We learned in the university to consider Wordsworth and Keats as Romantics. They were only a generation apart, but Wordsworth didn't even read Keats's book when he gave him a copy.

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Our Wordsworth

Oh! Wordsworth, Oh! Wordsworth …
We are still in debt to you, and we will have to be.
You enhanced the strength of poetry.
You made a marvelous tune to enrich poetry.
Oh! Wordsworth …
We can now clarify our thoughts with extend because of you, Wordsworth.
You euphonized poetry without the indenture- but with moderation,
and it's decorous.
This will be evergreen, and everlasting.
It's a mnemonics and I always follow it.
Oh! Wordsworth…

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I am a genius who has written poems that will survive with the best of Shakespeare, Wordsworth and Keats.

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A Pig's-Eye View Of Literature

The Lives and Times of John Keats,
Percy Bysshe Shelley, and
George Gordon Noel, Lord Byron

Byron and Shelley and Keats
Were a trio of Lyrical treats.
The forehead of Shelley was cluttered with curls,
And Keats never was a descendant of earls,
And Byron walked out with a number of girls,
But it didn't impair the poetical feats
Of Byron and Shelley,
Of Byron and Shelley,
Of Byron and Shelley and Keats.

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I Read A Small Poem Of Wordsworth

I READ A SMALL POEM OF WORDSWORTH

I read a small poem of Wordsworth,
Far greater than any of mine-
The greatest Ambition is not great enough,
To make God’s higher light shine.

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An Educated Crocodile Is Still A Crocodile

Rabbit
with a habit
lived in a hole
next to Vole.
And his habit was his link with the beginning of it all
and kept him looking different
from his neighbour, Vole.

So they laid a proper treat on,
washed his face and brushed his hair;
and they took him off to Eton
to be educated there.

There, they dressed him in a boater,
smart black jacket, white bow-tie;
and then they took his photo,
just to please his Auntie Vye.

And they fed him on cucumbers,
Wordsworth, Byron, Shelley, Keats.
And they taught him compound numbers
and such intellectual treats.
He learned to say, 'What rot! '
And would ask 'How do you do? '

So they popped him in a pot,
part of a rabbit and rhubarb stew!

(MORAL: AN EDUCATED HABIT IS STILL A RABBIT!)

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John Keats

Spenserian Stanza. Written At The Close Of Canto II, Book V, Of

In after-time, a sage of mickle lore
Yclep'd Typographus, the Giant took,
And did refit his limbs as heretofore,
And made him read in many a learned book,
And into many a lively legend look;
Thereby in goodly themes so training him,
That all his brutishness he quite forsook,
When, meeting Artegall and Talus grim,
The one he struck stone-blind, the other's eyes wox dim.

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Let Them Alone

If God has been good enough to give you a poet
Then listen to him. But for God's sake let him alone until he is dead;
no prizes, no ceremony,
They kill the man. A poet is one who listens
To nature and his own heart; and if the noise of the world grows up
around him, and if he is tough enough,
He can shake off his enemies, but not his friends.
That is what withered Wordsworth and muffled Tennyson, and would have
killed Keats; that is what makes
Hemingway play the fool and Faulkner forget his art.

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Cemetery Gates

A dreaded sunny day
so I meet you at the cemetry gates
Keats and Yeats are on your side
A dreaded sunny day
so I meet you at the cemetry gates
Keats and Yeats are on your side
while Wilde is on mine
So we go inside and we gravely read the stones
all those people all those lives
where are they now ?
with loves, and hates
and passions just like mine
they were born
and then they lived and then they died
which seems so unfair
and I wantr to crv
You say: "ere thrice the sun hath done salutation to the dawn"
and you claim these words as your own
but Im well-read, have heard them said
a hundred times (maybe less, maybe more)
if you must write prose/poems
the words you use should be your own
dont plagiarise or take "on loans"
there's alweays someone, somewhere
with a big nose, who knows
and who trips you up and laughs
when you fall
You say: "ere long done do does did "
words which could only be your own
you then produce the text
from whence was ripped
(some dizzy whore, 1804)
A dreaded sunny day
so let's go where we're happy
so I meet you at the cemetry gates
Keats and Yeats are on your side
A dreaded sunny day
so let's go where we're wanted
so I meet you at the cemetry gates
Keats and Yeats are on your side
but you lose
because Wilde is on mine

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Sonnet: Nature Is Beautiful

While Wordsworth worshipped Nature; Keats, Beauty;
To them, each was his art, life, religion;
With senses exalted, did their duty;
Imagination adding perfection.

When God made Nature, He gave it beauty;
All things He made with purpose, perfectly;
He made with man a covenant-treaty;
To enjoy it with his ability.

And Man invented words and syllables;
He used them to describe Mother Nature;
The latter found use in all Parables;
Revealing God's love for man in rapture.

Beauty's zenith of words is Poetry;
Divine love takes us to Eternity.

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Cemetry Gates

A dreaded sunny day
I meet you at the cemetry gates
Keats and yeats are on your side
A dreaded sunny day
So i meet you at the cemetry gates
Keats and yeats are on your side
While wilde is on mine
So we go inside and we gravely read the stones
All those people all those lives
Where are they now ?
With loves, with hates
With passions just like mine
They were born
And then they lived
And then they died
It seems so unfair
Oh, i want to cry
You say : "'ere thrice the sun done salutation to the dawn"
And you claim these words as your own
But i've read well, and i've heard them said
A hundred times (maybe less, maybe more)
If you must write prose and poems
The word you use should be your own
Don't plagiarise or take "on loan"
There's always someone, somewhere
With a big nose, who knows
And trips you up and laughs
When you fall
Who'll trip you up and laugh
When you fall
You say : "long done do does did"
Words which could only be your own
And then produce the text
From whence was ripped
(some dizzy whore, 1804)
A dreaded sunny day
So let's go where we're happy
And i meet you at the cemetry gates
Oh, keats and yeats are on your side
A dreaded sunny day
So let's go where we're wanted
And i meet you at the cemetry gates
Keats and yeats are on your side
But you lose
'cause weird lover wilde is on mine
Sure !

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Literary Envy

LITERARY ENVY

Not Shakespeare
Not Tolstoy
Not Kafka Joyce Proust
Not Keats Yeats Wordsworth
Not Hopkins Dickinson
Not Whitman
Not I.B. Singer
Not Hemingway
Not Bellow
Not even Philip Roth
Updike or Salinger.

Not any of the writers
Whose work I love and admire.

Not even the living names now
Who will cease to be
Names In Time.

Like the great mass of mankind
When I die
I will not be in the Consciousness
Of future generations.

I will not be.
I will be ‘not’.


I

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Lines Written On A Blank Leaf In A Copy Of The Author’s Poem

Upon Hearing Of The Death Of The Late Vicar Of Kendal

TO public notice, with reluctance strong,
Did I deliver this unfinished Song;
Yet for one happy issue;--and I look
With self-congratulation on the Book
Which pious, learned, MURFITT saw and read;--
Upon my thoughts his saintly Spirit fed;
He conned the new-born Lay with grateful heart--
Foreboding not how soon he must depart;
Unweeting that to him the joy was given
Which good men take with them from earth to heaven.

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I Lost The Music Of My Poetry

I LOST THE MUSIC OF MY POETRY

I lost the music of my poetry
I tried to hear it again
In old lines of my own,
Or in the lines of more musical poets-
Tehillim and Kohleth
Stevens and Keats, Hopkins Wordsworth and Dickinson-
Shakespeare-

But I heard no music of my own
Perhaps I have never really had
A music of my own.

Perhaps all I have had
Is what I have here-

Short lines of prose
Which also have their rhythm-
But are not true poems
And certainly do not sing together
As my soul would.

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Her Poetry

Her soft, warm voice soothed me
at 4 years old, as she sat knitting,
reading out loud the poetry
I so loved to hear.

Her agile fingers clicking needles,
her eyes darting from page to pattern,
reading Wordsworth or Keats,
softly with feeling.

At 4 years old she was my world,
my goddess and I was the mischief
who searched for the stitches she ‘dropped'
on our living room floor.

Only in dreams do I hear her voice now,
only in dreams do the words drift over me
and the woollens she'd knit
still sit behind the wardrobe door.

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I'm Goona Copy

I’m surely gonna copy,
Be it poem, DVD or floppy,
And win Nobel Prize and trophy.

I will copy poets all
Whether they are big or small
Ya! No one can make me stop
Till I scale a fame’s highest top.

At the beginning of age
When God made men in his own image
He started this “Plagiarist” trend
Which I am not gonna end.

And what is creativity?
If not an ability to hide
a source of theft
with impunity.

When there is nothing
original under the sun,
Why should I copy not
and deprive myself of fun.

So I’ll copy them word by word
be they Pablo, Shakespeare or Wordsworth.
I’ll copy them from morn to evening
And would excel HITESH and Kipling.
Can you prove, they were not plagiarist,
And had not copy from some poet’s list.

You can inform FBI, KGB or CIA,
But I won’t stop my wanton ways.
And I will copy without shame,
Till I earn big name and fame.

I will copy till people start copying me,
And then and then only I will
give up this vice with glee.: -)

(This poem is a sequel to poem, “hay all you people that like to copy” written by Melissa Schreuder)

Dr Hitesh C Sheth
19/05/2009

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Literary Hypocrisy

Truly I say unto you if Keats,
Shelley, William Shakespeare,
William Wordsworth, Walt
Whitman and Edgar Allan Poe;
were having this very day a poetry
reading down at your local Walmart;

you would be running running racing
to hear every precious precise poetic word
with your tongue hanging out in an orgy
of localized literary
emotive appreciative
expectation yet great

rare contemporary
poets of future recognized statute
walk unseen unappreciated ignored
among you while you thumb
your nose failing to understand
all ages have artists transcendent

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The Sonnet In Old Age

THE SONNET IN OLD AGE

If to the sessions of sweet silent thought
one summons memories of sonnets long reread in mind
unsprings the blasted lyrics Time has left unpaged
dreams of other nights and other days
in quiet places long since lost in youth
where little lines embodied- Glory, Beauty, Truth.

Then Shakespeare Donne Keats,
Hopkins Milton Wordsworth Yeats
Obscuring lesser names and smaller shades
Inspire with dearer dearer life
Tranquillity's reflection
in old age,
Consoling our last moments
in God's praise.

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A Song Of Keats

'TIS a tarnished book and old,
Edges frayed and covers green!
But, between the covers, gold —
Gold and jewels in between.
And this written (see, O see!
How old Time has made it dim)
'For one song Keats gave to me
I kneel down and worship him.'
He who wrote these lines is dust;
All of him is passed away;
Some hand closed his eyes, I trust,
Drew the blind to darken day.
Did lips kiss him at the end,
Love-lips tremulous yet brave?
Had he mistress, child, or friend
To sow green grass upon his grave?
Nay, we know not — it is long
Since he tired of Life's deceits,
Closed his ears to sigh and song,
Parted with this book, JOHN KEATS.
Year by year the Poet thrives;
Summer smiles and winter weeps;
La Belle Dame Sans Merci lives,
But a heart that loved her sleeps.
Who would woeful go to miss
Roses red in thorns arrayed,
When he might with surer bliss
Love a milkwhite Devon maid?
Beauty kindles man's desire,
Beauty dwindles, growing faint;
But the girls who never tire
Are the girls that poets paint.
When the moon has taken wings
And the twilight hour is come,
Grey the woods, and no bird sings:
Grey the world beyond, and dumb:
Neither light is there nor breeze,
Rose to redden, thorn to pain;
Till, look! look! Among the trees
A sudden bird! a scarlet stain!
So he tired of Fate's defeats,
Life's dead trees and woodlands grim,
Till sudden-sweet a song of Keats
One magic moment gave to him.

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To John Keats, Poet, At Spring Time

I cannot hold my peace, John Keats;
There never was a spring like this;
It is an echo, that repeats
My last year's song and next year's bliss.
I know, in spite of all men say
Of Beauty, you have felt her most.
Yea, even in your grave her way
Is laid. Poor, troubled, lyric ghost,
Spring never was so fair and dear
As Beauty makes her seem this year.

I cannot hold my peace, John Keats,
I am as helpless in the toil
Of Spring as any lamb that bleats
To feel the solid earth recoil
Beneath his puny legs. Spring beats
her tocsin call to those who love her,
And lo! the dogwood petals cover
Her breast with drifts of snow, and sleek
White gulls fly screaming to her, and hover
About her shoulders, and kiss her cheek,
While white and purple lilacs muster
A strength that bears them to a cluster
Of color and odor; for her sake
All things that slept are now awake.

And you and I, shall we lie still,
John Keats, while Beauty summons us?
Somehow I feel your sensitive will
Is pulsing up some tremulous
Sap road of a maple tree, whose leaves
Grow music as they grow, since your
Wild voice is in them, a harp that grieves
For life that opens death's dark door.
Though dust, your fingers still can push
The Vision Splendid to a birth,
Though now they work as grass in the hush
Of the night on the broad sweet page of the earth.

'John Keats is dead,' they say, but I
Who hear your full insistent cry
In bud and blossom, leaf and tree,
Know John Keats still writes poetry.
And while my head is earthward bowed
To read new life sprung from your shroud,
Folks seeing me must think it strange
That merely spring should so derange
My mind. They do not know that you,
John Keats, keep revel with me, too.

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Help Me Sir

Come along Milton with Wordsworth.
Incorporate me with thy abundant words.
The twentysix letters attracted me in truth
Cool like a pool with irresistible bliss.
Wanting to reach the summit like thee,
Waiting for thee to gift me with thy
Scholarliness of English in a spree.
Word power be enlightened, I vow.
Please come along Milton with Wordsworth.
Confusing, where to put'to'or'for'or'with
'The twentysix letters permuted in dense
Combination make me badly tense.
Swear by thy pristine knowledge
To mould me into thy design
To breath in thy zeal.A poetic bondage.
Thus spake, a desciple of thy design.
Pardon me, canst not write high.
So thee shouldst feel my cry.
Please come along Milton with Wordsworth!

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