The Dwellings Of Our Dead
They lie unwatched, in waste and vacant places,
In sombre bush or wind-swept tussock spaces,
Where seldom human tread
And never human trace is—
The dwellings of our dead!
No insolence of stone is o'er them builded;
By mockery of monuments unshielded,
Far on the unfenced plain
Forgotten graves have yielded
Earth to free earth again.
Above their crypts no air with incense reeling,
No chant of choir or sob of organ pealing;
But ever over them
The evening breezes kneeling
Whisper a requiem.
For some the margeless plain where no one passes,
Save when at morning far in misty masses
The drifting flock appears.
Lo, here the greener grasses
Glint like a stain of tears!
For some the quiet bush, shade-strewn and saddened,
Whereo'er the herald tui, morning-gladdened,
Lone on his chosen tree,
With his new rapture maddened,
Shouts incoherently.
For some the gully where, in whispers tender,
The flax-blades mourn and murmur, and the slender
White ranks of toi go,
With drooping plumes of splendour,
In pageantry of woe.
For some the common trench where, not all fameless,
They fighting fell who thought to tame the tameless,
And won their barren crown;
Where one grave holds them nameless—
Brave white and braver brown.
But in their sleep, like troubled children turning,
A dream of mother-country in them burning,
They whisper their despair,
And one vague, voiceless yearning
Burdens the pausing air …
“ Unchanging here the drab year onward presses;
No Spring comes trysting here with new-loosed tresses ,
And never may the years
Win Autumn's sweet caresses —
Her leaves that fall like tears .
And we would lie 'neath old-remembered beeches ,
Where we could hear the voice of him who preaches
And the deep organ's call ,
While close about us reaches
The cool, grey, lichened wall .”
But they are ours, and jealously we hold them;
Within our children's ranks we have enrolled them,
And till all Time shall cease
Our brooding bush shall fold them
In her broad-bosomed peace.
They came as lovers come, all else forsaking,
The bonds of home and kindred proudly breaking;
They lie in splendour lone—
The nation of their making
Their everlasting throne!
poem by Arthur Henry Adams
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Maoriland
MAORILAND, my mother!
Holds the earth so fair another?
O, my land of the moa and Maori ,
Garlanded grand with your forests of kauri ,
Lone you stand, only beauty your dowry ,
Maoriland, my mother!
Older poets sing their frozen
England in her mists enshrouded;
Newer lands my Muse has chosen,
'Neath a Southern sky unclouded;
Set, a solitary gem,
In Pacific's diadem.
Land of rugged white-clad ranges,
Standing proud, impassive, lonely;
Ice and snow, where never change is,
Save the mighty motion only
Where through valleys seared and deep
Slow the serpent glaciers creep.
Land of silent lakes that nestle
Deep as night, girt round with forest;
Water never cut by vessel,
In whose mirror evermore rest
Green-wrapt mountain-side and peak,
Reddened by the sunset's streak.
Land of forests richly sweeping,
By the rata's red fire spangled;
Where at noonday night is sleeping,
Where, beneath the creepers tangled,
Come the tui's liquid calls
And the plash of waterfalls.
Land where fire from Earth's deep centre
Fights for breath in anguish furied,
Till she from the weight that pent her
Flings her flames out fiercely lurid;
Where the geysers hiss and seethe,
And the rocks groan far beneath.
Land of tussocked plain extending
In the distant blue to mingle,
Where wide rivers sigh unending
Over weary wastes of shingle;
Cold as moonlight is their flow
From the glacier-ice and snow.
Land where torrents pause to dally
'Neath the toi's floating feather,
Where the flax-blades in the valley
Whisper stealthily together,
And within the cabbage-trees
Hides the dying evening breeze.
Land where all winds whisper one word,
“Death!”—though skies are fair above her.
Newer nations white press onward:
Her brown warriors' fight is over—
One by one they yield their place,
Peace-slain chieftains of her race.
Land where faces find no furrow,
With the flush of life elated;
Where no grief is, save the sorrow
Of a pleasure that is sated;
Land of children lithe and slim,
Fresh of face and long of limb.
Land of fair enwreathëd cities,
Wide towns that the green bush merge in;
Land whose history unwrit is—
Memory hath no chaster virgin!
Land that is a starting place
For a newer, nobler race.
Maoriland, my mother!
Holds the Earth so fair another?
O, my land of the moa and Maori ,
Garlanded grand with your rata and kauri ,
Lone you stand, only beauty your dowry ,
Maoriland, my mother!
poem by Arthur Henry Adams
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White Hot Day
Instrumental version called bass line
In time, only time, speak for time, in time
Time calls, time cries, sweet friend of mine
Time could be a place, a spirit and a face
Teardrops through time
While away below, the whirlwinds will blow
A pretty nation speaks in time
The beauty of it is, to waken up to
Shake the hand of time
In time, only time, well speak for time
On a quiet night of a white hot day
Whisper the things that will come our way
On a quiet night of a white hot day
Hold back the years, hold back the years
Time calls, time cries, sounds like a friend of mine
Time will run to meet, the slick and shiny beat
That creeps to me through time
While away below, the whirlwinds will blow
A pretty nation sleeps in time
The beauty of it is
Well wake up to, shake the hand of time
In time, only time, in time, only time
In time
On a quiet night of a white hot day
Whisper the things that will come our way
On a quiet night of a white hot day
Hold back the tears, hold back the tears
In time, only time, well speak for time
On a quiet night of a white hot day
Whisper the things that will come our way
On a quiet night of a white hot day
Hold back the tears, hold back the tears
In time, only time
Quiet night of a white hot day
Whisper the things that will come our way
On a quiet night of a white hot day
Roll back the years, roll back the years
In time, only time, well speak for time
On a quiet night
Hold back the tears to another day
Quiet night of a white hot day
Hold back the tears, hold back the tears
Time, only time, speak for time
Quiet night of a white hot day
Whisper the things that will come our way
On a quiet night of a white hot day
Roll back the years, roll back the years
In time, only time, speak for time
Quiet night of a white hot day
Hold back the tears to another day
Quiet night of a white hot day
Words & music : james kerr, charlie burchill, mel gaynor, derek forbes, michael macneil (c) emi publishing ltd reproduced without permission
song performed by by Simple Minds
Submitted by Lucian Velea
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An Old Colonist's Reverie
Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea
'The old worn world is gone and the new bright world is free.'
The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay
I sigh for the good old days in the station whare again;
But the good new days are better
I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.
Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.
And many have passed from my sight, whither I never shall know,
Swept away in the rushing river or caught in the mountain snow;
All the old hands are gone who came with me over the sea,
But the land that we made our own is the same bright land to me.
There are dreams in the gold of the kowhai, and when ratas are breaking in bloom
I can hear the rich murmur of voices in the deeps of the fern-shadowed gloom.
Old memory may bring me her treasures from the land of the blossoms of May,
But to me the hill daisies are dearer and the gorse on the river bed grey;
While the mists on the high hilltops curling, the dawn-haunted
haze of the sea,
To my fancy are bridal veils lifting from the face of the land of the free.
The speargrass and cabbage trees yonder, the honey-belled flax in its bloom,
The dark of the bush on the sidings, the snow-crested mountains that loom
Golden and grey in the sunlight, far up in the cloud-fringed blue,
Are the threads with old memory weaving and the line of my life
running through;
And the wind of the morning calling has ever a song for me
Of hope for the land of the dawning in the golden years to be.
poem by David McKee Wright
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On The Night Train
Have you seen the bush by moonlight, from the train, go running by?
Blackened log and stump and sapling, ghostly trees all dead and dry;
Here a patch of glassy water; there a glimpse of mystic sky?
Have you heard the still voice calling – yet so warm, and yet so cold:
"I'm the Mother-Bush that bore you! Come to me when you are old"?
Did you see the Bush below you sweeping darkly to the Range,
All unchanged and all unchanging, yet so very old and strange!
While you thought in softened anger of the things that did estrange?
(Did you hear the Bush a-calling, when your heart was young and bold:
"I'm the Mother-bush that nursed you; Come to me when you are old"?)
In the cutting or the tunnel, out of sight of stock or shed,
Did you hear the grey Bush calling from the pine-ridge overhead:
"You have seen the seas and cities – all is cold to you, or dead –
All seems done and all seems told, but the grey-light turns to gold!
I'm the Mother-Bush that loves you – come to me now you are old"?
poem by Henry Lawson
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An Old Colonist's Reverie
Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea --
"The old worn world is gone and the new bright world is free."
The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay --
I sigh for the good old days in the station whare again;
But the good new days are better -- I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.
Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.
And many have passed from my sight, whither I never shall know,
Swept away in the rushing river or caught in the mountain snow;
All the old hands are gone who came with me over the sea,
But the land that we made our own is the same bright land to me.
There are dreams in the gold of the kowhai, and when ratas are breaking
in bloom
I can hear the rich murmur of voices in the deeps of the fern-shadowed gloom.
Old memory may bring me her treasures from the land of the blossoms of May,
But to me the hill daisies are dearer and the gorse on the river bed grey;
While the mists on the high hilltops curling, the dawn-haunted
haze of the sea,
To my fancy are bridal veils lifting from the face of the land of the free.
The speargrass and cabbage trees yonder, the honey-belled flax in its bloom,
The dark of the bush on the sidings, the snow-crested mountains that loom
Golden and grey in the sunlight, far up in the cloud-fringed blue,
Are the threads with old memory weaving and the line of my life
running through;
And the wind of the morning calling has ever a song for me
Of hope for the land of the dawning in the golden years to be.
poem by David McKee Wright
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The Four Queens (Maoriland)
Wellington.
HERE, where the surges of a world of sea
Break on our bastioned walls with league-long sweep,
Four fair young queens their lonely splendour keep,
Each in a city throned. The first is she
Whose face is arrogant with empery;
Her throne from out the wounded hill-side steep
Is rudely fashioned, and beneath her creep
The narrow streets; and, stretching broad and free,
Like a green-waving meadow, lies the bay,
With blossom-sails and flower-wavelots flecked.
Elate she stands; her brown and windblown hair
Haloes a face with virgin freshness fair,
As she receives, exuberant, erect,
The stubborn homage that her sisters pay.
Dunedin.
And one is fair and winsome, and her face
Is strung with winter's kisses, and is yet
With winter's tears of parting sorrow wet;
And all her figure speaks of bonny grace.
High on the circling hills her seat has place,
Within a bower of the green bush set;
And 'neath her feet the city slopes—a net
Of broad-büilt streets and green-girt garden space.
Above her high the suburbs climb to crown
Her city's battlements; and in her thrall
Lie sleeping fiords, and forests call her queen.
About her waist she winds a belt of green,
And on her gleaming city looking down,
She hears the Siren South for ever call.
Christchurch.
And one within a level city lies;
To whose tree-shaded streets and squares succeed;
A vista of white roads and bordering meads,
Until each suburb in the great plain dies.
The clustering spires to crown her fair head rise,
And for a girdle round her form she leads
The Avon, green with waving river-weeds
And swept with swaying willows. And her eyes
Are quiet with a student's reverie;
And in the hair that clouds her dreaming face
There lurks the fragrance of some older place,
And memories awake to die again,
As, confident and careless, glad and sorrow-free
She waits, queen of the margeless golden plain.
Auckland.
Set all about with walls, the last fair queen
Over a tropic city holds her sway;
Her throne on sleeping Eden, whence through grey
And red-strewn roads and gleaming gardens green
The city wanders on, and seems to lean
To bathe her beauty in the cool, clear bay,
That out past isle and islet winds its way
To the wide ocean. In her hair a sheen
Of sunlight lives; her face is sweetly pale—
A queen who seems too young and maidenly,
Her beauty all too delicate and frail,
To hold a sway imperious. But forth
From deep, dark eyes, that dreaming seem to be,
There shine the strength and passion of the North.
poem by Arthur Henry Adams
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The Cry Of The Children
Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers---
And that cannot stop their tears.
The young lambs are bleating in the meadows;
The young birds are chirping in the nest;
The young fawns are playing with the shadows;
The young flowers are blowing toward the west---
But the young, young children, O my brothers,
They are weeping bitterly!---
They are weeping in the playtime of the others
In the country of the free.
Do you question the young children in the sorrow,
Why their tears are falling so?---
The old man may weep for his to-morrow
Which is lost in Long Ago---
The old tree is leafless in the forest---
The old year is ending in the frost---
The old wound, if stricken, is the sorest---
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?
They look up with their pale and sunken faces,
And their looks are sad to see,
For the man's grief abhorrent, draws and presses
Down the cheeks of infancy---
'Your old earth,' they say, 'is very dreary;'
'Our young feet,' they say, 'are very weak!
Few paces have we taken, yet are wearyÑ
Our grave-rest is very far to seek.
Ask the old why they weep, and not the children,
For the outside earth is cold,---
And we young ones stand without, in our bewildering,
And the graves are for the old.
'True,' say the young children, 'it may happen
That we die before our time.
Little Alice died last year---the grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her---
Was no room for any work in the close clay:
From the sleep wherein she lieth none will wake her
Crying, 'Get up, little Alice! it is day.'
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries!---
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes---
And merry go her moments, lulled and stilled in
The shroud, by the kirk-chime!
It is good when it happens,' say the children,
'That we die before our time.'
Alas, alas, the children! they are seeking
Death in life, as best to have!
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city---
Sing out, children, as the little thrushes do---
Pluck your handfuls of the meadow-cowslips pretty---
Laugh aloud, to feel your fingers let them through!
But they answer, 'Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!
'For oh,' say the children, 'we are weary,
And we cannot run or leap---
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping---
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring,
Through the coal-dark, underground---
Or, all day, we drive the wheels of iron
In the factories, round and round.
'For, all day, the wheels are droning, turning,---
Their wind comes in our faces,---
Till our hearts turn,---our head, with pulses burning,
And the walls turn in their places---
Turns the sky in the high window blank and reeling---
Turns the long light that droppeth down the wall---
Turn the black flies that crawl along the ceiling---
All are turning, all the day, and we with all.---
And, all day, the iron wheels are droning;
And sometimes we could pray,
'O ye wheels,' (breaking out in a mad moaning)
'Stop! be silent for to-day!' '
Ay! be silent! Let them hear each other breathing
For a moment, mouth to mouth---
Let them touch each other's hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals---
Let them prove their inward souls against the notion
That they live in you, os under you, O wheels!---
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children's souls, which God is calling sunward,
Spin on blindly in the dark.
Now, tell the poor young children, O my brothers,
To look up to Him and pray---
So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, 'Who is God that He should hear us,
White the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word!
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?
'Two words, indeed, of praying we remember,
And at midnight's hour of harm,---
'Our Father,' looking upward in the chamber,
We say softly for a charm.
We know no other words except 'Our Father,'
And we think that, in some pause of angels' song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
'Our Father!' If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
'Come and rest with me, my child.'
'But no!' say the children, weeping faster,
'He is speechless as a stone;
And they tell us, of His image is the master
Who commands us to work on.
Go to!' say the children,---'Up in Heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving---
We look up for God, but tears have made us blind.'
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God's possible is taught by His world's loving---
And the children doubt of each.
And well may the children weep before you;
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun:
They know the grief of man, but not the wisdom;
They sink in man's despair, without its calm---
Are slaves, without the liberty in Christdom,---
Are martyrs, by the pang without the palm,---
Are worn, as if with age, yet unretrievingly
No dear remembrance keep,---
Are orphans of the earthly love and heavenly:
Let them weep! let them weep!
They look up, with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in their places,
With eyes meant for Deity;---
'How long,' they say, 'how long, O cruel nation,
Will you stand, to move the world, on a child's heart,
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O our tyrants,
And your purple shows yo}r path;
But the child's sob curseth deeper in the silence
Than the strong man in his wrath!'
poem by Elizabeth Barrett Browning
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Immortal Autumn
I speak this poem now with grave and level voice
In praise of autumn, of the far-horn-winding fall.
I praise the flower-barren fields, the clouds, the tall
Unanswering branches where the wind makes sullen noise.
I praise the fall: it is the human season.
Now
No more the foreign sun does meddle at our earth,
Enforce the green and bring the fallow land to birth,
Nor winter yet weigh all with silence the pine bough,
But now in autumn with the black and outcast crows
Share we the spacious world: the whispering year is gone:
There is more room to live now: the once secret dawn
Comes late by daylight and the dark unguarded goes.
Between the mutinous brave burning of the leaves
And winter’s covering of our hearts with his deep snow
We are alone: there are no evening birds: we know
The naked moon: the tame stars circle at our eaves.
It is the human season. On this sterile air
Do words outcarry breath: the sound goes on and on.
I hear a dead man’s cry from autumn long since gone.
I cry to you beyond upon this bitter air.
poem by Archibald MacLeish
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The Falling of Autumn
Arising in the morning's dawning,
amid the damp and dewy air,
a chill pervades the earth with longing ~
while autumn passes unaware.
A frosty breath blown by the window,
sighed with regret upon the pane,
awaits to face the long December ~
while autumn sings a short refrain.
The tree now bends its boughs so lonely.
Its leaf has flown to pasture ground,
bereft upon a dream of emerald ~
while autumn glows with eyes of brown.
Though winter sleep is but a whisper,
a'whispering to one golden day,
it tiptoes softly in white footsteps ~
while autumn flees in bright array.
Drowsy 'neath a fading sunset,
cloaked within its shade of gray,
a chill returns to sleep beside me ~
while autumn falls beneath the day.
poem by Hazelmarie Elliott
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Children
Come to me, O ye children!
For I hear you at your play,
And the questions that perplexed me
Have vanished quite away.
Ye open the eastern windows,
That look towards the sun,
Where thoughts are singing swallows
And the brooks of morning run.
In your hearts are the birds and the sunshine,
In your thoughts the brooklet's flow,
But in mine is the wind of Autumn
And the first fall of the snow.
Ah! what would the world be to us
If the children were no more?
We should dread the desert behind us
Worse than the dark before.
What the leaves are to the forest,
With light and air for food,
Ere their sweet and tender juices
Have been hardened into wood, --
That to the world are children;
Through them it feels the glow
Of a brighter and sunnier climate
Than reaches the trunks below.
Come to me, O ye children!
And whisper in my ear
What the birds and the winds are singing
In your sunny atmosphere.
For what are all our contrivings,
And the wisdom of our books,
When compared with your caresses,
And the gladness of your looks?
Ye are better than all the ballads
That ever were sung or said;
For ye are living poems,
And all the rest are dead.
poem by Henry Wadsworth Longfellow
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Evening
WHEN the white iris folds the drowsing bee,
When the first cricket wakes
The fairy hosts of his enchanted brakes,
When the dark moth has sought the lilac tree,
And the young stars, like jasmine of the skies,
Are opening on the silence, Lord, there lies
Dew on Thy rose and dream upon mine eyes.
Lovely the day, when life is robed in splendour,
Walking the ways of God and strong with wine,
But the pale eve is wonderful and tender,
And night is more divine.
Fold my faint olives from their shimmering plain,
O shadow of sweet darkness fringed with rain.
Give me to night again.
Give me to day no more. I have bethought me
Silence is more than laughter, sleep than tears.
Sleep like a lover faithfully hath sought me
Down the enduring years.
Where stray the first white fatlings of the fold,
Where the Lent-lily droops her earlier gold
Sleep waits me as of old.
Grant me sweet sleep, for light is unavailing
When patient eyes grow weary of the day.
Young lambs creep close and tender wings are failing,
And I grow tired as they.
Light as the long wave leaves the lonely shore,
Our boughs have lost the bloom that morning bore.
Give me to day no more.
poem by Marjorie Lowry Christie Pickthall
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To Daisies
Ah, drops of gold in whitening flame
Burning, we know your lovely name -
Daisies, that little children pull!
Like all weak things, over the strong
Ye do not know your power for wrong,
And much abuse your feebleness.
Daisies, that little children pull,
As ye are weak, be merciful!
O hide your eyes! they are to me
Beautiful insupportably.
Or be but conscious ye are fair,
And I your loveliness could bear,
But, being fair so without art,
Ye vex the silted memories of my heart!
As a pale ghost yearning strays
With sundered gaze,
'Mid corporal presences that are
To it impalpable - such a bar
Sets you more distant than the morning-star.
Such wonder is on you, and amaze,
I look and marvel if I be
Indeed the phantom, or are ye?
The light is on your innocence
Which fell from me.
The fields ye still inhabit whence
My world-acquainted treading strays,
The country where I did commence;
And though ye shine to me so near,
So close to gross and visible sense, -
Between us lies impassable year on year.
To other time and far-off place
Belongs your beauty: silent thus,
Though to other naught you tell,
To me your ranks are rumorous
Of an ancient miracle.
Vain does my touch your petals graze,
I touch you not; and though ye blossom here,
Your roots are fast in alienated days.
Ye there are anchored, while Time's stream
Has swept me past them: your white ways
And infantile delights do seem
To look in on me like a face,
Dead and sweet, come back through dream,
With tears, because for old embrace
It has no arms.
These hands did toy,
Children, with you, when I was child,
And in each other's eyes we smiled:
Not yours, not yours the grievous-fair
Apparelling
With which you wet mine eyes; you wear,
Ah me, the garment of the grace
I wove you when I was a boy;
O mine, and not the year's your stolen Spring!
And since ye wear it,
Hide your sweet selves! I cannot bear it.
For when ye break the cloven earth
With your young laughter and endearment,
No blossomy carillon 'tis of mirth
To me; I see my slaughtered joy
Bursting its cerement.
poem by Francis Thompson
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A Prayer For The King's Majesty
22nd January, 1901.
THE Queen is dead. God save the King,
In this his hour of grief,
When sorrow gathers memories in a sheaf
To lay them on his shoulders as he stands
Inheriting her glories and her lands--
First gain of his at which his Mother's voice
Has not been first to bless and to rejoice--
A man, set lonely between gain and loss.
(O words of love the heart remembereth,
O mighty loss outweighing every gain!)
A Son whose kingdom Death's arm lies across,
A King whose Mother lies alone with Death
Wrapped in the folds of white implacable sleep.
O God, who seest the tears Thy children weep,
O God, who countest each sad heart-beat, see
How our King needs the grace we ask of Thee!
Thou knowest how little and how vain a thing
Is Empire, when the heart is sick with pain--
God, save the King!
The Queen is dead. The splendour of her days,
The sorrow of them both alike merge now
In the new aureole that lights her brow.
The clamour of her people's voice in praise
Must hush itself to the still voice that prays
In the holy chamber of Death. Tread softly here,
A mighty Queen lies dead.
Her people's heart wears black,
The black bells toll unceasing in their ear,
And on the gold sun's track
The great world round
Like a black ring the voice of mourning goes,
Till even our ancient foes
With eyes downbent, and brotherly bared head,
Keep mourning watch with us. This is the hour
When Love lends all his power
To speed grief's arrows from the bow of Death,
When sighs are idle breath,
When tears are fountains vain.
She will not wake again,
Not now, not here.
O great and good and infinitely dear,
O Mother of your people, sleep is sweet,
No more Life's thorny ways will wound your feet.
O Mother dear, sleep sound!
When you shall wake,
Your brows freed from the crown that made them ache
So many a time, and wear the heavenly crown,
Then, then you will look down
On us who love you, and, remembering,
The love of earth will breathe with us our prayer,
Our prayer prayed here, joined to your prayer prayed there:
Who knows what radiant answer it may bring?
'God save the King!'
The Queen is dead. God save the King!
From all ill thought and deed,
From heartless service and from selfish sway,
From treason, and the vain imagining
Of evil counsellors, and the noisome breed
Of flatterers who eat the soul away,
God save the King!
From loss and pain and tears
Such as her many years
Brought her; from battle and strife,
And the inmost hurt of life,
The wounds that no crown can heal,
No ermine robes conceal,
God save the King!
God, by our memories of his Mother's face,
By the love that makes our heart her dwelling-place,
Grant to our sorrow this desired grace:
God save the King!
* * * * * * * * *
The Queen is dead. God save the King.
This is no hour when joy has leave to sing;
Only, amid our tears, we are bold to pray,
More boldly, in that we pray sorrowing,
In this most sorrowful day.
God, who wast of a mortal Mother born,
Who driest the tears with which Thy children mourn,
God, save the King!
Look down on him whose crown is wet with tears
In which its splendour fades and disappears--
His tears, our tears, tears out of all her lands.
The Queen is dead.
God! strengthen the King's hands!
God, save the King!
poem by Edith Nesbit
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Poem (Remember midsummer: the fragrance of box)
Remember midsummer: the fragrance of box, of white
roses
And of phlox. And upon a honeysuckle branch
Three snails hanging with infinite delicacy
-- Clinging like tendril, flake and thread, as self-tormented
And self-delighted as any ballerina,
just as in the orchard,
Near the apple trees, in the over-grown grasses
Drunken wasps clung to over-ripe pears
Which had fallen: swollen and disfigured.
For now it is wholly autumn: in the late
Afternoon as I walked toward the ridge where the hills
begin,
There is a whir, a thrashing in the bush, and a startled
pheasant, flying out and up,
Suddenly astonished me, breaking the waking dream.
Last night
Snatches of sleep, streaked by dreams and half dreams
- So that, aloft in the dim sky, for almost an hour,
A sausage balloon - chalk-white and lifeless looking--
floated motionless
Until, at midnight, I went to New Bedlam and saw what I
feared
the most - I heard nothing, but it
had all happened several times elsewhere.
Now, in the cold glittering morning, shining at the
window,
The pears hang, yellowed and over-ripe, sodden brown in
erratic places, all bunched and dangling,
Like a small choir of bagpipes, silent and waiting. And I
rise now,
Go to the window and gaze at the fallen or falling country
-- And see! -- the fields are pencilled light brown
or are the dark brownness of the last autumn
-- So much has shrunken to straight brown lines, thin as
the
bare thin trees,
Save where the cornstalks, white bones of the lost forever dead,
Shrivelled and fallen, but shrill-voiced when the wind
whistles,
Are scattered like the long abandoned hopes and ambitions
Of an adolescence which, for a very long time, has been
merely
A recurrent target and taunt of the inescapable mockery of
memory.
poem by Delmore Schwartz
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Autumn
So still—so still! Only the endless sighing
Of sad Æolian harp-notes overhead;
Only the soft mass-music for the dying;
Only the requiem for the newly dead!
So strangely dim!—the grey mist on the heather,
The chill cloud-twilight in the wind-stripped bowers,
Where gold and scarlet sunlights lay together
On harvest fruit and summer wealth of flowers.
So empty now!—only the dead leaves sifting
The dead brown berries underneath the trees;
Only my fair dead treasures idly drifting
About my footsteps in the autumn breeze.
All over now! No flowers that must be tended
Are left to grow upon the open plain;
No fruits to ripen; for the harvest's ended—
There's no more need for either sun or rain.
The infinite hope, the boundless, strong endeavour,
The love and joy I never thought to sum,
The precious things that were to last for ever—
All gather'd now, and nothing more to come!
Only the shroud of snow, the white star-tapers,
The passionate storm-winds, wailing in the air;
Only the icy rain and tearful vapours,
Only the winter darkness of despair!
* * * * *
So still, so sweet! with tender breezes blowing
Amongst the hills and o'er the Lowland sod,
And golden drifts of dead leaves softly strowing
The seed-graves hollow'd by the hands of God.
So grey and calm! the crimson glory faded
From this low sky, pale blue and purple-barred—
This placid sea, with steel and silver shaded—
This fair earth, now with autumn furrows scarred.
In the decay such chasten'd beauty blending—
Beauty late-born of peace, and hope, and rest,
As in a saintly life when near the ending,
When all its strife and labour has been blest.
The harvest-time is past. But there remaineth
The well-stored treasure-house—the hidden seed
That dead leaves help to nourish, which containeth
The germ of a new life that's life indeed.
poem by Ada Cambridge
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Night
The night is young yet; an enchanted night
In early summer: calm and darkly bright.
I love the Night, and every little breeze
She brings, to soothe the sleep of dreaming trees.
Hearst thou the Voices? Sough! Susurrus!— Hark!
’Tis Mother Nature whispering in the dark!
Burden of cities, mad turmoil of men,
That vex the daylight—she forgets them then.
Her breasts are bare; Grief gains from them surcease:
She gives her restless sons the milk of Peace.
To sleep she lulls them—drawn from thoughts of pelf—
By telling sweet old stories of herself.
All secrets deep—yea, all I hear and see
Of things mysterious—Night reveals to me.
I know what every flower, with drowsy head
Down-drooping, dreams of—and the seeming dead.
I know how they, escaped from care and strife,
Ironically moralise on Life.
And know what—when the moon walks on the waves—
They whisper to each other in their graves.
I know that white clouds drifting from stark coasts
Across the sky at midnight are the ghosts
Of sailors drowned at sea, who yearn to win
A quiet grave beside their kith and kin
In still green graveyards, where they lie at ease
Far from the sound of surge and roar of seas.
I know the message of the mournful rain
That beats upon the widow’s window-pane.
I know the meaning of the roar of seas;
I know the glad Spring sap-song of the trees;
And that great chant to which in tuneful grooves
The green round earth upon its axis moves;
And that still greater chant the Bright Sun sings—
Fire-crowned Apollo—the great chant that brings
All things to life, and draws through spaces dim,
And star-sown realms, his planets after him.
I know the tune that led, since Life began,
The upward, downward, onward March of Man.
I hear the whispers that the Angels twain
Of Death and Life exchange in meeting—fain
Are they to pause and greet, yet may not stay.
“Never!” “For ever.” This is all they say.
I hear the twitterings inarticulate
Of souls unborn that press around the Gate
Of Birth, each striving which shall first escape
From formless vapour into human shape.
I know the tale the bird of passionate heart,
The nightingale, tries ever to impart
To men, though vainly—for I well believe
That in her brown breast beats the heart of Eve,
Who with her sweet, sad, wistful music tries
To tell her sons of their lost Paradise,
And solemn secrets Man had grace to know,
When God walked in the Garden long ago.
Yea, I have seen, methought, on nights of awe,
The vision terrible Lucretius saw:
The trembling Universe—suns, stars, grief, bliss—
Plunging for ever down a black abyss.
But more I love good Bishop Jeremy,
Who likens all the star-worlds that we see—
Which seem to run an everlasting race—
Unto a snowstorm sweeping on through space.
Suns, planets, stars, in glorious array
They march, melodious, on their unknown way.
Thought, seraph-winged and swifter than the light,
Unto the dim verge of the Infinite,
Pursues them, through that strange ethereal flood
In which they swim (mayhap it is the blood
Of Universal God wherein they are
But corpuscles—sun, satellite, and star—
And their great stream of glory but a dim,
Small pulse in the remotest vein of Him)
Pursues in vain, and from lone, awful glooms
Turns back to earth again with weary plumes.
Through glacial gulfs of Space the soul must roam
To feel the comfort of its earthly home.
Ah, Mother dear! broad-bosomed Mother Earth!
Mother of all our Joy, Grief, Madness, Mirth!—
Mother of flower and fruit, of stream and sea!—
We are thy children and must cling to thee.
I lay my head upon thy breast and hear—
Small, small and faint, yet strangely sweet and clear—
The hum and clash of little worlds below,
Each on its own path moving, swift or slow.
And listening, ever with intenter ear,
Through din of wars invisible I hear
A Homer—genius is not gauged by mass—
Singing his Iliad on a blade of grass.
And nations hearken: his great song resounds
Unto the tussock’s very utmost bounds.
States rise and fall, each blade of grass upon,
But still his song from blade to blade rolls on
Through all the tussock-world, and Helen still
Is Fairest Fair, and Ajax wild of will—
An Ajax whose huge size, when measured o’er,
Is full ten-thousandth of an inch or more—
Still hurls defiance at the gods whose home
Is in the distant, awful, dew-drop dome
That trembling hangs, suspended from a spray
An inch above him—worlds of space away.
Old prophecies foretell—but Time proves all—
The day will come when it, like Troy, shall fall.
Lo! through this small great wondrous song there runs
The marching melody of stars and suns.
I know these things, yet cannot speak and tell
Their meanings. Over all is cast a spell.
Secrets they are, sealed with a sevenfold seal;
My soul knows what my tongue may not reveal.
I love the Night! Bright Day the soul shuts in;
Night sends it soaring to its starry kin.
If I must leave at last my place of birth—
This homely, gracious, green, familiar Earth,
With all it holds of sorrow and delight—
I pray my parting-hour may be at night,
And that her curtain dark may softly fall
On scenes I love, ere I depart from all.
Then shall I haply, journeying through the Vast
Mysterious Silences, take one long, last
Fond look at Earth, and watch from depths afar
The dear old planet dwindling to a star;
And sigh farewell unto the friends of yore,
Whose kindly faces I shall see no more.
poem by Victor James Daley
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At Dawn
O Hesper-Phosphor, far away
Shining, the first, the last white star,
Hear’st thou the strange, the ghostly cry,
That moan of an ancient agony
From purple forest to golden sky
Shivering over the breathless bay?
It is not the wind that wakes with the day;
For see, the gulls that wheel and call,
Beyond the tumbling white-topped bar,
Catching the sun-dawn on their wings,
Like snow-flakes or like rose-leaves fall,
Flutter and fall in airy rings;
And drift, like lilies ruffling into blossom
Upon a golden lake’s unwrinkled bosom.
Are not the forest’s deep-lashed fringes wet
With tears? Is not the voice of all regret
Breaking out of the dark earth’s heart?
She too, she too, has loved and lost; and we—
We that remember our lost Arcady,
Have we not known, we too,
The primal greenwood’s arch of blue,
The radiant clouds at sunrise curled
Around the brows of the golden world;
The marble temples, washed with dew,
To which with rosy limbs aflame
The violet-eyed Thalassian came,
Came pitiless, only to display
How soon the youthful splendour dies away;
Came, only to depart
Laughing across the gray-grown bitter sea?
For each man’s life is earth’s epitome,
And though the years bring more than aught they take,
Yet might his heart and hers well break
Remembering how one prayer must still be vain,
How one fair hope is dead,
One passion quenched, one glory fled,
With those first loves that never come again.
How many, how many generations,
Have heard that sigh in the dawn,
When the dark earth yearns to the unforgotten nations
And the old loves withdrawn,
Old loves, old lovers, wonderful and unnumbered
As waves on the wine-dark sea,
’Neath the tall white towers of Troy and the temples that slumbered;
In Thessaly?
From the beautiful palaces, from the miraculous portals,
The swift white feet are flown!
They were taintless of dust, the proud, the peerless Immortals
As they sped to their loftier throne!
Perchance they are there, earth dreams, on the shores of Hesper,
Her rosy-bosomed Hours,
Listening the wild fresh forest’s enchanted whisper,
Crowned with its new strange flowers;
Listening the great new ocean’s triumphant thunder
On the stainless unknown shore,
While that perilous queen of the world’s delight and wonder
Comes white from the foam once more.
When the mists divide with the dawn o’er those glittering waters,
Do they gaze over unoared seas—
Naiad and nymph and the woodland’s rose-crowned daughters
And the Oceanides?
Do they sing together, perchance, in that diamond splendour,
That world of dawn and dew,
With eyelids twitching to tears and with eyes grown tender,
The sweet old songs they knew,
The songs of Greece? Ah, with harp-strings mute do they falter
As the earth like a small star pales?
When the heroes launch their ship by the smoking altar
Does a memory lure their sails?
Far, far away, do their hearts resume the story
That never on earth was told,
When all those urgent oars on the waste of glory
Cast up its gold?
Are not the forest fringes wet
With tears? Is not the voice of all regret
Breaking out of the dark earth’s heart?
She too, she too, has loved and lost; and though
She turned last night in disdain
Away from the sunset-embers,
From her soul she can never depart;
She can never depart from her pain.
Vainly she strives to forget;
Beautiful in her woe,
She awakes in the dawn and remembers.
poem by Alfred Noyes
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The Silence of the Bush
There’s that in our lone Bush, I know not what,
Which ’genders silence; I’ve all that to learn.
Here, there and everywhere, to loose the knot
That binds the sheaf-band of the taciturn;
It may be where it freezes; where ’tis hot,
Or streams lie silent in the nymph’s cool urn;
In forest depths, or where the lone plain stretches
Sans other roof than sky, o’er heat-worn wretches.
Or ’mid the gully’s fern and sassafras,
Where all is cool green glooms and early dusk,
With silvern foliage in delicious mass
As, sunwards, feel their way the spires of musk;
Or where those solemn branches crossing, pass
And wave o’er-head their pennon’d fragrant husk;
Or by the river’s marge or broad gumbower
With lily-pads a-swim and floating flower.
Here might one read the Silence of Fatigue,
And here again of Rest and Admiration.
Where gentle hands are clasped in wordless league,
And eyes meet eyes in eloquent oration,
Or fingers wreathed, accomplish mute intrigue,
Or tell by signs of ardent adoration,
Or past all these, ’neath burning rocks and bare,
The deep and death-like Silence of Despair.
poem by George Gordon McCrae
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Lemnos Harbour
The island sleeps,-but it has no delight
For em, to whom that sleep has been unkind.
My thoughts are long of what seems long ago,
And long, too, are my dreams. I do not know
These trailing glories of the star-strewn night
Or the slow sough of the wind.
I hear the rattle of the moving car;
The children crying in the lighted street,
I walk along the same old asphalt way.
I see the church,-I hear the organ play.
I see the hills I wandered on afar,
And spots of rain at my feet.
I see the dust-strewn hedge,-the latched gate;
The gravelled path with roses either side;
The cedar tree,-my mother’s window pane.
I see the place where I sat long and late
By the trellis deep and wide.
The red Virginia crumbles at the wall.
The bed is bare where winter’s snow-drops grew.
I feel my dog come licking at my hand.
I pause awhile beside the door, I stand.
And hear the well-known footsteps softly fall
And the voices that I knew.
I slowly creep and peep beneath the blind.
-My father reads his book within his chair.
Some children play their game of dominoes.
My mother sits beside the fire and sews;
Her head is bowed. I know her eyes are kind
By the grey lines in her hair.
I tap the pane to see those tears unshed.
I see all turn, and watch them sadly stirred
By the sound, and peer to see my face without.
They see, and smile, I hear no welcome shout.
They sit and gaze as they that see the dead,
But no one says a word.
The island sleeps. May sleep come soon to me,
And lull these dreams within my shaken mind;
-These dreams that tell me I have seen the last
of those I left so,-loved so in the past.
* * *
I hear the murmur of the moving sea,
And the murmur of the wind.
poem by Leon Gellert
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The Cherry Tree
Come from your bed my drowsy gentleman!
And you, fair lady, rise and braid your hair,
And let the children wash, if wash they can;
If not, assist you them, and make them fair
As is the morning and the morning sky,
And every tree and bush and bird in air.
The sun climbed on the heights three hours ago,
He laughed above the hills and they were glad;
With bubbled pearl he made the rivers flow
And laced their mists in silver, and he clad
The meads in fragrant pomp of green and gold,
And bade the world forget it had been sad.
So lift yourself, good sir! and you, sweet dame,
Unlash your evening eyes of pious grey;
Call on the children by each loved name,
And set them on the grass and let them play;
And play with them a while, and sing with them
Beneath the cherry bush a roundelay.
poem by James Stephens
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