To John Keats, Poet, At Spring Time

I cannot hold my peace, John Keats;
There never was a spring like this;
It is an echo, that repeats
My last year's song and next year's bliss.
I know, in spite of all men say
Of Beauty, you have felt her most.
Yea, even in your grave her way
Is laid. Poor, troubled, lyric ghost,
Spring never was so fair and dear
As Beauty makes her seem this year.

I cannot hold my peace, John Keats,
I am as helpless in the toil
Of Spring as any lamb that bleats
To feel the solid earth recoil
Beneath his puny legs. Spring beats
her tocsin call to those who love her,
And lo! the dogwood petals cover
Her breast with drifts of snow, and sleek
White gulls fly screaming to her, and hover
About her shoulders, and kiss her cheek,
While white and purple lilacs muster
A strength that bears them to a cluster
Of color and odor; for her sake
All things that slept are now awake.

And you and I, shall we lie still,
John Keats, while Beauty summons us?
Somehow I feel your sensitive will
Is pulsing up some tremulous
Sap road of a maple tree, whose leaves
Grow music as they grow, since your
Wild voice is in them, a harp that grieves
For life that opens death's dark door.
Though dust, your fingers still can push
The Vision Splendid to a birth,
Though now they work as grass in the hush
Of the night on the broad sweet page of the earth.

'John Keats is dead,' they say, but I
Who hear your full insistent cry
In bud and blossom, leaf and tree,
Know John Keats still writes poetry.
And while my head is earthward bowed
To read new life sprung from your shroud,
Folks seeing me must think it strange
That merely spring should so derange
My mind. They do not know that you,
John Keats, keep revel with me, too.

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John Keats

The Human Seasons

FOUR Seasons fill the measure of the year;
There are four seasons in the mind of man:
He has his lusty Spring, when fancy clear
Takes in all beauty with an easy span:
He has his Summer, when luxuriously
Spring’s honey’d cud of youthful thought he loves
To ruminate, and by such dreaming high
Is nearest unto heaven: quiet coves
His soul has in its Autumn, when his wings
He furleth close; contented so to look
On mists in idleness—to let fair things
Pass by unheeded as a threshold brook.
He has his Winter too of pale misfeature,
Or else he would forego his mortal nature.

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John Keats

Sonnet. The Human Seasons

Four Seasons fill the measure of the year;
There are four seasons in the mind of man:
He has his lusty Spring, when fancy clear
Takes in all beauty with an easy span:
He has his Summer, when luxuriously
Spring's honied cud of youthful thought he loves
To ruminate, and by such dreaming high
Is nearest unto heaven: quiet coves
His soul has in its Autumn, when his wings
He furleth close; contented so to look
On mists in idleness-to let fair things
Pass by unheeded as a threshold brook.
He has his Winter too of pale misfeature,
Or else he would forego his mortal nature.

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A Pig's-Eye View Of Literature

The Lives and Times of John Keats,
Percy Bysshe Shelley, and
George Gordon Noel, Lord Byron

Byron and Shelley and Keats
Were a trio of Lyrical treats.
The forehead of Shelley was cluttered with curls,
And Keats never was a descendant of earls,
And Byron walked out with a number of girls,
But it didn't impair the poetical feats
Of Byron and Shelley,
Of Byron and Shelley,
Of Byron and Shelley and Keats.

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A Song Of Keats

'TIS a tarnished book and old,
Edges frayed and covers green!
But, between the covers, gold —
Gold and jewels in between.
And this written (see, O see!
How old Time has made it dim)
'For one song Keats gave to me
I kneel down and worship him.'
He who wrote these lines is dust;
All of him is passed away;
Some hand closed his eyes, I trust,
Drew the blind to darken day.
Did lips kiss him at the end,
Love-lips tremulous yet brave?
Had he mistress, child, or friend
To sow green grass upon his grave?
Nay, we know not — it is long
Since he tired of Life's deceits,
Closed his ears to sigh and song,
Parted with this book, JOHN KEATS.
Year by year the Poet thrives;
Summer smiles and winter weeps;
La Belle Dame Sans Merci lives,
But a heart that loved her sleeps.
Who would woeful go to miss
Roses red in thorns arrayed,
When he might with surer bliss
Love a milkwhite Devon maid?
Beauty kindles man's desire,
Beauty dwindles, growing faint;
But the girls who never tire
Are the girls that poets paint.
When the moon has taken wings
And the twilight hour is come,
Grey the woods, and no bird sings:
Grey the world beyond, and dumb:
Neither light is there nor breeze,
Rose to redden, thorn to pain;
Till, look! look! Among the trees
A sudden bird! a scarlet stain!
So he tired of Fate's defeats,
Life's dead trees and woodlands grim,
Till sudden-sweet a song of Keats
One magic moment gave to him.

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John Keats

The poetry of the earth is never dead.

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John Keats

On Death

1.
Can death be sleep, when life is but a dream,
And scenes of bliss pass as a phantom by?
The transient pleasures as a vision seem,
And yet we think the greatest pain's to die.

2.
How strange it is that man on earth should roam,
And lead a life of woe, but not forsake
His rugged path; nor dare he view alone
His future doom which is but to awake.

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John Keats

What The Thrush Said. Lines From A Letter To John Hamilton Reynolds

O thou whose face hath felt the Winter's wind,
Whose eye has seen the snow-clouds hung in mist
And the black elm tops 'mong the freezing stars,
To thee the spring will be a harvest-time.
O thou, whose only book has been the light
Of supreme darkness which thou feddest on
Night after night when Phoebus was away,
To thee the Spring shall be a triple morn.
O fret not after knowledge -- I have none,
And yet my song comes native with the warmth.
O fret not after knowledge -- I have none,
And yet the Evening listens. He who saddens
At thought of idleness cannot be idle,
And he's awake who thinks himself asleep.

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John Keats

A thing of beauty is a joy forever.

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John Keats

What the imagination seizes as beauty must be truth.

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John Keats

Praise or blame has but a momentary effect on the man whose love of beauty in the abstract makes him a severe critic on his own works.

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John Keats

Lines from Endymion

A thing of beauty is a joy for ever:
Its loviliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondance, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o`er-darkened ways
Made for our searching: yes, inspite of all,
Some shape of beauty moves away the pall
From our dark spirits.

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John Keats

Sonnet XIV. Addressed To The Same (Haydon)

Great spirits now on earth are sojourning;
He of the cloud, the cataract, the lake,
Who on Helvellyn's summit, wide awake,
Catches his freshness from Archangel's wing:
He of the rose, the violet, the spring,
The social smile, the chain for Freedom's sake:
And lo!--whose stedfastness would never take
A meaner sound than Raphael’s whispering.
And other spirits there are standing apart
Upon the forehead of the age to come;
These, these will give the world another heart,
And other pulses. Hear ye not the hum
Of mighty workings?-------
Listen awhile ye nations, and be dumb.

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John Keats

Sonnet XIV. Addressed To The Same (Haydon)

Great spirits now on earth are sojourning;
He of the cloud, the cataract, the lake,
Who on Helvellyn's summit, wide awake,
Catches his freshness from Archangel's wing:
He of the rose, the violet, the spring,
The social smile, the chain for Freedom's sake:
And lo!--whose stedfastness would never take
A meaner sound than Raphael’s whispering.
And other spirits there are standing apart
Upon the forehead of the age to come;
These, these will give the world another heart,
And other pulses. Hear ye not the hum
Of mighty workings?-------
Listen awhile ye nations, and be dumb.

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John Keats

A thing of beauty is a joy forever: its loveliness increases; it will never pass into nothingness.

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John Keats

I love you the more in that I believe you had liked me for my own sake and for nothing else.

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John Keats

I love you the more that I believe you have liked me for my own sake and for nothing else.

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Madonna (new version)

I thanked the gods for you
and you were Madonna beautiful to me
as if something holy
radiated from your heart.

Your golden eyes
could look deep into my soul
and you could understand me
for who and what
I really am.

You could put your fingers
to strings and brushes
and the most beautiful words
could go out of your hands
and your sparkling voice
stays forever with me,
but Madonna,
you are gone.

Now I know that John Keats
and AG Visser
would have understood how it feels
when a princess
whom you tried to build a life with,
decides that she does not
like you, neverless love you
and I wonder
if there’s still a heart beating
Madonna, in your breast?

[References: La belle dame sans merci by John Keats, La belle dame sans merci by AG Visser, La belle dame sans merci by Gert Strydom and No red rose by Gert Strydom.]

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John Keats

Faery Songs

I.
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Weep no more! oh, weep no more!
Young buds sleep in the root's white core.
Dry your eyes! oh, dry your eyes!
For I was taught in Paradise
To ease my breast of melodies,--
Shed no tear.

Overhead! look overhead!
'Mong the blossoms white and red--
Look up, look up! I flutter now
On this fresh pomegranate bough.
See me! 'tis this silvery bill
Ever cures the good man's ill.
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Adieu, adieu -- I fly -- adieu!
I vanish in the heaven’s blue,--
Adieu, adieu!

II.
Ah! woe is me! poor silver-wing!
That I must chant thy lady's dirge,
And death to this fair haunt of spring,
Of melody, and streams of flowery verge,--
Poor silver-wing! ah! woe is me!
That I must see
These blossoms snow upon thy lady's pall!
Go, pretty page! and in her ear
Whisper that the hour is near!
Softly tell her not to fear
Such calm favonian burial!
Go, pretty page! and soothly tell,--
The blossoms hang by a melting spell,
And fall they must, ere a star wink thrice
Upon her closed eyes,
That now in vain are weeping their last tears,
At sweet life leaving, and these arbours green,--
Rich dowry from the Spirit of the Spheres,
Alas! poor Queen!

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Erica Jong

Depression in Early Spring

Meathooks, notebooks,
the whole city sky palely flaming
& spectral bombs
hitting that patch of river
I see from my eastern window.

The poets are dead, the city dying.
Anne, Sylvia, Keats
with his passionate lungs,
Berryman jumping from the bridge & waving,
all the dreamers dead
of their own dreams.

Why have I stayed on as Horatio?
Anne sends poems from the grave,
Sylvia, letters.
John Keats's ghostly cough
comes through the wall board.
What am I doing here?
Why contend?

I am a corpse who moves a pen that writes.
I am a vessel for a voice that echoes.
I write a novel & annihilate whole forests.
I rearrange the cosmos by an inch.

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The Winter's Spring

The winter comes; I walk alone,
I want no bird to sing;
To those who keep their hearts their own
The winter is the spring.
No flowers to please--no bees to hum--
The coming spring's already come.

I never want the Christmas rose
To come before its time;
The seasons, each as God bestows,
Are simple and sublime.
I love to see the snowstorm hing;
'Tis but the winter garb of spring.

I never want the grass to bloom:
The snowstorm's best in white.
I love to see the tempest come
And love its piercing light.
The dazzled eyes that love to cling
O'er snow-white meadows sees the spring.

I love the snow, the crumpling snow
That hangs on everything,
It covers everything below
Like white dove's brooding wing,
A landscape to the aching sight,
A vast expanse of dazzling light.

It is the foliage of the woods
That winters bring--the dress,
White Easter of the year in bud,
That makes the winter Spring.
The frost and snow his posies bring,
Nature's white spurts of the spring.

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