Dangerous Things

Said Myrtias (a Syrian student
in Alexandria; in the reign of
Augustus Constans and Augustus Constantius;
in part a pagan, and in part a christian);
"Fortified by theory and study,
I shall not fear my passions like a coward.
I shall give my body to sensual delights,
to enjoyments dreamt-of,
to the most daring amorous desires,
to the lustful impulses of my blood, without
any fear, for whenever I want --
and I shall have the will, fortified
as I shall be by theory and study --
at moments of crisis I shall find again
my spirit, as before, ascetic."

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Julian Seeing Contempt

"Observing, then, that there is great contempt for the gods
among us"—he says in his solemn way.
Contempt. But what did he expect?
Let him organize religion as much as he liked,
write to the High Priest of Galatia as much as he liked,
or to others of his kind, inciting them, giving instructions.
His friends weren't Christians; that much was certain.
But even so they couldn't play
as he could (brought up a Christian)
with a new religious system,
ludicrous in both theory and application.
They were, after all, Greeks. Nothing in excess, Augustus.

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When Someone Says: "Alexandria"

When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.

When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.

When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars
and the light grey eyes beneath thick brows
that I see even when
no one says: "Alexandria!"

poem by Mikhail Alekseevich KuzminReport problemRelated quotes
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The Path Of Normality

They say I'm special, they say I'm weird, they call me unique, and yet I cry no tear. For I am on a path, one for all too someday see, a path of normality that will someday be apart of me. But shall I stay this way, am I a monster shall I be, for there are certain parts of me that none shall ever see, the part that is never for anyone to meet. For the real me is strong and my rage is like wheat, thin as a feather, but heavy as a brick, there's only so long until it falls.

For once it does, Oh God curse that day, for torture am me so I keep my mind at bay. At bay for what is never to be … a monster… a human… a resentful me. For I go day by day with what is call "normality", hoping that every day I live, and die as me. For to be someone else is something other than me, other than normal, a monster I fear of thee. For even if I die today I want all to tell and see, how I am on a path of normality to finally find the True Me. Hiding or exposed I don't care of thee, because now I am set right … now I feel flight … and soon I will bask in the glory of seeing them real me, starting with a path of normality.

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Love's Message

"I LOVE YOU" HAS THREE SEPARATE PARTS

THAT TAKEN TOGETHER WILL BIND LOVING HEARTS.

IF ONE PART IS MISSING, THERE'S NO LOVE AT ALL.

SO OUT-OF-LOVE IS THE SAD AND EVENTUAL FALL.

THE "I" FIRST MUST KNOW AND LOVE ITSELF FOR SURE.

ONLY THEN CAN IT GIVE SELFLESS "LOVE" THAT IS PURE.

THE "YOU" CHOSEN WITH NO RESTRAINT OR COMPLAINTS

IS "I LOVE YOU, " A MESSAGE FROM GOD AND THE SAINTS.

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The Gift

She paces
By his side
On a quiet street,
Leafy and wide.
The evening air is balmy
And a golden half moon
Of August
Hangs high
In the sky.

"How beautiful is the Moon",
She says,
"Brighter than in June.
"A pity it is not full tonight".

"You know",
He tells her smiling,
"This thing may sound
Really puzzling,
But,
The part missing
From the Moon,
Is actually hidden
In a lagoon.
Nevertheless,
I offer it to you as a gift,
Before the scene
Would alter and shift,
And for good measure,
Fortune and luck,
I will pluck
For you
The other half, too,
So that you will possess
And own quite soon
The complete moon".

"Oh, no", she says,
"I don't want the moon,
Neither half,
Nor the whole of it,
I don't want it soon
Nor in next June.
Not even a small part.
Just give me, instead,
Your uncut heart".

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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The Kings

A man said unto his Angel:
"My spirits are fallen low,
And I cannot carry this battle:
O brother! where might I go?

"The terrible Kings are on me
With spears that are deadly bright;
Against me so from the cradle
Do fate and my fathers fight."

Then said to the man his Angel:
"Thou wavering, witless soul,
Back to the ranks! What matter
To win or to lose the whole,

"As judged by the little judges
Who hearken not well, nor see?
Not thus, by the outer issue,
The Wise shall interpret thee.

"Thy will is the sovereign measure
And only events of things:
The puniest heart, defying,
Were stronger than all these Kings.

"Though out of the past they gather,
Mind's Doubt, and Bodily Pain,
And pallid Thirst of the Spirit
That is kin to the other twain,

"And Grief, in a cloud of banners,
And ringletted Vain Desires,
And Vice, with the spoils upon him
Of thee and thy beaten sires, --

"While Kings of eternal evil
Yet darken the hills about,
Thy part is with broken sabre
To rise on the last redoubt;

"To fear not sensible failure,
Nor covet the game at all,
But fighting, fighting, fighting,
Die, driven against the wall."

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Rabindranath Tagore

The Gardener LXXV: At Midnight

At midnight the would-be ascetic
announced:
"This is the time to give up my
home and seek for God. Ah, who has
held me so long in delusion here?"
God whispered, "I," but the ears
of the man were stopped.
With a baby asleep at her breast
lay his wife, peacefully sleeping on
one side of the bed.
The man said, "Who are ye that
have fooled me so long?"
The voice said again, "They are
God," but he heard it not.
The baby cried out in its dream,
nestling close to its mother.
God commanded, "Stop, fool, leave
not thy home," but still he heard not.
God sighed and complained, "Why
does my servant wander to seek me,
forsaking me?"

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John Archibald Wheeler

To hate is to study, to study is to understand, to understand is to appreciate, to appreciate is to love. So maybe I'll end up loving your theory.

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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Emily Dickinson

Wolfe demanded during dying

678

Wolfe demanded during dying
"Which obtain the Day"?
"General, the British"—"Easy"
Answered Wolfe "to die"

Montcalm, his opposing Spirit
Rendered with a smile
"Sweet" said he "my own Surrender
Liberty's beguile"

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Ella Wheeler Wilcox

A Golden Day

The subtle beauty of this day
Hangs o'er me like a fairy spell,
And care and grief have flown away,
And every breeze sings, "all is well."
I ask, "Holds earth or sin, or woe?"
My heart replies, "I do not know."

Nay! all we know, or feel, my heart,
Today is joy undimmed, complete;
In tears or pain we have no part;
The act of breathing is so sweet,
We care no higher joy to name.
What reck we now of wealth or fame?

The past--what matters it to me?
The pain it gave has passed away.
The future--that I cannot see!
I care for nothing save today--
This is a respite from all care,
And trouble flies--I know not where.

Go on, oh noisy, restless life!
Pass by, oh, feet that seek for heights!
I have no part in aught of strife;
I do not want your vain delights.
The day wraps round me like a spell
And every breeze sings, "All is well."

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There are two methods for the literary study of any book - the first being the study of its thought and emotion; the second only that of its workmanship. A student of literature should study some of the Bible from both points of view.

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La Fontaine

Another Imitation Of Anacreon

PRONE, on my couch I calmly slept
Against my wont. A little child
Awoke me as he gently crept
And beat my door. A tempest wild
Was raging-dark and cold the night.
"Have pity on my naked plight,"
He begged, "and ope thy door".--"Thy name?"
I asked admitting him.--"The same
"Anon I'll tell, but first must dry
"My weary limbs, then let me try
"My mois'ened bow."--Despite my fear
The hearth I lit, then drew me near
My guest, and chafed his fingers cold.
"Why fear?" I thought. "Let me be bold
"No Polyphemus he; what harm
"In such a child?--Then I'll be calm!"
The playful boy drew out a dart,
Shook his fair locks, and to my heart
His shaft he launch'd.--"Love is my name,"
He thankless cried, "I hither came
"To tame thee. In thine ardent pain
"Of Cupid think and young Climene."--
"Ah! now I know thee, little scamp,
"Ungrateful, cruel boy! Decamp!"
Cupid a saucy caper cut,
Skipped through the door, and as it shut,
"My bow," he taunting cried, "is sound,
"Thy heart, poor comrade, feels the wound."

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Isaac Watts

Hymn 22 part 2

Flesh and spirit.

Rom. 8:1

What vain desires and passions vain
Attend this mortal clay!
Oft have they pierced my soul with pain,
And drawn my heart astray.

How have I wandered from my God!
And, following sin and shame,
In this vile world of flesh and blood
Defiled my nobler frame!

For ever blessed be thy grace
That formed my soul anew,
And made it of a heav'n-born race,
Thy glory to pursue.

My spirit holds perpetual war,
And wrestles and complains;
But views the happy moment near
That shall dissolve its chains.

Cheerful in death I close my eyes
To part with every lust;
And charge my flesh, whene'er it rise,
To leave them in the dust.

My purer spirit shall not fear
To put this body on;
Its tempting powers no more are there,
Its lusts and passions gone!

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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If some student came up and wanted to know where to study painting, you'd want to suggest someplace, but there's no place. I wouldn't know where to send a student to study.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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