The House Of Dust: Part 02: 05: Retrospect
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.
And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.
The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.
He opened his book once more, beside the window,
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.
'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
poem by Conrad Potter Aiken
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The House Of Dust: Part 04: 04: Counterpoint: Two Rooms
He, in the room above, grown old and tired,
She, in the room below—his floor her ceiling—
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter. . . .
She, by the window, smiles at a starlight night,
His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock, upon her mantelpiece, strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. . . .New stars come up to shine.
His youth—far off—he sees it brightly walking
In a golden cloud. . . .Wings flashing about it. . . . Darkness
Walls it around with dripping enormous walls.
Old age—far off—her death—what do they matter?
Down the smooth purple night a streaked star falls.
She hears slow steps in the street—they chime like music;
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn. . . .
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.
Far off—on a smooth dark road—he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him: or he to death.
What's death?—She smiles. The cool stone hurts her elbows.
The last of the rain-drops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance.
A sparrow whirs to the eaves, and shakes his wings.
What's death—what's death? The spring returns like music,
The trees are like dark lovers who dream in starlight,
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams. . . .
And death seems far away, a thing of roses,
A golden portal, where golden music closes,
Death seems far away:
And spring returns, the countless singing of lovers,
And spring returns to stay. . . .
He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight.
. . . The soft grey clouds go slowly across the sky.
poem by Conrad Potter Aiken
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Counterpoint: Two Rooms
He, in the room above, grown old and tired;
She, in the room below, his floor her ceiling,
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter.
She, by the window, smiles at a starlight night.
His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock upon her mantelpiece strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. New stars come up to shine.
His youth—far off—he sees it brightly walking
In a golden cloud .... wings flashing about it....
Darkness
Walls it around with dripping enormous walls.
Old age, far off—or death—what do they matter?
Down the smooth purple night a streaked star falls.
She hears slow steps in the street; they chime like music,
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn.
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.
Far off, on a smooth dark road, he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him; or he to death.
What's death?—she smiles. The cool stone hurts her elbow,
The last few raindrops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance,
A sparrbw whirs to the eaves and shakes its wings.
What's death—what's death ? The spring returns like music ;
The trees are like dark lovers who dream in starlight;
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams.
And death seems far away—a thing of roses,
A golden portal where golden music closes,
Death seems far away;
And spring returns, the countless singing of lovers,
And spring returns to stay....
He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight....
The soft grey clouds go slowly across the sky.
poem by Conrad Potter Aiken
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The House Of Dust: Part 03: 08: Coffins: Interlude
Wind blows. Snow falls. The great clock in its tower
Ticks with reverberant coil and tolls the hour:
At the deep sudden stroke the pigeons fly . . .
The fine snow flutes the cracks between the flagstones.
We close our coats, and hurry, and search the sky.
We are like music, each voice of it pursuing
A golden separate dream, remote, persistent,
Climbing to fire, receding to hoarse despair.
What do you whisper, brother? What do you tell me? . . .
We pass each other, are lost, and do not care.
One mounts up to beauty, serenely singing,
Forgetful of the steps that cry behind him;
One drifts slowly down from a waking dream.
One, foreseeing, lingers forever unmoving . . .
Upward and downward, past him there, we stream.
One has death in his eyes: and walks more slowly.
Death, among jonquils, told him a freezing secret.
A cloud blows over his eyes, he ponders earth.
He sees in the world a forest of sunlit jonquils:
A slow black poison huddles beneath that mirth.
Death, from street to alley, from door to window,
Cries out his news,—of unplumbed worlds approaching,
Of a cloud of darkness soon to destroy the tower.
But why comes death,—he asks,—in a world so perfect?
Or why the minute's grey in the golden hour?
Music, a sudden glissando, sinister, troubled,
A drift of wind-torn petals, before him passes
Down jangled streets, and dies.
The bodies of old and young, of maimed and lovely,
Are slowly borne to earth, with a dirge of cries.
Down cobbled streets they come; down huddled stairways;
Through silent halls; through carven golden doorways;
From freezing rooms as bare as rock.
The curtains are closed across deserted windows.
Earth streams out of the shovel; the pebbles knock.
Mary, whose hands rejoiced to move in sunlight;
Silent Elaine; grave Anne, who sang so clearly;
Fugitive Helen, who loved and walked alone;
Miriam too soon dead, darkly remembered;
Childless Ruth, who sorrowed, but could not atone;
Jean, whose laughter flashed over depths of terror,
And Eloise, who desired to love but dared not;
Doris, who turned alone to the dark and cried,—
They are blown away like windflung chords of music,
They drift away; the sudden music has died.
And one, with death in his eyes, comes walking slowly
And sees the shadow of death in many faces,
And thinks the world is strange.
He desires immortal music and spring forever,
And beauty that knows no change.
poem by Conrad Potter Aiken
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It's Death Again
It's Death again - He's always there -
Watching, waiting - e'er the stare!
Every time I look behind
Or reach to pull the window blind,
I catch a glimpse of grubby hood -
A little clue to where he stood;
The glint of light that caught the scythe.
Perhaps if I could pay a tithe…
But O! no use, he'll never go.
The adamant phantom; don't you know
He will but wait until it's time
For me to hear His fateful chime? -
The toll that claims my destiny,
To Hail: 'You're next, it has to be…'
Copyright © Mark R Slaughter 2009
The Reign of Death
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poem by Mark R Slaughter
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The House Of Dust: Part 02: 02: The Fulfilled Dream
More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.
Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .
He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.
Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?
Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.
He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'
poem by Conrad Potter Aiken
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Death, Inevitable Death
Death, inevitable Death.
So now You come to show Your world,
Hence the blackened cloak – unfurled.
And peering down upon my form
– Bereft of pity – Your eyes of storm.
Death, inexorable Death.
‘When? ’ The only question out of Thee.
My dream retorts 'But ne’er for me! ’
But now awake, I bid you so –
My giving tears cry ‘Where to go? ’
Death, adamant Death.
You cast Your spell and guide me 'way,
For life and I have had our day.
And what of me? I prey You, tell!
Be glorious in Heaven or gnarled in Hell?
Death, ineluctable Death.
Oh wiry ghoul, I'm here to follow –
I leave my body grey and shallow.
‘Come! ’ You bid in thund’ring tones,
‘Beg farewell to shattered bones.’
Copyright © Mark R Slaughter 2009
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poem by Mark R Slaughter
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A Fresh Endeavour
So now I've taken leave of life,
I thought you'd like to know, I still
Possess a mind in love, oh wife;
A soulful eye to catch a show of
Silent beauty – ever yours;
An ear to pick the metaphors
Of tonal dance in words you say,
Grasp a thought in verse you pray
Inside your head, bemused of mind,
Softly mournful, intertwined with
Understanding tears.
I'll drift a whisper o'er to you
To tell that I am quietly calm;
Keeping time till your adieu
To flesh, upon the carol of a
Psalm of consummation. Now!
A fresh endeavour – we're forever
One together, resting yonder,
Cross our open plane of blue.
Copyright Mark R Slaughter 2009
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poem by Mark R Slaughter
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Mark R. Slaughter
Just like the dahlia
Death comes in all its beauty
And so I stroke her petals
Push my feet root-deep
Into the composted soil
As weary clouds unite
Coalesce
Darken through the greys
In preparation
Incontinence prevails
Lachrymose in empathy
They cry for me
Sharing tears
Mortality brings
As twilight closes
I rot
(They fade)
To be the plant
(They'll water)
I, denomination Mark R. Slaughter
Struggle thro' my fantasy
To seal the state of mind
That I of soul
Remain eternal
Back on the windowsill
A daffodil stretches
From a bulbous foot
Flirts like a ballerina
STOPS
Wonders of the world
My cat hears the brassy thoughts
From yellow trumpet
Pricks up his ears
Iridescent eyes
Focussed on the future
I'll wait
For his appraisal
Copyright © Mark R Slaughter 2012
A Trail of Death
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poem by Mark R Slaughter
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Comes Death (A song)
'Out the window lies the future,
where we can see, but never reach her.' - P.N.
All the world is hopeless,
All the sights been seen
all the land is bought up
all the dreams been dreamed
The end comes to everything
to every time - to every place
comes death on wings of fire
cones death on wings of dark
All the years are fruitless
all the work's been done
all the curses lifted
all the prizes won
The end comes to everything
to every dream - to all that's green
comes death with eyes of fire
comes death with eyes of dark
All the difference taken
all the people same
all that's war is broken
all this peace is lame
The end comes to everything
to every war - to every peace
comes death with thoughts of fire
comes death with thoughts of dark
All the gold is rusted
all the cities gone
all the wind is hollow
all the lights left on
The end comes to everything
to every story - every theme
comes death on tireless mission
comes death with darkened peace
poem by Poet Dragon
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Disingenuousness
Here lies another box for nature,
Carbon ready;
Black to eyes down here,
Where death is at its job.
Up there you’ll hear a rhythmic sob
Or two from living yet-to-dies –
A humming lacrimoso –
It all but cleans the eyes:
Forget it –
The dismal show of grief –
Life is only chemistry –
Our stay is only brief.
It’s we who hype it up!
Diaphragms jerk again;
The jet monotone of hearses
Feeds the disingenuousness
Of undertakers –
They seem to stare at something up ahead –
For them, it’s in the blood,
To taxi off the dead.
Copyright © Mark R Slaughter 2011
The March of Death
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poem by Mark R Slaughter
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The House Of Dust: Part 04: 05: The Bitter Love-Song
No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty. .
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . .blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless. . . .days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.
Sharp shafts of music dazzled my eyes and pierced me.
I ran and turned and spun and danced in the sunlight,
Shrank, sometimes, from the freezing silence of beauty,
Or crept once more to the warm white cave of sleep.
No, I shall not say 'this is why I praise you—
Because you say such wise things, or such foolish. . .'
You would not have me say what you know better?
Let me instead be silent, only saying—:
My childhood lives in me—or half-lives, rather—
And, if I close my eyes cool chords of music
Flow up to me . . . long chords of wind and sunlight. . . .
Shadows of intricate vines on sunlit walls,
Deep bells beating, with aeons of blue between them,
Grass blades leagues apart with worlds between them,
Walls rushing up to heaven with stars upon them. . .
I lay in my bed and through the tall night window
Saw the green lightning plunging among the clouds,
And heard the harsh rain storm at the panes and roof. . . .
How should I know—how should I now remember—
What half-dreamed great wings curved and sang above me?
What wings like swords? What eyes with the dread night in them?
This I shall say.—I lay by the hot white sand-dunes. .
Small yellow flowers, sapless and squat and spiny,
Stared at the sky. And silently there above us
Day after day, beyond our dreams and knowledge,
Presences swept, and over us streamed their shadows,
Swift and blue, or dark. . . .What did they mean?
What sinister threat of power? What hint of beauty?
Prelude to what gigantic music, or subtle?
Only I know these things leaned over me,
Brooded upon me, paused, went flowing softly,
Glided and passed. I loved, I desired, I hated,
I struggled, I yielded and loved, was warmed to blossom . . .
You, when your eyes have evening sunlight in them,
Set these dunes before me, these salt bright flowers,
These presences. . . .I drowse, they stream above me,
I struggle, I yield and love, I am warmed to dream.
You are the window (if I could tell I'd tell you)
Through which I see a clear far world of sunlight.
You are the silence (if you could hear you'd hear me)
In which I remember a thin still whisper of singing.
It is not you I laugh for, you I touch!
My hands, that touch you, suddenly touch white cobwebs,
Coldly silvered, heavily silvered with dewdrops;
And clover, heavy with rain; and cold green grass. . .
poem by Conrad Potter Aiken
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The House Of Dust: Part 02: 10: Sudden Death
'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .
One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.
And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.
What was her name? Where had she walked that morning?
Through what dark forest came her feet?
Along what sunlit walls, what peopled street?
Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.
Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.
Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.
Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .
Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.
Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.
Once, in her dreams, he spoke out clearly, crying,
'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'
She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .
She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?
Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.
poem by Conrad Potter Aiken
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The House Of Dust: Part 02: 07: Two Lovers: Overtones
Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .
She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .
'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .
'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.
poem by Conrad Potter Aiken
Submitted by Poetry Lover
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I stared into death eyes
i woke up this morning and
i stared into Death eyes.
Death was amazing
he was wearing his black hoodie
and his skeleton bones were red.
Death held up a picture of you
and a picture of me.
i stared into Death eyes.
Death stuck the pictures together
and made them become one.
oh, how i stared into Death eyes.
Death did something to me
he stuck his hand out
i grabbed it and we took a walk.
it was a walk in the park
and then i seen you and there was me
we were married, you wonder how i know,
because i had the prettiest rock on my finger.
we were sitting on a bench
watching 3 little kids
playing on the playground
but then i look closely.
the little girl had eyes like mine
the complextion like mine and ears like you
the boys were twins and they looked exactly like you.
then i thought about it
those are our kids
then i stared into Death eyes.
i ask Death is this reality
Death stops me from breathing
and say suicide is not the answer.
i began to feel wozzy
as if Death was taking all my sins
and all my pain away and repeats
his self 3 times.
suicide is not the answer
suicide is not the answer
suicide is not the answer
and then i wake up
realizing that it was just a dream
a dream indeed.
now i know what it feels like
to stare into the eyes of Death.
now i know that my time wasnt
supposed to end back then,
my time ends with you.
-La'Veranique
*aka* dat girl nickey
poem by Nickey Mason
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Death and I
When death comes
I’ll need not love –
Consumed,
No wreath or dove
Could offer me salvation,
Not when I’m no more.
A weathered stone will bear my name –
Identity of once a being
Living out existence in
A world of risk, and never seeing
Sense of why we’re here.
My genes will die away thro’ child –
Hue of eyes and hair, the way of thought,
Will quickly dim with generation –
Bow to future dominance –
Memories of provenance
Resigned to curious few.
When death comes
I’ll need not grace
Below; no grieving face
Will call my resurrection,
Not when I’m at ground –
Death and I so bound.
Copyright © Mark R Slaughter 2011
D eath Crawl
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poem by Mark R Slaughter
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The House Of Dust: Part 02: 11: Snow falls. The sky is grey, and sullenly glares
Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.
And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .
In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.
In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.
And one goes late in the streets, and thinks of murder;
And one lies staring, and thinks of death.
And one, who has suffered, clenches her hands despairing,
And holds her breath . . .
Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.
And the new are born who desire to destroy the old;
And fires are kindled and quenched; and dreams are broken,
And walls flung down . . .
And the slow night whirls in snow over towers of dreamers,
And whiteness hushes the town.
poem by Conrad Potter Aiken
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In Death, My Final Part
A tower grim; a glowering darkness,
And only brown of red the other hue
– I saw it in the distant eyes –
And yes, He knew, but focussed only
On the mortal soul of mine –
After all, He had a role to play,
And wine: my shivering blood to quaff!
If only I could Him betray –
To break the seal of destiny;
Escape the lone cacophony
That emanates from wailing minds!
Damn the fate of His – it awes and blinds!
But oh! the mighty hammer strikes a toll;
The slow approach of Him upon the knoll
Commences exudation of a dying heart.
Endorsing all, I honed my final part.
Copyright © Mark R Slaughter 2009
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The final part
poem by Mark R Slaughter
Submitted by Poetry Lover
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Death Shall Not
Death, they say
will take everyone away
but there are things it could never take
even if life was at stake
death shall not remove your laugh which still rings in my ears
death shall not erase your face with your smiles and your tears
death shall not take those years
death shall not cut off those endless walks
death shall not wipe out those honest talks
those shy looks it could not steal
only god knows how i feel
god, sorry those words are fake
but my sorrow is your mistake
well, who am i fooling
death has taken everything from me
since it has taken you
For these things surely remain
But somehow i know they will never happen again.
Sinner's Visit from Death
Whence the reek, the sombre clouds?
Those of billows gargantuan;
Of storms immense, blushing black,
Wishing sought of me to assess?
And have I passed? I have?
Hence I hear a knock on oak;
Unwelcomed, dullened cloak
Flowing dourly - it was a bitter breeze.
‘Have you mulled my sins? ' I ask.
‘Have you seen my impotence -
Though observe destruction at mine hands?
Forgive me, I am but Man.'
‘And are not sinners forgiven? ' I excuse,
‘Hence forgiveness avoids me of Hell?
Must my Demons of Sin revisit eternally
And reflect back on me to suffer well
The synergy of vengeance and wrath?
Are you not now pitying of my terror?
See my withering, regretful flesh -
Feel you not my tardy repentance? '
But Death just focused his stare,
That which pierced my pulseless heart,
For I was empty of remorse in all my years.
He knew that - and led me away.
Copyright Mark R Slaughter 2009
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poem by Mark R Slaughter
Submitted by Poetry Lover
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Standing In The Light
A summers day in sixty-eight
Sunlight through a window falls across the page
A young boy tries to concentrate
His mind would rather fly beyond the classroom cage
He can take the teachers voice
Turn it into music from another place
All the other kids dont have that choice
Hanging on to every word the teacher says
Day and night - we will be touched
Standing in the light - dont shadow the genius
So out of school he walks alone
Soon his thoughts are flowing like a golden stream
An empty house he calls his own
This place becomes a temple to a silent dream
Sometimes he will clap and sing
Then deep in meditation he will learn to be
And only birds upon the wing
With upward fascination claim to be so free
Day and night - we will be touched
Standing in the light - dont shadow the genius
Your smile, your freedom
Comes to you from within
Still a child with a reason
Youre afraid but its time to begin
Blow the wind of change
Though the words are strange - to hear
Say whats on your mind
Now is not the time - for fear
A summers day in eight-one
Sunlight through a window falls across the page
A young mans fight has just begun
And rising up inside him is a burning rage
They called his dream a fantasy
A song that every child has sung since time began
But just as long as he believes
Standing in the light hell make them understand
song performed by by Level 42
Submitted by Lucian Velea
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