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The Houses
1898 -- A Song of the Dominions
'Twixt my house and thy house the pathway is broad,
In thy house or my house is half the world's hoard;
By my house and thy house hangs all the world's fate,
On thy house and my house lies half the world's hate.
For my house and thy house no help shall we find
Save thy house and my house -- kin cleaving to kind;
If my house be taken, thine tumbleth anon.
If thy house be forfeit, mine followeth soon.
'Twixt my house and thy house what talk can there be
Of headship or lordship, or service or fee?
Since my house to thy house no greater can send
Than thy house to my house -- friend comforting friend;
And thy house to my house no meaner can bring
Than my house to thy house -- King counselling King.
poem by Rudyard Kipling
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House Of Jazz
Humdinger
Bell ringer
Got a nasty stinger
To slow you down
Mud slinger
Gold digger
Who point the finger
And do you down
Kickin' and a fightin' on a TV show
Lightin' blindin' in the middle of the road
Are you comin' in
Are you comin' in
I said come into the house of
Come into the house of
Come into the house of jazz
Come into the house of
Come into the house of
Come into the house of jazz
Ball stripper
Big tipper
Got a slap 'n' tickler
To make you growl
Spitin' and bitin' on a TV show
Tightenin' frightenin' givin' out a load
Are you comin' in
Are you comin' in
I said come into the house of
Come into the house of
Come into the house of jazz
Come into the house of
Come into the house of
Come into the house of jazz
Are you comin' in
Come on in
Are you comin' in
Are you comin' in
I said come into the house of
Come into the house of
Come into the house of jazz
Come into the house of
Come into the house of
Come into the house of jazz
Are you comin' in
Are you comin' in
I said into the house of jazz
Come into the house of
Come into the house of
Come into the house of jazz
The house of jazz
song performed by by AC/DC from Stiff Upper Lip
Submitted by Lucian Velea
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uniformed Expression.
I mute the remote and watch the program in TV,
For the reasons known to them, you and me,
The hula-hula dancers from Hawaii shake the hips with wild wink,
The hip dancers from Middle East cover not their breasts,
The movements are swift and beautiful as the dancers,
from all around the globe. When the eyes are rotated,
from left to right to show the love, anger and fear,
the facial muscles are pulled, puffed and twisted,
to show the surprise, disgust and contempt,
the necks are moved in the same way as the other,
from Europe and Africa with their unique dance steps,
How is it possible that human have picked up,
The same method to express the emotions,
Even a silent movie tells us a story, visually.
poem by Veeraiyah Subbulakshmi
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House Of Jazz
(young - young)
Humdinger
Bell ringer
Got a nasty stinger
To slow you down
Mud slinger
Gold digger
Who point the finger
And do you down
Kickin and a fightin on a tv show
Lightin blindin in the middle of the road
Are you comin in
Are you comin in
I said come into the house of
Come into the house of
Come into the house of jazz
Come into the house of
Come into the house of
Come into the house of jazz, yes
Ball stripper
Big tipper
Got a slap n tickler
To make you growl
A spitin and bitin on a tv show
Tightenin frightenin givin out a load
Are you comin in
Are you comin in
I said come into the house of
Come into the house of
Come into the house of jazz
Come into the house of
Come into the house of
Come into the house of jazz
Are you comin in
Come on in
Are you comin in
Are you comin in
I said come into the house of
Come into the house of
Come into the house of jazz
Come into the house of
Come into the house of
Come into the house of jazz
Are you comin in
Are you comin in
I said into the house of jazz
Come into the house of
Come into the house of
Come into the house of jazz
The house of jazz
2000, j. albert & son, pty.
song performed by by AC-DC
Submitted by Lucian Velea
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Again Those Dancers Bleed
Accusatory.
And historically dancers,
Who prance around accountability.
Choosing to place their responsibilities,
On someone else's shoulders.
To free themselves of reality!
And again those dancers bleed,
Anyone who sacrifices integrity.
With a wish to lead with honesty.
But those represented,
Seek to have their delusions accentuated.
Caring less how their created mess is addressed.
As long as truth from them is arrested,
And not publicly debated.
With a deflation that escalates,
Their addiction to achieve unquestionable waste.
poem by Lawrence S. Pertillar
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Tropicana
Dancers for the 'Tropicana' in Cuba,
Training with outfits to win the very hard way!
But the muse of their nakedness is what they share to the public,
And without any othere alternative to move forward.
Tropicana, Tropicana!
Dancers to entertaqin the public;
But they have to go through the hard way! !
And it is all about this dance in Cuba.
poem by Edward Kofi Louis
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The Party
THE house is bright with lights and lights,
Like a palace in the Arabian Nights,
Lights in festoons and lights in clusters,
In chandeliers and crystal lustres;
And all the length of the stairs' broad way,
Tapestries green and pink and gray
Tell a story of ladies' bowers
Hung with apples and paved with flowers;
And beyond, an open arch discloses
An inner garden of palms and roses,
With lines of lilies against the walls,
And a fountain that falls - and waits - and falls.
And from the ballroom comes the beat
Of dance music and dancing feet,
And through the doorways of gold and glass
Figures of dancers pass and pass,
Lovely creatures in dripping laces,
And all have sad, unhopeful faces.
One person only yields to joy,
And he is a footman - a round-faced boy -
Stiff in a livery of black and green,
And he laughs at something heard or seen,
Laughs with a loud and lonely gladness,
Laughs perhaps at the dancers' sadness;
He only seemed for an instant gay,
And he was instantly sent away.
poem by Alice Duer Miller
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A House for Four
A house for four
What is it? a house for four
A dingy looking thing
Are there windows? none
What is it? a house for four
Such a palace
Are there greetings? none
What is it? a house for four
Why the space is so small
Is there privacy? none
What is it? a house for four
A dozen creeps could be creeping there
Is there any trust? none
Don't judge me for mine
Poor fool i wont
Even give you the time
Are you judging me?
Your quite the choir
With a cracking voice
And
A tall house that falls
To scrutiny
A house for four and
A house for four
A people of choir and
A people of poor
Do you not recognize
The stains are yours?
A house is not a house
Unless there is more
More and more
Sometimes less is more
poem by Deci Hernandez
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My Bar Dance
My Bar Dance
ha! ha! !
In my bar dance
Perpetual is romance
People from home and France
In dancer's eyes spirituality glance
ha! ha! !
It is an eternal dance
It's not a game of chance
You fall in love at first glance
Vast its dancing floor's expanse
ha! ha! !
In dance the divinity glitters
In dancers drink bowls no bitters
The dancers' lives without jitters
Their hearts are divine transmitters
ha! ha! !
Come and join my bar dance
This Christmas joyous trance
poem by C.P. Sharma
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Intro
This is not a test
This is reality
We're all lying
Who's in the house?
Who's in the house?
Who's in the house?
Limp Bizkit is in the house
Who's in the house?
Who's in the house?
Who's in the house?
Limp Bizkit is in the house
Bring it on
song performed by by Limp Bizkit from Chocolate Starfish And The Hot Dog Flavored Water
Submitted by Lucian Velea
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The Numbers
i think i am beginning to know the numbers
their meanings
inside the big dome the dancers are practicing
the steps are numbered
and the whole day the leader keeps the count
one two three four
five six
seven eight nine ten
eight seven six five
four three
two one
four three two one
five six seven eight
eight seven six five four three
two one
the whole day for the whole week for the whole month
these numbers are counted like
one two three four
five six
seven eight nine ten
eight seven six five
four three
two one
four three two one
five six seven eight
eight seven six five four three
two one
i am standing by the door
looking at the dancers jump to the count of
six five four three
two one
they run and stop and run again
and stamp on the left and on the right
and point and slash
and jump and
kick and sway and
stand and kneel
and kick and slash
eight seven six five
four three two one
four three
four three two one
numbers indeed
are numbing
they make us numb
they are making us dumb
five four three two one.
poem by Ric S. Bastasa
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Stranger In The House
We dont talk much
We dont make love like we used to
And I stay guarded
Ive got walls and triggers
I never thought I had
And so do you
But this is love
And thats the way we seem content to play it
I touch your clothes when youre gone
I let your scent wash over me
You cry at night and you wish just like a child
That we were how we used to be
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
And she looks like somebody from a lifetime ago
I stonewall you, you stonewall me
But we both know that
Hiding deep inside us
Lives the love that we try hard to lose
And never will
But this is war
And thats the way we seem content to fight it
I get so angry and confused cause
I want out but I want you
You cant decide between moving out or moving in
You dont know what to do
With a stranger in the house
In the house
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
And she looks like you
And he looks like me
Is this the same girl that, I fought so hard to win
And now I fight to lose her
Now I feel that its just like skin to skin
And nerve to nerve
Strung out like wire
Is that the way we are content to live
We face off in anger
In rooms once filled with love
Looking for a chink in the armour
Where we can stab the blade
What are we thinking of
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
And she looks like somebody from a lifetime ago
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
Theres a stranger in the house
In the house
song performed by by Rick Springfield
Submitted by Lucian Velea
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Astonishing Forest
Where the house filled with living
The house continuously giving
Where the house filled with nature
The house filled with adventure
Anything can survive
With the nature it provides
Where the house filled with grass
The house filled with hedges, bushes and plants
Canopy trees be it rain or shine
Will be there for you at any time
Where the green house filled with fresh air
Will shelter you in the heavy rain
O the house of beauty
O the house of sound
So much variety is yet to be found
poem by Sehar Zaman
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Complicated Lifestyle.
a man's life is simple.
he has a routine, like this: house, office, house.
he gets bored, adds another place,
like house, office, park, mall, house,
waste of money, but a little interesting, he adds more
a friend's house, another house where he can be intimate with someone,
then sex, and games and romance and betrayal and use and sue and
lots of booze,
he retreats back to house, office, house,
but it is not the same again.
he sins, feels so broke, and
to a certain extent
attempts at suicide.
sad, but it can happen to you.
poem by Ric S. Bastasa
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The Monument Of All Our Wrongs
i build a house
no one likes it.
the house is empty
i put some chairs.
someone comes and
says, this house is
lonely, it needs
a sound
it is boring and needs
a paint
i put a tree beside
its stairs
i grow another
fence
i put a lone bulb
on a post
and leave the house
for good
that is what the
house is made
there is always
missing
something is
always wrong
this is the house
of regret
it is the monument
of all our wrongs.
poem by Ric S. Bastasa
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Intro
This is not a test
This is reality
We're all lying
Who's in the house?
Who's in the house?
Who's in the house?
Limp Bizkit is in the house
Who's in the house?
Who's in the house?
Who's in the house?
Limp Bizkit is in the house
Bring it on
song performed by by Limp Bizkit from Three Dollar Bill Y'all
Submitted by Lucian Velea
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‘To the Slaughter-house’- A Cattle-song!
To the slaughter-house! To the slaughter-house!
Here we cows all go;
We gave men milk and butter, ghee;
They want our beef now;
We’ve no other go.
To the slaughter-house! To the slaughter-house!
Here we oxen go;
We tilled their lands and milled oil-seeds;
They want our hide now;
We’ve no other go.
To the slaughter-house! To the slaughter-house!
Here we sheep all go;
We grazed their meadows, eating grass;
They want our mutton now;
We’ve no other go.
To the slaughter-house! To the slaughter-house!
Here we cattle go;
We served mankind as God said so;
Selfish men want our flesh now;
We’ve no other go.
To the slaughter-house! To the slaughter-house!
Here we animals go;
Jostled, huddled, unfed, crowded;
Men want our lives now;
This is our last ride, we all know;
We’ve no other go.
Copyright by Dr John Celes 1-20-2008
poem by John Celes
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Every House
Every house has a sun and moon,
And a little porcelain cup,
And a little silver spoon;
Every house has laughter and pain,
And feels the kiss of a needed rain.
Every house has a pet or two,
A cat in the tree,
A dove that coo;
Every house has a little mouse,
Lives in a hole he never comes out.
Every house has a window or two,
And some grass and trees,
And a sky that's blue;
Every house has a child that dreams,
As he plucks at raw reality's seams.
poem by Patti Masterman
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SOUNDS & SIGHTS OF THE RIVERDANCE...[Observations From A Live Irish Step Dance Performance/Radio City Music Hall, New York]
Tap, Tap, Tap...
Shoe-point on wood
One lone Dancer
Striking the floor
With hyperbole...
While ignominiously
Glaring, left to right
Twenty Dancers
Being watched
By twenty more
Awaiting their key
Standing in position
Clad in dark solids
Burgandy and black
Orchestra anxious
Ready to commence
Turn a silent stage
Alive with fifes 'n strings
Hear the sound of Violins
Tight-string pulling
...Rosin!
Dancers juxtaposed
Spotlights frame
each glacing movement
Madonna's......in tights
Dark Angels in taps
As the orchestra leader
SHOUTS.... in soprano
ONE, TWO, THREE..FOUR
One, Two, Three...
one, two, three...AND....
Twenty more Dancers
Edge of the stage
While Irish reels join
The romp of ''Firedance''
And, twenty-five more
Dancers in backdrop
Under white lights
Confluenced, and stunning
Commanding the audience
Front and Center
Like silhouette figures
And marionettes
All synchronized...Yes...
And on single deaf cue
Break from the middle
Like a gaelic Red Sea
And twenty-five more
Dancers line...Synchronized...YES!
All in one line...
Front and Center
To stamping feet
To thunderclap
To violins...screaming!
To one-hundred and thirty
Feet on the floor...
To the beat of the rhythm
The rhythm of the dance
The Irish Step hard shoe
As sixty-five Dancers
All in synchronized step
The violins peak....YES!
As the Dancers stamp hard
To the beat of the Riverdance
The Sound is shrilling
As the Dancers come forward
Dancing edged at stagefront
Legs in full measure
Knees over chins
Legs lifting higher
In measure and balance
To the kicked-up impact
Of the titillating music
'Til the grande-leader calls
Time to do justice
Render sweet climax
To this sterling performance
And the Dancers take flight
With utopic perfection
And land with a clamor
Of one deafening strike
Of shoes to the floor......
.................................. ......
A moments dead still
The Dancers stand silent
No movement, feet crossed
.....................................A N D
The Audience stands LOUD...
The applause just as deafening
As the applauded were clamorous
And sustains for minutes
After the very last Dancer
Walks of the stage....
'''The Riverdance'''.......
AND, THERE IS NOTHING LIKE IT!
Dedicated to my daughter, Lauren Marie Elizabeth who in 2003,
at age 9, placed 3rd in a Regional Irish Feis Competition, in N.Y.C.
poem by Frank James Ryan Jr.
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