The Pin

"Dear me! what signifies a pin!
I'll leave it on the floor;
My pincushion has others in,
Mamma has plenty more:
A miser will I never be,"
Said little heedless Emily.

So tripping on to giddy play,
She left the pin behind,
For Betty's broom to whisk away,
Or some one else to find;
She never gave a thought, indeed,
To what she might to-morrow need.

Next day a party was to ride,
To see an air-balloon!
And all the company beside
Were dress'd and ready soon:
But she, poor girl, she could not stir,
For just a pin to finish her.

'Twas vainly now, with eye and hand,
She did to search begin;
There was not one­not one, the band
Of her pelisse to pin!
She cut her pincushion in two,
But not a pin had slidden through!

At last, as hunting on the floor,
Over a crack she lay,
The carriage rattled to the door,
Then rattled fast away.
Poor Emily! she was not in,
For want of just­a single pin!

There's hardly anything so small,
So trifling or so mean,
That we may never want at all,
For service unforseen:
And those who venture wilful waste,
May woeful want expect to taste.

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The Spider

"Oh, look at that great ugly spider!" said Ann;
And screaming, she brush'd it away with her fan;
"'Tis a frightful black creature as ever can be,
I wish that it would not come crawling on me. "

"Indeed," said her mother, "I'll venture to say,
The poor thing will try to keep out of your way;
For after the fright, and the fall, and the pain,
It has much more occasion than you to complain.

"But why should you dread the poor insect, my dear?
If it hurt you, there'd be some excuse for your fear;
But its little black legs, as it hurried away,
Did but tickle your arm, as they went, I dare say.

"For them to fear us we must grant to be just,
Who in less than a moment can tread them to dust;
But certainly we have no cause for alarm;
For, were they to try, they could do us no harm.

"Now look! it has got to its home; do you see
What a delicate web it has spun in the tree?
Why here, my dear Ann, is a lesson for you:
Come learn from this spider what patience can do!

"And when at your business you're tempted to play,
Recollect what you see in this insect to-day,
Or else, to your shame, it may seem to be true,
That a poor little spider is wiser than you. "

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The Disappointment

In tears to her mother poor Harriet came,
Let us listen to hear what she says:
"O see, dear mamma, it is pouring with rain,
We cannot go out in the chaise.

"All the week I have long'd for this holiday so,
And fancied the minutes were hours;
And now that I'm dress'd and all ready to go,
Do look at those terrible showers! "

"I'm sorry, my dear, " her kind mother replied,
The rain disappoints us to-day;
But sorrow still more that you fret for a ride,
In such an extravagant way.

"These slight disappointments are sent to prepare
For what may hereafter befall;
For seasons of real disappointment and care,
Which commonly happen to all.

"For just like to-day with its holiday lost,
Is life and its comforts at best:
Our pleasures are blighted, our purposes cross'd,
To teach us it is not our rest.

"And when those distresses and crosses appear,
With which you may shortly be tried,
You'll wonder that ever you wasted a tear
On merely the loss of a ride.

"But though the world's pleasures are fleeting and vain,
Religion is lasting and true;
Real pleasure and peace in her paths you may gain,
Nor will disappointment ensue. "

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Little Popeet - the Lost Child

Near by the silent waters of the Mediterranean,
And at the door of an old hut stood a coloured man,
Whose dress was oriental in style and poor with wear,
While adown his furrowed cheeks ran many a tear.

And the poor coloured man seemed very discontent,
And his grief overcame him at this moment;
And he wrung his hands in agony wild,
And he cried, "Oh! help me, great God, to find my child."

"And Ada, my dear wife, but now she is dead,
Which fills my poor heart with sorrow and dread;
She was a very loving wife, but of her I'm bereft,
And I and my lost child are only left.

And, alas! I know not where to find my boy,
Who is dear to me and my only joy;
But with the help of God I will find him,
And this day in search of him I will begin."

So Medoo leaves Turkey and goes to France,
Expecting to find his boy there perhaps by chance;
And while there in Paris he was told
His boy by an Arab had been sold

To a company of French players that performed in the street,
Which was sad news to hear about his boy Popeet;
And while searching for him and making great moan,
He was told he was ill and in Madame Mercy's Home.

Then away went Medoo with his heart full of joy,
To gaze upon the face of his long-lost boy;
Who had been treated by the players mercilessly,
But was taken to the home of Madame Celeste.

She was a member of the players and the leader's wife,
And she loved the boy Popeet as dear as her life,
Because she had no children of her own;
And for the poor ill-treated boy often she did moan.

And when Popeet's father visited the Home,
He was shown into a room where Popeet lay alone,
Pale and emaciated, in his little bed;
And when his father saw him he thought he was dead.

And when Popeet saw his father he lept out of bed,
And only that his father caught him he'd been killed dead;
And his father cried, " Popeet, my own darling boy,
Thank God I've found you, and my heart's full of joy."

Then Madame Mercy's tears fell thick and fast,
When she saw that Popeet had found his father at last;
Then poor Popeet was taken home without delay,
And lived happy with his father for many a day.

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Wallflower

Till midnight her needle she plied
To finish her pretty pink dress;
"Oh, bless you, my darling," she sighed;
"I hope you will be a success."
As she entered the Oddfellow's Hall
With the shy thrill of maiden romance
She felt like the belle of the Ball,
But . . . nobody asked her to dance.

Her programme was clutched in her hand;
Her smile was a tiny bit wan;
She listened, applauding the band,
Pretending she liked to look on.
Each girl had her favourite swain,
She watched them retreat and advance;
She waited and waited in vain,
but nobody asked her to dance.

Said Mother to me: "You'll agree
That any young girl who wears specs,
however so clever she be,
Is lacking in glamour of sex."
Said I: "There is one by the wall
Who doesn't seem having a chance.
She's ready to weep - Dash it all,
I'm going to ask her to dance."

I caught her just slipping away
So quietly no one would know;
But bravely she tried to seem gay,
Though her heart might be aching with woe.
Poor kid! She looked only sixteen,
And she gave me a half frightened glance
When I bowed as if she were a Queen,
And I begged: "May I please have this dance?"

She gave me her card: what a bluff!
She'd written "Sir G." and "Sir G."
So I cut out that Galahad stuff,
And I scribbled "M.E" and "M.E.";
She looked so forlorn and so frail,
Submitting like one in a trance,
So I acted the conquering male,
And guided her into the dance.

Then lo! to my joy and surprise
Her waltzing I found was divine;
And she took those damn specs from her eyes,
And behold they were jewels a-shine;
No lipstick nor rouge she had on,
But no powder or paint could enhance
On her cheeks the twin roses shone
As I had with her dance after dance.

Then all of a sudden I knew
As we waltzed and reversed round the hall
That all eyes were watching us two,
And that she was the Belle of the Ball.
The fellows came buzzing like bees,
With swagger and posture and prance,
But her programme was full of "M.E."s,
So she couldn't afford them a dance.

Said mother: "You've been a nice boy,
But had a good time I suppose.
You've filled that poor kid's heart with joy,
From now she'll have plenty of beaus." . . .
So fellows, please listen to me:
Don't look at a wallflower askance;
If a girl sitting lonely you see,
Just bow, smile and beg for a dance.

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Emily Dickinson

If He were living—dare I ask

734

If He were living—dare I ask—
And how if He be dead—
And so around the Words I went—
Of meeting them—afraid—

I hinted Changes—Lapse of Time—
The Surfaces of Years—
I touched with Caution—lest they crack—
And show me to my fears—

Reverted to adjoining Lives—
Adroitly turning out
Wherever I suspected Graves—
'Twas prudenter—I thought—

And He—I pushed—with sudden force—
In face of the Suspense—
"Was buried"—"Buried"! "He!"
My Life just holds the Trench—

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Emily Dickinson

He forgot—and I—remembered

203

He forgot—and I—remembered—
'Twas an everyday affair—
Long ago as Christ and Peter—
"Warmed them" at the "Temple fire."

"Thou wert with him"—quoth "the Damsel"?
"No"—said Peter, 'twasn't me—
Jesus merely "looked" at Peter—
Could I do aught else—to Thee?

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Lewis Carroll

A Strange Wild Song

He thought he saw an Elephant
That practised on a fife:
He looked again, and found it was
A letter from his wife.
"At length I realize," he said,
"The bitterness of life!"

He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
"Unless you leave this house," he said,
"I'll send for the police!"

he thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
"The one thing I regret," he said,
"Is that it cannot speak!"

He thought he saw a Banker's Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus.
"If this should stay to dine," he said,
"There won't be much for us!"

He thought he saw a Kangaroo
That worked a Coffee-mill:
He looked again, and found it was
A Vegetable-Pill.
"Were I to swallow this," he said,
"I should be very ill!"

He thought he saw a Coach-and-Four
That stood beside his bed:
He looked again, and found it was
A Bear without a Head.
"Poor thing," he said, "poor silly thing!
It's waiting to be fed!"

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The Vulgar Little Lady

"But, mamma, now, " said Charlotte, "pray, don't you believe
That I'm better than Jenny, my nurse?
Only see my red shoes, and the lace on my sleeve;
Her clothes are a thousand times worse.

"I ride in my coach, and have nothing to do,
And the country folks stare at me so;
And nobody dares to control me but you
Because I'm a lady, you know.

"Then, servants are vulgar, and I am genteel;
So really, 'tis out of the way,
To think that I should not be better a deal
Than maids, and such people as they. "

"Gentility, Charlotte," her mother replied,
"Belongs to no station or place;
And there's nothing so vulgar as folly and pride,
Though dress'd in red slippers and lace.

Not all the fine things that fine ladies possess
Should teach them the poor to despise;
For 'tis in good manners, and not in good dress,
That the truest gentility lies."

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It Was a Famous Victory

It was a summer evening;
Old Kaspar was at home,
Sitting before his cottage door--
Like in the Southey pome--
And near him, with a magazine,
Idled his grandchild, Geraldine.

"Wy don't you ask me," Kaspar said
To the child upon the floor,
"Why don't you ask me what I did
When I was in the war?
They told me that each little kid
Would surely ask me what I did.

"I've had my story ready
For thirty years or more."
"Don't bother, Grandpa," said the child;
"I find such things a bore.
Pray leave me to my magazine,"
Asserted little Geraldine.

Then entered little Peterkin,
To whom the gaffer said:
"You'd like to hear about the war?
How I was left for dead?"
"No. And, besides," declared the youth,
"How do I know you speak the truth?"

Arose the Wan, embittered man,
The hero of this pome,
And walked, with not unsprightly step,
Down to the Soldiers' Home,
Where he, with seven other men,
Sat swapping lies till half-past ten.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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It Happens in the B.R. Families

'Twas on the shores that round our coast
From Deal to Newport lie
That I roused from sleep in a huddled heap
An elderly wealthy guy.

His hair was graying, his hair was long,
And graying and long was he;
And I heard this grouch on the shore avouch,
In a singular jazzless key:

"Oh, I am a cook and a waitress trim
And a maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door!"

And he shook his fists and he tore his hair,
And he started to frisk and play,
Till I couldn't help thinking the man had been drinking,
So I said (in the Gilbert way):

"Oh, elderly man, I don't know much
Of the ways of societee,
But I'll eat my friend if I comprehend
However you can be

"At once a cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."

Then he smooths his hair with a nervous air,
And a gulp in his throat he swallows,
And that elderly guy he then lets fly
Substantially as follows:

"We had a house down Newport way,
And we led a simple life;
There was only I," said the elderly guy,
And my daughter and my wife.

"And of course the cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."

"One day the cook she up and left,
She up and left us flat.
She was getting a hundred and ten a mon-
Th, but she couldn't work for that.

"And the waitress trim was her bosom friend,
And she wouldn't stay no more;
And our strong chauffeur eloped with her
Who was the maid of the second floor.

"And we couldn't get no other help,
So I had to cook and wait.
It was quite absurd," wept the elderly bird.
"I deserve a better fate.

"And I drove the car and I made the beds
Till the housekeeper up and quit;
And the man at the door found that a bore,
Which is why I am, to wit:

"At once a cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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The Bliss Of Ignorance

When Jack took Nell into his arms
He knew he acted ill,
And thought as he enjoyed her charms
Of his fiancée Jill.
"Poor dear," he sighed, "she dreams of me,
I shouldn't act like this;
But after all, she cannot see,
And ignorance is bliss."

Yet Jill at that same moment was
In Fred's embrace close caught,
And just a little sad because
Of sweetheart Jack she thought.
"Poor dear," she sighed, "he loves me so,
And what's a little kiss?
Or two or three - he'll never know,
And ignorance is bliss."

Now in fond wedlock all is well,
Though in their nuptial bed,
Jack's thought will sometimes stray to Nell,
And Jill's to handsome Fred.
Yet though in fancy they may flirt,
There's nothing much amiss:
What they don't know will never hurt -
Aye, Ignorance Is Bliss.

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Emily Dickinson

Unto Me? I do not know you—

"Unto Me?" I do not know you—
Where may be your House?

"I am Jesus—Late of Judea—
Now—of Paradise"—

Wagons—have you—to convey me?
This is far from Thence—

"Arms of Mine—sufficient Phaeton—
Trust Omnipotence"—

I am spotted—"I am Pardon"—
I am small—"The Least
Is esteemed in Heaven the Chiefest—
Occupy my House"—

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Thomas Hardy

The Masked Face

I found me in a great surging space,
At either end a door,
And I said: "What is this giddying place,
With no firm-fixéd floor,
That I knew not of before?"
"It is Life," said a mask-clad face.

I asked: "But how do I come here,
Who never wished to come;
Can the light and air be made more clear,
The floor more quietsome,
And the doors set wide? They numb
Fast-locked, and fill with fear."

The mask put on a bleak smile then,
And said, "O vassal-wight,
There once complained a goosequill pen
To the scribe of the Infinite
Of the words it had to write
Because they were past its ken."

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Emily Dickinson

Teach Him—When He makes the names

227

Teach Him—When He makes the names—
Such an one—to say—
On his babbling—Berry—lips—
As should sound—to me—
Were my Ear—as near his nest—
As my thought—today—
As should sound—
"Forbid us not"—
Some like "Emily."

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Emily Dickinson

Musicians wrestle everywhere

157

Musicians wrestle everywhere—
All day—among the crowded air
I hear the silver strife—
And—walking—long before the morn—
Such transport breaks upon the town
I think it that "New Life"!

If is not Bird—it has no nest—
Nor "Band"—in brass and scarlet—drest—
Nor Tamborin—nor Man—
It is not Hymn from pulpit read—
The "Morning Stars" the Treble led
On Time's first Afternoon!

Some—say—it is "the Spheres"—at play!
Some say that bright Majority
Of vanished Dames—and Men!
Some—think it service in the place
Where we—with late—celestial face—
Please God—shall Ascertain!

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Little Girls Must Not Fret

WHAT is it that makes little Emily cry?
Come then, let mamma wipe the tear from her eye:
There–lay down your head on my bosom–that's right,
And now tell mamma what's the matter to-night.

What! Emmy is sleepy, and tired with play?
Come, Betty, make haste then, and fetch her away;
But do not be fretful, my darling; you know
Mamma cannot love little girls that are so.

She shall soon go to bed and forget it all there–
Ah! here's her sweet smile come again, I declare:
That's right, for I thought you quite naughty before.
Good night, my dear child, but don't fret any more.

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Emily Dickinson

Arcturus

"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!

I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
&q uot;Oh Lord—how frail are we"!

I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!

Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.

What once was "Heaven"
Is "Zenith" now—
Where I proposed to go
When Time's brief masquerade was done
Is mapped and charted too.

What if the poles should frisk about
And stand upon their heads!
I hope I'm ready for "the worst"—
Whatever prank betides!

Perhaps the "Kingdom of Heaven's" changed—
I hope the "Children" there Won't be "new fashioned" when I come—
And laugh at me—and stare—

I hope the Father in the skies
Will lift his little girl—
Old fashioned—naught—everything—
Over the stile of "Pearl."

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