Painting is the representation of visible forms. The essence of realism is its negation of the ideal.

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Searching the truth

Nothingness of negation or
Negation of nothingness....

In self, we are the negation of nothingness,
But we allow the nothingness for self.

We allow the nothingness of consciousness
As a perpetual flight of the being.
We exist in self and we exist for self,

In a cartesian duality,

In a latin con-cretum,

When the certain being surpasses that being toward nothingness.


If Jesus did not exist,
the Christians would not be existent,
But Christians are existent.

No one can deny Jesus, as Son of the God,
And say that He is non-existent, at the same time,
As Son of The God,
Because no one can deny something that
Is non-existent,
As no one can deny the real essence of the existent.

The non-existent things are part of the reality.
He is existent in the Christian's mind.
He is non-existent in other's mind.
He is in idea.
There are too many wars for this idea..

Negation of nothingness
Lead to nothingness of negation
In a double negation.

Jesus is necessary for salvation,
Jesus is essential for salvation.

We need to be sanctified,
We need to be better than we are.

Without the assertion of existence,
The negation cannot destroy it.

We have a metaphysical necessity,
While God has His necessity of Himself.

And what would be the purity of intention
And the truth
Without this?

The denial of noes, which means fertilization, at Hegel,
The absolute duty to tell the truth, at Kant...
The human lie at Schopenhauer.


The existence and the non-existence,
Seemingly, an irreconcilable antithesis....


poem by Marieta MaglasReport problemRelated quotes
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Between Visible And Invisible

Your reality controls my life
With something, which binds
My fleshly existence and my third eye,
Despite self and despite logic,
Your sharp-edged screams
And this love focused
Only on materially living things
In self-assertion
Keep me locked
Within whatsoever limits.
Your emotions and conations
Are the embodiment of your ideas.
Your love is enclosed within them,
They are inhabiting your life.
You are the follower
Of your own creed.
You need to be
Freed from your own illusion
And from your own constraints.
I can see you
Between visible and invisible,
Ceaselessly aspiring to universal Divinity,
Trying to reconcile your inner contradictions,
Absolutely saturating your feelings,
Your intuitive vision
And your vibrational essence of thought.
I can see your realm of realism,
Imprisoned in the identity of your thought.
I am the object of your senses
And the essence of your beatitude,
While you try to keep safe
The word's meaning.

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Pablo Picasso

Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms, well then think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely.

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In an Old Book

Forgotten between the leaves of an old book—
almost a hundred years old—
I found an unsigned watercolor.
It must have been the work of a powerful artist.
Its title: "Representation of Love."

"...love of extreme sensualists" would have been more to the point.

Because it became clear as you looked at the work
(it was easy to see what the artist had in mind)
that the young man in the painting
was not designated for those
who love in ways that are more or less healthy,
inside the bounds of what is clearly permissible—
with his deep chestnut eyes,
the rare beauty of his face,
the beauty of anomalous charm,
with those ideal lips that bring
sensual delight to the body loved,
those ideal limbs shaped for beds
that common morality calls shameless.

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Jackson Pollock

He drove his kind of realism at me so hard I bounced right into nonobjective painting.

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Franz Liszt

Supreme serenity still remains the Ideal of great Art. The shapes and transitory forms of life are but stages toward this Ideal, which Christ's religion illuminates with His divine light.

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Painting is an essentially concrete art and can only consist of the representation of real and existing things.

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Andrei Tarkovsky

Art is realistic when it strives to express an ethical ideal. Realism is striving for truth, and truth is always beautiful.

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Leonardo Da Vinci

The poet ranks far below the painter in the representation of visible things, and far below the musician in that of invisible things.

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Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism.

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An Elusive Thing

We talk of beauty. Such an elusive thing.

How does one define it.

Everything has it, in some degree or other, even you and me,
which makes one reflect.

Is it what is seen or what is felt.
An inner concept,
or something that is only visible on the surface.
Who can tell.

Perhaps there is no answer to what is attractive, or how it attracts us,
As one person glimpses it, another sees nothing.

Maybe a meeting of 'like' spirits, an aura, a certain smile, an action,
an awareness, a perception.
We all see it in different shapes and forms.

I believe that beauty is from the soul, shining through a persons's essence.
An energy both intellectual and emotional, connected to the power of love.

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Even in the Western world, one cannot argue that the ideal has been achieved given the existence of issues like the integration, participation and representation of Muslim citizens, and occasional but lingering anti-Semitism.

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Ezra Pound

Paracelsus In Excelsis

‘Being no longer human, why should I
Pretend humanity or don the frail attire?
Men have I known and men, but never one
Was grown so free an essence, or become
So simply element as what I am.
The mist goes from the mirror and I see.
Behold! the world of forms is swept beneath-
Turmoil grown visible beneath our peace,
And we that are grown formless, rise above-
Fluids intangible that have been men,
We seem as statues round whose high-risen base
Some overflowing river is run mad,
In us alone the element of calm.'

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Louis Pasteur

The greatness of human actions is measured by the inspiration that it brings. Blessed is he who carries within himself a God, an ideal of beauty and obeys it: an ideal of art, ideal of science, ideal of country, ideal virtues of the Gospel! These are the wellsprings of great thoughts and great actions. All reflections illuminate infinity.

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If Thomas Jefferson thought taxation without representation was bad, he should see how it is with representation.

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There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough - there has to be vision, and the two together can make a good photograph.

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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.

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The trouble begins when we start to be so impressed by the strategies of our systematized thought that we forget that it does relate to an obverse, that it is hewn from negation, that it is but very small security against the void of negation which surrounds it. And when that happens, when we forget these things, all sorts of mechanical failures begin to disrupt the function of human personality.

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When is a Painting Finished?

I paint.
On my easel
pictures in oil and acrylic grow
like stalagmites in limestone caves.

I think that painting is a magical act
that transforms invisible thoughts
and feelings into visible colors
and forms.

But I never can tell
when is the work finished.
After all it is always possible
to change a line, a hue, or a color
or even the whole composition.

Painters have different opinions
about this.

Some say that when the artist
successfully planted
all the details onto the canvas
the image expresses itself
as a severed autonomous entity,
which frees the painter from
the task of continuing to paint.
From then on the painting gains
an independent inner life of its own.

However, abandoning a work of art
involves a moral decision
ripened by the stiffening tension
between skill, creativity and integrity.
At what point does the polished image
meet the artist’s expectations?

And then, even if it does,
no single image can express
all that an artist wants to show,
and consequently his muses
compel him to carry on with his work
and create more paintings.

Hence the oeuvre of the artist
evolves as a set of different images
of the same single thrust and grind.

Many years ago I was wandering
through the countryside
of southern France in Provence.
Once I stopped to look at the road
where the village met the meadow.

A sturdy artist stood there
in front of his easel
painting the landscape
with skilful brushstrokes
on a well-stretched canvas.

I stared for a while
at the burgeoning picture
and then asked him:
“How do you know
when is the composition complete? ”

He gave me a piercing glance.
“Well”, he said,
“if you take a hammer
and hit me on the head
I know that the painting is finished.”

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Onus Probandi

Onus Probandi
Is yours
As the statement
Submitted living
By you.

I have
A view in negation
That referred
No exercise.

Onus probandi
Lies on you
You are a man
And you are
With all.

I have a view
In negation
That you are
like picture
That is crush
This much.

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