Sonnet XXXII. To Melancholy

Written on the banks of the Arun, Oct. 1785.
WHEN latest Autumn spreads her evening veil,
And the grey mists from these dim waves arise,
I love to listen to the hollow sighs,
Through the half-leafless wood that breathes the gale:
For at such hours the shadowy phantom, pale,
Oft seems to fleet before the poet's eyes;
Strange sounds are heard, and mournful melodies,
As of night wanderers, who their woes bewail
Here, by his native stream, at such an hour,
Pity's own Otway I methinks could meet,
And hear his deep sighs swell the sadden'd wind!
O Melancholy!--such thy magic power,
That to the soul these dreams are often sweet,
And sooth the pensive visionary mind!

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Sonnet XXVI. To The River Arun

ON thy wild banks, by frequent torrents worn,
No glittering fanes, or marble domes appear,
Yet shall the mournful muse thy course adorn,
And still to her thy rustic waves be dear.
For with the infant Otway, lingering here,
Of early woes she bade her votary dream,
While thy low murmurs sooth'd his pensive ear
And still the poet--consecrates the stream.
Beneath the oak and birch that fringe thy side,
The first-born violets of the year shall spring;
And in thy hazles, bending o'er the tide,
The earliest nightingale delight to sing:
While kindred spirits, pitying, shall relate
Thy Otway's sorrows, and lament his fate.

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To Contemplation

Faint gleams the evening radiance thro' the sky,
The sober twilight dimly darkens round;
In short quick circles the shrill bat flits by,
And the slow vapour curls along the ground.

Now the pleas'd eye from yon lone cottage sees
On the green mead the smoke long-shadowing play;
The Red-breast on the blossom'd spray
Warbles wild her latest lay,
And sleeps along the dale the silent breeze.
Calm CONTEMPLATION,'tis thy favorite hour!
Come fill my bosom, tranquillizing Power.

Meek Power! I view thee on the calmy shore
When Ocean stills his waves to rest;
Or when slow-moving on the surge's hoar
Meet with deep hollow roar
And whiten o'er his breast;
For lo! the Moon with softer radiance gleams,
And lovelier heave the billows in her beams.

When the low gales of evening moan along,
I love with thee to feel the calm cool breeze,
And roam the pathless forest wilds among,
Listening the mellow murmur of the trees
Full-foliaged as they lift their arms on high
And wave their shadowy heads in wildest melody.

Or lead me where amid the tranquil vale
The broken stream flows on in silver light,
And I will linger where the gale
O'er the bank of violets sighs,
Listening to hear its soften'd sounds arise;
And hearken the dull beetle's drowsy flight,
And watch the horn-eyed snail
Creep o'er his long moon-glittering trail,
And mark where radiant thro' the night
Moves in the grass-green hedge the glow-worms living light.

Thee meekest Power! I love to meet,
As oft with even solitary pace
The scatter'd Abbeys hallowed rounds I trace
And listen to the echoings of my feet.
Or on the half demolished tomb,
Whole warning texts anticipate my doom:
Mark the clear orb of night
Cast thro' the storying glass a faintly-varied light.

Nor will I not in some more gloomy hour
Invoke with fearless awe thine holier power,
Wandering beneath the sainted pile
When the blast moans along the darksome aisle,
And clattering patters all around
The midnight shower with dreary sound.

But sweeter 'tis to wander wild
By melancholy dreams beguil'd,
While the summer moon's pale ray
Faintly guides me on my way
To the lone romantic glen
Far from all the haunts of men,
Where no noise of uproar rude
Breaks the calm of solitude.
But soothing Silence sleeps in all
Save the neighbouring waterfall,
Whose hoarse waters falling near
Load with hollow sounds the ear,
And with down-dasht torrent white
Gleam hoary thro' the shades of night.

Thus wandering silent on and slow
I'll nurse Reflection's sacred woe,
And muse upon the perish'd day
When Hope would weave her visions gay,
Ere FANCY chill'd by adverse fate
Left sad REALITY my mate.

O CONTEMPLATION! when to Memory's eyes
The visions of the long-past days arise,
Thy holy power imparts the best relief,
And the calm'd Spirit loves the joy of grief.

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The Spectral Horseman

What was the shriek that struck Fancy's ear
As it sate on the ruins of time that is past?
Hark! it floats on the fitful blast of the wind,
And breathes to the pale moon a funeral sigh.
It is the Benshie's moan on the storm,
Or a shivering fiend that thirsting for sin,
Seeks murder and guilt when virtue sleeps,
Winged with the power of some ruthless king,
And sweeps o'er the breast of the prostrate plain.
It was not a fiend from the regions of Hell
That poured its low moan on the stillness of night:
It was not a ghost of the guilty dead,
Nor a yelling vampire reeking with gore;
But aye at the close of seven years' end,
That voice is mixed with the swell of the storm,
And aye at the close of seven years' end,
A shapeless shadow that sleeps on the hill
Awakens and floats on the mist of the heath.
It is not the shade of a murdered man,
Who has rushed uncalled to the throne of his God,
And howls in the pause of the eddying storm.
This voice is low, cold, hollow, and chill,
'Tis not heard by the ear, but is felt in the soul.
'Tis more frightful far than the death-daemon's scream,
Or the laughter of fiends when they howl o’er the corpse
Of a man who has sold his soul to Hell.
It tells the approach of a mystic form,
A white courser bears the shadowy sprite;
More thin they are than the mists of the mountain,
When the clear moonlight sleeps on the waveless lake.
More pale HIS cheek than the snows of Nithona,
When winter rides on the northern blast,
And howls in the midst of the leafless wood.
Yet when the fierce swell of the tempest is raving,
And the whirlwinds howl in the caves of Inisfallen,
Still secure mid the wildest war of the sky,
The phantom courser scours the waste,
And his rider howls in the thunder's roar.
O'er him the fierce bolts of avenging Heaven
Pause, as in fear, to strike his head.
The meteors of midnight recoil from his figure,
Yet the 'wildered peasant, that oft passes by,
With wonder beholds the blue flash through his form:
And his voice, though faint as the sighs of the dead,
The startled passenger shudders to hear,
More distinct than the thunder's wildest roar.
Then does the dragon, who, chained in the caverns
To eternity, curses the champion of Erin,
Moan and yell loud at the lone hour of midnight,
And twine his vast wreaths round the forms of the daemons;
Then in agony roll his death-swimming eyeballs,
Though 'wildered by death, yet never to die!
Then he shakes from his skeleton folds the nightmares,
Who, shrieking in agony, seek the couch
Of some fevered wretch who courts sleep in vain;
Then the tombless ghosts of the guilty dead
In horror pause on the fitful gale.
They float on the swell of the eddying tempest,
And scared seek the caves of gigantic...
Where their thin forms pour unearthly sounds
On the blast that sweets the breast of the lake,
And mingles its swell with the moonlight air.

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Seaward to____

HOW long it seems since that mild April night,
When, leaning from the window, you and I
Heard, clearly ringing from the shadowy bight,
The loon’s unearthly cry!

Southwest the wind blew, million little waves
Ran rippling round the point in mellow tune,
But mournful, like the voice of one who raves,
That laughter of the loon!

We called to him, while blindly through the haze
Uprose the meagre moon behind us, slow,
So dim, the fleet of boats we scarce could trace,
Moored lightly just below.

We called, and, lo, he answered! Half in fear
We sent the note back. Echoing rock and bay
Made melancholy music far and near;
Sadly it died away.

That schooner, you remember? Flying ghost!
Her canvas catching every wandering beam,
Aerial, noiseless, past the glimmering coast
She glided like a dream.

Would we were leaning from your window now,
Together calling to the eerie loon,
The fresh wind blowing care from either brow,
This sumptuous night of June!

So many sighs load this sweet inland air,
’T is hard to breathe, nor can we find relief:
However lightly touched, we all must share
This nobleness of grief.

But sighs are spent before they reach your ear;
Vaguely they mingle with the water’s rune;
No sadder sound salutes you than the clear,
Wild laughter of the loon.

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Strange Magic

Youre sailing softly through the sun
In a broken stone age dawn.
You fly so high.
I get a strange magic,
Oh, what a strange magic,
Oh, its a strange magic.
Got a strange magic,
Got a strange magic.
Youre walking meadows in my mind,
Making waves across my time,
Oh no, oh no.
I get a strange magic,
Oh, what a strange magic,
Oh, its a strange magic.
Got a strange magic,
Got a strange magic.
Oh, Im never gonna be the same again,
Now Ive seen the way its got to end,
Sweet dream, sweet dream.
Strange magic,
Oh, what a strange magic,
Oh, its a strange magic.
Got a strange magic,
Got a strange magic.
Its magic, its magic, its magic.
Strange magic,
Oh, what a strange magic,
Oh, its a strange magic.
Got a strange magic.
Strange magic strange magic
Oh, what a strange magic strange magic
Oh, its a strange magic.
Got a strange magic.
Strange magic strange magic
Oh, what a strange magic strange magic
Oh, its a strange magic.
Got a strange magic,
Got a strange magic,
You know I got a strange magic,
Yeah, I got a strange magic,
Oo-o-o-oo, strange magic. (fade)

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The Nightingale

WHEN twilight's grey and pensive hour
Brings the low breeze, and shuts the flower,
And bids the solitary star
Shine in pale beauty from afar;

When gathering shades the landscape veil,
And peasants seek their village-dale,
And mists from river-wave arise,
And dew in every blossom lies;

When evening's primrose opes, to shed
Soft fragrance round her grassy bed;
When glow-worms in the wood-walk light
Their lamp, to cheer the traveller's sight;

At that calm hour, so still, so pale,
Awakes the lonely Nightingale;
And from a hermitage of shade
Fills with her voice the forest-glade.

And sweeter far that melting voice,
Than all which through the day rejoice;
And still shall bard and wanderer love
The twilight music of the grove.

Father in Heaven! oh! thus when day
With all its cares hath passed away,
And silent hours waft peace on earth,
And hush the louder strains of mirth;

Thus may sweet songs of praise and prayer
To Thee my spirit's offering bear;
Yon star, my signal, set on high,
For vesper-hymns of piety.

So may thy mercy and thy power
Protect me through the midnight hour;
And balmy sleep and visions blest
Smile on thy servant's bed of rest.

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The Sundial

The ivy o'er the mouldering wall
Spreads like a tree, the growth of years:
The wild wind through the doorless hall
A melancholy music rears,
A solitary voice, that sighs
O'er man's forgotten pageantries.
Above the central gate, the clock,
Through clustering ivy dimly seen,
Seems, like the ghost of Time, to mock
The wrecks of power that once has been.
The hands are rusted on its face;
Even where they ceased, in years gone by,
To keep the flying moments pace;
Fixing, in Fancy's thoughtful eye,
A point of ages passed away,
A speck of time, that owns no tie
With aught that lives and breathes to-day.
But 'mid the rank and towering grass,
Where breezes wave, in mournful sport,
The weeds that choke the ruined court,
The careless hours that circling pass,
Still trace upon the dialled brass
The shade of their unvarying way:
And evermore, with every ray
That breaks the clouds and gilds the air,
Time's stealthy steps are imaged there:
Even as the long-revolving years
In self-reflecting circles flow,
From the first bud the hedge-row bears,
To wintry Nature's robe of snow.
The changeful forms of mortal things
Decay and pass; and art and power
Oppose in vain the doom that flings
Oblivion on their closing hour:
While still, to every woodland vale,
New blooms, new fruits, the seasons bring,
For other eyes and lips to hail
With looks and sounds of welcoming:
As where some stream light-eddying roves
By sunny meads and shadowy groves,
Wave following wave departs for ever,
But still flows on the eternal river.

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Ode to Pity

O THOU, the Friend of Man assign'd,
With balmy Hands his Wounds to bind,
And charm his frantic Woe:
When first Distress with Dagger keen
Broke forth to waste his destin'd Scene,
His wild unsated Foe!

2.

By Pella's Bard, a magic Name,
By all the Griefs his Thoughts could frame,
Receiue my humble Rite:
Long, Pity, let the Nations view
Thy sky-worn Robes of tend'rest Blue,
And Eyes of dewy Light!
3.

But wherefore need I wander wide
To old Ilissus' distant Side,
Deserted Stream, and mute?
Wild Arun too has heard thy Strains,
And Echo, 'midst my native Plains,
Been sooth'd by Pity's Lute.
4.

There first the Wren thy Myrtles shed
On gentlest Otway's infant Head,
To Him thy Cell was shown;
And while He sung the Female heart,
With Youth's soft Notes unspoil'd by Art,
Thy Turtles mix'd their own.
5.

Come, Pity, come, by Fancy's Aid,
Ev'n now my Thoughts, relenting Maid,
Thy Temple's Pride design:
Its Southern Site, its Truth compleat
Shall raise a wild Enthusiast Heat,
In all who view the Shrine.
6.

There Picture's Toils shall well relate,
How Chance, or hard involving Fate,
O'er mortal Bliss prevail:
The Buskin'd Muse shall near her stand,
And sighing prompt her tender Hand,
With each disastrous Tale.
7.

There let me oft, retir'd by Day,
In Dreams of Pasion melt away,
Allow'd with Thee to dwell:
There waste the mournful Lamp of Night,
Till, Virgin, Thou again delight
To hear a British shell!

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Address To Fancy

OH, queen of dreams! 'tis now the hour,
Thy fav'rite hour of silence and of sleep;
Come, bring thy wand, whose magic pow'r,
Can wake the troubled spirits of the deep!

And while around, on ev'ry eye
The 'honey-dews of slumber' lie,
Oh! guide me to the wild retreat,
Where fays in nightly revel meet;
And gaily sport in mystic ring,
By lonely glen, or haunted spring!

Now ev'ry sound has died away,
The winds and waves are lull'd to rest;
The sighing breeze forgets to play,
And moon-beams tremble o'er the ocean's breast—

Come, Fancy! come, creative pow'r!
That lov'st the tranquil reign of night:
Perhaps in such a silent hour,
Thy visions charm'd the bard of Avon's sight;
Oh, poet blest! thy guiding hand
Led him thro' scenes of fairy-land;
To him, thy favor'd child, alone,
Thy bright, Elysian worlds were shown!

Come, Fancy, come; with lov'd control,
Bewitch thy votary's pensive soul!
Come, sportive charmer! lovely maid!
In rainbow-colored vest array'd;
Invoke thy visionary train,
The subjects of thy gentle reign.

If e'er ethereal spirits meet,
On earth; to pour their dirges sweet;
Now might they hover on the moon-beam pale,
And breathe celestial music on the gale.

And hark! from yonder distant dell,
I hear angelic numbers swell!
Ah! sure some airy sylph is nigh,
To wake such heav'nly melody!
Now soft the dulcet notes decay,
Float on the breeze and melt away;
Again they fall—again they rise,
Ah! now the soft enchantment dies!
The charm is o'er—the spell is past,
The witching spell, too sweet to last!

Hail, Fancy, hail! around thy hallow'd shrine,
What sylphid bands, what radiant forms appear!
Ah! bless thy votary with thy dreams divine,
Ah! wave thy wand, and call thy visions dear!

Bear me, oh! bear me, to thy realms unknown,
Enchantress! waft me in thy car sublime!
To bend, entranc'd, before thy shadowy throne,
To view the wonders of thy fairy-clime!

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Sonnet XXX. To The River Arun

BE the proud Thames of trade the busy mart!
Arun! to thee will other praise belong;
Dear to the lover's and the mourner's heart,
And ever sacred to the sons of song!
Thy banks romantic hopeless Love shall seek,
Where o'er the rocks the mantling bindwith flaunts;
And Sorrow's drooping form and faded cheek
Choose on thy willow'd shore her lonely haunts.
Banks, which inspired thy Otway's plaintive strain!
Wilds,--whose lorn echoes learned the deeper tone
Of Collins' powerful shell! yet once again
Another poet--Hayley is thine own!
Thy classic stream anew shall hear a lay,
Bright as its waves, and various as its way.

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On Music

When through life unblest we rove,
Losing all that made life dear,
Should some notes we used to love,
In days of boyhood, meet our ear,
Oh! how welcome breathes the strain!
Wakening thoughts that long have slept,
Kindling former smiles again
In faded eyes that long have wept.

Like the gale, that sighs along
Beds of oriental flowers,
Is the grateful breath of song,
That once was heard in happier hours.
Fill'd with balm the gale sighs on,
Though the flowers have sunk in death;
So, when pleasure's dream is gone,
Its memory lives in Music's breath.

Music, oh, how faint, how weak,
Language fades before thy spell!
Why should Feeling ever speak,
When thou canst breathe her soul so well?
Friendship's balmy words may feign,
Love's are even more false than they;
Oh! 'tis only music's strain
Can sweetly soothe, and not betray.

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Address To Music

OH thou! whose soft, bewitching lyre,
Can lull the sting of pain to rest;
Oh thou! whose warbling notes inspire,
The pensive muse with visions blest;
Sweet music! let thy melting airs
Enhance my joys, and sooth my cares!

Is there enchantment in thy voice,
Thy dulcet harp, thy moving measure;
To bid the mournful mind rejoice,
To raise the fairy form of pleasure?
Yes, heav'nly maid! a charm is thine,
A magic art, a spell divine!

Sweet music! when thy notes we hear,
Some dear remembrance oft they bring,
Of friends belov'd, no longer near,
And days that flew on rapture's wing;
Hours of delight that long are past,
And dreams of joy, too bright to last!

And oft 'tis thine the soul to fire,
With glory's animating flame,
Bid valor's noble sons aspire
To win th' immortal wreath of fame
Thine too, the soft, expressive tones,
That pity, tender pity owns!

Oh harmony! celestial pow'r!
Thou syren of the melting soul!
In sorrow's reign, in pleasure's hour,
My heart shall own thy blest control;
And ever let thy moving airs,
Enhance my joys and sooth my cares!

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Sonnet XXII. By The Same. To Solitude.

OH, Solitude! to thy sequester'd vale
I come to hide my sorrow and my tears,
And to thy echoes tell the mournful tale
Which scarce I trust to pitying Friendship's ears.
Amidst thy wild-woods, and untrodden glades,
No sounds but those of melancholy move;
And the low winds that die among thy shades,
Seem like soft Pity's sighs for hopeless love.
And sure some story of despair and pain,
In yon deep copse, thy murm'ring doves relate;
And, Hark! methinks in that long plaintive strain,
Thine own sweet songstress weeps my wayward fate;
Ah, Nymph! that fate assist me to endure,
And bear awhile--what death alone can cure!

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Moon-Light

COME, gentle muse! now all is calm,
The dew descends, the air is balm;
Unruffled is the glassy deep,
While moon-beams o'er its bosom sleep;
The gale of summer mildly blows,
The wave in soothing murmur flows;
Unclouded Vesper shines on high,
And ev'ry flow'r has clos'd its tearful eye.

Oh! at this hour, this placid hour,
Soft music, wake thy magic pow'r!
Be mine to hear thy dulcet measure,
Thy warbling strains, that whisper, pleasure;
Thy heavenly airs, of cadence dying,
And harp to every zephyr sighing;
When roving by the shadowy beam,
That gilds the fairy-bow'r and woodland-stream!

But all is still! no mellow sound
Floats on the breeze of night around ;
Yet fancy, with some airy spell,
Can wake 'sweet Echo' from her cell;
Can charm her pensive votary's ear,
With plaintive numbers melting near;
And bid celestial spirits rise,
To pour their wild, enchanted melodies.

I love the rosy dawn of day,
When Zephyr wakes the laughing May;
I love the summer-evening's close,
That lulls the mind in calm repose;
But sweeter far the hour serene,
When softer colours paint the scene;
When Vesper sheds a dewy ray,
And o'er the sleeping wave the moon-beams play.

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James Joyce

My Dove, My Beautiful One

My dove, my beautiful one,
Arise, arise!
The night-dew lies
Upon my lips and eyes.

The odorous winds are weaving
A music of sighs:
Arise, arise,
My dove, my beautiful one!

I wait by the cedar tree,
My sister, my love,
White breast of the dove,
My breast shall be your bed.

The pale dew lies
Like a veil on my head.
My fair one, my fair dove,
Arise, arise!

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James Joyce

At That Hour

At that hour when all things have repose,
O lonely watcher of the skies,
Do you hear the night wind and the sighs
Of harps playing unto Love to unclose
The pale gates of sunrise?

When all things repose, do you alone
Awake to hear the sweet harps play
To Love before him on his way,
And the night wind answering in antiphon
Till night is overgone?

Play on, invisible harps, unto Love,
Whose way in heaven is aglow
At that hour when soft lights come and go,
Soft sweet music in the air above
And in the earth below.

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Birdcage Walk

When the wind blows her veil
And uncovers her laughter
I cease, I turn pale.
When the wind blows her veil
From the woes I bewail
Of love and hereafter:
When the wind blows her veil
I cease, I turn pale.

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The Grey World

Grey nights in the wind,
And the grey-faced dead.
Grey hairs in my head,
And grey eyes in my mind.

Grey mists in the morn,
And grey waves that rave,
Grey mould on my grave,
And grey eyes forlorn.

Grey clouds in the sky,
And the grey world asleep,
Grey ghosts that sigh,
And grey eyes that weep.

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0184 Poetry's Triumph

When that strange stirring to a poem comes -
half-heard, half-formed, some seed deep in the mind -
the heart lights up, so eager to explore
the unknown path that listening may find:

obedience, awe, devotion, humbleness
all rise to meet the offering of the word,
and gently, like new father with his child,
tend precious stranger granted to their care.

Then silence turns to music in the mind
and all too solid words form, black and white;
behind the magic of the manifest
remains - less noonday, than unbroken night...

The poet's failure? No, his Muse's power -
if readers hear that seed which spoke the flower.

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The Mystic Veil

When the shadows take their nightly places,
When departing light is faint and pale,
Then in my chamber gather phantom faces,
Gazing thro' the mystic veil.
One there is with features so familiar,
Glimpse of her give[s] my pulse a start;
Oh! tell me truely is it you, love,
Come to cheer my lonly heart?

Come one step nearer! (One step nearer!)
one shade clearer? (one shade clearer!)
Breath on word before we part; (before we part;)
And tell me--truly it is you, love,
Come to cheer my lonely heart?

When my song, in lonely notes ascending,
Vainly bids my sadden'd soul rejoin [rejoice?],
Methinks I hear a murmur'd alto blending:
Is it really your sweet voice?
Answer now, if only by a whisper;
Rend the veil, the mystic veil, apart:
And tell me truely is it you, love,
Come to cheer my lonely heart?

Waking while the denser darkness lingers,
Some one seems to stand beside my bed;
I can but think I feel your fairy fingers,
Softly laid upon my head.
Silently why does the vision vanish?
Dream I yet, or is it magic art?
Now tell me truely is it you, love,
Come to cheer my lonely heart?

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