The Swamp
FOR one whole day and a long night through
We made our camp
In a she-oak grove by a coastal swamp.
Our tent gleamed white in the she-oak trees,
Whose falling hair
Made a soft, brown mist in the sweet blue air.
A sound subdued from their tresses rose —
A moan, a sigh
As of unseen seas, when the breeze went by.
'Twas wattle-time, and the scented bloom,
New lit and young,
In a mass of gold from the still trees hung.
There music dwelt, and a splendour moved
Through all the day
From the green of dawn to the twilight gray.
For careless ever, like one who goes
Where Joyance leads,
Sang the little reed-bird in the tall, green reeds.
Blue, swift and slender the dragonflies
A-hawking flew,
And a hawk hung poised in the burning blue.
A crane, slow-flapping its great wings, passed
Across the scene,
And a parrot jewelled the leafy screen.
In twos and threes from the hills around
The peewits came,
And the brush-flower burnt like a crimson flame.
On ti-tree trunk and on frond and log
The lizards slept,
While the sun moved west, and the shadows crept.
The sun moved west, and the tall hills sent
Broad shadows east,
And the reed-bird's song in the reed-beds ceased.
Then fell a hush, and within that hush
Rose, clear and shrill,
A cicada note on a distant hill.
A note of farewell, it seemed to us,
Its singing bore;
And the night came down, and it sang no more.
Night came with shadows and fitful gleams
And mist and damp,
And our fire burned red by the coastal swamp.
Then life not known of the daytime woke —
That life that preys
On the feathered things of the leafy ways.
We heard feet moving, and velvet wings
On swamp and height,
And a dingo howling across the night.
As, faces lit by the red camp-fire,
We mused enthralled.
Like a lone, lost spirit a curlew called;
Brown crickets sang in the moisty mould,
And every breeze
Drew a moaning note from the she-oak trees.
And all night long, as they swayed and moaned,
Strange fancies woke,
And we could not rest for the things they spoke.
Thus much and more through the hours we saw;
Thus much we heard
In that place of blossom and tree and bird.
Since then gold wattles have bloomed and bloomed,
And moons aloft
In the sky have wizened and waned full oft.
And yet, at times, when the night is still,
In dreams I tramp
Through the white sand-dunes to that coastal camp.
poem by Roderic Quinn
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After Cattle
WE lit a fire, and straightway camped,
And all night long
We heard the river sing its song.
Our horses fed, and neighed, and stamped;
But else, o'er all
A haunted silence seemed to fall.
The gum-trees raised their lofty crests
So high, it seemed
They mingled with the stars and dreamed.
As when a tired bird sinks and rests
At end of day,
Head couched on arm, full length we lay.
But Nature would not let us sleep;
She loved so well
To talk, and had such things to tell.
Her fire-fly lamps within the deep
Green gullies shone
One moment, and the next were gone.
The smooth white trunks of ancient trees
In stately pride
Marched up the rugged mountain side.
No leaf fell fluttering on the breeze;
But everywhere
A stillness charmed the midnight air.
And as we lay without a word,
In silence camped,
Our horses in the darkness stamped.
At first, it seemed a timid bird
Sang soft below,
And then . . . we listened, breathing low.
We heard, elusive, strange, and shy,
A song arise —
The river voicing many cries.
At first, it was a human cry
Of sad unrest,
Of one cast down and sore distressed.
And then, an elfin chant it raised,
As when men cry
'We've silks to sell; who'll buy, who'll buy?'
And goods were cried and wares were praised;
It seemed like some
Far market-place in Fairydom.
Yet ever through the chorus stole
The sore-distressed,
Faint human note of sad unrest.
We woke and saw the morning roll
In waves of gold
Upon the mountains green and bold;
Birds sang, flowers laughed, the grass was green;
The sky above
Bent over, arching earth with love;
And, riding through that woodland scene
Of rocks and rills,
We heard the cattle in the hills.
poem by Roderic Quinn
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The Camp Fire
When night hung low and dew fell damp,
There fell athwart the shadows
The gleaming watchfires of the camp,
Like glow-worms on the meadows.
The sentinel his measured beat
With measured tread was keeping,
While like bronze statues at his feet
Lay tired soldiers, sleeping.
On some worn faces of the men
There crept a homesick yearning,
Which made it almost seem again,
The child-look was returning.
While on full many a youthful brow,
Till now to care a stranger,
The premature grave lines told how
They had grown old through danger.
One, in his slumber, laughed with joy,
The laughing echoes mocked him,
He thought beside his baby boy
He sat and gaily rocked him.
O pitying angels! Thou wert kind
To end this brief elysian,
He found what he no more could find
Save in a dreamer's vision.
The clear note of a mocking bird-
That star of sound-came falling
Down thro' the night; one, wakeful, heard
And answered to the calling,
And then upon the ear there broke
That sweet, pathetic measure,
That song that wakes-as then it woke,
Such mingled pain and pleasure.
One voice at first, and then the sound
Pulsed like a great bell's swinging,
'Tenting to-night on the old camp ground,'
The whole roused camp was singing.
The sense of warfare's discontent
Gave place to warfare's glory;
Right merrily the swift hours went
With song, and jest, and story.
They sang the song of Old John Brown,
Whose march goes on forever;
It made them thirsty for renown,
It fired them with endeavor.
So much of that great heart lives still,
So much of that great spirit-
His very name shoots like a thrill
Through all men when they hear it.
They found in tales of march and fight
New courage as they listened,
And while they watched the weird camp-light,
And while the still stars glistened,
Like some stern comrade's voice, there broke
And swept from hill to valley
'Til all the sleeping echoes woke,-
The bugle's call to rally!
'To arms! to arms! the foe is near!'
Ah, brave hearts were ye equal
To hearing through without one fear
The whole tale's bloody sequel?
The laurel wreath, the victor's cry,
These are not all of glory;
The gaping wound, the glazing eye,
They, too, are in the story.
And when again their tents were spread,
And by campfires they slumbered,
The missing faces of the dead
The living ones outnumbered.
And yet, their memories animate
The hearts that still survive them,
And holy seems the task, and great,
For one hour to revive them.
poem by Ella Wheeler Wilcox
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Ingavar
O, the trees grow straight and the trees grow tall,
And the trees grow all around;
And the long limbs sprout the trunks about,
Where the Davlo owl is found.
And the Davlo bird is most absurd
In the early days of June;
For he sings this song the whole day long,
To a strange, fantastic tune.
'O, ink, ink, ink! I sit and think;
I brood on the Wildwood Tree;
But, near or far, on Ingavar,
No ink, no ink I see.
And late or soon the swift cartoon
Must soar to the Utmost Star.
O, ink, ink, ink! I swoon! I sink!
O, inkless, Ingavar!'
O, the trees grow long, and the trees grow strong,
And the tress grow good and green,
And the gloomy shades steal thro' the glades
Where the Halgi Tit is seen.
And the Halgi Tit he loves to sit
On the frond of a swaying fern,
And croon, and croon, to a low, loose tune
This nervous, nude Nocturn.
'Chow-white, chow-white! All night, all night,
While the moon peeps thro' the leaves,
And the sad wind soughs thro' inlaced boughs,
Where the shadows creep like thieves.
I cry, and yearn for the Nude Nocturn!
O, I seek her near and far!
Chow-white, chow-white! I croon all night,
Thro' the glades of Ingavar.'
O, the trees grow pale, and tall trees quail,
And the sacred trees whisper soft.
And the startled bush it murmurs 'Hush!'
When the Denawk swoops aloft.
And, as he swoops, he shrieks and whoops
In a ruthless, Rhythmic way;
For twixt the trees and the sobbing breeze
The Denawk seeks his prey.
'Ho, rhyme, rhyme, rhyme! All fat and prime!
I live by rhyme alone!
In bush and town I hunt it down,
And tear it flesh from bone.
With a purpose grim for the synonym
I forage near and far;
And I rend my prey in a rhythmic way
On the gums of Ingavar.'
O, yearning trees! O, burning trees
O, trees that bend and sway!
The good brown earth that gave you birth
Is very damp to-day.
In mire and mud we slid we've slud;
Our boots are filled with slime
Farewell ye gums till summer comes
Farewell till Summertime.
The Davlo hoots, the Halgi toots,
The Denawk swoops no more
Alone to yearn, the Nude Nocturn
Adorns your leafy floor.
But Trees, O, trees, what ecstacies
Thrill thro' you, root and spar,
When the Lord High Pot comes up to squat
In the Glades of Ingavar,
Afar,
Green glades of Ingavar.
poem by Clarence Michael James Stanislaus Dennis
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Three Island Songs
AFTER the wind in the wood,
Peace, and the night.
After the bond and the brood,
Flight.
After the height and the hush
Where the wild hawk swings,
Heart of the earth-loving thrush
Shaken with wings.
After the bloom and the leaf
Rain on the nest.
After the splendour and grief,
Rest.
After the hills and the far
Glories and gleams,
Cloud, and the dawn of a star,
And dreams.
------------------------------------- -------------------------------------------
O, THE gray rocks of the islands and the hemlock green above them,
The foam beneath the wild rose bloom, the star above the shoal.
When I am old and weary I'll wake my heart to love them,
For the blue ways of the islands are wound about my soul.
[Page 66]
Here in the early even when the young gray dew is falling,
And the king-heron seeks his mate beyond the loneliest wild,
Still your heart in the twilight, and you'll hear the river calling
Through all her outmost islands to seek her lastborn child.
------------------------------------- -------------------------------------------
I SAT among the green leaves, and heard the nuts falling,
The broad red butterflies were gold against the sun,
But in between the silence and the sweet birds calling
The nuts fell one by one.
Why should they fall and the year but half over ?
Why should sorrow seek me and I so young and kind ?
The leaf is on the bough and the dew is on the clover,
But the green nuts are falling in the wind.
O, I gave my lips away and all my soul behind them.
Why should trouble follow and the quick tears start ?
The little birds may love and fly with only God to mind them,
But the green nuts are falling on my heart.
poem by Marjorie Lowry Christie Pickthall
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The Camp of Souls
1 My white canoe, like the silvery air
2 O'er the River of Death that darkly rolls
3 When the moons of the world are round and fair,
4 I paddle back from the 'Camp of Souls.'
5 When the wishton-wish in the low swamp grieves
6 Come the dark plumes of red 'Singing Leaves.'
7 Two hundred times have the moons of spring
8 Rolled over the bright bay's azure breath
9 Since they decked me with plumes of an eagle's wing,
10 And painted my face with the 'paint of death,'
11 And from their pipes o'er my corpse there broke
12 The solemn rings of the blue 'last smoke.'
13 Two hundred times have the wintry moons
14 Wrapped the dead earth in a blanket white;
15 Two hundred times have the wild sky loons
16 Shrieked in the flush of the golden light
17 Of the first sweet dawn, when the summer weaves
18 Her dusky wigwam of perfect leaves.
19 Two hundred moons of the falling leaf
20 Since they laid my bow in my dead right hand
21 And chanted above me the 'song of grief'
22 As I took my way to the spirit land;
23 Yet when the swallow the blue air cleaves
24 Come the dark plumes of red 'Singing Leaves.'
25 White are the wigwams in that far camp,
26 And the star-eyed deer on the plains are found;
27 No bitter marshes or tangled swamp
28 In the Manitou's happy hunting-ground!
29 And the moon of summer forever rolls
30 Above the red men in their 'Camp of Souls.'
31 Blue are its lakes as the wild dove's breast,
32 And their murmurs soft as her gentle note;
33 As the calm, large stars in the deep sky rest,
34 The yellow lilies upon them float;
35 And canoes, like flakes of the silvery snow,
36 Thro' the tall, rustling rice-beds come and go.
37 Green are its forests; no warrior wind
38 Rushes on war trail the dusk grove through,
39 With leaf-scalps of tall trees mourning behind;
40 But South Wind, heart friend of Great Manitou,
41 When ferns and leaves with cool dews are wet,
42 Bows flowery breaths from his red calumet.
43 Never upon them the white frosts lie,
44 Nor glow their green boughs with the 'paint of death';
45 Manitou smiles in the crystal sky,
46 Close breathing above them His life-strong breath;
47 And He speaks no more in fierce thunder sound,
48 So near is His happy hunting-ground.
49 Yet often I love, in my white canoe,
50 To come to the forests and camps of earth:
51 'Twas there death's black arrow pierced me through;
52 'Twas there my red-browed mother gave me birth;
53 There I, in the light of a young man's dawn,
54 Won the lily heart of dusk 'Springing Fawn.'
55 And love is a cord woven out of life,
56 And dyed in the red of the living heart;
57 And time is the hunter's rusty knife,
58 That cannot cut the red strands apart:
59 And I sail from the spirit shore to scan
60 Where the weaving of that strong cord began.
61 But I may not come with a giftless hand,
62 So richly I pile, in my white canoe,
63 Flowers that bloom in the spirit land,
64 Immortal smiles of Great Manitou.
65 When I paddle back to the shores of earth
66 I scatter them over the white man's hearth.
67 For love is the breath of the soul set free;
68 So I cross the river that darkly rolls,
69 That my spirit may whisper soft to thee
70 Of thine who wait in the 'Camp of Souls.'
71 When the bright day laughs, or the wan night grieves,
72 Come the dusky plumes of red 'Singing Leaves.'
poem by Isabella Valancy Crawford
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Love Song To The Coming Morning
I'm like night in the sunset
Feeling red clouds in the sky
Wind in the trees full of breeze
Swirling up leaves so they fly
Meadows and hills shades in blue
Flowers in silver and gold
Darkness comes so untrue
Fairies in the moonlight hard to hold
Magical moments in twilight
Breaking off silences with a song
Leaving the day coming to night
Shadows are still though young
I'm like night in the sunset
Touching the moments that go
Into umbrage of absurdities
That lived in the day a while ago
Lilies and fields are in darkness
Moon is behind a blue cloud
Day shall wake up in dawn fresh
When dusky shadows are disallowed
poem by Peter S. Quinn
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An Interlude
IN the greenest growth of the Maytime,
I rode where the woods were wet,
Between the dawn and the daytime;
The spring was glad that we met.
There was something the season wanted,
Though the ways and the woods smelt sweet;
The breath at your lips that panted,
The pulse of the grass at your feet.
You came, and the sun came after,
And the green grew golden above;
And the flag-flowers lightened with laughter,
And the meadow-sweet shook with love.
Your feet in the full-grown grasses
Moved soft as a weak wind blows;
You passed me as April passes,
With face made out of a rose.
By the stream where the stems were slender,
Your bright foot paused at the sedge;
It might be to watch the tender
Light leaves in the springtime hedge,
On boughs that the sweet month blanches
With flowery frost of May:
It might be a bird in the branches,
It might be a thorn in the way.
I waited to watch you linger
With foot drawn back from the dew,
Till a sunbeam straight like a finger
Struck sharp through the leaves at you.
And a bird overhead sang Follow,
And a bird to the right sang Here;
And the arch of the leaves was hollow,
And the meaning of May was clear.
I saw where the sun’s hand pointed,
I knew what the bird’s note said;
By the dawn and the dewfall anointed,
You were queen by the gold on your head.
As the glimpse of a burnt-out ember
Recalls a regret of the sun,
I remember, forget, and remember
What Love saw done and undone.
I remember the way we parted,
The day and the way we met;
You hoped we were both broken-hearted,
And knew we should both forget.
And May with her world in flower
Seemed still to murmur and smile
As you murmured and smiled for an hour;
I saw you turn at the stile.
A hand like a white wood-blossom
You lifted, and waved, and passed,
With head hung down to the bosom,
And pale, as it seemed, at last.
And the best and the worst of this is
That neither is most to blame
If you’ve forgotten my kisses
And I’ve forgotten your name.
poem by Algernon Charles Swinburne
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The Ballad of God-Makers
A bird flew out at the break of day
From the nest where it had curled,
And ere the eve the bird had set
Fear on the kings of the world.
The first tree it lit upon
Was green with leaves unshed;
The second tree it lit upon
Was red with apples red;
The third tree it lit upon
Was barren and was brown,
Save for a dead man nailed thereon
On a hill above a town.
That night the kings of the earth were gay
And filled the cup and can;
Last night the kings of the earth were chill
For dread of a naked man.
‘If he speak two more words,' they said,
‘The slave is more than the free;
If he speak three more words,' they said,
‘The stars are under the sea.'
Said the King of the East to the King of the West,
I wot his frown was set,
‘Lo, let us slay him and make him as dung,
It is well that the world forget.'
Said the King of the West to the King of the East,
I wot his smile was dread,
‘Nay, let us slay him and make him a god,
It is well that our god be dead.'
They set the young man on a hill,
They nailed him to a rod;
And there in darkness and in blood
They made themselves a god.
And the mightiest word was left unsaid,
And the world had never a mark,
And the strongest man of the sons of men
Went dumb into the dark.
Then hymns and harps of praise they brought,
Incense and gold and myrrh,
And they thronged above the seraphim,
The poor dead carpenter.
‘Thou art the prince of all,' they sang,
‘Ocean and earth and air.'
Then the bird flew on to the cruel cross,
And hid in the dead man's hair.
‘Thou art the son of the world.' they cried, `
‘Speak if our prayers be heard.'
And the brown bird stirred in the dead man's hair
And it seemed that the dead man stirred.
Then a shriek went up like the world's last cry
From all nations under heaven,
And a master fell before a slave
And begged to be forgiven.
They cowered, for dread in his wakened eyes
The ancient wrath to see;
And a bird flew out of the dead Christ's hair,
And lit on a lemon tree.
poem by Gilbert Keith Chesterton
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Shadows And Tall Trees
Back to the cold restless streets at night
I talk to myself about tomorrow night
Walls of white protest
A gravestone in name
Who is it now
It's always the same
Who is it now
Who calls me inside
Are the leaves on the trees
Just living disguise
I walk sweet rain tragicomedy
I'll walk home again
to the street melody
But I know, oh no
But I know, oh no
But I know...
Shadows and tall trees
Shadows and tall trees
Shadows and tall trees
Shadows and tall trees
Life through a window
Discoloured pain
Mrs. Brown's washing is always the same
I walk street rain tragicomedy
I'll walk home again
to the street melody
But I know, oh no
But I know, oh no
But I know...
(Out there)
Do you feel in me...
Anything redeeming
Any worthwhile feeling
Is love like a tightrope
Hanging from the ceiling
But I know, oh no
But I know, oh no
But I know...
Shadows and Tall Trees
song performed by by U2
Submitted by Lucian Velea
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The Fisher
ALL night a noise of leaping fish
Went round the bay,
And up and down the shallow sands
Sang waters at their play.
The mangroves drooped on salty creeks,
And through the dark,
Making a pale patch in the deep,
Gleamed, as it swam, a shark.
In streaks and twists of sudden fire
Among the reeds
The bream went by, and where they passed
The bubbles shone like beads.
All night the full deep drinking-song
Of Nature stirred,
And nought beside, save leaping fish
And some forlorn night-bird.
No lost wind wandered down the hills
To tell of wide
Wild waterways; on velvet moved
The silky, sucking tide.
Deep down there sloped in shadowy mass
A giant hill;
And midway, mirrored in the tide,
The stars burned large and still.
The fisher, dreaming on the rocks,
Heard Nature say
Strange, secret things that none may hear
Upon the beaten way;
And whisperings and wonder stirred,
And hopes and fears,
And sadness touched his heart, and filled
His eyes with star-stained tears:
And so, thrilled through with joy and love
And sweet distress,
He stood entranced, enchained by her
Full-breasted loveliness.
poem by Roderic Quinn
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The Voice
One feather is a bird,
I claim; one tree, a wood;
In her low voice I heard
More than a mortal should;
And so I stood apart,
Hidden in my own heart.
And yet I roamed out where
Those notes went, like the bird,
Whose thin song hung in air,
Diminished, yet still heard:
I lived with open sound,
Aloft, and on the ground.
That ghost was my own choice,
The shy cerulean bird;
It sang with her true voice,
And it was I who heard
A slight voice reply;
I heard; and only I.
Desire exults the ear:
Bird, girl, and ghostly tree,
The earth, the solid air--
Their slow song sang in me;
The long noon pulsed away,
Like any summer day.
poem by Theodore Roethke
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The House Of Dust: Part 04: 05: The Bitter Love-Song
No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty. .
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . .blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless. . . .days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.
Sharp shafts of music dazzled my eyes and pierced me.
I ran and turned and spun and danced in the sunlight,
Shrank, sometimes, from the freezing silence of beauty,
Or crept once more to the warm white cave of sleep.
No, I shall not say 'this is why I praise you—
Because you say such wise things, or such foolish. . .'
You would not have me say what you know better?
Let me instead be silent, only saying—:
My childhood lives in me—or half-lives, rather—
And, if I close my eyes cool chords of music
Flow up to me . . . long chords of wind and sunlight. . . .
Shadows of intricate vines on sunlit walls,
Deep bells beating, with aeons of blue between them,
Grass blades leagues apart with worlds between them,
Walls rushing up to heaven with stars upon them. . .
I lay in my bed and through the tall night window
Saw the green lightning plunging among the clouds,
And heard the harsh rain storm at the panes and roof. . . .
How should I know—how should I now remember—
What half-dreamed great wings curved and sang above me?
What wings like swords? What eyes with the dread night in them?
This I shall say.—I lay by the hot white sand-dunes. .
Small yellow flowers, sapless and squat and spiny,
Stared at the sky. And silently there above us
Day after day, beyond our dreams and knowledge,
Presences swept, and over us streamed their shadows,
Swift and blue, or dark. . . .What did they mean?
What sinister threat of power? What hint of beauty?
Prelude to what gigantic music, or subtle?
Only I know these things leaned over me,
Brooded upon me, paused, went flowing softly,
Glided and passed. I loved, I desired, I hated,
I struggled, I yielded and loved, was warmed to blossom . . .
You, when your eyes have evening sunlight in them,
Set these dunes before me, these salt bright flowers,
These presences. . . .I drowse, they stream above me,
I struggle, I yield and love, I am warmed to dream.
You are the window (if I could tell I'd tell you)
Through which I see a clear far world of sunlight.
You are the silence (if you could hear you'd hear me)
In which I remember a thin still whisper of singing.
It is not you I laugh for, you I touch!
My hands, that touch you, suddenly touch white cobwebs,
Coldly silvered, heavily silvered with dewdrops;
And clover, heavy with rain; and cold green grass. . .
poem by Conrad Potter Aiken
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The Two Keys
There was a Boy, long years ago,
Who hour by hour awake would lie,
And watch the white moon gliding slow
Along her pathway in the sky.
And every night as thus he lay
Entranced in lonely fantasy,
Borne swiftly on a bright moon-ray
There came to him a Golden Key.
And with that Golden Key the Boy
Oped every night a magic door
That to a melody of Joy
Turned on its hinges evermore.
Then, trembling with delight and awe,
When he the charmèd threshold crossed,
A radiant corridor he saw—
Its end in dazzling distance lost.
Great windows shining in a row
Lit up the wondrous corridor,
And each its own rich light did throw
In stream resplendent on the floor.
One window showed the Boy a scene
Within a forest old and dim,
Where fairies danced upon the green
And kissed their little hands to him.
Sweet strains of elfin harp and horn
He heard so clearly sounding there,
And he to Wonderland was borne
And breathed its soft enchanted air.
Then, passing onward with the years,
He turned his back on Elf and Fay,
And sadly sweet, as if in tears,
The fairy music died away.
The second window held him long:
It looked upon a field of fight
Whereon the countless hordes of Wrong
Fought fiercely with the friends of Right.
And, lo! upon that fateful field,
Where cannon thundered, banners streamed,
And rushing squadrons rocked and reeled,
His sword a star of battle gleamed.
And when the hordes of Wrong lay still,
And that great fight was fought and won,
He stood, bright-eyed, upon a hill,
His white plume shining in the sun.
A glorious vision! yet behind
He left it with its scarlet glow,
And faint and far upon the wind
He heard the martial trumpets blow.
For to his listening ear was borne
A music more entrancing far
Than strains of elfin harp or horn,
More thrilling than the trump of war.
No longer as a dreamy boy
He trod the radiant corridor:
His young man’s heart presaged a joy
More dear than all the joys of yore.
To that third window, half in awe,
He moved, and slowly raised his eyes—
And was it earth grown young he saw?
Or was it man’s lost Paradise?
For all the flowers that ever bloomed
Upon the earth, and all the rare
Sweet Loveliness by Time entombed,
Seemed blushing, blooming, glowing there.
And every mellow-throated bird
That ever sang the trees among
Seemed singing there, with one sweet word—
“Love! Love!” on every little tongue.
Then he by turns grew rosy-red,
And he by turns grew passion-pale.
“Sweet Love!” the lark sang overhead,
“Sweet Love!” sang Love’s own nightingale.
In mid-heart of the hawthorn-tree
The thrush sang all its buds to bloom;
“Love! Love! Love! Love! Sweet Love,” sang he
Amidst the soft green sun-flecked gloom.
She stood upon a lilied lawn,
With dreamful eyes that gazed afar:
A maiden tender as the Dawn
And lovely as the Morning Star.
She stooped and kissed him on the brow,
And in a low, sweet voice said she:
“I am this country’s queen—and thou?”
“I am thy vassal,” murmured he.
She hid him with her hair gold-red,
That flowed like sunshine to her knee;
She kissed him on the lips, and said:
“Dear heart! I’ve waited long for thee.”
And, oh, she was so fair, so fair,
So gracious was her beauty bright,
Around her the enamoured air
Pulsed tremulously with delight.
In passionate melody did melt
Bird-voices, scent of flower and tree,
And he within his bosom felt
The piercing thorn of ecstasy.
The years passed by in dark and light,
In storm and shine; the man grew old,
Yet never more by day or night
There came to him the Key of Gold.
But ever, ere the great sun flowers
In gold above the sky’s blue rim,
All in the dark and lonely hours
There comes an Iron Key to him.
And with that key he opes a wide
And gloomy door—the Door of Fate—
That makes, whene’er it swings aside,
A music sad and desolate,
A music sad from saddest source:
He sees beside the doorway set
The chill, gray figure of Remorse,
The pale, cold image of Regret.
For all the glory and the glow
Of Life are passed, and dead, and gone:
The Light and Life of Long Ago
Are memories only—moonlight wan.
There is no man of woman born
So brave, so good, so wise but he
Must sometimes in a night forlorn
Take up and use the Iron Key.
poem by Victor James Daley
Submitted by Poetry Lover
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In Fullmoon...
In full moon night,
the moon walked
with me with his light.
There was cool breeze,
his light touched
the heads of trees--
and the green darkness,
spread its sheet
over the leas' face.
The moon sat under
a leafy tree....
looking at me with wonder
He told how he does fade,
and the dust, smoke, fog,
cover him with shade!
He wept, and I heard,
until, he slept and woke
listening to the call of bird!
poem by Nilakshi Das
Submitted by Poetry Lover
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The Ballad of God-Makers
A bird flew out at the break of day
From the nest where it had curled,
And ere the eve the bird had set
Fear on the kings of the world.
The first tree it lit upon
Was green with leaves unshed;
The second tree it lit upon
Was red with apples red;
The third tree it lit upon
Was barren and was brown,
Save for a dead man nailed thereon
On a hill above a town.
That right the kings of the earth were gay
And filled the cup and can;
Last night the kings of the earth were chill
For dread of a naked man.
'If he speak two more words,' they said,
'The slave is more than the free;
If he speak three more words,' they said,
'The stars are under the sea.'
Said the King of the East to the King of the West,
I wot his frown was set,
'Lo; let us slay him and make him as dung,
It is well that the world forget.'
Said the King of the West to the King of the East,
I wot his smile was dread,
'Nay, let us slay him and make him a god,
It is well that our god be dead.'
They set the young man on a hill,
They nailed him to a rod;
And there in darkness and in blood
They made themselves a god.
And the mightiest word was left unsaid,
And the world had never a mark,
And the strongest man of the sons of men
Went dumb into the dark.
Then hymns and harps of praise they brought,
Incense and gold and myrrh,
And they thronged above the seraphim,
The poor dead carpenter.
'Thou art the prince of all,' they sang,
'Ocean and earth and air.'
Then the bird flew on to the cruel cross,
And hid in the dead man's hair.
'Thou art the sun of the world,' they cried,
'Speak if our prayers be heard.'
And the brown bird stirred in the dead man's hair,
And it seemed that the dead man stirred.
Then a shriek went up like the world's last cry
From all nations under heaven,
And a master fell before a slave
And begged to be forgiven.
They cowered, for dread in his wakened eyes
The ancient wrath to see;
And the bird flew out of the dead Christ's hair,
And lit on a lemon-tree.
poem by G.K. Chesterton from The Wild Knight and Other Poems (1900)
Submitted by Veronica Serbanoiu
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In A Vale
When I was young, we dwelt in a vale
By a misty fen that rang all night,
And thus it was the maidens pale
I knew so well, whose garments trail
Across the reeds to a window light.
The fen had every kind of bloom,
And for every kind there was a face,
And a voice that has sounded in my room
Across the sill from the outer gloom.
Each came singly unto her place,
But all came every night with the mist;
And often they brought so much to say
Of things of moment to which, they wist,
One so lonely was fain to list,
That the stars were almost faded away
Before the last went, heavy with dew,
Back to the place from which she came-
Where the bird was before it flew,
Where the flower was before it grew,
Where bird and flower were one and the same.
And thus it is I know so well
Why the flower has odor, the bird has song.
You have only to ask me, and I can tell.
No, not vainly there did I dwell,
Nor vainly listen all the night long.
poem by Robert Frost
Submitted by Poetry Lover
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The Farewell
Of A Virginia Slave Mother To Her Daughters Sold Into Southern Bondage
Gone, gone, -- sold and gone
To the rice-swamp dank and lone.
Where the slave-whip ceaseless swings
Where the noisome insect stings
Where the fever demon strews
Poison with the falling dews
Where the sickly sunbeams glare
Through the hot and misty air;
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, -- sold and gone
To the rice-swamp dank and lone
There no mother's eye is near them,
There no mother's ear can hear them;
Never, when the torturing lash
Seams their back with many a gash
Shall a mother's kindness bless them
Or a mother's arms caress them.
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
Oh, when weary, sad, and slow,
From the fields at night they go
Faint with toil, and racked with pain
To their cheerless homes again,
There no brother's voice shall greet them
There no father's welcome meet them.
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone
From the tree whose shadow lay
On their childhood's place of play;
From the cool sprmg where they drank;
Rock, and hill, and rivulet bank;
From the solemn house of prayer,
And the holy counsels there;
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone;
Toiling through the weary day,
And at night the spoiler's prey.
Oh, that they had earlier died,
Sleeping calmly, side by side,
Where the tyrant's power is o'er
And the fetter galls no more!
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone;
From Virginia's hills and waters
Woe is me, my stolen daughters!
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone;
By the holy love He beareth;
By the bruised reed He spareth;
Oh, may He, to whom alone
All their cruel wrongs are known,
Still their hope and refuge prove,
With a more than mother's love.
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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The Farewell of a Virginia Slave Mother
Of A Virginia Slave Mother To Her Daughters Sold Into Southern Bondage
Gone, gone, - sold and gone
To the rice-swamp dank and lone.
Where the slave-whip ceaseless swings
Where the noisome insect stings
Where the fever demon strews
Poison with the falling dews
Where the sickly sunbeams glare
Through the hot and misty air;
Gone, gone, - sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, - sold and gone
To the rice-swamp dank and lone
There no mother's eye is near them,
There no mother's ear can hear them;
Never, when the torturing lash
Seams their back with many a gash
Shall a mother's kindness bless them
Or a mother's arms caress them.
Gone, gone, - sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, - sold and gone,
To the rice-swamp dank and lone,
Oh, when weary, sad, and slow,
From the fields at night they go
Faint with toil, and racked with pain
To their cheerless homes again,
There no brother's voice shall greet them
There no father's welcome meet them.
Gone, gone, - sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, - sold and gone,
To the rice-swamp dank and lone
From the tree whose shadow lay
On their childhood's place of play;
From the cool spring where they drank;
Rock, and hill, and rivulet bank;
From the solemn house of prayer,
And the holy counsels there;
Gone, gone, - sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, - sold and gone,
To the rice-swamp dank and lone;
Toiling through the weary day,
And at night the spoiler's prey.
Oh, that they had earlier died,
Sleeping calmly, side by side,
Where the tyrant's power is o'er
And the fetter galls no more!
Gone, gone, - sold and gone,
To the rice-swamp dank and lone;
From Virginia's hills and waters
Woe is me, my stolen daughters!
Gone, gone, - sold and gone,
To the rice-swamp dank and lone;
By the holy love He beareth;
By the bruised reed He spareth;
Oh, may He, to whom alone
All their cruel wrongs are known,
Still their hope and refuge prove,
With a more than mother's love.
Gone, gone, - sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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The Australian Sunrise
The Morning Star paled slowly, the Cross hung low to the sea,
And down the shadowy reaches the tide came swirling free,
The lustrous purple blackness of the soft Australian night,
Waned in the gray awakening that heralded the light;
Still in the dying darkness, still in the forest dim
The pearly dew of the dawning clung to each giant limb,
Till the sun came up from ocean, red with the cold sea mist,
And smote on the limestone ridges, and the shining tree-tops kissed;
Then the fiery Scorpion vanished, the magpie's note was heard,
And the wind in the she-oak wavered, and the honeysuckles stirred,
The airy golden vapour rose from the river breast,
The kingfisher came darting out of his crannied nest,
And the bulrushes and reed-beds put off their sallow gray
And burnt with cloudy crimson at dawning of the day.
poem by James Lister Cuthbertson
Submitted by Poetry Lover
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A Tree Telling of Orpheus
White dawn. Stillness.When the rippling began
&nbs p; I took it for sea-wind, coming to our valley with rumors
&nb sp; of salt, of treeless horizons. But the white fog
didn't stir; the leaves of my brothers remained outstretched,
unmoving.
& nbsp; &n bsp; &nb sp;Yet the rippling drew nearer – and then
my own outermost branches began to tingle, almost as if
fire had been lit below them, too close, and their twig-tips
were drying and curling.
& nbsp; &n bsp; &nb sp; Yet I was not afraid, only
; & nbsp; deeply alert.
I was the first to see him, for I grew
; out on the pasture slope, beyond the forest.
He was a man, it seemed: the two
moving stems, the short trunk, the two
arm-branches, flexible, each with five leafless
& nbsp; &n bsp; &nb sp; &nbs p; ; twigs at their ends,
and the head that's crowned by brown or golden grass,
bearing a face not like the beaked face of a bird,
&nbs p; ; more like a flower's.
& nbsp; &n bsp; He carried a burden made of
some cut branch bent while it was green,
strands of a vine tight-stretched across it. From this,
when he touched it, and from his voice
which unlike the wind's voice had no need of our
leaves and branches to complete its sound,
&nb sp; &nbs p; ; & nbsp;came the ripple.
But it was now no longer a ripple (he had come near and
stopped in my first shadow) it was a wave that bathed me
& nbsp; &n bsp; as if rain
; & nbsp; rose from below and around me
& nbsp; &n bsp; instead of falling.
And what I felt was no longer a dry tingling:
& nbsp; I seemed to be singing as he sang, I seemed to know
; what the lark knows; all my sap
& nbsp; &n bsp; was mounting towards the sun that by now
& nbsp; &n bsp; had risen, the mist was rising, the grass
was drying, yet my roots felt music moisten them
deep under earth.
; He came still closer, leaned on my trunk:
&nb sp; &nbs p; the bark thrilled like a leaf still-folded.
Music! There was no twig of me not
& nbsp; &n bsp; trembling with joy and fear.
Then as he sang
it was no longer sounds only that made the music:
he spoke, and as no tree listens I listened, and language
& nbsp; &n bsp; came into my roots
&nbs p; ; out of the earth,
&nb sp; &nbs p; into my bark
; & nbsp; out of the air,
into the pores of my greenest shoots
&nb sp; gently as dew
and there was no word he sang but I knew its meaning.
He told me of journeys,
of where sun and moon go while we stand in dark,
&nbs p; of an earth-journey he dreamed he would take some day
deeper than roots ...
He told of the dreams of man, wars, passions, griefs,
&n bsp; and I, a tree, understood words – ah, it seemed
my thick bark would split like a sapling's that
; & nbsp; grew too fast in the spring
when a late frost wounds it.
&n bsp; &nb sp; &nbs p; ; Fire he sang,
that trees fear, and I, a tree, rejoiced in its flames.
New buds broke forth from me though it was full summer.
&n bsp; As though his lyre (now I knew its name)
&nbs p; were both frost and fire, its chords flamed
up to the crown of me.
I was seed again.
&nb sp; &nbs p; I was fern in the swamp.
&nb sp; &nbs p; ; & nbsp;I was coal.
poem by Denise Levertov
Submitted by Poetry Lover
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