Recuerdo
We were very tired, we were very merry --
We had gone back and forth all night upon the ferry.
It was bare and bright, and smelled like a stable --
But we looked into a fire, we leaned across a table,
We lay on the hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.
We were very tired, we were very merry --
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.
We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, "Good morrow, mother!" to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and the pears,
And we gave her all our money but our subway fares.
poem by Edna St. Vincent Millay
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Related quotes
Recuerdo
We were very tired, we were very merry--
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable--
But we looked into a fire, we leaned across a table,
We lay on a hilltop underneath the moon;
And the whistles kept blowing, and the dawn came soon.
We were very tired, we were very merry--
We had gone back and forth all night on the ferry,
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.
We were very tired, we were very merry,
We had gone back and forth all night on the ferry,
We hailed "Good morrow, mother!" to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and pears,
And we gave her all our money but our subway fares.
--EDNA ST. VINCENT MILLAY, in Poetry.
I was very sad, I was very solemn--
I had worked all day grinding out a column.
I came back from dinner at half-past seven,
And I couldn't think of anything till quarter to eleven;
And then I red "Recuerdo," by Miss Millay,
And I said, "I'll bet a nickel I can write that way."
I was very sad, I was very solemn--
I had worked all day whittling out a column.
I said, "I'll bet a nickel I can chirp such a chant,"
And Mr. Geoffrey Parsons said, "I'll bet you can't."
I bit a chunk of chocolate and found it sweet,
And I listened to the trucking on Frankfort Street.
I was very sad, I was very solemn--
I had worked all day fooling with a column.
I got as far as this and took my verses in
To Mr. Geoffrey Parsons, who said, "Kid, you win."
And--not not that I imagine that anyone'll care--
I blew that jitney on a subway fare.
poem by Franklin P. Adams
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The Horse and Cart Ferry
It was old Jerry Brown,
Who’d an office in town,
And he used to get jocular, very;
And he’d go to the Shore
When they’d serve him no more,
And, of course, by the passenger ferry,
A sight on the passenger ferry.
Now this is a song of the ferry,
And a lay of the juice of the berry;
’Tis the ballad of Brown,
Who’d a business in town,
And commenced to go down
Very slow,
Don’t you know?
By coming home just a bit merry.
By the Drunks’ Boat—that’s right—
On a Saturday night
He would often be past being merry;
With his back teeth afloat,
On the twelve o’clock boat,
And a spectacle there on the ferry
(A picture to all on the ferry).
In the mornings, ashamed—
’Twas the last drink he blamed,
Though the first was the matter with Jerry,
With his nerve out of joint,
He’d sneak down to Blue’s Point,
And he’d cross by the horse-and-cart ferry,
Like a thief—by the horse-and-cart ferry.
But long before night
He’d most likely be tight,
And a subject and theme for George Perry;
And he’d cross to the Shore,
Somewhat worse than before,
And a nuisance to all on the ferry;
Singing-drunk on the passenger ferry.
And so it went on
Till his reason seemed gone,
And the Law, so it seemed, got a derry
On Brown. He went down,
And they sent him to town
One day, by “the trap,” on the ferry—
The Government trap on the ferry.
He was sober and sane
When he came back again,
And the past he’d determined to bury—
Or, I mean, live it down—
And he crossed from the town
Like a man, on the passenger ferry.
(There were sceptical souls on that ferry.)
They say ’twas the jaw
Of his mother-in-law
Drove him back to the juice of the berry;
But he soon got afloat
On the passenger boat
Or adrift on the horse-and-cart ferry
(Wrongly called the ve-hic-ular ferry).
The drink had him fast,
And he drank till at last
He dried up—a withered old cherry;
And they thought him no loss
When they sent him across
In a box, on the cart-and-horse ferry—
In a low, covered trap on the ferry.
Which I rise to explain—
If the moral ain’t plain,
And if you’re a cove that gets merry—
Always stick, when “afloat,”
To the passenger boat;
Or else to the cart-and-horse ferry,
Or you’ll make matters worse, like old Jerry.
But this is the song of the ferry,
And the lay of the juice of the berry;
And you will not deny—
If you read by-and-bye—
That the casual eye
Of the Tight
At first sight
Misses much in the song of the ferry.
poem by Henry Lawson
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Glee -- The Ghosts
In life three ghostly friars were we,
And now three friarly ghosts we be.
Around our shadowy table placed,
The spectral bowl before us floats:
With wine that none but ghosts can taste,
We wash our unsubstantial throats.
Three merry ghosts--three merry ghosts--
three merry ghosts are we:
Let the ocean be Port, and we'll think it good sport
To be laid in that Red Sea.
With songs that jovial spectres chaunt,
Our old refectory still we haunt.
The traveller hears our midnight mirth:
"O list!" he cries, "the haunted choir!
"The merriest ghost that walks the earth, "
"Is sure the ghost of a ghostly friar."
Three merry ghosts--three merry ghosts--
three merry ghosts are we:
Let the ocean be Port, and we'll think it good sport
To be laid in that Red Sea.
poem by Thomas Love Peacock
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The Arabian Shawl
"It is cold outside, you will need a coat--
What! this old Arabian shawl!
Bind it about your head and throat,
These steps... it is dark... my hand... you
might fall."
What has happened? What strange, sweet charm
Lingers about the Arabian shawl...
Do not tremble so! There can be no harm
In just remembering--that is all.
"I love you so--I will be your wife,"
Here, in the dark of the Terrace wall,
Say it again. Let that other life
Fold us like the Arabian shawl.
"Do you remember?"... "I quite forget,
Some childish foolishness, that is all,
To-night is the first time we have met...
Let me take off my Arabian shawl!"
poem by Katherine Mansfield
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Sushi
Love not too much by many,
Edible flavor found in Sushi,
Press into ball shape Varity,
Smelled raw like the sea.
Etiquette cuisine as distinct as nature,
We look away leaning across the table,
And see scattered rice and Nori,
Lay bare and feeble.
We are very tired when we are hungry,
Many fingers to this palate would drop,
Eating Sushi rolls to make merry,
Even if given bucketful of gold.
Rather eat an apple or a pear,
Than fermented fish evolved as it descend,
From the mouth to later appear,
Where the wind comes cold.
Wash with the morning vapor,
Separate thoughts wept and crept,
To ease the accentuated flavor,
Wrapped floundering in secret.
poem by Gerry Legister
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The Golden Moon
The money is the Planet’s Wheel.
Into the mud the money binds the human’s Will. The money is Survival's drill.
The money diggs in our heart relations dirt, or Separation, which is "emotion's bill." The money is the dust.
With money covered our Life and Path. Sometimes, the money serves (in stead of oil) as "Diplomatic honey."
The money gives the Power to sinner and to swami. The money is the NEED.
Without money we are the Soul's zero, "Human's meat" indeed. We wish the money night and day.
The whisper ‘money’ make us forget the smile; blessing of pundit, the pray. The money is the Dream: "The Golden Moon"
Without money we are in Life useless wave: "balloon." Conclusion:
"Without money, I am the sand on Ocean's shore,"
concluded Poem "Golden Moon"- the Poet Lebishor.
poem by Leonid Rotshtein
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Remarks About Kings
"God said I am tired of kings." -- EMERSON
God said, "I am tired of kings,"--
But that was a long while ago!
And meantime man said, "No,--
I like their looks in their robes and rings."
So he crowned a few more,
And they went on playing the game as before,
Fighting and spoiling things.
Man said, "I am tired of kings!
Sons of the robber-chiefs of yore,
They make me pay for their lust and their war;
I am the puppet, they pull the strings;
The blood of my heart is the wine they drink.
I will govern myself for awhile I think,
And see what that brings!"
Then God, who made the first remark,
Smiled in the dark.
poem by Henry Van Dyke
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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A Domestic Tragedy
Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"
"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"
She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."
poem by Robert William Service
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I like your books
In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"
"uh huh," I answered.
"I like your books," he went
on.
"thanks," I answered.
"who do you like in this
race?" he asked.
"uh uh," I answered.
"I like the 4 horse," he
told me.
I made my bet and went back
to my seat....
the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.
"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."
"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."
"what kind of rule is that?"
he asked. "God doesn't make
rules..."
I turned around and looked at him:
"maybe not, but I
do."
after the next race
I got in line, glanced behind
me:
he was not there:
lost another reader.
I lose 2 or 3 each
week.
fine.
let 'em go back to
Kafka.
poem by Charles Bukowski
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Cornish Lullaby
Out on the mountain over the town,
All night long, all night long,
The trolls go up and the trolls go down,
Bearing their packs and crooning a song;
And this is the song the hill-folk croon,
As they trudge in the light of the misty moon,--
This is ever their dolorous tune:
"Gold, gold! ever more gold,--
Bright red gold for dearie!"
Deep in the hill the yeoman delves
All night long, all night long;
None but the peering, furtive elves
See his toil and hear his song;
Merrily ever the cavern rings
As merrily ever his pick he swings,
And merrily ever this song he sings:
"Gold, gold! ever more gold,--
Bright red gold for dearie!"
Mother is rocking thy lowly bed
All night long, all night long,
Happy to smooth thy curly head
And to hold thy hand and to sing her song;
'T is not of the hill-folk, dwarfed and old,
Nor the song of the yeoman, stanch and bold,
And the burden it beareth is not of gold;
But it's "Love, love!--nothing but love,--
Mother's love for dearie!"
poem by Eugene Field
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My Fairy
I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".
When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".
"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".
Moral: "You mustn't."
poem by Lewis Carroll
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Another Acrostic ( In the style of Father William )
"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"
"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."
poem by Lewis Carroll
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Lead "me" to "me
What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….
poem by Anjali Kakati
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Young Fellow My Lad
"Where are you going, Young Fellow My Lad,
On this glittering morn of May?"
"I'm going to join the Colours, Dad;
They're looking for men, they say."
"But you're only a boy, Young Fellow My Lad;
You aren't obliged to go."
"I'm seventeen and a quarter, Dad,
And ever so strong, you know."
* * * *
"So you're off to France, Young Fellow My Lad,
And you're looking so fit and bright."
"I'm terribly sorry to leave you, Dad,
But I feel that I'm doing right."
"God bless you and keep you, Young Fellow My Lad,
You're all of my life, you know."
"Don't worry. I'll soon be back, dear Dad,
And I'm awfully proud to go."
* * * *
"Why don't you write, Young Fellow My Lad?
I watch for the post each day;
And I miss you so, and I'm awfully sad,
And it's months since you went away.
And I've had the fire in the parlour lit,
And I'm keeping it burning bright
Till my boy comes home; and here I sit
Into the quiet night.
* * * *
"What is the matter, Young Fellow My Lad?
No letter again to-day.
Why did the postman look so sad,
And sigh as he turned away?
I hear them tell that we've gained new ground,
But a terrible price we've paid:
God grant, my boy, that you're safe and sound;
But oh I'm afraid, afraid."
* * * *
"They've told me the truth, Young Fellow My Lad:
You'll never come back again:
(Oh God! the dreams and the dreams I've had,
and the hopes I've nursed in vain!)
For you passed in the night, Young Fellow My Lad,
And you proved in the cruel test
Of the screaming shell and the battle hell
That my boy was one of the best.
"So you'll live, you'll live, Young Fellow My Lad,
In the gleam of the evening star,
In the wood-note wild and the laugh of the child,
In all sweet things that are.
And you'll never die, my wonderful boy,
While life is noble and true;
For all our beauty and hope and joy
We will owe to our lads like you."
poem by Robert William Service
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The night wind
Have you ever heard the wind go "Yooooo"?
'T is a pitiful sound to hear!
It seems to chill you through and through
With a strange and speechless fear.
'T is the voice of the night that broods outside
When folk should be asleep,
And many and many's the time I've cried
To the darkness brooding far and wide
Over the land and the deep:
Whom do you want, O lonely night,
That you wail the long hours through?"
And the night would say in its ghostly way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
My mother told me long ago
(When I was a little tad)
That when the night went wailing so,
Somebody had been bad;
And then, when I was snug in bed,
Whither I had been sent,
With the blankets pulled up round my head,
I'd think of what my mother'd said,
And wonder what boy she meant!
And "Who's been bad to-day?" I'd ask
Of the wind that hoarsely blew,
And the voice would say in its meaningful way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
That this was true I must allow -
You'll not believe it, though!
Yes, though I'm quite a model now,
I was not always so.
And if you doubt what things I say,
Suppose you make the test;
Suppose, when you've been bad some day
And up to bed are sent away
From mother and the rest -
Suppose you ask, "Who has been bad?"
And then you'll hear what's true;
For the wind will moan in its ruefulest tone:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
poem by Eugene Field
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You're right—
234
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
poem by Emily Dickinson
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My Friend, The Parking Lot Attendant
—he's a dandy
—small moustache
—usually sucking on a cigar
he tends to lean into cars as he
transacts business
first time I met him, he said,
"hey! ya gonna make a
killin'?"
"maybe," I answered.
next meeting it was:
"hey, Ramrod! what's
happening?"
"very little," I told
him.
next time I had my girlfriend with me
and he just
grinned.
next time I was
alone.
"hey," he asked, "where's the young
chick?"
"I left her at home...."
"Bullshit! I'll bet she dumped
you!"
and the next time
he really leaned into the car:
"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"
"how'd you guess?" I
answered.
that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.
poem by Charles Bukowski
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Intimacy
I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.
poem by Tim Stensloff
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