Amy Lowell

The Dinner-Party

Fish

'So . . .' they said,
With their wine-glasses delicately poised,
Mocking at the thing they cannot understand.
'So . . .' they said again,
Amused and insolent.
The silver on the table glittered,
And the red wine in the glasses
Seemed the blood I had wasted
In a foolish cause.


Game

The gentleman with the grey-and-black whiskers
Sneered languidly over his quail.
Then my heart flew up and laboured,
And I burst from my own holding
And hurled myself forward.
With straight blows I beat upon him,
Furiously, with red-hot anger, I thrust against him.
But my weapon slithered over his polished surface,
And I recoiled upon myself,
Panting.


Drawing-Room
In a dress all softness and half-tones,
Indolent and half-reclined,
She lay upon a couch,
With the firelight reflected in her jewels.
But her eyes had no reflection,
They swam in a grey smoke,
The smoke of smouldering ashes,
The smoke of her cindered heart.


Coffee

They sat in a circle with their coffee-cups.
One dropped in a lump of sugar,
One stirred with a spoon.
I saw them as a circle of ghosts
Sipping blackness out of beautiful china,
And mildly protesting against my coarseness
In being alive.


Talk

They took dead men's souls
And pinned them on their breasts for ornament;
Their cuff-links and tiaras
Were gems dug from a grave;
They were ghouls battening on exhumed thoughts;
And I took a green liqueur from a servant
So that he might come near me
And give me the comfort of a living thing.


Eleven O'Clock

The front door was hard and heavy,
It shut behind me on the house of ghosts.
I flattened my feet on the pavement
To feel it solid under me;
I ran my hand along the railings
And shook them,
And pressed their pointed bars
Into my palms.
The hurt of it reassured me,
And I did it again and again
Until they were bruised.
When I woke in the night
I laughed to find them aching,
For only living flesh can suffer.

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Big Black Smoke

She was sick and tired of country life.
A little country home,
A little country folk,
Made her blood run cold.
Now her mother pines her heart away,
Looking for her child in the big black smoke,
In the big black smoke.
Frailest, purest girl the world has seen,
According to her ma, according to her pa,
And everybody said,
That she knew no sin and did no wrong,
Till she walked the streets of the big black smoke,
Of the big black smoke.
Well, she slept in caffs and coffee bars and bowling alleys,
And every penny she had
Was spent on purple hearts and cigarettes.
She took all her pretty coloured clothes,
And ran away from home
And the boy next door,
For a boy named joe.
And he took her money for the rent
And tried to drag her down in the big black smoke,
In the big black smoke.
In the big black smoke.
In the big black smoke.

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The Grave Yard

Vandals knocked down the gravestones in the churchyard during the night.
They didn’t give a damn about the dead, their families, or what is right.
The grave yard vandals have gone and the usual tranquillity has returned
to the field of the dead, the flattened headstones and broken urns.

The peace and quiet of the night is disturbed by an owl’s repeated hoot,
and the flapping of wings, as the Belfry’s bats come flying through.
The moon bright sky suddenly vanishes behind a darkened cloud,
as if to give a wake up sign to a transparent figure covered by a shroud.

The howling grey figure hovers over the flattened epitaphs and marble stones,
waking the dormant spirits who respond with unhappy morbid moans.
The ghosts of the old and newly departed are rising in anger this very night
to take revenge on the desecrators who broke the dark’s link with the light.

Hosts of vengeful grey blue ghosts and spirits swirl and mingle together,
and then separate to seek out the vandals in this night of damp cold weather.
With deathly haunting cries they howl and search, as they travel with the wind
through keyholes, cracks in doors and windows, they examine everything.

One by one the vandals were cornered and reminded of their shame;
continually they shout, “No harm was meant.., it was just a game.”
Swirling in the air the ghouls prodded and pulled, as they hounded them on
back to the grave yard where they would face what they had done.

Into a large dark cold tomb the weeping gravestone wreckers were driven,
with blood running from their wounds; they were not to be forgiven.
The moaning, groaning, spirits of the dead followed them into the crypt,
slamming shut the heavy door so hard it made one of the vandals shit.

The ghosts and spirits encircled the living, and raised in them pure hell,
and by daylight the following morning no one was alive to yell, or tell.
It was several days later that seven heart attack victims were discovered,
with tormented faces, mouths wide open, and eyes with coins covered.

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Richard Brautigan

Coffee

Sometimes life is merely a matter of coffee and whatever intimacy a cup of coffee
affords. I once read something about coffee. The thing said that coffee is good for you;
it stimulates all the organs.
I thought at first this was a strange way to put it, and not altogether pleasant, but
as time goes by I have found out that it makes sense in its own limited way. I'll tell you
what I mean.
Yesterday morning I went over to see a girl. I like her. Whatever we had going for us
is gone now. She does not care for me. I blew it and wish I hadn't.
I rang the door bell and waited on the stairs. I could hear her moving around upstairs.
The way she moved I could tell that she was getting up. I had awakened her.
Then she came down the stairs. I could feel her approach in my stomach. Every step she
took stirred my feelings and lead indirectly to her opening the door. She saw me and it
did not please her.
Once upon a time it pleased her very much, last week. I wonder where it went,
pretending to be naive.
"I feel strange now," she said. "I don't want to talk."
"I want a cup of coffee," I said, because it was the last thing in the world
that I wanted. I said it in such a way that it sounded as if I were reading her a telegram
from somebody else, a person who really wanted a cup of coffee, who cared about nothing
else.
"All right," she said.
I followed her up the stairs. It was ridiculous. She had just put some clothes on. They
had not quite adjusted themselves to her body. I could tell you about her ass. We went
into the kitchen.
She took a jar of instant coffee off the shelf and put it on the table. She placed a
cup next to it, and a spoon. I looked at them. She put a pan full of water on the stove
and turned the gas on under it.
All this time she did not say a word. Her clothes adjusted themselves to her body. I
won't. She left the kitchen.
Then she went down the stairs and outside to see if she had any mail. I didn't remember
seeing any. She came back up the stairs and went into another room. She closed the door
after her. I looked at the pan full of water on the stove.
I knew that it would take a year before the water started to boil. It was now October
and there was too much water in the pan. That was the problem. I threw half of the water
into the sink.
The water would boil faster now. It would take only six months. The house was quiet.
I looked out the back porch. There were sacks of garbage there. I stared at the garbage
and tried to figure out what she had been eating lately by studying the containers and
peelings and stuff. I couldn't tell a thing.
It was now March. The water started to boil. I was pleased by this.
I looked at the table. There was the jar of instant coffee, the empty cup and the spoon
all laid out like a funeral service. These are the things that you need to make a cup of
coffee.
When I left the house ten minutes later, the cup of coffee safely inside me like a
grave, I said, "Thank you for the cup of coffee."
"You're welcome," she said. Her voice came from behind a closed door. Her
voice sounded like another telegram. It was really time for me to leave.
I spent the rest of the day not making coffee. It was a comfort. And evening came, I
had dinner in a restaurant and went to a bar. I had some drinks and talked to some people.
We were bar people and said bar things. None of them remembered, and the bar closed. It
was two o'clock in the morning. I had to go outside. It was foggy and cold in San
Francisco. I wondered about the fog and felt very human and exposed.
I decided to go visit another girl. We had not been friends for over a year. Once we
were very close. I wondered what she was thinking about now.
I went to her house. She didn't have a door bell. That was a small victory. One must
keep track of all the small victories. I do, anyway.
She answered the door. She was holding a robe in front of her. She didn't believe that
she was seeing me. "What do you want?" she said, believing now that she was
seeing me. I walked right into the house.
She turned and closed the door in such a way that I could see her profile. She had not
bothered to wrap the robe completely around herself. She was just holding the robe in
front of herself.
I could see an unbroken line of body running from her head to her feet. It looked kind
of strange. Perhaps because it was so late at night.
"What do you want?" she said.
"I want a cup of coffee," I said. What a funny thing to say, to say again for
a cup of coffee was not what I really wanted.
She looked at me and wheeled slightly on the profile. She was not pleased to see me.
Let the AMA tell us that time heals. I looked at the unbroken line of her body.
"Why don't you have a cup of coffee with me?" I said. "I feel like
talking to you. We haven't talked for a long time."
She looked at me and wheeled slightly on the profile. I stared at the unbroken line of
her body. This was not good.
"It's too late," she said. "I have to get up in the morning. If you want
a cup of coffee, there's instant in the kitchen. I have to go to bed."
The kitchen light was on. I looked down the hall into the kitchen. I didn't feel like
going into the kitchen and having another cup of coffee by myself. I didn't feel like
going to anybody else's house and asking them for a cup of coffee.
I realized that the day had been committed to a very strange pilgrimage, and I had not
planned it that way. At least the jar of instant coffee was not on the table, beside an
empty white cup and a spoon.
They say in the spring a young man's fancy turns to thoughts of love. Perhaps if he has
enough time left over, his fancy can even make room for a cup of coffee.

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Amy Lowell

Thompson’s Lunch Room—Grand Central Station

STUDY IN WHITES
Wax-white—
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook’s cap
Moves unglossily against the vaguely bright wall—
Dull chalk-white striking the retina like a blow
Thru the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting—greener, bluer—with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: “Oyster Stew, Cornbeef Hash, Frankfurters”:
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated épergnes.
The electric clock jerks every half-minute:
“Coming!—Past!”
“Three beef-steaks and a chicken-pie,”
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.

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Dodo and The City

Dodo draws on the cigarette.
The smoke hits the throat.
The city sucks her in with its
huge sick well of emptiness.
Bagteller wanted her to go
to his place last night and make
passionate love. What a laugh
that'd been. Him and his fetishes.
The schoolgirl uniform was not
her thing. Too many memories.
She told him to stuff that in one
of his tight dark orifices and walked
out into the city's cold night. Went
home to her own place and took
a hot shower. She is still sore from
the scrub. She wants to scrub her
past away with the brush and soap.
Nothing washes away the memories
that have sunk deep. She wakes to
a new day. The city is buzzing with
the walking dead and half living.
The cigarette smoke fills her lungs
and then out into the air. Mother said
men were not to be trusted. Father
said don't listen to her she's biased
and bitchy and smells of sour cream.
Oh that I could open up my mind and
wash it out and not have to see that
shrink once a month just after my bleeds
have gone she says. Dr Glexity with his
black suit and blue tie one green eye and
one grey. All that darn money and nothing
to say. She inhales the smoke and the city
and the living and the dead and sucks them
into her lungs broken heart and stuffed head.

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Smoke And Ashes

I'd heard rumors and I'd heard talk
About the trail you'd left of broken hearts
About the sea of tears too wide to cross
But a little bad press has never scared me off
So I burned a path to figure out
How to get me some of what you got
I've got a red hot heart
If the talk is true your's is the same
And we should be together
And let our passions fan love's flame
When I looked for you I almost passed you by
You were so cool and calm
I thought my friends had lied
But I thought so much reserve must make you wild inside
It was there and then that I knew
I had to get some of what you got
I've got a red hot heart
If the talk is true your's is the same
And we should be together
And let our passions fan love's flame
I thought I'd won your heart when I held you hand in mine
I thought it was true love the way we complemented each other
But my right is your wrong
And when you're right then I'm left with nothing
Your light and your heat have all been spent
Leaving only smoke and ashes
Only smoke and ashes baby
I've got a red hot heart
And your heart's as blue as the blood in your veins
I say there's fire down below
You say it's only smoke and ashes baby
I'm crying all the time
Salty stinging tears
And mourning for the past carbon-dated years
But knowing now for certain that you were always right
Because if a breeze could blow you out of my life
It's only smoke and ashes baby
Only smoke and ashes baby
I've got a red hot heart
And your heart's as blue as the blood in your veins
I say there's fire down below
You say it's only smoke and ashes baby
I was blinded by devotion
My unwavering love for you
So blinded that I thought all your lies were true
But now I know for certain since you've gone away
It was just a smoldering fire I mistook for a blaze
Only smoke and ashes baby
I've got a red hot heart
And your heart's as blue as the blood in your veins
I say there's fire down below
You say it's only smoke and ashes baby
Only smoke and ashes baby, baby ...

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The Colonel

What you have heard is true. I was in his house.
His wife carried a tray of coffee and sugar. His
daughter filed her nails, his son went out for the
night. There were daily papers, pet dogs, a pistol
on the cushion beside him. The moon swung bare on
its black cord over the house. On the television
was a cop show. It was in English. Broken bottles
were embedded in the walls around the house to
scoop the kneecaps from a man's legs or cut his
hands to lace. On the windows there were gratings
like those in liquor stores. We had dinner, rack of
lamb, good wine, a gold bell was on the table for
calling the maid. The maid brought green mangoes,
salt, a type of bread. I was asked how I enjoyed
the country. There was a brief commercial in
Spanish. His wife took everything away. There was
some talk of how difficult it had become to govern.
The parrot said hello on the terrace. The colonel
told it to shut up, and pushed himself from the
table. My friend said to me with his eyes: say
nothing. The colonel returned with a sack used to
bring groceries home. He spilled many human ears on
the table. They were like dried peach halves. There
is no other way to say this. He took one of them in
his hands, shook it in our faces, dropped it into a
water glass. It came alive there. I am tired of
fooling around he said. As for the rights of anyone,
tell your people they can go f--- themselves. He
swept the ears to the floor with his arm and held
the last of his wine in the air. Something for your
poetry, no? he said. Some of the ears on the floor
caught this scrap of his voice. Some of the ears on
the floor were pressed to the ground.

May 1978

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But She Knew

But I know
she said

that you love me
and you were sitting

by the pond
you with that cheap fishing rod

which caught nothing
and she sitting there

her hands over her knees
gazing at the still surface

even if you don’t
say it often

she added
laying her chin

on her knees
her green skirt

just above her knees
and you caught

a glimpse of her thighs
where the skirt rose up

I do you love
you said

holding the rod
between hands

it’s just I don’t see the need
to keep on saying it

you added
stretching your eyes

to go as far
as they could

to get a better look
and she said

why do you come here
to fish when you catch

nothing except a cold
in the neck

and stiff joints
and do you want a smoke?

She pulled out
a pack of cigarettes

and you let a hand free
from the rod

and took one
and she put one

between her lips
and lit it with a pink

plastic lighter
then lit yours

and you both
inhaled and exhaled

the smoke rising
over the pond

seeming to sit there
in the still air

and she said
between drags

I do know you love me
I can feel it

in my bones
and in my tingling

flesh at night
as I lay abed

and you thought
of that image

knowing her mother
would be about

the house
with her stern features

and sharp tongue
and beady eyes

but the image was good
you thought

sitting there beside her
in silence

with the drifting smoke
over the pond

and her hand
touching you

and the sky
turning from

dull grey
to a soft blue.

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The Grey World

Grey nights in the wind,
And the grey-faced dead.
Grey hairs in my head,
And grey eyes in my mind.

Grey mists in the morn,
And grey waves that rave,
Grey mould on my grave,
And grey eyes forlorn.

Grey clouds in the sky,
And the grey world asleep,
Grey ghosts that sigh,
And grey eyes that weep.

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Smoke Rings In The Dark

(rivers rutherford/houston robert)
Well I wont make you tell me
What Ive come to understand
Youre a certain kind of woman and
Im a different kind of man
Ive tried to make you love me
Youre tried to find a spark of the flame that burned and
Somehow turned to smoke ring in the dark
The loneliness within me
Takes a heavy toll
cause it burns as slow as whiskey through an empty aching soul and
The night is like a dagger
Long and cold and sharp
As I sit here on the front steps
Blowing smoke rings in the dark
I- i- I know I must be going
cause loves already gone and
All Im taking with me are the pieces of my heart and
All Ill leave are smoke rings in the dark
The rain falls where it wants to
Wind blows where it will
Everything on earth goes somewhere
But I swear were standin still
So Im not going to wake you
Ill go easy on your heart
Ill just touch your face and drift away
Like smoke rings in the dark
I- i- I know I must be going
cause loves already gone and
All Im taking with me are the pieces of my heart and
All Ill leave are smoke rings in the dark

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Smoke & Ashes

Id heard rumors and Id heard talk
About the trail youd left of broken hearts
About the sea of tears too wide to cross
But a little bad press has never scared me off
So I burned a path to figure out
How to get me some of what you got
Ive got a red hot heart
If the talk is true yours is the same
And we should be together
And let our passions fan loves flame
When I looked for you I almost passed you by
You were so cool and calm I thought my friends had lied
But I thought so much reserve must make you wild inside
It was there and then that I knew I had to get some of what you got
Ive got a red hot heart
If the talk is true yours is the same
And we should be together
And let our passions fan loves flame
I thought Id won your heart when I held you hand in mine
I thought it was true love the way we complemented each other
But my right is your wrong
And when youre right then Im left with nothing
Your light and your heat have all been spent
Leaving only smoke and ashes
Only smoke and ashes baby
Ive got a red hot heart
Any your hearts as blue as the blood in your veins
I say theres fire down below
You say its only smoke and ashes baby
Im crying all the time
Salty stinging tears
And mourning for the past carbon-dated years
But knowing now for certain that you were always right
Because if a breeze could blow you out of my life
Its only smoke and ashes baby
Only smoke and ashes baby
Ive got a red hot heart
And your hearts as blue as the blood in your veins
I say theres fire down below
You say its only smoke and ashes baby
I was blinded by devotion
My unwavering love for you
So blinded that I thought all your lies were true
But now I know for certain since youve gone away
It was just a smoldering fire I mistook for a blaze
Only smoke and ashes baby
Ive got a red hot heart
And your hearts as blue as the blood in your veins
I say theres fire down below
You say its only smoke and ashes baby
Only smoke and ashes baby, baby ...

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The Best Cigarette

There are many that I miss
having sent my last one out a car window
sparking along the road one night, years ago.

The heralded one, of course:
after sex, the two glowing tips
now the lights of a single ship;
at the end of a long dinner
with more wine to come
and a smoke ring coasting into the chandelier;
or on a white beach,
holding one with fingers still wet from a swim.

How bittersweet these punctuations
of flame and gesture;
but the best were on those mornings
when I would have a little something going
in the typewriter,
the sun bright in the windows,
maybe some Berlioz on in the background.
I would go into the kitchen for coffee
and on the way back to the page,
curled in its roller,
I would light one up and feel
its dry rush mix with the dark taste of coffee.

Then I would be my own locomotive,
trailing behind me as I returned to work
little puffs of smoke,
indicators of progress,
signs of industry and thought,
the signal that told the nineteenth century
it was moving forward.
That was the best cigarette,
when I would steam into the study
full of vaporous hope
and stand there,
the big headlamp of my face
pointed down at all the words in parallel lines.

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The County Jail

Men late at night cook coffee in rusty cans,
just like in the hills, like in their childhoods,
without rules or guidance or authority, their fathers
dead or wild as gypsies,
their mothers going down for five dollars.
These are the men who surface at night,
The sons of faceless parents,
the sons of brutal days dripping blood,
the men whose faces emerge from shadows,
from bars,
and they join in circles and squat on haunches,
share smokes, and talk of who knows who,
what towns they passed through;
while flames jump under the coffee can,
you see new faces and old ones,
the young eyes scared and the old eyes
tarnished like peeling boat hulls,
like wild creatures they meet,
with a sixth sense inside of them, to tell them
who’s real and who’s the game;
and their thoughts are hard as wisdom teeth,
biting into each new eye,
that shows itself around the fire.

The coffee is poured steaming hot into cups,
and the men slowly sip.
Shower stalls drip bleakly in the dark,
and the smell of dumb metal is inflamed
with the acrid silence, and once in a while,
a cab horn will sound from outside the windows,
and the man with only a cheek illuminated by the fire,
the rest of his face drenched in shadows,
will get up and leave the circle,
return to his bunk.

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Her Hands Are Stronger Now

she greets you by the door. She knows you are coming.
Her heart pounds for you.
She shows the room. It looks for you for many years.
Now she brags the room is alive.
she opens the window and lets the air
and the trees know that you are here finally.
they all talk about you know.
they nod, you are no longer a dog.
Or a parakeet.
The chair opens its arms for you.
You take your seat.She asks you if you miss coffee.
Black coffee, without sugar.
You look around. There is nothing changed here.
20 years ago, all the structures are faithful
to their positions.
They miss you and like to embrace you.
She is restrained like a dam.
No tears this time.
Not even some tears of joy.
She knows why you are here.
The room, the tree and the window,
the floors are blind.

She knows that this will be the last time
of your compromise.
She is dead 20 years back
when you told her
about the truth.

How can she feel like the room, the floor,
the tree and the window
How can she be as foolish as air and cloud?

Her hands are strong now.
They write her name, her signature to sorrow.
Her heart notes the final statement.

Life is over.
Game is over.

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My Current Vision

My school book lies the furthest
Facing me
Completely guilty
I dislike school
school gives me no comfort
Except when leaving
Still I feel guilt
I did not put my full effort forward
The book remains closed
And
The water bottle in front stands out as the school binder presents
With a grey background
I see my poetry journal assignments paper being gently held down but the water bottle with the very corner of it's circle
My iPod cord appearing from under the assignment connects one end to the iPod and another into the computer
The rollercoaster of wires circle around my grinder with a pattern
It would be fun to ride that
My computer is centered
On but unused
Only charging my iPod
I see half a cigarette on the table
Facing away
Completely unappealing
I'll still probably smoke it
I see a bag of weed on the table covering my empty wallet
The wallet looks
Cozy
I see the remnant of my previous high in an ashtray
Now just dust
With a bright blue lighter at the end
I rhyme because I must

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Open Your Heart

Smoke-colored l.a. sky. hand covers up your sleepless eyes. as morning creeps in. passed out there on my couch. wearing the face of down and out. my long lost friend. three cups of coffee and yo
Be on your way. until this time tomorrow you come crawling. back again. open your heart to me. think of my shoulder as sanctuary. open your soul to me. Ill try to unravel your tangled up dreams. and the only thing that matters is your heart stays open for me. I always pictured you. as clear minded but confused with wounds. no one could see. you always made the friends. that never stuck with you until the end. except for me. and the only difference I hear is your alibi. and the only thing in common is the reason. youre still here. open your heart to me. think of my shoulder as sanctuary. open your soul to me. Ill try to unravel your tangled up dreams. and the only thing that matters is your heart stays open for me. I can feel your loneliness. I feel your pain.

song performed by by TotoReport problemRelated quotes
Submitted by Lucian Velea
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Nightclub

You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don't hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.

For no particular reason this afternoon
I am listening to Johnny Hartman
whose dark voice can curl around
the concepts on love, beauty, and foolishness
like no one else's can.
It feels like smoke curling up from a cigarette
someone left burning on a baby grand piano
around three o'clock in the morning;
smoke that billows up into the bright lights
while out there in the darkness
some of the beautiful fools have gathered
around little tables to listen,
some with their eyes closed,
others leaning forward into the music
as if it were holding them up,
or twirling the loose ice in a glass,
slipping by degrees into a rhythmic dream.

Yes, there is all this foolish beauty,
borne beyond midnight,
that has no desire to go home,
especially now when everyone in the room
is watching the large man with the tenor sax
that hangs from his neck like a golden fish.
He moves forward to the edge of the stage
and hands the instrument down to me
and nods that I should play.
So I put the mouthpiece to my lips
and blow into it with all my living breath.
We are all so foolish,
my long bebop solo begins by saying,
so damn foolish
we have become beautiful without even knowing it.

poem by Billy CollinsReport problemRelated quotes
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Heart Of The Flower

Now at the station, the train to another land
Lands of never seen light, light hidden in infinite night
Night in its biggest might, might of the strongest power
And there the smoke of the train to the heart of the flower
I take the first train to the heart of the flower
I take the first train to the heart of the flower
And there the smoke of the train to the heart of the flower
And there the smoke of the train to the heart of the flower
The waiting room of kingdom come, I look back upon my life
Life of loss but now the end
End of rat race overdrive
Overdrive to foreign lands
Lands of contemptous hours
And there the smoke of the train to the heart of the flower
Now on the train
This is the end of my day
I feel my spirits escape like a musical clock thats dying away
I turn once again and wave my hand and say goodbye
I never thought its so easy
I never thought its so easy
I take the first train to the heart of the flower
I take the first train to the heart of the flower
And there the smoke of the train to the heart of the flower
And there the smoke of the train to the heart of the flower
The heart of the flower
The heart of the flower
The heart of the flower
Diamond/1990

song performed by by AlphavilleReport problemRelated quotes
Submitted by Lucian Velea
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Circle unbroken

I remember a day somewhere in time,
Before these words were spoken.
When I was still your little one
And our circle was unbroken.
.
Then I came to the foot of your bed
Watching, , helpless, sighing
Shallow breathing, then a gasp
Then silence. Someone crying.

In this grey world I dressed in black
In somber tones of night
I walked like one still in shock
Uncertain of the light.

Sometimes I sat here in your room
Quiet and alone
As if the presence of your things
Could lure your presence home.

Once on a midsummer’s night
As I approached my home
The front door opened welcomely
But I was quite alone.

The night was hot, no breathe of air
No breeze to make it move
What’s more I’m sure I locked that door
But its nothing I can prove

Some explanation might be found
For what occurred that night
And probably my thoughts unsound
But I took comfort from that sight

I remembered a day somewhere in time,
Before these lines were spoken.
For I am still your little one
our circle is unbroken.

poem by John F. McCullaghReport problemRelated quotes
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There Is A New Door In My House

There is a new 'door' in the little boy's house,
Where there was not one before,
A new 'cat shaped' hole' in the kitchen,
a new 'cat sized' hole in the door.

'But what about locks and bolts? ' the little boy asked,
Tugging at his my mum's loose apron strings.
'To keep out ghosts and scary monsters',
'and all those horrible night time things.'

'We don't need locks' the boy's mum said,
'Its only cats that can get through'.
'But what about 'cat' sized monsters,
or ghosts of that size too? '
'Go to bed now', the boy's mum said,
'What are you worrying for? '
'It's ghosts and scary monsters mum
that would fit nicely through that door? '

He went up the stairs to his room,
And tried to get to sleep,
But was thinking of ghosts and scary monsters,
Not happy jumping sheep.

'Tap, Tap', he woke, that noise (he thought) ,
It came up from the ground floor! ,
A tap, tap, tap, at the cat flap,
A noise from the cat shaped door.

A shiver ran stright down the little boy's spine,
Is it monster or a ghost?
Shaking, he crept straight down the stairs thinking 'what would scare me most? '

He crawled right up to the cat flap,
To see what was at the door,
Was it the ghosts or scary monsters,
The boy was thinking of before?

He peered into the gloom of the flap,
He strained his eyes to see,
'What might it have been that made that Tap, ,
Waiting out there for me? '.

'Tap, Tap... Tap, Tap...
Again, the noise from the flap,
Tap, Tap from the cat sized door,
Two green and bulbous eyes were there,
That were not there before.

The boy sat still, afraid to move,
Chilled straight down to his core,
The eyes began to peer at him,
Straight through the cat shaped door.

Tap.. Tap.., Tap, Tap..
That sound again, just like the tap before.
What if this thing, can fit straight through,
The cat sized and unlocked door?

Slowly, the cat flap began to open,
Sweat rolled off the boy's cold brow,
Those round green eyes were now inside,
When a sound was heard....
'Meoooow'

poem by Alexander JohnsonReport problemRelated quotes
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