Edgar Allan Poe

Elizabeth

Elizabeth, it surely is most fit
[Logic and common usage so commanding]
In thy own book that first thy name be writ,
Zeno and other sages notwithstanding;
And I have other reasons for so doing
Besides my innate love of contradiction;
Each poet - if a poet - in pursuing
The muses thro' their bowers of Truth or Fiction,
Has studied very little of his part,
Read nothing, written less - in short's a fool
Endued with neither soul, nor sense, nor art,
Being ignorant of one important rule,
Employed in even the theses of the school-
Called - I forget the heathenish Greek name
[Called anything, its meaning is the same]
"Always write first things uppermost in the heart."

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Henry Van Dyke

Two Schools

I put my heart to school
In the world, where men grow wise,
"Go out," I said, "and learn the rule;
Come back when you win a prize."

My heart came back again:
"Now where is the prize?" I cried. ----
"The rule was false, and the prize was pain,
And the teacher's name was Pride."

I put my heart to school
In the woods, where veeries sing,
And brooks run cool and clear;
In the fields, where wild flowers spring,
And the blue of heaven bends near.
"Go out," I said: "you are half a fool,
But perhaps they can teach you here."

"And why do you stay so long,
My heart, and where do you roam?"
The answer came with a laugh and a song, ---
"I find this school is home."

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The Fool

"But it isn't playing the game," he said,
And he slammed his books away;
"The Latin and Greek I've got in my head
Will do for a duller day."
"Rubbish!" I cried; "The bugle's call
Isn't for lads from school."
D'ye think he'd listen? Oh, not at all:
So I called him a fool, a fool.

Now there's his dog by his empty bed,
And the flute he used to play,
And his favourite bat . . . but Dick he's dead,
Somewhere in France, they say:
Dick with his rapture of song and sun,
Dick of the yellow hair,
Dicky whose life had but begun,
Carrion-cold out there.

Look at his prizes all in a row:
Surely a hint of fame.
Now he's finished with, -- nothing to show:
Doesn't it seem a shame?
Look from the window! All you see
Was to be his one day:
Forest and furrow, lawn and lea,
And he goes and chucks it away.

Chucks it away to die in the dark:
Somebody saw him fall,
Part of him mud, part of him blood,
The rest of him -- not at all.
And yet I'll bet he was never afraid,
And he went as the best of 'em go,
For his hand was clenched on his broken blade,
And his face was turned to the foe.

And I called him a fool . . . oh how blind was I!
And the cup of my grief's abrim.
Will Glory o' England ever die
So long as we've lads like him?
So long as we've fond and fearless fools,
Who, spurning fortune and fame,
Turn out with the rallying cry of their schools,
Just bent on playing the game.

A fool! Ah no! He was more than wise.
His was the proudest part.
He died with the glory of faith in his eyes,
And the glory of love in his heart.
And though there's never a grave to tell,
Nor a cross to mark his fall,
Thank God! we know that he "batted well"
In the last great Game of all.

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Must I remind you, Cleis,

Must I remind you, Cleis,
that sounds of grief
are unbecmoming in
a poet's household?

and that they are not
suitable in ours?
[Note: "A poet's household" is more litterally one "dedicated to the Muses."]

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Must I remind you, Clesis,

Must I remind you, Cleis,
that sounds of grief
are unbecmoming in
a poet's household?

and that they are not
suitable in ours?
[Note: "A poet's household" is more litterally one "dedicated to the Muses."]

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My Friend's Husband

Is a Republican in the worst sense
Of the word; but she remains a
Diligent Independent to give both
Of their sons, 'both' sides of the
Common sense thought process of
Their mother and the ‘they-say'
Mindless nonsense of the dad.

My friend's husband is focused
On 'losing' without a thought of
Winning, to the good of all who are
Concerned; "One Nation, under God,
With liberty and justice for all."

Now, my friend's husband's heart
'Gets it', and always has, but his
Dumb-Ass, misguided loyalties have
Kidnapped his brain, and his mouth
Always belies it's heart-felt core,
That gets drown in ‘one more beer'.
In other words, my friend's husband
Is another 'good' father and spouse
Who would rather be led than lead.

I can write a poem that illuminates,
And my friend's husband can read.
We both need to vote what our heart
Tells us to - truthfully.

No, concentrate on the "to the good
Of ALL concerned, " line, not the
"Dumb-Ass" part.

2012

Jim Boone, US Poet Laureate nominee

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I Believe

On the shreads
Of broken,
Defunct ties
Called relations
I lie.
My believe on love
A very distant cry.
My mind tells me
This is real,
And I am destined to live
"life"
A loveless,
Lonely lie.
But stupid heart
Refuses to give in
Still believes in the truth
Frilled in silent lies.
Still hopes
That there will be a
"tomorrow"
Where "you"
Stands "mine"
And a thread will bind
"us"
Ignorant of time.
That love will happen
And life will be beyond,
Broken,
Defunct ties.
And my believe on love
Would no longer be
A far distant cry.-anjali

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My Future

"Let's make him a sailor," said Father,
"And he will adventure the sea."
"A soldier," said Mother, "is rather
What I would prefer him to be."
"A lawyer," said Father, "would please me,
For then he could draw up my will."
"A doctor," said Mother, "would ease me;
Maybe he could give me a pill."

Said Father: "Lt's make him a curate,
A Bishop in gaiters to be."
Said Mother: "I couldn't endure it
To have Willie preaching to me."
Said Father: ""Let him be a poet;
So often he's gathering wool."
Said Mother with temper: "Oh stow it!
You know it, a poet's a fool."

Said Farther: "Your son is a duffer,
A stupid and mischievous elf."
Said Mother, who's rather a huffer:
"That's right - he takes after yourself."
Controlling parental emotion
They turned to me, seeking a cue,
And sudden conceived the bright notion
To ask what I wanted to do.

Said I: "my ambition is modest:
A clown in a circus I'd be,
And turn somersaults in the sawdust
With audience laughing at me."
. . . Poor parents! they're dead and decaying,
But I am a clown as you see;
And though in no circus I'm playing,
How people are laughing at me!

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Why I Am Not A Painter

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.

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Philhellene

Make sure the engraving is done skillfully.
The expression serious, majestic.
The diadem preferably somewhat narrow:
I don't like that broad kind the Parthians wear.
The inscription, as usual, in Greek:
nothing excessive, nothing pompous—
we don't want the proconsul to take it the wrong way:
he's always nosing things out and reporting back to Rome—
but of course giving me due honor.
Something very special on the other side:
some discus-thrower, young, good-looking.
Above all I urge you to see to it
(Sithaspis, for God's sake don't let them forget)
that after "King" and "Savior,"
they engrave "Philhellene" in elegant characters.
Now don't try to be clever
with your "where are the Greeks?" and "what things Greek
here behind Zagros, out beyond Phraata?"
Since so many others more barbarian than ourselves
choose to inscribe it, we will inscribe it too.
And besides, don't forget that sometimes
sophists do come to us from Syria,
and versifiers, and other triflers of that kind.
So we are not, I think, un-Greek.

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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

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The Ghost: Book II (excerpt)

...
Pomposo (insolent and loud),
Vain idol of a scribbling crowd,
Whose very name inspires an awe,
Whose ev'ry word is sense and law,
For what his greatness hath decreed,
Like laws of Persia and of Mede,
Sacred thro' all the realm of wit,
Must never of repeal admit;
Who, cursing flatt'ry, is the tool
Of ev'ry fawning, flatt'ring fool;
Who wit with jealous eye surveys,
And sickens at another's praise;
Who, proudly seiz'd of learning's throne,
Now damns all learning but his own;
Who scorns those common wares to trade in,
Reas'ning, convincing, and persuading,
But makes each sentence current pass
With "Puppy," "Coxcomb," "Scoundrel," "Ass";
For 'tis with him a certain rule,
The folly's prov'd when he calls fool;
Who, to increase his native strength,
Draws words six syllables in length,
With which, assisted with a frown
By way of club, he knocks us down;
Who 'bove the vulgar dares to rise,
And sense of decency defies,
(For this same decency is made
Only for bunglers in the trade,
And, like the cobweb laws, is still
Broke thro' by great ones when they will)--
Pomposo, with strong sense supplied,
Supported, and confirm'd by pride,
His comrades' terrors to beguile,
"Grinn'd horribly a ghastly smile:"
Features so horrid, were it light,
Would put the Devil himself to flight.
...

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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A Poetry Reading At West Point

I read to the entire plebe class,
in two batches. Twice the hall filled
with bodies dressed alike, each toting
a copy of my book. What would my
shrink say, if I had one, about
such a dream, if it were a dream?

Question and answer time.
"Sir," a cadet yelled from the balcony,
and gave his name and rank, and then,
closing his parentheses, yelled
"Sir" again. "Why do your poems give
me a headache when I try

to understand them?" he asked. "Do
you want that?" I have a gift for
gentle jokes to defuse tension,
but this was not the time to use it.
"I try to write as well as I can
what it feels like to be human,"

I started, picking my way care-
fully, for he and I were, after
all, pained by the same dumb longings.
"I try to say what I don't know
how to say, but of course I can't
get much of it down at all."

By now I was sweating bullets.
"I don't want my poems to be hard,
unless the truth is, if there is
a truth." Silence hung in the hall
like a heavy fabric. My own
head ached. "Sir," he yelled. "Thank you. Sir."


Anonymous submission.

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A Message Here For All You Poets

The love poet writes of lovely things like true love and flowers in bloom
And the roses in the poet's garden scent of a sweet perfume
And the gentle hearted applaud him saying what a marvellous poet
He surely is a child of God and one worthy of note.

The love poet writes of love of God and the God fearing say
He's a fine poet one of the best love and respect to God he pay
He hear no evil speak no evil only write of God and love
And there's a place reserved for him in God's Kingdom up above.

The social issues poet writes of the poor and few his verses read
They say he writes such morbid stuff sob stories we do not need
He keeps highlighting the downtrodden and those in poverty
He ought to put more trust in God and in Humanity.

A message here for all you poets don't write of the downtrod
But write of affairs of your heart and write of your love of God
And some will say how great you are and your praises they will sing
And they will pay respect to you and call you their Poetic Queen or King.

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A Poet To Be

A poet I claim not to be,
For words are never there.
In all the years I've tried to write,
I have no words to share.

I sit and think but nothing comes,
No inspiration here.
I want to write of anything,
But still no words I fear.

I read the works of other poets,
I wish I were like them.
How do they write such beautiful lines,
A poet, I'm not him.

I try to write from the heart,
From deep within my soul.
I try to write of the love I have,
But cannot reach my goal.

But why I ask, why can't I write,
Of love so pure and true.
Why can't I write about her eyes,
A mix of green and blue.

I want to write about her smile,
It brightens up my day.
I try to think of anything,
But words I cannot say.

I wish I knew how to write,
A poem with such bliss.
I wish I knew how to describe,
Her soft but tender kiss.

I cannot even begin to write,
How she holds me tight.
How her arms around me,
Makes everything just right.

A poet does not have to think,
The words flow right out.
When I sit and try to write,
I want to scream and shout.

I mean come on, how hard can it be,
To write about her hair.
Such long beautiful natural blonde,
That flows in the air.

I try to write about her laugh,
The words will not fly.
Time passes and finally,
I say it's soft and high.

It's been an hour and a half,
I'm here on verse twelve.
I had to go to Rhymezone,
To find out the rhyme is shelve.

A poet does not do that,
Go online to find a rhyme.
A poet has it in his head,
And can write at any time.

But a poet I am not,
For I cannot write of love.
How the girl I am with,
Is an angel from up above.

How I love her with all my heart,
And want to spend my life with her.
How her love for me is more,
Than I can ever be for sure.

As I draw near the end,
My mind is not so numb.
I realize I've just written of love,
A poet I have become.

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Poet is free

Poet is free
No grammarian can guide the poet
Do not tell before a poet you are dare
And I know there are so many grammarians
With so many grammars
The poet is one with truth with love
All the grammars old middle modern
Are of no use for a poet
At the time of poet's thought
Poet's love poet's poetry
Nobody can search research poet's history
Nobody can dare to described poet
Poet can create his own language
His own grammar and it does not bother the poet
Whether you like it or not
Leave the poet on his own way
It is better you to read him love him
If you are alive.

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This Poet Is Always Beside You

You are reading my poem but,
This poet is never known;
However, this poet is always beside you.
I am on your lips and,
I am in your mouth;
I am in your heart and,
I am in your mind;
Because, this poet is always beisde you.
This poet writes and others read,
This poet speaks and others listen,
And this poet is always beside you;
But, this poet is never known.
The works of this poet are on the internet,
And, they are being read by many! !
But, this poet is never known;
However, this poet is always beside you.

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Henry Wadsworth Longfellow

Haroun Al Raschid

One day, Haroun Al Raschid read
A book wherein the poet said:--

"Where are the kings, and where the rest
Of those who once the world possessed?

"They're gone with all their pomp and show,
They're gone the way that thou shalt go.

"O thou who choosest for thy share
The world, and what the world calls fair,

"Take all that it can give or lend,
But know that death is at the end!"

Haroun Al Raschid bowed his head:
Tears fell upon the page he read.

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The Golden Moon

The money is the Planet’s Wheel.
Into the mud the money binds the human’s Will. The money is Survival's drill.
The money diggs in our heart relations dirt, or Separation, which is "emotion's bill." The money is the dust.
With money covered our Life and Path. Sometimes, the money serves (in stead of oil) as "Diplomatic honey."
The money gives the Power to sinner and to swami. The money is the NEED.
Without money we are the Soul's zero, "Human's meat" indeed. We wish the money night and day.
The whisper ‘money’ make us forget the smile; blessing of pundit, the pray. The money is the Dream: "The Golden Moon"
Without money we are in Life useless wave: "balloon." Conclusion:
"Without money, I am the sand on Ocean's shore,"
concluded Poem "Golden Moon"- the Poet Lebishor.

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