En.Citatepedia^®.ro

I'm not so much of a joiner.

quote by Joshua Homme
Submitted by Lucian Velea
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Godlier

Godliness may touch the inner ways,
Goblins do not destroy each other because of this,
Oysters that open are also from God,
Openers of these are mere mortals, merely human,
Who eat from their slavery to God,
And the souls of the dead are counted by the angels above,
Just so that heaven is imbibed from above,
Living like a couch, liking each other.
So godly is this person who lives in paradise
That his joiner commits a decency to enjoy him,
Like a good ghost, as a man opposed to the devil.
He is similarly like the joiner of bonds and lived he.
He has no sin, so be him, and connect him to the one above.
Godliness has met us in the right way,
And I have enjoyed it as much as the blood of the strange.

poem by Naveed Akram
Submitted by Poetry Lover
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No one ever promised that the fastest horse in the race was the easiest one to ride. on managing talented people

quote by Eric J. Joiner, Jr.
Submitted by Lucian Velea
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Some Kind of Beautiful

Pierce Brosnan, Salma Hayek, Jessica Alba, Malcolm McDowell, Duncan Joiner, Ben McKenzie, Merrin Dungey, Ivan Sergei

by Matthew Newman from Some Kind of Beautiful (2014)
Submitted by Veronica Serbanoiu
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Amateur Night

Jason Biggs, Janet Montgomery, Ashley Tisdale, Bria L. Murphy, Jenny Mollen, Adrian Voo, Steven Weber, Robert Hoffman, Rusty Joiner

from Amateur Night (2016)
Submitted by Veronica Serbanoiu
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Very Friendly Computer

Very friendly, very automatic
Is my computer,
Leading us astray in many ways
And finding a humourous mask
As fit as musk.
It talked to my joiner,
And this enabled my programs
And joy.
I became one to understand a fellow being
Such as him, or it.
I mean the computer is fellow and bad,
Wilder than most monsters of thought and disease.
Very friendly, very automatic
Is my computer.

poem by Naveed Akram
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Centaur

To remount the horse we cross a large divide,
The horseman is clever and shrewd about life;
Across the field they trample to discover the greens
And the gold of the trees, the trees are upon them.
The man of the horse changes into a centaur,
Its changing was lately a consideration by God.
Remind him of the lateness and the earliness,
Join them to you, by inciting the words from the leaders.
The leader is a joiner, a collector of pains too large,
Ghostly warriors consider us to be like a century.

poem by Naveed Akram
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As Happy, Happy, Happy As Can Be

Bricklayer’s like to keep their spirit levels high
Joiner’s and Chippie’s will raise the rafters
They do the things that brings them joy
Things that give them the laughter’s
Their as happy, happy, happy as can be

Nurse’s keep their humour tender
Clown’s like to act the fool
Heating engineer’s like it hot
Ice cream makers keep it cool
Their all happy, happy, happy as can be

I like to be in your arms
Saying I love you’ listening to you saying I love you too
I like to see your smiling eyes
In which my smiling eyes look into
Then I am as happy, happy, happy as can be

You make me so happy, happy, happy as can be
Happiness is me as happy, happy, happy as can be
In love and as happy, happy, happy as can be
In love with you happy forever in love
As happy, happy, happy as can be

poem by Michael Micmac Mccrory
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Ah Ling, The Leper

UP a dark and fetid alley, where the offal and the slime
Of a brave and blusterous city met its misery and crime,
In a hovel reeking pestilence, and noisome as the grave,
Dwelt Ah Ling, the Chinese joiner, and the sweater’s willing slave.

Squatting down amongst the shavings, with his chisel and his plane,
Through the long, hot days of striving, dead to pleasure and to pain,
Like a creature barely human, very yellow, gaunt, and grim,
Ah Ling laboured on, for pleasure spread no lures that tempted him.

And the curious people, watching through the rotten wall at night,
Saw his death’s face weirdly outlined in the candle’s feeble light;
Saw him still intent upon his work, ill-omened and unclean,
Planing, sawing, nailing, hewing—just a skin and bone machine.

Neither kith nor kin the joiner had; perchance he nerved his hand
With the treasured hope of seeing once again his native land
As a Chinaman of fortune, and of finishing his life
At his ease in China Proper, with a painted Chinese wife.

But Ah Ling grew yet more grisly, and ’twas easy now to trace
Signs of vice and fierce privations in his scarred and pitted face,
With a dreadful something added. By this thing the truth was known,
And his countrymen forsook him, and he lived and toiled alone.

Still the work came in, and still he slaved and saw his earnings grow.
Who’s to trouble where the goods are made when buyers will not know?
Gimcrack chairs and pretty nick-nacks from infected dens like this
Go to furnish happy homes to-day where ignorance is bliss.

Now the time was come when Ling might take his treasure up, and go
To enjoy celestial comforts by the flowing Hoang Ho,
But one day his shop was raided, and upon him fell the hand
Of the Law—and death were better than the ruthless Law’s command.

‘Room for the leper, room!’ A thing of fear, Ah Ling was torn
From his hovel and his labour and his cherished hopes, and borne
To a home of untold terrors, where to life grim death is wed,
And the quick behold and know the loathly horrors of the dead.

poem by Edward George Dyson
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I Cry Myself To Sleep At Night

(r.j. lange/ c. joiner/ a. mitman)
Producer for bonnie: gene capel
I think you like it a lot
I think you like what you see
I know you like what you got, babe
Thats what you got with me
*this heart, these hands
Are made to understand
This girl and that man
If we dont make it no one can
Oh baby
Oh I cry myself to sleep at night
Im so in love
cause I cry myself to sleep at night
Im all shook up
cause I cry myself to sleep at night
This woman is in love
I think you like a little solo
A little one on one
A little old fashioned feel good
Make me emotionally numb
(* repeat)
I cry myself to sleep at night
Im so in love
I cry myself to sleep at night
Im all shook up
cause I cry myself to sleep at night
This woman is in love
(* repeat)
I cry myself to sleep at night
Im so in love
I cry myself to sleep at night
Im all shook up
I cry myself to sleep at night
cause I cry myself to sleep at night
Im so in love
I cry myself to sleep at night
Im all shook up
And I cry myself to sleep at night
Im so in love
I cry myself to sleep at night...

song performed by by Bonnie Tyler
Submitted by Lucian Velea
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The Workbox

See, here's the workbox, little wife,
That I made of polished oak.'
He was a joiner, of village life;
She came of borough folk.

He holds the present up to her
As with a smile she nears
And answers to the profferer,
''Twill last all my sewing years!'

'I warrant it will. And longer too.
'Tis a scantling that I got
Off poor John Wayward's coffin, who
Died of they knew not what.

'The shingled pattern that seems to cease
Against your box's rim
Continues right on in the piece
That's underground with him.

'And while I worked it made me think
Of timber's varied doom;
One inch where people eat and drink,
The next inch in a tomb.

'But why do you look so white, my dear,
And turn aside your face?
You knew not that good lad, I fear,
Though he came from your native place?'

'How could I know that good young man,
Though he came from my native town,
When he must have left there earlier than
I was a woman grown?'

'Ah, no. I should have understood!
It shocked you that I gave
To you one end of a piece of wood
Whose other is in a grave?'

'Don't, dear, despise my intellect,
Mere accidental things
Of that sort never have effect
On my imaginings.'

Yet still her lips were limp and wan,
Her face still held aside,
As if she had known not only John,
But known of what he died.

poem by Thomas Hardy
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Village Don Juan

Lord, I'm grey, my face is run,
But by old Harry, I've had my fun;
And all about, I seem to see
Lads and lassies that look like me;
Ice-blue eyes on every hand,
Handsomest youngsters in the land.

"Old Stud Horse" they say of me,
But back of my beard I laugh with glee.
Far and wide have I sown my seed,
Yet by the gods I've improved the breed:
From byre and stable to joiner's bench,
From landlord's daughter to serving wench.

Ice-blue eyes and blade-straight nose,
Stamp of my virile youth are those;
Now you'll see them on every side,
Proof of my powers, far and wide:
Even the parson' handsome scamp,
And the Doctor's daughter have my stamp.

Many a matron cocks an eye
Of secret knowledge as I pass by;
As for the hubbies, what they don't know
Will never hurt them, so let them go:
The offspring most they seem to prize
Have blade-straight noses and ice-blue byes.

Yet oh, I have a haunting dread
Brother and sister lust the bed;
The Parson's and the Doctor's lass,
Yestreen in the moon I saw them pass;
The thought of them wed is like a knife. . . .
Brother and sister - man and wife.

poem by Robert William Service
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All My Life

Baby, baby, baby, baby, baby
Baby, baby, baby, baby, baby
Baby, Ooh, I'm so glad

I will never find another lover
Sweeter than you, sweeter than you
And I will never find another lover
More precious than you
More precious than you

Girl you are
Close to me, you're like my mother
Close to me, you're like my father
Close to me, you're like my sister
Close to me, you're like my brother
You are the only one, you're my everything
And for you this song I sing, and

1 - All my life
I prayed for someone like you
And I thank God that I
That I finally found you, baby

All my life
I prayed for someone like you
And I hope that you
Feel the same way too
Yes, I pray that you do love me too

I said, you're all that I'm thinking of, baby
Said I promise to never
Fall in love with a stranger
You're all I'm thinking of
I praise the Lord above
For sending me your love
I cherish every hug
I really love you so much, baby, baby, baby

Repeat 1

You're all that I ever know
When you smile on my face
All I see is a glow
You turn my life around
You picked me up when I was down

You're all that I ever know
When you smile my face glows
You picked me up when I was down

You're all that I ever know
When you smile my face glows
You picked me up when I was down

And I hope that you
Feel the same way too
Yes I pray that you
Do love me too

2 - All my life
I prayed for someone like you
And I thank God that I
That I finally found you, baby

All my life
I prayed for someone like you
Yes, I pray that you do love me too

Repeat 2 until fade

poem by Brandon Joiner
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For The Centennial Dinner

OF THE PROPRIETORS OF BOSTON PIER, OR THE LONG WHARF,
APRIL 16, 1873

DEAR friends, we are strangers; we never before
Have suspected what love to each other we bore;
But each of us all to his neighbor is dear,
Whose heart has a throb for our time-honored pier.

As I look on each brother proprietor's face,
I could open my arms in a loving embrace;
What wonder that feelings, undreamed of so long,
Should burst all at once in a blossom of song!

While I turn my fond glance on the monarch of piers,
Whose throne has stood firm through his eightscore of years,
My thought travels backward and reaches the day
When they drove the first pile on the edge of the bay.

See! The joiner, the shipwright, the smith from his forge,
The redcoat, who shoulders his gun for King George,
The shopman, the 'prentice, the boys from the lane,
The parson, the doctor with gold-headed cane,

Come trooping down King Street, where now may be seen
The pulleys and ropes of a mighty machine;
The weight rises slowly; it drops with a thud;
And, to! the great timber sinks deep in the mud!

They are gone, the stout craftsmen that hammered the piles,
And the square-toed old boys in the three-cornered tiles;
The breeches, the buckles, have faded from view,
And the parson's white wig and the ribbon-tied queue.

The redcoats have vanished; the last grenadier
Stepped into the boat from the end of our pier;
They found that our hills were not easy to climb,
And the order came, 'Countermarch, double-quick time!'

They are gone, friend and foe,--anchored fast at the pier,
Whence no vessel brings back its pale passengers here;
But our wharf, like a lily, still floats on the flood,
Its breast in the sunshine, its roots in the mud.

Who--who that has loved it so long and so well--
The flower of his birthright would barter or sell?
No: pride of the bay, while its ripples shall run,
You shall pass, as an heirloom, from father to son!

Let me part with the acres my grandfather bought,
With the bonds that my uncle's kind legacy brought,
With my bank-shares,--old 'Union,' whose ten per cent stock
Stands stiff through the storms as the Eddystone rock;

With my rights (or my wrongs) in the 'Erie,'--alas!
With my claims on the mournful and 'Mutual Mass.;'
With my 'Phil. Wil. and Balt.,' with my 'C. B. and Q.;'
But I never, no never, will sell out of you.

We drink to thy past and thy future to-day,
Strong right arm of Boston, stretched out o'er the bay.
May the winds waft the wealth of all nations to thee,
And thy dividends flow like the waves of the sea!

poem by Oliver Wendell Holmes
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Three Ha'Pence a Foot

I'll tell you an old-fashioned story
That Grandfather used to relate,
Of a joiner and building contractor;
'Is name, it were Sam Oglethwaite.

In a shop on the banks of the Irwell,
Old Sam used to follow 'is trade,
In a place you'll have 'eard of, called Bury;
You know, where black puddings is made.

One day, Sam were filling a knot 'ole
Wi' putty, when in thro' the door
Came an old feller fair wreathed wi' whiskers;
T'ould chap said 'Good morning, I'm Noah.'

Sam asked Noah what was 'is business,
And t'ould chap went on to remark,
That not liking the look of the weather,
'E were thinking of building an Ark.

'E'd gotten the wood for the bulwarks,
And all t'other shipbuilding junk,
And wanted some nice Bird's Eye Maple
To panel the side of 'is bunk.

Now Maple were Sam's Monopoly;
That means it were all 'is to cut,
And nobody else 'adn't got none;
So 'e asked Noah three ha'pence a foot.

'A ha'penny too much,' replied Noah
'A Penny a foot's more the mark;
A penny a foot, and when t'rain comes,
I'll give you a ride in me Ark.'
But neither would budge in the bargain;
The whole daft thing were kind of a jam,
So Sam put 'is tongue out at Noah,
And Noah made 'Long Bacon ' at Sam

In wrath and ill-feeling they parted,
Not knowing when they'd meet again,
And Sam had forgot all about it,
'Til one day it started to rain.

It rained and it rained for a fortni't,
And flooded the 'ole countryside.
It rained and it kept' on raining,
'Til the Irwell were fifty mile wide.

The 'ouses were soon under water,
And folks to the roof 'ad to climb.
They said 'twas the rottenest summer
That Bury 'ad 'ad for some time.

The rain showed no sign of abating,
And water rose hour by hour,
'Til the only dry land were at Blackpool,
And that were on top of the Tower.

So Sam started swimming to Blackpool;
It took 'im best part of a week.
'Is clothes were wet through when 'e got there,
And 'is boots were beginning to leak.

'E stood to 'is watch-chain in water,
On Tower top, just before dark,
When who should come sailing towards 'im
But old Noah, steering 'is Ark.

They stared at each other in silence,
'Til Ark were alongside, all but,
Then Noah said: 'What price yer Maple?'
Sam answered 'Three ha'pence a foot.'

Noah said 'Nay; I'll make thee an offer,
The same as I did t'other day.
A penny a foot and a free ride.
Now, come on, lad, what does tha say?'

'Three ha'pence a foot,' came the answer.
So Noah 'is sail 'ad to hoist,
And sailed off again in a dudgeon,
While Sam stood determined, but moist.

Noah cruised around, flying 'is pigeons,
'Til fortieth day of the wet,
And on 'is way back, passing Blackpool,
'E saw old Sam standing there yet.

'Is chin just stuck out of the water;
A comical figure 'e cut,
Noah said: 'Now what's the price of yer Maple?'
Sam answered: 'Three ha'pence a foot.'

Said Noah: 'Ye'd best take my offer;
It's last time I'll be hereabout;
And if water comes half an inch higher,
I'll happen get Maple for nowt.'

'Three ha'pence a foot it'll cost yer,
And as fer me,' Sam said, 'don't fret.
The sky's took a turn since this morning;
I think it'll brighten up yet.'

poem by Marriott Edgar
Submitted by Poetry Lover
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Now List To My Morning's Romanza

NOW list to my morning's romanza--I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before
me.

A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.

And I stand before the young man face to face, and take his right
hand in my left hand, and his left hand in my right hand,
And I answer for his brother, and for men, and I answer for him that
answers for all, and send these signs.

Him all wait for--him all yield up to--his word is decisive and
final,
Him they accept, in him lave, in him perceive themselves, as amid
light,
Him they immerse, and he immerses them. 10

Beautiful women, the haughtiest nations, laws, the landscape, people,
animals,
The profound earth and its attributes, and the unquiet ocean, (so
tell I my morning's romanza;)
All enjoyments and properties, and money, and whatever money will
buy,
The best farms--others toiling and planting, and he unavoidably
reaps,
The noblest and costliest cities--others grading and building, and he
domiciles there;
Nothing for any one, but what is for him--near and far are for him,
the ships in the offing,
The perpetual shows and marches on land, are for him, if they are for
any body.

He puts things in their attitudes;
He puts to-day out of himself, with plasticity and love;
He places his own city, times, reminiscences, parents, brothers and
sisters, associations, employment, politics, so that the rest
never shame them afterward, nor assume to command them. 20

He is the answerer:
What can be answer'd he answers--and what cannot be answer'd, he
shows how it cannot be answer'd.

A man is a summons and challenge;
(It is vain to skulk--Do you hear that mocking and laughter? Do you
hear the ironical echoes?)

Books, friendships, philosophers, priests, action, pleasure, pride,
beat up and down, seeking to give satisfaction;
He indicates the satisfaction, and indicates them that beat up and
down also.

Whichever the sex, whatever the season or place, he may go freshly
and gently and safely, by day or by night;
He has the pass-key of hearts--to him the response of the prying of
hands on the knobs.

His welcome is universal--the flow of beauty is not more welcome or
universal than he is;
The person he favors by day, or sleeps with at night, is blessed. 30

Every existence has its idiom--everything has an idiom and tongue;
He resolves all tongues into his own, and bestows it upon men, and
any man translates, and any man translates himself also;
One part does not counteract another part--he is the joiner--he sees
how they join.

He says indifferently and alike, How are you, friend? to the
President at his levee,
And he says, Good-day, my brother! to Cudge that hoes in the sugar-
field,
And both understand him, and know that his speech is right.

He walks with perfect ease in the Capitol,
He walks among the Congress, and one Representative says to another,
Here is our equal, appearing and new.

Then the mechanics take him for a mechanic,
And the soldiers suppose him to be a soldier, and the sailors that he
has follow'd the sea, 40
And the authors take him for an author, and the artists for an
artist,
And the laborers perceive he could labor with them and love them;
No matter what the work is, that he is the one to follow it, or has
follow'd it,
No matter what the nation, that he might find his brothers and
sisters there.

The English believe he comes of their English stock,
A Jew to the Jew he seems--a Russ to the Russ--usual and near,
removed from none.

Whoever he looks at in the traveler's coffee-house claims him,
The Italian or Frenchman is sure, and the German is sure, and the
Spaniard is sure, and the island Cuban is sure;
The engineer, the deck-hand on the great lakes, or on the
Mississippi, or St. Lawrence, or Sacramento, or Hudson, or
Paumanok Sound, claims him.

The gentleman of perfect blood acknowledges his perfect blood; 50
The insulter, the prostitute, the angry person, the beggar, see
themselves in the ways of him--he strangely transmutes them,
They are not vile any more--they hardly know themselves, they are so
grown.

poem by Walt Whitman
Submitted by Poetry Lover
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I Sing The Body Electric

I SING the Body electric;
The armies of those I love engirth me, and I engirth them;
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the
Soul.

Was it doubted that those who corrupt their own bodies conceal
themselves;
And if those who defile the living are as bad as they who defile the
dead?
And if the body does not do as much as the Soul?
And if the body were not the Soul, what is the Soul?

The love of the Body of man or woman balks account--the body itself
balks account;
That of the male is perfect, and that of the female is perfect. 10

The expression of the face balks account;
But the expression of a well-made man appears not only in his face;
It is in his limbs and joints also, it is curiously in the joints of
his hips and wrists;
It is in his walk, the carriage of his neck, the flex of his waist
and knees--dress does not hide him;
The strong, sweet, supple quality he has, strikes through the cotton
and flannel;
To see him pass conveys as much as the best poem, perhaps more;
You linger to see his back, and the back of his neck and shoulder-
side.

The sprawl and fulness of babes, the bosoms and heads of women, the
folds of their dress, their style as we pass in the street, the
contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through the
transparent green-shine, or lies with his face up, and rolls
silently to and fro in the heave of the water,
The bending forward and backward of rowers in row-boats--the horseman
in his saddle, 20
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open dinner-
kettles, and their wives waiting,
The female soothing a child--the farmer's daughter in the garden or
cow-yard,
The young fellow hoeing corn--the sleigh-driver guiding his six
horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, lusty,
good-natured, native-born, out on the vacant lot at sundown,
after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and the under-hold, the hair rumpled over and blinding
the eyes;
The march of firemen in their own costumes, the play of masculine
muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes--the bent head, the curv'd
neck, and the counting; 30
Such-like I love--I loosen myself, pass freely, am at the mother's
breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
the firemen, and pause, listen, and count.

I know a man, a common farmer--the father of five sons;
And in them were the fathers of sons--and in them were the fathers of
sons.

This man was of wonderful vigor, calmness, beauty of person;
The shape of his head, the pale yellow and white of his hair and
beard, and the immeasurable meaning of his black eyes--the
richness and breadth of his manners,
These I used to go and visit him to see--he was wise also;
He was six feet tall, he was over eighty years old--his sons were
massive, clean, bearded, tan-faced, handsome;
They and his daughters loved him--all who saw him loved him;
They did not love him by allowance--they loved him with personal
love; 40
He drank water only--the blood show'd like scarlet through the clear-
brown skin of his face;
He was a frequent gunner and fisher--he sail'd his boat himself--he
had a fine one presented to him by a ship-joiner--he had
fowling-pieces, presented to him by men that loved him;
When he went with his five sons and many grand-sons to hunt or fish,
you would pick him out as the most beautiful and vigorous of
the gang.

You would wish long and long to be with him--you would wish to sit by
him in the boat, that you and he might touch each other.

I have perceiv'd that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is
enough,
To pass among them, or touch any one, or rest my arm ever so lightly
round his or her neck for a moment--what is this, then?
I do not ask any more delight--I swim in it, as in a sea.

There is something in staying close to men and women, and looking on
them, and in the contact and odor of them, that pleases the
soul well; 50
All things please the soul--but these please the soul well.

This is the female form;
A divine nimbus exhales from it from head to foot;
It attracts with fierce undeniable attraction!
I am drawn by its breath as if I were no more than a helpless vapor--
all falls aside but myself and it;
Books, art, religion, time, the visible and solid earth, the
atmosphere and the clouds, and what was expected of heaven or
fear'd of hell, are now consumed;
Mad filaments, ungovernable shoots play out of it--the response
likewise ungovernable;
Hair, bosom, hips, bend of legs, negligent falling hands, all
diffused--mine too diffused;
Ebb stung by the flow, and flow stung by the ebb--love-flesh swelling
and deliciously aching;
Limitless limpid jets of love hot and enormous, quivering jelly of
love, white-blow and delirious juice; 60
Bridegroom night of love, working surely and softly into the
prostrate dawn;
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh'd day.

This is the nucleus--after the child is born of woman, the man is
born of woman;
This is the bath of birth--this is the merge of small and large, and
the outlet again.

Be not ashamed, women--your privilege encloses the rest, and is the
exit of the rest;
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities, and tempers them--she is in her
place, and moves with perfect balance;
She is all things duly veil'd--she is both passive and active;
She is to conceive daughters as well as sons, and sons as well as
daughters. 70

As I see my soul reflected in nature;
As I see through a mist, one with inexpressible completeness and
beauty,
See the bent head, and arms folded over the breast--the female I see.

The male is not less the soul, nor more--he too is in his place;
He too is all qualities--he is action and power;
The flush of the known universe is in him;
Scorn becomes him well, and appetite and defiance become him well;
The wildest largest passions, bliss that is utmost, sorrow that is
utmost, become him well--pride is for him;
The full-spread pride of man is calming and excellent to the soul;
Knowledge becomes him--he likes it always--he brings everything to
the test of himself; 80
Whatever the survey, whatever the sea and the sail, he strikes
soundings at last only here;
(Where else does he strike soundings, except here?)

The man's body is sacred, and the woman's body is sacred;
No matter who it is, it is sacred;
Is it a slave? Is it one of the dull-faced immigrants just landed on
the wharf?
Each belongs here or anywhere, just as much as the well-off--just as
much as you;
Each has his or her place in the procession.

(All is a procession;
The universe is a procession, with measured and beautiful motion.)

Do you know so much yourself, that you call the slave or the dull-
face ignorant? 90
Do you suppose you have a right to a good sight, and he or she has no
right to a sight?
Do you think matter has cohered together from its diffuse float--and
the soil is on the surface, and water runs, and vegetation
sprouts,
For you only, and not for him and her?

A man's Body at auction;
I help the auctioneer--the sloven does not half know his business.

Gentlemen, look on this wonder!
Whatever the bids of the bidders, they cannot be high enough for it;
For it the globe lay preparing quintillions of years, without one
animal or plant;
For it the revolving cycles truly and steadily roll'd.

In this head the all-baffling brain; 100
In it and below it, the makings of heroes.

Examine these limbs, red, black, or white--they are so cunning in
tendon and nerve;
They shall be stript, that you may see them.

Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant back-bone and neck, flesh not flabby,
good-sized arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood!
The same red-running blood!
There swells and jets a heart--there all passions, desires,
reachings, aspirations; 110
Do you think they are not there because they are not express'd in
parlors and lecture-rooms?

This is not only one man--this is the father of those who shall be
fathers in their turns;
In him the start of populous states and rich republics;
Of him countless immortal lives, with countless embodiments and
enjoyments.

How do you know who shall come from the offspring of his offspring
through the centuries?
Who might you find you have come from yourself, if you could trace
back through the centuries?

A woman's Body at auction!
She too is not only herself--she is the teeming mother of mothers;
She is the bearer of them that shall grow and be mates to the
mothers.

Have you ever loved the Body of a woman? 120
Have you ever loved the Body of a man?
Your father--where is your father?
Your mother--is she living? have you been much with her? and has she
been much with you?
--Do you not see that these are exactly the same to all, in all
nations and times, all over the earth?

If any thing is sacred, the human body is sacred,
And the glory and sweet of a man, is the token of manhood untainted;
And in man or woman, a clean, strong, firm-fibred body, is beautiful
as the most beautiful face.

Have you seen the fool that corrupted his own live body? or the fool
that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

O my Body! I dare not desert the likes of you in other men and women,
nor the likes of the parts of you; 130
I believe the likes of you are to stand or fall with the likes of the
Soul, (and that they are the Soul;)
I believe the likes of you shall stand or fall with my poems--and
that they are poems,
Man's, woman's, child's, youth's, wife's, husband's, mother's,
father's, young man's, young woman's poems;
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eye-brows, and the waking or
sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-
hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the ample
side-round of the chest.

Upper-arm, arm-pit, elbow-socket, lower-arm, arm-sinews,
arm-bones, 140
Wrist and wrist-joints, hand, palm, knuckles, thumb, fore-finger,
finger-balls, finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-
side,
Ribs, belly, back-bone, joints of the back-bone,
Hips, hip-sockets, hip-strength, inward and outward round, man-balls,
man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your
body, or of any one's body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame, 150
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman--and the man that comes from
woman,
The womb, the teats, nipples, breast-milk, tears, laughter, weeping,
love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sun-burnt shade, freckles, hair,
The curious sympathy one feels, when feeling with the hand the naked
meat of the body,
The circling rivers, the breath, and breathing it in and out, 160
The beauty of the waist, and thence of the hips, and thence downward
toward the knees,
The thin red jellies within you, or within me--the bones, and the
marrow in the bones,
The exquisite realization of health;
O I say, these are not the parts and poems of the Body only, but of
the Soul,
O I say now these are the Soul!

poem by Walt Whitman
Submitted by Poetry Lover
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Hermann And Dorothea - IX. Urania

CONCLUSION.

O YE Muses, who gladly favour a love that is heartfelt,
Who on his way the excellent youth have hitherto guided,
Who have press'd the maid to his bosom before their betrothal,
Help still further to perfect the bonds of a couple so loving,
Drive away the clouds which over their happiness hover!
But begin by saying what now in the house has been passing.

For the third time the mother impatiently enter'd the chamber
Where the men were sitting, which she had anxiously quitted,
Speaking of the approaching storm, and the loss of the moon's light,
Then of her son's long absence, and all the perils that night brings.
Strongly she censured their friends for having so soon left the youngster,
For not even addressing the maiden, or seeking to woo her.

'Make not the worst of the mischief,' the father peevishly answer'd;
'For you see we are waiting ourselves, expecting the issue.'

But the neighbour sat still, and calmly address'd them as follows:--
'In uneasy moments like these, I always feel grateful
To my late father, who when I was young all seeds of impatience
In my mind uprooted, and left no fragment remaining,
And I learnt how to wait, as well as the best of the wise men.
'Tell us what legerdemain he employ'd,' the pastor made answer.
'I will gladly inform you, and each one may gain by the lesson,'
Answer'd the neighbour. 'When I was a boy, I was standing one Sunday
In a state of impatience, eagerly waiting the carriage
Which was to carry us out to the fountain under the lime-trees;
But it came not; I ran like a weasel now hither, now thither,
Up and down the stairs, and from the door to the window;
Both my hands were prickling, I scratch'd away at the tables,
Stamping and trotting about, and scarcely refrain'd I from crying.
All this the calm man composedly saw; but finally when I
Carried my folly too far, by the arm he quietly took me,
Led me up to the window, and used this significant language
'See you up yonder the joiner's workshop, now closed for the Sunday?
'Twill be re-open'd to-morrow, and plane and saw will be working.
Thus will the busy hours be pass'd from morning till evening.
But remember this: the rimming will soon be arriving,
When the master, together with all his men, will be busy
In preparing and finishing quickly and deftly your coffin,
And they will carefully bring over here that house made of boards, which
Will at length receive the patient as well as impatient,
And which is destined to carry a roof that's unpleasantly heavy.
All that he mention'd I forthwith saw taking place in my mind's eye,
Saw the boards join'd together, and saw the black cover made ready,
Patiently then I sat, and meekly awaited the carriage.
And I always think of the coffin whenever I see men
Running about in a state of doubtful and wild expectation.'

Smilingly answered the pastor:--'Death's stirring image is neither
Unto the wise a cause of alarm,--or an end to the pious.
Back into life it urges the former, and teaches him action,
And, for the weal of the latter, it strengthens his hope in affliction.
Death is a giver of life unto both. Your father did wrongly
When to the sensitive boy he pointed out death in its own form.
Unto the youth should be shown the worth of a noble and ripen'd
Age, and unto the old man, youth, that both may rejoice in
The eternal circle, and life may in life be made perfect!'

Here the door was open'd. The handsome couple appear'd there,
And the friends were amazed, the loving parents astonish'd
At the form of the bride, the form of the bridegroom resembling.
Yes! the door appear'd too small to admit the tall figures
Which now cross'd the threshold, in company walking together.
To his parents Hermann presented her, hastily saying:--
'Here is a maiden just of the sort you are wishing to have here,
Welcome her kindly, dear father! she fully deserves it, and you too,
Mother dear, ask her questions as to her housekeeping knowledge,
That you may see how well she deserves to form one of our party.'
Then he hastily took on one side the excellent pastor,
Saying:--' Kind sir, I entreat you to help me out of this trouble
Quickly, and loosen the knot, whose unravelling I am so dreading;
For I have not ventured to woo as my bride the fair maiden,
But she believes she's to be a maid in the house, and I fear me
She will in anger depart, as soon as we talk about marriage.
But it must be decided at once! no longer in error
Shall she remain, and I no longer this doubt can put up with.
Hasten and once more exhibit that wisdom we all hold in honour.'
So the pastor forthwith turn'd round to the rest of the party,
But the maiden's soul was, unhappily, troubled already
By the talk of the father, who just had address'd her as follows,
Speaking good humour'dly, and in accents pleasant and lively
'Yes, I'm well satisfied, child! I joyfully see that my son has
Just as good taste as his father, who in his younger days show'd it,
Always leading the fairest one out in the dance, and then lastly
Taking the fairest one home as his wife--'twas your dear little mother!
For by the bride whom a man selects, we may easily gather
What kind of spirit his is, and whether he knows his own value.
But you will surely need but a short time to form your decision,
For I verily think he will find it full easy to follow.'
Hermann but partially heard the words; the whole of his members
Inwardly quivered, and all the circle were suddenly silent.

But the excellent maiden, by words of such irony wounded,
(As she esteem'd them to be) and deeply distress'd in her spirit,
Stood, while a passing flush from her cheeks as far as her neck was
Spreading, but she restrain'd herself, and collected her thoughts soon;
Then to the old man she said, not fully concealing her sorrow
'Truly I was not prepared by your son for such a reception,
When he described his father's nature,--that excellent burgher,
And I know I am standing before you, a person of culture,
Who behaves himself wisely to all, in a suitable manner.
But it would seem that you feel not pity enough for the poor thing
Who has just cross'd your threshold, prepared to enter your service
Else you would not seek to point out, with ridicule bitter,
How far removed my lot from your son's and that of yourself is.
True, with a little bundle, and poor, I have enter'd your dwelling,
Which it is the owner's delight to furnish with all things.
But I know myself well, and feel the whole situation.
Is it generous thus to greet me with language so jeering,
Which was well nigh expelled me the house, when just on the threshold?'

Hermann uneasily moved about, and signed to the pastor
To interpose without delay, and clear up the error.
Quickly the wise man advanced to the spot, and witness'd the maiden's
Silent vexation and tearful eyes and scarce-restrain'd sorrow.
Then his spirit advised him to solve not at once the confusion,
But, on the contrary, prove the excited mind of the maiden.
So, in words framed to try her, the pastor address'd her as follows:--
'Surely, my foreign maiden, you did not fully consider,
When you made up your mind to serve a stranger so quickly,
What it really is to enter the house of a master;
For a shake of the hand decides your fate for a twelvemonth,
And a single word Yes to much endurance will bind you.
But the worst part of the service is not the wearisome habits,
Nor the bitter toil of the work, which seems never-ending;
For the active freeman works hard as well as the servant.
But to suffer the whims of the master, who blames you unjustly,
Or who calls for this and for that, not knowing his own mind,
And the mistress's violence, always so easily kindled,
With the children's rough and supercilious bad manners,--
This is indeed hard to bear, whilst still fulfilling your duties
Promptly and actively, never becoming morose or ill-natured;
Yet for such work you appear little fit, for already the father's
Jokes have offended you deeply; yet nothing more commonly happens
Than to tease a maiden about her liking a youngster.'
Thus he spoke, and the maiden felt the weight of his language,
And no more restrain'd herself; mightily all her emotions
Show'd themselves, her bosom heaved, and a deep sigh escaped her,
And whilst shedding burning tears, she answer'd as follows:--
'Ne'er does the clever man, who seeks to advise us in sorrow,
Think how little his chilling words our hearts can deliver
From the pangs which an unseen destiny fastens upon us.
You are happy and merry. How then should a jest ever wound you?
But the slightest touch gives torture to those who are suff'ring.
Even dissimulation would nothing avail me at present.
Let me at once disclose what later would deepen my sorrow,
And consign me perchance to agony mute and consuming.
Let me depart forthwith! No more in this house dare I linger;
I must hence and away, and look once more for my poor friends
Whom I left in distress, when seeking to better my fortunes.
This is my firm resolve; and now I may properly tell you
That which had else been buried for many a year in my bosom.
Yes, the father's jest has wounded me deeply, I own it,
Not that I'm proud and touchy, as ill becometh a servant,
But because in truth in my heart a feeling has risen
For the youth, who to-day has fill'd the part of my Saviour.
For when first in the road he left me, his image remain'd still
Firmly fix'd in my mind; and I thought of the fortunate maiden
Whom, as his betroth'd one, he cherish'd perchance in his bosom.
And when I found him again at the well, the sight of him charm'd me
Just as if I had-seen an angel descending from heaven.
And I follow'd him willingly, when as a servant he sought me,
But by my heart in truth I was flatter'd (I need must confess it),
As I hitherward came, that I might possibly win him,
If I became in the house an indispensable pillar.
But, alas, I now see the dangers I well nigh fell into,
When I bethought me of living so near a silently-loved one.
Now for the first time I feel how far removed a poor maiden
Is from a richer youth, however clever she may be.
I have told you all this, that you my heart may mistake not,
Which an event that in thought I foreshadow has wounded already.
For I must have expected, my secret wishes concealing,
That, ere much time had elapsed, I should see him bringing his bride home.
And how then could I have endured my hidden affliction!
Happily I am warn'd in time, and out of my bosom
Has my secret escaped, whilst curable still is the evil.
But no more of the subject! I now must tarry no longer
In this house, where I now am standing in pain and confusion,
All my foolish hopes and my feelings freely confessing.
Not the night which, with sinking clouds, is spreading around us,
Not the rolling thunder (I hear it already) shall stop me,
Not the falling rain, which outside is descending in torrents,
Not the blustering storm. All this I had to encounter
In that sorrowful flight, while the enemy follow'd behind Us.
And once more I go on my way, as I long have been wont to,
Seized by the whirlpool of time, and parted from all that I care for.
So farewell! I'll tarry no longer. My fate is accomplish'd!'

Thus she spoke, and towards the door she hastily turn'd her,
Holding under her arm the bundle she brought when arriving.
But the mother seized by both of her arms the fair maiden,
Clasping her round the body, and cried with surprise and amazement
'Say, what signifies this? These fruitless tears, what denote they?
No, I'll not leave you alone! You're surely my dear son's betroth'd one!'
But the father stood still, and show'd a great deal of reluctance,
Stared at the weeping girl, and peevishly spoke then as follows
'This, then, is all the indulgence my friends are willing to give me,
That at the close of the day the most unpleasant thing happens!
For there is nothing I hate so much as the tears of a woman,
And their passionate cries, set up with such heat and excitement,
Which a little plain sense would show to be utterly needless.
Truly, I find the sight of these whimsical doings a nuisance.
Matters must shift for themselves; as for me, I think it is bed-time.'
So he quickly turn'd round, and hasten'd to go to the chamber
Where the marriage-bed stood, in which he slept for the most part.
But his son held him back, and spoke in words of entreaty
'Father, don't go in a hurry, and be not amniote with the maiden!
I alone have to bear the blame of all this confusion,
Which our friend has increased by his unexpected dissembling.
Speak then, honour'd Sir! for to you the affair I confided;
Heap not up pain and annoyance, but rather complete the whole matter;
For I surely in future should not respect you so highly,
If you play practical jokes, instead of displaying true wisdom.'

Thereupon the worthy pastor smilingly answer'd
'What kind of wisdom could have extracted the charming confession
Of this good maiden, and so have reveal'd all her character to us?
Is not your care converted at once to pleasure and rapture?
Speak out, then, for yourself! Why need explanations from others
Hermann then stepped forward, and gently address'd her as follows
'Do not repent of your tears, nor yet of your passing affliction;
For they perfect my happiness; yours too, I fain would consider.
I came not to the fountain, to hire so noble a maiden
As a servant, I came to seek to win you affections.
But, alas! my timid gaze had not strength to discover
Your heart's leanings; it saw in your eye but a friendly expression,
When you greeted it out of the tranquil fountain's bright mirror.
Merely to bring you home, made half of my happiness certain
But you now make it complete! May every blessing be yours, then!'
Then the maiden look'd on the youth with heartfelt emotion,
And avoided not kiss or embrace, the summit of rapture,
When they also are to the loving the long-wish'd-for pledges
Of approaching bliss in a life which now seems to them endless.
Then the pastor told the others the whole of the story;
But the maiden came and gracefully bent o'er the father,
Kissing the while his hand, which he to draw back attempted.
And she said:--' I am sure that you will forgive the surprised one,
First for her tears of sorrow, and then for her tears of true rapture.
O forgive the emotions by which they both have been prompted,
And let me fully enjoy the bliss that has now been vouchsafed me!
Let the first vexation, which my confusion gave rise to,
Also be the last! The loving service which lately
Was by the servant promised, shall now by the daughter be render'd.'

And the father, his tears concealing, straightway embraced her;
Lovingly came the mother in turn, and heartily kiss'd her,
Warmly shaking her hand; and silently wept they together.
Then in a hasty manner, the good and sensible pastor
Seized the hand of the father, his wedding-ring off from his finger
Drawing (not easily though; so plump was the member that held it)
Then he took the mother's ring, and betroth'd the two children,
Saying:--'Once more may it be these golden hoops' destination
Firmly to fasten a bond altogether resembling the old one!
For this youth is deeply imbued with love for the maiden,
And the maiden confesses that she for the youth has a liking.
Therefore, I now betroth you, and wish you all blessings hereafter,
With the parents' consent, and with our friend here as a witness.'

And the neighbour bent forward, and added his own benediction;
But when the clergyman placed the gold ring on the hand of the maiden,
He with astonishment saw the one which already was on it,
And which Hermann before at the fountain had anxiously noticed.
Whereupon he spoke in words at once friendly and jesting
'What! You are twice engaging yourself? I hope that the first one
May not appear at the altar, unkindly forbidding the banns there!'

But she said in reply:--'O let me devote but one moment
To this mournful remembrance! For well did the good youth deserve it,
Who, when departing, presented the ring, but never return'd home.
All was by him foreseen, when freedom's love of a sudden,
And a desire to play his part in the new-found Existence,
Drove him to go to Paris, where prison and death were his portion.
'Farewell,' said he, 'I go; for all things on earth are in motion
At this moment, and all things appear in a state of disunion.
Fundamental laws in the steadiest countries are loosen'd,
And possessions are parted from those who used to possess them,
Friends are parted from friends, and love is parted from love too.
I now leave you here, and whether I ever shall see you
Here again,--who can tell? Perchance these words will our last be.
Man is a stranger here upon earth, the proverb informs us;
Every person has now become more a stranger than ever.
Ours the soil is no longer; our treasures are fast flying from us;
All the sacred old vessels of gold and silver are melted,
All is moving, as though the old-fashion'd world would roll backwards
Into chaos and night, in order anew to be fashion'd.
You of my heart have possession, and if we shall ever here-after
Meet again over the wreck of the world, it will be as new creatures,
All remodell'd and free and independent of fortune;
For what fetters can bind down those who survive such a period!
But if we are destined not to escape from these dangers,
If we are never again to embrace each other with raptures
O then fondly keep in your thoughts my hovering image,
That you may be prepared with like courage for good and ill fortune!
If a new home or a new alliance should chance to allure you,
Then enjoy with thanks whatever your destiny offers,
Purely loving the loving, and grateful to him who thus loves you.
But remember always to tread with a circumspect footstep,
For the fresh pangs of a second loss will behind you be lurking.
Deem each day as sacred; but value not life any higher
Than any other possession, for all possessions are fleeting.'
Thus he spoke; and the noble youth and I parted for ever:
Meanwhile I ev'rything lost, and a thousand times thought of his warning.
Once more I think of his words, now that love is sweetly preparing
Happiness for me anew, and the brightest of hopes is unfolding.
Pardon me, dearest friend, for trembling e'en at the moment
When I am clasping your arm! For thus, on first landing, the sailor
Fancies that even the solid ground is shaking beneath him.'

Thus she spoke, and she placed the rings by the side of each other.
But the bridegroom answer'd, with noble and manly emotion
'All the firmer, amidst the universal disruption,
Be, Dorothea, our union! We'll show ourselves bold and enduring,
Firmly hold our own, and firmly retain our possessions.
For the man who in wav'ring times is inclined to be wav'ring
Only increases the evil, and spreads it wider and wider;
But the man of firm decision the universe fashions.
'Tis not becoming the Germans to further this fearful commotion,
And in addition to waver uncertainly hither and thither.
'This is our own!' we ought to say, and so to maintain it!
For the world will ever applaud those resolute nations
Who for God and the Law, their wives, and parents, and children
Struggle, and fall when contending against the foeman together.
You are mine; and now what is mine, is mine more than ever.
Not with anxiety will I preserve it, or timidly use it,
But with courage and strength. And if the enemy threaten
Now or hereafter, I'll hold myself ready, and reach down my weapons.
If I know that the house and my parents by you are protected,
I shall expose my breast to the enemy, void of all terror;
And if all others thought thus, then might against might should be measured,
And in the early prospect of peace we should all be rejoicing.'

poem by Johann Wolfgang von Goethe
Submitted by Poetry Lover
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May-Day

Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.

Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.

Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?

As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.

The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.

When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.

The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
'Onward,' he cries, 'your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring.'

Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.

April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.

Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?

Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.

As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.

Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!

Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.

Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.

The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.

The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.

I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.

'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'

Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!

Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.

None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.

So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.

One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.

Who is the Bard thus magnified?
When did he sing, and where abide?

Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.

AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.

Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.

Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?

There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.

For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.

poem by Ralph Waldo Emerson
Submitted by Poetry Lover
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The Task: Book IV. -- The Winter Evening

Hark! ‘tis the twanging horn o’er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright;—
He comes, the herald of a noisy world,
With spatter’d boots, strapp’d waist, and frozen locks;
News from all nations lumbering at his back.
True to his charge, the close-pack’d load behind,
Yet, careless what he brings, his one concern
Is to conduct it to the destined inn,
And, having dropp’d the expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indifferent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears, that trickled down the writer’s cheeks
Fast as the periods from his fluent quill,
Or charged with amorous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But O the important budget! usher’d in
With such heart-shaking music, who can say
What are its tidings? have our troops awaked?
Or do they still, as if with opium drugg’d,
Snore to the murmurs of the Atlantic wave?
Is India free? and does she wear her plumed
And jewell’d turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the tart reply,
The logic, and the wisdom, and the wit,
And the loud laugh—I long to know them all;
I burn to set the imprison’d wranglers free,
And give them voice and utterance once again.

Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful evening in.
Not such his evening, who with shining face
Sweats in the crowded theatre, and, squeezed
And bored with elbow points through both his sides,
Outscolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquillity and smiles.
This folio of four pages, happy work!
Which not e’en critics criticise; that holds
Inquisitive attention, while I read,
Fast bound in chains of silence, which the fair,
Though eloquent themselves, yet fear to break;
What is it but a map of busy life,
Its fluctuations, and its vast concerns?
Here runs the mountainous and craggy ridge
That tempts Ambition. On the summit see
The seals of office glitter in his eyes;
He climbs, he pants, he grasps them! At his heels,
Close at his heels, a demagogue ascends,
And with a dexterous jerk soon twists him down,
And wins them, but to lose them in his turn.
Here rills of oily eloquence, in soft
Meanders, lubricate the course they take;
The modest speaker is ashamed and grieved
To engross a moment’s notice; and yet begs,
Begs a propitious ear for his poor thoughts,
However trivial all that he conceives.
Sweet bashfulness! it claims at least this praise;
The dearth of information and good sense,
That it foretells us, always comes to pass.
Cataracts of declamation thunder here;
There forests of no meaning spread the page,
In which all comprehension wanders lost;
While fields of pleasantry amuse us there
With merry descants on a nation’s woes.
The rest appears a wilderness of strange
But gay confusion; roses for the cheeks
And lilies for the brows of faded age,
Teeth for the toothless, ringlets for the bald,
Heaven, earth, and ocean, plunder’d of their sweets,
Nectareous essences, Olympian dews,
Sermons, and city feasts, and favourite airs,
Æthereal journeys, submarine exploits,
And Katerfelto, with his hair on end
At his own wonders, wondering for his bread.

‘Tis pleasant, through the loopholes of retreat,
To peep at such a world; to see the stir
Of the great Babel, and not feel the crowd;
To hear the roar she sends through all her gates
At a safe distance, where the dying sound
Falls a soft murmur on the uninjured ear.
Thus sitting, and surveying thus at ease
The globe and its concerns, I seem advanced
To some secure and more than mortal height
That liberates and exempts me from them all.
It turns submitted to my view, turns round
With all its generations; I behold
The tumult and am still. The sound of war
Has lost its terrors ere it reaches me;
Grieves, but alarms me not. I mourn the pride
And avarice that make man a wolf to man;
Hear the faint echo of those brazen throats,
By which he speaks the language of his heart,
And sigh, but never tremble at the sound.
He travels and expatiates, as the bee
From flower to flower, so he from land to land;
The manners, customs, policy of all
Pay contribution to the store he gleans;
He sucks intelligence in every clime,
And spreads the honey of his deep research
At his return—a rich repast for me.
He travels, and I too. I tread his deck,
Ascend his topmast, through his peering eyes
Discover countries, with a kindred heart
Suffer his woes, and share in his escapes;
While fancy, like the finger of a clock,
Runs the great circuit, and is still at home.

O Winter, ruler of the inverted year,
Thy scatter’d hair with sleet like ashes fill’d,
Thy breath congeal’d upon thy lips, thy cheeks
Fringed with a beard made white with other snows
Than those of age, thy forehead wrapp’d in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urged by storms along its slippery way,
I love thee, all unlovely as thou seem’st,
And dreaded as thou art! Thou hold’st the sun
A prisoner in the yet undawning east,
Shortening his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gathering, at short notice, in one group
The family dispersed, and fixing thought,
Not less dispersed by daylight and its cares.
I crown thee king of intimate delights,
Fireside enjoyments, homeborn happiness,
And all the comforts that the lowly roof
Of undisturb’d Retirement, and the hours
Of long uninterrupted evening know.
No rattling wheels stop short before these gates;
No powder’d pert proficient in the art
Of sounding an alarm assaults these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flower,
Wrought patiently into the snowy lawn,
Unfolds its bosom; buds, and leaves, and sprigs,
And curling tendrils, gracefully disposed,
Follow the nimble finger of the fair;
A wreath, that cannot fade, of flowers that blow
With most success when all besides decay.
The poet’s or historian’s page by one
Made vocal for the amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice, symphonious, yet distinct,
And in the charming strife triumphant still,
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and unfelt the task proceeds.
The volume closed, the customary rites
Of the last meal commence. A Roman meal,
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak’s domestic shade,
Enjoy’d, spare feast! a radish and an egg!
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note. Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with Memory’s pointing wand,
That calls the past to our exact review,
The dangers we have ‘scaped, the broken snare,
The disappointed foe, deliverance found
Unlook’d for, life preserved, and peace restored,
Fruits of omnipotent eternal love.
O evenings worthy of the gods! exclaim’d
The Sabine bard. O evenings, I reply,
More to be prized and coveted than yours,
As more illumined, and with nobler truths,
That I, and mine, and those we love, enjoy.

Is Winter hideous in a garb like this?
Needs he the tragic fur, the smoke of lamps,
The pent-up breath of an unsavoury throng,
To thaw him into feeling; or the smart
And snappish dialogue, that flippant wits
Call comedy, to prompt him with a smile?
The self-complacent actor, when he views
(Stealing a sidelong glance at a full house)
The slope of faces from the floor to the roof
(As if one master spring controll’d them all),
Relax’d into a universal grin,
Sees not a countenance there that speaks of joy
Half so refined or so sincere as ours.
Cards were superfluous here, with all the tricks
That idleness has ever yet contrived
To fill the void of an unfurnish’d brain,
To palliate dulness, and give time a shove.
Time, as he passes us, has a dove’s wing.
Unsoil’d, and swift, and of a silken sound;
But the World’s Time is Time in masquerade!
Theirs, should I paint him, has his pinions fledged
With motley plumes; and, where the peacock shows
His azure eyes, is tinctured black and red
With spots quadrangular of diamond form,
Ensanguined hearts, clubs typical of strife,
And spades, the emblem of untimely graves.
What should be, and what was an hour-glass once,
Becomes a dice-box, and a billiard mace
Well does the work of his destructive scythe.
Thus deck’d, he charms a world whom Fashion blinds
To his true worth, most pleased when idle most;
Whose only happy are their wasted hours.
E’en misses, at whose age their mothers wore
The backstring and the bib, assume the dress
Of womanhood, fit pupils in the school
Of card-devoted Time, and, night by night
Placed at some vacant corner of the board,
Learn every trick, and soon play all the game.
But truce with censure. Roving as I rove,
Where shall I find an end, or how proceed?
As he that travels far oft turns aside,
To view some rugged rock or mouldering tower,
Which seen delights him not; then, coming home,
Describes and prints it, that the world may know
How far he went for what was nothing worth;
So I, with brush in hand and pallet spread,
With colours mix’d for a far different use,
Paint cards, and dolls, and every idle thing
That Fancy finds in her excursive flights.

Come, Evening, once again, season of peace;
Return, sweet Evening, and continue long!
Methinks I see thee in the streaky west,
With matron step slow moving, while the Night
Treads on thy sweeping train; one hand employ’d
In letting fall the curtain of repose
On bird and beast, the other charged for man
With sweet oblivion of the cares of day:
Not sumptuously adorn’d, not needing aid,
Like homely featured Night, of clustering gems;
A star or two, just twinkling on thy brow
Suffices thee; save that the moon is thine
No less than hers, not worn indeed on high
With ostentatious pageantry, but set
With modest grandeur in thy purple zone,
Resplendent less, but of an ampler round.
Come then, and thou shalt find thy votary calm,
Or make me so. Composure is thy gift:
And, whether I devote thy gentle hours
To books, to music, or the poet’s toil;
To weaving nets for bird-alluring fruit;
Or twining silken threads round ivory reels,
When they command whom man was born to please;
I slight thee not, but make thee welcome still.

Just when our drawing-rooms begin to blaze
With lights, by clear reflection multiplied
From many a mirror, in which he of Gath,
Goliath, might have seen his giant bulk
Whole without stooping, towering crest and all,
My pleasures too begin. But me perhaps
The glowing hearth may satisfy awhile
With faint illumination, that uplifts
The shadows to the ceiling, there by fits
Dancing uncouthly to the quivering flame.
Not undelightful is an hour to me
So spent in parlour twilight: such a gloom
Suits well the thoughtful or unthinking mind,
The mind contemplative, with some new theme
Pregnant, or indisposed alike to all.
Laugh ye, who boast your more mercurial powers,
That never felt a stupor, know no pause,
Nor need one; I am conscious, and confess,
Fearless, a soul that does not always think.
Me oft has Fancy ludicrous and wild
Soothed with a waking dream of houses, towers,
Trees, churches, and strange visages, express’d
In the red cinders, while with poring eye
I gazed, myself creating what I saw.
Nor less amused, have I quiescent watch’d
The sooty films that play upon the bars,
Pendulous and foreboding, in the view
Of superstition, prophesying still,
Though still deceived, some stranger’s near approach.
‘Tis thus the understanding takes repose
In indolent vacuity of thought,
And sleeps and is refresh’d. Meanwhile the face
Conceals the mood lethargic with a mask
Of deep deliberation, as the man
Were task’d to his full strength, absorb’d and lost.
Thus oft, reclined at ease, I lose an hour
At evening, till at length the freezing blast,
That sweeps the bolted shutter, summons home
The recollected powers; and, snapping short
The glassy threads with which the fancy weaves
Her brittle toils, restores me to myself.
How calm is my recess; and how the frost,
Raging abroad, and the rough wind, endear
The silence and the warmth enjoy’d within!
I saw the woods and fields at close of day
A variegated show; the meadows green,
Though faded; and the lands, where lately waved
The golden harvest, of a mellow brown,
Upturn’d so lately by the forceful share.
I saw far off the weedy fallows smile
With verdure not unprofitable, grazed
By flocks, fast feeding, and selecting each
His favourite herb; while all the leafless groves
That skirt the horizon, wore a sable hue
Scarce noticed in the kindred dusk of eve.
To-morrow brings a change, a total change!
Which even now, though silently perform’d,
And slowly, and by most unfelt, the face
Of universal nature undergoes.
Fast falls a fleecy shower: the downy flakes
Descending, and with never-ceasing lapse,
Softly alighting upon all below,
Assimilate all objects. Earth receives
Gladly the thickening mantle; and the green
And tender blade, that fear’d the chilling blast,
Escapes unhurt beneath so warm a veil.

In such a world so thorny, and where none
Finds happiness unblighted; or, if found,
Without some thistly sorrow at its side;
It seems the part of wisdom, and no sin
Against the law of love, to measure lots
With less distinguish’d than ourselves; that thus
We may with patience bear our moderate ills,
And sympathise with others suffering more.
Ill fares the traveller now, and he that stalks
In ponderous boots beside his reeking team.
The wain goes heavily, impeded sore
By congregated loads, adhering close
To the clogg’d wheels; and in its sluggish pace
Noiseless appears a moving hill of snow.
The toiling steeds expand the nostril wide,
While every breath, by respiration strong
Forced downward, is consolidated soon
Upon their jutting chests. He, form’d to bear
The pelting brunt of the tempestuous night,
With half-shut eyes, and pucker’d cheeks, and teeth
Presented bare against the storm, plods on.
One hand secures his hat, save when with both
He brandishes his pliant length of whip,
Resounding oft, and never heard in vain.
O happy; and, in my account, denied
That sensibility of pain with which
Refinement is endued, thrice happy thou!
Thy frame, robust and hardy, feels indeed
The piercing cold, but feels it unimpair’d.
The learned finger never need explore
Thy vigorous pulse; and the unhealthful east,
That breathes the spleen, and searches every bone
Of the infirm, is wholesome air to thee.
Thy days roll on exempt from household care;
Thy waggon is thy wife, and the poor beasts,
That drag the dull companion to and fro,
Thine helpless charge, dependent on thy care.
Ah, treat them kindly! rude as thou appear’st,
Yet show that thou hast mercy! which the great,
With needless hurry whirl’d from place to place,
Humane as they would seem, not always show.

Poor, yet industrious, modest, quiet, neat,
Such claim compassion in a night like this,
And have a friend in every feeling heart.
Warm’d, while it lasts, by labour all day long,
They brave the season, and yet find at eve,
Ill clad, and fed but sparely, time to cool.
The frugal housewife trembles when she lights
Her scanty stock of brushwood, blazing clear,
But dying soon, like all terrestrial joys.
The few small embers left she nurses well;
And, while her infant race, with outspread hands,
And crowded knees, sit cowering o’er the sparks,
Retires, content to quake, so they be warm’d.
The man feels least, as more inured than she
To winter, and the current in his veins
More briskly moved by his severer toil;
Yet he too finds his own distress in theirs.
The taper soon extinguish’d, which I saw
Dangled along at the cold finger’s end
Just when the day declined; and the brown loaf
Lodged on the shelf, half eaten without sauce
Of savoury cheese, or butter, costlier still;
Sleep seems their only refuge: for, alas!
Where penury is felt the thought is chain’d,
And sweet colloquial pleasures are but few!
With all this thrift they thrive not. All the care,
Ingenious Parsimony takes, but just
Saves the small inventory, bed, and stool,
Skillet, and old carved chest, from public sale.
They live, and live without extorted alms
From grudging hands; but other boast have none
To soothe their honest pride, that scorns to beg,
Nor comfort else, but in their mutual love.
I praise you much, ye meek and patient pair,
For ye are worthy; choosing rather far
A dry but independent crust, hard earn’d,
And eaten with a sigh, than to endure
The rugged frowns and insolent rebuffs
Of knaves in office, partial in the work
Of distribution, liberal of their aid
To clamorous importunity in rags,
But ofttimes deaf to suppliants, who would blush
To wear a tatter’d garb however coarse,
Whom famine cannot reconcile to filth:
These ask with painful shyness, and refused
Because deserving, silently retire!
But be ye of good courage! Time itself
Shall much befriend you. Time shall give increase;
And all your numerous progeny, well train’d,
But helpless, in few years shall find their hands,
And labour too. Meanwhile ye shall not want
What, conscious of your virtues, we can spare,
Nor what a wealthier than ourselves may send.
I mean the man who, when the distant poor
Need help, denies them nothing but his name.

But poverty with most, who whimper forth
Their long complaints, is self-inflicted woe;
The effect of laziness or sottish waste.
Now goes the nightly thief prowling abroad
For plunder; much solicitous how best
He may compensate for a day of sloth
By works of darkness and nocturnal wrong.
Woe to the gardener’s pale, the farmer’s hedge,
Plash’d neatly, and secured with driven stakes
Deep in the loamy bank! Uptorn by strength,
Resistless in so bad a cause, but lame
To better deeds, he bundles up the spoil,
An ass’s burden, and, when laden most
And heaviest, light of foot steals fast away;
Nor does the boarded hovel better guard
The well-stack’d pile of riven logs and roots
From his pernicious force. Nor will he leave
Unwrench’d the door, however well secured,
Where Chanticleer amidst his harem sleeps
In unsuspecting pomp. Twitch’d from the perch,
He gives the princely bird, with all his wives,
To his voracious bag, struggling in vain,
And loudly wondering at the sudden change.
Nor this to feed his own. ‘Twere some excuse,
Did pity of their sufferings warp aside
His principle, and tempt him into sin
For their support, so destitute. But they
Neglected pine at home; themselves, as more
Exposed than others, with less scruple made
His victims, robb’d of their defenceless all.
Cruel is all he does. ‘Tis quenchless thirst
Of ruinous ebriety that prompts
His every action, and imbrutes the man.
O for a law to noose the villain’s neck
Who starves his own; who persecutes the blood
He gave them in his children’s veins, and hates
And wrongs the woman he has sworn to love!

Pass where we may, through city or through town,
Village, or hamlet, of this merry land,
Though lean and beggar’d, every twentieth pace
Conducts the unguarded nose to such a whiff
Of stale debauch, forth issuing from the styes
That law has licensed, as makes temperance reel.
There sit, involved and lost in curling clouds
Of Indian fume, and guzzling deep, the boor,
The lackey, and the groom: the craftsman there
Takes a Lethean leave of all his toil;
Smith, cobbler, joiner, he that plies the shears,
And he that kneads the dough; all loud alike,
All learned, and all drunk! the fiddle screams
Plaintive and piteous, as it wept and wail’d
Its wasted tones and harmony unheard:
Fierce the dispute, whate’er the theme; while she,
Fell Discord, arbitress of such debate,
Perch’d on the sign-post, holds with even hand
Her undecisive scales. In this she lays
A weight of ignorance; in that, of pride;
And smiles delighted with the eternal poise.
Dire is the frequent curse, and its twin sound,
The cheek-distending oath, not to be praised
As ornamental, musical, polite,
Like those which modern senators employ,
Whose oath is rhetoric, and who swear for fame!
Behold the schools in which plebeian minds,
Once simple, are initiated in arts,
Which some may practise with politer grace,
But none with readier skill!—’tis here they learn
The road that leads from competence and peace
To indigence and rapine; till at last
Society, grown weary of the load,
Shakes her encumber’d lap, and casts them out.
But censure profits little: vain the attempt
To advertise in verse a public pest,
That, like the filth with which the peasant feeds
His hungry acres, stinks, and is of use.
The excise is fatten’d with the rich result
Of all this riot; and ten thousand casks,
For ever dribbling out their base contents,
Touch’d by the Midas finger of the state,
Bleed gold for ministers to sport away.
Drink, and be mad then; ‘tis your country bids!
Gloriously drunk, obey the important call!
Her cause demands the assistance of your throat;—
Ye all can swallow, and she asks no more.

Would I had fallen upon those happier days,
That poets celebrate; those golden times,
And those Arcadian scenes, that Maro sings,
And Sidney, warbler of poetic prose.
Nymphs were Dianas then, and swains had hearts
That felt their virtues: Innocence, it seems,
From courts dismiss’d, found shelter in the groves;
The footsteps of Simplicity, impress’d
Upon the yielding herbage (so they sing)
Then were not all effaced: then speech profane
And manners profligate were rarely found,
Observed as prodigies, and soon reclaim’d.
Vain wish! those days were never: airy dreams
Sat for the picture: and the poet’s hand,
Imparting substance to an empty shade,
Imposed a gay delirium for a truth.
Grant it:—I still must envy them an age
That favour’d such a dream; in days like these
Impossible, when Virtue is so scarce,
That to suppose a scene where she presides,
Is tramontane, and stumbles all belief.
No: we are polish’d now! The rural lass,
Whom once her virgin modesty and grace,
Her artless manners, and her neat attire,
So dignified, that she was hardly less
Than the fair shepherdess of old romance,
Is seen no more. The character is lost!
Her head, adorn’d with lappets pinn’d aloft,
And ribands streaming gay, superbly raised,
And magnified beyond all human size,
Indebted to some smart wig-weaver’s hand
For more than half the tresses it sustains;
Her elbows ruffled, and her tottering form
Ill propp’d upon French heels; she might be deem’d
(But that the basket dangling on her arm
Interprets her more truly) of a rank
Too proud for dairy work, or sale of eggs.
Expect her soon with footboy at her heels,
No longer blushing for her awkward load,
Her train and her umbrella all her care!

The town has tinged the country; and the stain
Appears a spot upon a vestal’s robe,
The worse for what it soils. The fashion runs
Down into scenes still rural; but, alas!
Scenes rarely graced with rural manners now!
Time was when in the pastoral retreat
The unguarded door was safe; men did not watch
To invade another’s right, or guard their own.
Then sleep was undisturb’d by fear, unscared
By drunken howlings; and the chilling tale
Of midnight murder was a wonder heard
With doubtful credit, told to frighten babes.
But farewell now to unsuspicious nights,
And slumbers unalarm’d! Now, ere you sleep,
See that your polish’d arms be primed with care,
And drop the night bolt;—ruffians are abroad;
And the first ‘larum of the cock’s shrill throat
May prove a trumpet, summoning your ear
To horrid sounds of hostile feet within.
E’en daylight has its dangers; and the walk
Through pathless wastes and woods, unconscious once
Of other tenants than melodious birds,
Or harmless flocks, is hazardous and bold.
Lamented change! to which full many a cause
Inveterate, hopeless of a cure, conspires.
The course of human things from good to ill,
From ill to worse, is fatal, never fails.
Increase of power begets increase of wealth;
Wealth luxury, and luxury excess;
Excess, the scrofulous and itchy plague,
That seizes first the opulent, descends
To the next rank contagious, and in time
Taints downward all the graduated scale
Of order, from the chariot to the plough.
The rich, and they that have an arm to check
The licence of the lowest in degree,
Desert their office; and themselves, intent
On pleasure, haunt the capital, and thus
To all the violence of lawless hands
Resign the scenes their presence might protect.
Authority herself not seldom sleeps,
Though resident, and witness of the wrong.
The plump convivial parson often bears
The magisterial sword in vain, and lays
His reverence and his worship both to rest
On the same cushion of habitual sloth.
Perhaps timidity restrains his arm;
When he should strike he trembles, and sets free,
Himself enslaved by terror of the band,
The audacious convict, whom he dares not bind.
Perhaps, though by profession ghostly pure,
He too may have his vice, and sometimes prove
Less dainty than becomes his grave outside
In lucrative concerns. Examine well
His milk-white hand; the palm is hardly clean—
But here and there an ugly smutch appears.
Foh! ‘twas a bribe that left it: he has touch’d
Corruption! Whoso seeks an audit here
Propitious, pays his tribute, game or fish,
Wildfowl or venison, and his errand speeds.

But faster far, and more than all the rest,
A noble cause, which none who bears a spark
Of public virtue, ever wish’d removed,
Works the deplored and mischievous effect.
‘Tis universal soldiership has stabb’d
The heart of merit in the meaner class.
Arms, through the vanity and brainless rage
Of those that bear them, in whatever cause,
Seem most at variance with all moral good,
And incompatible with serious thought.
The clown, the child of nature, without guile,
Blest with an infant’s ignorance of all
But his own simple pleasures; now and then
A wrestling-match, a foot-race, or a fair;
Is balloted, and trembles at the news:
Sheepish he doffs his hat, and mumbling swears
A bible-oath to be whate’er they please,
To do he knows not what. The task perform’d,
That instant he becomes the serjeant’s care,
His pupil, and his torment, and his jest.
His awkward gait, his introverted toes,
Bent knees, round shoulders, and dejected looks,
Procure him many a curse. By slow degrees
Unapt to learn, and form’d of stubborn stuff,
He yet by slow degrees puts off himself,
Grows conscious of a change, and likes it well:
He stands erect; his slouch becomes a walk;
He steps right onward, martial in his air,
His form, and movement; is as smart above
As meal and larded locks can make him; wears
His hat, or his plumed helmet, with a grace;
And, his three years of heroship expired,
Returns indignant to the slighted plough.
He hates the field, in which no fife or drum
Attends him; drives his cattle to a march;
And sighs for the smart comrades he has left.
‘Twere well if his exterior change were all—
But with his clumsy port the wretch has lost
His ignorance and harmless manners too.
To swear, to game, to drink; to show at home,
By lewdness, idleness, and Sabbath beach,
The great proficiency he made abroad;
To astonish and to grieve his gazing friends;
To break some maiden’s and his mother’s heart;
To be a pest where he was useful once;
Are his sole aim, and all his glory now.

Man in society is like a flower
Blown in its native bed: ‘tis there alone
His faculties, expanded in full bloom,
Shine out; there only reach their proper use.
But man, associated and leagued with man
By regal warrant, or self-join’d by bond
For interest sake, or swarming into clans
Beneath one head for purposes of war,
Like flowers selected from the rest, and bound
And bundled close to fill some crowded vase,
Fades rapidly, and, by compression marr’d,
Contracts defilement not to be endured.
Hence charter’d burghs are such public plagues;
And burghers, men immaculate perhaps
In all their private functions, once combined,
Become a loathsome body, only fit
For dissolution, hurtful to the main.
Hence merchants, unimpeachable of sin
Against the charities of domestic life,
Incorporated, seem at once to lose
Their nature; and, disclaiming all regard
For mercy and the common rights of man,
Build factories with blood, conducting trade
At the sword’s point, and dyeing the white robe
Of innocent commercial Justice red.
Hence too the field of glory, as the world
Misdeems it, dazzled by its bright array,
With all its majesty of thundering pomp,
Enchanting music and immortal wreaths,
Is but a school where thoughtlessness is taught
On principle, where foppery atones
For folly, gallantry for every vice.

But slighted as it is, and by the great
Abandon’d, and, which still I more regret,
Infected with the manners and the modes
It knew not once, the country wins me sill.
I never framed a wish, or form’d a plan,
That flatter’d me with hopes of earthly bliss,
But there I laid the scene. There early stray’d
My fancy, ere yet liberty of choice
Had found me, or the hope of being free.
My very dreams were rural; rural too
The firstborn efforts of my youthful muse,
Sportive, and jingling her poetic bells
Ere yet her ear was mistress of their powers.
No bard could please me but whose lyre was tuned
To Nature’s praises. Heroes and their feats
Fatigued me, never weary of the pipe
Of Tityrus, assembling, as he sang,
The rustic throng beneath his favourite beech.
Then Milton had indeed a poet’s charms:
New to my taste, his Paradise surpass’d
The struggling efforts of my boyish tongue
To speak its excellence. I danced for joy.
I marvell’d much that, at so ripe an age
As twice seven years, his beauties had then first
Engaged my wonder; and admiring still,
And still admiring, with regret supposed
The joy half lost, because not sooner found.
There too, enamour’d of the life I loved,
Pathetic in its praise, in its pursuit
Determined, and possessing it at last,
With transports, such as favour’d lovers feel,
I studied, prized, and wish’d that I had known
Ingenious Cowley! and, though now reclaim’d
By modern lights from an erroneous taste,
I cannot but lament thy splendid wit
Entangled in the cobwebs of the schools.
I still revere thee, courtly though retired;
Though stretch’d at ease in Chertsey’s silent bowers,
Not unemployed; and finding rich amends
For a lost world in solitude and verse.
‘Tis born with all: the love of Nature’s works
Is an ingredient in the compound man,
Infused at the creation of the kind.
And, though the Almighty Maker has throughout
Discriminated each from each, by strokes
And touches of his hand, with so much art
Diversified, that two were never found
Twins at all points—yet this obtains in all,
That all discern a beauty in his works,
And all can taste them: minds that have been form’d
And tutor’d, with a relish more exact,
But none without some relish, none unmoved.
It is a flame that dies not even there
Where nothing feeds it: neither business, crowds,
Nor habits of luxurious city life,
Whatever else they smother of true worth
In human bosoms, quench it or abate.
The villas with which London stands begirt
Like a swarth Indian with his belt of beads
Prove it. A breath of unadulterate air,
The glimpse of a green pasture, how they cheer
The citizen, and brace his languid frame!
E’en in the stifling bosom of the town
A garden, in which nothing thrives, has charms
That soothe the rich possessor; much consoled,
That here and there some sprigs of mournful mint,
Of nightshade, or valerian, grace the well
He cultivates. These serve him with a hint
That Nature lives; that sight-refreshing green
Is still the livery she delights to wear,
Though sickly samples of the exuberant whole.
What are the casements lined with creeping herbs,
The prouder sashes fronted with a range
Of orange, myrtle, or the fragrant weed,
The Frenchman’s darling? are they not all proofs
That man, immured in cities, still retains
His inborn inextinguishable thirst
Of rural scenes, compensating his loss
By supplemental shifts, the best he may,
The most unfurnish’d with the means of life,
And they that never pass their brick-wall bounds,
To range the fields and treat their lungs with air,
Yet feel the burning instinct: over head
Suspend their crazy boxes, planted thick,
And water’d duly. There the pitcher stands,
A fragment, and the spoutless teapot there;
Sad witnesses how close-pent man regrets
The country, with what ardour he contrives
A peep at Nature, when he can no more.

Hail, therefore, patroness of health and ease,
And contemplation, heart-consoling joys,
And harmless pleasures, in the throng’d abode
Of multitudes unknown! hail, rural life!
Address himself who will to the pursuit
Of honours, or emolument, or fame;
I shall not add myself to such a chase,
Thwart his attempts, or envy his success.
Some must be great. Great offices will have
Great talents. And God gives to every man
The virtue, temper, understanding, taste,
That lifts him into life, and lets him fall
Just in the niche he was ordain’d to fill.
To the deliverer of an injured land
He gives a tongue to enlarge upon, a heart
To feel, and courage to redress her wrongs;
To monarchs dignity; to judges sense;
To artists ingenuity and skill;
To me an unambitious mind, content
In the low vale of life, that early felt
A wish for ease and leisure, and ere long
Found here that leisure and that ease I wish’d.

poem by William Cowper
Submitted by Poetry Lover
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
To wither her away. The big tears burst
From out her flashing eyes, which turn'd on him
With agony, reproach, and fear, while dim
Each object swam in her uncertain sight,
And nature's glories took the hue of night.
There was, in spite of all her passion's storm,
A wild revolting beauty in her form;
A beauty as of sin, when first she comes
To tempt us from our calm and pleasant homes.
Her voice, with the appealing tone it took,
Her soft clear voice, belied her fearless look:
And woman's tenderness seem'd still to dwell
In that full bosom's agonizing swell.
And he stood there, the worshipp'd one of years--
Sick of her fondness--angry at her tears;
Choking the loathing words which rose within
The heart whose passion tempted her to sin;
While with a strange sad smile lost hours she mourns,
And prays and weeps, and weeps and prays by turns.

A moment yet he paused, and sigh'd--a sigh
Of deep, deep bitterness; and on his eye
Love's gentle shadow rested for a space--
And faded feelings brighten'd o'er his face.
'Twas but a moment, and he turn'd in wrath
To quench the sunshine on her lonely path.
And his lip curl'd, as on that alter'd cheek
His cold glance rested--while, all faint and weak,
With tearful sad imploring gaze she stood,
Watching with trembling heart his changeful mood;
Her thin lips parted with a ghastly smile,
She strove to please--yet felt she fail'd the while.
And thus his words burst forth:' And dost thou dare
Reproach me with the burden of thy care?
Accuse thy self-will'd heart, where passion reign'd;
Some other hand the lily might have stain'd,
For thou didst listen when none else approved,
Proud in thy strength, and eager to be loved.
Rose of the morning, how thy leaves are gone!
How art thou faded since the sunrise shone!
Think not my presence was the cause of all--
Oh no, thy folly would have made thee fall:
Alike thy woe--alike the cause of blame--
Another tempter, but thine act the same.
And tell me not of all I said or swore:
Poor wretch! art thou as in the days of yore?

Thing of the wanton heart and faded brow,
Whate'er I said or did--I loathe thee now!'
The frozen tears sank back beneath the lid,
Whose long black lashes half their sadness hid--
And with a calm and stedfast look, which spoke
Unutterable scorn, her spirit woke:--
'And thou art he, for whom my young heart gave
All hope of pardon on this side the grave!
For whom I still have struggled on, for years,
Through days of bitterness and nights of tears!--
True, I am changed since that bright summer's day,
When first from home love lured my steps to stray:
And true it is that art hath sought to hide
The work of woe which all my words belied;--
But for whose sake have I with watchful care,
Though sick at heart, endeavour'd to be fair?
For whom, when daylight broke along the skies,
Have I with fear survey'd my weeping eyes?
For whom, with trembling fingers sought to dress
Each woe-worn feature with mock loveliness?
Chased the pale sickness from my darken'd brow,
And strove to listen, calm--as I do now?
For whom--if not for thee?--Oh! had I been
Pure as the stainless lily--were each scene
Of guilt and passion blotted from that book
Where weepingly and sad the angels look--

Did I stand here the calm approved wife,
Bound to thee by the chain that binds for life--
Could I have loved thee more? The dream is past--
I who forsook, am lonely at the last!
One hour ago the thought that we must part,
And part for ever, would have broke my heart:
But now--I cast thee from me! Go and seek
To pale the roses on a fresher cheek.
Why lingerest thou? Dost fear, when thou art gone,
My woman's heart will wake, and live alone?
Fear not--the specious tongue whose well-feign'd tale
Hath lured the dove to leave her native vale,
May use its art some other to beguile;
And the approving world--will only smile.
But she who sins, and suffers for that sin,
Who throws the dangerous die, and doth not win--
Loves once--and loves no more!' He glided by,
And she turn'd from him with a shuddering sigh.

'I saw the widower mournful stand,
Gazing out on the sea and the land;
O'er the yellow corn and the waving trees,
And the blue stream rippling in the breeze.
Oh! beautiful seem the earth and sky--
Why doth he heave that bitter sigh?

Vain are the sunshine and brightness to him--
His heart is heavy, his eyes are dim.
His thoughts are not with the moaning sea,
Though his gaze be fix'd on it vacantly:
His thoughts are far, where the dark boughs wave
O'er the silent rest of his Mary's grave.
He starts, and brushes away the tear;
For the soft small voices are in his ear,
Of the bright-hair'd angels his Mary left
To comfort her lonely and long bereft.
With a gush of sorrow he turns to press
His little ones close with a fond caress,
And they sigh--oh! not because Mary sleeps,
For she is forgotten--but that HE weeps.
Yes! she is forgotten--the patient love,
The tenderness of that meek-eyed dove,
The voice that rose on the evening air
To bid them kneel to the God of prayer,
The joyous tones that greeted them, when
After a while she came again--
The pressure soft of her rose-leaf cheek--
The touch of her hand, as white and weak
She laid it low on each shining head,
And bless'd the sons of the early dead:
All is forgotten--all past away
Like the fading close of a summer's day:

Or the sound of her voice (though they scarce can tell
Whose voice it was, that they loved so well)
Comes with their laughter, a short sweet dream--
As the breeze blows over the gentle stream,
Rippling a moment its quiet breast,
And leaving it then to its sunny rest.
But he!--oh! deep in his inmost soul,
Which hath drunk to the dregs of sorrow's bowl--
Her look--and her smile--the lightest word
Of the musical voice he so often heard,
And never may hear on earth again,
Though he love it more than he loved it then--
Are buried--to rise at times unbid
And force hot tears to the burning lid:
The mother that bore her may learn to forget,
But he will remember and weep for her yet!
Oh! while the heart where her head hath lain
In its hours of joy, in its sighs of pain;
While the hand which so oft hath been clasp'd in hers
In the twilight hour, when nothing stirs--
Beat with the deep, full pulse of life--
Can he forget his gentle wife?
Many may love him, and he in truth
May love; but not with the love of his youth:
Ever amid his joy will come
A stealing sigh for that long-loved home,
And her step and her voice will go gliding by
In the desolate halls of his memory!

'I saw a father weeping, when the last
Of all his dear ones from his sight had past--
The young lamb, in his solitary fold,
Who should have buried him, for he was old.
Silently she had pass'd away from earth,
Beloved by none but him who gave her birth:
And now he sat, with haggard look and wild,
By the lone tomb of his forgotten child:--

'None remember thee! thou whose heart
Pour'd love on all around.
Thy name no anguish can impart--
'Tis a forgotten sound.
Thine old companions pass me by
With a cold bright smile, and a vacant eye--
And none remember thee
Save me.
'None remember thee! thou wert not
Beauteous as some things are;
No glory beam'd upon thy lot,
My pale and quiet star.
Like a winter bud that too soon hath burst,
Thy cheek was fading from the first--

And none remember thee
Save me!
'None remember thee! they could spy
Nought, when they gazed on thee,
But thy soul's deep love in thy quiet eye--
It hath pass'd from their memory.
The gifts of genius were not thine
Proudly before the world to shine--
And none remember thee
Save me!
'None remember thee! now thou'rt gone,
Or they could not choose but weep,--
When they think of thee, my gentle one,
In thy long and lonely sleep.
Fain would I murmur thy name, and tell
How fondly together we used to dwell--
But none remember thee
Save me!'

'I saw a husband, and a guilty wife,
Who once made all the sunshine of his life,
Kneeling upon the threshold of her home,
Where heavily her weary feet had come:
A faded form, a humble brow, are hers--
The livery which sinful sorrow wears;

While with deep agony she lifts her eyes,
And prays him to forgive her, ere she dies!
Long days--long days swell in his broken heart,
When death had seem'd less bitter than to part--
When in her innocence her hush'd lip spoke
The faint confession of the love he woke;
And the first kiss on that pure cheek impress'd,
Made her shrink, trembling, from his faithful breast.
And after years when her light footstep made
Most precious music--when in sun or shade
She was the same bright, happy, loving thing--
Low at his feet she now lies withering!
His half-stretch'd hand already bids her be
Forgiven and at peace--his kindly eye
Is turn'd on her through tears, to think that she,
His purely-loved, should bide such agony.
Already on his tongue the quivering word
Of comfort trembles, though as yet unheard;
Already he hath bent o'er that pale face:
Why starts he, groaning, from her wild embrace?
Oh! as she clasp'd his knees, her full heart woke
To all its tenderness--a murmur broke
Forth from her lip; the cherish'd name of one
Whose image dwelt when purity was gone,
Secure amid the ruins of lost things,
Filling her soul with soft imaginings,

Like a lone flower within the moss-grown halls
Where echo vainly unto echo calls.
Deep wrath, and agony, and vain despair,
Are painted on his brow who hears her prayer.
'Breathe not her name--it is a sound
Of fearfulness and dread.
Seest thou no trace of tears around?
Yet have salt tears been shed!
Thy babe who nestled at thy breast,
And laugh'd upon thy knee;
That creature of the quiet rest,
Thy child--was too like thee!
The careless fawn that lightly springs--
The rosebud in the dew--
The fair of nature's fairy things--
Like them thy daughter grew.
And then she left her father's side,
Not, woman! as a happy bride,
With a tearful smile, half sad, half meek;
The flush of guilt was on her cheek:
And in the desert wilds I sought--
And in the haunts of men.
Woman! what thou hast felt is naught
To what I suffer'd then.
I thought that--but it may not be--
I thought I could have pardon'd thee;

But when I dream of her, and think
Thy steps led on to ruin's brink--
Oh she is gone, and thou art here
Where ye both were of yore--
To mock with late-repentant tear
Hopes which may come no more!
Hadst thou, frail wretch, been by her still,
To shield her gentle head from ill--
To do thy mother's part--but go--
I will not curse thee, in my woe :
Only, depart!--and haply when
Lonely and left I die,
Thy pardon'd form shall rise again
And claim one parting sigh!'
He closed on her the portal of her home,
Where never more her weary feet may come--
And their wrung hearts are sever'd till that day
When God shall hear, and judge the things of clay.

'I saw the parricide raving stand,
With a rolling eye, and a bloody hand;
Through his thick chill veins the curdling stream
Flows dark and languid. No sunny beam
Can wake the deep pulse of his heart to joy,
Since he raised his murderous hand to destroy.
By day, by night, no pause is given
Of hope to the soul accursed by Heaven.
Through the riotous feast; through his own dull groans;
Through the musical sound of his loved one's tones;
Through the whispering breath of the evening air,
Faulters the old man's dying prayer.
Few were the words he spoke as he sank;
And the greedy poniard his life-blood drank:
'Spare me, my son, I will yield thee all.'
Oh, what would the murderer give to recall
One murmuring sigh to that silent tongue,
Which in infancy sought his ear to please;
One pulse of life, to the hands that clung
Feebly and tremblingly round his knees!
In vain! he hath won the gold he sought;
And the burning agony of thought
Shall haunt him still, till he lays his head
With a shuddering groan on his dying bed!

'I saw a young head bow'd in its deep woe,
Ev'n unto death; and sad, and faint, and slow,
As she sat lonely in her hall of tears,
Her lips address'd some shade of other years:
'Oh! dear to the eyes that are weeping
Was thy form, my lost love:
Though the heart where thine image is sleeping
Its truth might not prove.
I have wept and turn'd from thee, for fear thou shouldst trace
All the love that I bore thee, deep writ on my face.
But oh! could we once more be meeting,
As then, love, we met:
Could I feel that fond heart of thine beating,
Close, close, to mine yet:
I would cling to thee, dearest, nor fear thou shouldst guess
How deeply thy welcome had power to bless,
Oh! tis not for a day, or an hour,
I part from thee now,
To weep and shake off, like a flower,
The tears from my brow:
'Tis to sit dreaming idly of days that are gone,
And start up to remember--that I am alone.
They say that my heart hath recover'd
The deep bitter blow;
That the cloud which for long days hath hover'd,
Is gone from my brow;
That my eyes do not weep, and my lips wear a smile;
It is true --but I do not forget thee the while.
Oh, they know not, amidst all my gladness,
Thy shadow is there:

They feel not the deep thrill of sadness,
Nor the soul's lone despair.
They see not the sudden quick pang, when thy name
Is carelessly utter'd, to praise or to blame!
If to gaze on each long-treasured token
Till bitter tears flow,
And to wonder my heart is not broken
By the weight of its woe:
To join in the world's loud and 'wildering din,
While a passionate feeling is choking within:
If to yearn, in the arms that once bound thee,
To lean down my head;
With the dear ones who used to come round thee,
Salt tear-drops to shed:
If to list to the voice that is like thine, in vain;
And feel its dim echo ring wild through my brain:
If to dream there were pleasure in meeting
Those who once were with thee:
To murmur a sad farewell greeting,
Then sink on my knee;
With my straining hands clasp'd to the Heavens in prayer,
And my choked bosom heaving with grief and despair:
If to sit and to think of thee only,
While they laugh round the hearth;
And feel my full heart grow more lonely
At the sound of their mirth:--
If this be forgetting thee, dear one and good--
Forget thee--forget thee--Oh God! that I could!'

'I saw the child of parents poor,
Dreaming with pain of her cottage door;
Which she left for the splendour which may not cheer--
Pomp hath not power to dry one tear.
The palace--the sunshine--what are they to her
'Mid the heart's full throb, and the bosom's stir?
The picture that rises bedimm'd with tears,
Is an aged woman, bow'd down by years;
Sitting alone in her evening's close,
And feebly weeping for many woes.
Her thin hands are weaving the endless thread,
Her faded eyes gaze where her daughter fled,
O'er the moss-grown copse and the wooded hill:
'Oh! would that I were with my mother still!
That I were with her who rear'd me up--
(And I fill'd to the brim her sorrow's cup)--
That I were with her who taught me to pray
At the morning's dawn and the close of day--
That I were with her whose harshest look
Was half of sorrow and half rebuke.
Oh! the depth of my sin I never could see,
But I feel it now, with the babe on my knee.'

The high proud gaze of her scornful eye
Is quench'd with the tears for days gone by;
And her little one starts from its broken rest,
Woke by the sobs of that heaving breast.
She gazes with fear on its undimm'd brow--
What are the thoughts that lurk below?
Perchance, like her own, the day will come
When its name shall be hush'd in its parent home;
When the hearts that cherish its lightest tone,
Shall wish that the sound from earth were gone.
Perchance it is doom'd to an early grave,
Or a struggling death on the stormy wave;
Or the fair little dimpled hand that clings
So fast in her soft hair's shining rings,
May be dark with the blood of his fellow-men,
And the clanking chain hang round it then.
Haply, forgetting her patient care,
The young, bright creature slumbering there,
Shall forsake her--as she hath forsaken them--
For a heavy heart and a diadem!
She clasps it strong with a burning kiss--
'Oh God! in thy mercy, spare me this.''

'I saw a widow, by her cherish'd son,
Ere all of light, and life, and hope, was gone--
When the last dying glance was faintly raised,
Ere death with withering power the brightness glazed
Of those deep heavenly eyes: a glance which seem'd
To ask her, if the world where he had dream'd
Such dreams of happiness with her, must be
Forsaken in the spring-tide of his glee:
If he indeed must die. I saw her take
His hand, and gaze, as if her heart would break,
On his pale brow and languid limbs of grace,
And wipe the death-dew gently from his face.
I saw her after, when the unconscious clay,
Deaf to her wild appeals, all mutely lay,
With brow upturn'd, and parted lips, whose hue
Was scarce more pale than hers, who met my view.
She stood, and wept not in her deep despair,
But press'd her lips upon his shining hair
With a long bitter kiss, and then with grief--
Like hers of old, who pray'd and found relief--
She groan'd to God, and watch'd to see him stir,
But, ah! no prophet came, to raise him up for her!

'I saw the orphan go forth in dread
Through the pitiless world, and turn to gaze
Once more on the dark and narrow bed
Where sleep the authors of her days.
Well may she weep them, for never more,
After she turns from that cottage door,
Will her young heart beat to a kindly word,
Such as in early days she heard:
Or her young eye shine, as she hastens her pace
To bask in the light of a loved one's face.
Her lot is cast;
Her hope is past;
The careless, the cold, and the cruel may come
To gaze on the orphan, and pass her by:
But a word, or a sound, or a look of home--
For them she must bow her head, and die!

'I saw the dark and city-clouded spot,
Where, by his busy patrons all forgot,
The young sad poet dreams of better days,
And gives his genius forth in darken'd rays.
Chill o'er his soul, gaunt poverty hath thrown
Her veil of shadows, as he sighs alone;
And, withering up the springs and streams of youth,
Left him to feel misfortune's bitter truth,
And own with deep, impassion'd bitterness,
Who would describe--must faintly feel, distress.
Slowly he wanders, with a languid pace,
To the small window of his hiding-place;

Pressing with straining force, all vainly now,
His hot, weak fingers on his throbbing brow;
And seeking for bright thoughts, which care and pain
Have driven from his dim and 'wilder'd brain.
He breathes a moment that unclouded air,
And gazes on the face of nature there--
Longing for fresh wild flowers and verdant fields,
And all the joys the open sunshine yields:
Then turning, he doth rest his heavy eye
Where his torn papers in confusion lie,
And raves awhile, and seats himself again,
To toil and strive for thoughts and words, in vain:
Till he can bid his drooping fancy feel,
And barter genius, for a scanty meal!

'I've been where fell disease a war hath waged
Against young joy,--where pestilence hath raged,
And beauty hath departed from the earth
With none to weep her.--I have seen the birth
Of the lorn infant, greeted but with tears,
And dim forebodings, and remorseful fears,
When to the weary one the grave would show
Less dreadful than a long long life of woe.
I've been in prisons, where in lone despair,
Barr'd from God's precious gifts, the sun and air,
The debtor pines, for a little gold,
His fellow man in iron chains would hold:
There have I seen the bright inquiring eye
Fade into dull and listless vacancy;
There have I seen the meek grow stern and wild;
And the strong man sit weeping like a child;
Till God's poor tortured creatures in their heart
Were fain to Curse their Maker, and depart.
All have I seen--and I have watch'd apart
The fruitless struggles of a breaking heart,
Bruised, crush'd, and wounded by the spoiler's power,
And left to wither like a trodden flower;
Till I have learnt with ease each thought to trace
That flush'd across the fair and fading face,
And known the source of tears, which day by day
Weakness hath shed, and pride hath brush'd away.

'It was in Erin--in the autumn time,
By the broad Shannon's banks of beauty roaming;
I saw a scene of mingled woe and crime--
Oh! ev'n to my sear'd eyes the tears seem'd coming!
It was a mother standing gaunt and wild,
Working her soul to murder her young child,
Who lay unconscious in its soft repose
Upon the breast, that heaved with many woes.
She stood beside the waters, but her eyes
Were not upon the river, nor the skies,
Nor on the fading things of earth. Her soul
Was rapt in bitterness--and evening stole
Chill o'er her form, while yet with nerveless hand
She sought to throw her burden from the land.
'Twas pitiful to see her strive in vain,
Rise sternly up, then melt to love again;
With horrible energy, and lip compress'd,
Hold forth her child--then strain it to her breast
Convulsively; as if some gentle thought
Of all its helpless beauty first was brought
Into her 'wilder'd mind--the soft faint smiles,
Whose charm the mother of her tears beguiles,
Which speak not aught of mirth or merriment,
But of full confidence, and deep content,
And ignorance of woe:--the murmur'd sounds
Which were to her a language, rise up now--
And, like a torrent bursting from its bounds,
Swell in her heart, and shoot across her brow.
Oh! she who plans its death in her despair,
Hath tended it with fond and watchful care;
Hath borne it wearily for many a mile,
Repaid with one fond glance, or gentle smile:
Hath watch'd through long dark nights with patient love,
When some light sickness struck her nestling dove;

And yearn'd to bear its pain, when that meek eye
Turn'd on her, with appealing agony!
Look on her now!--that faint and feverish start
Hath waken'd all the mother in her heart:
That feeble cry hath thrill'd her very frame :--
Was it for murder such a soft heart came?
She will not do it--Fool! the spirit there
Is stronger far than love--it is despair!
Mothers alone may read that mother's woe:
Her heart may break--but she will strike the blow.
Once more she pauses; bending o'er its face,
Calm and unconscious in its timid grace;
Then murmurs to it by the chilly wave,
Ere one strong effort dooms it to the grave:--

'Thou of the sinless breast!
Which passion hath not heaved, nor dark remorse
Swell'd with its full and agonizing curse--
Lo! thou art come to rest!

'Warm is thy guileless heart,
Whose slight quick pulses soon shall beat no more:
Hear'st thou the strong trees rock?--the loud winds roar?
I and my child must part!

'Deep 'neath the sullen sky,
And the dark waters which do boil and foam,
Greedy to take thee to their silent home--
My little one must lie!

'Peace to thy harmless soul!
There is a heaven where thou mayst dwell in peace;
Where the dark howling of the waters cease,
Which o'er thy young head roll.

'There, in the blue still night,
Thou'lt watch, where stars are gleaming from the sky,
O'er the dark spot where thou wert doom'd to die,
And smile, a cherub bright.'

'A plash upon the waves--a low
Half-stifled sob, which seem'd as though
The choked breath fought against the stream--
And all was silent as a dream.
Then rose the shriek that might not stay,
Though much that soul had braved;
And ere its echo died away,
Her little one was saved.

Sudden I plunged, and panting caught
The bright and floating hair,
Which on the waters lustre brought,
As if 'twere sunshine there.
I stood beside that form of want and sin,
That miserable woman in her tears;
Who wept, as though she had not cast it in
To perish with the sorrows of past years.
She thank'd me with a bitter thankfulness,
And thus I spoke: 'Oh! woman, if it is
Sickness and poverty, and lone distress,
That prompted thee to do a deed like this,
Take gold, and wander forth, and let me be
A parent to the child renounced by thee!'
Greedily did she gaze upon the gold,
With a wild avarice in her hollow eye;
And stretch'd her thin damp fingers, clammy cold,
To seize the glittering ore with ecstasy.
But when I claim'd the little helpless thing,
For whose young life that gold had paid the worth;
Close to the breast where it lay shivering,
She strain'd it gaspingly, and then burst forth:--

'I would have slain it! Fool! 'tis true I would;
Because I saw it pine, and had no food:
Because I could not bear its faint frail cry,
Which told my brain such tales of agony:
Because its dumb petitioning glances said,
Am I thy child? and canst not give me bread?
Because, while faint and droopingly it lay
Within my failing arms from day to day,
The tigress rose within my soul--I could
Have slain a man, and bid it lap his blood!
My little one!--my uncomplaining child!
Whose lengthen'd misery drove thy mother wild,
Did they believe that aught but death could part
These nestling limbs from her poor tortured heart?--
No! had the slimy waters gurgled o'er
Thy corpse, and wash'd the slippery reed-grown shore,
Leaving no trace, except in my despair,
Of what had once disturb'd the stillness there--
I could have gazed upon it, and not wept;
For calmly then my little one had slept.
No nightly moans would then have wrung my soul;
No daylight withering bid the tear-drop roll.
In my dark hours of misery and want,
The memory of thy pallid face might haunt,
Not, not to wring my heart with vain regret,
But to remind what thou hadst suffer'd yet,
If from life's wretchedness I had not freed
Thy grateful soul, which thank'd me for the deed.

I lost thee--but I have thee here again,
Close to the heart which now can feel no pain.
Cling to me!--let me feel that velvet cheek--
Look at me, with those eyes so dove-like meek!
Press thy pale lips to mine, and let me be
Repaid for all I have endured for thee.
Part from thee!--never! while this arm hath strength
To hold thee to the bosom where thou liest:
Praise be to God, bright days have dawn'd at length!
I need not watch thy struggles as thou diest.
Part from thee! never--no, my pale sweet flower!
The wealth of worlds would bribe my heart in vain,
Though 'twere to give thee up for one short hour--
Take back thy gold--I have my babe again!
Yet give me food, and I will clasp thy knees,
And night and day will kneel for thee to Heaven;
Else will a lingering death of slow disease,
Or famine gaunt, be all that thou hast given.
And when I die-- then, then be kind'--She ceased:
Her parted lips were tinged with crimson gore,
Her faint hand half, and only half, released
The unconscious form she had been weeping o'er:
Worn nature could not bear the sudden strife;
I look'd upon her--but there was no life!

'That little outcast grew a fairy girl,
A beautiful, a most beloved one.
There was a charm in every separate curl
Whose rings of jet hung glistening in the sun,
Which warm'd her marble brow. There was a grace
Peculiar to herself, ev'n from the first:
Shadows and thoughtfulness you seem'd to trace
Upon that brow, and then a sudden burst
Of sunniness and laughter sparkled out,
And spread their rays of joyfulness about.
Like the wild music of her native land,
Which wakes to joy beneath the minstrel's hand,
Yet at its close gives forth a lingering tone--
Sad, as if mourning that its mirth is gone,
And leaves that note to dwell within your heart,
When all the sounds of joyfulness depart:
So in her heart's full chords there seem'd to be
A strange and wild, but lovely melody:
Half grief--half gladness--but the sadness still
Hanging like shadows on a summer rill.
And when her soul from its deep silence woke,
And from her lip sweet note of answer broke,
Memory in vain would seek the smile that play'd
With her slow words, like one beam in the shade;
Her sorrow hung upon your heart for years--
And all her sweet smiles darken'd into tears.

I loved her, as a father loves his child:
For she was dutiful, and fond, and mild,
As children should be--and she ripen'd on
Like a young rosebud opening to the sun;
Till the full light of womanhood was shed,
Like a soft glory, round about her head.
In all my wanderings, through good and ill,
In storm and sunshine, she was with me still:
Not like a cold sad shadow, forced to glide
Weary--unloved--unnoticed, by my side:
But with her whole heart's worship, ever near,
To love, to smile, to comfort, and to cheer.
Her gentle soul would fear to hurt a worm;
Yet danger found her unappall'd and firm:
Her lip might blanch, but her unalter'd eye
Said, I am ready for thy sake to die.
She stood by me and fear'd not, in that place
When the scared remnant of my wretched race
Gave England's Richard gifts, to let them be
All unmolested in their misery:
And while their jewels sparkled on his hand,
His traitor lips gave forth the dark command
Which, midst a drunken nation's loud carouse,
Sent unexpected death from house to house,
Bade strong arms strike, where none their force withstood,
And woman's wail be quench'd in woman's blood.

She stood by me and fear'd not, when again,
A bloody death cut short a life of pain;
When, with red glaring eyes and desperate force,
Brother laid brother low, a prostrate corse,
Rather than yield their bodies up to those,
In word, in act, and in religion--foes.
She gazed and fainted not, while all around
They lay like slaughter'd cattle on the ground;
With the wide gash in each extended throat,
Calling for vengeance to the God who smote
On Israel's side, ere Israel fell away,
And in her guilt was made the stranger's prey.

'And after that, we dwelt in many lands,
And wander'd through the desert's burning sands;
Where, strange to say, young Miriam sigh'd to be:
Where nature lay stretch'd out so silently
Beneath the glorious sun, and here and there
The fountains bubbled up, as fresh and fair
As if the earth were fill'd with them, and none
In their last agonizing thirst sank down,
With eyes turn'd sadly to far distant dreams
Of unseen gushing waters, and cool streams.

'There is a little island all alone
In the blue Mediterranean; and we went
Where never yet a human foot had gone,
And dwelt there, and young Miriam was content.
There was a natural fountain, where no ray
Of light or warmth had ever found its way,
Thick clustered o'er with flowers; and there she made
A bower of deep retirement and shade;
And proud she was, when, rosy with the glow
Of triumph and exertion, she could show
Her palace of green leaves,--and watch my eyes
For the expected glance of pleased surprise.
Oh! she was beautiful!--if ever earth
To aught of breathing loveliness gave birth.

'One evening--one sweet evening, as we stood,
Silently gazing on the silent flood:
A sudden thought rose swelling in my heart:
Ought my sweet Miriam thus to dwell apart
From human kind? So good, so pure, so bright,
So form'd to be a fervent heart's delight;
Was she to waste the power and will to bless
In ministering to my loneliness?
And then a moment's glance took in her life--
I saw my Miriam a blessed wife;

I saw her with fair children round her knee,
I heard their voices in that home of glee,
And turn'd to gaze on her:--if ever yet,
Turning with shadowy hope, and vain regret,
And consciousness of secret guilt or woe,
Thine eyes have rested on the open brow
Of sinless childhood--thou hast known what I
Felt, when my glance met Miriam's cloudless eye.
Oh! Thought, thou mould where misery is cast--
Thou joiner of the present with the past--
Eternal torturer! wherefore can we not
Through all our life be careless of our lot
As in our early years?--No cares to come
Threw their vain shadow o'er her bosom's home;
No bitter sorrow, with its vain recall,
Poison'd her hope--the present hour was all.
I gazed on her--and as a slow smile broke
Of meek affection round her rosy mouth,
I thought the simple words my heart would choke,
'Would Miriam weep to leave the sunny south?'
Silent she stood--then, in a tone scarce heard,
Faulter'd forth, 'father!' Oh! it wrung, that word;
And snatching her with haste unto my breast,
Where in her childhood's hour of sunny rest
Calmly her innocent head had often slept,
With a strange sense of misery--I wept.

'Oh! weary days, oh! weary days,
Of flattery and empty praise,
When in the tainted haunts of men
My Miriam was brought again.
With vacant gaze and gentle sigh,
She turned her from them mournfully;
As if she rather felt, than saw,
That they were near:--they scarce could draw
A word of answer from her tongue,
Where once such merry music rung,
Save when the island was their theme--
And then, as waking from a dream,
Her soft eye lighted for a while,
And round her mouth a playful smile
Stole for a moment, and then fled,
As if the hope within were dead.
Where'er I gazed, where'er I went,
Her earnest look was on me bent
Stealthily, as she wish'd to trace
Her term of exile on my face.
And many sought her hand in vain.
With pleading voice, and look of pain.
Weepingly she would turn away
When I besought her to be gay;
And resolutely firm, withstood
The noble and the great of blood;

Though they woo'd humbly, as they woo
Who scarcely hope for what they sue.
Oh! glad was Miriam, when at last
I deem'd our term of absence past:
And as her light foot quickly sprang
From out our bark, 'twas thus she sang:--

'The world! the sunny world! I love
To roam untired, till evening throws
Sweet shadows through the pleasant grove,
And bees are murmuring on the rose.
I love to see the changeful flowers
Lie blushing in the glowing day--
Bend down their heads to 'scape the showers,
Then shake the chilly drops away.

'The world! the sunny world! oh bright
And beautiful indeed thou art--
The brilliant day, the dark-blue night,
Bring joy--but not to every heart.
No! till, like flowers, those hearts can fling
Grief's drops from off their folded leaves,
'Twill only smile in hope's bright spring,
And darken when the spirit grieves.'

'She was return'd; but yet she grew not glad;
Her cheek wore not the freshness which it had.
The withering of the world, like the wild storm
Over a tender blossom, left her form
With traces of the havoc that had been,
Ev'n in the sunny calm, and placid scene.
Her brow was darken'd with a gentle cloud;
Her step was slower, and her laugh less loud;
And oft her sweet voice faulter'd, though she said
Nothing in which deep meaning could be read.
I watch'd her gestures when she saw me not,
And once--(oh! will that evening be forgot?)
I stole upon her, when she little thought
Aught but the moaning wind her whispers caught.

'She sat within her bower, where the sun
Linger'd, as loth to think his task was done:
And languidly she raised her heavy gaze,
To meet the splendour of his parting rays.
O'er the smooth cheek which rested on her hand;
Down the rich curls by evening breezes fann'd;
Upon the full red lip, and rounded arm,
The swan-like neck, so snowy, yet so warm--
Each charm the rosy light was wandering o'er,
Brightening what seem'd all-beautiful before.

I paused a moment, gazing yet unseen
Beneath the sleeping shadows dark and green;
And thought, how strange that one so form'd to bless
Should better love to live in loneliness.
Pure, but not passionless, was that soft brow
So warmly gilded by the sunset now;
And in her glistening eye there shone a tear,
Like those we shed when dreaming--for some dear
But lost illusion, which returns awhile
Our nights to brighten with remember'd smile,
And yet we feel is lost, though sleep, strong sleep,
Chains the swoln lid, that fain would wake and weep.
I sat me down beside her; round the zone
That clasp'd her slender waist my arm was thrown:
And the bright ringlets of her shining hair
My fond hand parted on her forehead fair;
And thus I spoke, as with a smile and sigh
She murmur'd forth a welcome timidly:
'Again within the desert and at rest,
Say, does my Miriam find herself more blest,
Than when gay throngs in fond devotion hung
Upon the sportive accents of her tongue?
Is all which made the city seem so gay,
The song, the dance, all dream-like pass'd away?
The sighs, the vows, the worshipping forgot?
And art thou happier in this lonely spot?

Is there no form, all vision-like enshrined
Deep 'mid the treasures of thy guileless mind?
And, deaf to every pure and faithful sigh,
Say, would my desert rose-bud lonely die?'
High, 'neath the arm which carelessly caress'd,
Rose the quick beatings of that gentle breast;
And the slight pulses of her fair young hand,
Which lay so stirlessly within my own,
Trembled and stopp'd, and trembled, as I scann'd
The flushing cheek on which my glance was thrown.
'She loves,' said I; while selfish bitter grief
Swell'd in my soul;--'she loves, and I must live
Alone again, more wretched for the brief
Bright sunshine which her presence used to give.'
And then with sadden'd tones, (which, though I strove
To make them playful, tremulously came)
I murmur'd:'Yes! he lives, whom thou canst love.
His name, dear Miriam--whisper me his name.'
There was a pause, and audibly she drew
Her heaving breath; and faint and fainter grew
The hand that lay in mine; and o'er her brow
Flush'd shadows chased each other to and fro:
Till like a scorch'd-up flower, with languid grace
That young head droop'd, but sought no resting-place.

'Dreams pass'd across my soul--dreams of old days--
Of forms which in the quiet grave lay sleeping;
Of eyes which death had stripp'd of all their rays,
And weary life had quench'd with bitter weeping:
Dreams of the days when, human still, my heart
Refused to feel immortal, and kept clinging
To transient joys, which came and did depart
As fresh flowers wither, which young hands are flinging.
Dreams of the days I loved, and was beloved--
When some young heart for me its sighs was giving,
And fond lips murmur'd forth the vow that proved
Its truth in death, its tenderness when living:
And dreaming thus, I sigh'd. Answering, there came
A deep, low, tremulous sob, which thrill'd my frame.
A moment, that young form shrunk back abash'd
At its own feelings; and all vainly dash'd
The tear aside, which speedily return'd
To quench the cheek where fleeting blushes burn'd.
A moment, while I sought her fears to stay,
The timid girl in silence shrank away--
A moment, from my grasp her hand withdrew--
A moment, hid her features from my view--
Then rising, sank with tears upon my breast,
Her struggles and her love at once confess'd.

'Years--sorrow--death--the hopes that leave me lone,
All I have suffer'd, and must suffer on;
The love of other bright things which may pass
In half eclipse, beyond the darken'd glass
Through which my tearful soul hath learnt to gaze--
The fond delusions of all future days:--
All that this world can bring, hath not the power
To blot from memory that delicious hour.
She, who I thought would leave me desolate--
For whom I brooded o'er a future fate;
She, who had wander'd through each sunny land,
Yet found no heart that could her love command--
She lay within my arms, my own--my own--
Unsought, unwoo'd, but oh! too surely won.

'She was not one of many words and vows,
And breathings of her love, and eager shows
Of warm affection;--in her quiet eye,
Which gazed on all she worshipp'd silently,
There dwelt deep confidence in what she loved,
And nothing more--till some slight action proved
My ceaseless thought of her: then her heart woke,
And fervent feeling like a sunrise broke
O'er her illumined face. Her love for me
Was pure and deep, and hidden as the fount

Which floweth 'neath our footsteps gushingly,
And of whose wanderings none may take account;
And like those waters, when the fountain burst
To light and sunshine, which lay dark at first,
Quietly deep, it still kept flowing on--
Not the less pure for being look'd upon.

'And then she loved all things, and all loved her.
Each sound that mingleth in the busy stir
Of nature, was to her young bosom rife
With the intelligence of human life.
Edith, my playful Edith, when her heart
Tenderly woke to do its woman's part,
Fill'd with a sentiment so strong and new,
Each childish passion from her mind withdrew,
And looking round upon the world beheld
Her Isbal only. By deep sorrow quell'd,
Xarifa's was a melancholy love.
The plashing waters, the blue sky above,
The echo speaking from the distant hill,
The murmurs indistinct which sweetly fill
The evening air--all had for her a tone
Of mournful music--and I stood alone
The one thing that could bid her heart rejoice
With the deep comfort of a human voice.

Not so, young Miriam. Love, within her breast,
Had been a welcome and familiar guest
Ev'n from her childhood:--I was link'd with all
The sunny things that to her lot might fall;
The past--the present--and the future, were
Replete with joys in which I had my share.
Nothing had been, or ever could be, felt
Singly, within the heart where such love dwelt--
Her birds, her trees, her favourite walks, her flowers,
She knew them not as hers--they were all ours.
And thus she loved in her imaginings
Our earth, and all its dumb and living things;
Oft whispering in her momentary glee,
It was the world I dwelt in; part of me:
And, bound by a sweet charm she might not break,
She look'd upon that world, and loved it for my sake.

'How shall I tell it? Linda, a dark pain
Is in my heart, and in my burning brain.--
Where is she?--where is Miriam?--who art thou?
Oh! wipe the death-dew from her pallid brow;
I dare not touch her! See, how still she lies,
Closing in weakness her averted eyes:
Gaspingly struggling for her gentle breath--
And stretching out her quivering limbs in death!

Will no one save her? Fool!--the shadow there
Is the creation of thine own despair.
No love, no agony, is in her heart:
In sin, in suffering, she hath now no part.
She is gone from thee--sooner doom'd to go
Than Nature meant; but thou didst will it so.

'Oh, Linda! the remembrance of that day,
When sad Xarifa's spirit pass'd away,
Haunted me ever with a power that thou,
Who hast not sinn'd or suffer'd, canst not know.
My joys were turn'd to miseries, and wrought
My heart into delirium; I thought
That, as she wept, so Miriam would weep,
And start and murmur in her troubled sleep:
That, as she doubted, Miriam too would find
A dark suspicion steal across her mind:
That, as she faded, Miriam too would fade,
And lose the smile that round her full lips play'd:
That as she perish'd--Miriam too would die,
And chide me with her last reproachful sigh.
Often when gazing on her open brow,
And the pure crimson of her soft cheek's glow--
Sudden, a dark unhappy change would seem
To fall upon her features like a dream.

In vain her merry voice, with laughing tone,
Bade the dim shadow from my heart begone:
Pale--pale and sorrowful--she seem'd to rise,
Death on her cheek, and darkness in her eyes;
The roundness of her form was gone, and care
Had blanch'd the tresses of her glossy hair.
Wan and reproachful, mournfully and mild
Her thin lips moved, and with an effort smiled.
And when with writhing agony I woke
From the delusion, and the dark spell broke;
And Miriam stood there, smiling brilliantly,
Shuddering, I said, 'And yet these things must be.'
Must be;--that young confiding heart must shrink
From my caress; the joyous eyes which drink
Light from the sunshine that doth play within,
Must grovel downcast with a sense of sin;
Or, startled into consciousness, will gaze
Bewilderingly upon the sunset rays;
And, meeting mine, with sorrow wild and deep,
Heart and eyes sinking, turn again to weep.
Yes, these things must be: if, when years have pass'd,
Each leaving her more fading than the last,
She turns to the companion of her track,
And, while her wandering thoughts roam sadly back,
Seeks in her soul the reason why his form
Laughs at the slow decay or ruffling storm,

That hath wreck'd better things;--while on her sight,
With the deep horrible glare, and certain light
Of hell to a lost soul, the slow truth breaks;
Till, as one wounded in his sleep, awakes
To writhe, and shriek, and perish--silently:
Her heart is roused--to comprehend and die.

'To die!--and wherefore should she not depart
Ere doubt hath agonized the trusting heart?
Wherefore not pass away from earth, ere yet
Its mossy bosom with her tears is wet?--
It was a summer's morning, when the first
Glance of that dreadful haunting vision burst
Upon my mind:--I doom'd her then to die,
For then I pictured to my heart and eye
A world where Miriam was not:--often after,
Amid the joyous ringing of her laughter,
In sunshine and in shade, those thoughts return'd,
Madden'd my brain, and in my bosom burn'd.
Oh, God! how bitter were those idle hours,
When softly bending o'er her fragrant flowers,
She form'd her innocent plans, and playfully
Spoke of that future which was not to be!
How bitter were her smiles--her perfect love--
Her deep reliance, which no frowns could move,

On the affections of my murderous heart,
Where the thought brooded,--when shall she depart?
As Jephthah gazed upon her smiling face,
Who bounded forth to claim his first embrace;
And felt, with breathless and bewilder'd pause,
Her early death foredoom'd--her love the cause:
As Jephthah struggled with the vow that still
Bound his pain'd soul against his own free will;
And heard her fond and meekly-worded prayer,
To climb the well-known hills, and wander there,
Weeping to think that in her virgin pride
The beautiful must perish--no man's bride;
And that her name must die away from earth;
And that her voice must leave the halls of mirth,
And they be not less mirthful: so to me
It was to gaze on Miriam silently:
Miriam, who loved me; who, if I had said,
'Lo! thou must perish--bow thy gentle head,'--
Would have repress'd each faint life-longing sigh,
Bared her white bosom, and knelt down to die,
Without a murmur.--So when she upraised
Her quiet eyes, and on my features gazed,
Asking me to come forth and roam with her
Around her favourite haunts, the maddening stir
Of agony and vain resolve would rend
My bosom, and to earth my proud head bend.

It seem'd to me as if that gentle prayer
She breathed--to bid farewell to all her share
Of life and sunshine; to behold again
The high bright happy hills and outstretch'd plain;
And then--come back and die. I left that isle,
And Miriam follow'd with a tearful smile,
Glad to be with me, sorrowful to go
From the dear scene of joy and transient woe.
As Eve to Eden--towards that land of rest
She gazed, then turn'd, and wept upon my breast.
To Italy's sweet shores we bent our course;
And for a while my grief and my remorse,
And all my fearful thoughts, forsook me, when
We mingled in the busy haunts of men.
But oh! the hour was fix'd--though long delay'd;
Like the poor felon's doom, which some reprieve hath stay'd.

'One night a dream disturb'd my frenzied soul.
Methought, to Miriam I confess'd the whole
Of what thou know'st, and watch'd her young glad face,
That on her brow her feelings I might trace.
Methought that, as I gazed, the flushing red
Once more upon her cheek and bosom spread,
As when she told her love; and then--and then--
(How strongly does that vision rise again!)

Each hue of life by gradual shades withdrew,
Till ev'n her dark blue eyes seem'd fading too.
Paler and paler--whiter and more white--
Gazing upon me in the ghastly light,
Her features grew; till all at length did seem
Like moving marble, in that sickly dream,
Except the faded eyes; they faintly kept
The hue of life, and look'd on me, and wept.
And still she spoke not, but stood weeping there,
Till I was madden'd with mine own despair--
And woke. She lay beside me, who was soon
To perish by my hand: the pale clear moon
O'er her fair form a marble whiteness threw,
And wild within my heart the madness grew.
I rush'd from out that chamber, and I stood
By the dim waters of the moon-lit flood;
And in that hour of frantic misery,
I thought my vision told how she would die,
Pining and weeping.--I return'd again,
And gazed upon her with a sickening pain.
Her fair soft arms were flung above her head,
And the deep rose of sleep her cheek was tinging:
The tear which all who follow me must shed,
Slept 'neath the lashes which those orbs were fringing.
And there she lay--so still, so statue-like--
I stagger'd to her--

I lifted up my desperate arm to strike--
Linda--I slew her!
Once--only once--she faintly strove to rise;
Once--only once--she call'd upon my name;
And o'er the dark blue heaven of those eyes,
Death, with its midnight shadows, slowly came.
That tone's despairing echo died away;
The last faint quivering pulsation ceased
To thrill that form of beauty, as it lay
From all the storms and cares of life released:
And I sat by the dead. Fast o'er my soul
A dream of memory's treasured relics stole.
And the day rose before me, and the hour,
When Miriam sat within her own sweet bower,
The red rich sunset lighting on her cheek;
Afraid to trust herself to move or speak,
Conscious and shrinking--while I strove to trace
Her bosom's secret on her guileless face.
I turn'd to press her to my burning heart--
I that had slain her--Wherefore did I start?
Cold, pure, and pale, that glowing cheek was laid,
And motionless each marble limb was lying;
Closed were those eyes which tears of passion shed,
And hush'd the voice that call'd on me in dying.
Gone!--gone!--that frozen bosom never more,
Press'd to mine own, in rapture shall be beating:
Gone!--gone!--her love, her struggles--all was o'er,
Life--weary life, would bring for us no meeting!

'They bore her from me, and they laid her low,
With all her beauty, in the cheerless tomb;
And dragg'd me forth, all weak with pain and woe,
Heedless of death, to meet a murderer's doom.
The wheel--the torturing wheel--was placed to tear
Each quivering limb, and wring forth drops of pain;
And they did mock me in my mute despair,
And point to it, and frown--but all in vain.
The hour at length arrived--a bright sweet day
Rose o'er the world of torture, and of crime;
And human blood-hounds and wild birds of prey
Waited with eagerness their feasting time.
And as I gazed, a wild hope sprang within
My feverish breast:--perchance this dreadful death
And my past sufferings might efface my sin;
And I might now resign my weary breath.
And as the blessed thought flash'd o'er my mind,
I gazed around, and smiled.--To die--to die--
Oh little thought those wolves of human kind,
What rapture in that word may sometimes lie!
They stripp'd my unresisting limbs, and bound;
And the huge ponderous engine gave a sound

Like a dull heavy echo of the moans,
The exhausted cries, the deep and sullen groans,
Of all its many victims. Through each vein
Thrill'd the strange sense of swift and certain pain;
And each strong muscle from the blood-stain'd rack,
Conscious of suffering, quiveringly shrank back.
But I rejoiced--I say I did rejoice:
And when from the loud multitude a voice
Cried 'Death!' I wildly echoed it, and said
'Death! Death! oh, lay me soon among the dead.'
And they did gaze on me with fiendish stare,
Half curiosity, and half the glare
Of bloody appetite; while to and fro,
Nearer and nearer, wheel'd the carrion crow,
As seeking where to strike.--A pause, and hark!
The signal sound!
When sudden as a dream, the heavens grew dark
On all around:
And the loud blast came sweeping in its wrath,
Scattering wide desolation o'er its path:
And the hoarse thunder struggled on its way;
And livid lightning mock'd the darken'd day
With its faint hellish lights.--They fled, that crowd,
With fearful shrieks, and cries, and murmurs loud,
And left me bound. The awful thunder crash'd
Above my head; and in my up-turn'd eyes

The gleams of forked fire brightly flash'd,
Then died along the dark and threatening skies:
And the wild howling of the fearful wind
Madden'd my ringing brain; while, swiftly driven,
The torrent showers fell all thick and blind,
Till mingling seem'd the earth and angry heaven,
A flash--a sound--a shock--and I was free--
Prostrate beside me lay the shiver'd wheel
In broken fragments--I groan'd heavily,
And for a while I ceased to breathe or feel.

'And I arose again, to know that death
Was not yet granted--that the feverish hope
Of yielding up in torture my cursed breath
Was quench'd for ever; and the boundless scope
Of weary life burst on my soul again,
Like the dim distance of the heaving main
On some lost mariner's faint failing eyes;
Who, fondly dreaming of his native shore,
(While in his throat the gurgling waters rise)
Fancies he breathes that welcome air once more,
And far across the bleak lone billows sees
Its blue cool rivers, and its shady trees;
Till when, upraised a moment by the wave,
He views the watery waste, and sickening draws
One long last gasping sigh for a green grave,
Ere helplessly he sinks in Ocean's yawning jaws.

'Night fell around. The quiet dews were weeping
Silently on the dark and mournful earth;
And Sorrow pale its sleepless watch was keeping,
And slumber weigh'd the closing lid of mirth;
While the full round-orb'd moon look'd calmly down
From her thin cloud, as from a light-wreathed crown:
And I went out beneath her silver beams;
And through my 'wilder'd brain there pass'd dark dreams
Of Miriam, and of misery, and death;
And of that tomb, and what lay hid beneath:
And I did lay my head upon that grave,
Weepingly calling on her gentle name;
And to the winds my grieving spirit gave
In words which half without my knowledge came:--

'Thou art gone, with all thy loveliness,
To the silence of the tomb,
Where the voice of friends can never bless,
Nor the cool sweet breezes come;
Deep, deep beneath the flowers bright,
Beneath the dark blue sky,
Which may not send its joyous light
To gladden those who die.
This world to thee was not a world of woe:
My bird of beauty! wherefore didst thou go?

'Thou art gone, and gone for ever--thou
In whom my life was bound:
The seal of death is on thy brow,
And in thy breast a wound.
Who could have slain thee, thou who wert
So helpless and so fair?
When strong arms rose to do thee hurt,
Why was not Isbal there?
Didst thou not call upon him in thy woe?
My bird of beauty! wherefore didst thou go?

'Thou art gone!--Oh! fain my heart would rest,
And dream--but thou art gone;
The head that lay upon my breast
Is hid beneath that stone.
And art thou there? and wilt thou ne'er
Rise up from that dark place,
And, shaking back thy glossy hair,
Laugh gladly in my face?
This world to thee was not a world of woe:
I loved thee--wherefore, wherefore didst thou go?

'Return, return! Oh! if the rack--
If nature's death-like strife,
Borne silently, could bring thee back
Once more to light, and life:
Ev'n if those lips that used to wreathe
Smiles that a glory shed,
Ne'er parted but in scorn, to breathe
Dark curses on my head:--
Oh! I could bear it all, nor think it woe:
My bird of beauty! wherefore didst thou go?

'Once more--once more--oh! yet once more!
If I could see thee stand,
A breathing creature, as before
I smote thee with this hand.
If that dear voice--oh! must these groans,
This agony be vain?
Will no one lift the ponderous stones,
And let thee rise again?
Thou wert not wont in life to work me woe:
My bird of beauty! wherefore didst thou go?'

'And then I reason'd--Wherefore should the sod
Hold all of her, which hath not gone to God?
I have the power again that form to see--
I have the wish once more with her to be:
And wherefore should we fear to look upon
What, from our sight, some few short hours is gone?
Wherefore the thrill our senses which comes o'er
At sight of what shall breathe and feel no more?
Oh! Miriam, can there be indeed a place
Where I must dread to look upon thy face?--
And then I knelt, and desperately did tear

poem by Caroline Elizabeth Sarah Norton
Submitted by Poetry Lover
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