slack about the waist!
Slain are the poppies that shot their random scarlet
Quick amid the wheatears: wound about the waist,
Gathered, see these brides of Earth one blush of ripeness!
O the nutbrown tresses nodding interlaced!

Large and smoky red the sun's cold disk drops,
Clipped by naked hills, on violet shaded snow:
Eastward large and still lights up a bower of moonrise,
Whence at her leisure steps the moon aglow.
Nightlong on black print-branches our beech-tree
Gazes in this whiteness: nightlong could I.
Here may life on death or death on life be painted.
Let me clasp her soul to know she cannot die!

Gossips count her faults; they scour a narrow chamber
Where there is no window, read not heaven or her.
"When she was a tiny," one aged woman quavers,
Plucks at my heart and leads me by the ear.
Faults she had once as she learnt to run and tumbled:
Faults of feature some see, beauty not complete.
Yet, good gossips, beauty that makes holy
Earth and air, may have faults from head to feet.

Hither she comes; she comes to me; she lingers,
Deepens her brown eyebrows, while in new surprise
High rise the lashes in wonder of a stranger;
Yet am I the light and living of her eyes.
Something friends have told her fills her heart to brimming,
Nets her in her blushes, and wounds her, and tames.--
Sure of her haven, O like a dove alighting,
Arms up, she dropped: our souls were in our names.

Soon will she lie like a white-frost sunrise.
Yellow oats and brown wheat, barley pale as rye,
Long since your sheaves have yielded to the thresher,
Felt the girdle loosened, seen the tresses fly.
Soon will she lie like a blood-red sunset.
Swift with the to-morrow, green-winged Spring!
Sing from the South-West, bring her back the truants,
Nightingale and swallow, song and dipping wing.

Soft new beech-leaves, up to beamy April
Spreading bough on bough a primrose mountain, you,
Lucid in the moon, raise lilies to the skyfields,
Youngest green transfused in silver shining through:
Fairer than the lily, than the wild white cherry:
Fair as in image my seraph love appears
Borne to me by dreams when dawn is at my eyelids:
Fair as in the flesh she swims to me on tears.

Could I find a place to be alone with heaven,
I would speak my heart out: heaven is my need.
Every woodland tree is flushing like the dog-wood,
Flashing like the whitebeam, swaying like the reed.
Flushing like the dog-wood crimson in October;
Streaming like the flag-reed South-West blown;
Flashing as in gusts the sudden-lighted white beam:
All seem to know what is for heaven alone.

poem by George Meredith
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Breton Afternoon

Here, where the breath of the scented-gorse floats through the
sun-stained air,
On a steep hill-side, on a grassy ledge, I have lain hours long
and heard
Only the faint breeze pass in a whisper like a prayer,
And the river ripple by and the distant call of a bird.

On the lone hill-side, in the gold sunshine, I will hush me and
repose,
And the world fades into a dream and a spell is cast on me;
_And what was all the strife about, for the myrtle or the rose,
And why have I wept for a white girl's paleness passing ivory!_

Out of the tumult of angry tongues, in a land alone, apart,
In a perfumed dream-land set betwixt the bounds of life and death,
Here will I lie while the clouds fly by and delve an hole where my
heart
May sleep deep down with the gorse above and red, red earth beneath.

Sleep and be quiet for an afternoon, till the rose-white angelus
Softly steals my way from the village under the hill:
_Mother of God, O Misericord, look down in pity on us,
The weak and blind who stand in our light and wreak ourselves such ill_.

poem by Ernest Christopher Dowson
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Enniskillen

Oh my heart beat high with joy elate,
When Danny rode in the Hunters’ Plate
On Enniskillen, the raking grey-
A mighty jumper, with power to stay!
Velvet muzzled, with eye of fire,
Clean-legged, slant –shouldered, and tough as wire,
Oh, the joy that can fill a colleen’s breast,
When her man and horse are dong their best!
The summer skies were without a cloud
O’er the heads of the frantic, cheering crowd,
As he led the field right into the straight,
And his eyes met mine, at the five-barred gate.
Then they thundered by, like a roaring flood,
And oh, good luck to the Irish blood!
The Irish blood that in horse or man
Has never ‘caved in’ since the world began.
He took the last leap, like a bird in the air,
Clearing the hurdle, straight and fair,
And Enniskillen won!

We’d been married for one long blissful year
Of hope and struggle, of joy and fear;
Our hearts were young, and our hopes were high,
And the star of love shone bright in our sky.
And I felt like a queen as I hushed to rest
The little bright head that lay on my breast;
But the air was stifling close and strange
With a scent of smoke from the burning range,
And I prayed for Danny, riding away
On a cattle hunt, on the gallant grey—
The smoke came down like a cloud of night,
And ranges and trees were blotted from sight,
When Enniskillen came galloping home,
His grey coat mottled and flecked with foam,
And Danny’s face was rigid and white,
“Come Sweetheart, we ride for our lives to-night;
Wrap this cloak around you, hold Baby fast,
And pray, till the danger be overpassed,
For the wind has arisen with whirling force,
And our lives depend on the dear, grey horse.

And on God’s good mercy.” – A streak of light,
Enniskillen went racing into the night
The dim stars peered from a reeling sky,
And wild bush creatures came rushing by;
As crash on crash the timber fell,
And the burning wind was a blast of hell.
But Danny held me with steady arm,
And the Babe, between us, slept safe from harm.

We were nearly through, and the battle won,
When Danny drew rein with “Ah God! – We’re done!”
For before us the flames met roaring wide,
Though safety lay on the other side,
One moment, a tremble, the grey horse stood,
Then oh, thank God for the Irish blood,
The Irish blood that in horse and man
Has never ‘ caved in’ since the world began!
With a snort of defiance to smoke and flame,
Through the raging furnace the grey horse came,
Though laboured sobs shook his trembling side,
And falling cinders scorched his hide,
And Enniskillen won!

The grass is waving on hill and plain,
And peace and plenty are here again;
Our little home rebuilt once more,
And the lean struggling year are o’er.
There’s a paddock green on the river flat,
Where a dear grey horse roams strong ans fat,
Though on his back the scars still show,
Deep scars where never a hair can grow.
But still he holds his head with pride,
And treads the earth with a kingly stride,
Proud of his Irish blood!

poem by Alice Guerin Crist
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Homecoming

When the evening breathes golden rest

Forest and dark meadow before which

Man is a looker,

A shepherd, dwelling in the flocks' dusking stillness,

The patience of the red beeches;

So clearly since it has become autumn. By the hill

The lonely one listens to the flight of birds,

To dark meaning and the shadows of the dead

Have gathered more seriously around him;

Cool mignonette scent fulfills him with shudders,

The huts of the villagers the elder,

Where in former times the child dwelled.

Memory, buried hope

Is preserved by these brown rafters,

Over which dahlias hang

So that the hands strive after them,

In the brown garden the shimmering step

Forbidden loving, dark year,

That from blue eyelids the tears

Of the stranger fell irresistibly.

From brown treetops dew drips,

When that one, a blue deer, awakes on the hill,

Listening to the loud calls of the fishermen

By the evening pond

To the amorphous cry of the bats;

But in golden stillness

The drunken heart dwells

Full of its noble death.

poem by Georg Trakl
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Melody In A Restaurant

The cigarette smoke loops and slides above us,
Dipping and swirling as the waiter passes.
You strike a match and stare upon the flame.
The tiny firelight leaps in your eyes a moment
And dies away as silently as it came.

This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls, and it flows, and you have pain.

So says the tune to you—but what to me ?
What to the waiter, as he pours your coffee?
The violinist who suavely draws his bow ?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.

Someone there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
Green leaves blow down; the place is checked with shadows;
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning;
And clouds are blown and torn upon high forests;
And the great sea shakes its walls.
And then falls silence And through long silence falls
This melody once more:
Down endless stairs she goes, as once before.

So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams?
I go my secret way, down secret alleys.
My errand is not so simple as it seems.

poem by Conrad Potter Aiken
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The House Of Dust: Part 03: 05: Melody In A Restaurant

The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.

This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.

So says the tune to you—but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.

Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'

So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.

poem by Conrad Potter Aiken
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The Beach Wore Red

A glass camouflage of
Waves hunched upon waves
Sounding the eminent and mortal attack
The sky so blue just the morning before
Rains ashen and gray today
War emits its screams and explosions and death
A tsunami of destruction and terror
Pushing forward those not so brave
Today the beach wore red
A soldier falls up the shore
Grasping a hill of silken bloody sand
A piece of land and then nothing more
Run, run to nowhere and a medic takes his hand
Look for the next place to hide -
Or seek out someone in command
Soldier grits his teeth and crawls -
Trust the buddy system
No one in an Army is abandoned
Chokes back the terror and the dust, presses back his helmet
In a moment can he take another man's life?
The sulfuric stench of smoke and spent ammunition
Caissons of cannon blasts and the ascrid stink of buring flesh
The gasping rasping rattle, the fight for life
And the sound of the silence just before death
Searing shrapnel, furious bullets zing around the Soldier
And his buddies on either side of him are no more
Bodies stacked like cord wood
Waves weep for them then sweep them far out to sea
Or bury them deep in the sandy beach - the tide oozes crimson
Who knew it would be like this?
It was supposed to be noble - a holy thing
With marching bands, drums and fifes
Hardy smiling brigades of lads to lift the flags
Handkerchief waves and burning kisses
From the rose lips of gals left at home -
A letter to say 'come home' with 'small love poems'
But it wasn't that way - just old dead dreams
And pale grim epitaphs -
Labeled dog tags on the toe - a rush to get to shore
The next contribution would be on the country's altar
Perhaps that would be acceptable - preferable - an honor -
A good soldier has to believe
If it comes to that - Being maimed and left for dead
Now that is another damned thing -
There's no comfort in the loss of part of your being
Told 'hurry - move on Soldier - can't stay here'
Nakedly aware of the rifle that isn't there
The saber the soldier will not bear
The medic is called again and again
And the beach wore scarlet in spite of him.
The soldier of conscience thinks better of this
He took an allegiance to serve in the depths of hell
The wide open eyes of death communes with the soldiers - always
Yet the beach doesn't care
It spies another living being
Now wounded and dying
She picks at his limbs as he moans
And she sucks him down
Into her black abyss
Gobbles him before the next soldier's very eyes
Would he have shot the ocean too?
Would you?
How crimson the hands
Of the Soldiers at play
How red the ocean blue.

poem by Joyce A Halvorsen
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Our Little House

Our little house upon the hill
In winter time is strangely still;
The roof tree, bare of leaves, stands high,
A candelabrum for the sky,
And down below the lamplights glow,
And ours makes answer o'er the snow.

Our little house upon the hill
In summer time strange voices fill;
With ceaseless rustle of the leaves,
And birds that twitter in the eaves,
And all the vines entangled so
The village lights no longer show.

Our little house upon the hill
Is just the house of Jack and Jill,
And whether showing or unseen,
Hid behind its leafy screen;
There's a star that points it out
When the lamp lights are in doubt.

poem by Thomas Walsh
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The Austral Months

January

The first fair month! In singing Summer’s sphere
She glows, the eldest daughter of the year.
All light, all warmth, all passion, breaths of myrrh,
And subtle hints of rose-lands, come with her.
She is the warm, live month of lustre—she
Makes glad the land and lulls the strong, sad sea.
The highest hope comes with her. In her face
Of pure, clear colour lives exalted grace;
Her speech is beauty, and her radiant eyes
Are eloquent with splendid prophecies.

February

The bright-haired, blue-eyed last of Summer. Lo,
Her clear song lives in all the winds that blow;
The upland torrent and the lowland rill,
The stream of valley and the spring of hill,
The pools that slumber and the brooks that run
Where dense the leaves are, green the light of sun,
Take all her grace of voice and colour. She,
With rich warm vine-blood splashed from heel to knee,
Comes radiant through the yellow woodlands. Far
And near her sweet gifts shine like star by star.
She is the true Demeter. Life of root
Glows under her in gardens flushed with fruit;
She fills the fields with strength and passion—makes
A fire of lustre on the lawn-ringed lakes;
Her beauty awes the great wild sea; the height
Of grey magnificence takes strange delight
And softens at her presence, at the dear
Sweet face whose memory beams through all the year.

March

Clear upland voices, full of wind and stream,
Greet March, the sister of the flying beam
And speedy shadow. She, with rainbow crowned,
Lives in a sphere of songs of mazy sound.
The hymn of waters and the gale’s high tone,
With anthems from the thunder’s mountain throne,
Are with her ever. This, behold, is she
Who draws its great cry from the strong, sad sea;
She is the month of majesty. Her force
Is power that moves along a stately course,
Within the lines of order, like no wild
And lawless strength of winter’s fiercest child.
About her are the wind-whipped torrents; far
Above her gleams and flies the stormy star,
And round her, through the highlands and their rocks,
Rings loud the grand speech from the equinox.

April

The darling of Australia’s Autumn—now
Down dewy dells the strong, swift torrents flow!
This is the month of singing waters—here
A tender radiance fills the Southern year;
No bitter winter sets on herb and root,
Within these gracious glades, a frosty foot;
The spears of sleet, the arrows of the hail,
Are here unknown. But down the dark green dale
Of moss and myrtle, and the herby streams,
This April wanders in a home of dreams;
Her flower-soft name makes language falter. All
Her paths are soft and cool, and runnels fall
In music round her; and the woodlands sing
For evermore, with voice of wind and wing,
Because this is the month of beauty—this
The crowning grace of all the grace that is.

May

Now sings a cool, bland wind, where falls and flows
The runnel by the grave of last year’s rose;
Now, underneath the strong perennial leaves,
The first slow voice of wintering torrent grieves.
Now in a light like English August’s day,
Is seen the fair, sweet, chastened face of May;
She is the daughter of the year who stands
With Autumn’s last rich offerings in her hands;
Behind her gleams the ghost of April’s noon,
Before her is the far, faint dawn of June;
She lingers where the dells and dewy leas
Catch stormy sayings from the great bold seas;
Her nightly raiment is the misty fold
That zones her round with moonlight-coloured gold;
And in the day she sheds, from shining wings,
A tender heat that keeps the life in things.

June

Not like that month when, in imperial space,
The high, strong sun stares at the white world’s face;
Not like that haughty daughter of the year
Who moves, a splendour, in a splendid sphere;
But rather like a nymph of afternoon,
With cool, soft sunshine, comes Australian June.
She is the calm, sweet lady, from whose lips
No breath of living passion ever slips;
The wind that on her virgin forehead blows
Was born too late to speak of last year’s rose;
She never saw a blossom, but her eyes
Of tender beauty see blue, gracious skies;
She loves the mosses, and her feet have been
In woodlands where the leaves are always green;
Her days pass on with sea-songs, and her nights
Shine, full of stars, on lands of frosty lights.

July

High travelling winds, filled with the strong storm’s soul,
Are here, with dark, strange sayings from the Pole;
Now is the time when every great cave rings
With sharp, clear echoes caught from mountain springs;
This is the season when all torrents run
Beneath no bright, glad beauty of the sun.
Here, where the trace of last year’s green is lost,
Are haughty gales, and lordships of the frost.
Far down, by fields forlorn and forelands bleak,
Are wings that fly not, birds that never speak;
But in the deep hearts of the glens, unseen,
Stand grave, mute forests of eternal green;
And here the lady, born in wind and rain,
Comes oft to moan and clap her palms with pain.
This is our wild-faced July, in whose breast
Is never faultless light or perfect rest.

August

Across the range, by every scarred black fell,
Strong Winter blows his horn of wild farewell;
And in the glens, where yet there moves no wing,
A slow, sweet voice is singing of the Spring.
Yea, where the bright, quick woodland torrents run,
A music trembles under rain and sun.
The lips that breathe it are the lips of her
At whose dear touch the wan world’s pulses stir—
The nymph who sets the bow of promise high
And fills with warm life-light the bleak grey sky.
She is the fair-haired August. Ere she leaves
She brings the woodbine blossom round the eaves;
And where the bitter barbs of frost have been
She makes a beauty with her gold and green;
And, while a sea-song floats from bay and beach,
She sheds a mist of blossoms on the peach.

September
*

October

Where fountains sing and many waters meet,
October comes with blossom-trammelled feet.
She sheds green glory by the wayside rills
And clothes with grace the haughty-featured hills.
This is the queen of all the year. She brings
The pure chief beauty of our southern springs.
Fair lady of the yellow hair! Her breath
Starts flowers to life, and shames the storm to death;
Through tender nights and days of generous sun
By prospering woods her clear strong torrents run;
In far deep forests, where all life is mute,
Of leaf and bough she makes a touching lute.
Her life is lovely. Stream, and wind, and bird
Have seen her face—her marvellous voice have heard;
And, in strange tracts of wildwood, all day long,
They tell the story in surpassing song.

November

Now beats the first warm pulse of Summer—now
There shines great glory on the mountain’s brow.
The face of heaven in the western sky,
When falls the sun, is filled with Deity!
And while the first light floods the lake and lea,
The morning makes a marvel of the sea;
The strong leaves sing; and in the deep green zones
Of rock-bound glens the streams have many tones;
And where the evening-coloured waters pass,
Now glides November down fair falls of grass.
She is the wonder with the golden wings,
Who lays one hand in Summer’s—one in Spring’s;
About her hair a sunset radiance glows;
Her mouth is sister of the dewy rose;
And all the beauty of the pure blue skies
Has lent its lustre to her soft bright eyes.

December

The month whose face is holiness! She brings
With her the glory of majestic things.
What words of light, what high resplendent phrase
Have I for all the lustre of her days?
She comes, and carries in her shining sphere
August traditions of the world’s great year;
The noble tale which lifts the human race
Has made a morning of her sacred face.
Now in the emerald home of flower and wing
Clear summer streams their sweet hosannas sing;
The winds are full of anthems, and a lute
Speaks in the listening hills when night is mute
And through dim tracks where talks the royal tree
There floats a grand hymn from the mighty sea;
And where the grey, grave, pondering mountains stand
High music lives—the place is holy land!

poem by Henry Kendall
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James Lionel Michael

BE HIS rest the rest he sought:
Calm and deep.
Let no wayward word or thought
Vex his sleep.
Peace—the peace that no man knows—
Now remains
Where the wasted woodwind blows,
Wakes and wanes.

Latter leaves, in Autumn’s breath,
White and sere,
Sanctify the scholar’s death,
Lying here.

Soft surprises of the sun—
Swift, serene—
O’er the mute grave-grasses run,
Cold and green.

Wet and cold the hillwinds moan;
Let them rave!
Love that takes a tender tone
Lights his grave.

He who knew the friendless face
Sorrows shew,
Often sought this quiet place
Years ago.

One, too apt to faint and fail,
Loved to stray
Here where water-shallows wail
Day by day.

Care that lays her heavy hand
On the best,
Bound him with an iron hand;
Let him rest.

Life, that flieth like a tune,
Left his eyes,
As an April afternoon
Leaves the skies.

Peace is best! If life was hard
Peace came next.
Thus the scholar, thus the bard,
Lies unvext.

Safely housed at last from rack—
Far from pain;
Who would wish to have him back?
Back again?

Let the forms he loved so well
Hover near;
Shine of hill and shade of dell,
Year by year.

All the wilful waifs that make
Beauty’s face,
Let them sojourn for his sake
Round this place.

Flying splendours, singing streams,
Lutes and lights,
May they be as happy dreams:
Sounds and sights;

So that Time to Love may say,
“Wherefore weep?
Sweet is sleep at close of day!
Death is sleep.”

poem by Henry Kendall
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The Spectral Horseman

What was the shriek that struck Fancy's ear
As it sate on the ruins of time that is past?
Hark! it floats on the fitful blast of the wind,
And breathes to the pale moon a funeral sigh.
It is the Benshie's moan on the storm,
Or a shivering fiend that thirsting for sin,
Seeks murder and guilt when virtue sleeps,
Winged with the power of some ruthless king,
And sweeps o'er the breast of the prostrate plain.
It was not a fiend from the regions of Hell
That poured its low moan on the stillness of night:
It was not a ghost of the guilty dead,
Nor a yelling vampire reeking with gore;
But aye at the close of seven years' end,
That voice is mixed with the swell of the storm,
And aye at the close of seven years' end,
A shapeless shadow that sleeps on the hill
Awakens and floats on the mist of the heath.
It is not the shade of a murdered man,
Who has rushed uncalled to the throne of his God,
And howls in the pause of the eddying storm.
This voice is low, cold, hollow, and chill,
'Tis not heard by the ear, but is felt in the soul.
'Tis more frightful far than the death-daemon's scream,
Or the laughter of fiends when they howl o’er the corpse
Of a man who has sold his soul to Hell.
It tells the approach of a mystic form,
A white courser bears the shadowy sprite;
More thin they are than the mists of the mountain,
When the clear moonlight sleeps on the waveless lake.
More pale HIS cheek than the snows of Nithona,
When winter rides on the northern blast,
And howls in the midst of the leafless wood.
Yet when the fierce swell of the tempest is raving,
And the whirlwinds howl in the caves of Inisfallen,
Still secure mid the wildest war of the sky,
The phantom courser scours the waste,
And his rider howls in the thunder's roar.
O'er him the fierce bolts of avenging Heaven
Pause, as in fear, to strike his head.
The meteors of midnight recoil from his figure,
Yet the 'wildered peasant, that oft passes by,
With wonder beholds the blue flash through his form:
And his voice, though faint as the sighs of the dead,
The startled passenger shudders to hear,
More distinct than the thunder's wildest roar.
Then does the dragon, who, chained in the caverns
To eternity, curses the champion of Erin,
Moan and yell loud at the lone hour of midnight,
And twine his vast wreaths round the forms of the daemons;
Then in agony roll his death-swimming eyeballs,
Though 'wildered by death, yet never to die!
Then he shakes from his skeleton folds the nightmares,
Who, shrieking in agony, seek the couch
Of some fevered wretch who courts sleep in vain;
Then the tombless ghosts of the guilty dead
In horror pause on the fitful gale.
They float on the swell of the eddying tempest,
And scared seek the caves of gigantic...
Where their thin forms pour unearthly sounds
On the blast that sweets the breast of the lake,
And mingles its swell with the moonlight air.

poem by Percy Bysshe Shelley
Submitted by Poetry Lover
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