Sonnets (1923)
VIII8.
Oh, oh, you will be sorry for that word!
.
Give back my book and take my kiss instead.
.
Was it my enemy or my friend I heard,
.
"What a big book for such a little head!"
.
Come, I will show you now my newest hat,
.
And you may watch me purse my mouth and prink!
.
Oh, I shall love you still, and all of that.
.
I never again shall tell you what I think.
.
I shall be sweet and crafty, soft and sly;
.
You will not catch me reading any more:
.
I shall be called a wife to pattern by;
.
And some day when you knock and push the door,
.
Some sane day, not too bright and not too stormy,
.
I shall be gone, and you may whistle for me. IX9.
Here is a wound that never will heal, I know,
.
Being wrought not of a dearness and a death,
.
But of a love turned ashes and the breath
.
Gone out of beauty; never again will grow
.
The grass on that scarred acre, though I sow
.
Young seed there yearly and the sky bequeath
.
Its friendly weathers down, far underneath
.
Shall be such bitterness of an old woe.
.
That April should be shattered by a gust,
.
That August should be levelled by a rain,
.
I can endure, and that the lifted dust
.
Of man should settle to the earth again;
.
But that a dream can die, will be a thrust
.
Between my ribs forever of hot pain. XVIII18.
I, being born a woman and distressed
.
By all the needs and notions of my kind,
.
Am urged by your propinquity to find
.
Your person fair, and feel a certain zest
.
To bear your body's weight upon my breast:
.
So subtly is the fume of life designed,
.
To clarify the pulse and cloud the mind,
.
And leave me once again undone, possessed.
.
Think not for this, however, the poor treason
.
Of my stout blood against my staggering brain,
.
I shall remember you with love, or season
.
My scorn with pity, -- let me make it plain:
.
I find this frenzy insufficient reason
.
For conversation when we meet again. XIX19.
What lips my lips have kissed, and where, and why,
.
I have forgotten, and what arms have lain
.
Under my head till morning; but the rain
.
Is full of ghosts to-night, that tap and sigh
.
Upon the glass and listen for reply,
.
And in my heart there stirs a quiet pain
.
For unremembered lads that not again
.
Will turn to me at midnight with a cry.
.
Thus in the winter stands the lonely tree,
.
Nor knows what birds have vanished one by one,
.
Yet knows its boughs more silent than before:
.
I cannot say what loves have come and gone,
.
I only know that summer sang in me
.
A little while, that in me sings no more.
poem by Edna St. Vincent Millay
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Related quotes
I, Being Born a Woman and Distressed
I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear your body's weight upon my breast:
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn wtih pity, -- let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.
poem by Edna St. Vincent Millay
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Here Is A Wound That Never Will Heal, I Know
Here is a wound that never will heal, I know,
Being wrought not of a dearness and a death,
But of a love turned ashes and the breath
Gone out of beauty; never again will grow
The grass on that scarred acre, though I sow
Young seed there yearly and the sky bequeath
Its friendly weathers down, far Underneath
Shall be such bitterness of an old woe.
That April should be shattered by a gust,
That August should be levelled by a rain,
I can endure, and that the lifted dust
Of man should settle to the earth again;
But that a dream can die, will be a thrust
Between my ribs forever of hot pain.
poem by Edna St. Vincent Millay
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Sonnets From An Ungrafted Tree
XLI
I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear you body's weight upon my breast:
So subtly is the fume of life designed,
To clairfy the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity,—let me make it plain:
I find ths frenzy insufficient reason
For conversation when we meet again.
poem by Edna St. Vincent Millay
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What Lips My Lips Have Kissed, And Where, And Why (Sonnet XLIII)
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.
poem by Edna St. Vincent Millay
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Sonnet XLIII (What lips my lips have kissed)
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.
poem by Edna St. Vincent Millay
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Oh, Oh, You Will Be Sorry
Oh, oh, you will be sorry for that word!
Give me back my book and take my kiss instead.
Was it my enemy or my friend I heard,
"What a big book for such a little head!"
Come, I will show you now my newest hat,
And you may watch me purse my mouth and prink!
Oh, I shall love you still, and all of that.
I never again shall tell you what I think.
I shall be sweet and crafty, soft and sly;
You will not catch me reading any more:
I shall be called a wife to pattern by;
And some day when you knock and push the door,
Some sane day, not too bright and not too stormy,
I shall be gone, and you may whistle for me.
poem by Edna St. Vincent Millay
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La Regina Avrillouse
Lady of rich allure,
Queen of the spring's embrace,
Your arms are long like boughs of ash,
Mid laugh-broken streams, spirit of rain unsure,
Breath of the poppy flower,
All the wood thy bower
And the hills thy dwelling-place.
This will I no more dream;
Warm is thy arm's allure,
Warm is the gust of breath
That ere thy lips meet mine
Kisseth my cheek and saith:
"This is the joy of earth,
Here is the wine of mirth
Drain ye one goblet sure,
Take ye the honey cup
The honied song raise up,
Drink of the spring's allure,
April and dew and rain;
Brown of the earth sing sure,
Cheeks and lips and hair
And soft breath that kisseth where
Thy lips have come not yet to drink."
Moss and the mold of earth,
These be thy couch of mirth,
Long arms thy boughs of shade
April-alluring, as the blade
Of grass doth catch the dew
And make it crown to hold the sun.
Banner be you
Above my head,
Glory to all wold display'd,
April-alluring, glory-bold.
poem by Ezra Pound
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Song VII: Dawn Talks to Day
Dawn talks to Day
Over dew-gleaming flowers,
Night flies away
Till the resting of hours:
Fresh are thy feet
And with dreams thine eyes glistening,
Thy still lips are sweet
Though the world is a-listening.
O Love, set a word in my mouth for our meeting,
Cast thine arms round about me to stay my heart's beating!
O fresh day, O fair day, O long day made ours!
Morn shall meet noon
While the flower-stems yet move,
Though the wind dieth soon
And the clouds fade above.
Loved lips are thine
As I tremble and hearken;
Bright thine eyes shine,
Though the leaves thy brow darken.
O Love, kiss me into silence, lest no word avail me,
Stay my head with thy bosom lest breath and life fail me!
O sweet day, O rich day, made long for our love!
Late day shall greet eve,
And the full blossoms shake,
For the wind will not leave
The tall trees while they wake.
Eyes soft with bliss,
Come nigher and nigher!
Sweet mouth I kiss,
Tell me all thy desire!
Let us speak, love, together some words of our story,
That our lips as they part may remember the glory!
O soft day, O calm day, made clear for our sake!
Eve shall kiss night,
And the leaves stir like rain
As the wind stealeth light
O'er the grass of the plain.
Unseen are thine eyes
Mid the dreamy night's sleeping,
And on my mouth there lies
The dear rain of thy weeping.
Hold silence, love, speak not of the sweet day departed,
Cling close to me, love, lest I waken sad-hearted!
O kind day, O dear day, short day, come again!
poem by William Morris
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In Autumn
The leaves are many under my feet,
And drift one way.
Their scent of death is weary and sweet.
A flight of them is in the grey
Where sky and forest meet.
The low winds moan for sad sweet years;
The birds sing all for pain,
Of a common thing, to weary ears,--
Only a summer's fate of rain,
And a woman's fate of tears.
I walk to love and life alone
Over these mournful places,
Across the summer overthrown,
The dead joys of these silent faces,
To claim my own.
I know his heart has beat to bright
Sweet loves gone by;
I know the leaves that die to-night
Once budded to the sky;
And I shall die from his delight.
O leaves, so quietly ending now,
You heard the cuckoos sing.
And I will grow upon my bough
If only for a spring,
And fall when the rain is on my brow.
O tell me, tell me ere you die,
Is it worth the pain?
You bloomed so fair, you waved so high;
Now that the sad days wane,
Are you repenting where you lie?
I lie amongst you, and I kiss
Your fragrance mouldering.
O dead delights, is it such bliss,
That tuneful Spring?
Is love so sweet, that comes to this?
Kiss me again as I kiss you;
Kiss me again;
For all your tuneful nights of dew,
In this your time of rain,
For all your kisses when Spring was new.
You will not, broken hearts; let be.
I pass across your death
To a golden summer you shall not see,
And in your dying breath
There is no benison for me.
There is an autumn yet to wane,
There are leaves yet to fall,
Which, when I kiss, may kiss again,
And, pitied, pity me all for all,
And love me in mist and rain.
poem by Alice Meynell
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Testament
Oh, let it be a night of lyric rain
And singing breezes, when my bell is tolled.
I have so loved the rain that I would hold
Last in my ears its friendly, dim refraln.
I shall lie cool and quiet, who have lain
Fevered, and watched the book of day unfold.
Death will not see me flinch; the heart is bold
That pain has made incapable of pain.
Kinder the busy worms than ever love;
It will be peace to lie there, empty-eyed,
My bed made secret by the leveling showers,
My breast replenishing the weeds above.
And you will say of me, "Then has she died?
Perhaps I should have sent a spray of flowers."
poem by Dorothy Parker
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
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Rain, Rain, Come Today
Rain, Rain, come today
I want to feel your painful stabs against my skin.
I want to taste your sweet red kiss upon my lips.
Allow the Angels of evil to cry a shower of blood upon the broken glass of my glory.
Allow your blackened, cutting blows to leave me tired and hated in my dying soul of death and desire.
Rain, Rain, come today
Send your charming, left out, rain of fire to burn my heart.
Allow your depressed demons to leave me slashed, broken, and bleeding a river of pain and sorrow.
Rain, Rain, come today
Send me a refreshing night of silence.
Keep me from finding love but leave me with an objective to find pain and sweet rage and revenge.
Rain, Rain, come today
Give me a Friday night of cutting glass and painful showers of destruction.
Send me a demon to do my bidding in the weary and stormy nights of a new dimension, in which people are feeling proud, passion, desire, and love.
As couples kiss and refresh themselves with the sweet taste of cold, clear, smooth, and wet rain.
Rain, Rain, Come Today
poem by Jade DragonHeart
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Magdalen
All things I can endure, save one.
The bare, blank room where is no sun;
The parcelled hours; the pallet hard;
The dreary faces here within;
The outer women's cold regard;
The Pastor's iterated "sin";--
These things could I endure, and count
No overstrain'd, unjust amount;
No undue payment for such bliss--
Yea, all things bear, save only this:
That you, who knew what thing would be,
Have wrought this evil unto me.
It is so strange to think on still--
That you, that you should do me ill!
Not as one ignorant or blind,
But seeing clearly in your mind
How this must be which now has been,
Nothing aghast at what was seen.
Now that the tale is told and done,
It is so strange to think upon.
You were so tender with me, too!
One summer's night a cold blast blew,
Closer about my throat you drew
That half-slipt shawl of dusky blue.
And once my hand, on summer's morn,
I stretched to pluck a rose; a thorn
Struck through the flesh and made it bleed
(A little drop of blood indeed!)
Pale grew your cheek you stoopt and bound
Your handkerchief about the wound;
Your voice came with a broken sound;
With the deep breath your breast was riven;
I wonder, did God laugh in Heaven?
How strange, that you should work my woe!
How strange! I wonder, do you know
How gladly, gladly I had died
(And life was very sweet that tide)
To save you from the least, light ill?
How gladly I had borne your pain.
With one great pulse we seem'd to thrill,--
Nay, but we thrill'd with pulses twain.
Even if one had told me this,
"A poison lurks within your kiss,
Gall that shall turn to night his day:"
Thereon I straight had turned away--
Ay, tho' my heart had crack'd with pain--
And never kiss'd your lips again.
At night, or when the daylight nears,
I hear the other women weep;
My own heart's anguish lies too deep
For the soft rain and pain of tears.
I think my heart has turn'd to stone,
A dull, dead weight that hurts my breast;
Here, on my pallet-bed alone,
I keep apart from all the rest.
Wide-eyed I lie upon my bed,
I often cannot sleep all night;
The future and the past are dead,
There is no thought can bring delight.
All night I lie and think and think;
If my heart were not made of stone,
But flesh and blood, it needs must shrink
Before such thoughts. Was ever known
A woman with a heart of stone?
The doctor says that I shall die.
It may be so, yet what care I?
Endless reposing from the strife?
Death do I trust no more than life.
For one thing is like one arrayed,
And there is neither false nor true;
But in a hideous masquerade
All things dance on, the ages through.
And good is evil, evil good;
Nothing is known or understood
Save only Pain. I have no faith
In God, or Devil, Life or Death.
The doctor says that I shall die.
You, that I knew in days gone by,
I fain would see your face once more,
Con well its features o'er and o'er;
And touch your hand and feel your kiss,
Look in your eyes and tell you this:
That all is done, that I am free;
That you, through all eternity,
Have neither part nor lot in me.
The True Lover
The lad came to the door at night,
When lovers crown their vows,
And whistled soft and out of sight
In shadow of the boughs.
"I shall not vex you with my face
Henceforth, my love, for aye;
So take me in your arms a space
Before the cast is grey.
"When I from hence away am past
I shall not find a bride,
And you shall be the first and last
I ever lay beside."
She heard and went and knew not why;
Her heart to his she laid;
Light was the air beneath the sky
But dark under the shade.
"Oh do you breathe, lad, that your breast
Seems not to rise and fall,
And here upon my bosom prest
There beats no heart at all?"
"Oh loud, my girl, it once would knock,
You should have felt it then;
But since for you I stopped the clock
It never goes again."
"Oh lad, what is it, lad, that drips
Wet from your neck on mine?
What is it falling on my lips,
My lad, that tastes of brine?"
"Oh like enough 'tis blood, my dear,
For when the knife was slit,
The throat across from ear to ear
'Twill bleed because of it."
Under the stars the air was light
But dark below the boughs,
The still air of the speechless night,
When lovers crown their vows.
poem by Alfred Edward Housman
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Ever since there was sun and stars
If you wipe away those tears
And look back over all of those years
You will find not a surer kind of love
Ever since there was a sun and stars
Above to warm the blood in our hearts
"Forever you" I've been in love
"Forever you" I've been in love
I've been there in love for you
You will find not a surer kind of love
You will find every wish
You've only been thinking, dreaming of
Oh, dream of me!
Like I'm dreaming of you again…
Oh when the winter raps its cloak
Around your heart
I will always be there to warm
And shelter you
"Forever you"
"Forever you"
From the cold and dark
Sure as a fire is burning in your heart
"Forever will I be"
Tracking back in the melting ice
And snow
It's never easy but if you love me
You will discover and find the old me
And I will be
Sure to follow you
"Forever you"
For all eternity
Because of what you have meant to me.
poem by Mark Heathcote
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The House Of Dust: Part 03: 02: The Screen Maiden
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
poem by Conrad Potter Aiken
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No Lilies For Lisette
Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.
Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.
Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.
Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.
Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.
"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .
Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.
poem by Robert William Service
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Lois House
Air -- "Saphrona's Farewell"
Come all ye young people of every degree,
Come give your attention one moment to me;
It's of a young couple I now will relate,
And of their misfortunes and of their sad fate.
One was a young damsel, both blooming and fair,
The other a young man, his beauty was rare;
He loved this lady as he loved his own life --
If God had not called her he would made her his wife.
He courted her a long time in triumph and glee,
But little did he think that she would soon leave,
Leave him in sorrow, forsaken, alone,
To mourn her departure, for she was going home:
Going home to her Father, that dwelleth on high,
Who gave her her life and who caused her to die,
And leave her true lover, one whom she could trust,
To moulder her fair form a while in the dust.
Lois House and Joy Morris were their names, I believe,
They loved each other dearly and never deceived,
But God he did part them, one which he laid low,
The other He left with his heart full of woe.
Joy laid her dying head on his bosom once more,
Pressed her to his heart as he had oft done before,
Saying, "Dear Lois, are you going to leave me?"
"Yes, Joy, I can no longer stay here with thee! "
"Oh! Joy, can't you give me up, dearest," said she;
"If you will say yes, love, I can leave in peace;
In heaven, love, I will be waiting for thee --
Be true to our Savior -- you'll soon follow me."
"If I must say yes, love, for you to leave me --
God will do better by you, Lois, than me;
Oh! it's hard for me, dearest, hard to say yes,
It leaves me alone, love, in sad woefulness."
"I want your picture, Joy, placed in my cold hand,
And let it be buried with me in the ground;
It's all I can carry with me to the grave --
Grant it to me, love, it's all that I crave."
They called for her father and mother most dear,
She kissed them and bade them farewell thro' their tears;
They called for her brother and sisters again,
To kiss their sister while life still remain.
"One kiss from you, Joy," she whispered so low,
That no one in the room heard her, you know;
She gasped for her breath once or twice more,
When lo! her spirit left her, and Lois is no more.
They placed her fair form in the coffin so cold,
And placed there Joy's picture as they had been told;
They bore her to her grave, all were in sad gloom,
And gently laid her down to rest in her tomb.
poem by Julia A Moore
Submitted by Poetry Lover
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After
WHEN, on an empty night in later years
Thou ponderest over sorrowful sweet things,
While troubling with cold hands the muted strings
Of Memory's lute now silent in thine ears,
These words shall sweep with soft descent of tears--
Shall wound the air with sudden thrust of wings
Bringing the Past to thee as Winter brings
To naked boughs the colour April wears.
Thou shalt read over, in less fortunate days,
Forgotten pages till thy heart be moved
To sudden pity and to passionate praise
Of what thou didst not heed nor understand;
Letting the book drop from thy trembling hand,
"Once," thou shalt say and pause . . . "How I was loved!"
poem by Muriel Stuart
Submitted by Poetry Lover
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The Creation of the Moon
The man cut his throat and left his head there.
The others went to get it.
When they got there they put the head in a sack.
Farther on the head fell out onto the ground.
They put the head back in the sack.
Farther on the head fell out again.
Around the first sack they put a second one that
was thicker.
But the head fell out just the same.
It should be explained that they were taking the head
to show to the others.
They did not put the head back in the sack.
They left it in the middle of the road.
They went away.
They crossed the river.
But the head followed them.
They climbed up a tree full of fruit
to see whether it would go past.
The head stopped at the foot of the tree
and asked them for some fruit.
So the men shook the tree.
The head went to get the fruit.
Then it asked for some more.
So the men shook the tree
so that the fruit fell into the water.
The head said it couldn't get the fruit from there.
So the men threw the fruit a long way
to make the head go a long way to get it so they could go.
While the head was getting the fruit
the men got down from the tree and went on.
The head came back and looked at the tree
and didn't see anybody
so went on rolling down the road.
The men had stopped to wait
to see whether the head would follow them.
They saw the head come rolling.
They ran.
They got to their hut they told the others that the head
was rolling after them and to shut the door.
All the huts were closed tight.
When it got there the head commanded them to open the doors.
The owners would not open them because they were afraid.
So the head started to think what it would turn into.
If it turned into water they would drink it.
If it turned into earth they would walk on it.
If it turned into a house they would live in it.
If it turned into a steer they would kill it and eat it.
If it turned into a cow they would milk it.
If it turned into a bean they would cook it.
If it turned into the sun
When men were cold it would heat them.
If it turned into rain the grass would grow and the
animals would crop it.
So it thought, and it said, "I will turn into the moon."
It called, "Open the doors, I want to get my things."
They would not open them.
The head cried. It called out, "At least give me
my two balls of twine."
They threw out the two balls of twine through a hole.
It took them and threw them into the sky.
It asked them to throw it a little stick too
to roll the thread around so it could climb up.
Then it said, "I can climb, I am going to the sky."
It started to climb.
The men opened the doors right away.
The head went on climbing.
The men shouted, "You going to the sky, head?"
It didn't answer.
As soon as it got to the Sun
it turned into the Moon.
Toward evening the Moon was white, it was beautiful.
And the men were surprised
to see that the head had turned into the Moon.