The Nightingale
WHEN twilight's grey and pensive hour
Brings the low breeze, and shuts the flower,
And bids the solitary star
Shine in pale beauty from afar;
When gathering shades the landscape veil,
And peasants seek their village-dale,
And mists from river-wave arise,
And dew in every blossom lies;
When evening's primrose opes, to shed
Soft fragrance round her grassy bed;
When glow-worms in the wood-walk light
Their lamp, to cheer the traveller's sight;
At that calm hour, so still, so pale,
Awakes the lonely Nightingale;
And from a hermitage of shade
Fills with her voice the forest-glade.
And sweeter far that melting voice,
Than all which through the day rejoice;
And still shall bard and wanderer love
The twilight music of the grove.
Father in Heaven! oh! thus when day
With all its cares hath passed away,
And silent hours waft peace on earth,
And hush the louder strains of mirth;
Thus may sweet songs of praise and prayer
To Thee my spirit's offering bear;
Yon star, my signal, set on high,
For vesper-hymns of piety.
So may thy mercy and thy power
Protect me through the midnight hour;
And balmy sleep and visions blest
Smile on thy servant's bed of rest.
poem by Felicia Dorothea Hemans
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Related quotes
Places
Places I love come back to me like music,
Hush me and heal me when I am very tired;
I see the oak woods at Saxton's flaming
In a flare of crimson by the frost newly fired;
And I am thirsty for the spring in the valley
As for a kiss ungiven and long desired.
I know a bright world of snowy hills at Boonton,
A blue and white dazzling light on everything one sees,
The ice-covered branches of the hemlocks sparkle
Bending low and tinkling in the sharp thin breeze,
And iridescent crystals fall and crackle on the snow-crust
With the winter sun drawing cold blue shadows from the trees.
Violet now, in veil on veil of evening
The hills across from Cromwell grow dreamy and far;
A wood-thrush is singing soft as a viol
In the heart of the hollow where the dark pools are;
The primrose has opened her pale yellow flowers
And heaven is lighting star after star.
Places I love come back to me like music --
Mid-ocean, midnight, the waves buzz drowsily;
In the ship's deep churning the eerie phosphorescence
Is like the souls of people who were drowned at sea,
And I can hear a man's voice, speaking, hushed, insistent,
At midnight, in mid-ocean, hour on hour to me.
poem by Sara Teasdale
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Stanzas
If thou be in a lonely place,
If one hour's calm be thine,
As Evening bends her placid face
O'er this sweet day's decline;
If all the earth and all the heaven
Now look serene to thee,
As o'er them shuts the summer even,
One moment--think of me!
Pause, in the lane, returning home;
'Tis dusk, it will be still:
Pause near the elm, a sacred gloom
Its breezeless boughs will fill.
Look at that soft and golden light,
High in the unclouded sky;
Watch the last bird's belated flight,
As it flits silent by.
Hark! for a sound upon the wind,
A step, a voice, a sigh;
If all be still, then yield thy mind,
Unchecked, to memory.
If thy love were like mine, how blest
That twilight hour would seem,
When, back from the regretted Past,
Returned our early dream!
If thy love were like mine, how wild
Thy longings, even to pain,
For sunset soft, and moonlight mild,
To bring that hour again!
But oft, when in thine arms I lay,
I've seen thy dark eyes shine,
And deeply felt their changeful ray
Spoke other love than mine.
My love is almost anguish now,
It beats so strong and true;
'Twere rapture, could I deem that thou
Such anguish ever knew.
I have been but thy transient flower,
Thou wert my god divine;
Till checked by death's congealing power,
This heart must throb for thine.
And well my dying hour were blest,
If life's expiring breath
Should pass, as thy lips gently prest
My forehead cold in death;
And sound my sleep would be, and sweet,
Beneath the churchyard tree,
If sometimes in thy heart should beat
One pulse, still true to me.
poem by Charlotte Brontë from Poems by Currer, Ellis, and Acton Bell (1846)
Submitted by Veronica Serbanoiu
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The Vesper Hour
Soft and holy Vesper Hour—
Precursor of the night—
How I love thy soothing power,
The hush, the fading light;
Raising those vain thoughts of ours
To higher, holier things—
Mingling gleams from Eden’s bowers
With earth’s imaginings!
How thrilling in some grand old fane
To hear the Vesper prayer
Rise, with the organ’s solemn strain,
On incense-laden air;
While the last dying smiles of day
Athwart the stained glass pour—
Flooding with red and golden ray
The shrine and chancel floor.
Who, at such moment, has not felt
Those yearnings, vague, yet sweet,
For Heaven’s joys at last to melt,
Into fruition meet;
And wished, as with rapt soul he viewed
That glorious Home above,
That earth’s vain thoughts would ne’er intrude
On visions of God’s love?
To this calm hour belongs a sway
The bright day cannot wield—
Sweet as the evening star’s first ray,
Transforming wood and field;
Soft’ing gay flowers else too bright
And silvering hill and dell;
And clothing earth in that mild light
The sad heart loves so well.
poem by Rosanna Eleanor Leprohon
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Address To Thought
OH thou! the musing, wakeful pow'r,
That lov'st the silent, midnight hour,
Thy lonely vigils then to keep,
And banish far the angel, sleep,
With all his lovely train;
Come, pensive thought! with thee I'll rove,
Through forest wild, sequestered grove,
Or twilight plain.
The lone recluse, in hermit-cell,
With thee, oh nymph! delights to dwell;
Forsakes the world, and all its charms,
Forsakes the syren pleasure's arms,
In peaceful shades to rest;
And oft with thee, entranc'd, may hear,
Celestial voices warbling near,
Of spirits blest!
When slow declines the rosy day
And ev'ning smiles with parting ray,
When twilight spreads her magic hues,
When moon-beams tremble on the dews,
Be mine to rove retir'd;
By fairy bower, or dimpled stream,
To muse with thee some heavenly theme,
Oh! maid inspir'd!
'Tis thine on eagle-wings to soar,
Unknown, unfathom'd realms explore;
Below the deeps, above the sky,
Beyond the starry orbs on high;
(Can aught restrain thy flight?)
To pierce the veil of future time,
And rise, in Fancy's car sublime,
To realms of light:
At midnight, to the guilty breast,
Thou com'st, a fear'd, appalling guest;
While lightnings flash and thunders roll,
Accusing conscience wakes the soul,
And bids each fear increase;
And, while benignant slumber flies,
With awful voice, in whisper cries,
Farewell to peace!
But oh, dread pow'r! how sweet thy reign,
To Virtue's mild and hallow'd train!
The storm around may wildly rave,
And winter swell the mountain wave,
Yet soft their calm repose!
Their minds unruffled and serene,
And guardian-seraphs watch unseen,
Their eyes to close!
poem by Felicia Dorothea Hemans
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The Soul's Quest
PART I
IN the land that is neither night nor day,
Where the mists sleep over the forests grey,
A sad, sad spirit wandered away.
The woods are still—no brooks, no wind,
No fair green meadows can she find;
5
But a low red light in the sky behind.
Far over the plain, to the spirit's sight,
The city's towers are black as night,
Against the edge of the low red light.
This side the city in darkness lies,
10
But westward, at the glowering skies,
It glares with a thousand fiery eyes.
The road is long, the hedgerows bare,
There's the chill of death in the silent air,
And a glimmer of darkness everywhere.
15
'O sad, sad spirit, what thy quest,
With those flowing locks and that shadowy vest? '
The spirit answers, 'I seek for rest.'
'Where seekest rest, when the air is cold
On the long, dim road, and the clock hath tolled
20
The muffled hours form the belfry old?
'Where seekest rest through the twilight grey
Of the mists that sleep on the woods alway? '—
'I seek to-morrow or yesterday! '
Her face is pale, her feet are bare,
25
Her sad dark eyes, wide open, stare
At the glimmering darkness everywhere.
To those cheeks no rose hath summer brought,
But on their pallor time hath wrought
The troubled lines of an after-thought.
30
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
And thus, all silent, seeks she rest.
Her tread is light on the cold, hard road;
For the tread may be light, yet heavy the load
35
Of grief at the heart and thoughts that goad.
She plucks a leaf from the roadway side,
And under its shade two violets hide—
As if from her cold touch, they hide.
She twines the violets in her hair;
40
They have no scent—she does not care,
For the glimmer of darkness is everywhere.
And on through the dim of the twilight grey,
While the pale sky gloweth far away,
She seeks to-morrow or yesterday.
45
PART II
'O Abbess, Abbess, the air is chill!
I heard the chaunting over the hill,
Like an angel's voice when the soul is still.
'O, Abbess, open wide thy gate!
Out on the cold, dim road I wait,
50
A spirit lone and desolate.
'Take thou these hands and these weary feet,
Cold as a corpse in its winding-sheet,
For the song of the nuns was so strange and sweet.
'Here with the sisters let me dwell,
55
Under these walls, in the loneliest cell,
Waiting the sound of the matin bell.
'Cut off these locks of flowing hair,
Cover with weeds this bosom bare,
For the glimmer of darkness is everywhere.
60
'Ask not my name, nor whence my way,
For the mist sleeps over the wood alway,
And I seek to-morrow or yesterday.'
She's passed beneath the chapel door;
The nuns are kneeling on the floor,
65
But a low wind moaneth evermore.
Sweeter and sweeter the sisters sing,
Till high in the roof the echoes ring,
For they know that God is listening.
'Ave Maria, hear our cry,
70
As the shadows roll across the sky,
For those that live and those that die!
'Ave Maria, Virgin blest,
Help the sin-stained and distrest,
Give the weary-hearted rest!
75
'Ave Maria, who didst bear
Jesus in this world of care,
Grant us all thy bliss to share! '
Sweeter and sweeter the sisters sing,
From arch to arch the echoes ring,
80
For they know that God is listening.
Out of the north the oceans roll,
Washing the lands from pole to pole:
No rest—no rest for the old world's soul.
The after-glow of suns that set
85
O'er fields with morning dew once wet,
Where all life's flowering roadways met,
Long shadows of our joys has sent,
Sloping adown the way we went
Towards darkness where our feet are bent.
90
Is it the moan of the evening wind?
Or the voice of the ocean in the mind,
While the pale red light looms up behind?
Is it moan of wind, or convent bell,
Or cry of the ocean? I cannot tell;
95
But a voice in her heart has locked the spell.
She does not hear the organ's swell;
In vain she strives her beads to tell,
For a voice in her heart has locked the spell.
She broods among the tangled fears,
100
The undergrowth of perished years,
That darken round the lake of tears.
Silent and dank, they fringe the brim
Of waters motionless and dim,
Unmoved by wings of Seraphim.
105
No lights on the altar the spirit sees,
The cloistered aisles are but leafless trees,
And the music, the sigh of the evening breeze.
No matin or vesper bell for her;
The leafless branches never stir
110
In the pale, pale light of the days that were.
No matin or vesper hymn or prayer
Can shut those eyes' wide-open stare
At the glimmering darkness everywhere.
The sweetest singing dies away;
115
No note of birds for those who stray
In the land that is neither night nor day.
PART III
In the shadowy light of the silent land,
With the tall gaunt hedges on either hand,
On the long, dim road doth the spirit stand.
120
Under the hedges the air is chill,
And the mists sleep over the forest still,
And are folded like wings on the sides of the hill.
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
125
Her feet are worn with seeking rest.
To her cheeks no rose hath summer brought,
While on their pallor time hath wrought
The troubled lines of an after-thought.
But sweet is the gaze of those sad dark eyes,
130
And sweet their look of mute surprise,
As something in the road she spies.
Spurned under foot, o'ergrown with moss,
Counted of foolish men but loss,
On the cold, hard road lies Jesus' cross.
135
In the dim twilight as she stood,
She saw the marks of Jesus' Blood,
Then stooped and kissed the Holy Rood.
There are sounds of joy from the years gone by,
There's a pale red light in the forward sky,
140
And a star looks down through the mist on high.
Hush! for the light falls clear from that star,
Hush! for the day-dawn kindles afar,
Hush! for the gate of the sky is ajar.
What is the voice of the boundless sea
145
As it clasps the lands excitedly?
Not the voice of the dead, but of what shall be—
Of what shall be when the world shall cease,
And oceans die in the reign of peace,
When God grants pardon and release.
150
O sweetest taste of Jesus' Blood!
Joy bursts upon her like a flood;
The spirit kisseth Holy Rood.
A low wind moaneth evermore,
The nuns still kneel upon the floor,
155
But Jesus trod this way before.
She lifts the sacred emblem up:
This was His drink, His bitter cup;
And all His loved with Him must sup.
Beneath its arms she bows her head,
160
Those arms so rudely fashionèd,
Which Jesus made His dying bed.
She bends beneath the cross's weight,
But now no longer desolate,
She stands before the convent gate.
165
Sweeter and sweeter the sisters sing,
From arch and roof the echoes ring,
While God above is listening.
'Ave Maria, Virgin blest,
Help the sin-stained and distrust,
170
Grant the weary-hearted rest! '
The altar-lights are shining fair,
And Jesus' cross is standing there;
The darkness brightens everywhere.
In silent bliss the spirit kneels,
175
For mortal utterance half conceals
The deepest joy the bosom feels.
She bears her burden day by day;
It wakens her at morning grey,
And calms her at eve's setting ray.
180
She bears it through the length of years;
The rough wood drives away her fears,
The blood-stains check all earthly tears.
Through daily round of deed and psalm,
She moves in silent strength and calm,
185
The cross her solace and her balm.
She bears it round from door to door,
And lonely hearts that ached before,
Find joy and peace for evermore.
So in the present, people say,
190
Of holy deed and prayer alway,
She finds to-morrow and yesterday.
poem by Frederick George Scott
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The Indian Lover. Morning Song.
O'ER flowery fields of waving maize,
The breeze of morning lightly plays;
Arise, my Zumia! let us rove,
The cool and fragrant citron grove!
Fair nature spreads her lavish bloom,
And bids her zephyrs waft perfume;
She breathes ambrosial odours rare;
With cassia-fragrance fills the air,
And calls thee forth her sweets to share,
My lovely maid!
We'll mark each aromatic flower,
Expanding to the radiant hour;
We'll seek the scented orange-bower,
Or tam'rind shade;
Now, ere the fervid hours of day,
Arise, my Zumia! haste away!
Hark! from yonder palmy grove,
Swells the choral song of love!
There, on every weeping spray,
Warblers tune the melting lay:
Morning's roseate hues are spreading
Balmy essence, flowers are shedding;
Nature smiles, in green array,
My Zumia rise! no more delay!
Now glitt'ring in the lucid rays,
The humming-bird his wing displays
Floats on the sun-beam and the gale,
From spicy wood, to myrtle-vale;
Flutters on light, ethereal plume,
In tints of orient beauty drest;
Steals honey from the glowing bloom,
And weaves the fairy-nest.
I'll climb each tall, aspiring tree,
To seek nectareous fruits for thee;
I'll cull the blossoms op'ning fair,
In blushing wreaths to bind thy hair:
For thee the streams in murmurs flow;
For thee the buds empurpling glow;
For thee the balmy zephyrs play;
Arise, my Zumia! haste away!
poem by Felicia Dorothea Hemans
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Early Works - The Twilight Hour
When twilight is here
you shall see
but not hear a sound
the world will be peaceful
the seas will be calm
the flowers will sway gracefully
in the breeze as night does come.
The twilight hour
is the hour before darkness does prevail
when little children into dreamland sail
when the sunset leaves the sky grey and blue
then the twilight hour comes into view.
The big city sounds die peacefully
when twilight calls gracefully
as small creatures rest their heads in sleep
as all the world in tranquil stillness does seep
for the twilight hour is tranquil
as it gracefully does call.
Date unknown
poem by David Harris
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Moon-Light
COME, gentle muse! now all is calm,
The dew descends, the air is balm;
Unruffled is the glassy deep,
While moon-beams o'er its bosom sleep;
The gale of summer mildly blows,
The wave in soothing murmur flows;
Unclouded Vesper shines on high,
And ev'ry flow'r has clos'd its tearful eye.
Oh! at this hour, this placid hour,
Soft music, wake thy magic pow'r!
Be mine to hear thy dulcet measure,
Thy warbling strains, that whisper, pleasure;
Thy heavenly airs, of cadence dying,
And harp to every zephyr sighing;
When roving by the shadowy beam,
That gilds the fairy-bow'r and woodland-stream!
But all is still! no mellow sound
Floats on the breeze of night around ;
Yet fancy, with some airy spell,
Can wake 'sweet Echo' from her cell;
Can charm her pensive votary's ear,
With plaintive numbers melting near;
And bid celestial spirits rise,
To pour their wild, enchanted melodies.
I love the rosy dawn of day,
When Zephyr wakes the laughing May;
I love the summer-evening's close,
That lulls the mind in calm repose;
But sweeter far the hour serene,
When softer colours paint the scene;
When Vesper sheds a dewy ray,
And o'er the sleeping wave the moon-beams play.
poem by Felicia Dorothea Hemans
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The Forsaken
I.
IT is the music of her native land,--
The airs she used to love in happier days;
The lute is struck by some young gentle hand,
To soothe her spirit with remember'd lays.
II.
But her sad heart is wandering from the notes,
Her ear is fill'd with an imagined strain;
Vainly the soften'd music round her floats,
The echo it awakes is all of pain!
III.
The echo it awakes, is of a voice
Which never more her weary heart shall cheer;
Fain would she banish it, but hath no choice,
Its vanish'd sound still haunts her shrinking ear,--
IV.
Still haunts her with its tones of joy and love,
Its memories of bitterness and wrong,
Bidding her thoughts thro' various changes rove,--
Welcomes, farewells, and snatches of wild song.
V.
Why bring her music? She had half forgot
How left, how lonely, how oppress'd she was;
Why, by these strains, recal her former lot,
The depth of all her suffering, and its cause?
VI.
Know ye not what a spell there is in sound?
Know ye not that the melody of words
Is nothing to the power that wanders round,
Giving vague language to harmonious chords?
VII.
Oh I keep ye silence! He hath sung to her,
And from that hour--(faint twilight, sweet and dim,
When the low breeze scarce made the branches stirs)--
Music hath been a memory of HIM!
VIII.
Chords which the wandering fingers scarcely touch
When they would seek for some forgotten song,--
Stray notes which have no certain meaning, such
As careless hands unthinkingly prolong,--
IX.
Come unto HER, fraught with a vivid dream
Of love, in all its wild and passionate strength,--
Of sunsets, glittering on the purple stream,--
Of shadows, deepening into twilight length,--
X.
Of gentle sounds, when the warm world lay hush'd
Beneath the soft breath of the evening air,--
Of hopes and fears, and expectations crush'd,
By one long certainty of blank despair!
XI.
Bear to the sick man's couch the fiery cup,
Pledged by wild feasters in their riotous hours,
And bid his parch'd lips drink the poison up,
As tho' its foam held cool refreshing powers,--
XII.
Lift some poor wounded wretch, whose writhing pain
Finds soothing only in an utter rest,
Forth in some rude-made litter, to regain
Strength for his limbs and vigour for his breast;--
XIII.
But soothe ye not that proud forsaken heart
With strains whose sweetness maddens as they fall;
Untroubled let her feverish soul depart--
Not long shall memory's power its might enthral;
XIV.
Not long,--tho' balmy be the summer's breath!
In the deep stillness of its golden light,
A shadowy spirit sits, whose name is DEATH,
And turns, what was all beauty, into blight;
XV.
And she, before whose sad and dreaming eye
Visions of by-gone days are sweeping on,
In her unfaded youth shall drooping die,
Shut from the glow of that Italian sun:
XVI.
Then let the organ's solemn notes prolong
Their glory round the silence of her grave,
Then let the choral voices swell in song
And echo thro' the chancel and the nave;
XVII.
For then her heart shall ache not at the sound,
Then the faint fever of her life shall cease
Silence, unbroken, calm, shall reign around,
And the long restless shall be laid at peace.
poem by Caroline Elizabeth Sarah Norton
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County Guy
Ah! County Guy, the hour is nigh,
The sun has left the lea,
The orange flower perfumes the bower,
The breeze is on the sea.
The lark his lay who thrill'd all day
Sits hush'd his partner nigh:
Breeze, bird, and flower confess the hour,
But where is County Guy?
The village maid steals through the shade,
Her shepherd's suit to hear;
To beauty shy, by lattice high,
Sings high-born Cavalier.
The star of Love, all stars above
Now reigns o'er earth and sky;
And high and low the influence know--
But where is County Guy?
poem by Sir Walter Scott
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Song -- County Guy
Ah! County Guy, the hour is nigh,
The sun has left the lea,
The orange flower perfumes the bower,
The breeze is on the sea.
The lark his lay who thrill'd all day
Sits hush'd his partner nigh:
Breeze, bird, and flower confess the hour,
But where is County Guy?
The village maid steals through the shade,
Her shepherd's suit to hear;
To beauty shy, by lattice high,
Sings high-born Cavalier.
The star of Love, all stars above
Now reigns o'er earth and sky;
And high and low the influence know-
But where is County Guy?
poem by Sir Walter Scott
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A Serenade
Ah! County Guy, the hour is nigh
The sun has left the lea,
The orange-flower perfumes the bower,
The breeze is on the sea.
The lark, his lay who trill’d all day,
Sits hush’d his partner nigh;
Breeze, bird, and flower confess the hour,
But where is County Guy?
The village maid steals through the shade
Her shepherd’s suit to hear;
To Beauty shy, by lattice high,
Sings high-born Cavalier.
The star of Love, all stars above,
Now reigns o’er earth and sky,
And high and low the influence know—
But where is County Guy?
poem by Sir Walter Scott
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Country Guy
Ah! County Guy, the hour is nigh,
The sun has left the lea,
The orange flower perfumes the bower,
The breeze is on the sea.
The lark his lay who thrill'd all day
Sits hush'd his partner nigh:
Breeze, bird, and flower confess the hour,
But where is County Guy?
The village maid steals through the shade,
Her shepherd's suit to hear;
To beauty shy, by lattice high,
Sings high-born Cavalier.
The star of Love, all stars above
Now reigns o'er earth and sky;
And high and low the influence know--
But where is County Guy?
poem by Sir Walter Scott
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To Contemplation
Faint gleams the evening radiance thro' the sky,
The sober twilight dimly darkens round;
In short quick circles the shrill bat flits by,
And the slow vapour curls along the ground.
Now the pleas'd eye from yon lone cottage sees
On the green mead the smoke long-shadowing play;
The Red-breast on the blossom'd spray
Warbles wild her latest lay,
And sleeps along the dale the silent breeze.
Calm CONTEMPLATION,'tis thy favorite hour!
Come fill my bosom, tranquillizing Power.
Meek Power! I view thee on the calmy shore
When Ocean stills his waves to rest;
Or when slow-moving on the surge's hoar
Meet with deep hollow roar
And whiten o'er his breast;
For lo! the Moon with softer radiance gleams,
And lovelier heave the billows in her beams.
When the low gales of evening moan along,
I love with thee to feel the calm cool breeze,
And roam the pathless forest wilds among,
Listening the mellow murmur of the trees
Full-foliaged as they lift their arms on high
And wave their shadowy heads in wildest melody.
Or lead me where amid the tranquil vale
The broken stream flows on in silver light,
And I will linger where the gale
O'er the bank of violets sighs,
Listening to hear its soften'd sounds arise;
And hearken the dull beetle's drowsy flight,
And watch the horn-eyed snail
Creep o'er his long moon-glittering trail,
And mark where radiant thro' the night
Moves in the grass-green hedge the glow-worms living light.
Thee meekest Power! I love to meet,
As oft with even solitary pace
The scatter'd Abbeys hallowed rounds I trace
And listen to the echoings of my feet.
Or on the half demolished tomb,
Whole warning texts anticipate my doom:
Mark the clear orb of night
Cast thro' the storying glass a faintly-varied light.
Nor will I not in some more gloomy hour
Invoke with fearless awe thine holier power,
Wandering beneath the sainted pile
When the blast moans along the darksome aisle,
And clattering patters all around
The midnight shower with dreary sound.
But sweeter 'tis to wander wild
By melancholy dreams beguil'd,
While the summer moon's pale ray
Faintly guides me on my way
To the lone romantic glen
Far from all the haunts of men,
Where no noise of uproar rude
Breaks the calm of solitude.
But soothing Silence sleeps in all
Save the neighbouring waterfall,
Whose hoarse waters falling near
Load with hollow sounds the ear,
And with down-dasht torrent white
Gleam hoary thro' the shades of night.
Thus wandering silent on and slow
I'll nurse Reflection's sacred woe,
And muse upon the perish'd day
When Hope would weave her visions gay,
Ere FANCY chill'd by adverse fate
Left sad REALITY my mate.
O CONTEMPLATION! when to Memory's eyes
The visions of the long-past days arise,
Thy holy power imparts the best relief,
And the calm'd Spirit loves the joy of grief.
poem by Robert Southey
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The Spells Of Home
There blend the ties that strengthen
Our hearts in hours of grief,
The silver links that lengthen
Joy's visits when most brief.
BERNARD BARTON.
BY the soft green light in the woody glade,
On the banks of moss where thy childhood play'd;
By the household tree thro' which thine eye
First look'd in love to the summer-sky,
By the dewy gleam, by the very breath
Of the primrose tufts in the grass beneath,
Upon thy heart there is laid a spell,
Holy and precious oh! guard it well!
By the sleepy ripple of the stream,
Which hath lull'd thee into many a dream;
By the shiver of the ivy-leaves
To the wind of morn at thy casement-eaves,
By the bee's deep murmur in the limes,
By the music of the Sabbath-chimes,
By every sound of thy native shade,
Stronger and dearer the spell is made.
By the gathering round the winter hearth,
When twilight call'd unto household mirth;
By the fairy tale or the legend old
In that ring of happy faces told;
By the quiet hour when hearts unite
In the parting prayer and the kind 'Good-night;'
By the smiling eye and the loving tone,
Over thy life has the spell been thrown.
And bless that gift! it hath gentle might,
A guardian power and a guiding light.
It hath led the freeman forth to stand
In the mountain-battles of his land;
It hath brought the wanderer o'er the seas
To die on the hills of his own fresh breeze;
And back to the gates of his father's hall,
It hath led the weeping prodigal.
Yes! when thy heart in its pride would stray
From the pure first loves of its youth away;
When the sullying breath of the world would come
O'er the flowers it brought from its childhood's home;
Think thou again of the woody glade,
And the sound by the rustling ivy made,
Think of the tree at thy father's door,
And the kindly spell shall have power once more!
poem by Felicia Dorothea Hemans
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Sonnet to Twilight
Meek Twilight! soften the declining day,
And bring the hour my pensive spirit loves;
When o'er the mountain slow descends the ray
That gives to silence and to night the groves.
Ah, let the happy court the morning still,
When, in her blooming loveliness arrayed,
She bids fresh beauty light the vale or hill,
And rapture warble in the vocal shade.
Sweet is the odour of the morning's flower,
And rich in melody her accents rise;
Yet dearer to my soul the shadowy hour
At which her blossoms close, her music dies:
For then, while languid Nature droops her head,
She wakes the tear 'tis luxury to shed.
poem by Helen Maria Williams
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Twilight In The North
O THE long northern twilight between the day and the night,
When the heat and the weariness of the world are ended quite:
When the hills grow dim as dreams, and the crystal river seems
Like that River of Life from out the Throne where the blessèd walk in white.
O the weird northern twilight, which is neither night nor day,
When the amber wake of the long-set sun still marks his western way:
And but one great golden star in the deep blue east afar
Warns of sleep, and dark, and midnight--of oblivion and decay.
O the calm northern twilight, when labor is all done,
And the birds in drowsy twitter have dropped silent one by one:
And nothing stirs or sighs in mountains, waters, skies,--
Earth sleeps--but her heart waketh, till the rising of the sun.
O the sweet, sweet twilight, just before the time of rest,
When the black clouds are driven away, and the stormy winds suppressed:
And the dead day smiles so bright, filling earth and heaven with light,--
You would think 't was dawn come back again--but the light is in the west.
O the grand solemn twilight, spreading peace from pole to pole!--
Ere the rains sweep o'er the hillsides, and the waters rise and roll,
In the lull and the calm, come, O angel with the palm--
In the still norther twilight, Azrael, take my soul.
poem by Dinah Maria Mulock Craik
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It is the hour
It is the hour when from the boughs
The nightingale's high note is heard—
It is the hour—when lovers' vows
Seem sweet in every whisper'd word—
And gentle winds and waters near
Make music to the lonely ear.
Each flower the dews have lightly wet,
And in the sky the stars are met:
And on the wave is deeper blue,
And on the leaf a browner hue—
And in the Heaven, that clear obscure
So softly dark—and darkly pure,
That follows the decline of day
As twilight melts beneath the moon away.
poem by Byron from The Hebrew Melodies (1815)
Submitted by Veronica Serbanoiu
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To A Departed Spirit
From the bright stars, or from the viewless air,
Or from some world unreached by human thought,
Spirit, sweet spirit! if thy home be there,
And if thy visions with the past be fraught,
Answer me, answer me!
Have we not communed here of life and death?
Have we not said that love, such love as ours,
Was not to perish as a rose's breath,
To melt away, like song from festal bowers?
Answer me, answer me!
Thine eye's last light was mine - the soul thtat shone
Intensely, mournfully, through gathering haze -
Didst thou bear with thee to the shore unknown,
Nought of what lived in that long, earnest gaze!
Hear, hear, and answer me!
Thy voice - its low, soft, fervent, farewell tone
Thrilled through the tempest of the parting strife,
Like a faint breeze: - oh, from that music flown,
Send back
one
sound, if love's be quenchless life,
But once, oh! answer me!
In the still noontide, in the sunset's hush,
In the dead hour of night, when thought grows deep,
When the heart's phantoms from the darkness rush,
Fearfully beautiful, to strive with sleep -
Spirit! then answer me!
By the remembrance of our blended prayer;
By all our tears, whose mingling made them sweet
By our last hope, the victor o'er despair; -
Speak! if our souls in deathless yearnings meet;
Answer me, answer me!
The grave is silent: - and the far-off sky,
And the deep midnight - silent all, and lone!
Oh! if thy buried love make no reply,
What voice has earth! - Hear, pity, speak, mine own!
Answer me, answer me!
poem by Felicia Dorothea Hemans
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From Faust - Second Part - I.
I.
ARIEL.
WHEN in spring the gentle rain
Breathes into the flower new birth,
When the green and happy plain
Smiles upon the sons of earth,
Haste to give what help we may,
Little elves of wondrous might!
Whether good or evil they,
Pity for them feels the sprite.
II.
CHORUS OF SPIRITS.
WHEN the moist and balmy gale
Round the verdant meadow sighs,
Odors sweet in misty veil
At the twilight-hour arise.
Murmurings soft of calm repose
Rock the heart to child-like rest,
And the day's bright portals close
On the eyes with toil oppress'd.
Night already reigns o'er all,
Strangely star is link'd to star;
Planets mighty, sparkling small,
Glitter near and gleam afar.
Gleam above in clearer night,
Glitter in the glassy sea;
Pledging pure and calm delight,
Rules the moon in majesty.
Now each well-known hour is over,
Joy and grief have pass'd away;
Feel betimes! thoult then recover:
Trust the newborn eye of day.
Vales grow verdant, hillocks teem,
Shady nooks the bushes yield,
And with waving, silvery gleam,
Rocks the harvest in the field.
Wouldst thou wish for wish obtain,
Look upon yon glittering ray!
Lightly on thee lies the chain,
Cast the shell of sleep away!
Tarry not, but be thou bold,
When the many loiter still;
All with ease may be controll'd
By the man of daring will.
III.
ARIEL.
HARK! the storm of hours draws near,
Loudly to the spirit-ear
Signs of coming day appear.
Rocky gates are wildly crashing,
Phoebus' wheels are onward dashing;
(A wonderful noise proclaims the approach of the sun.)
Light doth mighty sounds beget!
Pealing loud as rolling thunder,
Eye and ear it fills with wonder,
Though itself unconscious yet.
Downward steals it,'mongst the flowers
Seeking deeper, stiller bowers,
'Mongst the foliage, 'neath the rock;
Thou'lt be deafened by the shock!
poem by Johann Wolfgang von Goethe
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