An Old Colonist's Reverie

Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea --
"The old worn world is gone and the new bright world is free."

The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay --
I sigh for the good old days in the station whare again;
But the good new days are better -- I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.

Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.

And many have passed from my sight, whither I never shall know,
Swept away in the rushing river or caught in the mountain snow;
All the old hands are gone who came with me over the sea,
But the land that we made our own is the same bright land to me.

There are dreams in the gold of the kowhai, and when ratas are breaking
   in bloom
I can hear the rich murmur of voices in the deeps of the fern-shadowed gloom.
Old memory may bring me her treasures from the land of the blossoms of May,
But to me the hill daisies are dearer and the gorse on the river bed grey;
While the mists on the high hilltops curling, the dawn-haunted
   haze of the sea,
To my fancy are bridal veils lifting from the face of the land of the free.

The speargrass and cabbage trees yonder, the honey-belled flax in its bloom,
The dark of the bush on the sidings, the snow-crested mountains that loom
Golden and grey in the sunlight, far up in the cloud-fringed blue,
Are the threads with old memory weaving and the line of my life
   running through;
And the wind of the morning calling has ever a song for me
Of hope for the land of the dawning in the golden years to be.

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An Old Colonist's Reverie

Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea
'The old worn world is gone and the new bright world is free.'

The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay
I sigh for the good old days in the station whare again;
But the good new days are better
I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.

Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.

And many have passed from my sight, whither I never shall know,
Swept away in the rushing river or caught in the mountain snow;
All the old hands are gone who came with me over the sea,
But the land that we made our own is the same bright land to me.

There are dreams in the gold of the kowhai, and when ratas are breaking in bloom
I can hear the rich murmur of voices in the deeps of the fern-shadowed gloom.
Old memory may bring me her treasures from the land of the blossoms of May,
But to me the hill daisies are dearer and the gorse on the river bed grey;
While the mists on the high hilltops curling, the dawn-haunted
haze of the sea,
To my fancy are bridal veils lifting from the face of the land of the free.

The speargrass and cabbage trees yonder, the honey-belled flax in its bloom,
The dark of the bush on the sidings, the snow-crested mountains that loom
Golden and grey in the sunlight, far up in the cloud-fringed blue,
Are the threads with old memory weaving and the line of my life
running through;
And the wind of the morning calling has ever a song for me
Of hope for the land of the dawning in the golden years to be.

poem by David McKee WrightReport problemRelated quotes
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People at Night

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.       & nbsp;  We won't
      &nbs p;         ;     look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
               & nbsp;     under movie signs,
      &nb sp;       &nbs p;     pictures made of a million lights,
      &n bsp;       &nb sp;     giants that move and again move
        ;              again, above a cloud of thick smells,
      &n bsp;       &nb sp;     franks, roasted nutmeats-

Or going up to some apartment, yours
      &nbs p;         ;     or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
       &n bsp;  But you won't see.

The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
      &nbs p;         ;     You  &nb sp;and   you and I   repeat
   &n bsp;       &nb sp;       &nbs p;gestures that make do when speech
      &nb sp;       &nbs p;     has failed       & nbsp;  and talk
        ;              and talk, laughing, saying
      &nb sp;       &nbs p;     'I', and 'I',
meaning 'Anybody'.
       ;                 & nbsp;       No one.

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The Words

Clouds scattered across the sky       &nbs p;all so far away
and then the space between         this strange 'distance'
What does 'normal' mean, after all?       &nb sp;you move
toward the window       & nbsp;lights marking the headland
and the night becomes a milestone      &nbs p; though
I         the fog rolls up the hill from the sea
in waves the town       &nb sp;desperate?
Whichever way we look       &nb sp;though so much at hand
only held back by obsessions
but 'home' is so long ago       &nbs p;don't cry
the light's a very pale blue       &nb sp;then maybe       &n bsp;the next time too
a faint glimmer across the bay       &nbs p;neither moon
nor stars
and your letter making signs       &n bsp;concerning 'understanding'
and 'the magic tortoise'      &nbs p; what then?       &n bsp;or just tiredness

At each alternative      &n bsp; the colours in the sky
gradually changing        ; until you're lulled into believing
you've seen this before       & nbsp;but not quite
The wood-cut of a lone horseman
riding through a deathly countryside      &n bsp; raped

'You're very brave'       & nbsp;I clean the table-top
and you sat in that chair       &n bsp;two red poppies
in the garden below       &n bsp;at dawn
This apparent clumsiness is far from true

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A Revocation

WHAT should I say?
   --Since Faith is dead,
And Truth away
   From you is fled?
   Should I be led
   With doubleness?
   Nay! nay! mistress.

I promised you,
   And you promised me,
To be as true
   As I would be.
   But since I see
   Your double heart,
   Farewell my part!

Thought for to take
   'Tis not my mind;
But to forsake
   One so unkind;
   And as I find
   So will I trust.
   Farewell, unjust!

Can ye say nay
   But that you said
That I alway
   Should be obeyed?
   And--thus betrayed
   Or that I wist!
   Farewell, unkist!

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Amy Lowell

Apology

Be not angry with me that I bear
   Your colours everywhere,
   All through each crowded street,
   And meet
   The wonder-light in every eye,
   As I go by.

Each plodding wayfarer looks up to gaze,
   Blinded by rainbow haze,
   The stuff of happiness,
   No less,
   Which wraps me in its glad-hued folds
   Of peacock golds.

Before my feet the dusty, rough-paved way
   Flushes beneath its gray.
   My steps fall ringed with light,
   So bright,
   It seems a myriad suns are strown
   About the town.

Around me is the sound of steepled bells,
   And rich perfumed smells
   Hang like a wind-forgotten cloud,
   And shroud
   Me from close contact with the world.
   I dwell impearled.

You blazon me with jewelled insignia.
   A flaming nebula
   Rims in my life. And yet
   You set
   The word upon me, unconfessed
   To go unguessed.

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Thomas Hardy

A Spot

In years defaced and lost,
   Two sat here, transport-tossed,
   Lit by a living love
The wilted world knew nothing of:
   Scared momently
   By gaingivings,
   Then hoping things
   That could not be.

   Of love and us no trace
   Abides upon the place;
   The sun and shadows wheel,
Season and season sereward steal;
   Foul days and fair
   Here, too, prevail,
   And gust and gale
   As everywhere.

   But lonely shepherd souls
   Who bask amid these knolls
   May catch a faery sound
On sleepy noontides from the ground:
   "O not again
   Till Earth outwears
   Shall love like theirs
   Suffuse this glen!"

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Soft White

When the sea is as grey as her eyes
On these days for sure       &nb sp;the soft white
mist blown in from the ocean       &n bsp;the town dissolving
It all adds up         ;her bare shoulders

Nakedness     ;    rolling in from the sea
on winter afternoons - a fine rain
looking down on the sand       &nb sp;& shingle
the waves breaking on the shore       &n bsp;& white

It is impossible to deny what
taken by surprise        ; then wonder
the many details of her body
to be held first now       &nbs p;then later

In body & mind       &nb sp;the fine rain outside
on winter afternoons      &nb sp; the nakedness
of her bare shoulders      &nbs p; as grey as her eyes
the sea rushing up the beach as white as

The whole outline called 'geography'
meeting at a set of erotic points
lips    shoulders&n bsp;   breasts   &n bsp;stomach
the town dissolves      &nbs p; sex    thighs &n bsp;  legs

Outside  &n bsp;     then across her nakedness
it rains in the afternoon      &nbs p; then the wonder
her body so young & firm       &nb sp;dissolves the town
in winter       & nbsp;grey as her eyes

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Thomas Hardy

V.R. 1819-1901, A Reverie

Moments the mightiest pass uncalendared,
   And when the Absolute
   In backward Time outgave the deedful word
   Whereby all life is stirred:
"Let one be born and throned whose mould shall constitute
The norm of every royal-reckoned attribute,"
   No mortal knew or heard.
   But in due days the purposed Life outshone -
   Serene, sagacious, free;
   --Her waxing seasons bloomed with deeds well done,
   And the world's heart was won . . .
Yet may the deed of hers most bright in eyes to be
Lie hid from ours--as in the All-One's thought lay she -
   Till ripening years have run.

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Thomas Hardy

By the Earth's Corpse

I

   "O Lord, why grievest Thou? -
   Since Life has ceased to be
   Upon this globe, now cold
   As lunar land and sea,
And humankind, and fowl, and fur
   Are gone eternally,
All is the same to Thee as ere
   They knew mortality."

II

"O Time," replied the Lord,
   "Thou read'st me ill, I ween;
Were all THE SAME, I should not grieve
   At that late earthly scene,
Now blestly past--though planned by me
   With interest close and keen! -
Nay, nay: things now are NOT the same
   As they have earlier been.

III

   "Written indelibly
   On my eternal mind
   Are all the wrongs endured
   By Earth's poor patient kind,
Which my too oft unconscious hand
   Let enter undesigned.
No god can cancel deeds foredone,
   Or thy old coils unwind!

IV

   "As when, in Noe's days,
   I whelmed the plains with sea,
   So at this last, when flesh
   And herb but fossils be,
And, all extinct, their piteous dust
   Revolves obliviously,
That I made Earth, and life, and man,
   It still repenteth me!"

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Music in an Empty House

The house was empty and
      the people of the house
      gone many months

Months for the weevil
      for the patient worm
      timbe r-mole softly tunnelling
       ;for the parliament of rats

Footsteps slink past
      damp walls
      down
      long
& nbsp;     corridors

Slow feet
      warily scuff
      bare boards
The much-bitten
     &nbs p;tapestry
       ;  holds
    &nb sp;     many
 &n bsp;    moths

In a certain curtain'd room
      the halting steps evade
      chai rs white shrouded

To twitch the winding-sheet
     &n bsp;around a grand piano
      thin phalanx of sound
      sharp rat's teeth edge yellow
      with decay

The much-bitten
     &nbs p;tapestry
       ;holds
      man y
      moths

On rat's teeth-edge
       ;fingers preparate
       hesitate

Then falling send
  as tenantry
    darnp-muffied chords
      rus ting strings
  a still-born song

Their fortissimoThe tattered   scarcetapestry   stirsholds   nearmany   cobwebsmoths

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Old Woman

I see Senora Sanchez
along the river.
Black catfish
pop the silver
water surface,
waves unroll
as the gnarled
bronze face and
black eyes
remember
cool sea shells
and warm turquoise,
the turkey gobbling
behind bushes,
and the red skirt
hanging on boughs
as she bathed….
She pulls her black sweater
snug around her, folded arms
across her stomach.
She who remembers
cannot say amen
but smiles to sunrise
as she walks through the grass,
      &nb sp;       &nbs p;         ;       the tall,
      &nbs p;         ;                green grass,
grass that does not listen to
       & nbsp;       &n bsp;       &nb sp;      the priest
in black robes, blooms green
as she walks through the grass
and talks with them.

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William Shakespeare

Fairy Land i

OVER hill, over dale,
   Thorough bush, thorough brier,
   Over park, over pale,
   Thorough flood, thorough fire,
   I do wander everywhere,
   Swifter than the moone's sphere;
   And I serve the fairy queen,
   To dew her orbs upon the green:
   The cowslips tall her pensioners be;
   In their gold coats spots you see;
   Those be rubies, fairy favours,
   In those freckles live their savours:
   I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.

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From the Roof

This wild night, gathering the washing as if it were flowers
      &n bsp;   animal vines twisting over the line and
           slapping my face lightly, soundless merriment
           in the gesticulations of shirtsleeves,
I recall out of my joy a night of misery

walking in the dark and the wind over broken earth,
      &nb sp;   halfmade foundations and unfinished
       ;    drainage trenches and the spaced-out
       ;               circles of glaring light
      &nbs p;   marking streets that were to be
walking with you but so far from you,

and now alone in October's
first decision towards winter, so close to you--
      &nbs p;   my arms full of playful rebellious linen, a freighter
           going down-river two blocks away, outward bound,
      &nb sp;   the green wolf-eyes of the Harborside Terminal
      & nbsp;       &n bsp;     glittering on the Jersey shore,
and a train somewhere under ground bringing you towards me
to our new living-place from which we can see

a river and its traffic (the Hudson and the
hidden river, who can say which it is we see, we see
something of both. Or who can say
the crippled broom-vendor yesterday, who passed
just as we needed a new broom, was not
one of the Hidden Ones?)
      &nb sp;   Crates of fruit are unloading
           across the street on the cobbles,
      & nbsp;   and a brazier flaring
      &n bsp;   to warm the men and burn trash. He wished us
luck when we bought the broom. But not luck
brought us here. By design

clean air and cold wind polish
the river lights, by design
we are to live now in a new place.

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The Light of Other Days

OFT, in the stilly night,
   Ere slumber's chain has bound me,
Fond Memory brings the light
   Of other days around me:
   The smiles, the tears
   Of boyhood's years,
   The words of love then spoken;
   The eyes that shone,
   Now dimm'd and gone,
   The cheerful hearts now broken!
Thus, in the stilly night,
   Ere slumber's chain has bound me,
Sad Memory brings the light
   Of other days around me.

When I remember all
   The friends, so link'd together,
I've seen around me fall
   Like leaves in wintry weather,
   I feel like one
   Who treads alone
   Some banquet-hall deserted,
   Whose lights are fled,
   Whose garlands dead,
   And all but he departed!
Thus, in the stilly night,
   Ere slumber's chain has bound me.
Sad Memory brings the light
   Of other days around me.

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A Trembling Star

"There is my little trembling star," she said.
   I looked; once more
The tender sea had put the sun to bed,
   And heaven's floor
   Was grey.

And nowhere yet in all that young night sky
   Was any star,
But one that hung above the sea. Not high,
   Nor very far
   Away.

"I watch it every night," she said, and crept
   Within my arm.
"Soft little star, I wish the angels kept
   It safe from harm
   Alway.

"I know it is afraid," she said; her eyes
   Held a sweet tear.
"They send it all alone into the skies,
   No big stars near,
   To stay.

"They push it out before the sweet, kind moon
   Lights up the sea.
They laugh because it fears the dark. `Soon, soon,
   You'll braver be,'
   They say.

"One night I climbed far up that high white tree
   Beside the beach,
And tried to stretch my hand across the sea
   And tried to reach
   The grey.

"For something made me feel my heart would break
   Unless that night
I in my hand my trembling star could take
   And kiss its fright
   Away.

"There only blew a strange wind chillily,
   And clouds were swept.
The angels would not let my own star see
   That someone wept.
   I pray

"To Christ, who hears my little prayers each night,
   That He will seek
Through all His skies for that sweet, frightened light,
   And stoop His cheek
   And say

"`My angels must not send so frail a thing
   To light the West.
Lift up the little trembling star to cling
   About my breast
   Alway.'"

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Thomas Hardy

The Inconsistent

I say, "She was as good as fair,"
   When standing by her mound;
"Such passing sweetness," I declare,
   "No longer treads the ground."
I say, "What living Love can catch
   Her bloom and bonhomie,
And what in newer maidens match
   Her olden warmth to me!"

- There stands within yon vestry-nook
   Where bonded lovers sign,
Her name upon a faded book
   With one that is not mine.
To him she breathed the tender vow
   She once had breathed to me,
But yet I say, "O love, even now
   Would I had died for thee!"

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Thomas Hardy

Her Late Husband (King's-Hintock, 182-.)

"No--not where I shall make my own;
   But dig his grave just by
The woman's with the initialed stone -
   As near as he can lie -
After whose death he seemed to ail,
   Though none considered why.

"And when I also claim a nook,
   And your feet tread me in,
Bestow me, under my old name,
   Among my kith and kin,
That strangers gazing may not dream
   I did a husband win."

"Widow, your wish shall be obeyed;
   Though, thought I, certainly
You'd lay him where your folk are laid,
   And your grave, too, will be,
As custom hath it; you to right,
   And on the left hand he."

"Aye, sexton; such the Hintock rule,
   And none has said it nay;
But now it haps a native here
   Eschews that ancient way . . .
And it may be, some Christmas night,
   When angels walk, they'll say:

"'O strange interment! Civilized lands
   Afford few types thereof;
Here is a man who takes his rest
   Beside his very Love,
Beside the one who was his wife
   In our sight up above!'"

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Thomas Hardy

The Tenant-For-Life

The sun said, watching my watering-pot
   "Some morn you'll pass away;
These flowers and plants I parch up hot -
   Who'll water them that day?

"Those banks and beds whose shape your eye
   Has planned in line so true,
New hands will change, unreasoning why
   Such shape seemed best to you.

"Within your house will strangers sit,
   And wonder how first it came;
They'll talk of their schemes for improving it,
   And will not mention your name.

"They'll care not how, or when, or at what
   You sighed, laughed, suffered here,
Though you feel more in an hour of the spot
   Than they will feel in a year

"As I look on at you here, now,
   Shall I look on at these;
But as to our old times, avow
   No knowledge--hold my peace! . . .

"O friend, it matters not, I say;
   Bethink ye, I have shined
On nobler ones than you, and they
   Are dead men out of mind!"

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Where the Pelican Builds

The horses were ready, the rails were down,
   But the riders lingered still --
   One had a parting word to say,
   And one had his pipe to fill.
Then they mounted, one with a granted prayer,
   And one with a grief unguessed.
   "We are going," they said, as they rode away --
   "Where the pelican builds her nest!"

They had told us of pastures wide and green,
   To be sought past the sunset's glow;
   Of rifts in the ranges by opal lit;
   And gold 'neath the river's flow.
And thirst and hunger were banished words
   When they spoke of that unknown West;
   No drought they dreaded, no flood they feared,
   Where the pelican builds her nest!

The creek at the ford was but fetlock deep
   When we watched them crossing there;
   The rains have replenished it thrice since then,
   And thrice has the rock lain bare.
But the waters of Hope have flowed and fled,
   And never from blue hill's breast
   Come back -- by the sun and the sands devoured --
   Where the pelican builds her nest.

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Shadows on the Down

When daffodils danced in Chuck Hatch, and white clouds
Drew their own shadowy purple across the hills,
Darkening the valley where the small flint church
The Saxon built stood roofless to the sun,
Believe me, Memory, it was not a shadow!
No shadow of a cloud you saw that day
Flowing across the smooth deep-breasted downs,
But something darker, sweeter,--the wild thyme
Of Sussex, flowing like a river of joy
That tossed a hundred skylarks up.
                & nbsp;       &n bsp;       &nb sp;       &nbs p;         ;  No shadow,
Believe me, Memory, but the purple thyme
Flowing by windmill and by wattled fold
On to the white chalk coast and sparkling sea.

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