Julian Seeing Contempt
"Observing, then, that there is great contempt for the gods
among us"—he says in his solemn way.
Contempt. But what did he expect?
Let him organize religion as much as he liked,
write to the High Priest of Galatia as much as he liked,
or to others of his kind, inciting them, giving instructions.
His friends weren't Christians; that much was certain.
But even so they couldn't play
as he could (brought up a Christian)
with a new religious system,
ludicrous in both theory and application.
They were, after all, Greeks. Nothing in excess, Augustus.
poem by Constantine P. Cavafy
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Dangerous Things
Said Myrtias (a Syrian student
in Alexandria; in the reign of
Augustus Constans and Augustus Constantius;
in part a pagan, and in part a christian);
"Fortified by theory and study,
I shall not fear my passions like a coward.
I shall give my body to sensual delights,
to enjoyments dreamt-of,
to the most daring amorous desires,
to the lustful impulses of my blood, without
any fear, for whenever I want --
and I shall have the will, fortified
as I shall be by theory and study --
at moments of crisis I shall find again
my spirit, as before, ascetic."
poem by Constantine P. Cavafy
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Mi Piedra Sepulchral
I do not write for financial gain.
I write because my poetry
may produce more than a tombstone fame.
Rather than a "b" and "d",
my poetry may better preserve my name.
It also means my creative juices flow
giving me, and I hope you, a memorable glow.
"What is your poetry about?" they ask of me.
It is about what I hear, feel and see.
It is my religion, existence and philosophy.
It is spontaneous and none is fictitious.
Distilled to its essence,
I am my poetry; My poetry is me.
poem by Nile B. Norton
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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Philhellene
Make sure the engraving is done skillfully.
The expression serious, majestic.
The diadem preferably somewhat narrow:
I don't like that broad kind the Parthians wear.
The inscription, as usual, in Greek:
nothing excessive, nothing pompous—
we don't want the proconsul to take it the wrong way:
he's always nosing things out and reporting back to Rome—
but of course giving me due honor.
Something very special on the other side:
some discus-thrower, young, good-looking.
Above all I urge you to see to it
(Sithaspis, for God's sake don't let them forget)
that after "King" and "Savior,"
they engrave "Philhellene" in elegant characters.
Now don't try to be clever
with your "where are the Greeks?" and "what things Greek
here behind Zagros, out beyond Phraata?"
Since so many others more barbarian than ourselves
choose to inscribe it, we will inscribe it too.
And besides, don't forget that sometimes
sophists do come to us from Syria,
and versifiers, and other triflers of that kind.
So we are not, I think, un-Greek.
poem by Constantine P. Cavafy
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Come, O King of the Lacedaimonians
Kratisiklia didn't deign to allow
the people to see her weeping and grieving:
she walked in dignity and in silence.
Her calm face betrayed nothing
of her sorrow and her agony.
But even so, for a moment she couldn't hold back:
before she went aboard the detestable ship for Alexandria
she took her son to Poseidon's temple,
and once they were alone
she embraced him tenderly and kissed him
(he was "in great distress," says Plutarch, "badly shaken").
But her strong character struggled through;
regaining her poise, the magnificent woman
said to Kleomenis: "Come, O King of the Lacedaimonians,
when we go outside
let no one see us weeping
or behaving in any way unworthy of Sparta.
At least this is still in our power;
what lies ahead is in the hands of the gods."
And she boarded the ship, going toward whatever lay "in the
hands of the gods."
poem by Constantine P. Cavafy
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There was one I met upon the road
There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.
poem by Stephen Crane
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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You're right—
234
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
poem by Emily Dickinson
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What is—
215
What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—
Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—
You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!
poem by Emily Dickinson
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
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At play
Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.
Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!
Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!
poem by Eugene Field
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Our Love
Just "us" and "we"
For we are one
Not "you" and "me"
Or we are done
There for always
Every moment
Good and bad days
That's our intent
As we embark
On this journey
Out of the dark
Where we can see
And live each day
Giving it all
I pray we stay
And do not fall
So hold on tight
And don't let go
We'll make it right
Our love will grow
poem by Paul H Nelson
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The Voice of Truth - A Short Story
"I cannot love her! , yelled the man.
"And why is that? ", the soft voice questioned.
"She will never change. ", the man exclaimed,
"She yells at me, scolds me and does not respect me."
"I can see how you cannot love her.", replied the voice.
The man loosened up. "You understand? ", he asked.
"Of course I understand" the voice confirmed,
"How can you possibly love a woman like that, "
"When you are expecting so much of her? "
Puzzled, the man listened to the voice further.
"You cannot love and expect at the same time.
You can either love her, or expect from her
You see, the purpose of love is to give.
It is my gift to you, to be given to another.
As is her love for you.
You choose who the gift is given to and who it is not.
You cannot expect her to give you her love.
That is a demand.
All you have the ability to do,
Is to give her yours.
The balance you seek is very unbalanced.
Patience, kindness, grace and mercy are all gifts you can give.
If you are expectant of them, they are no longer a gift.
They become a right, an entitlement or an obligation.
The gift of one's love is not a right, but a privilege.
As are all privileges, if abused, they will be taken away.'
A tear rolled down the man's face.
"My heart has been so full of myself, I had no room in it for her." The man sobbed.
"I can see how that works."
The man seeing the err of his ways, realized his love was not true.
He returned to his wife with a new love.
A love not defined by himself,
But as defined by the voice of truth.
poem by Ryan Lee Morris
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Say no to drugs
My friends, Say no to drugs.
Drugs are life-eating bugs!
Say yes to God; surrender to win.
Say, in your home God now I am in!
Without God the end is hopeless
And with God the hope is endless!
Try to avoid your bad company.
Don't hanker after excess money.
Don't do anything that may trigger your obsession
"Easy does it" so you should control your emotion!
Write something good on life's every page
And remember "First dose does the damage".
The path of recovery journey is slippery -
Please be careful, don't slip, don't give up and don't hurry.
poem by Asif Andalib
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The Subalterns
I
"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."
II
--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."
III
--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."
IV
--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"
V
We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.
poem by Thomas Hardy
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The Great Australian Adjective
The sunburnt ---- stockman stood
And, in a dismal ---- mood,
Apostrophized his ---- cuddy;
"The ---- nag's no ---- good,
He couldn't earn his ---- food -
A regular ---- brumby,
----!"
He jumped across the ---- horse
And cantered off, of ---- course!
The roads were bad and ---- muddy;
Said he, "Well, spare me ---- days
The ---- Government's ---- ways
Are screamin' ---- funny,
----!"
He rode up hill, down ---- dale,
The wind it blew a ---- gale,
The creek was high and ---- floody.
Said he, "The ---- horse must swim,
The same for ---- me and him,
Is something ---- sickenin',
----!"
He plunged into the ---- creek,
The ---- horse was ---- weak,
The stockman's face a ---- study!
And though the ---- horse was drowned
The ---- rider reached the ground
Ejaculating, "----!"
"----!"
This poem was originally published under the title "----!" (The Great Australian Adjective).
C.J. Dennis borrowed the style for his poem 'The Australaise.'
poem by William Thomas Goodge
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The Exile
We told her that her far off shore was bleak and dour to view,
And that her sky was dull and mirk while ours was smiling blue.
She only sighed in answer, "It is even as ye say,
But oh, the ragged splendor when the sun bursts through the gray!"
We brought her dew-wet roses from our fairest summer bowers,
We bade her drink their fragrance, we heaped her lap with flowers;
She only said, with eyes that yearned, "Oh, if ye might have brought
The pale, unscented blossoms by my father's lowly cot!"
We bade her listen to the birds that sang so madly sweet,
The lyric of the laughing stream that dimpled at our feet;
"But, O," she cried, "I weary for the music wild that stirs
When keens the mournful western wind among my native firs!"
We told her she had faithful friends and loyal hearts anear,
We prayed her take the fresher loves, we prayed her be of cheer;
"Oh, ye are kind and true," she wept, "but woe's me for the grace
Of tenderness that shines upon my mother's wrinkled face!"
poem by Lucy Maud Montgomery
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A Joyful Song Of Five
Come, let us all sing very high
And all sing very loud
And keep on singing in the street
Until there's quite a crowd;
And keep on singing in the house
And up and down the stairs;
Then underneath the furniture
Let's all play Polar bears;
And crawl about with doormats on,
And growl and howl and squeak,
Then in the garden let us fly
And play at hid and seek;
And "Here we gather Nuts and May,"
"I wrote a Letter" too,
"Here we go round the Mulberry Bush,"
"The Child who lost its shoe";
And every game we ever played.
And then--to stay alive--
Let's end with lots of Birthday Cake
Because to-day you're five.
poem by Katherine Mansfield
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The Ruined Maid
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?"-
"O didn't you know I'd been ruined?" said she.
-"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!"-
"Yes: that's how we dress when we're ruined," said she.
-"At home in the barton you said 'thee' and 'thou,'
And 'thik oon' and 'theäs oon' and 't'other'; but now
Your talking quite fits 'ee for high compan-ny!"-
"Some polish is gained with one's ruin," said she.
-"Your hands were like paws then, you face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!"-
"We never do work when we're ruined," said she.
-"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!"-
"True. One's pretty lively when ruined," said she.
-"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town"-
"My dear - raw country girl, such as you be,
Cannot quite expect that. You ain't ruined," said she.
poem by Thomas Hardy
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I like your books
In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"
"uh huh," I answered.
"I like your books," he went
on.
"thanks," I answered.
"who do you like in this
race?" he asked.
"uh uh," I answered.
"I like the 4 horse," he
told me.
I made my bet and went back
to my seat....
the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.
"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."
"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."
"what kind of rule is that?"
he asked. "God doesn't make
rules..."
I turned around and looked at him:
"maybe not, but I
do."
after the next race
I got in line, glanced behind
me:
he was not there:
lost another reader.
I lose 2 or 3 each
week.
fine.
let 'em go back to
Kafka.
poem by Charles Bukowski
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