Charles Baudelaire

Sisina

Imaginez Diane en galant équipage,
Parcourant les forêts ou battant les halliers,
Cheveux et gorge au vent, s'enivrant de tapage,
Superbe et défiant les meilleurs cavaliers!

Avez-vous vu Théroigne, amante du carnage,
Excitant à l'assaut un peuple sans souliers,
La joue et l'oeil en feu, jouant son personnage,
Et montant, sabre au poing, les royaux escaliers?

Telle la Sisina! Mais la douce guerrière
À l'âme charitable autant que meurtrière;
Son courage, affolé de poudre et de tambours,

Devant les suppliants sait mettre bas les armes,
Et son coeur, ravagé par la flamme, a toujours,
Pour qui s'en montre digne, un réservoir de larmes.

Sisina

Imagine Diana in elegant attire,
Roaming through the forest, or beating the thickets,
Hair flying in the wind, breast bare, drunk with the noise,
Superb, defying the finest horsemen!

Have you seen Théroigne that lover of carnage,
Urging a barefoot mob on to attack,
Her eyes and cheeks aflame, playing her role,
And climbing, sword in hand, the royal staircase?

That is Sisina! But the sweet amazon's soul
Is as charitable as it is murderous;
Her courage, exalted by powder and by drums,

Before supplicants, knows how to lay down its arms,
And her heart, ravaged by love, has always,
For him who is worthy, a reservoir of tears.


— Translated by William Aggeler

Sisina

Picture Diana, gallantly arrayed,
Ranging the woods, elated with the chase,
With flying hair and naked breasts displayed,
Defying fleetest horsemen with her pace.

Know you Theroigne whom blood and fire exalt,
Hounding a shoeless rabble to the fray,
Up royal stairways heading the assault,
And mounting, sword in hand, to show the way?

Such is Sisina. Terrible her arms.
But charity restrains her killing charms.
Though rolling drums and scent of powder madden

Her courage, — laying by its pikes and spears,
For those who merit, her scorched heart will sadden,
And open, in its depth, a well of tears.


Translated by Roy Campbell

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Charles Baudelaire

Causerie (Conversation)

Vous êtes un beau ciel d'automne, clair et rose!
Mais la tristesse en moi monte comme la mer,
Et laisse, en refluant, sur ma lèvre morose
Le souvenir cuisant de son limon amer.

— Ta main se glisse en vain sur mon sein qui se pâme;
Ce qu'elle cherche, amie, est un lieu saccagé
Par la griffe et la dent féroce de la femme.
Ne cherchez plus mon coeur; les bêtes l'ont mangé.

Mon coeur est un palais flétri par la cohue;
On s'y soûle, on s'y tue, on s'y prend aux cheveux!
— Un parfum nage autour de votre gorge nue!...

Ô Beauté, dur fléau des âmes, tu le veux!
Avec tes yeux de feu, brillants comme des fêtes,
Calcine ces lambeaux qu'ont épargnés les bêtes!

Conversation

You are a lovely autumn sky, clear and rosy!
But sadness rises in me like the sea,
And as it ebbs, leaves on my sullen lips
The burning memory of its bitter slime.

— In vain does your band slip over my swooning breast;
What it seeks, darling, is a place plundered
By the claws and the ferocious teeth of woman.
Seek my heart no longer; the beasts have eaten it.

My heart is a palace polluted by the mob;
They get drunk there, kill, tear each other's hair!
— A perfume floats about your naked breast!...

O Beauty, ruthless scourge of souls, you desire it!
With the fire of your eyes, brilliant as festivals,
Bum these tatters which the beasts spared!


— Translated by William Aggeler

Conversation

You're like an autumn sky, rose, clear, and placid.
But sorrow whelms me, like the tide's assault,
And ebbing, leaves upon my lips the acid
And muddy-bitter memory of its salt.

Your band may stroke my breast, but not console.
What it seeks there is but a hole, deep caverned
By women's claws and fangs, and ransacked whole.
Seek not my heart, on which the beasts have ravened.

My heart's a palace plundered by the rabble:
They tope, they kill, in blood and guts they scrabble:
— A perfume swims around your naked breast!

O Beauty, flail of spirits, you know best!
With your eyes' fire, lit up as for a spree,
Char the poor rags those beasts have left of me!


— Translated by Roy Campbell

Episode

You are a lovely, rosy, lucid autumn sky!
But sadness mounts upon me like a flooding sea,
And ebbs, and ebbing, leaves my lips morose and dry,
Smarting with salty ooze, bitter with memory.

— Useless to slide your hand like that along my breast;
That which it seeks, my dear, is plundered; it is slit
By the soft paw of woman, that clawed while it caressed.
Useless to hunt my heart; the beasts have eaten it.

My heart is like a palace where the mob has spat;
There they carouse, they seize each other's hair, they kill.
— Your breast is naked... what exotic scent is that?...

O Beauty, iron flail of souls, it is your will!
So be it! Eyes of fire, bright in the darkness there,
Bum up these strips of flesh the beasts saw fit to spare.


— Translated by Edna St. Vincent Millay

Conversation

You are the loveliness, the clearness, the red of autumn skies!
But sadness climbs like a sea in me,
Leaving, in reflux, upon my bitter lip
The sharp memory of its biting slime.

— In vain your hand slips on my fainting chest;
What it seeks, my darling, is but a place pillaged
By the fang and the fierce tooth of woman.
Do not search for my heart anymore; the wild beasts have eaten it.

My heart is a palace soiled by the mob;
There they swill, and they brawl, and they kill!
— A fragrance swims around your naked breasts.

O Beauty, cruel scourge of souls, you long for it!
With your eyes that flame, brilliant as festivals,
Bum these tatters that the beasts have spared me!


—Translated by Geoffrey Wagner

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To The Person I Love

Je ne connais pas n'importe qui
mais je vous connais

je vous aime
mais vous ne savez pas

je ne vois pas n'importe qui mais vous
mais vous ne savez pas que j'existe

vous avez les cheveux bruns
et les beaux yeux
j'ai les cheveux blonds
et les yeux cruels

vous êtes mon opposé
mais vous êtes également mon soulmate

vous êtes la personne que j'adore
vous êtes l'amour de la personne I
Mais vous ne découvrirez jamais
puisque vous devez se perfectionner
pour quelqu'un comme moi pour te demander

T ranslation:
I don't know anyone
But I know you.

I like you
But you don't know.

I don't see anyone but you
But you don't know I exist.

You have brown hair
And beautiful eyes.
I have blonde hair
And cruel eyes.

You're my opposite
But you're also my soulmate.

You're the person I adore
You're the person I love
But you'll never find out
Because you're to perfect
For someone like me to ask you out.

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Charles Baudelaire

Le Guignon (Ill-Starred)

Pour soulever un poids si lourd,
Sisyphe, il faudrait ton courage!
Bien qu'on ait du coeur à l'ouvrage,
L'Art est long et le Temps est court.

Loin des sépultures célèbres,
Vers un cimetière isolé,
Mon coeur, comme un tambour voilé,
Va battant des marches funèbres.

— Maint joyau dort enseveli
Dans les ténèbres et l'oubli,
Bien loin des pioches et des sondes;

Mainte fleur épanche à regret
Son parfum doux comme un secret
Dans les solitudes profondes.


Evil Fate

To lift a weight so heavy,
Would take your courage, Sisyphus!
Although one's heart is in the work,
Art is long and Time is short.

Far from famous sepulchers
Toward a lonely cemetery
My heart, like muffled drums,
Goes beating funeral marches.

Many a jewel lies buried
In darkness and oblivion,
Far, far away from picks and drills;

Many a flower regretfully
Exhales perfume soft as secrets
In a profound solitude.


— Translated by William Aggeler

Ill Luck

So huge a burden to support
Your courage, Sisyphus, would ask;
Well though my heart attacks its task,
Yet Art is long and Time is short.

Far from the famed memorial arch
Towards a lonely grave I come.
My heart in its funereal march
Goes beating like a muffled drum.

— Yet many a gem lies hidden still
Of whom no pick-axe, spade, or drill
The lonely secrecy invades;

And many a flower, to heal regret,
Pours forth its fragrant secret yet
Amidst the solitary shades.


— Translated by Roy Campbell

Ill-Starred

A man would needs be brave and strong
As Sisyphus, for such a task!
It is not greater zeal I ask —
But life is brief, and art is long.

To a forsaken mound of clay
Where no admirers ever come,
My heart, like an invisible drum,
Goes beating a dead march all day.

Many a jewel of untold worth
Lies slumbering at the core of earth,
In darkness and oblivion drowned;

Many a flower has bloomed and spent
The secret of its passionate scent
Upon the wilderness profound.


— Translated by George Dillon

Ill-Starred

To bear a weight that cannot be borne,
Sisyphus, even you aren't that strong,
Although your heart cannot be torn
Time is short and Art is long.
Far from celebrated sepulchers
Toward a solitary graveyard
My heart, like a drum muffled hard
Beats a funeral march for the ill-starred.

—Many jewels are buried or shrouded
In darkness and oblivion's clouds,
Far from any pick or drill bit,

Many a flower unburdens with regret
Its perfume sweet like a secret;
In profoundly empty solitude to sit.


Translated by William A. Sigler

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Hope Is An Open Window

(christopher ward/tim tickner/diana ross)
Are we not more than hunger and music
Are we not more than harlequins and horns
Are we not more than color and drums
Are we not more than anger and dance
Give me courage so I can spread it over my face and mouth
Give me courage, give me courage
Give me courage, give me courage
I walk these city streets see the people there
Look into the eyes of quiet despair
And the faces tell a story that words never can
And it falls to everyone of us to try and understand
Out of kindness
One act of grace makes the world we walk a better place
Hope is an open window
Love an open door
To reach out for each other
Is what we came here for
Through an open window
We can see the way
If we hold on to each other, every day
We build walls of suspicion with bars of fears
Tell ourselves well be safe in here
I know more brings us together
Than keeps up apart
First we got to tear down these walls within our hearts
We might be strangers, we can be friends
You and I we both need to let somebody in
Hope is an open window
Love an open door
To reach out for each other
Is what we came here for
Through an open window
We can see the way
If we hold on to each other, every day
Give me courage so I can spread over my face and mouth
We are secret rivers with shaking hips and crests
Come awake in our thunder so that our eyes can see behind trees
Give me courage so I can spread over my face and mouth
Give me courage, give me courage
Give me courage, give me courage
Hope is an open window
Loves an open door
To reach out for each other
Is what we came here for
Through an open window
We can see the way
If we hold on to each other, every day
Hope is an open window
Love an open door
Gotta be there for each other
Is what we sent here for
Through an open window
We can find a way
To love one another
Hope is an open window
Love an open door

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Charles Baudelaire

L'Homme Et La Mer (Man And The Sea)

Homme libre, toujours tu chériras la mer!
La mer est ton miroir; tu contemples ton âme
Dans le déroulement infini de sa lame,
Et ton esprit n'est pas un gouffre moins amer.

Tu te plais à plonger au sein de ton image;
Tu l'embrasses des yeux et des bras, et ton coeur
Se distrait quelquefois de sa propre rumeur
Au bruit de cette plainte indomptable et sauvage.

Vous êtes tous les deux ténébreux et discrets:
Homme, nul n'a sondé le fond de tes abîmes;
Ô mer, nul ne connaît tes richesses intimes,
Tant vous êtes jaloux de garder vos secrets!


Et cependant voilà des siècles innombrables
Que vous vous combattez sans pitié ni remords,
Tellement vous aimez le carnage et la mort,
Ô lutteurs éternels, ô frères implacables!

Man and the Sea
Free man, you will always cherish the sea!
The sea is your mirror; you contemplate your soul
In the infinite unrolling of its billows;
Your mind is an abyss that is no less bitter.

You like to plunge into the bosom of your image;
You embrace it with eyes and arms, and your heart
Is distracted at times from its own clamoring
By the sound of this plaint, wild and untamable.

Both of you are gloomy and reticent:
Man, no one has sounded the depths of your being;
O Sea, no person knows your most hidden riches,
So zealously do you keep your secrets!


Yet for countless ages you have fought each other
Without pity, without remorse,
So fiercely do you love carnage and death,
O eternal fighters, implacable brothers!


— Translated by William Aggeler

Man and the Sea

Free man, you'll always love the sea — for this,
That it's a mirror, where you see your soul
In its eternal waves that chafe and roll;
Nor is your soul less bitter an abyss.

in your reflected image there to merge,
You love to dive, its eyes and limbs to match.
Sometimes your heart forgets its own, to catch
The rhythm of that wild and tameless dirge.

The two of you are shadowy, deep, and wide.
Man! None has ever plummeted your floor —
Sea! None has ever known what wealth you store —
Both are so jealous of the things you hide!

Yet age on age is ended, or begins,
While you without remorse or pity fight.
So much in death and carnage you delight,
Eternal wrestlers! Unrelenting twins!


— Translated by Roy Campbell

Man and the Sea

Free man, you shall forever cherish the vast sea,
The sea, that image where you contemplate your soul
As everlastingly its mighty waves unroll.
Your mind a yawning gulf seasoned as bitterly.

You love to plunge into your image to the core,
Embracing it with eyes and arms; your very heart
Sometimes finds a distraction from its urgent smart
In the wild sea's untamable and plaintive roar.

Both of you live in darkness and in mystery:
Man, who has ever plumbed the far depths of your being?
O Sea, who knows your private hidden riches, seeing
How strange the secrets you preserve so jealously?

And yet for countless ages you have fought each other
With hands unsparing and with unforbearing breath,
Each an eternal foe to his relentless brother,
So avid are you both of slaughter and of death.


— Translated by Jacques LeClercq


L'Homme et le Mer

love Ocean always, Man: ye both are free!
the Sea, thy mirror: thou canst find thy soul
in the unfurling billows' surging roll,
they mind's abyss is bitter as the sea.

thou doest rejoice thy mirrored face to pierce,
plunging, and clasp with eyes and arms; thy heart
at its own mutter oft forgets to start,
lulled by that plaint indomitably fierce.

discreet ye both are; both are taciturn:
Man, none has measured all thy dark abyss,
none, Sea, knows where thy hoarded treasure is,
so jealously your secrets ye inurn!

and yet for countless ages, trucelessly,
— o ruthless warriors! — ye have fought and striven:
brothers by lust for death and carnage driven,
twin wrestlers, gripped for all eternity!


— Translated by Lewis Piaget Shanks

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Charles Baudelaire

Semper Eadem (Ever The Same)

«D'où vous vient, disiez-vous, cette tristesse étrange,
Montant comme la mer sur le roc noir et nu?»
— Quand notre coeur a fait une fois sa vendange
Vivre est un mal. C'est un secret de tous connu,

Une douleur très simple et non mystérieuse
Et, comme votre joie, éclatante pour tous.
Cessez donc de chercher, ô belle curieuse!
Et, bien que votre voix soit douce, taisez-vous!

Taisez-vous, ignorante! âme toujours ravie!
Bouche au rire enfantin! Plus encor que la Vie,
La Mort nous tient souvent par des liens subtils.

Laissez, laissez mon coeur s'enivrer d'un mensonge,
Plonger dans vos beaux yeux comme dans un beau songe
Et sommeiller longtemps à l'ombre de vos cils!

Ever the Same

-'Whence comes to you, you asked, this singular sadness
That rises like the sea on the naked, black rock?'
— Once our heart has gathered the grapes from its vineyard,
Living is an evil. That's a secret known to all,

A simple pain, with no mystery,
As obvious to all men as your gaiety.
So abandon your search, inquisitive beauty;
And though your voice is sweet, be still!

Be silent, ignorant! ever enraptured soul!
Mouth with the child-like laugh! Still more than Life,
Death holds us frequently with subtle bonds.

Let, let my heart become drunk with a lie; let it
Plunge into your fair eyes as into a fair dream
And slumber long in the shadow of your lashes.


— Translated by William Aggeler

Semper Eadem

'Whence,' ask you, 'does this strange new sadness flow
Like rising tides on rocks, black, bare, and vast?'
For human hearts, when vintage-time is past,
To live is bad. That secret all men know —

An obvious sorrow, with no mystery, shown,
Clear as your joy, to everyone around.
O curious one, seek nothing more profound,
And speak not, though your voice be sweet in tone.

Hush, ignorant! Hush, soul that's still enraptured,
And mouth of childish laughter! Neatly captured,
Death pulls us, more than life, with subtle wile.

Oh let my thought get drunk upon a lie,
And plunge, as in a dream, in either eye,
And in their lashes' shadow sleep awhile!


— Translated by Roy Campbell

Semper Eadem

'What in the world,' you said, 'has brought on this black mood,
Climbing you as the sea climbs up a naked reef?'
— When once the heart has made its harvest (understood
By all men, this) why, just to be alive is grief:

A pain quite simple, nothing mysterious at all,
And like that joy of yours, patent to all we meet;
Stop asking questions, then, I beg of you, and fall
Silent a while, fair prober, though your voice be sweet.

Ah, yes, be silent, ignorant girl, always so gay,
Mouth with the childlike laughter! More than Life, I say,
Death has the power to hold us by most subtle ties.

My one fictitious comfort, kindly, let me keep:
To plunge as into dreams into your lovely eyes,
And in the shadow of your lashes fall asleep.


— Translated by Edna St. Vincent Millay

Semper eadam

you asked: 'what floods of gloom engulf you — strange
as creeping tides against a bare black wall?'
— when hearts once crush their grapes and close the grange,
life is an evil. secret known to all,

'tis but the common grief each man betrays
to all, as you your joy, in eyes or brow
so veil, my fair one, your inquiring gaze
and though your voice is low, be silent now!

be silent, simple soul! mouth always gay
with girlish laughter! more than Life, today,
Death binds our hearts with tenuous webs of doom;

let mine be drunken with the wine of lies,
o let me delve for dreams in those deep eyes
and slumber long beneath your eyebrows' gloom!


— Translated by Lewis Piaget Shanks

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Coffee Courage

The bitter coffee kicked;
I shook and then I licked
My lips and gave a sigh.

Shattered eyes encouraged,
I nearly had envisaged
Waking up an eye.

Another sip; a jolt –
Not unlike a bolt
Of wattage from the mains.

My sockets under strain,
I tried it once again:
Aha! The light, the searing white –
My God, the bloody pain!

Copyright © Mark R Slaughter 2009



Courage, courage, coffee courage,
Courage, courage, courage,
Courage, courage, coffee courage,
Courage, courage, courage,

Courage, courage, coffee courage,
Courage, courage, courage,
Courage, courage, coffee courage,
Courage, courage, courage,

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Victor Hugo

A ceux qui sont petits

Est-ce ma faute à moi si vous n'êtes pas grands ?
Vous aimez les hiboux, les fouines, les tyrans,
Le mistral, le simoun, l'écueil, la lune rousse ;
Vous êtes Myrmidon que son néant courrouce ;
Hélas ! l'envie en vous creuse son puits sans fond,
Et je vous plains. Le plomb de votre style fond
Et coule sur les noms que dore un peu de gloire,
Et, tout en répandant sa triste lave noire,
Tâche d'être cuisant et ne peut qu'être lourd.
Tortueux, vous rampez après tout ce qui court ;
Votre oeil furieux suit les grands aigles véloces.
Vous reprochez leur taille et leur ombre aux colosses ;
On dit de vous : - Pygmée essaya, mais ne put.-
Qui haïra Chéops si ce n'est Lilliput ?
Le Parthénon vous blesse avec ses fiers pilastres ;
Vous êtes malheureux de la beauté des astres ;
Vous trouvez l'océan trop clair, trop noir, trop bleu ;
Vous détestez le ciel parce qu'il montre Dieu ;
Vous êtes mécontents que tout soit quelque chose ;
Hélas, vous n'êtes rien. Vous souffrez de la rose,
Du cygne, du printemps pas assez pluvieux.
Et ce qui rit vous mord. Vous êtes envieux
De voir voler la mouche et de voir le ver luire.
Dans votre jalousie acharnée à détruire
Vous comprenez quiconque aime, quiconque a foi,
Et même vous avez de la place pour moi !
Un brin d'herbe vous fait grincer s'il vous dépasse ;
Vous avez pour le monde auguste, pour l'espace,
Pour tout ce qu'on voit croître, éclairer, réchauffer,
L'infâme embrassement qui voudrait étouffer.
Vous avez juste autant de pitié que le glaive.
En regardant un champ vous maudissez la sève ;
L'arbre vous plaît à l'heure où la hache le fend ;
Vous avez quelque chose en vous qui vous défend
D'être bons, et la rage est votre rêverie.
Votre âme a froid par où la nôtre est attendrie ;
Vous avez la nausée où nous sentons l'aimant ;
Vous êtes monstrueux tout naturellement.
Vous grondez quand l'oiseau chante sous les grands ormes.
Quand la fleur, près de vous qui vous sentez difformes,
Est belle, vous croyez qu'elle le fait exprès.
Quel souffle vous auriez si l'étoile était près !
Vous croyez qu'en brillant la lumière vous blâme ;
Vous vous imaginez, en voyant une femme,
Que c'est pour vous narguer qu'elle prend un amant,
Et que le mois de mai vous verse méchamment
Son urne de rayons et d'encens sur la tête ;
Il vous semble qu'alors que les bois sont en fête,
Que l'herbe est embaumée et que les prés sont doux,
Heureux, frais, parfumés, charmants, c'est contre vous.
Vous criez : au secours ! quand le soleil se lève.
Vous exécrez sans but, sans choix, sans fin, sans trêve,
Sans effort, par instinct, pour mentir, pour trahir ;
Ce n'est pas un travail pour vous de tout haïr,
Fourmis, vous abhorrez l'immensité sans peine.
C'est votre joie impie, âcre, cynique, obscène.
Et vous souffrez. Car rien, hélas, n'est châtié
Autant que l'avorton, géant d'inimitié !
Si l'oeil pouvait plonger sous la voûte chétive
De votre crâne étroit qu'un instinct vil captive,
On y verrait l'énorme horizon de la nuit ;
Vous êtes ce qui bave, ignore, insulte et nuit ;
La montagne du mal est dans votre âme naine.
Plus le coeur est petit, plus il y tient de haine.

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Le pardon

Pour peu que votre image en mon âme renaisse,
Je sens bien que c'est vous que j'aime encor le mieux.
Vous avez désolé l'aube de ma jeunesse,
Je veux pourtant mourir sans oublier vos yeux,

Ni votre voix surtout, sonore et caressante,
Qui pénétrait mon coeur entre toutes les voix,
Et longtemps ma poitrine en restait frémissante
Comme un luth solitaire encore ému des doigts.

Ah ! j'en connais beaucoup dont les lèvres sont belles,
Dont le front est parfait, dont le langage est doux.
Mes amis vous diront que j'ai chanté pour elles,
Ma mère vous dira que j'ai pleuré pour vous.

J'ai pleuré, mais déjà mes larmes sont plus rares ;
Je sanglotais alors, je soupire aujourd'hui ;
Puis bientôt viendra l'âge où les yeux sont avares,
Et ma tristesse un jour ne sera plus qu'ennui.

Oui, pour avoir brisé la fleur de ma jeunesse,
J'ai peur de vous haïr quand je deviendrai vieux.
Que toujours votre image en mon âme renaisse !
Que je pardonne à l'âme au souvenir des yeux !

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Jonathan

Paroles et musique : Yves Duteil
(c) 1986 by les ditions de l'critoire
Va-t'en dire au vent qui t'amne
Que le monde n'est rien sans toi
Il n'y a que l'amour qui t'entrane
monter plus haut chaque fois
Et cach derrire ton paule
Il y a le regard si doux
D'une femme qui sait ton rle
Et qui t'aide tenir debout
C'est le vent qui sonne ta porte
Mais le destin n'existe pas
Il sera ce que tu apportes
Tout ce que tu aimes est en toi
Tu fabriques une route neuve
Que bien d'autres suivront un jour
C'est pour mieux te mettre l'preuve
Qu'une toile te suit toujours
Un bonheur quand il te traverse
N'est dj plus qu'un souvenir
Il faut du courage l'inverse
Pour ne pas trop le retenir
L'horizon s'loigne mesure
Qu'on avance pour le toucher
Il nous montre une vie plus dure
Moins facile apprivoiser
Jonathan ouvre-moi les ailes
Le vent souffle vers l'avenir
Et le temps m'emporte vers celle
Qui m'apprend m'appartenir
Va-t'en dire au vent qui m'appelle
Que j'irai jusqu'au bout du temps
Pour revivre une vie prs d'elle
Entour de tous nos enfants
Va-t'en dire au vent qui t'amne
Que le monde n'est rien sans toi
Qu'il n'y a que l'amour qui t'entrane
voler plus haut chaque fois
Et cach derrire mon paule
Il y a le regard si doux
De la femme qui sait mon rle
Et que j'aime au-del de tout
Jonathan ouvre-moi les ailes
L'Univers n'est pas assez grand
Et les mots seraient infidles
dcrire ce qui nous attend
La beaut des mondes invisibles
Qu'on dcouvre en fermant les yeux
Et l'amour des choses impossibles
Qui sont vraies quand on est heureux
Va-t'en dire au vent qui t'amne
Que le monde n'est rien sans toi
Qu'il n'y a que l'amour qui t'entrane
voler plus haut chaque fois...
Et cach derrire ton paule
Il y a le regard si doux
De la femme qui sait ton rle
Et qui t'aide tenir debout

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Victor Hugo

Puisque j'ai mis ma lèvre (Since I Have Placed My Lip)

Puisque j'ai mis ma lèvre à ta coupe encor pleine;
Puisque j'ai dans tes mains posé mon front pâli;
Puisque j'ai respiré parfois la douce haleine
De ton âme, parfum dans l'ombre enseveli;

Puisqu'il me fut donné de t'entendre me dire
Les mots où se répand le coeur mystérieux;
Puisque j'ai vu pleurer, puisque j' ai vu sourire
Ta bouche sur ma bouche et tes yeux sur mes yeux;

Puisque j'ai vu briller sur ma tête ravie
Un rayon de ton astre, hélas! voilé toujours;
Puisque j'ai vu tomber dans l'onde de ma vie
Une feuille de rose arrachée à tes jours;

Je puis maintenant dire aux rapides années:
- Passez! passez toujours! je n'ai plus à vieillir!
Allez-vous-en avec vos fleurs toutes fanées;
J'ai dans l'âme une fleur que nul ne peut cueillir!

Votre aile en le heurtant ne fera rien répandre
Du vase où je m'abreuve et que j'ai bien rempli.
Mon âme a plus de feu que vous n'avez de cendre!
Mon coeur a plus d'amour que vous n'avez d'oubli!

From Thy Sweet Lips

Since from thy star one cheering ray
My heaven hath lighted with its beam—
Since one bright rose leaf from thy day
Hath fallen on my life's dark steam—
And o'er my spirit, like a spell,
Thy voice hath poured its gentle ruth;
And I have drank of love's charmed well,
From thy sweet lips, perpetual youth—

I say, as these swift years depart,
Haste, with your faded garlands by—
There blooms a flower within my heart
That none may gather—ne'er may die!
Ye may not dash the cup of soul
That I now quaff to sweet excess—
There lies more memory in the bowl,
Than time hath of forgetfulness!

Translated by Mary E. Hewitt

Since I Have Placed My Lip

Since I have placed my lip
To your still brimming cup,
Since my pale brow has leaned
Into your sheltering hand,
Since I at times have caught
The hidden fragrance of your heart—

Since I have heard you say
Words of love's mystery,
Since I have known your kiss
Smile upon mine and press
Against my own and seen
Your eyes in tears mirroring mine—

Since one ray from your star
So often veiled too far
From me has shone across
The gap that severs us,
Since you have let me seize
One rose-leaf of your sweeter days—

I can tell the swift years,
'Pass by. Pass with your cares.
I will not age. Take all
Your withered flowers that fall
And go. Within my soul
There is a flower none can steal.

Let time's wing brush the jar
I've filled to the brim nor
Spill one drop. I've more flame
In my heart now than time
Has ash and I possess
More love than time forgetfulness.'

Translated by Harry Guest

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Charles Baudelaire

Sed Non Satiata (Unslakeable Lust)

Bizarre déité, brune comme les nuits,
Au parfum mélangé de musc et de havane,
Oeuvre de quelque obi, le Faust de la savane,
Sorcière au flanc d'ébène, enfant des noirs minuits,

Je préfère au constance, à l'opium, au nuits,
L'élixir de ta bouche où l'amour se pavane;
Quand vers toi mes désirs partent en caravane,
Tes yeux sont la citerne où boivent mes ennuis.

Par ces deux grands yeux noirs, soupiraux de ton âme,
Ô démon sans pitié! verse-moi moins de flamme;
Je ne suis pas le Styx pour t'embrasser neuf fois,

Hélas! et je ne puis, Mégère libertine,
Pour briser ton courage et te mettre aux abois,
Dans l'enfer de ton lit devenir Proserpine!

Unslakeable Lust

Singular deity, brown as the nights,
Scented with the perfume of Havana and musk,
Work of some obeah, Faust of the savanna,
Witch with ebony flanks, child of the black midnight,

I prefer to constance, to opium, to nuits,
The nectar of your mouth upon which love parades;
When toward you my desires set out in caravan,
Your eyes are the cistern that gives drink to my cares.

Through those two great black eyes, the outlets of your soul,
O pitiless demon! pour upon me less flame;
I'm not the River Styx to embrace you nine times,

Alas! and I cannot, licentious Megaera,
To break your spirit and bring you to bay
In the hell of your bed turn into Proserpine!


— Translated by William Aggeler

Sed non Satiata

Strange goddess, brown as evening to the sight,
Whose scent is half of musk, half of havanah,
Work of some obi, Faust of the Savanah,
Ebony witch, and daughter of the night.

By far preferred to troth, or drugs, or sleep,
Love vaunts the red elixir of your mouth.
My caravan of longings seeks in drouth
Your eyes, the wells at which my cares drink deep.

Through those black eyes, by which your soul respires,
Pitiless demon! pour less scorching fires.
I am no Styx nine times with flame to wed.

Nor can I turn myself to Proserpine
To break your spell, Megera libertine!
Within the dark inferno of your bed.


— Translated by Roy Campbell

Sed Non Satiata

Dusky as tropic nights, O bizarre deity,
Redolent of havana, musk and cordovan,
What obeah man or Faust of the Caribbean,
Wrought you, child-witch of night, with flanks of ebony?
Better than opium or Constanta. Wine or Nuits,
Your nectar mouth where Love swoons in a slow pavane,
When my desires set forth, a serried caravan,
Your eyes are the twin wells where I can slake ennui.

From out these wide black eyes which are your spirit's vent,
Heap fires less fierce upon me. O impenitent,
I am no tireless Styx to gird you nine times nine,
I am no lustful Fury to exhaust your lust,
To break your vigor or to make you bite the dust
Or in your bed's hell turn into a Proserpine.


— Translated by Jacques LeClercq

Sed Non Satiata

Strange deity, brown as nights,
Whose perfume is mixed with musk and Havanah,
Magical creation, Faust of the savanna,
Sorceress with the ebony thighs, child of black midnights,

I prefer to African wines, to opium, to burgundy,
The elixir of your mouth where love parades itself;
When my desires leave in caravan for you,
Your eyes are the reservoir where my cares drink.

From those two great black eyes, chimneys of our spirit,
O pitiless demon, throw out less flame at me;
I am no Styx to clasp you nine times,

Nor can I, alas, dissolute shrew,
To break your courage, bring you to bay,
Become any Proserpine in the hell of your bed!


— Translated by Geoffrey Wagner

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What Gives You Courage

Without fear there cannot be courage
Fear drives the unthinkable out of us

What gives you courage when there is none?
What gives you courage to get out of bed?
What gives you courage to drive when you know it's dangerous?
What gives you courage to succeed?
What gives you courage to survive?
What gives you courage to strive?

People have courage to live for their children
People have courage to live for themselves
People have courage to live for hope
People have courage because they believe
People have courage to not give up

Fear is not the essence of life
But a free soul not tamed

Courage is the journey of your heart
Guided by strength
On a path of untamed obstacles

Let courage guide you
As you begin your quest

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My Vow To You

My heart takes flight every time you are near

My world becomes calm, still, and crystal clear

I’ll tell you I love you for a million years

You have taken away all my fears


Compassionate, considerate, and benign

Tender, sweet, loving, and kind

To you I could not put up any resistance

You are my all, my life, my true existence


To dishonor you I would rather die

I could never bring a tear to your eye

A life with you is my only endeavor

I will love you for now and forever

Mon voeu à toi


Mon coeur prend la fuite la chaque fois que vous etes pres

Mon monde devient calme, tout de meme et cristallin

Je vous dirai que je vous aime depuis un million d'ans

Vous avez emporté toutes mes peurs


Compatissant, prevenant et bienveillant

L'offre, le bonbon, l'amour et la sorte

À vous je ne pouvais pas relever de resistance

Vous etes mon tous, ma vie, ma vraie existence


Pour vous deshonorer je mourrais

Je ne pouvais jamais apporter une déchirure a votre oeil

Une vie avec vous est mon seul effort

Je vous aimerai pour maintenant et pour toujours

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Charles Baudelaire

Duellum (The Duel)

Deux guerriers ont couru l'un sur l'autre, leurs armes
Ont éclaboussé l'air de lueurs et de sang.
Ces jeux, ces cliquetis du fer sont les vacarmes
D'une jeunesse en proie à l'amour vagissant.

Les glaives sont brisés! comme notre jeunesse,
Ma chère! Mais les dents, les ongles acérés,
Vengent bientôt l'épée et la dague traîtresse.
— Ô fureur des coeurs mûrs par l'amour ulcérés!

Dans le ravin hanté des chats-pards et des onces
Nos héros, s'étreignant méchamment, ont roulé,
Et leur peau fleurira l'aridité des ronces.

— Ce gouffre, c'est l'enfer, de nos amis peuplé!
Roulons-y sans remords, amazone inhumaine,
Afin d'éterniser l'ardeur de notre haine!

The Duel

Two warriors rushed upon each other; their arms
Spattered the air with sparks and blood.
This fencing, this clashing of steel, are the uproar
Of youth when it becomes a prey to puling love.

The blades are broken! like our youth
My darling! But the teeth, the steely fingernails,
Soon avenge the sword and the treacherous dagger.
— O Fury of mature hearts embittered by love!

In the ravine haunted by lynxes and panthers,
Our heroes viciously clasping each other, rolled,
And their skin will put blooms on the barren brambles.

This abyss, it is hell, thronged with our friends!
Let us roll there without remorse, cruel amazon,
So the ardor of our hatred will be immortalized!


— Translated by William Aggeler


Duel

Two fighters rushed together: sabres bleak
With crimson blood-gouts lit the air above.
That clinking swordplay was the tender squeak
Of youth , when it's a prey to bleating love.

The swords are splintered, like our youth, my darling,
And now it's teeth and talons are the fashion.
The clash of swords is child's play to the snarling
Of hearts adult in ulcerated passion.

In the ravine by lynx and leopard haunted,
Our heroes, wrestling heroes, roll undaunted.
Rags of their skin flower red upon the gorse.

This gulf is hell, and peopled by our friends.
Here, hellcat! Come, let's roll without remorse
To celebrate a feud that never ends!


— Translated by Roy Campbell

The Duel

Two warriors dueled upon the battle ground,
Their arms scattering bright sparks and blood; above
This sport, the clash of steel gave forth the sound
Of youth fallen a prey to puling love.

The blades are broken, darling, like the moon
Of our sweet youth! but teeth and fingernails
Avenge the sword and traitorous dagger soon.
Old hearts that love's old bitterness assails!

In the ravine where lynx and panther ramble,
Our heroes bite the dust in fierce embrace,
Their skin shall bring new bloom to the dry bramble.
This pit is hell, our friends' choice dwelling place!
Let us roll there, O cruel Amazon,
So our fierce hatred may live on and on!


— Translated by Jacques LeClercq

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The Drums of Battersea

They can’t hear in West o’ London, where the worst dine with the best—
Deaf to all save lies and laughter, they can’t hear in London West—
Tailored brutes and splendid harlots, and the parasites that be—
They can’t hear the warning thunder of the Drums of Battersea.
More drums! War drums!
Drums of Misery—
Beating from the hearts of men—the Drums of Battersea.
Where the hearses hurry ever, and where man lives like a beast,
They can feel the war-drums beating—men of Hell! and London East.
And the far-off foreign farmers, fighting fiercely to be free,
Found new courage in the echo of the Drums of Battersea.
More drums! War drums!
Beating for the free—
Beating on the hearts of men—the Drums of Battersea.

And the drummers! Ah! the drummers!—stern and haggard men are those
Standing grimly at their meetings; and their washed and mended clothes
Speak of worn-out wives behind them and of grinding poverty—
But the English of the English beat the Drums of Battersea!
More drums! War drums!
Drums of agony—
The big bruised heart of England’s in the Drums of Battersea.

Where in fields slave Englishwomen, Oh! the sound of drums is there:
I have heard it in the laughter of the nights of Leicester Square—
Sailing southward with the summer, London but a dream to me,
Still I feel the distant thunder of the Drums of Battersea!
More drums! War drums!
Drums of Liberty—
Rolling round the English world—the Drums of Battersea.

Oh! I heard them in the Queen’s Hall—aye! and London heard that night—
While we formed up round the leaders while they struck one blow for right!
And the old strength, that old fire, that I thought was dead in me,
Blazed up fiercely at the beating of the Drums of Battersea!
More drums! War drums!
They beat for victory—
When above the roar of Jingoes rolled the Drums of Battersea.

And where’er my feet may wander, and howe’er I lay my head,
I shall hear them while I’m dreaming—I shall hear them when I’m dead!
For they beat for men and women, beat for Christ, and you and me:
There is hope and there is terror in the Drums of Battersea!
More drums! War drums!
Drums of destiny—
There’s hope!—there’s hope for England in the Drums of Battersea.

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Rolling In The Deep

There's a fire starting in my heart
Reaching a fever pitch, it's bringing me out
the dark
Finally I can see you crystal clear
Go 'head and sell me out and I'll lay your
ship [shit] bare
See how I leave with every piece of you
Don't underestimate the things that I will
do
There's a fire starting in my heart
Reaching a fever pitch
And it's bringing me out the dark
The scars of your love remind me of us
They keep me thinking that we almost had
it all
The scars of your love, they leave me
breathless
I can't help feeling
We could have had it all
(You're gonna wish you never had met me)
Rolling in the deep
(Tears are gonna fall, rolling in the deep)
You had my heart inside of your hand
(You're gonna wish you never had met me)
And you played it, to the beat
(Tears are gonna fall, rolling in the deep)
Baby, I have no story to be told
But I've heard one on you
And I'm gonna make your head burn
Think of me in the depths of your despair
Make a home down there
As mine sure won't be shared
(You're gonna wish you never had met me)
The scars of your love remind me of us
(Tears are gonna fall, rolling in the deep)
They keep me thinking that we almost had
it all
(You're gonna wish you never had met me)
The scars of your love, they leave me
breathless
(Tears are gonna fall, rolling in the deep)
I can't help feeling
We could have had it all
(You're gonna wish you never had met me)
Rolling in the deep
(Tears are gonna fall, rolling in the deep)
You had my heart inside of your hand
(You're gonna wish you never had met me)
And you played it, to the beat
(Tears are gonna fall, rolling in the deep)
We could have had it all
Rolling in the deep
You had my heart inside of your hand
But you played it, with a beating
Throw your soul through every open door
You'll pay me back in kind and reap just
what you sow (woah)
(You're gonna wish you never had met me)
We could have had it all
(Tears are gonna fall, rolling in the deep)
We could have had it all
(You're gonna wish you never had met me)
It all, it all, it all
(Tears are gonna fall, rolling in the deep)
We could have had it all
(You're gonna wish you never had met me)
Rolling in the deep
(Tears are gonna fall, rolling in the deep)
You had my heart inside of your hand
(You're gonna wish you never had met me)
And you played it to the beat
(Tears are gonna fall, rolling in the deep)
We could have had it all
(You're gonna wish you never had met me)
Rolling in the deep
(Tears are gonna fall, rolling in the deep)
You had my heart inside of your hand
(You're gonna wish you never had met me)
But you played it
You played it
You played it
You played it to the beat.

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A Soldier's War of Courage

Courage is standing in the middle of a war zone
Not knowing if you’ll be making it back home
Courage is leaving your loved ones behind
Not knowing for sure if you were seeing them for the last time
Courage is holding the weapon in your hand in a do or die place
Not showing the enemy traces of your fear and despair on your face
Courage is able to sleep at night with one eye open and eye closed
Not knowing if tomorrow, you’ll be the next one not coming home
Courage is reading a letter from a loved one holding back the tears
Remaining strong is your mission and survival becomes your darkest fears
Courage is seeing soldiers die right in front of you
While you are aware that your life is at risk for a mission you were born to do
Courage is being a hero in everyone’s eyes
Whether or not you come out alive
There, you will always and forever remain; a Soldier’s War of Courage…

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Lazarus Heart

He looked beneath his shirt today
There was a wound in his flesh so deep and wide
From the wound a lovely flower grew
From somewhere deep inside
He turned around to face his mother
To show her the wound in his breast that burned like a brand
But the sword that cut him open
Was the sword in his mothers hand
Every day another miracle
Only death will tear us apart
To sacrifice a life for yours
Id be the blood of the lazarus heart
The blood of the lazarus heart
Though the sword was his protection
The wound itself would give him power
The power to remake himself at the time of his darkest hour
She said the wound would give him courage and pain
The kind of pain that you cant hide
From the wound a lovely flower grew
From somewhere deep inside
Every day another miracle
Only death will keep us apart
To sacrifice a life for yours
Id be the blood of the lazarus heart
The blood of the lazarus heart
Birds on the roof of my mothers house
Ive no stones that chase them away
Birds on the roof of my mothers house
Will sit on my roof some day
They fly at the window, they fly at the door
Where does she get the strength to fight them anymore
She counts all her children as a shield against the pain
Lifts her eyes to the sky like a flower in the rain
Every day another miracle
Only death will keep us apart
To sacrifice a life for yours
Id be the blood of the lazarus heart
The blood of the lazarus heart

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Charles Baudelaire

Je t'adore à l'égal de la voûte nocturne (More Than Night's Vault, It's You That I Adore)

Je t'adore à l'égal de la voûte nocturne,
Ô vase de tristesse, ô grande taciturne,
Et t'aime d'autant plus, belle, que tu me fuis,
Et que tu me parais, ornement de mes nuits,
Plus ironiquement accumuler les lieues
Qui séparent mes bras des immensités bleues.

Je m'avance à l'attaque, et je grimpe aux assauts,
Comme après un cadavre un choeur de vermisseaux,
Et je chéris, ô bête implacable et cruelle!
Jusqu'à cette froideur par où tu m'es plus belle!

I Adore You as Much as the Nocturnal Vault...

I adore you as much as the nocturnal vault,
O vase of sadness, most taciturn one,
I love you all the more because you flee from me,
And because you appear, ornament of my nights,
More ironically to multiply the leagues
That separate my arms from the blue infinite.

I advance to attack, and I climb to assault,
Like a swarm of maggots after a cadaver,
And I cherish, implacable and cruel beast,
Even that coldness which makes you more beautiful.


— Translated by William Aggeler

More Than Night's Vault, It's You That I Adore

More than night's vault, it's you that I adore,
Vessel of sorrow, silent one, the more
Because you flee from me, and seem to place,
Ornament of my nights! more leagues of space
Ironically between me and you
Than part me from these vastitudes of blue.

I charge, attack, and mount to the assault
As worms attack a corpse within a vault.
And cherish even the coldness that you boast,
By which, harsh beast, you subjugate me most.


— Translated by Roy Campbell

I Worship You

I worship you, O proud and taciturn,
As I do night's high vault; O sorrow's urn,
I love you all the more because you flee
And seem, gem of my nights, ironically
To multiply the weary leagues that sunder
My arms from all infinity's blue wonder.

I skirmish and I climb to the attack,
I, a worms' chorus on a corpse's back,
O fierce cruel beast, I cherish to the full
The very chill that makes you beautiful.


— Translated by Jacques LeClercq

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