
The Shadow
Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.
Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.
The silhouette made a blue-black stain
On the opposite wall, and it never wavered
Even when the candle quavered
Under his panting breath. What made
That beautiful, dreadful thing, that shade
Of something so lovely, so exquisite,
Cast from a substance which the sight
Had not been tutored to perceive?
Paul brushed his eyes across his sleeve.
Clear-cut, the Shadow on the wall
Gleamed black, and never moved at all.
Paul's watches were like amulets,
Wrought into patterns and rosettes;
The cases were all set with stones,
And wreathing lines, and shining zones.
He knew the beauty in a curve,
And the Shadow tortured every nerve
With its perfect rhythm of outline
Cutting the whitewashed wall. So fine
Was the neck he knew he could have spanned
It about with the fingers of one hand.
The chin rose to a mouth he guessed,
But could not see, the lips were pressed
Loosely together, the edges close,
And the proud and delicate line of the nose
Melted into a brow, and there
Broke into undulant waves of hair.
The lady was edged with the stamp of race.
A singular vision in such a place.
He moved the candle to the tall
Chiffonier; the Shadow stayed on the wall.
He threw his cloak upon a chair,
And still the lady's face was there.
From every corner of the room
He saw, in the patch of light, the gloom
That was the lady. Her violet bloom
Was almost brighter than that which came
From his candle's tulip-flame.
He set the filigree hands; he laid
The watch in the case which he had made;
He put on his rabbit cloak, and snuffed
His candle out. The room seemed stuffed
With darkness. Softly he crossed the floor,
And let himself out through the door.
The sun was flashing from every pin
And wheel, when Paul let himself in.
The whitewashed walls were hot with light.
The room was the core of a chrysolite,
Burning and shimmering with fiery might.
The sun was so bright that no shadow could fall
From the furniture upon the wall.
Paul sighed as he looked at the empty space
Where a glare usurped the lady's place.
He settled himself to his work, but his mind
Wandered, and he would wake to find
His hand suspended, his eyes grown dim,
And nothing advanced beyond the rim
Of his dreaming. The Cardinal sent to pay
For his watch, which had purchased so fine a day.
But Paul could hardly touch the gold,
It seemed the price of his Shadow, sold.
With the first twilight he struck a match
And watched the little blue stars hatch
Into an egg of perfect flame.
He lit his candle, and almost in shame
At his eagerness, lifted his eyes.
The Shadow was there, and its precise
Outline etched the cold, white wall.
The young man swore, 'By God! You, Paul,
There's something the matter with your brain.
Go home now and sleep off the strain.'
The next day was a storm, the rain
Whispered and scratched at the window-pane.
A grey and shadowless morning filled
The little shop. The watches, chilled,
Were dead and sparkless as burnt-out coals.
The gems lay on the table like shoals
Of stranded shells, their colours faded,
Mere heaps of stone, dull and degraded.
Paul's head was heavy, his hands obeyed
No orders, for his fancy strayed.
His work became a simple round
Of watches repaired and watches wound.
The slanting ribbons of the rain
Broke themselves on the window-pane,
But Paul saw the silver lines in vain.
Only when the candle was lit
And on the wall just opposite
He watched again the coming of IT,
Could he trace a line for the joy of his soul
And over his hands regain control.
Paul lingered late in his shop that night
And the designs which his delight
Sketched on paper seemed to be
A tribute offered wistfully
To the beautiful shadow of her who came
And hovered over his candle flame.
In the morning he selected all
His perfect jacinths. One large opal
Hung like a milky, rainbow moon
In the centre, and blown in loose festoon
The red stones quivered on silver threads
To the outer edge, where a single, fine
Band of mother-of-pearl the line
Completed. On the other side,
The creamy porcelain of the face
Bore diamond hours, and no lace
Of cotton or silk could ever be
Tossed into being more airily
Than the filmy golden hands; the time
Seemed to tick away in rhyme.
When, at dusk, the Shadow grew
Upon the wall, Paul's work was through.
Holding the watch, he spoke to her:
'Lady, Beautiful Shadow, stir
Into one brief sign of being.
Turn your eyes this way, and seeing
This watch, made from those sweet curves
Where your hair from your forehead swerves,
Accept the gift which I have wrought
With your fairness in my thought.
Grant me this, and I shall be
Honoured overwhelmingly.'
The Shadow rested black and still,
And the wind sighed over the window-sill.
Paul put the despised watch away
And laid out before him his array
Of stones and metals, and when the morning
Struck the stones to their best adorning,
He chose the brightest, and this new watch
Was so light and thin it seemed to catch
The sunlight's nothingness, and its gleam.
Topazes ran in a foamy stream
Over the cover, the hands were studded
With garnets, and seemed red roses, budded.
The face was of crystal, and engraved
Upon it the figures flashed and waved
With zircons, and beryls, and amethysts.
It took a week to make, and his trysts
At night with the Shadow were his alone.
Paul swore not to speak till his task was done.
The night that the jewel was worthy to give.
Paul watched the long hours of daylight live
To the faintest streak; then lit his light,
And sharp against the wall's pure white
The outline of the Shadow started
Into form. His burning-hearted
Words so long imprisoned swelled
To tumbling speech. Like one compelled,
He told the lady all his love,
And holding out the watch above
His head, he knelt, imploring some
Littlest sign.
The Shadow was dumb.
Weeks passed, Paul worked in fevered haste,
And everything he made he placed
Before his lady. The Shadow kept
Its perfect passiveness. Paul wept.
He wooed her with the work of his hands,
He waited for those dear commands
She never gave. No word, no motion,
Eased the ache of his devotion.
His days passed in a strain of toil,
His nights burnt up in a seething coil.
Seasons shot by, uncognisant
He worked. The Shadow came to haunt
Even his days. Sometimes quite plain
He saw on the wall the blackberry stain
Of his lady's picture. No sun was bright
Enough to dazzle that from his sight.
There were moments when he groaned to see
His life spilled out so uselessly,
Begging for boons the Shade refused,
His finest workmanship abused,
The iridescent bubbles he blew
Into lovely existence, poor and few
In the shadowed eyes. Then he would curse
Himself and her! The Universe!
And more, the beauty he could not make,
And give her, for her comfort's sake!
He would beat his weary, empty hands
Upon the table, would hold up strands
Of silver and gold, and ask her why
She scorned the best which he could buy.
He would pray as to some high-niched saint,
That she would cure him of the taint
Of failure. He would clutch the wall
With his bleeding fingers, if she should fall
He could catch, and hold her, and make her live!
With sobs he would ask her to forgive
All he had done. And broken, spent,
He would call himself impertinent;
Presumptuous; a tradesman; a nothing; driven
To madness by the sight of Heaven.
At other times he would take the things
He had made, and winding them on strings,
Hang garlands before her, and burn perfumes,
Chanting strangely, while the fumes
Wreathed and blotted the shadow face,
As with a cloudy, nacreous lace.
There were days when he wooed as a lover, sighed
In tenderness, spoke to his bride,
Urged her to patience, said his skill
Should break the spell. A man's sworn will
Could compass life, even that, he knew.
By Christ's Blood! He would prove it true!
The edge of the Shadow never blurred.
The lips of the Shadow never stirred.
He would climb on chairs to reach her lips,
And pat her hair with his finger-tips.
But instead of young, warm flesh returning
His warmth, the wall was cold and burning
Like stinging ice, and his passion, chilled,
Lay in his heart like some dead thing killed
At the moment of birth. Then, deadly sick,
He would lie in a swoon for hours, while thick
Phantasmagoria crowded his brain,
And his body shrieked in the clutch of pain.
The crisis passed, he would wake and smile
With a vacant joy, half-imbecile
And quite confused, not being certain
Why he was suffering; a curtain
Fallen over the tortured mind beguiled
His sorrow. Like a little child
He would play with his watches and gems, with glee
Calling the Shadow to look and see
How the spots on the ceiling danced prettily
When he flashed his stones. 'Mother, the green
Has slid so cunningly in between
The blue and the yellow. Oh, please look down!'
Then, with a pitiful, puzzled frown,
He would get up slowly from his play
And walk round the room, feeling his way
From table to chair, from chair to door,
Stepping over the cracks in the floor,
Till reaching the table again, her face
Would bring recollection, and no solace
Could balm his hurt till unconsciousness
Stifled him and his great distress.
One morning he threw the street door wide
On coming in, and his vigorous stride
Made the tools on his table rattle and jump.
In his hands he carried a new-burst clump
Of laurel blossoms, whose smooth-barked stalks
Were pliant with sap. As a husband talks
To the wife he left an hour ago,
Paul spoke to the Shadow. 'Dear, you know
To-day the calendar calls it Spring,
And I woke this morning gathering
Asphodels, in my dreams, for you.
So I rushed out to see what flowers blew
Their pink-and-purple-scented souls
Across the town-wind's dusty scrolls,
And made the approach to the Market Square
A garden with smells and sunny air.
I feel so well and happy to-day,
I think I shall take a Holiday.
And to-night we will have a little treat.
I am going to bring you something to eat!'
He looked at the Shadow anxiously.
It was quite grave and silent. He
Shut the outer door and came
And leant against the window-frame.
'Dearest,' he said, 'we live apart
Although I bear you in my heart.
We look out each from a different world.
At any moment we may be hurled
Asunder. They follow their orbits, we
Obey their laws entirely.
Now you must come, or I go there,
Unless we are willing to live the flare
Of a lighted instant and have it gone.'
A bee in the laurels began to drone.
A loosened petal fluttered prone.
'Man grows by eating, if you eat
You will be filled with our life, sweet
Will be our planet in your mouth.
If not, I must parch in death's wide drouth
Until I gain to where you are,
And give you myself in whatever star
May happen. O You Beloved of Me!
Is it not ordered cleverly?'
The Shadow, bloomed like a plum, and clear,
Hung in the sunlight. It did not hear.
Paul slipped away as the dusk began
To dim the little shop. He ran
To the nearest inn, and chose with care
As much as his thin purse could bear.
As rapt-souled monks watch over the baking
Of the sacred wafer, and through the making
Of the holy wine whisper secret prayers
That God will bless this labour of theirs;
So Paul, in a sober ecstasy,
Purchased the best which he could buy.
Returning, he brushed his tools aside,
And laid across the table a wide
Napkin. He put a glass and plate
On either side, in duplicate.
Over the lady's, excellent
With loveliness, the laurels bent.
In the centre the white-flaked pastry stood,
And beside it the wine flask. Red as blood
Was the wine which should bring the lustihood
Of human life to his lady's veins.
When all was ready, all which pertains
To a simple meal was there, with eyes
Lit by the joy of his great emprise,
He reverently bade her come,
And forsake for him her distant home.
He put meat on her plate and filled her glass,
And waited what should come to pass.
The Shadow lay quietly on the wall.
From the street outside came a watchman's call
'A cloudy night. Rain beginning to fall.'
And still he waited. The clock's slow tick
Knocked on the silence. Paul turned sick.
He filled his own glass full of wine;
From his pocket he took a paper. The twine
Was knotted, and he searched a knife
From his jumbled tools. The cord of life
Snapped as he cut the little string.
He knew that he must do the thing
He feared. He shook powder into the wine,
And holding it up so the candle's shine
Sparked a ruby through its heart,
He drank it. 'Dear, never apart
Again! You have said it was mine to do.
It is done, and I am come to you!'
Paul Jannes let the empty wine-glass fall,
And held out his arms. The insentient wall
Stared down at him with its cold, white glare
Unstained! The Shadow was not there!
Paul clutched and tore at his tightening throat.
He felt the veins in his body bloat,
And the hot blood run like fire and stones
Along the sides of his cracking bones.
But he laughed as he staggered towards the door,
And he laughed aloud as he sank on the floor.
The Coroner took the body away,
And the watches were sold that Saturday.
The Auctioneer said one could seldom buy
Such watches, and the prices were high.
poem by Amy Lowell

Submitted by Poetry Lover
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Related quotes
Shadow On The Wall
Shadow on the wall
Shadow on the wall
Shadow on the wall
Shadow on the wall
Like a shadow on the wall
Treat me like a prisoner
Treat me like a fool
Treat me like a loser
Use me as a tool
Face me till I'm hungry
Push me in the cold
Treat me like a criminal
Just a shadow on the wall
Treat me like I'm evil
Freeze me till I'm cold
Beat me till I'm feeble
Grab me till I'm old
Fry me till I'm tired
Push me till I fall
Treat me like a criminal
Just a shadow on the wall
song performed by by Mike Oldfield from Crises

Submitted by Lucian Velea
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As I Grew Older
It was a long time ago.
I have almost forgotten my dream.
But it was there then,
In front of me,
Bright like a sun--
My dream.
And then the wall rose,
Rose slowly,
Slowly,
Between me and my dream.
Rose until it touched the sky--
The wall.
Shadow.
I am black.
I lie down in the shadow.
No longer the light of my dream before me,
Above me.
Only the thick wall.
Only the shadow.
My hands!
My dark hands!
Break through the wall!
Find my dream!
Help me to shatter this darkness,
To smash this night,
To break this shadow
Into a thousand lights of sun,
Into a thousand whirling dreams
Of sun!
poem by Langston Hughes

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The Shadow of Elspeth Brown
The sky was grey on that fateful day,
The sun was going down,
I made my way through a field of hay
To the cottage of Elspeth Brown.
She lived alone by the forest there
And studied her ancient tomes,
Her Grimoires, Necronomicons,
And her hearth was filled with bones!
I'd loved the girl for a year or two
And I'd made my interest known,
She was torn, she said, by the spells in her head,
She needed to be alone.
I knew she was seeing another guy
He called when I wasn't around,
‘He's more like the shade of a ghost, ' she said,
‘I raised him, out of the ground! '
She looked distraught as she waved me in,
Her hair was a tangled mess,
A book that featured some ugly Djin
Lay open across her dress.
I've never been one for the ancient arts
Of Magick, or spells and glooms,
But Elspeth wanted to play her part,
Cast spells in the afternoons!
I saw a copy of Crowley there,
A copy of Dragon Noir,
The Grimoire of Honorius
Was scattered across a chair!
‘What horrible Djin have you raised up
From the terrible realm of hell? '
I laughed, but Elspeth began to frown
And conjured another spell!
‘Three bat-wings and a gouty toad
And a strand of a maiden's hair,
A philtre of deadly nightshade stirred
With the leg of a wooden chair!
A third of a pint of hemlock, gathered
Close to the midnight hour…'
The sun was gone and the bright moon shone
Through the door of my lady's bower!
I thought to say it was nonsense,
Raised my eyes and stared in the gloom,
And there was her patient shadow cast
On the whitewashed wall of the room,
A shadow hand ran up through the hair
So tangled, under her cap,
I looked again at my erstwhile friend,
Her hands were down in her lap!
I felt the hairs on the back of my neck
Rise up, and a breathless chill,
The shadow had suddenly straightened up
My heart was standing still,
Two horns curled out of the shadow's head
Distinct on the further wall,
When Elspeth suddenly screamed, and said:
‘My skin's beginning to crawl! '
She spilled the book on the oaken floor,
Jumped up and looked at the wall,
The shadow that she had claimed for her own
Was suddenly eight feet tall,
It raised its hands in a threatening way
Against all physical laws,
I went to say, in a blank dismay:
‘Those fingers look like claws! '
We rushed together, out of the door,
Her screaming, me in fright,
The moon was rising, up in the sky,
You couldn't tell day from night,
The shadow followed, hard on our heels
And spread out over the ground,
I noticed it wasn't attached to her feet,
But followed with never a sound!
It moved around, ran by her side,
And then I saw it ahead,
She stopped in horror, whatever she'd done,
She'd summoned a Djin from the dead!
‘You'll have to set up an undo spell, '
I knew that she was to blame,
‘I can't, ' she muttered, ‘I don't know how,
He was here before you came! '
She wandered back to the cottage at last,
‘It's only a shadow, ' she said,
‘I shouldn't be worried, it won't hurt me! '
I turned on my heel, and fled!
I'm such a coward with magical things,
I ran full pelt all the way,
Then lay in dread, hid under my bed
‘Til the sun came up, next day!
I finally plucked the courage up
To return to the cottage there,
I stood in the yard, and called on out:
‘Elspeth - come out if you dare! '
A shadow stood in the hallway
And my heart, it turned to stone,
As I read the note on the lintel post,
‘I want to be left alone! '
The sun was high in the morning sky
As I looked on down at my feet,
There wasn't a sign of a shadow there,
My heart then skipped a beat,
For there on the inner whitewashed wall
And beyond the hallway Djin,
I could see two shadows, making love,
But I hadn't the nerve to go in!
poem by David Lewis Paget

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A Shadow Falls
When I see a shadow fall
pale against my bedroom wall
I always look around to see
if that shadow was just me?
If there's no one else in sight
I silently give way to the night
and sleep.
When I see a shadow fall
dark against my bedroom wall,
I'm afraid to look at its dark sight
for if that shadow isn't me
I fear just what that shadow might be.
And so I cannot
fall asleep.
When I see a shadow fall
white against my bedroom wall
I will not look upon that scene
fearing what that shadow might mean.
Maybe a ghost is visiting me
bringing a haunting memory
if I fall asleep.
poem by Edwina Reizer

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Shadow
Your body's warm but you are not
You give a little not a lot
It could be love until we kiss
You're all I want but not like this
I'm watching you disappear
But you, you were never here
CHOURS
It's only your shadow,
Never yourself
It's only your shadow,
Nobody else
It's only your shadow,
Filling the room
Arriving too late
And leaving too soon.
And leaving too soon.
Your body gives but then holds back
The sun is bright the sky is black
Can only be another sign
I can not I keep what isn't mine
Your laughter, it lingers on
But you, you were almost gone
CHOURS
It's only your shadow,
Never yourself
It's only your shadow,
Nobody else
It's only your shadow,
Filling the room
Arriving too late
And leaving too soon.
And leaving too soon.
How can I tell if you mean what you say?
You say it so loud but you sound far away
Maybe I'll have just a glimpse of your soul
Or was that your shadow I saw on the wall?
I'm watching you disappear
But you, you were never here.
CHOURS
It's only your shadow,
Never yourself
It's only your shadow,
Nobody else
It's only your shadow,
Filling the room
Arriving too late
No, no, no
It's only your shadow
It's only your shadow
Nobody else
It's only your shadow
Arriving too late
And leaving too soon
Oooh.
It's only your shadow.
song performed by by Britney Spears

Submitted by Lucian Velea
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Man Watches And Sees
Man watches you hide behind
your shadow.
Why do you think you need to
to hide?
No man should want to hide
along side or behind his
shadow.
Stand up and show your
face to man.
Your life will still travel on.
And your shadow, will
follow behind.
No shadow can stay still
even at your will.
You are, your shadow of you..
You'll always travel together
It'll be forever.
No man can travel without
his shadow.
As long as there is light
from earth or man made.
Then you will always travel along
with your shadow
poem by Gayle Anne Goff

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Shadow Of The Sun
Once upon a time
I was on a mind to lay your burden down
And leave you where you stood
You believed I could
Youd seen it done before
I could read your thoughts
And tell you what you saw
And never say a word
But now that is gone
Over with and done
And never to return
I can tell you why
People die alone
I can tell you why
The shadow on the sun
Staring at the loss
Looking for the cause
And never really sure
Nothing but a hole
To live without a soul
And nothing to be learned
I can tell you why
People go insane
I can show you how
You could do the same
I can tell you why
The end will never come
I can tell you on
The shadow on the sun
Shapes of every size
Move behind my eyes
Doors inside my head
Bolted from within
Every drop of flame
Lights a candle in
Memory of the one
Who lived inside my skin
I can tell you why
People go insane
I can show you how
You could do the same
I can tell you why
The end will never come
I can tell you on
The shadow on the sun
Shadow on the sun
Shadow on the sun
Shadow on the sun
Shadow on the sun
Shadow on the sun
Shadow on the sun
Shadow on the sun
Sun
Sun
song performed by by Audioslave

Submitted by Lucian Velea
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You and My Shadow
You never noticed how your single glance
pressed my shadow on the wall.
And by simply smiling even once,
my pressed shadow falls
and melts into the ground.
As though some unseen force from you
had taken control around.
How come you never noticed
my shadow on the wall...
pressed by some unseen force
when by my name you called.
And how it hid beneath my feet
when your shadow's close to mine!
Just when I walked ahead of you,
it's almost left behind.
And now you kiss me with your lips,
your eyes have said it all.
But dear, have you noticed
my pressed shadow on the wall?
poem by Jessel Jane Tevar

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I Could Be The Moon
i could be the moon
where you can be a body and a
shadow
i could be a lake where
the moon may shine
and you can still be the body
and the shadow
and the voice
i could be a candle in the dark
where you may put
your hope and you can still be the
body and the shadow
and the scent
i could all be your moon
your lake and your candle
and you can still be the body and the shadow
and you shall walk
under me (if i were the moon)
and around me (if i were the lake)
and you may have the power
to put me off (if i were just a candle
in the dark
where you are the body
and the shadow and the voice
and by the mere sigh
of your whimper
i may die
so i still prefer to be your moon
or your lake so i can be your full light
so i can be your mirror
larger than your body
not helpless to your shadow
in silence, i still like to be myself
not a slave, not someone whom you can just
give away as easily as a flicker of a candle
as fickle as you are
poem by Ric S. Bastasa

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A White Architect Of Light
8.8.88: She came back from the land of democrative destiny and dissolved
into the chaotic void.
Fighting for the freedom of reality
Building the light house in the darkest hours of life
Fixing up the spiritual essence through the existential nothingness
in the valueless zone
Layers by layers, realities of life theatre are turned into distilled light
out of trapped reflections
Mother of modern Myanmar honoured by consciencious tree of life
Curving away all the unnecessary parts
Curving away all the necessary parts
Communication revolution of the 21 st century
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light

Evening Song of the Thoughtful Child
Shadow children, thin and small,
Now the day is left behind,
You are dancing on the wall,
On the curtains, on the blind.
On the ceiling, children, too,
Peeping round the nursery door,
Let me come and play with you,
As we always played before.
Let's pretend that we have wings
And can really truly fly
Over every sort of things
Up and up into the sky.
Where the sweet star children play--
It does seem a dreadful rule,
They must stay inside all day.
I suppose they go to school.
And to-night, dears, do you see,
They are having such a race
With their father moon--the tree
Almost hides his funny face.
Shadow children, once at night,
I was all tucked up in bed,
Father moon came--such a fright--
Through the window poked his head;
I could see his staring eyes,
O, my dears, I was afraid,
That was not a nice surprise,
And the dreadful noise I made!
Let us make a fairy ring,
Shadow children, hand in hand,
And our songs quite softly sing
That we learned in fairyland.
Shadow children, hin and small,
See, the day is far behind;
And I kiss you--on the wall--
On the curtains--on the blind.
poem by Katherine Mansfield

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Me And My Shadow
Sometimes, my shadow appears really short and small;
Whilst, at others, it stretches ahead of me, thin and tall.
Sometimes, my shadow is behind me; sometimes it’s in front.
Quite often, for my shadow, I find myself having to hunt.
Depending on how the street lamps shine their light,
My shadow may be hidden, or may be within my sight.
Sometimes, I have two shadows, plus me;
Then I appear in triplicate: one, two, three.
Sometimes, when I take my time, my shadow seems to rush;
My shadow dances round me, amid the dark night’s hush.
When I wander through an unlit patch, my shadow disappears;
Although I cannot see it for a moment, I know that it is still near.
As I emerge back into the light, I’m rejoined by my shadow.
My best buddy and I are very firmly attached, down at the toe.
My shadow is featureless; of me, it’s just a darkened outline.
During my night-time journey, it’s an ever changing design.
To my shadowy friend, I do feel really very attached.
We are two of a kind, and, I think, very well matched.
My shadow and I, travel everywhere together;
From each other, we will never ever be severed.
poem by Angela Wybrow

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The House Of Dust: Part 03: 02: The Screen Maiden
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
poem by Conrad Potter Aiken

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Sketchy
the shadow is cast
on the wall
such a tall shadow
without feet
against the wall it edges
itself like a huge
wormy creature
not slimy though but snail paced
is the loneliness
of this kind of betrayed
existence
a few drops of rain
actually tears fall from the sky of
her cheeks from the veins
of her heart
from a memory of a madness
that she keeps to herself
with the city on her heels
at the command of the fingertips
of the darker master
death unmasking the color of blue neon lights
light like pins and needles
of pine and silver
very much unlike the hands
of the past lover long gone
poem by Ric S. Bastasa

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No Lilies For Lisette
Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.
Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.
Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.
Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.
Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.
"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .
Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.
poem by Robert William Service

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The Frontier-Land
YOU of the past, are you present?
Draw nearer! my heart is sore.
Was yours the fall of the foot in the hall?
Was yours the face at the door?
As I lifted my eyes I saw you;
You vanished, and all was still;
And only outside the white owl cried,
And the moon stared over the hill.
Wan-blue were your eyes, O Shadow,
And paler your aspect than seems
The mystical star, that glimmers afar
In a land of mysterious dreams.
O Shadow, the past is present,
And empty your coffin and tomb;
Draw near, draw near, chill child of fear,
From the frontier-land of Gloom!
Did you know that I loved you, Shadow?
Did you guess whence the violets came?
And the delicate heart with its Cupid dart,
All opal and ruby-flame?
Ah, once brown-gold were the lashes
That shadowed your dreaming eyes,
And your teeth were pearl 'neath the coral curl
Of twin portals of Paradise.
And warmer your cheeks were and softer
(Alas, they are pale and cold!)
Than the rose of the East, or the wine of the feast
Red-rimming its carven gold.
It was all so sad, O Shadow,
And you faded away so soon,
Like a note that flies, and fades, and dies
Ere it grows to a golden tune.
Gone! utterly gone, O Shadow;
No whisper, no word let fall;
No light is shed, and the moon is dead,
And a chill creeps up the hall.
I shall follow and follow you, Shadow,
Till the sun, remote and red,
Burns like a spark, and dim and dark
Rise up the hosts of the dead.
poem by Roderic Quinn

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And I Under The Moon
The jug and I under the moon
and my lips around the neck of the bottle of wine,
by the moon light is it full of the flowers dew,
I pour the scarcity of each dropp and it's association
against the bamboo and I watch to need the heron it's
crest off i see it go by as a dragons shadow independently.
Moving off, 'Therefore before the lifting of the glass,
I invite you because of our friendship,
revalations are made as to my shadow which then makes up
the moon myself and it's our three.
Is it not known my shadow follows each movement of my body
swaying as the leaves from which the rice it makes is simply.
Moon of moon shining down between shows us company
and my shadow because I am by you for wine maintained,
as to the spring flowing forth nothing is forever
and would be assisted wise are you adjusted too practice
each our lips the neck of the bottle of wine our pleasure.
As for me and as for you the moon I who am I have begun
babmboo in sleep before I go, the stand gently rising,
you dance and the shadow it moves strangely
and with you including swan song.
I' Between; Still you be looking up at the dark sky
moon smiling down and of which you are consciously, moving.
Afterwards, and you rejoice mutually; exclusively then thus do I
and Each one tried where it was, we laid down our heads
friend of moon, knew us drunk to go off searching for the shadow of your friend. Passion is less this night when travelling.
Under the moon and friends are friends, permits that fact, we are.
l.p.
poem by Is It Poetry

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The Alley
Because you are four years old
the candle is all dressed up in a new frill.
And stars nod to you through the hole in the curtain,
(except the big stiff planets
too fat to move about much,)
and you curtsey back to the stars
when no one is looking.
You feel sorry for the poor wooden chair
that knows it isn’t nice to sit on,
and no one is sad but mama.
You don’t like mama to be sad
when you are four years old,
so you pretend
you like the bitter gold-pale tea—
you pretend
if you don’t drink it up pretty quick
a little gold-fish
will think it is a pond
and come and get born in it.
It’s hot in our street
and the breeze is a dirty little broom
that sweeps dust into our room
and bits of paper out of the alley.
You are not let to play
with the children in the alley
But you must be very polite—
so you pass them and say good day
and when they fling banana skins
you fling them back again.
There is no one to play with
and the flies on the window
buzz and buzz…
…you can pull out their legs
and stick pins in their bodies
but still they buzz…
and mama says:
When Nero was a little boy
he caught flies on his mama’s window
and pulled out their legs
and stuck pins in their bodies
and nobody loved him.
Buzz, blue-bellied flies—
buzz, nasty black wheel
of mama’s machine—
you are the biggest fly of all—
you have the loudest buzz.
I hear you at dawn before the locusts.
But I like the picture of the Flood
and the little babies getting drowned….
If I were there I would save them,
but as I can’t save them
I like to watch them
getting drowned.
When mama buys of Ling Ho,
he smiles very wide
and picks her the largest loquots.
The greens-man gave her a cabbage
and she held it against her black bodice
and said what a beautiful green it was
and put it on the table
as though it had been a flower.
But next day we boiled and ate it with salt.
It was our dinner.
Christmas day
I found Janie on my pillow.
Janie is made of rubber.
Her red and blue jacket won’t come off.
Christmas dinner was green and white
chicken and lettuce and peas
and drops of oil on the salad
smiley and full of light
like the gold on the lady’s teeth.
But mama said politely
Thank you, we are dining out.
She wouldn’t let you take one pea
to put in the hole where the whistle was
at the back of Janie’s head,
so Janie should have some dinner
So you went to the park with biscuits
and black tea in a bottle.
You feel very sad
when you climb on the fence
to watch mama out of sight.
The women in the alley
poke their heads out of doorways
and watch her too.
You know her
by the way she holds her shoulders
till she is only a speck
in a chain of specks—
till she is swallowed up.
But suppose
that day after day
you were to watch for her face
and it didn’t come back?
Suppose
it were to drop out of the string of white faces
like the pearl out of my chain
I never found again?
Mabel minds you while mama is out,
she washes while she sings
Three blind mice!
they all run away from the farmer’s wife
who cut off their tails
with a carving knife—
Wind blows out Mabel’s sheets,
way you blow in a bag before you burst it.
Wind has a soapy smell.
It’s heavier’n sun
that lies all over you without any weight
and makes you feel happy
and crinkly like bubbling water.
There’s no sun on the empty house—
sly-looking house—
you can’t see in its windows
that watch you out of their corners.
Perhaps there’s a big spider there
spinning gray threads over the windows
till they look like dead people’s faces….
Jimmie says:
Jimmie’s hair is white as a white mouse.
His lashes are gold as mama’s wedding ring
and his mouth feels cool and smooth
like a flower wet with rain.
You wouldn’t believe Jimmie was different…
till he showed you….
Blind wet sheets
flapping on the lines…
sun in your eyes,
dark gold sun
full of little black spots,
you have to blink and blink…
round eyes of Jimmie….
Jimmie’s blue jumper…
blue shadow of wall…
all the world holding still
as when a clock stops…
streets still… people still…
no streets… no people…
only sky and wall…
sun glaring bright as God
down at you and Jimmie…
shadow like a purple cloth
trailing off the wall…
Wild wet sheets
flapping in the wind…
big slippered feet flapping too…
big-balloon-face
rushing up the alley…
houses closing up again…
windows looking round…
… Mabel pulls you in the gate and shakes you
and tells you not to tell your mama…
And you wonder
if God has spoiled Jimmie.
poem by Lola Ridge

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Shadows
There are two of me
One does the right thing,
One cannot see.
Standing back to back,
Who is the strong one
In the last act?
Every path I take,
Roads I go down,
Choices I make,
Take me right between
Patches of light and
Darkness in me.
Oh, we have to keep
A watch on our shadows--
Every move
They secretly make.
We try to be
So close to heaven,
But then our shadows,
They run away.
They pull away.
Oh....
And the shadows prove,
Falling behind,
Tracing each move, oh,
When I do some wrong,
There is no hiding;
Shadows are long.
So we have to keep
A watch on our shadows--
Every move (every move)
They secret make, yeah, yeah,
We try to be
So close to heaven, (mmmm....)
But then our shadows,
Pull us away.
They pull away....
We have to keep
A watch on our shadows--
Every move (ooooh....)
They secretly make, yeah,
We try to be
So close to heaven,
But then our shadows,
They pull us away.
Oh, we have to keep
A watch on our shadows--
Every move (oooh....) they secretly make, yeah,
We try to be
So close to heaven,
But then our shadows
Pull us away.
Pull us away.
Pull us away.
(ha, hu ha, oh no, cha cha.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
On my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
On my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
On my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
On my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.
Oh no, gotta keep our watch.
Keepin it under my shadow.)
song performed by by Amy Grant

Submitted by Lucian Velea
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Shadow Dancer
I am back in the circus
oh hustling days
I look at the world
in a rose coloured haze
Cramp tight bodies
jive and girate
Bump and grind to the rhythm of fate
And we spun in the sunlight
Of our long summers day
We kissed the heavens now
It's still a beautiful day
Back on my wall
shadow dancer
My hammer headed friends
and the puppet girls call
Back on my wall
shadow dancer
The dance is coming back,
back in my world
Married a model
from old Hong Kong
Came to England
just a singing my song
This love in a letter
sure didn't last
Stamped her passport
never saw her arse
And we spun in the sunlight
Of our long summers day
We kissed the heavens now
It's still a beautiful day
Back on my wall
shadow dancer
My hammer headed friends
and the puppet girls call
Back on my wall
shadow dancer
The dance is coming back,
back in my world
Solo
Unlucky in life,
unlucky in love
No special blessing from above
Fools and horses
come to my door
I am the stranger
who sleeps on the floor
we spun in the sunlight
Of our long summers day
We kissed the heavens now
It's still a beautiful day
Back on my wall
shadow dancer
My hammer headed friends
and the puppet girls call
Back on my wall
shadow dancer
The dance is coming back,
back in my world
Back on my wall
shadow dancer
My hammer headed friends
and the puppet girls call
Back on my wall
shadow dancer
The dance is coming back,
back in my world
song performed by by Ufo

Submitted by Lucian Velea
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