Lines In Memory Of Edmund Morris
Dear Morris--here is your letter--
Can my answer reach you now?
Fate has left me your debtor,
You will remember how;
For I went away to Nantucket,
And you to the Isle of Orleans,
And when I was dawdling and dreaming
Over the ways and means
Of answering, the power was denied me,
Fate frowned and took her stand;
I have your unanswered letter
Here in my hand.
This--in your famous scribble,
It was ever a cryptic fist,
Cuneiform or Chaldaic
Meanings held in a mist.
Dear Morris, (now I'm inditing
And poring over your script)
I gather from the writing,
The coin that you had flipt,
Turned tails; and so you compel me
To meet you at Touchwood Hills:
Or, mayhap, you are trying to tell me
The sum of a painter's ills:
Is that Phimister Proctor
Or something about a doctor?
Well, nobody knows, but Eddie,
Whatever it is I'm ready.
For our friendship was always fortunate
In its greetings and adieux,
Nothing flat or importunate,
Nothing of the misuse
That comes of the constant grinding
Of one mind on another.
So memory has nothing to smother,
But only a few things captured
On the wing, as it were, and enraptured.
Yes, Morris, I am inditing--
Answering at last it seems,
How can you read the writing
In the vacancy of dreams?
I would have you look over my shoulder
Ere the long, dark year is colder,
And mark that as memory grows older,
The brighter it pulses and gleams.
And if I should try to render
The tissues of fugitive splendour
That fled down the wind of living,
Will they read it some day in the future,
And be conscious of an awareness
In our old lives, and the bareness
Of theirs, with the newest passions
In the last fad of the fashions?
* * * * *
How often have we risen without daylight
When the day star was hidden in mist,
When the dragon-fly was heavy with dew and sleep,
And viewed the miracle pre-eminent, matchless,
The prelusive light that quickens the morning.
O crystal dawn, how shall we distill your virginal freshness
When you steal upon a land that man has not sullied with his
intrusion,
When the aboriginal shy dwellers in the broad solitudes
Are asleep in their innumerable dens and night haunts
Amid the dry ferns, in the tender nests
Pressed into shape by the breasts of the Mother birds?
How shall we simulate the thrill of announcement
When lake after lake lingering in the starlight
Turn their faces towards you,
And are caressed with the salutation of colour?
How shall we transmit in tendril-like images,
The tenuous tremor in the tissues of ether,
Before the round of colour buds like the dome of a shrine,
The preconscious moment when love has fluttered in the bosom,
Before it begins to ache?
How often have we seen the even
Melt into the liquidity of twilight,
With passages of Titian splendour,
Pellucid preludes, exquisitely tender,
Where vanish and revive, thro' veils of the ashes of roses,
The crystal forms the breathless sky discloses.
The new moon a slender thing,
In a snood of virgin light,
She seemed all shy on venturing
Into the vast night.
Her own land and folk were afar,
She must have gone astray,
But the gods had given a silver star,
To be with her on the way.
* * * * *
I can feel the wind on the prairie
And see the bunch-grass wave,
And the sunlights ripple and vary
The hill with Crowfoot's grave,
Where he 'pitched off' for the last time
In sight of the Blackfoot Crossing,
Where in the sun for a pastime
You marked the site of his tepee
With a circle of stones. Old Napiw
Gave you credit for that day.
And well I recall the weirdness
Of that evening at Qu'Appelle,
In the wigwam with old Sakimay,
The keen, acrid smell,
As the kinnikinick was burning;
The planets outside were turning,
And the little splints of poplar
Flared with a thin, gold flame.
He showed us his painted robe
Where in primitive pigments
He had drawn his feats and his forays,
And told us the legend
Of the man without a name,
The hated Blackfoot,
How he lured the warriors,
The young men, to the foray
And they never returned.
Only their ghosts
Goaded by the Blackfoot
Mounted on stallions:
In the night time
He drove the stallions
Reeking into the camp;
The women gasped and whispered,
The children cowered and crept,
And the old men shuddered
Where they slept.
When Sakimay looked forth
He saw the Blackfoot,
And the ghosts of the warriors,
And the black stallions
Covered by the night wind
As by a mantle.
* * * * *
I remember well a day,
When the sunlight had free play,
When you worked in happy stress,
While grave Ne-Pah-Pee-Ness
Sat for his portrait there,
In his beaded coat and his bare
Head, with his mottled fan
Of hawk's feathers, A Man!
Ah Morris, those were the times
When you sang your inconsequent rhymes
Sprung from a careless fountain:
'_He met her on the mountain,
He gave her a horn to blow,
And the very last words he said to her
Were, 'Go 'long, Eliza, go.'_'
Foolish,--but life was all,
And under the skilful fingers
Contours came at your call--
Art grows and time lingers;--
But now the song has a change
Into something wistful and strange.
And one asks with a touch of ruth
What became of the youth
And where did Eliza go?
He met her on the mountain,
He gave her a horn to blow,
The horn was a silver whorl
With a mouthpiece of pure pearl,
And the mountain was all one glow,
With gulfs of blue and summits of rosy snow.
The cadence she blew on the silver horn
Was the meaning of life in one phrase caught,
And as soon as the magic notes were born,
She repeated them once in an afterthought.
They heard in the crystal passes,
The cadence, calling, calling,
And faint in the deep crevasses,
The echoes falling, falling.
They stood apart and wondered;
Her lips with a wound were aquiver,
His heart with a sword was sundered,
For life was changed forever
When he gave her the horn to blow:
But a shadow arose from the valley,
Desolate, slow and tender,
It hid the herdsmen's chalet,
Where it hung in the emerald meadow,
(Was death driving the shadow?)
It quenched the tranquil splendour
Of the colour of life on the glow-peaks,
Till at the end of the even,
The last shell-tint on the snow-peaks
Had passed away from the heaven.
And yet, when it passed, victorious,
The stars came out on the mountains,
And the torrents gusty and glorious,
Clamoured in a thousand fountains,
And even far down in the valley,
A light re-discovered the chalet.
The scene that was veiled had a meaning,
So deep that none might know;
Was it here in the morn on the mountain,
That he gave her the horn to blow?
* * * * *
Tears are the crushed essence of this world,
The wine of life, and he who treads the press
Is lofty with imperious disregard
Of the burst grapes, the red tears and the murk.
But nay! that is a thought of the old poets,
Who sullied life with the passional bitterness
Of their world-weary hearts. We of the sunrise,
Joined in the breast of God, feel deep the power
That urges all things onward, not to an end,
But in an endless flow, mounting and mounting,
Claiming not overmuch for human life,
Sharing with our brothers of nerve and leaf
The urgence of the one creative breath,--
All in the dim twilight--say of morning,
Where the florescence of the light and dew
Haloes and hallows with a crown adorning
The brows of life with love; herein the clue,
The love of life--yea, and the peerless love
Of things not seen, that leads the least of things
To cherish the green sprout, the hardening seed;
Here leans all nature with vast Mother-love,
Above the cradled future with a smile.
Why are there tears for failure, or sighs for weakness,
While life's rhythm beats on? Where is the rule
To measure the distance we have circled and clomb?
Catch up the sands of the sea and count and count
The failures hidden in our sum of conquest.
Persistence is the master of this life;
The master of these little lives of ours;
To the end--effort--even beyond the end.
* * * * *
Here, Morris, on the plains that we have loved,
Think of the death of Akoose, fleet of foot,
Who, in his prime, a herd of antelope
From sunrise, without rest, a hundred miles
Drove through rank prairie, loping like a wolf,
Tired them and slew them, ere the sun went down.
Akoose, in his old age, blind from the smoke
Of tepees and the sharp snow light, alone
With his great grandchildren, withered and spent,
Crept in the warm sun along a rope
Stretched for his guidance. Once when sharp autumn
Made membranes of thin ice upon the sloughs,
He caught a pony on a quick return
Of prowess and, all his instincts cleared and quickened,
He mounted, sensed the north and bore away
To the Last Mountain Lake where in his youth
He shot the sand-hill-cranes with his flint arrows.
And for these hours in all the varied pomp
Of pagan fancy and free dreams of foray
And crude adventure, he ranged on entranced,
Until the sun blazed level with the prairie,
Then paused, faltered and slid from off his pony.
In a little bluff of poplars, hid in the bracken,
He lay down; the populace of leaves
In the lithe poplars whispered together and trembled,
Fluttered before a sunset of gold smoke,
With interspaces, green as sea water,
And calm as the deep water of the sea.
There Akoose lay, silent amid the bracken,
Gathered at last with the Algonquin Chieftains.
Then the tenebrous sunset was blown out,
And all the smoky gold turned into cloud wrack.
Akoose slept forever amid the poplars,
Swathed by the wind from the far-off Red Deer
Where dinosaurs sleep, clamped in their rocky tombs.
Who shall count the time that lies between
The sleep of Akoose and the dinosaurs?
Innumerable time, that yet is like the breath
Of the long wind that creeps upon the prairie
And dies away with the shadows at sundown.
* * * * *
What we may think, who brood upon the theme,
Is, when the old world, tired of spinning, has fallen
Asleep, and all the forms, that carried the fire
Of life, are cold upon her marble heart--
Like ashes on the altar--just as she stops,
That something will escape of soul or essence,--
The sum of life, to kindle otherwhere:
Just as the fruit of a high sunny garden,
Grown mellow with autumnal sun and rain,
Shrivelled with ripeness, splits to the rich heart,
And looses a gold kernel to the mould,
So the old world, hanging long in the sun,
And deep enriched with effort and with love,
Shall, in the motions of maturity,
Wither and part, and the kernel of it all
Escape, a lovely wraith of spirit, to latitudes
Where the appearance, throated like a bird,
Winged with fire and bodied all with passion,
Shall flame with presage, not of tears, but joy.
poem by Duncan Campbell Scott
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From 'Lines In Memory Of Edmund Morris
HERE Morris, on the plains that we have loved,
Think of the death of Akoose, fleet of foot,
Who, in his prime, a herd of antelope
From sunrise, without rest, a hundred miles
Drove through rank prairie, loping like a wolf,
Tired them and slew them, ere the sun went down.
Akoose, in his old age, blind from the smoke
Of tepees and the sharp snow light, alone
With his great grandchildren, withered and spent,
Crept in the warm sun along a rope
Stretched for his guidance. Once when sharp autumn
Made membranes of thin ice upon the sloughs,
He caught a pony on a quick return
Of prowess, and, all his instincts cleared and quickened,
He mounted, sensed the north and bore away
To the Last Mountain Lake where in his youth
He shot the sand-hill-cranes with his flint arrows.
And for these hours in all the varied pomp
Of pagan fancy and free dreams of foray
And crude adventure, he ranged on entranced,
Until the sun blazed level with the prairie,
Then paused, faltered and slid from off his pony.
In a little bluff of poplars, hid in the bracken,
He lay down; the populace of leaves
In the lithe poplars whispered together and trembled,
Fluttered before a sunset of gold smoke,
With interspaces, green as sea water,
And calm as the deep water of the sea.
There Akoose lay, silent amid the bracken,
Gathered at last with the Algonquin Chieftains.
Then the tenebrous sunset was blown out,
And all the smoky gold turned into cloud wrack.
Akoose slept forever amid the poplars,
Swathed by the wind from the far-off Red Deer
Where dinosaurs sleep, clamped in their rocky tombs.
Who shall count the time that lies between
The sleep of Akoose and the dinosaurs?
Innumerable time, that yet is like the breath
Of the long wind that creeps upon the prairie
And dies away with the shadows at sundown.
. . . . . .
What we may think, who brood upon the theme,
Is, when the old world, tired of spinning, has fallen
Asleep, and all the forms, that carried the fire
Of life, are cold upon her marble heart–
Like ashes on the altar–just as she stops,
That something will escape of soul or essence,–
The sum of life, to kindle otherwhere:
Just as the fruit of a high sunny garden,
Grown mellow with autumnal sun and rain,
Shrivelled with ripeness, splits to the rich heart,
And looses a gold kernel to the mould,
So the old world, hanging long in the sun,
And deep enriched with effort and with love,
Shall, in the motions of maturity,
Wither and part, and the kernel of it all
Escape, a lovely wraith of spirit, to latitudes
Where the appearance, throated like a bird,
Winged with fire and bodied all with passion,
Shall flame with presage, not of tears, but joy.
poem by Duncan Campbell Scott
Submitted by Poetry Lover
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The Edge
I thought to die that night in the solitude where they would never find me…
But there was time…
And I lay quietly on the drawn knees of the mountain,
staring into the abyss…
I do not know how long…
I could not count the hours, they ran so fast
Like little bare-foot urchins - shaking my hands away…
But I remember
Somewhere water trickled like a thin severed vein…
And a wind came out of the grass,
Touching me gently, tentatively, like a paw.
As the night grew
The gray cloud that had covered the sky like sackcloth
Fell in ashen folds about the hills,
Like hooded virgins, pulling their cloaks about them…
There must have been a spent moon,
For the Tall One's veil held a shimmer of silver…
That too I remember…
And the tenderly rocking mountain
Silence
And beating stars…
Dawn
Lay like a waxen hand upon the world,
And folded hills
Broke into a sudden wonder of peaks, stemming clear and cold,
Till the Tall One bloomed like a lily,
Flecked with sun,
Fine as a golden pollen -
It seemed a wind might blow it from the snow.
I smelled the raw sweet essences of things,
And heard spiders in the leaves
And ticking of little feet,
As tiny creatures came out of their doors
To see God pouring light into his star…
… It seemed life held
No future and no past but this…
And I too got up stiffly from the earth,
And held my heart up like a cup…
poem by Lola Ridge
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Three Songs
I
Where love is life
The roses blow,
Though winds be rude
And cold the snow,
The roses climb
Serenely slow,
They nod in rhyme
We know--we know
Where love is life
The roses blow.
Where life is love
The roses blow,
Though care be quick
And sorrows grow,
Their roots are twined
With rose-roots so
That rosebuds find
A way to show
Where life is love
The roses blow.
II
Nothing came here but sunlight,
Nothing fell here but rain,
Nothing blew but the mellow wind,
Here are the flowers again!
No one came here but you, dear,
You with your magic train
Of brightness and laughter and lightness,
Here is my joy again!
III
I have songs of dancing pleasure,
I have songs of happy heart,
Songs are mine that pulse in measure
To the throbbing of the mart.
Songs are mine of magic seeming,
In a land of love forlorn,
Where the joys are had for dreaming,
At a summons from the horn.
But my sad songs come unbidden,
Rising with a wilder zest,
From the bitter pool that's hidden,
Deep--deep--deep within my breast.
poem by Duncan Campbell Scott
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Spring On Mattagmi
Far in the east the rain-clouds sweep and harry,
Down the long haggard hills, formless and low,
Far in the west the shell-tints meet and marry,
Piled gray and tender blue and roseate snow;
East--like a fiend, the bolt-breasted, streaming
Storm strikes the world with lightning and with hail;
West--like the thought of a seraph that is dreaming,
Venus leads the young moon down the vale.
Through the lake furrow between the gloom and bright'ning
Firm runs our long canoe with a whistling rush,
While Potàn the wise and the cunning Silver Lightning
Break with their slender blades the long clear hush;
Soon shall I pitch my tent amid the birches,
Wise Potàn shall gather boughs of balsam fir,
While for bark and dry wood Silver Lightning searches;
Soon the smoke shall hang and lapse in the moist air.
Soon shall I sleep--if I may not remember
One who lives far away where the storm-cloud went;
May it part and starshine burn in many a quiet ember,
Over her towered city crowned with large content;
Dear God, let me sleep, here where deep peace is,
Let me own a dreamless sleep once for all the years,
Let me know a quiet mind and what heart ease is,
Lost to light and life and hope, to longing and to tears.
Here in the solitude less her memory presses,
Yet I see her lingering where the birches shine,
All the dark cedars are sleep-laden like her tresses,
The gold-moted wood-pools pellucid as her eyen;
Memories and ghost-forms of the days departed
People all the forest lone in the dead of night;
While Potàn and Silver Lightning sleep, the happy-hearted,
Troop they from their fastnesses upon my sight.
Once when the tide came straining from the Lido,
In a sea of flame our gondola flickered like a sword,
Venice lay abroad builded like beauty's credo,
Smouldering like a gorget on the breast of the Lord:
Did she mourn for fame foredoomed or passion shattered
That with a sudden impulse she gathered at my side?
But when I spoke the ancient fates were flattered,
Chill there crept between us the imperceptible tide.
Once I well remember in her twilight garden,
She pulled a half-blown rose, I thought it meant for me,
But poising in the act, and with half a sigh for pardon,
She hid it in her bosom where none may dare to see:
Had she a subtle meaning?--would to God I knew it,
Where'er I am I always feel the rose leaves nestling there,
If I might know her mind and the thought which then flashed through it,
My soul might look to heaven not commissioned to despair.
Though she denied at parting the gift that I besought her,
Just a bit of ribbon or a strand of her hair;
Though she would not keep the token that I brought her,
Proud she stood and calm and marvellously fair;
Yet I saw her spirit--truth cannot dissemble--
Saw her pure as gold, staunch and keen and brave,
For she knows my worth and her heart was all atremble,
Lest her will should weaken and make her heart a slave.
If she could be here where all the world is eager
For dear love with the primal Eden sway,
Where the blood is fire and no pulse is thin or meagre,
All the heart of all the world beats one way!
There is the land of fraud and fame and fashion,
Joy is but a gaud and withers in an hour,
Here is the land of quintessential passion,
Where in a wild throb Spring wells up with power.
She would hear the partridge drumming in the distance,
Rolling out his mimic thunder in the sultry noons;
Hear beyond the silver reach in ringing wild persistence
Reel remote the ululating laughter of the loons;
See the shy moose fawn nestling by its mother,
In a cool marsh pool where the sedges meet;
Rest by a moss-mound where the twin-flowers smother
With a drowse of orient perfume drenched in light and heat:
She would see the dawn rise behind the smoky mountain,
In a jet of colour curving up to break,
While like spray from the iridescent fountain,
Opal fires weave over all the oval of the lake:
She would see like fireflies the stars alight and spangle
All the heaven meadows thick with growing dusk,
Feel the gipsy airs that gather up and tangle
The woodsy odours in a maze of myrrh and musk:
There in the forest all the birds are nesting,
Tells the hermit thrush the song he cannot tell,
While the white-throat sparrow never resting,
Even in the deepest night rings his crystal bell:
O, she would love me then with a wild elation,
Then she must love me and leave her lonely state,
Give me love yet keep her soul's imperial reservation,
Large as her deep nature and fathomless as fate:
Then, if she would lie beside me in the even,
On my deep couch heaped of balsam fir,
Fragrant with sleep as nothing under heaven,
Let the past and future mingle in one blur;
While all the stars were watchful and thereunder
Earth breathed not but took their silent light,
All life withdrew and wrapt in a wild wonder
Peace fell tranquil on the odorous night:
She would let me steal,--not consenting or denying--
One strong arm beneath her dusky hair,
She would let me bare, not resisting or complying,
One sweet breast so sweet and firm and fair;
Then with the quick sob of passion's shy endeavour,
She would gather close and shudder and swoon away,
She would be mine for ever and for ever,
Mine for all time and beyond the judgment day.
Vain is the dream, and deep with all derision--
Fate is stern and hard--fair and false and vain--
But what would life be worth without the vision,
Dark with sordid passion, pale with wringing pain?
What I dream is mine, mine beyond all cavil,
Pure and fair and sweet, and mine for evermore,
And when I will my life I may unravel,
And find my passion dream deep at the red core.
Venus sinks first lost in ruby splendour,
Stars like wood-daffodils grow golden in the night,
Far, far above, in a space entranced and tender,
Floats the growing moon pale with virgin light.
Vaster than the world or life or death my trust is
Based in the unseen and towering far above;
Hold me, O Law, that deeper lies than Justice,
Guide me, O Light, that stronger burns than Love.
poem by Duncan Campbell Scott
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At William Maclennan's Grave
Here where the cypress tall
Shadows the stucco wall,
Bronze and deep,
Where the chrysanthemums blow,
And the roses--blood and snow--
He lies asleep.
Florence dreameth afar;
Memories of foray and war,
Murmur still;
The Certosa crowns with a cold
Cloud of snow and gold
The olive hill.
What has he now for the streams
Born sweet and deep with dreams
From the cedar meres?
Only the Arno's flow,
Turbid, and weary, and slow
With wrath and tears.
What has he now for the song
Of the boatmen, joyous and long,
Where the rapids shine?
Only the sound of toil,
Where the peasants press the soil
For the oil and wine.
Spirit-fellow in sooth
With bold La Salle and Duluth,
And La Vérandrye,--
Nothing he has but rest,
Deep in his cypress nest
With memory.
Hearts of steel and of fire,
Why do ye love and aspire,
When follows
Death--all your passionate deeds,
Garnered with rust and with weeds
In the hollows?
God that hardened the steel,
Bid the flame leap and reel,
Gave us unrest;
We act in the dusk afar,
In a star beyond your star,
His behest.
'We leave you dreams and names
Still we are iron and flames,
Biting and bright;
Into some virgin world,
Champions, we are hurled,
Of venture and fight.'
Here where the shadows fall,
From the cypress by the wall,
Where the roses are--
Here is a dream and a name,
There, like a rose of flame,
Rises--a star.
poem by Duncan Campbell Scott
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Tenebrae
At the chill high tide of the night,
At the turn of the fluctuant hours,
When the waters of time are at height,
In a vision arose on my sight
The kingdoms of earth and the powers.
In a dream without lightening of eyes
I saw them, children of earth,
Nations and races arise,
Each one after his wise,
Signed with the sign of his birth.
Sound was none of their feet,
Light was none of their faces;
In their lips breath was not, or heat,
But a subtle murmur and sweet
As of water in wan waste places.
Pale as from passionate years,
Years unassuaged of desire,
Sang they soft in mine ears,
Crowned with jewels of tears,
Girt with girdles of fire.
A slow song beaten and broken,
As it were from the dust and the dead,
As of spirits athirst unsloken,
As of things unspeakable spoken,
As of tears unendurable shed.
In the manifold sound remote,
In the molten murmur of song,
There was but a sharp sole note
Alive on the night and afloat,
The cry of the world's heart's wrong.
As the sea in the strait sea-caves,
The sound came straitened and strange;
A noise of the rending of graves,
A tidal thunder of waves,
The music of death and of change.
"We have waited so long," they say,
"For a sound of the God, for a breath,
For a ripple of the refluence of day,
For the fresh bright wind of the fray,
For the light of the sunrise of death.
"We have prayed not, we, to be strong,
To fulfil the desire of our eyes;
- Howbeit they have watched for it long,
Watched, and the night did them wrong,
Yet they say not of day, shall it rise?
"They are fearful and feeble with years,
Yet they doubt not of day if it be;
Yea, blinded and beaten with tears,
Yea, sick with foresight of fears,
Yet a little, and hardly, they see.
"We pray not, we, for the palm,
For the fruit ingraffed of the fight,
For the blossom of peace and the balm,
And the tender triumph and calm
Of crownless and weaponless right.
"We pray not, we, to behold
The latter august new birth,
The young day's purple and gold,
And divine, and rerisen as of old,
The sun-god Freedom on earth.
"Peace, and world's honour, and fame,
We have sought after none of these things;
The light of a life like flame
Passing, the storm of a name
Shaking the strongholds of kings:
"Nor, fashioned of fire and of air,
The splendour that burns on his head
Who was chiefest in ages that were,
Whose breath blew palaces bare,
Whose eye shone tyrannies dead:
"All these things in your day
Ye shall see, O our sons, and shall hold
Surely; but we, in the grey
Twilight, for one thing we pray,
In that day though our memories be cold:
"To feel on our brows as we wait
An air of the morning, a breath
From the springs of the east, from the gate
Whence freedom issues, and fate,
Sorrow, and triumph, and death
"From a land whereon time hath not trod,
Where the spirit is bondless and bare,
And the world's rein breaks, and the rod,
And the soul of a man, which is God,
He adores without altar or prayer:
For alone of herself and her right
She takes, and alone gives grace:
And the colours of things lose light,
And the forms, in the limitless white
Splendour of space without space:
"And the blossom of man from his tomb
Yearns open, the flower that survives;
And the shadows of changes consume
In the colourless passionate bloom
Of the live light made of our lives:
"Seeing each life given is a leaf
Of the manifold multiform flower,
And the least among these, and the chief,
As an ear in the red-ripe sheaf
Stored for the harvesting hour.
"O spirit of man, most holy,
The measure of things and the root,
In our summers and winters a lowly
Seed, putting forth of them slowly
Thy supreme blossom and fruit;
"In thy sacred and perfect year,
The souls that were parcel of thee
In the labour and life of us here
Shall be rays of thy sovereign sphere,
Springs of thy motion shall be.
"There is the fire that was man,
The light that was love, and the breath
That was hope ere deliverance began,
And the wind that was life for a span,
And the birth of new things, which is death
There, whosoever had light,
And, having, for men's sake gave;
All that warred against night;
All that were found in the fight
Swift to be slain and to save;
"Undisbranched of the storms that disroot us,
Of the lures that enthrall unenticed;
The names that exalt and transmute us;
The blood-bright splendour of Brutus,
The snow-bright splendour of Christ.
"There all chains are undone;
Day there seems but as night;
Spirit and sense are as one
In the light not of star nor of sun;
Liberty there is the light.
She, sole mother and maker,
Stronger than sorrow, than strife;
Deathless, though death overtake her;
Faithful, though faith should forsake her;
Spirit, and saviour, and life."
poem by Algernon Charles Swinburne
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Roses
Oh, wind of the spring-time, oh, free wind of May,
When blossoms and bird-song are rife;
Oh, joy for the season, and joy for the day,
That gave me the roses of life, of life,
That gave me the roses of life.
Oh, wind of the summer, sing loud in the night,
When flutters my heart like a dove;
One came from thy kingdom, thy realm of delight,
And gave me the roses of love, of love,
And gave me the roses of love.
Oh, wind of the winter, sigh low in thy grief,
I hear thy compassionate breath;
I wither, I fall, like the autumn-kissed leaf,
He gave me the roses of death, of death,
He gave me the roses of death.
poem by Paul Laurence Dunbar
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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The Last Envoy
THIS wind, that through the silent woodland blows,
O'er rippling corn and dreaming pastures goes
Straight to the garden where the heart of spring
Faints in the heart of summer's earliest rose.
Dimpling the meadow's grassy green and grey,
By furze that yellows all the common way,
Gathering the gladness of the flowering broom,
And too persistent fragrance of the may--
Gathering whatever is of sweet and dear,
The wandering wind has passed away from here,
Has passed to where within your garden waits
The concentrated sweetness of the year.
And in your leafed enclosure as you stood,
Training your flowers to new beatitude--
Ah! did you guess the wind that kissed your hair
Had kissed my forehead in this solitude--
Had kissed my lips, and gathered there the heat
It breathed upon your mouth, my only sweet--
Had gathered from my eyes the tender thought
That drooped your eyes, and stirred your pulses' beat?
You only thought the sun's caress too warm
That lay upon your bosom and your arm;
You did not guess the wind had brought from me
The unacknowledged fancy's fire and charm--
You only said, 'Too strong these sunlit skies,
More dear the moments when the daylight dies!'
And then you dreamed of meetings by your gate
In sanctity of sunset and moonrise.
To-night, when he shall come and meet you there,
To kiss your lips and hands and eyes and hair,
To light with love and hope youth's waiting shrine--
Think of my love, and my assured despair!
To-night the wind will rob the languid flowers
Of secret scents kept close through daylit hours;
It will blow coolly over dewy lawns,
Where the laburnums fall in silent showers.
I, too, shall learn a secret then--shall wrest
Life's hidden things from out her languorous breast,
Shall learn the way that leads away from life
Into the land where nothing lives but rest.
You will not know that the cold air you prize,
After the stormy sweetness of his sighs,
Is cold from blowing through a moonlit wood
Over the hollow where a dead man lies!
poem by Edith Nesbit
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The Two Keys
There was a Boy, long years ago,
Who hour by hour awake would lie,
And watch the white moon gliding slow
Along her pathway in the sky.
And every night as thus he lay
Entranced in lonely fantasy,
Borne swiftly on a bright moon-ray
There came to him a Golden Key.
And with that Golden Key the Boy
Oped every night a magic door
That to a melody of Joy
Turned on its hinges evermore.
Then, trembling with delight and awe,
When he the charmèd threshold crossed,
A radiant corridor he saw—
Its end in dazzling distance lost.
Great windows shining in a row
Lit up the wondrous corridor,
And each its own rich light did throw
In stream resplendent on the floor.
One window showed the Boy a scene
Within a forest old and dim,
Where fairies danced upon the green
And kissed their little hands to him.
Sweet strains of elfin harp and horn
He heard so clearly sounding there,
And he to Wonderland was borne
And breathed its soft enchanted air.
Then, passing onward with the years,
He turned his back on Elf and Fay,
And sadly sweet, as if in tears,
The fairy music died away.
The second window held him long:
It looked upon a field of fight
Whereon the countless hordes of Wrong
Fought fiercely with the friends of Right.
And, lo! upon that fateful field,
Where cannon thundered, banners streamed,
And rushing squadrons rocked and reeled,
His sword a star of battle gleamed.
And when the hordes of Wrong lay still,
And that great fight was fought and won,
He stood, bright-eyed, upon a hill,
His white plume shining in the sun.
A glorious vision! yet behind
He left it with its scarlet glow,
And faint and far upon the wind
He heard the martial trumpets blow.
For to his listening ear was borne
A music more entrancing far
Than strains of elfin harp or horn,
More thrilling than the trump of war.
No longer as a dreamy boy
He trod the radiant corridor:
His young man’s heart presaged a joy
More dear than all the joys of yore.
To that third window, half in awe,
He moved, and slowly raised his eyes—
And was it earth grown young he saw?
Or was it man’s lost Paradise?
For all the flowers that ever bloomed
Upon the earth, and all the rare
Sweet Loveliness by Time entombed,
Seemed blushing, blooming, glowing there.
And every mellow-throated bird
That ever sang the trees among
Seemed singing there, with one sweet word—
“Love! Love!” on every little tongue.
Then he by turns grew rosy-red,
And he by turns grew passion-pale.
“Sweet Love!” the lark sang overhead,
“Sweet Love!” sang Love’s own nightingale.
In mid-heart of the hawthorn-tree
The thrush sang all its buds to bloom;
“Love! Love! Love! Love! Sweet Love,” sang he
Amidst the soft green sun-flecked gloom.
She stood upon a lilied lawn,
With dreamful eyes that gazed afar:
A maiden tender as the Dawn
And lovely as the Morning Star.
She stooped and kissed him on the brow,
And in a low, sweet voice said she:
“I am this country’s queen—and thou?”
“I am thy vassal,” murmured he.
She hid him with her hair gold-red,
That flowed like sunshine to her knee;
She kissed him on the lips, and said:
“Dear heart! I’ve waited long for thee.”
And, oh, she was so fair, so fair,
So gracious was her beauty bright,
Around her the enamoured air
Pulsed tremulously with delight.
In passionate melody did melt
Bird-voices, scent of flower and tree,
And he within his bosom felt
The piercing thorn of ecstasy.
The years passed by in dark and light,
In storm and shine; the man grew old,
Yet never more by day or night
There came to him the Key of Gold.
But ever, ere the great sun flowers
In gold above the sky’s blue rim,
All in the dark and lonely hours
There comes an Iron Key to him.
And with that key he opes a wide
And gloomy door—the Door of Fate—
That makes, whene’er it swings aside,
A music sad and desolate,
A music sad from saddest source:
He sees beside the doorway set
The chill, gray figure of Remorse,
The pale, cold image of Regret.
For all the glory and the glow
Of Life are passed, and dead, and gone:
The Light and Life of Long Ago
Are memories only—moonlight wan.
There is no man of woman born
So brave, so good, so wise but he
Must sometimes in a night forlorn
Take up and use the Iron Key.
poem by Victor James Daley
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Three Island Songs
AFTER the wind in the wood,
Peace, and the night.
After the bond and the brood,
Flight.
After the height and the hush
Where the wild hawk swings,
Heart of the earth-loving thrush
Shaken with wings.
After the bloom and the leaf
Rain on the nest.
After the splendour and grief,
Rest.
After the hills and the far
Glories and gleams,
Cloud, and the dawn of a star,
And dreams.
------------------------------------- -------------------------------------------
O, THE gray rocks of the islands and the hemlock green above them,
The foam beneath the wild rose bloom, the star above the shoal.
When I am old and weary I'll wake my heart to love them,
For the blue ways of the islands are wound about my soul.
[Page 66]
Here in the early even when the young gray dew is falling,
And the king-heron seeks his mate beyond the loneliest wild,
Still your heart in the twilight, and you'll hear the river calling
Through all her outmost islands to seek her lastborn child.
------------------------------------- -------------------------------------------
I SAT among the green leaves, and heard the nuts falling,
The broad red butterflies were gold against the sun,
But in between the silence and the sweet birds calling
The nuts fell one by one.
Why should they fall and the year but half over ?
Why should sorrow seek me and I so young and kind ?
The leaf is on the bough and the dew is on the clover,
But the green nuts are falling in the wind.
O, I gave my lips away and all my soul behind them.
Why should trouble follow and the quick tears start ?
The little birds may love and fly with only God to mind them,
But the green nuts are falling on my heart.
poem by Marjorie Lowry Christie Pickthall
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To H.a.b. On My Forty-seventh Birthday
WHEN one is forty years and seven,
Is seven and forty sad years old,
He looks not onward for his Heaven,
The future is too blank and cold,
Its pale flowers smell of graveyard mould;
He looks back to his lifeful past;
If age is silver, youth is gold:-
Could youth but last, could youth but last!
He turns back toward his youthful past
A-throb with life and love and hope,
Whose long-dead joys in memory last,
Whose shining days had ample scope;
He turns and lingers on the slope
Whose dusk leads down to sightless death:-
The sun once crowned that darkening cope,
And song once thrilled this weary breath.
Ali, he plods wearily to death,
Adown the gloaming into night,
But other lives breathe joyous breath
In morning's boundless golden light;
Their feet are swift, their eyes are bright,
Their hearts beat rhythms of hope and love,
Their being is a pure delight
In earth below and heaven above.
And you have hope and joy and love,
And you have youth's abounding life,
Whose crystal currents flow above
The stones and sands of care and strife.
May all your years with joys be rifc,
May you grow calmly to your prime,
A maiden sweet, a cherished wife,
A happy mother in due time.
All good you wish me, past my prime,
I wish with better hope to you,
And richer blessings than old Time
And Fate or Fortune found my due:
For you are kind and good and true,
And so when you are forty-seven
May spouse and children in your view
Make Home the happiest life-long Heaven.
poem by James Thomson
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Sunset On The Bearcamp
A gold fringe on the purpling hem
Of hills the river runs,
As down its long, green valley falls
The last of summer's suns.
Along its tawny gravel-bed
Broad-flowing, swift, and still,
As if its meadow levels felt
The hurry of the hill,
Noiseless between its banks of green
From curve to curve it slips;
The drowsy maple-shadows rest
Like fingers on its lips.
A waif from Carroll's wildest hills,
Unstoried and unknown;
The ursine legend of its name
Prowls on its banks alone.
Yet flowers as fair its slopes adorn
As ever Yarrow knew,
Or, under rainy Irish skies,
By Spenser's Mulla grew;
And through the gaps of leaning trees
Its mountain cradle shows
The gold against the amethyst,
The green against the rose.
Touched by a light that hath no name,
A glory never sung,
Aloft on sky and mountain wall
Are God's great pictures hung.
How changed the summits vast and old!
No longer granite-browed,
They melt in rosy mist; the rock
Is softer than the cloud;
The valley holds its breath; no leaf
Of all its elms is twirled
The silence of eternity
Seems falling on the world.
The pause before the breaking seals
Of mystery is this;
Yon miracle-play of night and day
Makes dumb its witnesses.
What unseen altar crowns the hills
That reach up stair on stair?
What eyes look through, what white wings fan
These purple veils of air?
What Presence from the heavenly heights
To those of earth stoops down?
Not vainly Hellas dreamed of gods
On Ida's snowy crown!
Slow fades the vision of the sky,
The golden water pales,
And over all the valley-land
A gray-winged vapor sails.
I go the common way of all;
The sunset fires will burn,
The flowers will blow, the river flow,
When I no more return.
No whisper from the mountain pine
Nor lapsing stream shall tell
The stranger, treading where I tread,
Of him who loved them well.
But beauty seen is never lost,
God's colors all are fast;
The glory of this sunset heaven
Into my soul has passed,
A sense of gladness unconfined
To mortal date or clime;
As the soul liveth, it shall live
Beyond the years of time.
Beside the mystic asphodels
Shall bloom the home-born flowers,
And new horizons flush and glow
With sunset hues of ours.
Farewell! these smiling hills must wear
Too soon their wintry frown,
And snow-cold winds from off them shake
The maple's red leaves down.
But I shall see a summer sun
Still setting broad and low;
The mountain slopes shall blush and bloom,
The golden water flow.
A lover's claim is mine on all
I see to have and hold,--
The rose-light of perpetual hills,
And sunsets never cold!
poem by John Greenleaf Whittier
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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The Austral Months
January
The first fair month! In singing Summer’s sphere
She glows, the eldest daughter of the year.
All light, all warmth, all passion, breaths of myrrh,
And subtle hints of rose-lands, come with her.
She is the warm, live month of lustre—she
Makes glad the land and lulls the strong, sad sea.
The highest hope comes with her. In her face
Of pure, clear colour lives exalted grace;
Her speech is beauty, and her radiant eyes
Are eloquent with splendid prophecies.
February
The bright-haired, blue-eyed last of Summer. Lo,
Her clear song lives in all the winds that blow;
The upland torrent and the lowland rill,
The stream of valley and the spring of hill,
The pools that slumber and the brooks that run
Where dense the leaves are, green the light of sun,
Take all her grace of voice and colour. She,
With rich warm vine-blood splashed from heel to knee,
Comes radiant through the yellow woodlands. Far
And near her sweet gifts shine like star by star.
She is the true Demeter. Life of root
Glows under her in gardens flushed with fruit;
She fills the fields with strength and passion—makes
A fire of lustre on the lawn-ringed lakes;
Her beauty awes the great wild sea; the height
Of grey magnificence takes strange delight
And softens at her presence, at the dear
Sweet face whose memory beams through all the year.
March
Clear upland voices, full of wind and stream,
Greet March, the sister of the flying beam
And speedy shadow. She, with rainbow crowned,
Lives in a sphere of songs of mazy sound.
The hymn of waters and the gale’s high tone,
With anthems from the thunder’s mountain throne,
Are with her ever. This, behold, is she
Who draws its great cry from the strong, sad sea;
She is the month of majesty. Her force
Is power that moves along a stately course,
Within the lines of order, like no wild
And lawless strength of winter’s fiercest child.
About her are the wind-whipped torrents; far
Above her gleams and flies the stormy star,
And round her, through the highlands and their rocks,
Rings loud the grand speech from the equinox.
April
The darling of Australia’s Autumn—now
Down dewy dells the strong, swift torrents flow!
This is the month of singing waters—here
A tender radiance fills the Southern year;
No bitter winter sets on herb and root,
Within these gracious glades, a frosty foot;
The spears of sleet, the arrows of the hail,
Are here unknown. But down the dark green dale
Of moss and myrtle, and the herby streams,
This April wanders in a home of dreams;
Her flower-soft name makes language falter. All
Her paths are soft and cool, and runnels fall
In music round her; and the woodlands sing
For evermore, with voice of wind and wing,
Because this is the month of beauty—this
The crowning grace of all the grace that is.
May
Now sings a cool, bland wind, where falls and flows
The runnel by the grave of last year’s rose;
Now, underneath the strong perennial leaves,
The first slow voice of wintering torrent grieves.
Now in a light like English August’s day,
Is seen the fair, sweet, chastened face of May;
She is the daughter of the year who stands
With Autumn’s last rich offerings in her hands;
Behind her gleams the ghost of April’s noon,
Before her is the far, faint dawn of June;
She lingers where the dells and dewy leas
Catch stormy sayings from the great bold seas;
Her nightly raiment is the misty fold
That zones her round with moonlight-coloured gold;
And in the day she sheds, from shining wings,
A tender heat that keeps the life in things.
June
Not like that month when, in imperial space,
The high, strong sun stares at the white world’s face;
Not like that haughty daughter of the year
Who moves, a splendour, in a splendid sphere;
But rather like a nymph of afternoon,
With cool, soft sunshine, comes Australian June.
She is the calm, sweet lady, from whose lips
No breath of living passion ever slips;
The wind that on her virgin forehead blows
Was born too late to speak of last year’s rose;
She never saw a blossom, but her eyes
Of tender beauty see blue, gracious skies;
She loves the mosses, and her feet have been
In woodlands where the leaves are always green;
Her days pass on with sea-songs, and her nights
Shine, full of stars, on lands of frosty lights.
July
High travelling winds, filled with the strong storm’s soul,
Are here, with dark, strange sayings from the Pole;
Now is the time when every great cave rings
With sharp, clear echoes caught from mountain springs;
This is the season when all torrents run
Beneath no bright, glad beauty of the sun.
Here, where the trace of last year’s green is lost,
Are haughty gales, and lordships of the frost.
Far down, by fields forlorn and forelands bleak,
Are wings that fly not, birds that never speak;
But in the deep hearts of the glens, unseen,
Stand grave, mute forests of eternal green;
And here the lady, born in wind and rain,
Comes oft to moan and clap her palms with pain.
This is our wild-faced July, in whose breast
Is never faultless light or perfect rest.
August
Across the range, by every scarred black fell,
Strong Winter blows his horn of wild farewell;
And in the glens, where yet there moves no wing,
A slow, sweet voice is singing of the Spring.
Yea, where the bright, quick woodland torrents run,
A music trembles under rain and sun.
The lips that breathe it are the lips of her
At whose dear touch the wan world’s pulses stir—
The nymph who sets the bow of promise high
And fills with warm life-light the bleak grey sky.
She is the fair-haired August. Ere she leaves
She brings the woodbine blossom round the eaves;
And where the bitter barbs of frost have been
She makes a beauty with her gold and green;
And, while a sea-song floats from bay and beach,
She sheds a mist of blossoms on the peach.
September
*
October
Where fountains sing and many waters meet,
October comes with blossom-trammelled feet.
She sheds green glory by the wayside rills
And clothes with grace the haughty-featured hills.
This is the queen of all the year. She brings
The pure chief beauty of our southern springs.
Fair lady of the yellow hair! Her breath
Starts flowers to life, and shames the storm to death;
Through tender nights and days of generous sun
By prospering woods her clear strong torrents run;
In far deep forests, where all life is mute,
Of leaf and bough she makes a touching lute.
Her life is lovely. Stream, and wind, and bird
Have seen her face—her marvellous voice have heard;
And, in strange tracts of wildwood, all day long,
They tell the story in surpassing song.
November
Now beats the first warm pulse of Summer—now
There shines great glory on the mountain’s brow.
The face of heaven in the western sky,
When falls the sun, is filled with Deity!
And while the first light floods the lake and lea,
The morning makes a marvel of the sea;
The strong leaves sing; and in the deep green zones
Of rock-bound glens the streams have many tones;
And where the evening-coloured waters pass,
Now glides November down fair falls of grass.
She is the wonder with the golden wings,
Who lays one hand in Summer’s—one in Spring’s;
About her hair a sunset radiance glows;
Her mouth is sister of the dewy rose;
And all the beauty of the pure blue skies
Has lent its lustre to her soft bright eyes.
December
The month whose face is holiness! She brings
With her the glory of majestic things.
What words of light, what high resplendent phrase
Have I for all the lustre of her days?
She comes, and carries in her shining sphere
August traditions of the world’s great year;
The noble tale which lifts the human race
Has made a morning of her sacred face.
Now in the emerald home of flower and wing
Clear summer streams their sweet hosannas sing;
The winds are full of anthems, and a lute
Speaks in the listening hills when night is mute
And through dim tracks where talks the royal tree
There floats a grand hymn from the mighty sea;
And where the grey, grave, pondering mountains stand
High music lives—the place is holy land!
poem by Henry Kendall
Submitted by Poetry Lover
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Kiss Me Everything! ! !
Kiss me heart and said i'love you.
Kiss me from warm your eyes rays and said all better.
Kiss me from your sweet lips i'was everything.
Kiss me from your desire was embrace by you.i'was passing yearning fogs.
Kiss me with your soft face the angel gave peace on my heart.
Kiss me the rainbow gave the colour to illustrate my dreams.
Kiss me my blue clouds will lie down all tired i'to you.
Kiss me the green leaves penetrating freshness bellows of the heart and mind.
Kiss me the wind-the blowing wind continued the long breath in the life.
Kiss me the wave of the birds wings in the branch, stamped the love and the spirit.
Kiss me the flower and was kissed by me again went through the sun and the rain.
Kiss me the river gave my warm regards to the ocean.
Kiss me the nature said to my heart sweetheart.
I kissed him through all
the life breath in the world.
The Swamp
FOR one whole day and a long night through
We made our camp
In a she-oak grove by a coastal swamp.
Our tent gleamed white in the she-oak trees,
Whose falling hair
Made a soft, brown mist in the sweet blue air.
A sound subdued from their tresses rose —
A moan, a sigh
As of unseen seas, when the breeze went by.
'Twas wattle-time, and the scented bloom,
New lit and young,
In a mass of gold from the still trees hung.
There music dwelt, and a splendour moved
Through all the day
From the green of dawn to the twilight gray.
For careless ever, like one who goes
Where Joyance leads,
Sang the little reed-bird in the tall, green reeds.
Blue, swift and slender the dragonflies
A-hawking flew,
And a hawk hung poised in the burning blue.
A crane, slow-flapping its great wings, passed
Across the scene,
And a parrot jewelled the leafy screen.
In twos and threes from the hills around
The peewits came,
And the brush-flower burnt like a crimson flame.
On ti-tree trunk and on frond and log
The lizards slept,
While the sun moved west, and the shadows crept.
The sun moved west, and the tall hills sent
Broad shadows east,
And the reed-bird's song in the reed-beds ceased.
Then fell a hush, and within that hush
Rose, clear and shrill,
A cicada note on a distant hill.
A note of farewell, it seemed to us,
Its singing bore;
And the night came down, and it sang no more.
Night came with shadows and fitful gleams
And mist and damp,
And our fire burned red by the coastal swamp.
Then life not known of the daytime woke —
That life that preys
On the feathered things of the leafy ways.
We heard feet moving, and velvet wings
On swamp and height,
And a dingo howling across the night.
As, faces lit by the red camp-fire,
We mused enthralled.
Like a lone, lost spirit a curlew called;
Brown crickets sang in the moisty mould,
And every breeze
Drew a moaning note from the she-oak trees.
And all night long, as they swayed and moaned,
Strange fancies woke,
And we could not rest for the things they spoke.
Thus much and more through the hours we saw;
Thus much we heard
In that place of blossom and tree and bird.
Since then gold wattles have bloomed and bloomed,
And moons aloft
In the sky have wizened and waned full oft.
And yet, at times, when the night is still,
In dreams I tramp
Through the white sand-dunes to that coastal camp.
poem by Roderic Quinn
Submitted by Poetry Lover
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Super Flumina Babylonis
By the waters of Babylon we sat down and wept,
Remembering thee,
That for ages of agony hast endured, and slept,
And wouldst not see.
By the waters of Babylon we stood up and sang,
Considering thee,
That a blast of deliverance in the darkness rang,
To set thee free.
And with trumpets and thunderings and with morning song
Came up the light;
And thy spirit uplifted thee to forget thy wrong
As day doth night.
And thy sons were dejected not any more, as then
When thou wast shamed;
When thy lovers went heavily without heart, as men
Whose life was maimed.
In the desolate distances, with a great desire,
For thy love's sake,
With our hearts going back to thee, they were filled with fire,
Were nigh to break.
It was said to us: "Verily ye are great of heart,
But ye shall bend;
Ye are bondmen and bondwomen, to be scourged and smart,
To toil and tend."
And with harrows men harrowed us, and subdued with spears,
And crushed with shame;
And the summer and winter was, and the length of years,
And no change came.
By the rivers of Italy, by the sacred streams,
By town, by tower,
There was feasting with revelling, there was sleep with dreams,
Until thine hour.
And they slept and they rioted on their rose-hung beds,
With mouths on flame,
And with love-locks vine-chapleted, and with rose-crowned heads
And robes of shame.
And they knew not their forefathers, nor the hills and streams
And words of power,
Nor the gods that were good to them, but with songs and dreams
Filled up their hour.
By the rivers of Italy, by the dry streams' beds,
When thy time came,
There was casting of crowns from them, from their young men's heads,
The crowns of shame.
By the horn of Eridanus, by the Tiber mouth,
As thy day rose,
They arose up and girded them to the north and south,
By seas, by snows.
As a water in January the frost confines,
Thy kings bound thee;
As a water in April is, in the new-blown vines,
Thy sons made free.
And thy lovers that looked for thee, and that mourned from far,
For thy sake dead,
We rejoiced in the light of thee, in the signal star
Above thine head.
In thy grief had we followed thee, in thy passion loved,
Loved in thy loss;
In thy shame we stood fast to thee, with thy pangs were moved,
Clung to thy cross.
By the hillside of Calvary we beheld thy blood,
Thy bloodred tears,
As a mother's in bitterness, an unebbing flood,
Years upon years.
And the north was Gethsemane, without leaf or bloom,
A garden sealed;
And the south was Aceldama, for a sanguine fume
Hid all the field.
By the stone of the sepulchre we returned to weep,
From far, from prison;
And the guards by it keeping it we beheld asleep,
But thou wast risen.
And an angel's similitude by the unsealed grave,
And by the stone:
And the voice was angelical, to whose words God gave
Strength like his own.
"Lo, the graveclothes of Italy that are folded up
In the grave's gloom!
And the guards as men wrought upon with a charmed cup,
By the open tomb.
"And her body most beautiful, and her shining head,
These are not here;
For your mother, for Italy, is not surely dead:
Have ye no fear.
"As of old time she spake to you, and you hardly heard,
Hardly took heed,
So now also she saith to you, yet another word,
Who is risen indeed.
"By my saying she saith to you, in your ears she saith,
Who hear these things,
Put no trust in men's royalties, nor in great men's breath,
Nor words of kings.
"For the life of them vanishes and is no more seen,
Nor no more known;
Nor shall any remember him if a crown hath been,
Or where a throne.
"Unto each man his handiwork, unto each his crown,
The just Fate gives;
Whoso takes the world's life on him and his own lays down,
He, dying so, lives.
"Whoso bears the whole heaviness of the wronged world's weight
And puts it by,
It is well with him suffering, though he face man's fate;
How should he die?
"Seeing death has no part in him any more, no power
Upon his head;
He has bought his eternity with a little hour,
And is not dead.
"For an hour, if ye look for him, he is no more found,
For one hour's space;
Then ye lift up your eyes to him and behold him crowned,
A deathless face.
"On the mountains of memory, by the world's wellsprings,
In all men's eyes,
Where the light of the life of him is on all past things,
Death only dies.
"Not the light that was quenched for us, nor the deeds that were,
Nor the ancient days,
Nor the sorrows not sorrowful, nor the face most fair
Of perfect praise."
So the angel of Italy's resurrection said,
So yet he saith;
So the son of her suffering, that from breasts nigh dead
Drew life, not death.
That the pavement of Golgotha should be white as snow,
Not red, but white;
That the waters of Babylon should no longer flow,
And men see light.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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The Height of Land
Here is the height of land:
The watershed on either hand
Goes down to Hudson Bay
Or Lake Superior;
The stars are up, and far away
The wind sounds in the wood, wearier
Than the long Ojibwa cadence
In which Potàn the Wise
Declares the ills of life
And Chees-que-ne-ne makes a mournful sound
Of acquiescence. The fires burn low
With just sufficient glow
To light the flakes of ash that play
At being moths, and flutter away
To fall in the dark and die as ashes:
Here there is peace in the lofty air,
And Something comes by flashes
Deeper than peace: --
The spruces have retired a little space
And left a field of sky in violet shadow
With stars like marigolds in a water-meadow.
Now the Indian guides are dead asleep;
There is no sound unless the soul can hear
The gathering of the waters in their sources.
We have come up through the spreading lakes
From level to level, --
Pitching our tents sometimes over a revel
Of roses that nodded all night,
Dreaming within our dreams,
To wake at dawn and find that they were captured
With no dew on their leaves;
Sometimes mid sheaves
Of bracken and dwarf-cornel, and again
On a wide blueberry plain
Brushed with the shimmer of a bluebird's wing;
A rocky islet followed
With one lone poplar and a single nest
Of white-throat-sparrows that took no rest
But sang in dreams or woke to sing, --
To the last portage and the height of land --:
Upon one hand
The lonely north enlaced with lakes and streams,
And the enormous targe of Hudson Bay,
Glimmering all night
In the cold arctic light;
On the other hand
The crowded southern land
With all the welter of the lives of men.
But here is peace, and again
That Something comes by flashes
Deeper than peace, -- a spell
Golden and inappellable
That gives the inarticulate part
Of our strange being one moment of release
That seems more native than the touch of time,
And we must answer in chime;
Though yet no man may tell
The secret of that spell
Golden and inappellable.
Now are there sounds walking in the wood,
And all the spruces shiver and tremble,
And the stars move a little in their courses.
The ancient disturber of solitude
Breathes a pervasive sigh,
And the soul seems to hear
The gathering of the waters at their sources;
Then quiet ensues and pure starlight and dark;
The region-spirit murmurs in meditation,
The heart replies in exaltation
And echoes faintly like an inland shell
Ghost tremors of the spell;
Thought reawakens and is linked again
With all the welter of the lives of men.
Here on the uplands where the air is clear
We think of life as of a stormy scene, --
Of tempest, of revolt and desperate shock;
And here, where we can think, on the brights uplands
Where the air is clear, we deeply brood on life
Until the tempest parts, and it appears
As simple as to the shepherd seems his flock:
A Something to be guided by ideals --
That in themselves are simple and serene --
Of noble deed to foster noble thought,
And noble thought to image noble deed,
Till deed and thought shall interpenetrate,
Making life lovelier, till we come to doubt
Whether the perfect beauty that escapes
Is beauty of deed or thought or some high thing
Mingled of both, a greater boon than either:
Thus we have seen in the retreating tempest
The victor-sunlight merge with the ruined rain,
And from the rain and sunlight spring the rainbow.
The ancient disturber of solitude
Stirs his ancestral potion in the gloom,
And the dark wood
Is stifled with the pungent fume
Of charred earth burnt to the bone
That takes the place of air.
Then sudden I remember when and where, --
The last weird lakelet foul with weedy growths
And slimy viscid things the spirit loathes,
Skin of vile water over viler mud
Where the paddle stirred unutterable stenches,
And the canoes seemed heavy with fear,
Not to be urged toward the fatal shore
Where a bush fire, smouldering, with sudden roar
Leaped on a cedar and smothered it with light
And terror. It had left the portage-height
A tangle of slanted spruces burned to the roots,
Covered still with patches of bright fire
Smoking with incense of the fragment resin
That even then began to thin and lessen
Into the gloom and glimmer of ruin.
'Tis overpast. How strange the stars have grown;
The presage of extinction glows on their crests
And they are beautied with impermanence;
They shall be after the race of men
And mourn for them who snared their fiery pinions,
Entangled in the meshes of bright words.
A lemming stirs the fern and in the mosses
Eft-minded things feel the air change, and dawn
Tolls out from the dark belfries of the spruces.
How often in the autumn of the world
Shall the crystal shrine of dawning be rebuilt
With deeper meaning! Shall the poet then,
Wrapped in his mantle on the height of land,
Brood on the welter of the lives of men
And dream of his ideal hope and promise
In the blush sunrise? Shall he base his flight
Upon a more compelling law than Love
As Life's atonement; shall the vision
Of noble deed and noble thought immingled
Seem as uncouth to him as the pictograph
Scratched on the cave side by the cave-dweller
To us of the Christ-time? Shall he stand
With deeper joy, with more complex emotion,
In closer commune with divinity,
With the deep fathomed, with the firmament charted,
With life as simple as a sheep-boy's song,
What lies beyond a romaunt that was read
Once on a morn of storm and laid aside
Memorious with strange immortal memories?
Or shall he see the sunrise as I see it
In shoals of misty fire the deluge-light
Dashes upon and whelms with purer radiance,
And feel the lulled earth, older in pulse and motion,
Turn the rich lands and inundant oceans
To the flushed color, and hear as now I hear
The thrill of life beat up the planet's margin
And break in the clear susurrus of deep joy
That echoes and reëchoes in my being?
O Life is intuition the measure of knowledge
And do I stand with heart entranced and burning
At the zenith of our wisdom when I feel
The long light flow, the long wind pause, the deep
Influx of spirit, of which no man may tell
The Secret, golden and inappellable?
poem by Duncan Campbell Scott
Submitted by Poetry Lover
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Mary Rivers
Path beside the silver waters, flashing in October’s sun—
Walk, by green and golden margins where the sister streamlets run—
Twenty shining springs have vanished, full of flower, and leaf, and bird,
Since the step of Mary Rivers in your lawny dell was heard!
Twenty white-haired Junes have left us—grey with frost and bleak with gale—
Since the hand of her we loved so plucked the blossoms in your dale.
Twenty summers, twenty autumns, from the grand old hills have passed,
With their robes of royal colour, since we saw the darling last.
Morning comes—the blessed morning! and the slow song of the sea,
Like a psalm from radiant altars, floats across a rose-red lea;
Then the fair, strong noonday blossoms, and the reaper seeks the cool
Valley of the moss and myrtle, and the glimmering water-pool.
Noonday flames and evening follows; and the lordly mountains rest
Heads arrayed with tenfold splendour on the rich heart of the West.
Evening walks with moon and music where the higher life has been;
But the face of Mary Rivers there will nevermore be seen.
Ah! when autumn dells are dewy, and the wave is very still,
And that grey ghost called the Twilight passes from the distant hill—
Even in the hallowed nightfall, when the fathers sit and dream,
And the splendid rose of heaven sees a sister in the stream—
Often do I watch the waters gleaming in a starry bay,
Thinking of a bygone beauty, and a season far away;
Musing on the grace that left us in a time of singing rain,
On the lady who will never walk amongst these heaths again.
Four there were, but two were taken; and this darling we deplore,
She was sweetest of the circle—she was dearest of the four!
In the daytime and the dewtime comes the phantom of her face:
None will ever sit where she did—none will ever fill her place.
With the passing of our Mary, like a sunset out of sight,
Passed away our pure first passion—all its life and all its light!
All that made the world a dreamland—all the glory and the glow
Of the fine, fresh, morning feeling vanished twenty years ago.
Girl, whose strange, unearthly beauty haunts us ever in our sleep,
Many griefs have worn our hearts out—we are now too tired to weep!
Time has tried us, years have changed us; but the sweetness shed by you
Falls upon our spirits daily, like divine, immortal dew.
Shining are our thoughts about you—of the blossoms past recall,
You are still the rose of lustre—still the fairest of them all;
In the sleep that brings the garland gathered from the bygone hours,
You are still our Mary Rivers—still the queen of all the flowers.
Let me ask, where none can hear me—When you passed into the shine,
And you heard a great love calling, did you know that it was mine?
In your life of light and music, tell me did you ever see,
Shining in a holy silence, what was as a flame in me?
Ah, my darling! no one saw it. Purer than untrodden dew
Was that first unhappy passion buried in the grave with you.
Bird and leaf will keep the secret—wind and wood will never tell
Men the thing that I have whispered. Mary Rivers, fare you well!
poem by Henry Kendall
Submitted by Poetry Lover
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