If you do two versions of a film, they should be identical. With the same frames and settings.

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Thirty Frames A Second

Today I saw a film going backwards
Thirty frames a second
Was a man I recognised
Say who you are
I lost my job
Security
Self confidence
Bank account
Identity
The league of youth
Coming backward at me
Thirty frames a second
Say who you are
Go back to father
Father wheres my food?
You food is on the table
That cant be food
Its dirt
Say who you are
Look at my skin
Look at my face
Look at my arms
Getting younger
Going backwards
Thirty frames a second
Say who you are
I crash my car
Collapse in town
Young immigrants
And legionaires
Fighting back back backwards
Thirty frames a second
Say who you are
Some friends of mine
I thought were dead
A coming back
What are you doing coming back
Jack
Say who you are
Feel Im going backwards
Thirty frames a second
Lyrics : j kerr music : simple minds (c) emi publishing ltd reproduced without permission

song performed by by Simple MindsReport problemRelated quotes
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Steven Soderbergh

Another thing that really excites me: I'd like to do multiple versions of the same film.

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Like flats of today, terraces of houses gained a certain anonymity from identical facades following identical floor plans and heights.

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In the industry, you do need some ethics - if one film does well, then thousands get work and money comes back to the industry. I guess the bottomline is, if there are two versions, then the better one will click.

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I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.

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You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.

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I Was Out Shopping With A Friend

People into basking away from adulation,
And solicited flattery...
Can also be overheard comparing themselves to others,
With an accuracy unbelieved...
But entertaining in the telling of their versions,
Which sounds awfully familiar to those listening...
Until that familiarity overheard begins to become identical,
To what they had expressed to the one basking away.

'I know this is not going to be believed,
But this happened to me last week...
I was out shopping with a friend,
And we got so caught up in our conversation...
I rolled a cart full of groceries right out of the store.
AND begun to unload them in my car when the manager 'suggested'...
I MIGHT want to pay for them first.
And I wondered why all the police cars were filling up the parking lot.'

poem by Lawrence S. PertillarReport problemRelated quotes
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You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames.

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Sony could have $50 million and a sound stage and A-list actors and never make the same film. The constraints on this film became the essence of this film, became the power of this film.

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Girls On Film (Night Version)

See them walking hand in hand
Across the bridge at midnight
Heads turning as the lights flashing out
Are so bright
And walk right out to the four line track
There's a camera rolling on her back
On her back
And I sense a rhythm humming in a frenzy
All the way down her spine
Girls on Film
Girls on Film
Girls on Film
Girls on Film
Lipstick cherry all over the lens as she's falling
And miles of sharp blue water coming in
Where she lies
The diving man's coming up for air
'Cause the crowd all love pulling Dolly by the hair
By the hair
And she wonders how she ever got here
As she goes under again
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (Got your picture)
Girls on Film
Wider, baby, smile and you've just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
I'm touching close
I'm holding bright, holding tight
Give me shudders in a whisper,
Take me up til I'm shooting a star
Girls on Film (she's more than a lady)
Girls on Film
Girls on Film (Two minutes later)
Girls on Film
Girls on Film (see you together)
Girls on Film
Girls on Film (see you later)
Girls on Film

song performed by by Duran DuranReport problemRelated quotes
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Stephen Rea

I've been worked over by the English press because there's an assumption that my politics are identical with my wife's, and for that matter that my wife's politics are identical with her politics of 20 years ago.

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I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film.

quote by Gina GershonReport problemRelated quotes
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Girls On Film

See them walking hand in hand across the bridge at midnight
Heads turning as the lights flashing out are so bright
Then walk right out to the fourline track
Theres a camera rolling on her back on her back
And I sense the rhythms humming in a frenzy
All the way down her spine
Girls on film
Girls on film
Girls on film
Girls on film
Lipstick cherry all over the lens as shes falling
In miles of sharp blue water coming in where she lies
The diving mans coming up for air
Cause the crowd all love pulling dolly by the hair, by the hair
And she wonders how she ever got here
As she goes under again
Girls on film (two minutes later)
Girls on film
Girls on film (got your picture)
Girls on film
Wider baby smiling youve just made a million
Fuses pumping live heat twisting out on a wire
Take one last glimpse into the night
Im touching close Im holding bright, holding tight
Give me shudders with a whisper take me high
Till I Im shooting a star
Girls on film (shes more than a lady)
Girls on film
Girls on film (see you together)
Girls on film
Girls on film (see you later)
Girls on film
Girls on film (two minutes later)

song performed by by Duran DuranReport problemRelated quotes
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Greenhouse Gas (Triolet)

The features of the Triolet are:
· 8 lines.
· Two rhymes.
· 5 of the 8 lines are repeated or refrain lines.
· First line repeats at the 4th and 7th lines.
· Second line repeats at the 8th line.
· Rhyme scheme (where an upper-case letter indicates the appearance of an identical line, while a lower-case letter indicates a rhyme with each line designated by the same lower-case or upper-case letter) :
A
B
a - Rhymes with 1st line.
A - Identical to 1st line.
a - Rhymes with 1st line.
b - Rhymes with 2nd line.
A - Identical to 1st line.
B - Identical to 2nd line.
***********************
Our blue marble is imperiled
Due to excessive CO2
Like being over a barrel.
Our blue marble is imperiled.
Greenhouse gas, it's our funeral
the solutions long overdue.
Our blue marble is imperiled
Due to excessive CO2.

poem by Albert AhearnReport problemRelated quotes
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I couldn't tell if any frames were removed. Seen as a whole it shows that I have seen. Seeing you have 18 frames a second you can take out one or two and I couldn't tell.

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I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music.

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Jude Law

Personally speaking there's only so long you can go from film to film to film. There's an inspiration an actor gets from the stage.

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I considered going to film school; I took a course in film and was very interested in filmmaking as well as film writing.

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But in film you always watch situations or stories that you really have no relation to. A lot of times just because there's no personal connection doesn't mean you can't connect with the film or the characters in the film.

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Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'

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