My place in Chicago is a 105 year old house, but I really like contemporary spaces too, so it's refreshing and fun to be in a space where you can do contemporary things.

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But you know in the contemporary art world, you pose a very interesting conundrum. All sorts of people collect very contemporary art, yet when it comes to the music which is analogous to that sort of art, they are not interested, or perhaps even hostile.

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There are a whole lot of historical factors that have played a part in our being where we are today, and I think that to even to begin to understand our contemporary issues and contemporary problems, you have to understand a little bit about that history.

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In this tour around the world I was not interested in contemporary buildings because I had seen contemporary buildings actually until they came out of my ears in a sense.

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Bonus Excess Surplus Extra

In the name of contemporary
You can do anything here and there.

To be very clear I do not like
These words bonus excess surplus extra.

Bonus Excess Surplus Extra
All are in my areas
And telling things that are
Not even in Mars.

You can pickup anyone
And entered in to Fukushima
And find your debris there.

I am here
And this contemporary
Detail area.

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We have created indoor installations inside museums, like the Wrapped Floor at the Museum of Contemporary Art in Chicago in 1968, and not monumental at all by any standards.

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Contemporary Freedom

I am who I am
Because of what I am

I ask for freedom from love
I ask for freedom from slavery
I ask for freedom from hunger
I ask for freedom from desire

You know and I know
That not all seeds you sow
Will eventually grow

This is contemporary poem
Seeking for freedom with my pen

I read there was an old man
Who bade farewell to his only son
At the hands of his own gun
Where his actions contemporary?
Was his anger or concern temporary?

This is contemporary poem
Seeking for freedom with my pen

Vivid imagination leads to frustration
It could trigger a chain-reaction
Hence the concept of mass-killing
Is born out of an over-reacted feeling
There is no cure or process of healing
Once death is the meal we are dealing

This is contemporary poem
Seeking for freedom with my pen

We drink with intention to forget
We drink but later on regret
And the people are walking
And the people are talking

Talking about freedom, freedom
Talking about a heavenly kingdom
Talking about their great grandfathers and their moms
Talking about freedom in any shape or form

This is contemporary poem
Seeking for freedom with my pen

And it does not make any sense
Why we always speak first in defense
And it does not make any sense
Why our passion for life despite the struggle is immense

We crave for human heroes
Those who started from zero
Their brave tales flows tremendously
So our fertile hope elongates endlessly

So when you tell a lie
Look your victim deep in the eye
Penetrate their mind
Find out what you can find
Because freedom is a lie
Because freedom is a lie

This is contemporary poem
Seeking for freedom with my pen

Copyright 2007 - Sylvia Chidi

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Manifesto Of Contemporary Poetry(2012)

Contemporary poetry is a junction zone of distilled sky and earth of
(1) .psychology
(2) .philosophy
(3) .ethics
(4) .new aesthetics
(5) .contemporary socio-cultural-economic-moral-political-technolog ical issues reflecting power and knowledge
(6) .initiated knowledeg and creative wisdom of contemporaneity6.moment-to-moment decision making process
(7) .Alchemy between existing contemporary literary theory and working definitions of a practising and operational poet after modernist's literature and poetry
(8) .the end of literary genre concept
(9) .the concept of the continuum-chance, change, revisiting and reconceptualization
and
(10) .Contemplating on quotidian mental and physical experiences.

POET NYEIN WAY
1: 25 pm February 21,2012

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The Poetics Of The 21st Century In The Thriving Zone

This process of genre differentiation on particular poetics and universal poetics should go on as a practical and feasible zone of possible poetics in a probable calculations as this is the age when the particulars and universality really engage and meet.If not, it is just generalization of things in specific situation, which ca nnot catch the whole picture of hermeneutic zone, which can fall back on modernist's tradition of selfish dictatorial practice(so -called contemporary poetics, not having thorough analysis of art history, contemporary theories and current findings on high literature and low literature even in the prestigious academic instituitions in the western and european worlds.

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Contemporary Sublime Poetry(2012)

What is contemporary sublime in contemporary poetry?
1) concept and conceptual pattern and stucture in poetry(e.g.discussions, seminal culture, negotiation and reinterpretations...)
2) Third mind and fourth mind culture; more than one culture in mentall formations and sensations in parallel or in conjuction with
3) Realizing conceptual and post-conceptual poetry in details, not totally.
(If you want to have a discussion about this, call me at 09-730-57-103) you are welcome! ! ! ! !

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The Gathering

There was a gathering of time
in odd spaces.

There was a gathering of spaces
seeking my time, your time, our time.

There was a gathering of the Saving Graces
which bid us to lie down with peace
to bloom in time and space.

This was a gathering of hopes and dreams
in a space, in a time
with an individualized saving grace.

In gathering it seems-
if we come with only our individual sense
of time, space and grace-
we will have not gathered at all
and will have only succumbed to Sweet Ironic Irony.

'Place then' he said
'your eyes upon the Sun
and know that life is such that
sometimes you must be the moon.

'Place then' he said' your hand
knowing your space
sometimes
in life
must be our space or no space at all.'

'How' we all said
'is this trick to be done? '

He said 'no trick. It is the essence of all things
not only to change
but to be in essence
more than one thing;
even to be more than two
at the same time.'

'That is why' he said
uplifting his arm
'we can think two different,
even contradictory things
at the same time.
This is not artifact
but essence.
This is nature-
not mistake.

Who I am;
Who are we
is the same query
and the answer is for both:
both are we
and each is I
for all is multiples;
and Revelation;
there is no
Universal Rule
of Consistency;
we live in multiple multiplicities.

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The cynical part of the answer is that I expect to see a good deal more space opera, set far enough in the future as to be disconnected from contemporary issues.

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One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?

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Contemporary Britain seems an endlessly fascinating place to me - but if I knew a little bit more about other places, and other times, maybe it wouldn't.

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You cannot simply put something new into a place. You have to absorb what you see around you, what exists on the land, and then use that knowledge along with contemporary thinking to interpret what you see.

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We may play in a contemporary rock vein, use standard bebop themes, and many other things besides.

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Marks of Identity is, among other things, the expression of the process of alienation in a contemporary intellectual with respect to his own country.

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Well, I'm not sure, but of one thing I am certain: History judges one differently than contemporary observers, and so I think that as time passes, I hope that not me personally so much, but our administration will be seen for some of the things that we accomplished.

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Architectural Thesis

There is a place
Dark and light
Visible and invisible
Where people come
Come to find themselves

Within this place are places
Formed by convoluted
And woven paths
Slippery and disappearing walls
Elements
Static
Moving
Freestanding and projecting
Where the senses are mixed
And in turmoil
Within this place are places
In the paths
In the ceilings
In the walls
And in the spaces
Threshold between structure
And space is blurred
No stasis
Sexes undivided
Races collided
This is the journey
To the place

There is order where one enters
Replete with the familiar
A rational decision point
Beyond this things are placed
Things are learned
Things are made
There are things to be seen
And heard
Here one feels
Here one experiences
Parts of the place

The divide is thin and long
A fragile skin
Supported by the journey
And the place
Inside spaces collapsed
From bending
And shifting planes

The divide is the edge
Between opposites
Death and life
Woman and man
Unknown and known
The divide is a link
Between the journey
And the place

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Octavio Paz

Spaces

Space
No center, no above, no below
Ceaselessly devouring and engendering itself
Whirlpool space
And drop into height
Spaces
Clarities steeply cut
Suspended
By the night's flank
Black gardens of rock crystal
Flowering on a rod of smoke
White gardens exploding in the air
Space
One space opening up
Corolla
And dissolving
Space in space
All is nowhere
Place of impalpable nuptials

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Obviously I always wanted to do a contemporary piece.

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