In Defence of the Bush
So you're back from up the country, Mister Lawson, where you went,
And you're cursing all the business in a bitter discontent;
Well, we grieve to disappoint you, and it makes us sad to hear
That it wasn't cool and shady -- and there wasn't whips of beer,
And the looney bullock snorted when you first came into view --
Well, you know it's not so often that he sees a swell like you;
And the roads were hot and dusty, and the plains were burnt and brown,
And no doubt you're better suited drinking lemon-squash in town.
Yet, perchance, if you should journey down the very track you went
In a month or two at furthest, you would wonder what it meant;
Where the sunbaked earth was gasping like a creature in its pain
You would find the grasses waving like a field of summer grain,
And the miles of thirsty gutters, blocked with sand and choked with mud,
You would find them mighty rivers with a turbid, sweeping flood.
For the rain and drought and sunshine make no changes in the street,
In the sullen line of buildings and the ceaseless tramp of feet;
But the bush has moods and changes, as the seasons rise and fall,
And the men who know the bush-land -- they are loyal through it all.
*
But you found the bush was dismal and a land of no delight --
Did you chance to hear a chorus in the shearers' huts at night?
Did they 'rise up William Riley' by the camp-fire's cheery blaze?
Did they rise him as we rose him in the good old droving days?
And the women of the homesteads and the men you chanced to meet --
Were their faces sour and saddened like the 'faces in the street'?
And the 'shy selector children' -- were they better now or worse
Than the little city urchins who would greet you with a curse?
Is not such a life much better than the squalid street and square
Where the fallen women flaunt it in the fierce electric glare,
Wher the sempstress plies her needle till her eyes are sore and red
In a filthy, dirty attic toiling on for daily bread?
Did you hear no sweeter voices in the music of the bush
Than the roar of trams and buses, and the war-whoop of 'the push'?
Did the magpies rouse your slumbers with their carol sweet and strange?
Did you hear the silver chiming of the bell-birds on the range?
But, perchance, the wild birds' music by your senses was despised,
For you say you'll stay in townships till the bush is civilized.
Would you make it a tea-garden, and on Sundays have a band
Where the 'blokes' might take their 'donahs', with a 'public' close at hand?
You had better stick to Sydney and make merry with the 'push',
For the bush will never suit you, and you'll never suit the bush.
poem by Andrew Barton Paterson

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The City Bushman
It was pleasant up the country, City Bushman, where you went,
For you sought the greener patches and you travelled like a gent;
And you curse the trams and buses and the turmoil and the push,
Though you know the squalid city needn't keep you from the bush;
But we lately heard you singing of the `plains where shade is not',
And you mentioned it was dusty -- `all was dry and all was hot'.
True, the bush `hath moods and changes' -- and the bushman hath 'em, too,
For he's not a poet's dummy -- he's a man, the same as you;
But his back is growing rounder -- slaving for the absentee --
And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet
Should have made a greater contrast to the faces in the street;
And, in short, we think the bushman's being driven to the wall,
And it's doubtful if his spirit will be `loyal thro' it all'.
Though the bush has been romantic and it's nice to sing about,
There's a lot of patriotism that the land could do without --
Sort of BRITISH WORKMAN nonsense that shall perish in the scorn
Of the drover who is driven and the shearer who is shorn,
Of the struggling western farmers who have little time for rest,
And are ruined on selections in the sheep-infested West;
Droving songs are very pretty, but they merit little thanks
From the people of a country in possession of the Banks.
And the `rise and fall of seasons' suits the rise and fall of rhyme,
But we know that western seasons do not run on schedule time;
For the drought will go on drying while there's anything to dry,
Then it rains until you'd fancy it would bleach the sunny sky --
Then it pelters out of reason, for the downpour day and night
Nearly sweeps the population to the Great Australian Bight.
It is up in Northern Queensland that the seasons do their best,
But it's doubtful if you ever saw a season in the West;
There are years without an autumn or a winter or a spring,
There are broiling Junes, and summers when it rains like anything.
In the bush my ears were opened to the singing of the bird,
But the `carol of the magpie' was a thing I never heard.
Once the beggar roused my slumbers in a shanty, it is true,
But I only heard him asking, `Who the blanky blank are you?'
And the bell-bird in the ranges -- but his `silver chime' is harsh
When it's heard beside the solo of the curlew in the marsh.
Yes, I heard the shearers singing `William Riley', out of tune,
Saw 'em fighting round a shanty on a Sunday afternoon,
But the bushman isn't always `trapping brumbies in the night',
Nor is he for ever riding when `the morn is fresh and bright',
And he isn't always singing in the humpies on the run --
And the camp-fire's `cheery blazes' are a trifle overdone;
We have grumbled with the bushmen round the fire on rainy days,
When the smoke would blind a bullock and there wasn't any blaze,
Save the blazes of our language, for we cursed the fire in turn
Till the atmosphere was heated and the wood began to burn.
Then we had to wring our blueys which were rotting in the swags,
And we saw the sugar leaking through the bottoms of the bags,
And we couldn't raise a chorus, for the toothache and the cramp,
While we spent the hours of darkness draining puddles round the camp.
Would you like to change with Clancy -- go a-droving? tell us true,
For we rather think that Clancy would be glad to change with you,
And be something in the city; but 'twould give your muse a shock
To be losing time and money through the foot-rot in the flock,
And you wouldn't mind the beauties underneath the starry dome
If you had a wife and children and a lot of bills at home.
Did you ever guard the cattle when the night was inky-black,
And it rained, and icy water trickled gently down your back
Till your saddle-weary backbone fell a-aching to the roots
And you almost felt the croaking of the bull-frog in your boots --
Sit and shiver in the saddle, curse the restless stock and cough
Till a squatter's irate dummy cantered up to warn you off?
Did you fight the drought and pleuro when the `seasons' were asleep,
Felling sheoaks all the morning for a flock of starving sheep,
Drinking mud instead of water -- climbing trees and lopping boughs
For the broken-hearted bullocks and the dry and dusty cows?
Do you think the bush was better in the `good old droving days',
When the squatter ruled supremely as the king of western ways,
When you got a slip of paper for the little you could earn,
But were forced to take provisions from the station in return --
When you couldn't keep a chicken at your humpy on the run,
For the squatter wouldn't let you -- and your work was never done;
When you had to leave the missus in a lonely hut forlorn
While you `rose up Willy Riley' -- in the days ere you were born?
Ah! we read about the drovers and the shearers and the like
Till we wonder why such happy and romantic fellows strike.
Don't you fancy that the poets ought to give the bush a rest
Ere they raise a just rebellion in the over-written West?
Where the simple-minded bushman gets a meal and bed and rum
Just by riding round reporting phantom flocks that never come;
Where the scalper -- never troubled by the `war-whoop of the push' --
Has a quiet little billet -- breeding rabbits in the bush;
Where the idle shanty-keeper never fails to make a draw,
And the dummy gets his tucker through provisions in the law;
Where the labour-agitator -- when the shearers rise in might --
Makes his money sacrificing all his substance for The Right;
Where the squatter makes his fortune, and `the seasons rise and fall',
And the poor and honest bushman has to suffer for it all;
Where the drovers and the shearers and the bushmen and the rest
Never reach the Eldorado of the poets of the West.
And you think the bush is purer and that life is better there,
But it doesn't seem to pay you like the `squalid street and square'.
Pray inform us, City Bushman, where you read, in prose or verse,
Of the awful `city urchin who would greet you with a curse'.
There are golden hearts in gutters, though their owners lack the fat,
And we'll back a teamster's offspring to outswear a city brat.
Do you think we're never jolly where the trams and buses rage?
Did you hear the gods in chorus when `Ri-tooral' held the stage?
Did you catch a ring of sorrow in the city urchin's voice
When he yelled for Billy Elton, when he thumped the floor for Royce?
Do the bushmen, down on pleasure, miss the everlasting stars
When they drink and flirt and so on in the glow of private bars?
You've a down on `trams and buses', or the `roar' of 'em, you said,
And the `filthy, dirty attic', where you never toiled for bread.
(And about that self-same attic -- Lord! wherever have you been?
For the struggling needlewoman mostly keeps her attic clean.)
But you'll find it very jolly with the cuff-and-collar push,
And the city seems to suit you, while you rave about the bush.
. . . . .
You'll admit that Up-the Country, more especially in drought,
Isn't quite the Eldorado that the poets rave about,
Yet at times we long to gallop where the reckless bushman rides
In the wake of startled brumbies that are flying for their hides;
Long to feel the saddle tremble once again between our knees
And to hear the stockwhips rattle just like rifles in the trees!
Long to feel the bridle-leather tugging strongly in the hand
And to feel once more a little like a native of the land.
And the ring of bitter feeling in the jingling of our rhymes
Isn't suited to the country nor the spirit of the times.
Let us go together droving, and returning, if we live,
Try to understand each other while we reckon up the div.
poem by Henry Lawson

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Up The Country
I am back from up the country -- very sorry that I went --
Seeking for the Southern poets' land whereon to pitch my tent;
I have lost a lot of idols, which were broken on the track,
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast,
But I think the country's rather more inviting round the coast.
Anyway, I'll stay at present at a boarding-house in town,
Drinking beer and lemon-squashes, taking baths and cooling down.
`Sunny plains'! Great Scott! -- those burning
wastes of barren soil and sand
With their everlasting fences stretching out across the land!
Desolation where the crow is! Desert where the eagle flies,
Paddocks where the luny bullock starts and stares with reddened eyes;
Where, in clouds of dust enveloped, roasted bullock-drivers creep
Slowly past the sun-dried shepherd dragged behind his crawling sheep.
Stunted peak of granite gleaming, glaring like a molten mass
Turned from some infernal furnace on a plain devoid of grass.
Miles and miles of thirsty gutters -- strings of muddy water-holes
In the place of `shining rivers' -- `walled by cliffs and forest boles.'
Barren ridges, gullies, ridges! where the ever-madd'ning flies --
Fiercer than the plagues of Egypt -- swarm about your blighted eyes!
Bush! where there is no horizon! where the buried bushman sees
Nothing -- Nothing! but the sameness of the ragged, stunted trees!
Lonely hut where drought's eternal, suffocating atmosphere
Where the God-forgotten hatter dreams of city life and beer.
Treacherous tracks that trap the stranger,
endless roads that gleam and glare,
Dark and evil-looking gullies, hiding secrets here and there!
Dull dumb flats and stony rises, where the toiling bullocks bake,
And the sinister `gohanna', and the lizard, and the snake.
Land of day and night -- no morning freshness, and no afternoon,
When the great white sun in rising bringeth summer heat in June.
Dismal country for the exile, when the shades begin to fall
From the sad heart-breaking sunset, to the new-chum worst of all.
Dreary land in rainy weather, with the endless clouds that drift
O'er the bushman like a blanket that the Lord will never lift --
Dismal land when it is raining -- growl of floods, and, oh! the woosh
Of the rain and wind together on the dark bed of the bush --
Ghastly fires in lonely humpies where the granite rocks are piled
In the rain-swept wildernesses that are wildest of the wild.
Land where gaunt and haggard women live alone and work like men,
Till their husbands, gone a-droving, will return to them again:
Homes of men! if home had ever such a God-forgotten place,
Where the wild selector's children fly before a stranger's face.
Home of tragedy applauded by the dingoes' dismal yell,
Heaven of the shanty-keeper -- fitting fiend for such a hell --
And the wallaroos and wombats, and, of course, the curlew's call --
And the lone sundowner tramping ever onward through it all!
I am back from up the country, up the country where I went
Seeking for the Southern poets' land whereon to pitch my tent;
I have shattered many idols out along the dusty track,
Burnt a lot of fancy verses -- and I'm glad that I am back.
I believe the Southern poets' dream will not be realised
Till the plains are irrigated and the land is humanised.
I intend to stay at present, as I said before, in town
Drinking beer and lemon-squashes, taking baths and cooling down.
poem by Henry Lawson

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That Beating Of The Bush
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
I have this 'thing' about honest and truth.
And those who become offended,
By declaring them too harsh to accept!
There has not been an experience I received,
I regretted with a wish to forget!
And those attempting to live their lives,
In pretense to deceive believing this is not deception...
Will always escape with excuses and alibis to make.
Charading as if...
No one recognizes,
Who is in masquerade.
And who amongst them fakes!
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
An honesty and truth spoken,
From deceivers is rare.
Those who deceive perceive...
Those who are direct and honest,
Are insensitive and do not care!
With a sharing of this mentality...
To those empathetic,
In a keeping of delusions...
Spared from despair!
But I know I'm not the only one...
Who elects to see,
Dishonesty from all people get up and leave.
I can't be!
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
I'm not into,
The beating of the bush.
That beating of the bush.
poem by Lawrence S. Pertillar

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On The Night Train
Have you seen the bush by moonlight, from the train, go running by?
Blackened log and stump and sapling, ghostly trees all dead and dry;
Here a patch of glassy water; there a glimpse of mystic sky?
Have you heard the still voice calling – yet so warm, and yet so cold:
"I'm the Mother-Bush that bore you! Come to me when you are old"?
Did you see the Bush below you sweeping darkly to the Range,
All unchanged and all unchanging, yet so very old and strange!
While you thought in softened anger of the things that did estrange?
(Did you hear the Bush a-calling, when your heart was young and bold:
"I'm the Mother-bush that nursed you; Come to me when you are old"?)
In the cutting or the tunnel, out of sight of stock or shed,
Did you hear the grey Bush calling from the pine-ridge overhead:
"You have seen the seas and cities – all is cold to you, or dead –
All seems done and all seems told, but the grey-light turns to gold!
I'm the Mother-Bush that loves you – come to me now you are old"?
poem by Henry Lawson

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When the Bush Begins to Speak
They know us not in England yet, their pens are overbold;
We're seen in fancy pictures that are fifty years too old.
They think we are a careless race - a childish race, and weak;
They'll know us yet in England, when the bush begins to speak;
When the bush begins to speak,
When the bush begins to speak,
When the west by Greed's invaded, and the bush begins to speak.
'The leaders that will be', the men of southern destiny,
Are not all found in cities that are builded by the sea;
They learn to love Australia by many a western creek,
They'll know them yet in England, when the bush begins to speak;
When the bush begins to speak,
When the bush begins to speak,
When the west by Greed's invaded, and the bush begins to speak.
All ready for the struggle, and waiting for the change,
The army of our future lies encamped beyond the range;
Australia, for her patriots, will not have far to seek;
They'll know her yet in England when the bush begins to speak;
When the bush begins to speak,
When the bush begins to speak,
When the west by Greed's invaded, and the bush begins to speak.
We'll find the peace and comfort that our fathers could not find,
Or some shall strike the good old blow that leaves a mark behind.
We'll find the Truth and Liberty our fathers came to seek,
Or let them know in England when the bush begins to speak;
When the bush begins to speak,
When the bush begins to speak,
When the west by Greed's invaded, and the bush begins to speak.
poem by Henry Lawson

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Borderland
I am back from up the country -- very sorry that I went --
Seeking for the Southern poets' land whereon to pitch my tent;
I have lost a lot of idols, which were broken on the track --
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast,
But I think the country's rather more inviting round the coast --
Anyway, I'll stay at present at a boarding-house in town
Drinking beer and lemon-squashes, taking baths and cooling down.
Sunny plains! Great Scot! -- those burning wastes of barren soil and sand
With their everlasting fences stretching out across the land!
Desolation where the crow is! Desert! where the eagle flies,
Paddocks where the luny bullock starts and stares with reddened eyes;
Where, in clouds of dust enveloped, roasted bullock-drivers creep
Slowly past the sun-dried shepherd dragged behind his crawling sheep.
Stunted "peak" of granite gleaming, glaring! like a molten mass
Turned, from some infernal furnace, on a plain devoid of grass.
Miles and miles of thirsty gutters -- strings of muddy waterholes
In the place of "shining rivers" (walled by cliffs and forest boles).
"Range!" of ridgs, gullies, ridges, barren! where the madden'd flies --
Fiercer than the plagues of Egypt -- swarm about your blighted eyes!
Bush! where there is no horizon! where the buried bushman sees
Nothing. Nothing! but the maddening sameness of the stunted trees!
Lonely hut where drought's eternal -- suffocating atmosphere --
Where the God forgottcn hatter dreams of city-life and beer.
Treacherous tracks that trap the stranger, endless roads that gleam and glare,
Dark and evil-looking gullies -- hiding secrets here and there!
Dull, dumb flats and stony "rises," where the bullocks sweat and bake,
And the sinister "gohanna," and the lizard, and the snake.
Land of day and night -- no morning freshness, and no afternoon,
For the great, white sun in rising brings with him the heat of noon.
Dismal country for the exile, when the shades begin to fall
From the sad, heart-breaking sunset, to the new-chum, worst of all.
Dreary land in rainy weather, with the endless clouds that drift
O'er the bushman like a blanket that the Lord will never lift --
Dismal land when it is raining -- growl of floods and oh! the "woosh"
Of the rain and wind together on the dark bed of the bush --
Ghastly fires in lonely humpies where the granite rocks are pil'd
On the rain-swept wildernesses that are wildest of the wild.
Land where gaunt and haggard women live alone and work like men,
Till their husbands, gone a-droving, will return to them again --
Homes of men! if homes had ever such a God-forgotten place,
Where the wild selector's children fly before a stranger's face.
Home of tragedy applauded by the dingoes' dismal yell,
Heaven of the shanty-keeper -- fitting fiend for such a hell --
And the wallaroos and wombats, and, of course, the "curlew's call" --
And the lone sundowner tramping ever onward thro' it all!
I am back from up the country -- up the country where I went
Seeking for the Southern poets' land whereon to pitch my tent;
I have left a lot of broken idols out along the track,
Burnt a lot of fancy verses -- and I'm glad that I am back --
I believe the Southern poet's dream will not be realised
Till the plains are irrigated and the land is humanised.
I intend to stay at present -- as I said before -- in town
Drinking beer and lemon-squashes -- taking baths and cooling down.
poem by Henry Lawson

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The Change
Last year I heard the songs of birds,
And heard the trumpets of the bees.
I caught the winding river’s words,
And clutched at leaves of trees.
I heard the gales upon the height;
And heard each frightened windy rush,
I lay within the sultry night,
Eaves-dropping in the bush.
But now I walk within a town,
And hear the slyness of its feet.
Great cruel things stride up and down
Within a shady street.
I see quick things with ugly nails,
And hear their low half-smothered cries.
I hear men tell strange trembling tales
With big beseeching eyes.
I do not hear the singing bough.
I hear soft murders in a lane,
I do not feel the bush-call, now
I feel my brother’s pain.
poem by Leon Gellert

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Tush (Anthony Acid (dirty) Radio Edit)
[Intro: Missy Elliott]
Oohhh... This that fire! Ghostface and Missy
[Ghostface Killah]
Somebody tell that girl that her ass too big
I give it to her right and she let me live
Can't eat that, cuz there's no relationship
I beat that, the next day you called in sick
Frontin', not for nothin', I pop buttons
Off Baby Phat, Levi's, J.Lo's, Guess and Gap
Cuz it's like that, young lady, bet I make you shake
Like the Puffy and Jay-Z's, Dre's and J.D.'s
Come on, if not you, I'mma beat this song
But if you were bout it, our business wouldn't be here this long
Let me break it down for you, all I wanted to know
If I could just feel it and touch it, and break it down into numbers and
Come with me and just leave your friends
Cuz we don't need no cock blocking
Tellin' you this without no option
Tell your friends "Peace, look, I'm bouncin'"
[Chorus: Missy Elliott (Ghostface Killah)]
Tush, tush, tush
Wanna slide in the bush, bush, bush?
(I'm on top, you like push, push, push
Keep it low like shush, shush, shush)
You wanna get up in my tush, tush, tush?
You could slide in the bush, bush, bush
(I'm on top, you like push, push, push
Keep it low like shush, shush, shush)
You wanna get up in that tush, tush, tush?
Wanna slide in my bush, bush, bush
(I'm on top, you like push, push, push
Keep it low like shush, shush, shush)
[Ghostface Killah]
Oh yeah, you jinglin' baby (well let me jump up on that ding-a-ling baby)
Ooh, gosh, you a nasty girl, sassy
Picture me layin' you inside my classic pearls
Toes'll curl, giddy up, you go girl
I'm about to, uh, do it slow girl
Ooh, you in control, it's in your world
She on,
song performed by by Ghostface Killah

Submitted by Lucian Velea
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I must go to the bush again
I must go to the bush again
and for a time be free,
from the inward chill
of the big city
and the emptiness
that life among strangers brings.
I must go to the bush again
and see the baobab trees,
frame against the setting sun
and know that somehow
the Almighty One
cares about everyone and me.
I must go to the bush again
and watch the wild buck,
drink from a stream
and see the crocodiles slide
into back into the water
and find the tranquillity
that nature brings.
I must go to the bush again
and give a prayer
and to find solace there,
from a world
that’s totally out of control.
poem by Gert Strydom

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The Indian Myna
Gimme the town an' its clamour an' clutter;
I ain't very fond of the bush;
For my cobbers are coves of the gardens and gutter-
A tough metropolitan push.
I ain't never too keen on the countryfield life;
It's the hustle an' bustle for me an' me wife.
So I swagger an' strut an' I cuss an' I swagger;
I'm wise to the city's hard way.
A bit of a bloke an' a bit of a bragger;
I've always got plenty to say.
Learned thro' knockin' about since my people came out
From the land at the back of Bombay.
When out in the bush I am never a ranger;
There never ain't nothin' to see.
Besides, them bush birds got no time for a stranger;
So town an' the traffic for me.
I sleep in the gardens an' loaf in the street,
An' sling off all day at the fellers I meet.
An' I swagger an' scold an' strut an' I swagger,
An' pick up me fun where I can,
Or tell off me wife, who's a bit of a nagger,
Or scrap with the sparrers for scran.
A bonzer at bluffin', I give you my word,
For, between you an' me, I'm a pretty tough bird.
poem by Clarence Michael James Stanislaus Dennis

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Apple Bush
October in a land that's in my back yard
There's a people who succeed they don't try hard
Well, they've found a way to live with ease
Eating from the bush instead of the tree
Apple bush, apple tree
Back to eternity
Find you a path and you buy with a car
Apple bush, apple tree
Back to eternity
Cut you a path with a chance may might fall
Move over in a corner, standing there
Tell my house they have to see it again
But my house doesn't worry it's got a path of it's own
And a bush, and a tree
Gotta leave it alone
Apple Bush, apple tree
Back to eternity
Find you a path and you buy with a car
Apple bush, apple tree
Back to eternity
Cut you a path with a chance may might fall
Someday like my house you're going to chose too
If you cut this new path well the old one will do
If you live with the people who live with ease
The red apple bush, the blue apple tree
song performed by by Alice Cooper

Submitted by Lucian Velea
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The Shearers Wife
Before the glare o’ dawn I rise
To milk the sleepy cows, an’ shake
The droving dust from tired eyes,
Look round the rabbit traps, then bake
The children’s bread.
There’s hay to stook, an’ beans to hoe,
An’ ferns to cut in the scrub below,
Women must work, when men must go
Shearing from shed to shed.
I patch an’ darn, now evening comes,
An’ tired I am with labour sore,
Tired o’ the bush, the cows, the gums,
Tired, but we must dree for long months more
What no tongue tells.
The moon is lonely in the sky,
Lonely the bush, an’ lonely I
Stare down the track no horse draws nigh,
An’ start . . . at the cattle bells.
poem by Louis Esson

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A Voice from the City
On western plain and eastern hill
Where once my fancy ranged,
The station hands are riding still
And they are little changed.
But I have lost in London gloom
The glory of the day,
The grand perfume of wattle bloom
Is faint and far away.
Brown faces under broad-brimmed hats
The grip of wiry hands,
The gallops on the frosty flats,
Seem dreams of other lands;
The camp fire and the stars that blaze
Above the mystic plain
Are but the thoughts of vanished days
That never come again.
The evening star I seldom view—
That led me on to roam—
I never see the morning star
That used to draw me home.
But I have often longed for day
To hide the few I see,
Because they only point and say
Most bitter things to me.
I wear my life on pavement stones
That drag me ever down,
A paltry slave to little things,
By custom chained to town.
I’ve lost the strength to strike alone,
The heart to do and dare—
I mind the day I’d roll my swag
And tramp to—God-knows-where.
When I should wait I wander out,
When I should go I bide—
I scarcely dare to think about
The days when I could ride.
I would not mount before his eyes,
‘Straight’ Bushman tall and tan—
I mind the day when I stood up
And fought him like a man.
I mind the time when I was shy
To meet the brown Bush girls—
I’ve lunched with lords since then and I
Have been at home with earls:
I learned to smile and learned to bow
And lie to ladies gay—
But to a gaunt Bushwoman now
I’d not know what to say.
And if I sought her hard bare home
From scenes of show and sham,
I’d sit all ill at ease and fell
The poor weak thing I am.
I could not meet her hopeless eyes
That look one through and through,
The haggard woman of the past
Who once thought I was true.
But nought on earth can last for aye,
And wild with care and pain,
Some day by chance I’ll break away
And seek the Bush again.
And find awhile from bitter years
The rest the Bush can bring,
And hear, perhaps, with truer ears
The songs it has to sing.
poem by Henry Lawson

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The Call of the Bush
Three roads there are that climb and wind
Amongst the hills, and leave behind
The patterned orchards, sloping down
To meet a little country town.
And of these roads I'll take the one
That tops the ridges, where the sun
Is tempered by the mountain-breeze
And dancing shadows of the trees.
The road is rough - but to my feet
Softer than is the city street;
And then the trees! - how beautiful
She-oak and gum - how fresh and cool!
No walls there are to hamper me;
Only in blue infinity
The distant mountain-ramparts rise
Beneath the broad arch of the skies.
And in that high place I shall hear
The wild birds' singing, soft and clear;
And horse-bells tinkling as of old
In amongst the wattles' gold
Far-off is the ocean tide;
But there across the country-side
Roll waves of bush that rise and fall
To break against the mountain-wall.
And every little farm is seen
An island in a sea of green;
And every little farm at night
Flings through the dark its beacon-light -
There in the silence of the hills,
I shall find peace that soothes and stills
The throbbing of the weary brain, -
For I am going home again.
poem by Dora Wilcox

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27 Years In The Bush
27 years in the bush!
I am still finding my way through to reach to the city;
And i need a teacher on this issue to guid eme through this thick bush.
Life is very hard for me alone in this bush,
But i have to hide to save my name;
For the bombs are everywhere and many of my friends are dead already,
And i need a clever teacher who knows the bush very well to lead me on.
27 years in the bush!
Life in Africa does have many colours;
But my faith will surely lead me on till i reach to the city of love,
And i have to save myself from these bombs.
poem by Edward Kofi Louis

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The Beautiful Land Of Australia
All you on emigration bent,
With home and England discontent,
Come, listen to my sad lament,
All about the bush of Australia.
I once possessed a thousand pounds.
Thinks I—how very grand it sounds
For a man to be farming his own grounds
In the beautiful land of Australia.
Illawarra, Mittagong,
Parramatta, Wollongong.
If you wish to become an ourang-outang,
Then go to the bush of Australia.
Upon the voyage the ship was lost.
In wretched plight I reached the coast,
And was very nigh being made a roast,
By the savages of Australia.
And in the bush I lighted on
A fierce bushranger with his gun,
Who borrowed my garments, every one,
For himself in the bush of Australia.
Illawarra, Mittagong,
Parramatta, Wollongong.
If you wish to become an ourang-outang,
Then go to the bush of Australia.
Sydney town I reached at last,
And now, thinks I, all danger's past,
And I shall make my fortune fast
In this promising land of Australia.
I quickly went with cash in hand,
Upon the map I chose my land.
When I got there 'twas barren sand
In the beautiful land of Australia.
Illawarra, Mittagong,
Parramatta, Wollongong
If you wish to become an ourang-outang,
Then go to the bush of Australia.
Of sheep I got a famous lot.
Some died of hunger, some of rot,
For the devil a dropp of rain they got,
In this flourishing land of Australia.
My convict men were always drunk,
They kept me in a constant funk.
Says I to myself, as to bed I slunk,
How I wish I was out of Australia!
Booligal, Gobarralong,
Emu Flat and Jugiong.
If you wish to become an ourang-outang,
Then go to the bush of Australia.
Of ills, enough I've had you'll own.
And then at last, my woes to crown,
One night my log house was blown down
That settled us all in Australia
And now of home and all bereft,
The horrid spot I quickly left,
Making it over by deed of gift
To the savages of Australia.
Booligal, Gobarralong,
Emu Flat and Jugiong.
If you wish to become an ourang-outang,
Then go to the bush of Australia
I gladly worked my passage home,
And now to England back I've come,
Determined never more to roam,
At least, to the bush of Australia.
And stones upon the road I'll break,
And earn my seven bob a week,
Which is surely better than the freak
Of settling down in Australia.
Currabubula, Bogolong,
Ulladulla, Gerringong.
If you wouldn't become an ourang-outang,
Don't go to the bush of Australia.
poem by Andrew Barton Paterson

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The Hundredth Year
Not that I'd quarrel with the way
They celebrates their hundredth year
In town (said old Pete Parraday),
But that don't suit us bush blokes here.
So let bells ring and whistles blare
And fill the town with mighty sound,
Let motor noises tear the air
An' bonfires light the hills around.
When I'm five score I want some say
In things (said old Peter Parraday).
I've lived me life here in the bush
(Said Pete) since I was but a boy;
An' all this city noise an' push
Ain't my idea of showin' joy.
Me ears ain't tooned to sich like noise,
And fire is like to wake our fear.
Them ain't the things that we enjoys
When celebratin' birthdays here;
So, if I live so long, I pray
For peace (said old Peter Parraday).
A hundred year's a long, long spell
To hang about this mad ole earth,
And when man nears his century - well
He don't crave much of noisy mirth -
Not for himself, with life near run
Its length, such comes for others yet;
Not for himself; for he is done,
With all life's hectic fuss an' fret.
So let me have my foolish way
In this (said old Pete Parraday).
I ask but this, an' nothin' more,
When comes my hundredth natal day;
Let me sit here beside my door
And dream (said old Pete Parraday).
While bush birds sing the songs I know,
And bush sounds that I love the best,
Wake memories of the long ago,
Let me sit here a while and rest.
Aye, rest, and sleep and, who shall say?
Sleep sound (said old Pete Parraday).
poem by Clarence Michael James Stanislaus Dennis

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An answer to Various Bards
Well, I've waited mighty patient while they all came rolling in,
Mister Lawson, Mister Dyson, and the others of their kin,
With their dreadful, dismal stories of the Overlander's camp,
How his fire is always smoky, and his boots are always damp;
And they paint it so terrific it would fill one's soul with gloom --
But you know they're fond of writing about "corpses" and "the tomb".
So, before they curse the bushland, they should let their fancy range,
And take something for their livers, and be cheerful for a change.
Now, for instance, Mr Lawson -- well, of course, we almost cried
At the sorrowful description how his "little 'Arvie" died,
And we lachrymosed in silence when "His Father's mate" was slain;
Then he went and killed the father, and we had to weep again.
Ben Duggan and Jack Denver, too, he caused them to expire,
After which he cooked the gander of Jack Dunn, of Nevertire;
And, no doubt, the bush is wretched if you judge it by the groan
Of the sad and soulful poet with a graveyard of his own.
And he spoke in terms prophetic of a revolution's heat,
When the world should hear the clamour of those people in the street;
But the shearer chaps who start it -- why, he rounds on them the blame,
And he calls 'em "agitators who are living on the game".
Bur I "over-write" the bushmen! Well, I own without a doubt
That I always see the hero in the "man from furthest out".
I could never contemplate him through an atmosphere of gloom,
And a bushman never struck me as a subject for "the tomb".
If it ain't all "golden sunshine" where the "wattle branches wave",
Well, it ain't all damp and dismal, and it ain't all "lonely grave".
And, of course, there's no denying that the bushman's life is rough,
But a man can easy stand it if he's built of sterling stuff;
Though it's seldom that the drover gets a bed of eiderdown,
Yet the man who's born a bushman, he gets mighty sick of town,
For he's jotting down the figures, and he's adding up the bills
While his heart is simply aching for a sight of Southern hills.
Then he hears a wool-team passing with a rumble and a lurch,
And, although the work is pressing, yet it brings him off his perch,
For it stirs him like a message from his station friends afar
And he seems to sniff the ranges in the scent of wool and tar;
And it takes him back in fancy, half in laughter, half in tears,
to a sound of other voices and a thought of other years,
When the woolshed rang with bustle from the dawning of the day,
And the shear-blades were a-clicking to the cry of "Wool away!"
Then his face was somewhat browner, and his frame was firmer set --
And he feels his flabby muscles with a feeling of regret.
But the wool-team slowly passes, and his eyes go slowly back
To the dusty little table and the papers in the rack,
And his thoughts go to the terrace where his sickly children squall,
And he thinks there's something healthy in the bush-life after all.
But we'll go no more a-droving in the wind or in the sun,
For out fathers' hearts have failed us, and the droving days are done.
There's a nasty dash of danger where the long-horned bullock wheels,
And we like to live in comfort and to get our reg'lar meals.
For to hang around the township suits us better, you'll agree,
And a job at washing bottles is the job for such as we.
Let us herd into the cities, let us crush and crowd and push
Till we lose the love of roving, and we learn to hate the bush;
And we'll turn our aspirations to a city life and beer,
And we'll slip across to England -- it's a nicer place than here;
For there's not much risk of hardship where all comforts are in store,
And the theatres are in plenty, and the pubs are more and more.
But that ends it, Mr Lawson, and it's time to say good-bye,
So we must agree to differ in all friendship, you and I.
Yes, we'll work our own salvation with the stoutest hearts we may,
And if fortune only favours we will take the road some day,
And go droving down the river 'neath the sunshine and the stars,
And then return to Sydney and vermilionize the bars.
poem by Andrew Barton Paterson

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Bush Hay
The stamp of Scotland is on his face,
But he sailed to the South a lad,
And he does not think of the black bleak hills
And the bitter hard youth he had;
He thinks of a nearer and dearer past
In the bright land far away,
When the teams went up and the teams came down,
In the days when they made bush hay.
The fare was rough and the bush was grim
In the “years of his pilgrimage”,
But he gained the strength that is still with him
In his hale, late middle age.
He thinks of the girl at the halfway inn
They use as a barn to-day—
Oh, she was a dumpling and he was thin
In the days when they made bush hay.
The ration teams to the Bathurst Plains
Were often a fortnight full.
And they branched all ways in the early days
And back to the port with wool.
They watched for the lights of old Cobb & Co.
That flashed to the West away,
When drivers drove six on a twelve-mile stage
In the days when they made bush hay.
He has made enough, and he’s sold his claim,
And he goes by the morning train,
From the gold-field town in the sultry West
To his home by the sea again,
Where a bustling old body’s expecting him
Whose hair is scarcely grey,
And she was the girl of the halfway house
In the days when they made bush hay.
poem by Henry Lawson

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Clancy of the Overflow
Clancy of the Overflow ...
I had written him a letter which I had, for want of better
Knowledge, sent to where I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent the letter to him,
Just "on spec", addressed as follows, "Clancy, of The Overflow".
And an answer came directed in a writing unexpected,
(And I think the same was written with a thumb-nail dipped in tar)
Twas his shearing mate who wrote it, and verbatim I will quote it:
"Clancy's gone to Queensland droving, and we don't know where he are."
In my wild erratic fancy visions come to me of Clancy
Gone a-droving "down the Cooper" where the Western drovers go;
As the stock are slowly stringing, Clancy rides behind them singing,
For the drover's life has pleasures that the townsfolk never know.
And the bush hath friends to meet him, and their kindly voices greet him
In the murmur of the breezes and the river on its bars,
And he sees the vision splendid of the sunlit plains extended,
And at night the wond'rous glory of the everlasting stars.
I am sitting in my dingy little office, where a stingy
Ray of sunlight struggles feebly down between the houses tall,
And the foetid air and gritty of the dusty, dirty city
Through the open window floating, spreads its foulness over all
And in place of lowing cattle, I can hear the fiendish rattle
Of the tramways and the buses making hurry down the street,
And the language uninviting of the gutter children fighting,
Comes fitfully and faintly through the ceaseless tramp of feet.
And the hurrying people daunt me, and their pallid faces haunt me
As they shoulder one another in their rush and nervous haste,
With their eager eyes and greedy, and their stunted forms and weedy,
For townsfolk have no time to grow, they have no time to waste.
And I somehow rather fancy that I'd like to change with Clancy,
Like to take a turn at droving where the seasons come and go,
While he faced the round eternal of the cash-book and the journal --
But I doubt he'd suit the office, Clancy, of "The Overflow".
Banjo Paterson
poem by Andrew Barton Paterson

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