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The Great Adventure Of Max Breuck

A yellow band of light upon the street
Pours from an open door, and makes a wide
Pathway of bright gold across a sheet
Of calm and liquid moonshine. From inside
Come shouts and streams of laughter, and a snatch
Of song, soon drowned and lost again in mirth,
The clip of tankards on a table top,
And stir of booted heels. Against the patch
Of candle-light a shadow falls, its girth
Proclaims the host himself, and master of his shop.

This is the tavern of one Hilverdink,
Jan Hilverdink, whose wines are much esteemed.
Within his cellar men can have to drink
The rarest cordials old monks ever schemed
To coax from pulpy grapes, and with nice art
Improve and spice their virgin juiciness.
Here froths the amber beer of many a brew,
Crowning each pewter tankard with as smart
A cap as ever in his wantonness
Winter set glittering on top of an old yew.

Tall candles stand upon the table, where
Are twisted glasses, ruby-sparked with wine,
Clarets and ports. Those topaz bumpers were
Drained from slim, long-necked bottles of the Rhine.
The centre of the board is piled with pipes,
Slender and clean, the still unbaptized clay
Awaits its burning fate. Behind, the vault
Stretches from dim to dark, a groping way
Bordered by casks and puncheons, whose brass stripes
And bands gleam dully still, beyond the gay tumult.

'For good old Master Hilverdink, a toast!'
Clamoured a youth with tassels on his boots.
'Bring out your oldest brandy for a boast,
From that small barrel in the very roots
Of your deep cellar, man. Why here is Max!
Ho! Welcome, Max, you're scarcely here in time.
We want to drink to old Jan's luck, and smoke
His best tobacco for a grand climax.
Here, Jan, a paper, fragrant as crushed thyme,
We'll have the best to wish you luck, or may we choke!'

Max Breuck unclasped his broadcloth cloak, and sat.
'Well thought of, Franz; here's luck to Mynheer Jan.'
The host set down a jar; then to a vat
Lost in the distance of his cellar, ran.
Max took a pipe as graceful as the stem
Of some long tulip, crammed it full, and drew
The pungent smoke deep to his grateful lung.
It curled all blue throughout the cave and flew
Into the silver night. At once there flung
Into the crowded shop a boy, who cried to them:

'Oh, sirs, is there some learned lawyer here,
Some advocate, or all-wise counsellor?
My master sent me to inquire where
Such men do mostly be, but every door
Was shut and barred, for late has grown the hour.
I pray you tell me where I may now find
One versed in law, the matter will not wait.'
'I am a lawyer, boy,' said Max, 'my mind
Is not locked to my business, though 'tis late.
I shall be glad to serve what way is in my power.

Then once more, cloaked and ready, he set out,
Tripping the footsteps of the eager boy
Along the dappled cobbles, while the rout
Within the tavern jeered at his employ.
Through new-burst elm leaves filtered the white moon,
Who peered and splashed between the twinkling boughs,
Flooded the open spaces, and took flight
Before tall, serried houses in platoon,
Guarded by shadows. Past the Custom House
They took their hurried way in the Spring-scented night.

Before a door which fronted a canal
The boy halted. A dim tree-shaded spot.
The water lapped the stones in musical
And rhythmic tappings, and a galliot
Slumbered at anchor with no light aboard.
The boy knocked twice, and steps approached. A flame
Winked through the keyhole, then a key was turned,
And through the open door Max went toward
Another door, whence sound of voices came.
He entered a large room where candelabra burned.

An aged man in quilted dressing gown
Rose up to greet him. 'Sir,' said Max, 'you sent
Your messenger to seek throughout the town
A lawyer. I have small accomplishment,
But I am at your service, and my name
Is Max Breuck, Counsellor, at your command.'
'Mynheer,' replied the aged man, 'obliged
Am I, and count myself much privileged.
I am Cornelius Kurler, and my fame
Is better known on distant oceans than on land.

My ship has tasted water in strange seas,
And bartered goods at still uncharted isles.
She's oft coquetted with a tropic breeze,
And sheered off hurricanes with jaunty smiles.'
'Tush, Kurler,' here broke in the other man,
'Enough of poetry, draw the deed and sign.'
The old man seemed to wizen at the voice,
'My good friend, Grootver, --' he at once began.
'No introductions, let us have some wine,
And business, now that you at last have made your choice.'

A harsh and disagreeable man he proved to be,
This Grootver, with no single kindly thought.
Kurler explained, his old hands nervously
Twisting his beard. His vessel he had bought
From Grootver. He had thought to soon repay
The ducats borrowed, but an adverse wind
Had so delayed him that his cargo brought
But half its proper price, the very day
He came to port he stepped ashore to find
The market glutted and his counted profits naught.

Little by little Max made out the way
That Grootver pressed that poor harassed old man.
His money he must have, too long delay
Had turned the usurer to a ruffian.
'But let me take my ship, with many bales
Of cotton stuffs dyed crimson, green, and blue,
Cunningly patterned, made to suit the taste
Of mandarin's ladies; when my battered sails
Open for home, such stores will I bring you
That all your former ventures will be counted waste.

Such light and foamy silks, like crinkled cream,
And indigo more blue than sun-whipped seas,
Spices and fragrant trees, a massive beam
Of sandalwood, and pungent China teas,
Tobacco, coffee!' Grootver only laughed.
Max heard it all, and worse than all he heard
The deed to which the sailor gave his word.
He shivered, 'twas as if the villain gaffed
The old man with a boat-hook; bleeding, spent,
He begged for life nor knew at all the road he went.

For Kurler had a daughter, young and gay,
Carefully reared and shielded, rarely seen.
But on one black and most unfriendly day
Grootver had caught her as she passed between
The kitchen and the garden. She had run
In fear of him, his evil leering eye,
And when he came she, bolted in her room,
Refused to show, though gave no reason why.
The spinning of her future had begun,
On quiet nights she heard the whirring of her doom.

Max mended an old goosequill by the fire,
Loathing his work, but seeing no thing to do.
He felt his hands were building up the pyre
To burn two souls, and seized with vertigo
He staggered to his chair. Before him lay
White paper still unspotted by a crime.
'Now, young man, write,' said Grootver in his ear.
'`If in two years my vessel should yet stay
From Amsterdam, I give Grootver, sometime
A friend, my daughter for his lawful wife.' Now swear.'

And Kurler swore, a palsied, tottering sound,
And traced his name, a shaking, wandering line.
Then dazed he sat there, speechless from his wound.
Grootver got up: 'Fair voyage, the brigantine!'
He shuffled from the room, and left the house.
His footsteps wore to silence down the street.
At last the aged man began to rouse.
With help he once more gained his trembling feet.
'My daughter, Mynheer Breuck, is friendless now.
Will you watch over her? I ask a solemn vow.'

Max laid his hand upon the old man's arm,
'Before God, sir, I vow, when you are gone,
So to protect your daughter from all harm
As one man may.' Thus sorrowful, forlorn,
The situation to Max Breuck appeared,
He gave his promise almost without thought,
Nor looked to see a difficulty. 'Bred
Gently to watch a mother left alone;
Bound by a dying father's wish, who feared
The world's accustomed harshness when he should be dead;

Such was my case from youth, Mynheer Kurler.
Last Winter she died also, and my days
Are passed in work, lest I should grieve for her,
And undo habits used to earn her praise.
My leisure I will gladly give to see
Your household and your daughter prosperous.'
The sailor said his thanks, but turned away.
He could not brook that his humility,
So little wonted, and so tremulous,
Should first before a stranger make such great display.

'Come here to-morrow as the bells ring noon,
I sail at the full sea, my daughter then
I will make known to you. 'Twill be a boon
If after I have bid good-by, and when
Her eyeballs scorch with watching me depart,
You bring her home again. She lives with one
Old serving-woman, who has brought her up.
But that is no friend for so free a heart.
No head to match her questions. It is done.
And I must sail away to come and brim her cup.

My ship's the fastest that owns Amsterdam
As home, so not a letter can you send.
I shall be back, before to where I am
Another ship could reach. Now your stipend --'
Quickly Breuck interposed. 'When you once more
Tread on the stones which pave our streets. -- Good night!
To-morrow I will be, at stroke of noon,
At the great wharf.' Then hurrying, in spite
Of cake and wine the old man pressed upon
Him ere he went, he took his leave and shut the door.

'Twas noon in Amsterdam, the day was clear,
And sunshine tipped the pointed roofs with gold.
The brown canals ran liquid bronze, for here
The sun sank deep into the waters cold.
And every clock and belfry in the town
Hammered, and struck, and rang. Such peals of bells,
To shake the sunny morning into life,
And to proclaim the middle, and the crown,
Of this most sparkling daytime! The crowd swells,
Laughing and pushing toward the quays in friendly strife.

The 'Horn of Fortune' sails away to-day.
At highest tide she lets her anchor go,
And starts for China. Saucy popinjay!
Giddy in freshest paint she curtseys low,
And beckons to her boats to let her start.
Blue is the ocean, with a flashing breeze.
The shining waves are quick to take her part.
They push and spatter her. Her sails are loose,
Her tackles hanging, waiting men to seize
And haul them taut, with chanty-singing, as they choose.

At the great wharf's edge Mynheer Kurler stands,
And by his side, his daughter, young Christine.
Max Breuck is there, his hat held in his hands,
Bowing before them both. The brigantine
Bounces impatient at the long delay,
Curvets and jumps, a cable's length from shore.
A heavy galliot unloads on the walls
Round, yellow cheeses, like gold cannon balls
Stacked on the stones in pyramids. Once more
Kurler has kissed Christine, and now he is away.

Christine stood rigid like a frozen stone,
Her hands wrung pale in effort at control.
Max moved aside and let her be alone,
For grief exacts each penny of its toll.
The dancing boat tossed on the glinting sea.
A sun-path swallowed it in flaming light,
Then, shrunk a cockleshell, it came again
Upon the other side. Now on the lee
It took the 'Horn of Fortune'. Straining sight
Could see it hauled aboard, men pulling on the crane.

Then up above the eager brigantine,
Along her slender masts, the sails took flight,
Were sheeted home, and ropes were coiled. The shine
Of the wet anchor, when its heavy weight
Rose splashing to the deck. These things they saw,
Christine and Max, upon the crowded quay.
They saw the sails grow white, then blue in shade,
The ship had turned, caught in a windy flaw
She glided imperceptibly away,
Drew farther off and in the bright sky seemed to fade.

Home, through the emptying streets, Max took Christine,
Who would have hid her sorrow from his gaze.
Before the iron gateway, clasped between
Each garden wall, he stopped. She, in amaze,
Asked, 'Do you enter not then, Mynheer Breuck?
My father told me of your courtesy.
Since I am now your charge, 'tis meet for me
To show such hospitality as maiden may,
Without disdaining rules must not be broke.
Katrina will have coffee, and she bakes today.'

She straight unhasped the tall, beflowered gate.
Curled into tendrils, twisted into cones
Of leaves and roses, iron infoliate,
It guards the pleasance, and its stiffened bones
Are budded with much peering at the rows,
And beds, and arbours, which it keeps inside.
Max started at the beauty, at the glare
Of tints. At either end was set a wide
Path strewn with fine, red gravel, and such shows
Of tulips in their splendour flaunted everywhere!

From side to side, midway each path, there ran
A longer one which cut the space in two.
And, like a tunnel some magician
Has wrought in twinkling green, an alley grew,
Pleached thick and walled with apple trees; their flowers
Incensed the garden, and when Autumn came
The plump and heavy apples crowding stood
And tapped against the arbour. Then the dame
Katrina shook them down, in pelting showers
They plunged to earth, and died transformed to sugared food.

Against the high, encircling walls were grapes,
Nailed close to feel the baking of the sun
From glowing bricks. Their microscopic shapes
Half hidden by serrated leaves. And one
Old cherry tossed its branches near the door.
Bordered along the wall, in beds between,
Flickering, streaming, nodding in the air,
The pride of all the garden, there were more
Tulips than Max had ever dreamed or seen.
They jostled, mobbed, and danced. Max stood at helpless stare.

'Within the arbour, Mynheer Breuck, I'll bring
Coffee and cakes, a pipe, and Father's best
Tobacco, brought from countries harbouring
Dawn's earliest footstep. Wait.' With girlish zest
To please her guest she flew. A moment more
She came again, with her old nurse behind.
Then, sitting on the bench and knitting fast,
She talked as someone with a noble store
Of hidden fancies, blown upon the wind,
Eager to flutter forth and leave their silent past.

The little apple leaves above their heads
Let fall a quivering sunshine. Quiet, cool,
In blossomed boughs they sat. Beyond, the beds
Of tulips blazed, a proper vestibule
And antechamber to the rainbow. Dyes
Of prismed richness: Carmine. Madder. Blues
Tinging dark browns to purple. Silvers flushed
To amethyst and tinct with gold. Round eyes
Of scarlet, spotting tender saffron hues.
Violets sunk to blacks, and reds in orange crushed.

Of every pattern and in every shade.
Nacreous, iridescent, mottled, checked.
Some purest sulphur-yellow, others made
An ivory-white with disks of copper flecked.
Sprinkled and striped, tasselled, or keenest edged.
Striated, powdered, freckled, long or short.
They bloomed, and seemed strange wonder-moths new-fledged,
Born of the spectrum wedded to a flame.
The shade within the arbour made a port
To o'ertaxed eyes, its still, green twilight rest became.

Her knitting-needles clicked and Christine talked,
This child matured to woman unaware,
The first time left alone. Now dreams once balked
Found utterance. Max thought her very fair.
Beneath her cap her ornaments shone gold,
And purest gold they were. Kurler was rich
And heedful. Her old maiden aunt had died
Whose darling care she was. Now, growing bold,
She asked, had Max a sister? Dropped a stitch
At her own candour. Then she paused and softly sighed.

Two years was long! She loved her father well,
But fears she had not. He had always been
Just sailed or sailing. And she must not dwell
On sad thoughts, he had told her so, and seen
Her smile at parting. But she sighed once more.
Two years was long; 'twas not one hour yet!
Mynheer Grootver she would not see at all.
Yes, yes, she knew, but ere the date so set,
The 'Horn of Fortune' would be at the wall.
When Max had bid farewell, she watched him from the door.

The next day, and the next, Max went to ask
The health of Jufvrouw Kurler, and the news:
Another tulip blown, or the great task
Of gathering petals which the high wind strews;
The polishing of floors, the pictured tiles
Well scrubbed, and oaken chairs most deftly oiled.
Such things were Christine's world, and his was she
Winter drew near, his sun was in her smiles.
Another Spring, and at his law he toiled,
Unspoken hope counselled a wise efficiency.

Max Breuck was honour's soul, he knew himself
The guardian of this girl; no more, no less.
As one in charge of guineas on a shelf
Loose in a china teapot, may confess
His need, but may not borrow till his friend
Comes back to give. So Max, in honour, said
No word of love or marriage; but the days
He clipped off on his almanac. The end
Must come! The second year, with feet of lead,
Lagged slowly by till Spring had plumped the willow sprays.

Two years had made Christine a woman grown,
With dignity and gently certain pride.
But all her childhood fancies had not flown,
Her thoughts in lovely dreamings seemed to glide.
Max was her trusted friend, did she confess
A closer happiness? Max could not tell.
Two years were over and his life he found
Sphered and complete. In restless eagerness
He waited for the 'Horn of Fortune'. Well
Had he his promise kept, abating not one pound.

Spring slipped away to Summer. Still no glass
Sighted the brigantine. Then Grootver came
Demanding Jufvrouw Kurler. His trespass
Was justified, for he had won the game.
Christine begged time, more time! Midsummer went,
And Grootver waxed impatient. Still the ship
Tarried. Christine, betrayed and weary, sank
To dreadful terrors. One day, crazed, she sent
For Max. 'Come quickly,' said her note, 'I skip
The worst distress until we meet. The world is blank.'

Through the long sunshine of late afternoon
Max went to her. In the pleached alley, lost
In bitter reverie, he found her soon.
And sitting down beside her, at the cost
Of all his secret, 'Dear,' said he, 'what thing
So suddenly has happened?' Then, in tears,
She told that Grootver, on the following morn,
Would come to marry her, and shuddering:
'I will die rather, death has lesser fears.'
Max felt the shackles drop from the oath which he had sworn.

'My Dearest One, the hid joy of my heart!
I love you, oh! you must indeed have known.
In strictest honour I have played my part;
But all this misery has overthrown
My scruples. If you love me, marry me
Before the sun has dipped behind those trees.
You cannot be wed twice, and Grootver, foiled,
Can eat his anger. My care it shall be
To pay your father's debt, by such degrees
As I can compass, and for years I've greatly toiled.

This is not haste, Christine, for long I've known
My love, and silence forced upon my lips.
I worship you with all the strength I've shown
In keeping faith.' With pleading finger tips
He touched her arm. 'Christine! Beloved! Think.
Let us not tempt the future. Dearest, speak,
I love you. Do my words fall too swift now?
They've been in leash so long upon the brink.'
She sat quite still, her body loose and weak.
Then into him she melted, all her soul at flow.

And they were married ere the westering sun
Had disappeared behind the garden trees.
The evening poured on them its benison,
And flower-scents, that only night-time frees,
Rose up around them from the beamy ground,
Silvered and shadowed by a tranquil moon.
Within the arbour, long they lay embraced,
In such enraptured sweetness as they found
Close-partnered each to each, and thinking soon
To be enwoven, long ere night to morning faced.

At last Max spoke, 'Dear Heart, this night is ours,
To watch it pale, together, into dawn,
Pressing our souls apart like opening flowers
Until our lives, through quivering bodies drawn,
Are mingled and confounded. Then, far spent,
Our eyes will close to undisturbed rest.
For that desired thing I leave you now.
To pinnacle this day's accomplishment,
By telling Grootver that a bootless quest
Is his, and that his schemes have met a knock-down blow.'

But Christine clung to him with sobbing cries,
Pleading for love's sake that he leave her not.
And wound her arms about his knees and thighs
As he stood over her. With dread, begot
Of Grootver's name, and silence, and the night,
She shook and trembled. Words in moaning plaint
Wooed him to stay. She feared, she knew not why,
Yet greatly feared. She seemed some anguished saint
Martyred by visions. Max Breuck soothed her fright
With wisdom, then stepped out under the cooling sky.

But at the gate once more she held him close
And quenched her heart again upon his lips.
'My Sweetheart, why this terror? I propose
But to be gone one hour! Evening slips
Away, this errand must be done.' 'Max! Max!
First goes my father, if I lose you now!'
She grasped him as in panic lest she drown.
Softly he laughed, 'One hour through the town
By moonlight! That's no place for foul attacks.
Dearest, be comforted, and clear that troubled brow.

One hour, Dear, and then, no more alone.
We front another day as man and wife.
I shall be back almost before I'm gone,
And midnight shall anoint and crown our life.'
Then through the gate he passed. Along the street
She watched his buttons gleaming in the moon.
He stopped to wave and turned the garden wall.
Straight she sank down upon a mossy seat.
Her senses, mist-encircled by a swoon,
Swayed to unconsciousness beneath its wreathing pall.

Briskly Max walked beside the still canal.
His step was firm with purpose. Not a jot
He feared this meeting, nor the rancorous gall
Grootver would spit on him who marred his plot.
He dreaded no man, since he could protect
Christine. His wife! He stopped and laughed aloud.
His starved life had not fitted him for joy.
It strained him to the utmost to reject
Even this hour with her. His heart beat loud.
'Damn Grootver, who can force my time to this employ!'

He laughed again. What boyish uncontrol
To be so racked. Then felt his ticking watch.
In half an hour Grootver would know the whole.
And he would be returned, lifting the latch
Of his own gate, eager to take Christine
And crush her to his lips. How bear delay?
He broke into a run. In front, a line
Of candle-light banded the cobbled street.
Hilverdink's tavern! Not for many a day
Had he been there to take his old, accustomed seat.

'Why, Max! Stop, Max!' And out they came pell-mell,
His old companions. 'Max, where have you been?
Not drink with us? Indeed you serve us well!
How many months is it since we have seen
You here? Jan, Jan, you slow, old doddering goat!
Here's Mynheer Breuck come back again at last,
Stir your old bones to welcome him. Fie, Max.
Business! And after hours! Fill your throat;
Here's beer or brandy. Now, boys, hold him fast.
Put down your cane, dear man. What really vicious whacks!'

They forced him to a seat, and held him there,
Despite his anger, while the hideous joke
Was tossed from hand to hand. Franz poured with care
A brimming glass of whiskey. 'Here, we've broke
Into a virgin barrel for you, drink!
Tut! Tut! Just hear him! Married! Who, and when?
Married, and out on business. Clever Spark!
Which lie's the likeliest? Come, Max, do think.'
Swollen with fury, struggling with these men,
Max cursed hilarity which must needs have a mark.

Forcing himself to steadiness, he tried
To quell the uproar, told them what he dared
Of his own life and circumstance. Implied
Most urgent matters, time could ill be spared.
In jesting mood his comrades heard his tale,
And scoffed at it. He felt his anger more
Goaded and bursting; -- 'Cowards! Is no one loth
To mock at duty --' Here they called for ale,
And forced a pipe upon him. With an oath
He shivered it to fragments on the earthen floor.

Sobered a little by his violence,
And by the host who begged them to be still,
Nor injure his good name, 'Max, no offence,'
They blurted, 'you may leave now if you will.'
'One moment, Max,' said Franz. 'We've gone too far.
I ask your pardon for our foolish joke.
It started in a wager ere you came.
The talk somehow had fall'n on drugs, a jar
I brought from China, herbs the natives smoke,
Was with me, and I thought merely to play a game.

Its properties are to induce a sleep
Fraught with adventure, and the flight of time
Is inconceivable in swiftness. Deep
Sunken in slumber, imageries sublime
Flatter the senses, or some fearful dream
Holds them enmeshed. Years pass which on the clock
Are but so many seconds. We agreed
That the next man who came should prove the scheme;
And you were he. Jan handed you the crock.
Two whiffs! And then the pipe was broke, and you were freed.'

'It is a lie, a damned, infernal lie!'
Max Breuck was maddened now. 'Another jest
Of your befuddled wits. I know not why
I am to be your butt. At my request
You'll choose among you one who'll answer for
Your most unseasonable mirth. Good-night
And good-by, -- gentlemen. You'll hear from me.'
But Franz had caught him at the very door,
'It is no lie, Max Breuck, and for your plight
I am to blame. Come back, and we'll talk quietly.

You have no business, that is why we laughed,
Since you had none a few minutes ago.
As to your wedding, naturally we chaffed,
Knowing the length of time it takes to do
A simple thing like that in this slow world.
Indeed, Max, 'twas a dream. Forgive me then.
I'll burn the drug if you prefer.' But Breuck
Muttered and stared, -- 'A lie.' And then he hurled,
Distraught, this word at Franz: 'Prove it. And when
It's proven, I'll believe. That thing shall be your work.

I'll give you just one week to make your case.
On August thirty-first, eighteen-fourteen,
I shall require your proof.' With wondering face
Franz cried, 'A week to August, and fourteen
The year! You're mad, 'tis April now.
April, and eighteen-twelve.' Max staggered, caught
A chair, -- 'April two years ago! Indeed,
Or you, or I, are mad. I know not how
Either could blunder so.' Hilverdink brought
'The Amsterdam Gazette', and Max was forced to read.

'Eighteen hundred and twelve,' in largest print;
And next to it, 'April the twenty-first.'
The letters smeared and jumbled, but by dint
Of straining every nerve to meet the worst,
He read it, and into his pounding brain
Tumbled a horror. Like a roaring sea
Foreboding shipwreck, came the message plain:
'This is two years ago! What of Christine?'
He fled the cellar, in his agony
Running to outstrip Fate, and save his holy shrine.

The darkened buildings echoed to his feet
Clap-clapping on the pavement as he ran.
Across moon-misted squares clamoured his fleet
And terror-winged steps. His heart began
To labour at the speed. And still no sign,
No flutter of a leaf against the sky.
And this should be the garden wall, and round
The corner, the old gate. No even line
Was this! No wall! And then a fearful cry
Shattered the stillness. Two stiff houses filled the ground.

Shoulder to shoulder, like dragoons in line,
They stood, and Max knew them to be the ones
To right and left of Kurler's garden. Spine
Rigid next frozen spine. No mellow tones
Of ancient gilded iron, undulate,
Expanding in wide circles and broad curves,
The twisted iron of the garden gate,
Was there. The houses touched and left no space
Between. With glassy eyes and shaking nerves
Max gazed. Then mad with fear, fled still, and left that place.

Stumbling and panting, on he ran, and on.
His slobbering lips could only cry, 'Christine!
My Dearest Love! My Wife! Where are you gone?
What future is our past? What saturnine,
Sardonic devil's jest has bid us live
Two years together in a puff of smoke?
It was no dream, I swear it! In some star,
Or still imprisoned in Time's egg, you give
Me love. I feel it. Dearest Dear, this stroke
Shall never part us, I will reach to where you are.'

His burning eyeballs stared into the dark.
The moon had long been set. And still he cried:
'Christine! My Love! Christine!' A sudden spark
Pricked through the gloom, and shortly Max espied
With his uncertain vision, so within
Distracted he could scarcely trust its truth,
A latticed window where a crimson gleam
Spangled the blackness, and hung from a pin,
An iron crane, were three gilt balls. His youth
Had taught their meaning, now they closed upon his dream.

Softly he knocked against the casement, wide
It flew, and a cracked voice his business there
Demanded. The door opened, and inside
Max stepped. He saw a candle held in air
Above the head of a gray-bearded Jew.
'Simeon Isaacs, Mynheer, can I serve
You?' 'Yes, I think you can. Do you keep arms?
I want a pistol.' Quick the old man grew
Livid. 'Mynheer, a pistol! Let me swerve
You from your purpose. Life brings often false alarms --'

'Peace, good old Isaacs, why should you suppose
My purpose deadly. In good truth I've been
Blest above others. You have many rows
Of pistols it would seem. Here, this shagreen
Case holds one that I fancy. Silvered mounts
Are to my taste. These letters `C. D. L.'
Its former owner? Dead, you say. Poor Ghost!
'Twill serve my turn though --' Hastily he counts
The florins down upon the table. 'Well,
Good-night, and wish me luck for your to-morrow's toast.'

Into the night again he hurried, now
Pale and in haste; and far beyond the town
He set his goal. And then he wondered how
Poor C. D. L. had come to die. 'It's grown
Handy in killing, maybe, this I've bought,
And will work punctually.' His sorrow fell
Upon his senses, shutting out all else.
Again he wept, and called, and blindly fought
The heavy miles away. 'Christine. I'm well.
I'm coming. My Own Wife!' He lurched with failing pulse.

Along the dyke the keen air blew in gusts,
And grasses bent and wailed before the wind.
The Zuider Zee, which croons all night and thrusts
Long stealthy fingers up some way to find
And crumble down the stones, moaned baffled. Here
The wide-armed windmills looked like gallows-trees.
No lights were burning in the distant thorps.
Max laid aside his coat. His mind, half-clear,
Babbled 'Christine!' A shot split through the breeze.
The cold stars winked and glittered at his chilling corpse.

poem by Amy Lowell
Submitted by Poetry Lover
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Related quotes

Christeen Sixteen

She's got me dizzy, she sees me through to the end
She's got me in her hands and there's no use in pretending
Christine sixteen, Christine sixteen
She drives me crazy, I want to give her all I've got
And she's hot every day and night, there is no doubt about it
Christine sixteen, Christine sixteen
"I don't usually say things like this to girls your age, but when I saw you
coming out of the school that day, that day I knew, I knew, I've got to have
you, I've got to have you."
She's' been around, but she's young and clean
I've got to have her, can't live without her, whoo no
Christine sixteen, Christine sixteen
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah
So clean, Christine, sixteen, sixteen
Christine, yeah, Christine, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, Christine, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Christine, Christine, sixteen, sixteen, Christine, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah

song performed by by Kiss
Submitted by Lucian Velea
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Christine Sixteen

Shes got me dizzy, she sees me through to the end
Shes got me in her hands and theres no use in pretending
Christine sixteen, christine sixteen
She drives me crazy, I want to give her all Ive got
And shes hot every day and night, there is no doubt about it
Christine sixteen, christine sixteen
I dont usually say things like this to girls your age, but when I saw you
Coming out of the school that day, that day I knew, I knew, Ive got to have
You, Ive got to have you.
Shes been around, but shes young and clean
Ive got to have her, cant live without her, whoo no
Christine sixteen, christine sixteen
Christine, christine, sixteen, sixteen
Christine, yeah, yeah
So clean, christine, sixteen, sixteen
Christine, yeah, christine, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, christine, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, yeah, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Christine, christine, sixteen, sixteen, christine, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, yeah, yeah

song performed by by Kiss
Submitted by Lucian Velea
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Two Christmas Eves

THE white snow veils the earth's brown face,
Strong frost has bound the veil in place--
Under the wide, clear, dark-blue sky
All choked with snow the hollows lie,
Dead-white the fields--once summer sweet--
And woodlands where we used to meet:
We don't meet now, we never part.
Ever together, heart to heart,
We've worked, lost often, seldom won,
Seen pleasures ended, pains begun,
Have done our best, and faced, we two,
Almost the worst that Fate could do--
Yet not Fate's uttermost of ill,
Since here we are--together still!

For me you left, my dearest, best,
Your girlhood's safe warm sheltered nest;
For me gave up all else that could
Have made your woman-life seem good.
You thought a man's whole heart was worth
Just all the other wealth of earth;
I thought my painter's brush would be
A magic wand for you and me.
What dreams we had of fame and gold,
Of Art-that never could withhold
From me, who loved her so, full powers
To make my love for her serve ours,
To shape and build a palace fair
Of radiant hours, and place you there!
Art turned away her face from us,
And all the dreaming's ended--thus!
Our garret's cold; the wind is keen,
And cuts these rotten boards between.
There is no lock upon the door,
No carpet on the uneven floor,
No curtain to the window where
Through frost-blanched panes the moon's cold stare
Fronts us. She's careless--used to see
This world of ours, and misery!
Why, how you shiver! Oh, my sweet,
How cold your hands are, and your feet!

How hot this face of yours I kiss!
How could our love have led to this?
What devil is there over all
That lets such things as this befall?
It was not want of striving. Love,
Bear witness for me how I strove,
Worked till I grew quite sick and faint,
Worked till I could not see to paint
Because my eyes were sore and wet,
Yet never sold one picture yet.
We would have worked--yes, there's the sting--
We would have worked at anything!
Our hands asked work. There's work somewhere,
That makes it all more hard to bear;
Yet we could never understand
Where is the work that asks our hand!

There's no more firing, and the cold
Is biting through your shawl's thin fold,
And both the blankets have been sold.
Nestle beside me, in my arm,
And let me try to keep you warm.
We pawned the table and the bed,
To get our last week's fire and bread,

And now the last crust's eaten. Well,
There's nothing left to pawn or sell!
Our rent is due on Monday too,
How can we pay it--I and you?
What shall we do? What shall we do?
And we are--what was that you said?
You are so tired ? Your dearest head
Is burning hot, and aching so?
Ah, yes! I know it is--I know!
You're tired and weak and faint and ill,
And fevers burn and shiverings chill
This world of mine I'm holding here.
If I could suffer only, dear--
But all the burdens on you fall,
And I sit here, and bear it all!
And other men and other wives,
Who never worked in all their lives--
No, nor yet loved as we have, sweet--
Are wrapped in furs, warm hands and feet,
And feast to-night in homes made bright
With blazing logs and candle-light;
Not dark like this, where we two sit,
Who chose to work, and starve for it!

Don't go to sleep; you mustn't sleep
Here on the frozen floor! Yes, creep
Closer to me. Oh, if I knew
What is this something left to do!

Listen to me! It's Christmas Eve,
When hearts grow warmer, I believe,
And friends forget and friends forgive.
What if we stifled down my pride,
And put your bitter thoughts aside,
And asked your father's help once more?
True, when we asked for it before,
He turned and cursed us both, and swore
That he disowned you. You and I
Had made our bed, and there must lie;
That he would help us not one whit,
Though we should die for want of it.
Now I shall ask his help again.
It's colder now than it was then;
The cold creeps closer to life's core--
Death's nearer to us than before;
And when your father sees how near,
He may relent, and save you, dear.

For my sake, love! I am too weak
To bear your tears upon my cheek,
Your sobs against my heart, to bear
Those eyes of yours, and their despair!
Not faltering, my own pain I bore--
I cannot bear yours any more!
Stand up. You're stiff? That will not last!
The stairs are dark? They'll soon be passed!
You're tired? My sweet, I know you are;
But try to walk--it isn't far.
Oh, that the Christ they say was born
On that dream-distant Christmas morn
May hear and help us now! Be strong!
Yes, lean on me. Perhaps ere long,
All this, gone by, will only seem
A half-remembered evil dream.
Come; I will help you walk. We'll try
Just this last venture, you and I!

Failed! Back again in the ice-gloom
Of our bare, bleak, rat-haunted room!
The moon still looks--what does she care
To see my moon-flower lying there?
My rose, once red and white and fair,
Now white and wan, and pinched and thin,
Cold, through the coat I've wrapped her in,
And shivering, even in her sleep,
To hear how wakeful rats can keep.

We dragged our weary faltering feet
Through the bright noisy crowded street,
And reached the square where, stern in stone,
Her father's town-house sulks alone.
Sick, stupid, helpless, wretched, poor,
We waited at her father's door.
They let us in. Then let us tread
Through the warm hall with soft furs spread.
Next, 'Name and business.' Oh, exact
Were the man's orders how to act,
If e'er his master's child should come
To cross the threshold of her home!
I told our name. The man 'would see
If any message was' for me.
We waited there without a word.
How warm the whole house was! We heard

Soft music with soft voices blent,
And smelt sweet flowers with mingled scent,
And heard the wine poured out--that chink
That glass makes as the diners drink--
The china clatter. We, at least,
Appreciated that night's feast.

Then some one gave a note to me
With insolent smile. I read: 'When she
Is tired of love and poverty,
And chooses to return to what
She left, the duties she forgot,
And never see again this man,
And be here as before--she can.'

We came away: that much is clear;
I don't know how we got back here--
I must have carried her somehow,
And have been strong enough. And now
She lies asleep--and I, awake,
Must do this something for her sake--
The only possible thing to do,
Oh, love! to cut our soul in two,
And take 'this man' away from you!

If now I let your father know
My choice is made, and that I go
And you are here--oh, love! oh, wife!
I break my heart and save your life.
Doubt what to do? All doubt's about
The deeds that are not worth a doubt!
This deed takes me, and I obey,
And there is nothing left to say.

Good-bye, dear eyes I cannot see--
Weep only gently, eyes, for me;
Dear lips, I've kissed and kissed again,
Lose those encircling lines of pain;
Dear face, so thin and faded now,
Win back youth's grace, and light, and glow;
Oh, hands I hold in mine--oh, heart
That holds mine in it--we must part!
When you wake up, and find me fled,
And find your father here instead,
Will you not wonder how my feet
Ever could turn from you, my sweet?
Ah, no! your heart and mine are one;
Our heart will tell you how 'twas done.

No more we meet until I've won
Enough to dare be happy on;
And if I fail--I have known bliss,
And bliss has bred an hour like this.
I am past Fate's harming--all her power
Could mix nought bitterer than this hour.
Good-bye--our room--our marriage life!--
Oh, kiss me through your dreams, my wife!

III

I have grown rich! I have found out
The thing men break their hearts about!
I have dug gold, and gold, and sold
My diggings, and reaped in more gold--
Sowed that, and reaped again, and played
For stakes, and always won, and made
More money than we'll ever spend,
And have forborne one word to send.
It has been easier for her so:
To wait one year, and then to know
How all is well, and how we two
Shall part no more our whole lives through.
It had been harder to have heard
Some incomplete, imperfect word

Of how I prospered, how despaired,
How well I strove, how ill I fared,
Or strove well and fared well, nor know
Each day which way the scale would go;
Rejoice, and grieve, and hope, and fear,
As I have done throughout the year.
The year is over now--the prize
Is--all our lives of Paradise!
Through all the year her lips and hands
Have drawn me on with passion-bands,
Her soul has held my soul, and taught
The way of storming Fortune's fort.
My little love, those days of ours,
Our dear delight, our sacred hours
Have wrapped me round in all the year;
And brought the gold and brought me here,
And brought this hour than all more fair--
Our triumph hour! What shall we care
For all the past's most maddening pain
When you are in my arms again?

The yellow dust I loved to hold
Was like your hair's less heavy gold;
The clear, deep sea, that bore me hence,
Was like your eyes' grey innocence;

And not one fair thing could I see
But somehow seemed yourself to me.
The very work I had to do
Easier than rest was, done for you.
And through my dreams you walked all night
And filled sleep's byways with delight!
How I have wondered every day
How you would look, and what would say
On that same day! 'Perhaps she paints,
Thinks of our lessons--prays to saints
With my name in her prayers--or goes
Through gardens, heaping rose on rose.
How I love roses! Or mayhap
Sits with some work dropped in her lap,
And dreams and dreams--what could there be
For her to dream about but me?'

This London--how I hated it
A year ago! It now seems fit
Even to be our meeting-place.
It holds the glory of her face,
The wonder of her eyes, the grace
Of lovely lines and curves--in fine,
The soul of sweetness that is mine!

I'll seek her at her father's; say,
'I claim my wife. I will repay
A hundredfold all you have spent
On keeping me in banishment,
On keeping her in affluence,
At her heart's dearest coin's expense!
That is past now, and I have come
To take my wife and sweetheart home,
To show her all my golden store,
My heart, hers to the very core,
And never leave her any more!'

But just before that hour supreme,
Close here our old house is, that dream
And daylight have been showing me
The year through. I would like to see
That room I found so hard to leave,
So hard to keep, last Christmas Eve.

Faith's easy now! There is a God
Who trod the earth we two have trod;
He pays me for our pain last year,
For all these months of longing, fear,

Doubt and uncertainty--outright,
By letting me come here to-night
And just contrast that dead despair
With the Earth-Heaven we two shall share!

Just one look at the old room's door,
If I can get no chance of more;
Yet gold will buy most things--may buy
The leave to see that room. We'll try!

May I go up? Just once to see
The room that sheltered her and me?--
My God! the rapture of to-day
Has sent me mad;--you did not say
She died the night I went away!

poem by Edith Nesbit
Submitted by Poetry Lover
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Lazarus

“No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?
I thought he would be glad—and Lazarus—
To see us all again as he had left us—
All as it was, all as it was before.”

Mary, who felt her sister’s frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again—or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he—
Alone; and somewhere out of Bethany,
The Master—who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey—
For the world’s sake was hidden. “Better the tomb
For Lazarus than life, if this be life,”
She thought; and then to Martha, “No, my dear,”
She said aloud; “not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.
Martha, we are too near to this for knowledge,
And that is why it is that we must wait.
Our friends are coming if we call for them,
And there are covers we’ll put over him
To make him warmer. We are too young, perhaps,
To say that we know better what is best
Than he. We do not know how old he is.
If you remember what the Master said,
Try to believe that we need have no fear.
Let me, the selfish and the careless one,
Be housewife and a mother for tonight;
For I am not so fearful as you are,
And I was not so eager.”

Martha sank
Down at her sister’s feet and there sat watching
A flower that had a small familiar name
That was as old as memory, but was not
The name of what she saw now in its brief
And infinite mystery that so frightened her
That life became a terror. Tears again
Flooded her eyes and overflowed. “No, Mary,”
She murmured slowly, hating her own words
Before she heard them, “you are not so eager
To see our brother as we see him now;
Neither is he who gave him back to us.
I was to be the simple one, as always,
And this was all for me.” She stared again
Over among the trees where Lazarus,
Who seemed to be a man who was not there,
Might have been one more shadow among shadows,
If she had not remembered. Then she felt
The cool calm hands of Mary on her face,
And shivered, wondering if such hands were real.

“The Master loved you as he loved us all,
Martha; and you are saying only things
That children say when they have had no sleep.
Try somehow now to rest a little while;
You know that I am here, and that our friends
Are coming if I call.”

Martha at last
Arose, and went with Mary to the door,
Where they stood looking off at the same place,
And at the same shape that was always there
As if it would not ever move or speak,
And always would be there. “Mary, go now,
Before the dark that will be coming hides him.
I am afraid of him out there alone,
Unless I see him; and I have forgotten
What sleep is. Go now—make him look at you—
And I shall hear him if he stirs or whispers.
Go!—or I’ll scream and bring all Bethany
To come and make him speak. Make him say once
That he is glad, and God may say the rest.
Though He say I shall sleep, and sleep for ever,
I shall not care for that… Go!”

Mary, moving
Almost as if an angry child had pushed her,
Went forward a few steps; and having waited
As long as Martha’s eyes would look at hers,
Went forward a few more, and a few more;
And so, until she came to Lazarus,
Who crouched with his face hidden in his hands,
Like one that had no face. Before she spoke,
Feeling her sister’s eyes that were behind her
As if the door where Martha stood were now
As far from her as Egypt, Mary turned
Once more to see that she was there. Then, softly,
Fearing him not so much as wondering
What his first word might be, said, “Lazarus,
Forgive us if we seemed afraid of you;”
And having spoken, pitied her poor speech
That had so little seeming gladness in it,
So little comfort, and so little love.

There was no sign from him that he had heard,
Or that he knew that she was there, or cared
Whether she spoke to him again or died
There at his feet. “We love you, Lazarus,
And we are not afraid. The Master said
We need not be afraid. Will you not say
To me that you are glad? Look, Lazarus!
Look at my face, and see me. This is Mary.”
She found his hands and held them. They were cool,
Like hers, but they were not so calm as hers.
Through the white robes in which his friends had wrapped him
When he had groped out of that awful sleep,
She felt him trembling and she was afraid.
At last he sighed; and she prayed hungrily
To God that she might hear again the voice
Of Lazarus, whose hands were giving her now
The recognition of a living pressure
That was almost a language. When he spoke,
Only one word that she had waited for
Came from his lips, and that word was her name.

“I heard them saying, Mary, that he wept
Before I woke.” The words were low and shaken,
Yet Mary knew that he who uttered them
Was Lazarus; and that would be enough
Until there should be more… “Who made him come,
That he should weep for me?… Was it you, Mary?”
The questions held in his incredulous eyes
Were more than she would see. She looked away;
But she had felt them and should feel for ever,
She thought, their cold and lonely desperation
That had the bitterness of all cold things
That were not cruel. “I should have wept,” he said,
“If I had been the Master….”

Now she could feel
His hands above her hair—the same black hair
That once he made a jest of, praising it,
While Martha’s busy eyes had left their work
To flash with laughing envy. Nothing of that
Was to be theirs again; and such a thought
Was like the flying by of a quick bird
Seen through a shadowy doorway in the twilight.
For now she felt his hands upon her head,
Like weights of kindness: “I forgive you, Mary….
You did not know—Martha could not have known—
Only the Master knew…. Where is he now?
Yes, I remember. They came after him.
May the good God forgive him…. I forgive him.
I must; and I may know only from him
The burden of all this… Martha was here—
But I was not yet here. She was afraid….
Why did he do it, Mary? Was it—you?
Was it for you?… Where are the friends I saw?
Yes, I remember. They all went away.
I made them go away…. Where is he now?…
What do I see down there? Do I see Martha—
Down by the door?… I must have time for this.”

Lazarus looked about him fearfully,
And then again at Mary, who discovered
Awakening apprehension in his eyes,
And shivered at his feet. All she had feared
Was here; and only in the slow reproach
Of his forgiveness lived his gratitude.
Why had he asked if it was all for her
That he was here? And what had Martha meant?
Why had the Master waited? What was coming
To Lazarus, and to them, that had not come?
What had the Master seen before he came,
That he had come so late?

“Where is he, Mary?”
Lazarus asked again. “Where did he go?”
Once more he gazed about him, and once more
At Mary for an answer. “Have they found him?
Or did he go away because he wished
Never to look into my eyes again?…
That, I could understand…. Where is he, Mary?”

“I do not know,” she said. “Yet in my heart
I know that he is living, as you are living—
Living, and here. He is not far from us.
He will come back to us and find us all—
Lazarus, Martha, Mary—everything—
All as it was before. Martha said that.
And he said we were not to be afraid.”
Lazarus closed his eyes while on his face
A tortured adumbration of a smile
Flickered an instant. “All as it was before,”
He murmured wearily. “Martha said that;
And he said you were not to be afraid …
Not you… Not you… Why should you be afraid?
Give all your little fears, and Martha’s with them,
To me; and I will add them unto mine,
Like a few rain-drops to Gennesaret.”

“If you had frightened me in other ways,
Not willing it,” Mary said, “I should have known
You still for Lazarus. But who is this?
Tell me again that you are Lazarus;
And tell me if the Master gave to you
No sign of a new joy that shall be coming
To this house that he loved. Are you afraid?
Are you afraid, who have felt everything—
And seen…?”

But Lazarus only shook his head,
Staring with his bewildered shining eyes
Hard into Mary’s face. “I do not know,
Mary,” he said, after a long time.
“When I came back, I knew the Master’s eyes
Were looking into mine. I looked at his,
And there was more in them than I could see.
At first I could see nothing but his eyes;
Nothing else anywhere was to be seen—
Only his eyes. And they looked into mine—
Long into mine, Mary, as if he knew.”

Mary began to be afraid of words
As she had never been afraid before
Of loneliness or darkness, or of death,
But now she must have more of them or die:
“He cannot know that there is worse than death,”
She said. “And you…”

“Yes, there is worse than death.”
Said Lazarus; “and that was what he knew;
And that is what it was that I could see
This morning in his eyes. I was afraid,
But not as you are. There is worse than death,
Mary; and there is nothing that is good
For you in dying while you are still here.
Mary, never go back to that again.
You would not hear me if I told you more,
For I should say it only in a language
That you are not to learn by going back.
To be a child again is to go forward—
And that is much to know. Many grow old,
And fade, and go away, not knowing how much
That is to know. Mary, the night is coming,
And there will soon be darkness all around you.
Let us go down where Martha waits for us,
And let there be light shining in this house.”

He rose, but Mary would not let him go:
“Martha, when she came back from here, said only
That she heard nothing. And have you no more
For Mary now than you had then for Martha?
Is Nothing, Lazarus, all you have for me?
Was Nothing all you found where you have been?
If that be so, what is there worse than that—
Or better—if that be so? And why should you,
With even our love, go the same dark road over?”

“I could not answer that, if that were so,”
Said Lazarus,—“not even if I were God.
Why should He care whether I came or stayed,
If that were so? Why should the Master weep—
For me, or for the world,—or save himself
Longer for nothing? And if that were so,
Why should a few years’ more mortality
Make him a fugitive where flight were needless,
Had he but held his peace and given his nod
To an old Law that would be new as any?
I cannot say the answer to all that;
Though I may say that he is not afraid,
And that it is not for the joy there is
In serving an eternal Ignorance
Of our futility that he is here.
Is that what you and Martha mean by Nothing?
Is that what you are fearing? If that be so,
There are more weeds than lentils in your garden.
And one whose weeds are laughing at his harvest
May as well have no garden; for not there
Shall he be gleaning the few bits and orts
Of life that are to save him. For my part,
I am again with you, here among shadows
That will not always be so dark as this;
Though now I see there’s yet an evil in me
That made me let you be afraid of me.
No, I was not afraid—not even of life.
I thought I was…I must have time for this;
And all the time there is will not be long.
I cannot tell you what the Master saw
This morning in my eyes. I do not know.
I cannot yet say how far I have gone,
Or why it is that I am here again,
Or where the old road leads. I do not know.
I know that when I did come back, I saw
His eyes again among the trees and faces—
Only his eyes; and they looked into mine—
Long into mine—long, long, as if he knew.”

poem by Edwin Arlington Robinson
Submitted by Poetry Lover
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Christine Irene

(robin wilson, jesse valenzuela)
Well Im a little too ripe to be actin like this
Like some young guy barely got his first kiss
From my first baby steps to my last cigarette
Every single little thing was leading to this
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
Youve been around too long to react so coy
Like Im something that youd best avoid
Like a first date kiss from an anxious guy
Knowing that hes got a little more in mind
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
We can last til dawn if the moon stays bright
And hang our secret on its last light
From a first date kiss that could not hide
We both wanted something more tonight
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
Christine irene
Prettiest girl as Ive ever seen
Christine irene
My christine irene

song performed by by Gin Blossoms
Submitted by Lucian Velea
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The Christ upon the Hill

Part I.

A couple old sat o'er the fire,
And they were bent and gray;
They burned the charcoal for their Lord,
Who lived long leagues away.

Deep in the wood the old pair dwelt,
Far from the paths of men,
And saw no face but their poor son's,
And a wanderer's now and then.

The son, alas! Had grown apace,
And left his wits behind;
He was as helpless as the air,
As empty as the wind.

With puffing lips and shambling feet,
And eyes a-staring wide,
He whistled ever as he went,
And little did beside.

He whistled high, he whistled low,
He whistled sharp and sweet;
He brought the redbreast to his hand,
And the brown hare to his feet.

Without a fear of beast or bird,
He wandered all the day;
But when the light began to fail
His courage passed away.

He feared the werewolf in the wood,
The dragon in the dell,
And home he fled as if pursued
By all the hosts of hell.

"Ah! we are old," the woman said,
"And soon shall we be gone,
And what will our poor Michael do
When he is left alone?

"We are forgotten of all men;
And he is dead, I fear,
That good old priest, who used to come
And shrive us thrice a year.

"We have no kin," the mother said,
"We have no friend," said she;
The father gazed upon the fire,
And not a word said he.

Again she spoke, "No friend or kin,
'Death, only Death,' is near;
And he will take us both away,
And leave our Michael here.

"And who shall give him bite or sup?
And who shall keep him neat?
Ah! what were Heaven if we must weep
Before God's mercy-seat!"

And when the woman ceased, the man
A little waited still,
And then he said, "We have one friend --
The Christ upon the Hill."

Part II.

The Christ upon the Hill --so gaunt
And lean and stark and drear;
It made the heart with pity start,
It smote the soul with fear.

High reared against a cliff it stood,
Just where the great roads met;
And many a knee had worn the stone
Wherein the Rood was set.

For deadly was the pass beyond,
And all men paused to pray
For courage, or to pour their thanks
For dangers passed away.

But not for fear of beast or fiend,
But boding deeper ill,
The charcoal-burner and his wife
Slow climbed the weary hill.

Before the Rood their simple son
Lay stretched upon the ground,
And crumbled black bread for the birds
That hopped and pecked around.

(For he had gone before with feet
As wild and light as air,
And borne the basket on his back
That held their frugal fare.)

And they were faint, and, ere they prayed,
They sat them down to eat;
And much they marvelled at their son,
Who never touched his meat,

But, now the birds were flown away,
Sat up, and only gazed
Upon the Christ upon the cross,
As one with wonder dazed.

Full long he sat and never moved;
But then he gave a cry,
And caught his mother by the wrist
And said, "I heard a sigh."

"It is an image made of wood,
It has no voice," she said;
"'Twas but the wind you heard, my son,"
But Michael shook his head,

And gazed again, so earnestly
His face grew almost wise;
And now he cried again, and said,
"Look, how he closed his eyes!"

"'Tis but the shadow of a bird
That passed across his face,"
The mother said; "see, even now
It hovers near the place."

And then the father said, "My son,
The image is of wood;
And do you think a man could live
Without a taste of food?"

"No food?" the silly youth replied,
And pointed to a wren,
Who with a crumb upon Christ's lip
Had just alighted then.

And now the old man held his peace,
And the woman ceased to strive,
For still he shook his silly head,
And said, "The man's alive."

"It is God's will," they said, and knelt,
And knew not what to say;
But when they rose they felt as though
All fear had passed away.

And they could smile when Michael left
His dinner on the stone;
He said, "The birds will feed the Christ
When they are quite alone."

Part III.

The couple sat before the fire,
More old, and sad, and poor,
For there was winter at the heart,
And winter at the door.

It shook the roof with shocks of wind;
It caked the pane with snow;
The candle flickered on the sill,
Like a soul that longed to go.

'Twas Michael's beacon, -- gone to feed
The Christ upon the Hill;
And midnight long had passed and gone,
And he was absent still.

And now and then they turned a log,
And now they dropped a word:
"'Twas all the wind," the mother said;
The father said, "The bird."

"I hoped that it was God himself,"
The mother muttered low;
"It must have been the fiend," he said,
"For to deceive him so."

And then the mother cried aloud,
"What matter it?" she said;
"Or wind, or bird, or fiend, or God,
For he is dead -- is dead!"

"Hark!" cried the man, and through the storm
A note came high and clear;
It was the whistle of their son,
That sound they longed to hear.

And then a cry for help, and out
Into the snow they ran;
And there was Michael. On his back
He bore a helpless man.

"He lives, he lives," he wildly cried;
"His wounds are dripping still;"
And surely, red from hand and side
There ran a tiny rill.

They brought Him in and laid Him down,
Upon the warm hearthstone;
It was the Christ, but not of wood,
But made of flesh and bone.

They washed His wounds, and at their touch
They turned to purple scars,
Like a young moon upon the breast,
On hands and feet like stars.

They brought to moisten His dry lips
They hoarded flask of wine;
They wrapped Him round with blankets warm,
And waited for a sign.

And soon without the help of hand
He rose upon His feet,
And like a friend beside the fire
He took the vacant seat.

He sat up in the chair then,
And straight began to shine,
Until His face and raiment poured
A glory most divine.

The thorns upon His forehead
Broke out in leaves of gold;
The blood-drops turned to berries,
Like rubies rich and bold.

The blankets that bewrapped Him
Flowed into folds of white,
Bestarred with gold and jewels
Which sparkled in the light.

The very chair He sat on
Became a crystal throne;
The oaken stool beneath His feet
Turned to a jasper stone.

He stretched an arm to Michael,
And touched him with His hand,
And he arose beside the throne
An angel, bright and grand.

And then His lips were opened,
And strong and sweet and clear,
Like water from a fountain,
His voice was good to hear.

"I am the King of Glory;
I am your brother too;
And even as you do to Me,
So do I unto you.

"You took Me in and clothed Me;
You washed My body pierced;
You gave me of your wine to drink
When I was sore athirst.

"And you have suffered also,
And you must suffer still;
I suffered upon Calvary;
I suffer on the Hill.

"But I am Prince of Sorrow,
And I am Lord of Care;
I come to bring you comfort,
And save you from despair.

"Your son, your only son, is safe
And beautiful to see;
And though you miss him for a while,
You know he is with Me.

"And I will give him peace and joy
As no man every knew --
A little grief, a little pain,
And I will come for you."

He rose, His arms around their son;
And through the open door
They only saw a whirl of snow,
And heard the tempest roar.

poem by William Cosmo Monkhouse
Submitted by Poetry Lover
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Nineteen-Sixty-Five

What a year,
seems lke yesterday,
March 29,1965
is a day not
to forget.

My Wife Diana
and I had went
out to eat that night
awaken to a fire.

it was across
the alley from us
flames 100 feet high
fire trucks, oh so many.

We went back to
bed, but not for
long I'm afraid.

She went into labor
oh so much yelling
she did that night.

Diana's parents
lived downstairs,
they rushed us
to the hospital,

as we drove up
i looked up and
said this is
wrong hospital.

So he drove few
more blocks
we made it in time.

Placed her in wheel chair,
and into E.R.
I waited and paced
the floor, so many
smokes i had.

sometime later
in early AM doctor came and
told me it was
a girl.

Her dad said we
should call her
Christine, since
we could thank
Christ for getting
there safe.

So her name became
Christine Lynn Foulk
and I was so proud
to be a father
for first time.

Today March 29,2007,
Christine you are 42,
but will always
remember that
special day
so many years ago,
Happy birthday daughter.

poem by Jim Foulk
Submitted by Poetry Lover
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The Three Graves. A Fragment Of A Sexton's Tale

The grapes upon the Vicar's wall
Were ripe as ripe could be;
And yellow leaves in sun and wind
Were falling from the tree.

On the hedge-elms in the narrow lane
Still swung the spikes of corn:
Dear Lord! it seems but yesterday--
Young Edward's marriage-morn.

Up through that wood behind the church,
There leads from Edward's door
A mossy track, all over boughed,
For half a mile or more.

And from their house-door by that track
The bride and bridegroom went;
Sweet Mary, though she was not gay,
Seemed cheerful and content.

But when they to the church-yard came,
I've heard poor Mary say,
As soon as she stepped into the sun,
Her heart it died away.

And when the Vicar join'd their hands,
Her limbs did creep and freeze;
But when they prayed, she thought she saw
Her mother on her knees.

And o'er the church-path they returned--
I saw poor Mary's back,
Just as she stepped beneath the boughs
Into the mossy track.

Her feet upon the mossy track
The married maiden set:
That moment--I have heard her say--
She wished she could forget.

The shade o'er-flushed her limbs with heat--
Then came a chill like death:
And when the merry bells rang out,
They seemed to stop her breath.

Beneath the foulest mother's curse
No child could ever thrive:
A mother is a mother still,
The holiest thing alive.

So five months passed: the mother still
Would never heal the strife;
But Edward was a loving man,
And Mary a fond wife.

'My sister may not visit us,
My mother says her nay:
O Edward! you are all to me,
I wish for your sake I could be
More lifesome and more gay.

'I'm dull and sad! indeed, indeed
I know I have no reason!
Perhaps I am not well in health,
And 'tis a gloomy season.'

'Twas a drizzly time--no ice, no snow!
And on the few fine days
She stirred not out, lest she might meet
Her mother in the ways.

But Ellen, spite of miry ways
And weather dark and dreary,
Trudged every day to Edward's house,
And made them all more cheery.

Oh! Ellen was a faithful friend,
More dear than any sister!
As cheerful too as singing lark;
And she ne'er left them till 'twas dark,
And then they always missed her.

And now Ash-Wednesday came-that day
But few to church repair:
For on that day you know we read
The Commination prayer.

Our late old Vicar, a kind man,
Once, Sir, he said to me,
He wished that service was clean out
Of our good Liturgy.

The mother walked into the church--
To Ellen's seat she went:
Though Ellen always kept her church
All church-days during Lent.

And gentle Ellen welcomed her
With courteous looks and mild:
Thought she, 'What if her heart should melt,
And all be reconciled!'

The day was scarcely like a day--
The clouds were black outright:
And many a night, with half a moon,
I've seen the church more light.

The wind was wild; against the glass
The rain did beat and bicker;
The church-tower swinging over head,
You scarce could hear the Vicar!

And then and there the mother knelt,
And audibly she cried-
'Oh! may a clinging curse consume
This woman by my side!

'O hear me, hear me, Lord in Heaven,
Although you take my life--
O curse this woman, at whose house
Young Edward woo'd his wife.

'By night and day, in bed and bower,
O let her cursed be!!! '
So having prayed, steady and slow,
She rose up from her knee!

And left the church, nor e'er again
The church-door entered she.
I saw poor Ellen kneeling still,
So pale! I guessed not why:
When she stood up, there plainly was
A trouble in her eye.

And when the prayers were done, we all
Came round and asked her why:
Giddy she seemed, and sure, there was
A trouble in her eye.

But ere she from the church-door stepped
She smiled and told us why:
'It was a wicked woman's curse,'
Quoth she, 'and what care I?'

She smiled, and smiled, and passed it off
Ere from the door she stept--
But all agree it would have been
Much better had she wept.

And if her heart was not at ease,
This was her constant cry--
'It was a wicked woman's curse--
God's good, and what care I?'

There was a hurry in her looks,
Her struggles she redoubled:
'It was a wicked woman's curse,
And why should I be troubled?'

These tears will come--I dandled her
When 'twas the merest fairy--
Good creature! and she hid it all:
She told it not to Mary.

But Mary heard the tale: her arms
Round Ellen's neck she threw;
'O Ellen, Ellen, she cursed me,
And now she hath cursed you!'

I saw young Edward by himself
Stalk fast adown the lee,
He snatched a stick from every fence,
A twig from every tree.

He snapped them still with hand or knee,
And then away they flew!
As if with his uneasy limbs
He knew not what to do!

You see, good Sir! that single hill?
His farm lies underneath:
He heard it there, he heard it all,
And only gnashed his teeth.

Now Ellen was a darling love
In all his joys and cares:
And Ellen's name and Mary's name
Fast-linked they both together came,
Whene'er he said his prayers.

And in the moment of his prayers
He loved them both alike:
Yea, both sweet names with one sweet joy
Upon his heart did strike!

He reach'd his home, and by his looks
They saw his inward strife:
And they clung round him with their arms,
Both Ellen and his wife.

And Mary could not check her tears,
So on his breast she bowed;
Then frenzy melted into grief,
And Edward wept aloud.

Dear Ellen did not weep at all,
But closelier did she cling,
And turned her face and looked as if
She saw some frightful thing.

PART II.

To see a man tread over graves
I hold it no good mark;
'Tis wicked in the sun and moon,
And bad luck in the dark!

You see that grave? The Lord he gives,
The Lord, he takes away:
O Sir! the child of my old age
Lies there as cold as clay.

Except that grave, you scarce see one
That was not dug by me;
I'd rather dance upon 'em all
Than tread upon these three!

'Aye, Sexton!'tis a touching tale.'
You, Sir! are but a lad;
This month I'm in my seventieth year,
And still it makes me sad.

And Mary's sister told it me,
For three good hours and more;
Though I had heard it, in the main,
From Edward's self, before.

Well! it passed off! the gentle Ellen
Did well nigh dote on Mary;
And she went oftener than before,
And Mary loved her more and more:
She managed all the dairy.

To market she on market-days,
To church on Sundays came;
All seemed the same: all seemed so, Sir!
But all was not the same!

Had Ellen lost her mirth? Oh! no!
But she was seldom cheerful;
And Edward look'd as if he thought
That Ellen's mirth was fearful.

When by herself, she to herself
Must sing some merry rhyme;
She could not now be glad for hours,
Yet silent all the time.

And when she soothed her friend, through all
Her soothing words 'twas plain
She had a sore grief of her own,
A haunting in her brain.

And oft she said, I'm not grown thin!
And then her wrist she spanned;
And once when Mary was down-cast,
She took her by the hand,
And gazed upon her, and at first
She gently pressed her hand;

Then harder, till her grasp at length
Did gripe like a convulsion!
'Alas!' said she, 'we ne'er can be
Made happy by compulsion!'

And once her both arms suddenly
Round Mary's neck she flung,
And her heart panted, and she felt
The words upon her tongue.

She felt them coming, but no power
Had she the words to smother;
And with a kind of shriek she cried,
'Oh Christ! you're like your mother!'

So gentle Ellen now no more
Could make this sad house cheery;
And Mary's melancholy ways
Drove Edward wild and weary.

Lingering he raised his latch at eve,
Though tired in heart and limb:
He loved no other place, and yet
Home was no home to him.

One evening he took up a book,
And nothing in it read;
Then flung it down, and groaning cried,
'O! Heaven! that I were dead.'

Mary looked up into his face,
And nothing to him said;
She tried to smile, and on his arm
Mournfully leaned her head.

And he burst into tears, and fell
Upon his knees in prayer:
'Her heart is broke! O God! my grief,
It is too great to bear!'

'Twas such a foggy time as makes
Old sextons, Sir! like me,
Rest on their spades to cough; the spring
Was late uncommonly.

And then the hot days, all at once,
They came, we knew not how:
You looked about for shade, when scarce
A leaf was on a bough.

It happened then ('twas in the bower,
A furlong up the wood:
Perhaps you know the place, and yet
I scarce know how you should,)

No path leads thither, 'tis not nigh
To any pasture-plot;
But clustered near the chattering brook,
Lone hollies marked the spot.

Those hollies of themselves a shape
As of an arbour took,
A close, round arbour; and it stands
Not three strides from a brook.

Within this arbour, which was still
With scarlet berries hung,
Were these three friends, one Sunday morn,
Just as the first bell rung.

'Tis sweet to hear a brook, 'tis sweet
To hear the Sabbath-bell,
'Tis sweet to hear them both at once,
Deep in a woody dell.

His limbs along the moss, his head
Upon a mossy heap,
With shut-up senses, Edward lay:
That brook e'en on a working day
Might chatter one to sleep.

And he had passed a restless night,
And was not well in health;
The women sat down by his side,
And talked as 'twere by stealth.

'The Sun peeps through the close thick leaves,
See, dearest Ellen! see!
'Tis in the leaves, a little sun,
No bigger than your ee;

'A tiny sun, and it has got
A perfect glory too;
Ten thousand threads and hairs of light,
Make up a glory gay and bright
Round that small orb, so blue.'

And then they argued of those rays,
What colour they might be;
Says this, 'They're mostly green'; says that,
'They're amber-like to me.'

So they sat chatting, while bad thoughts
Were troubling Edward's rest;
But soon they heard his hard quick pants,
And the thumping in his breast.

'A mother too!' these self-same words
Did Edward mutter plain;
His face was drawn back on itself,
With horror and huge pain.

Both groan'd at once, for both knew well
What thoughts were in his mind;
When he waked up, and stared like one
That hath been just struck blind.

He sat upright; and ere the dream
Had had time to depart,
'O God, forgive me!' (he exclaimed)
'I have torn out her heart.'

Then Ellen shrieked, and forthwith burst
Into ungentle laughter;
And Mary shivered, where she sat,
And never she smiled after.

Carmen reliquum in futurum tempus relegatum. To-morrow! and To-morrow! and To-morrow!----

poem by Samuel Taylor Coleridge
Submitted by Poetry Lover
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New Year's Eve

The other night I had a dream, most clear
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer.
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet.

The shadows flecked the elm-embowered street
I knew so well, long, long ago;
And on the pillared porch where Marguerite
Had sat with me, the moonlight lay like snow.
But she, my comrade and my friend of youth,
Most gaily wise,
Most innocently loved, --
She of the blue-grey eyes
That ever smiled and ever spoke the truth, --
From that familiar dwelling, where she moved
Like mirth incarnate in the years before,
Had gone into the hidden house of Death.
I thought the garden wore
White mourning for her blessed innocence,
And the syringa's breath
Came from the corner by the fence,
Where she had made her rustic seat,
With fragrance passionate, intense,
As if it breathed a sigh for Marguerite.
My heart was heavy with a sense
Of something good forever gone. I sought
Vainly for some consoling thought,
Some comfortable word that I could say
To the sad father, whom I visited again
For the first time since she had gone away.
The bell rang shrill and lonely, -- then
The door was opened, and I sent my name
To him, -- but ah! 't was Marguerite who came!

There in the dear old dusky room she stood
Beneath the lamp, just as she used to stand,
In tender mocking mood.
"You did not ask for me," she said,
"And so I will not let you take my hand;
"But I must hear what secret talk you planned
"With father. Come, my friend, be good,
"And tell me your affairs of state:
"Why you have stayed away and made me wait
"So long. Sit down beside me here, --
"And, do you know, it seemed a year
"Since we have talked together, -- why so late?"

Amazed, incredulous, confused with joy
I hardly dared to show,
And stammering like a boy,
I took the place she showed me at her side;
And then the talk flowed on with brimming tide
Through the still night,
While she with influence light
Controlled it, as the moon the flood.
She knew where I had been, what I had done,
What work was planned, and what begun;
My troubles, failures, fears she understood,
And touched them with a heart so kind,
That every care was melted from my mind,
And every hope grew bright,
And life seemed moving on to happy ends.
(Ah, what self-beggared fool was he
That said a woman cannot be
The very best of friends?)
Then there were memories of old times,
Recalled with many a gentle jest;
And at the last she brought the book of rhymes
We made together, trying to translate
The Songs of Heine (hers were always best).
"Now come," she said,
"To-night we will collaborate
"Again; I'll put you to the test.
"Here's one I never found the way to do, --
"The simplest are the hardest ones, you know, --
"I give this song to you."
And then she read:
Mein kind, wir waren Kinder,
Zei Kinder, jung und froh.

* * * * * * * * * *

But all the while a silent question stirred
Within me, though I dared not speak the word:
"Is it herself, and is she truly here,
"And was I dreaming when I heard
"That she was dead last year?
"Or was it true, and is she but a shade
"Who brings a fleeting joy to eye and ear,
"Cold though so kind, and will she gently fade
"When her sweet ghostly part is played
"And the light-curtain falls at dawn of day?"

But while my heart was troubled by this fear
So deeply that I could not speak it out,
Lest all my happiness should disappear,
I thought me of a cunning way
To hide the question and dissolve the doubt.
"Will you not give me now your hand,
"Dear Marguerite," I asked, "to touch and hold,
"That by this token I may understand
"You are the same true friend you were of old?"
She answered with a smile so bright and calm
It seemed as if I saw new stars arise
In the deep heaven of her eyes;
And smiling so, she laid her palm
In mine. Dear God, it was not cold
But warm with vital heat!
"You live!" I cried, "you live, dear Marguerite!"
Then I awoke; but strangely comforted,
Although I knew again that she was dead.

III

Yes, there's the dream! And was it sweet or sad?
Dear mistress of my waking and my sleep,
Present reward of all my heart's desire,
Watching with me beside the winter fire,
Interpret now this vision that I had.
But while you read the meaning, let me keep
The touch of you: for the Old Year with storm
Is passing through the midnight, and doth shake
The corners of the house, -- man oh! my heart would break
Unless both dreaming and awake
My hand could feel your hand was warm, warm, warm!

poem by Henry Van Dyke
Submitted by Poetry Lover
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The Return

The grass was gray with the moonlit dew,
The stones were white as I came through;
I came down the path by the thirteen yews,
Through the blocks of shade that the moonlight hews.
And when I came to the high lych-gate
I waited awhile where the corpses wait;
Then I came down the road where the moonlight lay
Like the fallen ghost of the light of day.

The bats shrieked high in their zigzag flight,
The owls' spread wings were quiet and white,
The wind and the poplar gave sigh for sigh,
And all about were the rustling shy
Little live creatures that love the night -
Little wild creatures timid and free.
I passed, and they were not afraid of me.

It was over the meadow and down the lane
The way to come to my house again:
Through the wood where the lovers talk,
And the ghosts, they say, get leave to walk.
I wore the clothes that we all must wear,
And no one saw me walking there,
No one saw my pale feet pass
By my garden path to my garden grass.
My garden was hung with the veil of spring -
Plum-tree and pear-tree blossoming;
It lay in the moon's cold sheet of light
In garlands and silence, wondrous and white
As a dead bride decked for her burying.

Then I saw the face of my house
Held close in the arms of the blossomed boughs:
I leaned my face to the window bright
To feel if the heart of my house beat right.
The firelight hung it with fitful gold;
It was warm as the house of the dead is cold.
I saw the settles, the candles tall,
The black-faced presses against the wall,
Polished beechwood and shining brass,
The gleam of china, the glitter of glass,
All the little things that were home to me -
Everything as it used to be.

Then I said, 'The fire of life still burns,
And I have returned whence none returns:
I will warm my hands where the fire is lit,
I will warm my heart in the heart of it!'
So I called aloud to the one within:
'Open, open, and let me in!
Let me in to the fire and the light -
It is very cold out here in the night!'
There was never a stir or an answering breath -
Only a silence as deep as death.

Then I beat on the window, and called, and cried.
No one heard me, and none replied.
The golden silence lay warm and deep,
And I wept as the dead, forgotten, weep;
And there was no one to hear or see -
To comfort me, to have pity on me.

But deep in the silence something stirred -
Something that had not seen or heard -
And two drew near to the window-pane,
Kissed in the moonlight and kissed again,
And looked, through my face, to the moon-shroud, spread
Over the garlanded garden bed;
And--'How ghostly the moonlight is!' she said.

Back through the garden, the wood, the lane,
I came to mine own place again.
I wore the garments we all must wear,
And no one saw me walking there.
No one heard my thin feet pass
Through the white of the stones and the gray of the grass,
Along the path where the moonlight hews
Slabs of shadow for thirteen yews.

In the hollow where drifted dreams lie deep
It is good to sleep: it was good to sleep:
But my bed has grown cold with the drip of the dew,
And I cannot sleep as I used to do.

poem by Edith Nesbit
Submitted by Poetry Lover
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Lost In The Mist

THE thin white snow-streaks pencilling
That mountain's shoulder gray,
While in the west the pale green sky
Smiled back the dawning day,
Till from the misty east the sun
Was of a sudden born
Like a new soul in Paradise--
How long it seems since morn!

One little hour, O round red sun,
And thou and I shall come
Unto the golden gate of rest,
The open door of home:
One little hour, O weary sun,
Delay the threatened eve
Till my tired feet that pleasant door
Enter and never leave.

Ye rooks that fly in slender file
Into the thick'ning gloom,
Ye'll scarce have reached your grim gray tower
Ere I have reached my home;
Plover, that thrills the solitude
With such an eerie cry,
Seek you your nest ere night-fall comes,
As my heart's nest seek I.

O light, light heart and heavy feet,
Patience a little while!
Keep the warm love-light in these eyes,
And on these lips the smile:
Out-speed the mist, the gathering mist
That follows o'er the moor!--
The darker grows the world without
The brighter seems that door.
O door, so close yet so far off;
O mist that nears and nears!
What, shall I faint in sight of home?
Blinded--but not with tears--
'T is but the mist, the cruel mist,
Which chills this heart of mine:
These eyes, too weak to see that light--
It has not ceased to shine.

A little further, further yet:
The white mist crawls and crawls;
It hems me around, it shuts me in
Its great sepulchral walls:
No earth--no sky--no path--no light--
A silence like the tomb:
O me, it is too soon to die--
And I was going home!

A little further, further yet:
My limbs are young,--my heart--
O heart, it is not only life
That feels it hard to part:
Poor lips, slow freezing into calm,
Numbed hands that helpless fall,
And, a mile off, warm lips, fond hands,
Waiting to welcome all!

I see the pictures in the room,
The figures moving round,
The very flicker of the fire
Upon the patterned ground:
O that I were the shepherd-dog
That guards their happy door!
Or even the silly household cat
That basks upon the floor!

O that I sat one minute's space
Where I have sat so long!
O that I heard one little word
Sweeter than angel's song!
A pause--and then the table fills,
The harmless mirth brims o'er;
While I--O can it be God's will?--
I die, outside the door.

My body fails--my desperate soul
Struggles before it go:
The bleak air's full of voices wild,
But not the voice I know;
Dim shapes come wandering through the dark:
With mocking, curious stares,
Faces long strange peer glimmering by--
But not one face of theirs.

Lost, lost, and such a little way
From that dear sheltering door!
Lost, lost, out of the loving arms
Left empty evermore!
His will be done. O, gate of heaven,
Fairer than earthly door,
Receive me! Everlasting arms,
Enfold me evermore!

And so, farewell * * * * *
What is this touch
Upon my closing eyes?
My name too, that I thought to hear
Next time in Paradise?
Warm arms--close lips--O, saved, saved, saved!
Across the deathly moor
Sought, found--and yonder through the night
Shineth the blessed door.

poem by Dinah Maria Mulock Craik
Submitted by Poetry Lover
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The Ruined Cottage

None will dwell in that cottage; for, they say
Oppression reft it from an honest man,
And that a curse clings to it. Hence the vine
Trails its green weight of leaves upon the ground;
Hence weeds are in the garden; hence the hedge,
Once sweet with honey suckle, is half-dead;
And hence the gray moss on the apple tree.
One once dwelt there, who, in his youth,
Had been a soldier; and, when many days
Had passed, he sought his native village,
And sat down, to end his days in peace.
He had one child, a little laughing thing,
Whose dark eyes, he said, were like her mother's,
She had left buried in a strange land.
And time went on in comfort and content;
And that fair girl had grown far taller
Than the red-rose tree, her father planted
On her first English birth-day. He had trained it
Against an ash, till it became his pride,
It was so rich in blossom and in beauty.
It was called the tree of Isabel. 'Twas an appeal
To all the finer feelings of the heart
To mark their quiet happiness; their home,
In truth, the house of love; and, more than all,
To see them on the Sabbath, when they came,
Among the first, to church. And Isabel,
With her bright colour and her clear blue eyes,
Bowed down so meekly in the house of prayer;
And, in the hymn, her sweet voice audible.
Her father looked so fond of her, and then,
From her looked up so thankfully to heaven.
Then their small cottage was so very neat,
Their garden filled with fruits and flowers and herbs;
And in the winter there was no fireside
So cheerful as their own.
But other days
And other fortunes came - and evil power;
They bore against it cheerfully, and hoped
For better times; but ruin came at last,
And the old soldier left his dear home,
And left it for a prison. 'Twas in June,
One of June's brightest days; the bee, the bird,
The butterfly, were on their lightest wings;
The fruits had their first tinge of summer light;
The sunny sky, the very leaves seemed glad;
But the old man looked back upon his cottage,
And wept aloud. They hurried him away,
And the dear child, that would not leave his side!
They led him from the sight of the blue heaven
And the green grass, into a low dark cell,
The windows shutting out the blessed sun
With iron grating; and, for the first time,
He threw him on the bed, and could not hear
His Isabel's good night.
But the next morn
She was the earliest at the prison gate,
The last on whom it closed, and her sweet voice
And sweeter smile made him forget to pine.
She brought him every morning fresh wild flowers,
But every morning he could mark her cheek
Grow paler and more pale, and her low tones
Get fainter and more faint; and a cold dew
Was on the hand he held. One day he saw
The sun shine through the grating of his cell,
Yet Isabel came not. At every sound
His heart-beat took away his breath;
Yet still she came not near him. One sad day
He marked the dull street, through the iron bars,
That shut him from the world. At length,
He saw a coffin carried carelessly along;
And he grew desperate. He forced the bars;
And he stood on the street, free and alone.
He had no aim, no wish for liberty;
He only felt one want - to see the corpse,
That had no mourners. When they set it down,
Ere it was lowered into the new-dug grave,
A rush of passion came upon his soul;
He tore off the lid, and saw the face
Of Isabel, and knew he had no child.
He lay down by the coffin quietly -
His heart was broken!

poem by Letitia Elizabeth Landon
Submitted by Poetry Lover
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The House Of Dust: Part 03: 02: The Screen Maiden

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came

What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,

And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,

And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,

And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .

Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,

He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.

And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,

As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,

And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.

And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .

Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.

And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,

That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,

To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .

Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—

And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,

And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—

Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,

And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day

Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,

And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,

And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,

And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'

'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,

And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .

poem by Conrad Potter Aiken
Submitted by Poetry Lover
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The Guardian Angels

A Ballad

Father John in the green lane went
And he drew his robe full tight,
'I would,' quoth he, 'I were home again
For there's evil in the night.
'I would,' quoth he, 'the gold I bear
Were safe with the poor and old,
For strange the fear that follows me
That my eyes cannot behold.'
He looked him left and there he saw
A white rose climb and cling,
He looked him right and in the brake
A wild bird shook his wing.
He looked him back and far there stood
The old church tall and dim,
Yet on the lonely path there came
A terror strange to him.

Without the shadow of the trees
That bent above his way,
Where lost the moon her silver light,
He stood at last at bay.
And on his gown, from his pale brow
Fell great tears of his fright;
His shaking hands held close the gold
Wrapped in its cloth so white.
He knelt him down upon his knee
And prayed the Lord to hear,
'Christ, loosen Thou these laggard feet
That hold me slow in fear.
'Oh, strengthen Thou this childish heart
That trembles all afraid,
In pity for the calling sick
Who die without my aid.
'And let me bring all safely through
The shadows of the night,
The gold I bear for old and poor,
Still Thou this strange affright.'

And as he prayed from off his heart
Fear's clutching fingers fell,
A holy joy grew in his heart
He knew that all was well.
He turned him left and stayed to take
A white rose from her tree,
He turned him right and lilted low
A wild bird melody.
He looked him back and smiling saw
The tall church guarding him,
And then all fearless laughing sped
Through shadows strange and dim.

When but a year had passed away
There came before his gate,
A dying man who 'Succour,' cried
'Before it be too late.'
'Oh, shrive me, Father, ere I die,'
The moaning stranger said;
He took him to his own hearth side
And laid him on his bed.

'Oh, Father! Father! hear me now
And let me rest in peace.'
'Now speak, my son, and tell your sin
To give your soul release.'
'It was one night a year ago—
Sweet Mary, ease my pain—
I followed far your toiling feet
Within a lonely lane.
'The red gold for the old and poor
You had beneath your gown,
I hid within a darksome place
Where I could strike you down.'
Now Father John he smiled and leant
In pity by the bed,
'I did disarm you by my prayer,
I thank the Lord,' he said.
'I went in fear upon my path
I knew some danger lay,
And lone I knelt upon the road
A little while to pray.'

The dying man he raised his head
And laughed both long and loud,
'Oh, ne'er a prayer would hold my hand
Or keep you from your shroud.
'But by you went two mighty men
To guard you either side,
Else had my dagger reached your heart
And surely you had died.'
Then Father John upon his knees
Bent low his holy head,
'God's angels walked beside me there
Lest you my blood should shed
My guardian angels walked by me,
I thank Thee, Lord,' he said.

poem by Dora Sigerson Shorter
Submitted by Poetry Lover
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The Two Keys

There was a Boy, long years ago,
Who hour by hour awake would lie,
And watch the white moon gliding slow
Along her pathway in the sky.
And every night as thus he lay
Entranced in lonely fantasy,
Borne swiftly on a bright moon-ray
There came to him a Golden Key.

And with that Golden Key the Boy
Oped every night a magic door
That to a melody of Joy
Turned on its hinges evermore.

Then, trembling with delight and awe,
When he the charmèd threshold crossed,
A radiant corridor he saw—
Its end in dazzling distance lost.

Great windows shining in a row
Lit up the wondrous corridor,
And each its own rich light did throw
In stream resplendent on the floor.

One window showed the Boy a scene
Within a forest old and dim,
Where fairies danced upon the green
And kissed their little hands to him.

Sweet strains of elfin harp and horn
He heard so clearly sounding there,
And he to Wonderland was borne
And breathed its soft enchanted air.

Then, passing onward with the years,
He turned his back on Elf and Fay,
And sadly sweet, as if in tears,
The fairy music died away.

The second window held him long:
It looked upon a field of fight
Whereon the countless hordes of Wrong
Fought fiercely with the friends of Right.

And, lo! upon that fateful field,
Where cannon thundered, banners streamed,
And rushing squadrons rocked and reeled,
His sword a star of battle gleamed.

And when the hordes of Wrong lay still,
And that great fight was fought and won,
He stood, bright-eyed, upon a hill,
His white plume shining in the sun.

A glorious vision! yet behind
He left it with its scarlet glow,
And faint and far upon the wind
He heard the martial trumpets blow.

For to his listening ear was borne
A music more entrancing far
Than strains of elfin harp or horn,
More thrilling than the trump of war.

No longer as a dreamy boy
He trod the radiant corridor:
His young man’s heart presaged a joy
More dear than all the joys of yore.

To that third window, half in awe,
He moved, and slowly raised his eyes—
And was it earth grown young he saw?
Or was it man’s lost Paradise?

For all the flowers that ever bloomed
Upon the earth, and all the rare
Sweet Loveliness by Time entombed,
Seemed blushing, blooming, glowing there.

And every mellow-throated bird
That ever sang the trees among
Seemed singing there, with one sweet word—
“Love! Love!” on every little tongue.

Then he by turns grew rosy-red,
And he by turns grew passion-pale.
“Sweet Love!” the lark sang overhead,
“Sweet Love!” sang Love’s own nightingale.

In mid-heart of the hawthorn-tree
The thrush sang all its buds to bloom;
“Love! Love! Love! Love! Sweet Love,” sang he
Amidst the soft green sun-flecked gloom.

She stood upon a lilied lawn,
With dreamful eyes that gazed afar:
A maiden tender as the Dawn
And lovely as the Morning Star.
She stooped and kissed him on the brow,
And in a low, sweet voice said she:
“I am this country’s queen—and thou?”
“I am thy vassal,” murmured he.

She hid him with her hair gold-red,
That flowed like sunshine to her knee;
She kissed him on the lips, and said:
“Dear heart! I’ve waited long for thee.”

And, oh, she was so fair, so fair,
So gracious was her beauty bright,
Around her the enamoured air
Pulsed tremulously with delight.

In passionate melody did melt
Bird-voices, scent of flower and tree,
And he within his bosom felt
The piercing thorn of ecstasy.

The years passed by in dark and light,
In storm and shine; the man grew old,
Yet never more by day or night
There came to him the Key of Gold.
But ever, ere the great sun flowers
In gold above the sky’s blue rim,
All in the dark and lonely hours
There comes an Iron Key to him.

And with that key he opes a wide
And gloomy door—the Door of Fate—
That makes, whene’er it swings aside,
A music sad and desolate,

A music sad from saddest source:
He sees beside the doorway set
The chill, gray figure of Remorse,
The pale, cold image of Regret.

For all the glory and the glow
Of Life are passed, and dead, and gone:
The Light and Life of Long Ago
Are memories only—moonlight wan.

There is no man of woman born
So brave, so good, so wise but he
Must sometimes in a night forlorn
Take up and use the Iron Key.

poem by Victor James Daley
Submitted by Poetry Lover
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The Faceless Man

I'm dead.
Officially I'm dead. Their hope is past.
How long I stood as missing! Now, at last
; & nbsp; &n bsp; &nb sp; &nbs p; I'm dead.

Look in my face -- no likeness can you see,
No tiny trace of him they knew as "me".
How terrible the change!
Even my eyes are strange.
So keyed are they to pain,
That if I chanced to meet
My mother in the street
She'd look at me in vain.

When she got home I think she'd say:
"I saw the saddest sight to-day --
A poilu with no face at all.
Far better in the fight to fall
Than go through life like that, I think.
Poor fellow! how he made me shrink.
No face. Just eyes that seemed to stare
At me with anguish and despair.
This ghastly war! I'm almost cheered
To think my son who disappeared,
My boy so handsome and so gay,
Might have come home like him to-day."

I'm dead. I think it's better to be dead
When little children look at you with dread;
And when you know your coming home again
Will only give the ones who love you pain.
Ah! who can help but shrink? One cannot blame.
They see the hideous husk, not, not the flame
Of sacrifice and love that burns within;
While souls of satyrs, riddled through with sin,
Have bodies fair and excellent to see.
Mon Dieu! how different we all would be
If this our flesh was ordained to express
Our spirit's beauty or its ugliness.

(Oh, you who look at me with fear to-day,
And shrink despite yourselves, and turn away --
It was for you I suffered woe accurst;
For you I braved red battle at its worst;
For you I fought and bled and maimed and slew;
&nbs p; ; & nbsp; &n bsp; For you, for you!

For you I faced hell-fury and despair;
The reeking horror of it all I knew:
I flung myself into the furnace there;
I faced the flame that scorched me with its glare;
I drank unto the dregs the devil's brew --
Look at me now -- for you and you and you. . . .)

&nb sp; &nbs p; . . . . .

I'm thinking of the time we said good-by:
We took our dinner in Duval's that night,
Just little Jacqueline, Lucette and I;
We tried our very utmost to be bright.
We laughed. And yet our eyes, they weren't gay.
I sought all kinds of cheering things to say.
"Don't grieve," I told them. "Soon the time will pass;
My next permission will come quickly round;
We'll all meet at the Gare du Montparnasse;
Three times I've come already, safe and sound."
(But oh, I thought, it's harder every time,
After a home that seems like Paradise,
To go back to the vermin and the slime,
The weariness, the want, the sacrifice.
"Pray God," I said, "the war may soon be done,
But no, oh never, never till we've won!")

Then to the station quietly we walked;
I had my rifle and my haversack,
My heavy boots, my blankets on my back;
And though it hurt us, cheerfully we talked.
We chatted bravely at the platform gate.
I watched the clock. My train must go at eight.
One minute to the hour . . . we kissed good-by,
Then, oh, they both broke down, with piteous cry.
I went. . . . Their way was barred; they could not pass.
I looked back as the train began to start;
Once more I ran with anguish at my heart
And through the bars I kissed my little lass. . . .

Three years have gone; they've waited day by day.
I never came. I did not even write.
For when I saw my face was such a sight
I thought that I had better . . . stay away.
And so I took the name of one who died,
A friendless friend who perished by my side.
In Prussian prison camps three years of hell
I kept my secret; oh, I kept it well!
And now I'm free, but none shall ever know;
They think I died out there . . . it's better so.

To-day I passed my wife in widow's weeds.
I brushed her arm. She did not even look.
So white, so pinched her face, my heart still bleeds,
And at the touch of her, oh, how I shook!
And then last night I passed the window where
They sat together; I could see them clear,
The lamplight softly gleaming on their hair,
And all the room so full of cozy cheer.
My wife was sewing, while my daughter read;
I even saw my portrait on the wall.
I wanted to rush in, to tell them all;
And then I cursed myself: "You're dead, you're dead!"
God! how I watched them from the darkness there,
Clutching the dripping branches of a tree,
Peering as close as ever I might dare,
And sobbing, sobbing, oh, so bitterly!

But no, it's folly; and I mustn't stay.
To-morrow I am going far away.
I'll find a ship and sail before the mast;
In some wild land I'll bury all the past.
I'll live on lonely shores and there forget,
Or tell myself that there has never been
The gay and tender courage of Lucette,
The little loving arms of Jacqueline.

A man lonely upon a lonely isle,
Sometimes I'll look towards the North and smile
To think they're happy, and they both believe
I died for France, and that I lie at rest;
And for my glory's sake they've ceased to grieve,
And hold my memory sacred. Ah! that's best.
And in that thought I'll find my joy and peace
As there alone I wait the Last Release.

poem by Robert William Service
Submitted by Poetry Lover
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The Wanderer’s Return

An old heart's mourning is a hideous thing,
And weeds upon an aged weeper cling
Like night upon a grave. The city there,
Gaunt as a woman who has once been fair,
Lay black with winter, and the silent rain
Fell thro' the heavens darkly, like a stain
Upon her face. The dusky houses rose,
Unlovely shapes laid naked on the ooze,
Grimed with long sooty tears. The night fell down,
And gathered all the highways in its frown.
This was my home. I saw men pass and pass
Nor stop to look into a neighbour's face.
I dared not look in their's because my eyes
Were faint and travel--jarred and would not rise
From the dull earth, and hunger made them dim,
The hunger of a seven years' angry dream
Of love and peace and home unsatisfied.
And now my heart thus grievously denied
Rose, like a caged bird in the nesting time
Who beats against the bars that prison him,
In all its greenness of youth's wounds and pain
And would not cease till these should bleed again.

For I had gone a hunter through the world,
And set my tent in every land, and hurled
My spears at life because my joys were dead;
And many a fair field of the Earth was red
Where I had passed, and many a wind might tell
Of stricken souls that to my arrows fell.
I would not stop to listen to their cries
But went my way and thought that I was wise.

A wanderer's life, whether his lone chase be man
Or only those poor outlaws under ban
The creatures of the field his hand destroys
Through rage of wantonness or need of noise,
Is the fierce solace of its anger given
To a hurt soul which dares not turn to Heaven.
With me it was a vengeance of love lost,
A refuge proved for passions tempest--tossed,
An unguent for despairs that could not kill.
I wandered in the desert and the hill
Seeking dry places, and behold my grief
Fled with my footprints and I found relief.
And it had happened to me, as befalls
Men bred in cities who have left their walls
For gain or pleasure, that the wilderness
Grew lastly wearisome. I loved it less.

And once a desperate chase had led me on
To an unknown land when daylight was near done,
And I sat weary by my slaughtered prey
And watched the cranes which northward fled away
Rank upon rank into the depths of air,
And still the horizon lifeless vast and bare
Stretched wide around, and like a vault of dread
The arch of heaven hemmed me overhead,
And the great eye of the dead beast was set
Upon my own. I felt my cheek was wet.
Oh surely then, for all man's heart be hard,
Though he have taken Nature by the beard
And lived alone as to the manner born,
And though his limbs be strung with toil, and worn
To all Earth's dangers, yet at such a time
His coward soul will overmaster him,
Saying ``Beware, thou child of Earth, even now
Look at the world how wide it is and thou
How small! And thou hast dared to be alone.''
And lo, the last long flight of cranes was gone,
And darkness with its folding pity crept
Over the plain. I hid my face and wept,
Till sleep fell on me. But, when dawn was come,
I turned my steps to what had been my home.

The palace gardens! I had fled aside
From the gaunt streets in easement of my pride
After the lamps were lit, for to my brain
The tumult and the passers--by were pain:
The gardens where in those far summer times
A boy I came to watch the pantomimes
Among a laughing crowd of white--capped bonnes
And red--cheeked children and loud country clowns,
Or where, along the wall in graver sense
And screened from winds in their petite Provence,
With the first chestnut blossoms old men sat
And cheered their melancholy souls with chat,
Thawing like frozen apples in the sun!
The old men and the children all were gone.
The leaves, their canopy, lay torn and dead
And crushed in spongy heaps beneath my tread.
The fountains recreant to their laughter lay
Murk pools of silence shrouded from the day,
As though no doves had ever at their brink
Stooped in full June to plume themselves and drink.
Only the trees stood, witness of the past.
Sad trees, I greeted them. I held them fast
Like a friend's hands. They were as changed and bare
As my own life, but calm in the despair
Of their long winter's martyrdom, and I
A very child in my philosophy!
Till I remembered that no Spring would come
To mock the winter of my own long doom
With any merriment. And ``Trees'' I cried,
``Your hearts within are all too greenly dyed
To match with mine.'' I let their branches go
And sat upon a bench to feed my woe
With memories long hidden out of mind,
But which trooped back that night and rode the wind.

These wooden benches, what sad ghosts of pleasures
Had used them nightly crouching o'er their treasures,
My own long murdered joys, since there we sat
Blind in our love and insolent to Fate!
Each one a witness proved of our lost vows,
Our prayers, our protests, all our souls' carouse;
Each one inscribed through the unheeding years
With letters of a name I wrote in tears.
'Twas here I saw her first, a pure sweet woman
Fair as a goddess but with smile all human,
Her children at her knees who went and came
At each new wayward impulse of their game,
And she reproving with her quiet eyes
Veiling the mirth they could not all disguise.
The echo of her voice with its mute thrill
Lived in these glades and stirred my pulses still,
Though I had lived to hear it in what tone
Of passionate grief and souls' disunion.
She stood, a broken lily, by that tree,
Sunlight and shade for ever changingly
Chequering the robe she wore of virgin white,
When first I touched the goal of my delight
Her woman's hand and hid it in my hands.
Here shone the glory of her countenance
Nobler for tears when weakness for a space
Held full dominion in that heaven her face
And she confessed herself of grief divine
And love grown young, a vintage of new wine,
And I was crowned her king. O silent trees,
You heard it and you know how to the lees
We drained the cup of life and found it good,
Gathering love's manna for our daily food,
In scorn of the vain rest. You heard and knew
What the world only guessed where all was true.
And have you dreamed on in your quiet grove
While seven years were built against our love!

'Twas on this bench I sat that day of June
Thinking of death a whole sweet afternoon,
Till I was sick of sorrow and my tongue
Weary of its long silence (I was young
And the birds sang so loud); and when the night
Came as it now came, and the lamps grew bright
In the long street, lit like a diamond chain,
I rose and said: ``I will not bear the pain.
What is my pride worth that for it this smart
Should harrow up the green things of my heart
For twelve importunate hours in such a sort?
And pleasure is so sweet and life so short.''
And as a martyr, who long time has lain
Frozen in a dungeon, sees amid his pain,
When he has fasted on for many days,
Bright visions of hot feasts and hearths ablaze
With welcome, and who sells his gloomy creed,
And is overcome of pleasure, so my need
Conquered my pride; and I arose and went
Striding, with smiles at my new found intent,
Down these same gravel alleys to the gate
And so beyond, like one inebriate,
Thinking the while of the brave baths and food
Set for the renegade, until I stood
Once more before her door I had forsworn.
I did not stop to question thoughts forlorn,
But knocked as I had knocked a thousand times.
St. Roch's was ringing its last evening chimes,
And I still thought about the martyr's dream.
I saw the light within the threshold gleam
Which opened to me, and the voice I knew
Said in all sweetness, as the door swung to,
``Come. We are just in time. How fortunate
You too like me have happened to be late.''
I swear I said no word of the sad plans
I had plotted on this bench of ignorance.
There have been kings called happy, but not one
As I that night. Ah God! to be alone,
Alone, and never more to hear her voice
Calling me back, blest martyr, to my joys!

I sat there grieving in the cold and rain
Until my heart had half forgot its pain,
And when I rose I scarce could guide my feet,
They were so numb, to the unlovely street.
And yet need was my steps should bear me on
To some mad corner of that Babylon;
And I must feed the gnawings of my soul
With broken meat. ``The seven years may roll,''
I said, ``and men may change and she be dead,
Yet the house stands, God knows how tenanted.''

I leaned my head against the colonnade
Which skirts the square. I think I had not prayed
Through all those years, but now I said a prayer,
And hope in spite of reason seemed to wear
Green buds upon its branches. Who shall know
If 'twas a vision sent me in my woe
To prove the power of prayer? But, when I turned
And looked across the square, the candles burned
In the old upper windows, and, before,
A shadow crossed the curtain, and the door
Opened towards me, and a voice there cried
``Come. You are just in time.'' I put out wide
My arms into the darkness, and I fell.

When I awoke, 'twas as one passed from Hell
Who fears and feels no longer. I was tired.
I scarcely cared to know when I inquired
After the house. The girl who held the glass
To my lips (a flower--girl it seemed she was)
Told me that house and square alike were gone
Swept by new boulevards to oblivion.
Why should I grieve? The new was worth the old.
I listened to the story as 'twas told,
And lingered with her all the evening there
Because she pitied me and she was fair,
And held me with her hand upon the latch.
``Seven years,'' I said, ``it is a long night's watch
For any soul alone upon life's way,
And mine is weary at the break of day.''

poem by Wilfrid Scawen Blunt
Submitted by Poetry Lover
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The Shadow

Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.

Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.
The silhouette made a blue-black stain
On the opposite wall, and it never wavered
Even when the candle quavered
Under his panting breath. What made
That beautiful, dreadful thing, that shade
Of something so lovely, so exquisite,
Cast from a substance which the sight
Had not been tutored to perceive?
Paul brushed his eyes across his sleeve.

Clear-cut, the Shadow on the wall
Gleamed black, and never moved at all.

Paul's watches were like amulets,
Wrought into patterns and rosettes;
The cases were all set with stones,
And wreathing lines, and shining zones.
He knew the beauty in a curve,
And the Shadow tortured every nerve
With its perfect rhythm of outline
Cutting the whitewashed wall. So fine
Was the neck he knew he could have spanned
It about with the fingers of one hand.
The chin rose to a mouth he guessed,
But could not see, the lips were pressed
Loosely together, the edges close,
And the proud and delicate line of the nose
Melted into a brow, and there
Broke into undulant waves of hair.
The lady was edged with the stamp of race.
A singular vision in such a place.

He moved the candle to the tall
Chiffonier; the Shadow stayed on the wall.
He threw his cloak upon a chair,
And still the lady's face was there.
From every corner of the room
He saw, in the patch of light, the gloom
That was the lady. Her violet bloom
Was almost brighter than that which came
From his candle's tulip-flame.
He set the filigree hands; he laid
The watch in the case which he had made;
He put on his rabbit cloak, and snuffed
His candle out. The room seemed stuffed
With darkness. Softly he crossed the floor,
And let himself out through the door.

The sun was flashing from every pin
And wheel, when Paul let himself in.
The whitewashed walls were hot with light.
The room was the core of a chrysolite,
Burning and shimmering with fiery might.
The sun was so bright that no shadow could fall
From the furniture upon the wall.
Paul sighed as he looked at the empty space
Where a glare usurped the lady's place.
He settled himself to his work, but his mind
Wandered, and he would wake to find
His hand suspended, his eyes grown dim,
And nothing advanced beyond the rim
Of his dreaming. The Cardinal sent to pay
For his watch, which had purchased so fine a day.
But Paul could hardly touch the gold,
It seemed the price of his Shadow, sold.
With the first twilight he struck a match
And watched the little blue stars hatch
Into an egg of perfect flame.
He lit his candle, and almost in shame
At his eagerness, lifted his eyes.
The Shadow was there, and its precise
Outline etched the cold, white wall.
The young man swore, 'By God! You, Paul,
There's something the matter with your brain.
Go home now and sleep off the strain.'

The next day was a storm, the rain
Whispered and scratched at the window-pane.
A grey and shadowless morning filled
The little shop. The watches, chilled,
Were dead and sparkless as burnt-out coals.
The gems lay on the table like shoals
Of stranded shells, their colours faded,
Mere heaps of stone, dull and degraded.
Paul's head was heavy, his hands obeyed
No orders, for his fancy strayed.
His work became a simple round
Of watches repaired and watches wound.
The slanting ribbons of the rain
Broke themselves on the window-pane,
But Paul saw the silver lines in vain.
Only when the candle was lit
And on the wall just opposite
He watched again the coming of IT,
Could he trace a line for the joy of his soul
And over his hands regain control.

Paul lingered late in his shop that night
And the designs which his delight
Sketched on paper seemed to be
A tribute offered wistfully
To the beautiful shadow of her who came
And hovered over his candle flame.
In the morning he selected all
His perfect jacinths. One large opal
Hung like a milky, rainbow moon
In the centre, and blown in loose festoon
The red stones quivered on silver threads
To the outer edge, where a single, fine
Band of mother-of-pearl the line
Completed. On the other side,
The creamy porcelain of the face
Bore diamond hours, and no lace
Of cotton or silk could ever be
Tossed into being more airily
Than the filmy golden hands; the time
Seemed to tick away in rhyme.
When, at dusk, the Shadow grew
Upon the wall, Paul's work was through.
Holding the watch, he spoke to her:
'Lady, Beautiful Shadow, stir
Into one brief sign of being.
Turn your eyes this way, and seeing
This watch, made from those sweet curves
Where your hair from your forehead swerves,
Accept the gift which I have wrought
With your fairness in my thought.
Grant me this, and I shall be
Honoured overwhelmingly.'

The Shadow rested black and still,
And the wind sighed over the window-sill.

Paul put the despised watch away
And laid out before him his array
Of stones and metals, and when the morning
Struck the stones to their best adorning,
He chose the brightest, and this new watch
Was so light and thin it seemed to catch
The sunlight's nothingness, and its gleam.
Topazes ran in a foamy stream
Over the cover, the hands were studded
With garnets, and seemed red roses, budded.
The face was of crystal, and engraved
Upon it the figures flashed and waved
With zircons, and beryls, and amethysts.
It took a week to make, and his trysts
At night with the Shadow were his alone.
Paul swore not to speak till his task was done.
The night that the jewel was worthy to give.
Paul watched the long hours of daylight live
To the faintest streak; then lit his light,
And sharp against the wall's pure white
The outline of the Shadow started
Into form. His burning-hearted
Words so long imprisoned swelled
To tumbling speech. Like one compelled,
He told the lady all his love,
And holding out the watch above
His head, he knelt, imploring some
Littlest sign.
The Shadow was dumb.

Weeks passed, Paul worked in fevered haste,
And everything he made he placed
Before his lady. The Shadow kept
Its perfect passiveness. Paul wept.
He wooed her with the work of his hands,
He waited for those dear commands
She never gave. No word, no motion,
Eased the ache of his devotion.
His days passed in a strain of toil,
His nights burnt up in a seething coil.
Seasons shot by, uncognisant
He worked. The Shadow came to haunt
Even his days. Sometimes quite plain
He saw on the wall the blackberry stain
Of his lady's picture. No sun was bright
Enough to dazzle that from his sight.

There were moments when he groaned to see
His life spilled out so uselessly,
Begging for boons the Shade refused,
His finest workmanship abused,
The iridescent bubbles he blew
Into lovely existence, poor and few
In the shadowed eyes. Then he would curse
Himself and her! The Universe!
And more, the beauty he could not make,
And give her, for her comfort's sake!
He would beat his weary, empty hands
Upon the table, would hold up strands
Of silver and gold, and ask her why
She scorned the best which he could buy.
He would pray as to some high-niched saint,
That she would cure him of the taint
Of failure. He would clutch the wall
With his bleeding fingers, if she should fall
He could catch, and hold her, and make her live!
With sobs he would ask her to forgive
All he had done. And broken, spent,
He would call himself impertinent;
Presumptuous; a tradesman; a nothing; driven
To madness by the sight of Heaven.
At other times he would take the things
He had made, and winding them on strings,
Hang garlands before her, and burn perfumes,
Chanting strangely, while the fumes
Wreathed and blotted the shadow face,
As with a cloudy, nacreous lace.
There were days when he wooed as a lover, sighed
In tenderness, spoke to his bride,
Urged her to patience, said his skill
Should break the spell. A man's sworn will
Could compass life, even that, he knew.
By Christ's Blood! He would prove it true!

The edge of the Shadow never blurred.
The lips of the Shadow never stirred.

He would climb on chairs to reach her lips,
And pat her hair with his finger-tips.
But instead of young, warm flesh returning
His warmth, the wall was cold and burning
Like stinging ice, and his passion, chilled,
Lay in his heart like some dead thing killed
At the moment of birth. Then, deadly sick,
He would lie in a swoon for hours, while thick
Phantasmagoria crowded his brain,
And his body shrieked in the clutch of pain.
The crisis passed, he would wake and smile
With a vacant joy, half-imbecile
And quite confused, not being certain
Why he was suffering; a curtain
Fallen over the tortured mind beguiled
His sorrow. Like a little child
He would play with his watches and gems, with glee
Calling the Shadow to look and see
How the spots on the ceiling danced prettily
When he flashed his stones. 'Mother, the green
Has slid so cunningly in between
The blue and the yellow. Oh, please look down!'
Then, with a pitiful, puzzled frown,
He would get up slowly from his play
And walk round the room, feeling his way
From table to chair, from chair to door,
Stepping over the cracks in the floor,
Till reaching the table again, her face
Would bring recollection, and no solace
Could balm his hurt till unconsciousness
Stifled him and his great distress.

One morning he threw the street door wide
On coming in, and his vigorous stride
Made the tools on his table rattle and jump.
In his hands he carried a new-burst clump
Of laurel blossoms, whose smooth-barked stalks
Were pliant with sap. As a husband talks
To the wife he left an hour ago,
Paul spoke to the Shadow. 'Dear, you know
To-day the calendar calls it Spring,
And I woke this morning gathering
Asphodels, in my dreams, for you.
So I rushed out to see what flowers blew
Their pink-and-purple-scented souls
Across the town-wind's dusty scrolls,
And made the approach to the Market Square
A garden with smells and sunny air.
I feel so well and happy to-day,
I think I shall take a Holiday.
And to-night we will have a little treat.
I am going to bring you something to eat!'
He looked at the Shadow anxiously.
It was quite grave and silent. He
Shut the outer door and came
And leant against the window-frame.
'Dearest,' he said, 'we live apart
Although I bear you in my heart.
We look out each from a different world.
At any moment we may be hurled
Asunder. They follow their orbits, we
Obey their laws entirely.
Now you must come, or I go there,
Unless we are willing to live the flare
Of a lighted instant and have it gone.'

A bee in the laurels began to drone.
A loosened petal fluttered prone.

'Man grows by eating, if you eat
You will be filled with our life, sweet
Will be our planet in your mouth.
If not, I must parch in death's wide drouth
Until I gain to where you are,
And give you myself in whatever star
May happen. O You Beloved of Me!
Is it not ordered cleverly?'

The Shadow, bloomed like a plum, and clear,
Hung in the sunlight. It did not hear.

Paul slipped away as the dusk began
To dim the little shop. He ran
To the nearest inn, and chose with care
As much as his thin purse could bear.
As rapt-souled monks watch over the baking
Of the sacred wafer, and through the making
Of the holy wine whisper secret prayers
That God will bless this labour of theirs;
So Paul, in a sober ecstasy,
Purchased the best which he could buy.
Returning, he brushed his tools aside,
And laid across the table a wide
Napkin. He put a glass and plate
On either side, in duplicate.
Over the lady's, excellent
With loveliness, the laurels bent.
In the centre the white-flaked pastry stood,
And beside it the wine flask. Red as blood
Was the wine which should bring the lustihood
Of human life to his lady's veins.
When all was ready, all which pertains
To a simple meal was there, with eyes
Lit by the joy of his great emprise,
He reverently bade her come,
And forsake for him her distant home.
He put meat on her plate and filled her glass,
And waited what should come to pass.

The Shadow lay quietly on the wall.
From the street outside came a watchman's call
'A cloudy night. Rain beginning to fall.'

And still he waited. The clock's slow tick
Knocked on the silence. Paul turned sick.

He filled his own glass full of wine;
From his pocket he took a paper. The twine
Was knotted, and he searched a knife
From his jumbled tools. The cord of life
Snapped as he cut the little string.
He knew that he must do the thing
He feared. He shook powder into the wine,
And holding it up so the candle's shine
Sparked a ruby through its heart,
He drank it. 'Dear, never apart
Again! You have said it was mine to do.
It is done, and I am come to you!'

Paul Jannes let the empty wine-glass fall,
And held out his arms. The insentient wall
Stared down at him with its cold, white glare
Unstained! The Shadow was not there!
Paul clutched and tore at his tightening throat.
He felt the veins in his body bloat,
And the hot blood run like fire and stones
Along the sides of his cracking bones.
But he laughed as he staggered towards the door,
And he laughed aloud as he sank on the floor.

The Coroner took the body away,
And the watches were sold that Saturday.
The Auctioneer said one could seldom buy
Such watches, and the prices were high.

poem by Amy Lowell
Submitted by Poetry Lover
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The Christmas Guest

It happened one day near decembers end when two neighbors
Called on an old friend and they found his shop so meager and
Lean made gay with thousand bows of green and conrad was
Sitting with faces shining when he suddenly stopped as he
Stitched a twine and he said old friends, it dawned today
As the cock was crowing the night away the lord appeared in
A dream to me and said Im coming your guest to be.
So Ive been busy with feet of stern strewing my shop with
Branches of fern. the table is spread and the kettle is shine.
And over the rafters the holly is twine. now Ill wait for my
Lord to appear and listen closely so I will hear his step as
He nears my humble place. and Ill open the door and look on his face.
So his friends went home and left conrad alone for this
Was the happiest day he had known. for long since his family had
Passed away and conrad had spent many a sad christmas day.
But he knew with the lord as his christmas guest this christmas
Would be the dearest and best.
So he listened with only joy in his heart and with
Every sound he would rise with a start and look for the
Lord to be at his door. like the vision he had had a few hours before.
So he ran to the window after hearing a sound but all he could
See on the snow covered ground was a shabby beggar whose shoes
Were torn and all of his clothes were ragged and worn.
But conrad was touched and he went to the door
And he said you know your feet must be frozen and sore.
I have some shoes in my shop for you and a coat that will
Keep you warmer too. so with grateful heart the man went away
But conrad noticed the time of day and wondered what made the
Lord so late and how much longer hed have to wait.
When he heard a knock he ran to the door but it was
Only a stranger once more. a bent old lady with a shawl of
Black with a bundle of kindling piled on her back. she asked
For only a place to rest but that was reserved for conrads
Great guest. but her voice seemed to plead dont send me away,
Let me rest for awhile on christmas day, so conrad brewed
Her a steaming cup and told her to set at the table and sup.
But after she left he was filled with dismay for
He saw that the hours were slipping away and the lord hadnt come as
He said he would. then conrad felt sure he had misunderstood.
When out of of the stillness he heard a cry please
Help me and tell me where am i? so again he opened his
Friendly door and stood disapointed as twice before.
It was only a child that wandered away and was lost from
Her family on christmas day.
Again conrads heart was heavy and sad but he knew
He should make the little girl glad. so he called her in
And he wiped her tears, quieted all her childish fears.
Then he led her back to her home once more but as he
Entered his own darkened door he knew the
Lord was not coming today.
Well the hours of christmas had passed away so he
Went to his room and knelt down to pray and he said
Dear lord, why did you delay? what kept you from
Coming to call on me? for I wanted so much your face to see.
When soft in the silence a voice he heard.
Lift up your head for I kept my word.
Three times my shadow crossed your floor
And three times I came to your lowly door.
I was the beggar with bruised, cold feet
And I was the woman you gave something to eat.
I was the child on the homeless street.
Three times I knocked, and three times I came in.
And each time I found the warmth of a friend.
Of all the gifts, love is the best.
And I was honored to be your christmas guest.

song performed by by Reba Mcentire
Submitted by Lucian Velea
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The Bonnie Lass o' Ruily

'Twas in the village of Ruily there lived a bonnie lass
With red, pouting lips which few lasses could surpass,
And her eyes were as azure the blue sky,
Which caused Donald McNeill to heave many a love sigh

Beyond the township of Ruily she never had been,
This pretty maid with tiny feet and aged eighteen;
And when Donald would ask her to be his wife,
"No," she would say, "I'm not going to stay here all my life."

"I'm sick of this life," she said to Donald one day,
"By making the parridge and carrying peats from the bog far away."
"Then marry me, Belle, and peats you shall never carry again,
And we might take a trip to Glasgow and there remain."

Then she answered him crossly, "I wish you wouldn't bother me,
For I'm tired of this kind of talk, as you may see."
So at last there came a steamer to Ruily one day,
So big that if almost seemed to fill the bay.

Then Belle and Effie Mackinnon came to the door with a start,
While Belle's red, pouting lips were wide apart;
But when she saw the Redcoats coming ashore
She thought she had never seen such splendid men before.

One day after the steamer "Resistless" had arrived,
Belle's spirits seemed suddenly to be revived;
And as Belle was lifting peats a few feet from the door
She was startled by a voice she never heard before.

The speaker wore a bright red coat and a small cap,
And she thought to herself he is a handsome chap;
Then the speaker said, "'Tis a fine day," and began to flatter,
Until at last he asked Belle for a drink of watter.

Then she glanced up at him shyly, while uneasy she did feel,
At the thought of having to hoist the peat-creel;
And she could see curly, fair hair beneath his cap,
Still, she thought to herself, he is a good-looking chap.

And his eyes were blue and sparkling as the water in the bay,
And he spoke in a voice that was pleasant and gay;
Then he took hold of the peat-creel as he spoke,
But Belle only laughed and considered it a joke.

Then Belle shook her head and lifted the peats on her back,
But he followed her home whilst to her he did crack;
And by and by she brought him a drink of watter,
While with loving words he began Belle to flatter.

And after he had drank the watter and handed back the jug,
He said, "You are the sweetest flower that's to be found in Ruily";
And he touched her bare arm as he spoke,
Which proved to be sailor Harry's winning stroke.

But it would have been well for Belle had it ended there,
But it did not, for the sailor followed her, I do declare;
And he was often at old Mackinnon's fireside,
And there for hours on an evening he would abide.

And Belle would wait on him with love-lit eyes,
While Harry's heart would heave with many love sighs.
At last, one night Belle said, "I hear you're going away."
Then Harry Lochton said, "'Tis true, Belie, and I must obey.

But, my heather Belle, if you'll leave Ruily with me
I'll marry you, with your father's consent, immediately."
Then she put her arms around his neck and said, "Harry, I will."
Then Harry said, "You'll be a sailor's wife for good or ill."

In five days after Belie got married to her young sailor lad,
And there was a grand wedding, and old Mackinnon felt glad;
And old Mackinnon slapped his son-in-law on the back
And said, "I hope good health and money you will never lack."

At last the day came that Harry had to go away,
And Harry said, "God bless you, Belle, by night and day;
But you will come to Portsmouth and I will meet you there,
Remember, at the railway platform, and may God of you take care."

And when she arrived in Portsmouth she was amazed at the sight,
But when she saw Harry her heart beat with delight;
And when the train stopped, Harry to her quickly ran,
And took her tin-box from the luggage van.

Then he took her to her new home without delay,
And the endless stairs and doors filled her heart with dismay;
But for that day the hours flew quickly past,
Because she knew she was with her Harry at last.

But there came a day when Harry was ordered away,
And he said, "My darling, I'll come back some unexpected day."
Then he kissed her at parting and "Farewell" he cries,
While the tears fell fast from her bonnie blue eyes.

Then when Harry went away she grew very ill,
And she cried, "If Harry stays long away this illness will me kill."
At last Harry came home and found her ill in bed,
And he cried, "My heather Belle, you're as pale as the dead."

Then she cried, "Harry, sit so as I may see your face,
Beside me here, Harry, that's just the place."
Then on his shoulder she gently dropped her head;
Then Harry cried, "Merciful heaven, my heather Belle is dead!"

poem by William Topaz McGonagall
Submitted by Poetry Lover
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