In an Old Book

Forgotten between the leaves of an old book—
almost a hundred years old—
I found an unsigned watercolor.
It must have been the work of a powerful artist.
Its title: "Representation of Love."

"...love of extreme sensualists" would have been more to the point.

Because it became clear as you looked at the work
(it was easy to see what the artist had in mind)
that the young man in the painting
was not designated for those
who love in ways that are more or less healthy,
inside the bounds of what is clearly permissible—
with his deep chestnut eyes,
the rare beauty of his face,
the beauty of anomalous charm,
with those ideal lips that bring
sensual delight to the body loved,
those ideal limbs shaped for beds
that common morality calls shameless.

poem by Constantine P. CavafyReport problemRelated quotes
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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

poem by Michael DraytonReport problemRelated quotes
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How Deep Is Your Love?

Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Rudyard Kipling

Soldier, Soldier

"Soldier, soldier come from the wars,
Why don't you march with my true love?"
"We're fresh from off the ship an' 'e's maybe give the slip,
An' you'd best go look for a new love."
New love! True love!
Best go look for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best go look for a new love.

"Soldier, soldier come from the wars,
What did you see o' my true love?"
"I seed 'im serve the Queen in a suit o' rifle-green,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did ye see no more o' my true love?"
"I seed 'im runnin' by when the shots begun to fly --
But you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did aught take 'arm to my true love?"
"I couldn't see the fight, for the smoke it lay so white --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll up an' tend to my true love!"
"'E's lying on the dead with a bullet through 'is 'ead,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll down an' die with my true love!"
"The pit we dug'll 'ide 'im an' the twenty men beside 'im --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Do you bring no sign from my true love?"
"I bring a lock of 'air that 'e allus used to wear,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
O then I know it's true I've lost my true love!"
"An' I tell you truth again -- when you've lost the feel o' pain
You'd best take me for your true love."
True love! New love!
Best take 'im for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best take 'im for your true love.

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Thomas Hardy

At Lulworth Cove a Century Back

Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:

"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."

"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."

"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"

"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."

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Lewis Carroll

A Strange Wild Song

He thought he saw an Elephant
That practised on a fife:
He looked again, and found it was
A letter from his wife.
"At length I realize," he said,
"The bitterness of life!"

He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
"Unless you leave this house," he said,
"I'll send for the police!"

he thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
"The one thing I regret," he said,
"Is that it cannot speak!"

He thought he saw a Banker's Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus.
"If this should stay to dine," he said,
"There won't be much for us!"

He thought he saw a Kangaroo
That worked a Coffee-mill:
He looked again, and found it was
A Vegetable-Pill.
"Were I to swallow this," he said,
"I should be very ill!"

He thought he saw a Coach-and-Four
That stood beside his bed:
He looked again, and found it was
A Bear without a Head.
"Poor thing," he said, "poor silly thing!
It's waiting to be fed!"

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Mae Marsh, Motion Picture Actress

I

The arts are old, old as the stones
From which man carved the sphinx austere.
Deep are the days the old arts bring:
Ten thousand years of yesteryear.


II

She is madonna in an art
As wild and young as her sweet eyes:
A frail dew flower from this hot lamp
That is today's divine surprise.

Despite raw lights and gloating mobs
She is not seared: a picture still:
Rare silk the fine director's hand
May weave for magic if he will.

When ancient films have crumbled like
Papyrus rolls of Egypt's day,
Let the dust speak: "Her pride was high,
All but the artist hid away:

"Kin to the myriad artist clan
Since time began, whose work is dear."
The deep new ages come with her,
Tomorrow's years of yesteryear.

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There was one I met upon the road

There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.

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Love's Message

"I LOVE YOU" HAS THREE SEPARATE PARTS

THAT TAKEN TOGETHER WILL BIND LOVING HEARTS.

IF ONE PART IS MISSING, THERE'S NO LOVE AT ALL.

SO OUT-OF-LOVE IS THE SAD AND EVENTUAL FALL.

THE "I" FIRST MUST KNOW AND LOVE ITSELF FOR SURE.

ONLY THEN CAN IT GIVE SELFLESS "LOVE" THAT IS PURE.

THE "YOU" CHOSEN WITH NO RESTRAINT OR COMPLAINTS

IS "I LOVE YOU, " A MESSAGE FROM GOD AND THE SAINTS.

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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At play

Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.

Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!

Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!

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Liebestod

When I was bold, when I was bold-
And that's a hundred years!-
Oh, never I thought my breast could hold
The terrible weight of tears.

I said: "Now some be dolorous;
I hear them wail and sigh,
And if it be Love that play them thus,
Then never a love will I."

I said: "I see them rack and rue,
I see them wring and ache,
And little I'll crack my heart in two
With little the heart can break."

When I was gay, when I was gay-
It's ninety years and nine!-
Oh, never I thought that Death could lay
His terrible hand in mine.

I said: "He plies his trade among
The musty and infirm;
A body so hard and bright and young
Could never be meat for worm."

"I see him dull their eyes," I said,
"And still their rattling breath.
And how under God could I be dead
That never was meant for Death?"

But Love came by, to quench my sleep,
And here's my sundered heart;
And bitter's my woe, and black, and deep,
And little I guessed a part.

Yet this there is to cool my breast,
And this to ease my spell;
Now if I were Love's, like all the rest,
Then can I be Death's, as well.

And he shall have me, sworn and bound,
And I'll be done with Love.
And better I'll be below the ground
Than ever I'll be above.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Pity Me, Loo!

On the sunset borders of the mountains I stray,
Of a dear home dreaming 'yond the snow peaks far away,
While the bubbling brook beside me goes dancing along,
As it seeks the "Golden Gate" of the ocean blue;
And a lone bird murmurs in the bush-top his song--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

Tra la la la, la la la la
From mate to mate the carol rings:
Tra la la la, la la la la!
la la la la
A thousand valleys through;
Yet the lone bird sorrows as he plaintively sings--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

'Neath the rocks I'm treading there are treasures of gold,
But by far more precious is my own native mold.
Nevermore, in search of Beauty need Fancy take wings:
Here is beauty, here is grandeur, at ev'ry view;
Yet my heart grows heavy, and the lone bird still sings--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

In the green-clad valley where the wayward brook mends
There are homes most charming--there are warmhearted friends.
Lovely dell! it seems an Eden, afloat in mid-air,
As if God had sent from Heaven a creation new;
But its charm is broken, for my heart is not there--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"

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Solace

There was a rose that faded young;
I saw its shattered beauty hung
Upon a broken stem.
I heard them say, "What need to care
With roses budding everywhere?"
I did not answer them.

There was a bird, brought down to die;
They said, "A hundred fill the sky-
What reason to be sad?"
There was a girl, whose lover fled;
I did not wait, the while they said,
"There's many another lad."

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Katherine Mansfield

Sea

The Sea called--I lay on the rocks and said:
"I am come."
She mocked and showed her teeth,
Stretching out her long green arms.
"Go away!" she thundered.
"Then tell me what I am to do," I begged.
"If I leave you, you will not be silent,
But cry my name in the cities
And wistfully entreat me in the plains and forests;
All else I forsake to come to you--what must I do?"
"Never have I uttered your name," snarled the Sea.
"There is no more of me in your body
Than the little salt tears you are frightened of shedding.
What can you know of my love on your brown rock
pillow....
Come closer."

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