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A Toccata of Galuppi's

I

Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I take your meaning, 'tis with such a heavy mind!

II

Here you come with your old music, and here's all the good it brings.
What, they lived once thus at Venice where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?

III

Ay, because the sea's the street there; and 'tis arched by . . . what you call
. . . Shylock's bridge with houses on it, where they kept the carnival:
I was never out of England—it's as if I saw it all.

IV

Did young people take their pleasure when the sea was warm in May?
Balls and masks begun at midnight, burning ever to mid-day,
When they made up fresh adventures for the morrow, do you say?

V

Was a lady such a lady, cheeks so round and lips so red,—
On her neck the small face buoyant, like a bell-flower on its bed,
O'er the breast's superb abundance where a man might base his head?

VI

Well, and it was graceful of them—they'd break talk off and afford
—She, to bite her mask's black velvet—he, to finger on his sword,
While you sat and played Toccatas, stately at the clavichord?

VII

What? Those lesser thirds so plaintive, sixths diminished, sigh on sigh
Told them something? Those suspensions, those solutions—"Must we die?"
Those commiserating sevenths—"Life might last! we can but try!

VIII

"Were you happy?"—"Yes."—"And are you still as happy?"—"Yes. And you?"
—"Then, more kisses!"—"Did I stop them, when a million seemed so few?"
Hark, the dominant's persistence till it must be answered to!

IX

So, an octave struck the answer. Oh, they praised you, I dare say!
"Brave Galuppi! that was music! good alike at grave and gay!
"I can always leave off talking when I hear a master play!"

X

Then they left you for their pleasure: till in due time, one by one,
Some with lives that came to nothing, some with deeds as well undone,
Death stepped tacitly and took them where they never see the sun.

XI

But when I sit down to reason, think to take my stand nor swerve,
While I triumph o'er a secret wrung from nature's close reserve,
In you come with your cold music till I creep thro' every nerve.

XII

Yes, you, like a ghostly cricket, creaking where a house was burned:
"Dust and ashes, dead and done with, Venice spent what Venice earned.
"The soul, doubtless, is immortal—where a soul can be discerned.

XIII

"Yours for instance: you know physics, something of geology,
"Mathematics are your pastime; souls shall rise in their degree;
"Butterflies may dread extinction,—you'll not die, it cannot be!

XIV

"As for Venice and her people, merely born to bloom and drop,
"Here on earth they bore their fruitage, mirth and folly were the crop:
"What of soul was left, I wonder, when the kissing had to stop?

XV

"Dust and ashes!" So you creak it, and I want the heart to scold.
Dear dead women, with such hair, too—what's become of all the gold
Used to hang and brush their bosoms? I feel chilly and grown old.

poem by Robert Browning from Men and Women (1855)
Submitted by Veronica Serbanoiu
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Venice Drowning

Venice breathing, shiny shoe mirrors of sex and violence,
In the purple evening silence, venice dreaming of a partner.
Fill your arms with breasts of marble, from the cradle to the table
Coax this naked treasure, from your saviour.
Come swim into my love
Come swim into my life
Divine blasphemer tempting, holly beads of jism
With a scarlet catechism, her lips will answer
(ah, her lips will answer)
How to be, the perfect stranger, the perfect lover - wanting
And as youll discover - giving, and as youll discover - being.
Come swim into my love
Come swim into my life
Enter this sublime corrosion
Venice drowning in emotion
-
(the body stirs, and is reanimated, only briefly,
But then life is very brief)
(come swim into my life)
(come swim into my life)
(ah-ahh ah-ah ah-ah-whoo heyyey)
Venice drowning!
Venice drowning!
Venice drowning!
Venice drowning!
Venice drowning!
Venice drowning! (slowly disappearing..)
Venice drowning! (slowly disappearing..)
Venice drowning! (slowly disappearing..)
Venice drowning!.... (slowly disappearing..)

song performed by by Duran Duran
Submitted by Lucian Velea
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The Three Bushes

SAID lady once to lover,
'None can rely upon
A love that lacks its proper food;
And if your love were gone
How could you sing those songs of love?
I should be blamed, young man.
O my dear, O my dear.

Have no lit candles in your room,'
That lovely lady said,
'That I at midnight by the clock
May creep into your bed,
For if I saw myself creep in
I think I should drop dead.'
O my dear, O my dear.

'I love a man in secret,
Dear chambermaid,' said she.
'I know that I must drop down dead
If he stop loving me,
Yet what could I but drop down dead
If I lost my chastity?
O my dear, O my dear.

'So you must lie beside him
And let him think me there.
And maybe we are all the same
Where no candles are,
And maybe we are all the same
That stip the body bare.'
O my dear, O my dear.
But no dogs barked, and midnights chimed,
And through the chime she'd say,
'That was a lucky thought of mine,
My lover. looked so gay';
But heaved a sigh if the chambermaid
Looked half asleep all day.
O my dear, O my dear.

'No, not another song,' siid he,
'Because my lady came
A year ago for the first time
At midnight to my room,
And I must lie between the sheets
When the clock begins to chime.'
O my dear, O my d-ear.

'A laughing, crying, sacred song,
A leching song,' they said.
Did ever men hear such a song?
No, but that day they did.
Did ever man ride such a race?
No, not until he rode.
O my dear, O my dear.

But when his horse had put its hoof
Into a rabbit-hole
He dropped upon his head and died.
His lady saw it all
And dropped and died thereon, for she
Loved him with her soul.
O my dear, O my dear.
The chambermaid lived long, and took
Their graves into her charge,
And there two bushes planted
That when they had grown large
Seemed sprung from but a single root
So did their roses merge.
O my dear, O my dear.

When she was old and dying,
The priest came where she was;
She made a full confession.
Long looked he in her face,
And O he was a good man
And understood her case.
O my dear, O my dear.

He bade them take and bury her
Beside her lady's man,
And set a rose-tree on her grave,
And now none living can,
When they have plucked a rose there,
Know where its roots began.
O my dear, O my dear.

poem by William Butler Yeats
Submitted by Poetry Lover
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At A Funeral

I loved her too, this woman who is dead.
Look in my face. I have a right to go
And see the place where you have made her bed
Among the snow.

I loved her too whom you are burying.
I have a right to stand beside her bier,
And to my handful of the dust I fling,
That she may hear.

I loved her; and it was not for the eyes
Which you have shut, nor for her yellow hair,
Nor for the face which in your bosom lies.
Let it lie there!

Nor for the wild--birds' music of her voice,
Which we shall hear in dreams till we too sleep;
Nor for the rest, which made the world rejoice,
The angels weep.

It was not for the payment of sweet love,
Though love is often straitened for a kiss,
Nor for the hope of other joys above,
But only this,

That she had laid her hand upon my heart
Once in the summer time when we were young,
And that her finger--tips had left a smart,
And that my tongue

Had spoken words which might not be unspoken
Lest they should make a by--word of love's truth,
And I had sworn that love should be the token
Of my youth.

And so I gave her all, and long ago
The treasure of my youth was put in pawn;
And she was little richer that I know
When that was gone.

But I have lived a beggar since that day
And hide my face it may be from men's eyes;
For often I have seen them shrink away,
As in surprise

That such a loathsome cripple should be found
To walk abroad in daylight with the rest,
And scarce a rag to cover up the wound
Upon his breast.

Yet no man stopped to ask how this might be,
Or I had scared them, and let loose my tongue,
How I had bought myself this misery
When I was young.

Yet I have loved her. This must be my pay,
The pension I have earned me with these tears;
The right to kneel beside her grave to--day,
Despite these years,

With all her kisses burning on my cheek,
As when I left her and our love was dead,
And our lips trembled though they did not speak,
The night I fled;

The right to bid you stand aside, nor be
A witness of our meeting. Did you love
In joy as I have loved in misery?
You did not prove

Your love was stronger than the strength of death,
Or she had never died upon your hand.
I would have fed her breathing with my breath;
I would have fanned

A living wind of Heaven to her lips;
I would have stolen life from Paradise.
And she is dead, and you have seen eclipse
Within those eyes.

If I could know that you had loved her well;
If I could hold it for a certainty
That you had sold your life as I did sell;
If I could see

The blackness of your soul, and with my tongue
Taste the full bitterness of tears unshed;
If I should find your very heart was wrung
And maimed and dead;

If I should feel your hand's grasp crumble mine,
And hug the pain when I should grasp in turn;
If I could dip my fingers in the brine
Of eyes that burn;

If I could hear your voice call back the dead
With such a mighty cry of agony
That she should turn and listen in the bed
Where she doth lie,

And all the heavens should together roll,
Thinking they heard the angel's trumpet tone,
I could forget it that you bought a soul
Which was my own;

I could forget that she forgot her vows,
That aught was bartered for the wealth of love;
I could untell the story of my woes,
Till God above

Should hold her guiltless and condone the wrong
Done to His justice; I could take your hand
And call you brother, as we went along
To take our stand

Before His judgment--seat with her again
Where we are hurrying,--for we could not keep
Our place unchallenged in the ranks of men
Who do not weep.

poem by Wilfrid Scawen Blunt
Submitted by Poetry Lover
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Add Some Music

The sunday mornin' gospel goes good with the soul
There's blues, folk, and country, and rock like a rollin' stone
The world could come together as one
If everybody under the sun
Add some music to your day
(Add some music add some add some music to your day)
A bob didit a bop didit
You'll hear it while you're walkin' by a neighbor's home
You'll hear it faintly in the distance when you're on the phone
You're sittin' in a dentist's chair
And they've got music for you there
To add some music
(Add some music add some add some music to your)
To your day
A bob didit a bop didit
Add some music music everywhere (add some music)
Add some add some add some add some music (add some music)
Your doctor knows it keeps you calm
Your preacher adds it to his psalms
So add some music
(Add some music add some add some music to your)
To your day
Music
(Add some music add some music)
When you're alone
(Add some music add some music)
Is like a companion
(Add some music add some music)
For your lonely soul
Oo oo oo woo oo woo oo oo oo oooo
When day is over (when day is over)
I close my tired eyes (I close my tired)
Music is in my soul
At a movie you can feel it touching your heart
And on every day of the summertime
You'll hear children chasing ice cream carts
They'll play it on your wedding day
There must be 'bout a million ways
To add some music
(Add some music add some add some music to your)
To your day
Add some music to your day
Add some music to your day
Add some music to your day
Add some music to your day
Add some music to your day

song performed by by Beach Boys
Submitted by Lucian Velea
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Can You Hear Them?

So sick and tired of living
And so afraid to die
I've lived so many lives
And still I wonder why
The way the world perceives me
Is not the way I am
The one half thinks I'm crazy
The other thinks I'm mad

I spent a long long time alone in my room
I need your help to get me out of this gloom

Can you hear them
All the voices in my head
They freak me out
Can you hear them
They won't be happy 'till I'm dead
They freak me out

Ten thousand million nightmares
Temptation by the score
I used to get so high
And still I wanted more
You think my time is wasted
In search of who I am
I tried to so hard to kill
The boy inside the man

I spent a thousand years one night in my room
I've lived so many lives and that is my doom

Can you hear them
All the voices in my head
They freak me out
Can you hear them
They won't be happy 'till I'm dead
They freak me out

Can you hear them
All the voices in my head
They freak me out
Can you hear them
They won't be happy 'till I'm dead
They freak me out

I never thought I'd smile again
Always thought I'd be here on my own
Sometimes when I'm down
You come and save me again
And again
And again
And again

I'll never understand it
It makes no sense at all
Just look at what I've done
It's time to count the score

I've spent a long long time alone in my room
I need your help to get me out of this gloom

Can you hear them
All the voices in my head
They freak me out
Can you hear them
They won't be happy 'till I'm dead
They freak me out

Can you hear them
All the voices in my head
They freak me out
Can you hear them
They won't be happy 'till I'm dead
They freak me out

song performed by by Ozzy Osbourne from Down To Earth
Submitted by Lucian Velea
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The Mask

yes, there was this man in the village
he was happy.

yet, no one know who he really was
even until death.

all his life he wore the mask of the happy man
dignified and praised.

when he lived till 60 he wore the mask through and through
he was famous for his love and charity.

till his funeral the people cried
there i saw the mask, smiling and always willing to help

always empathizing, always willing to understand
the plight of each and everyone

and he was buried a happy man
time buries all including the mask of the happy man

if only they had taken time to dig him out from his grave
they could have seen the rotten ugliness beneath the mask of happiness

let him go, those who knew later said
he was a happy man, he served us so well, let him be, we pray.

i know the ugliness of his true self
but i guess, no one likes to hear what it is.

my lips are sealed
now we must praise him again: posthumously.

poem by Ric S. Bastasa
Submitted by Poetry Lover
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The House Of Dust: Part 03: 02: The Screen Maiden

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came

What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,

And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,

And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,

And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .

Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,

He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.

And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,

As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,

And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.

And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .

Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.

And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,

That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,

To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .

Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—

And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,

And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—

Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,

And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day

Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,

And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,

And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,

And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'

'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,

And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .

poem by Conrad Potter Aiken
Submitted by Poetry Lover
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The Musicians

The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary -
The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.

Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others -
Though only the rhythm was heard by me.
Louder and louder, faster and faster
The hands of the brothers played strain on strain,
When all of a sudden a Mighty Master
Swept them aside; and Pain,

Pain, the musician, the soul-refiner,
Restrung the strings of my quivering heart,
And the air that he played was a plaintive minor,
So sad that the tear-drops were forced to start;
Each note was an echo of awful anguish,
As shrill as solemn, as sharp as slow,
And my soul for a reason seemed to languish
And faint with its weight of woe.

With skilful hands that were never weary,
This Master of Music played strain on strain,
And between the bars of the miserere,
He drew up the strings of my heart again,
And I was filled with a vague, strange wonder,
To see that they did not snap in two.
'They are drawn so tight, they will break assunder, '
I thought, but instead, they grew,

In the hands of the Master, firmer and stronger;
And I could hear on the stilly air -
Now my ears were deafened by Mirth no longer -
The sound of sorrow, and grief, and despair;
And my soul grew kinder and tender to others,
My nature grew sweeter, my mind grew broad,
And I held all men to be my brothers,
Linked by the chastening rod.

My soul was lifted to God and heaven,
And when on my heart-strings fell again
The hands of Mirth, and Pleasure, even,
There was never a discord to mar the strain.
For Pain, the musician, and soul-refiner,
Attuned the strings with a master hand,
And whether the music be major or minor,
It is always sweet and grand.

poem by Ella Wheeler Wilcox
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Venice U. S. A.

Found myself, found myself
Oh, in a restaurant in venice
Found myself
Oh, in a restaurant in venice
I was talkin to my baby
In a restaurant down in venice
When I found myself
Down in venice
And Im cryin
But my tears, but my tears
Are filled with joy
And Im walkin in venice
And Im cryin
Chorus:
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
As Im leaving venice, as Im leaving venice
As Im leaving venice
All the streets are wet with rain
And in my memory, and in my memory
And in my memory
I remember it well
And I take a stroll
Oh, see the ships come sailing in
In the harbor in the harbor
Down in venice
And Im cryin
But my tears, but my tears
Are filled with joy
And Im walkin in venice
And Im cryin
Repeat chorus
Walkin in venice and Im cryin
Oh, as Im walkin in venice, walkin in venice
And Im cryin
Well, Im walk, walk, walk, walk, walk, walk walk, walk
Walkin in venice
Yeah, yeah, yeah
Well, I walk and I walk and I walk and I walk
Well, Im walkin in venice
I walk and I walk and I walk
And I feel you and I see you as Im walkin
Down in venice
Now sing a song, goes like this:
Repeat chorus & fade

song performed by by Van Morrison
Submitted by Lucian Velea
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Race

Lie down, [fair 1//pheromone], and come away
Till the rain is over and gone
G-g-gimme the beat now (face the music)
Lead line (face the music)
If the air is a little thick in this room 2nite
I reckon its the result of an onslaught of separatist rookies
Overcome by this colorful sight
Talkin so fast that even they
Talkin so fast that even they
Dont know what they mean
Of all the things that base a rhyme
How is it that u everytime
Regurgitate the racist lines that keep us apart?
Thank God this aint monopoly
Ud make us all go back 2 start
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
I gotcha
Race
Race
Check it
Three seats over theres a lady black
Entrusted 2 her care is a little white girl
And the fact of the matter is
Before her momma or another kid at school
Tells her about the fallacy that 1 race rules over the other
Shed be a much-better-off-left fool (face the music)
If we never heard about the evils that those before us committed
Then how my dear, tell me now how my dear, tell me now how now would we know
And then the band say
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
I gotcha
Race
Race
(face the music)
D-d-down with h-i-s-t-o-r-y and all this bs propagandi
Keepin u from me and me from u as we grow
I dont wanna know (I dont wanna know)
Why those before us hated each other
Id rather believe they never did
Id rather believe (Id rather, Id rather believe)
That theres hope 4 a kid
And if he imitates the best
I guess thats what Ill try 2 be
And I will let the rest dissolve with my guitar underneath the sea
Race
(face face face face face)
Face the music (face the music)
Face the music
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
Get it?
Race
Got it
Race
Face the music
Race race
(face face face the music)
Race race
(face face face the music)
Race race
Race race
(face-f-face the music)
Race

song performed by by Prince
Submitted by Lucian Velea
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The Lunger

Jack would laugh an' joke all day;
Never saw a lad so gay;
Singin' like a medder lark,
Loaded to the Plimsoll mark
With God's sunshine was that boy;
Had a strangle-holt on Joy.
Held his head 'way up in air,
Left no callin' cards on Care;
Breezy, buoyant, brave and true;
Sent his sunshine out to you;
Cheerfulest when clouds was black --
Happy Jack! Oh, Happy Jack!

Sittin' in my shack alone
I could hear him in his own,
Singin' far into the night,
Till it didn't seem just right
One man should corral the fun,
Live his life so in the sun;
Didn't seem quite natural
Not to have a grouch at all;
Not a trouble, not a lack --
Happy Jack! Oh, Happy Jack!

He was plumbful of good cheer
Till he struck that low-down year;
Got so thin, so little to him,
You could most see day-light through him.
Never was his eye so bright,
Never was his cheek so white.
Seemed as if somethin' was wrong,
Sort o' quaver in his song.
Same old smile, same hearty voice:
"Bless you, boys! let's all rejoice!"
But old Doctor shook his head:
"Half a lung," was all he said.
Yet that half was surely right,
For I heard him every night,
Singin', singin' in his shack --
Happy Jack! Oh, Happy Jack!

Then one day a letter came
Endin' with a female name;
Seemed to get him in the neck,
Sort o' pile-driver effect;
Paled his lip and plucked his breath,
Left him starin' still as death.
Somethin' had gone awful wrong,
Yet that night he sang his song.
Oh, but it was good to hear!
For there clutched my heart a fear,
So that I quaked listenin'
Every night to hear him sing.
But each day he laughed with me,
An' his smile was full of glee.
Nothin' seemed to set him back --
Happy Jack! Oh, Happy Jack!

Then one night the singin' stopped . . .
Seemed as if my heart just flopped;
For I'd learned to love the boy
With his gilt-edged line of joy,
With his glorious gift of bluff,
With his splendid fightin' stuff.
Sing on, lad, and play the game!
O dear God! . . . no singin' came,
But there surged to me instead --
Silence, silence, deep and dread;
Till I shuddered, tried to pray,
Said: "He's maybe gone away."
Oh, yes, he had gone away,
Gone forever and a day.
But he'd left behind him there,
In his cabin, pinched and bare,
His poor body, skin and bone,
His sharp face, cold as a stone.
An' his stiffened fingers pressed
Somethin' bright upon his breast:
Locket with a silken curl,
Poor, sweet portrait of a girl.
Yet I reckon at the last
How defiant-like he passed;
For there sat upon his lips
Smile that death could not eclipse;
An' within his eyes lived still
Joy that dyin' could not kill.

An' now when the nights are long,
How I miss his cheery song!
How I sigh an' wish him back!
Happy Jack! Oh, Happy Jack!

poem by Robert William Service
Submitted by Poetry Lover
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Add Some Music To Your Day

The sunday mornin gospel goes good with the soul
Theres blues, folk, and country, and rock like a rollin stone
The world could come together as one
If everybody under the sun
Add some music to your day
(add some music add some add some music to your day)
A bob didit a bop didit
Youll hear it while youre walkin by a neighbors home
Youll hear it faintly in the distance when youre on the phone
Youre sittin in a dentists chair
And theyve got music for you there
To add some music
(add some music add some add some music to your)
To your day
A bob didit a bop didit
Add some music music everywhere (add some music)
Add some add some add some add some music (add some music)
Your doctor knows it keeps you calm
Your preacher adds it to his psalms
So add some music
(add some music add some add some music to your)
To your day
Music
(add some music add some music)
When youre alone
(add some music add some music)
Is like a companion
(add some music add some music)
For your lonely soul
Oo oo oo woo oo woo oo oo oo oooo
When day is over (when day is over)
I close my tired eyes (I close my tired)
Music is in my soul
At a movie you can feel it touching your heart
And on every day of the summertime
Youll hear children chasing ice cream carts
Theyll play it on your wedding day
There must be bout a million ways
To add some music
(add some music add some add some music to your)
To your day
Add some music to your day
Add some music to your day
Add some music to your day
Add some music to your day
Add some music to your day

song performed by by Beach Boys
Submitted by Lucian Velea
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The sound of music.......

The sound of music gives us so much emotions
and that plays a melody deep in our heart greatly
All the sound on the earth are like music
and the music brings love and enjoyment to our life
Music expresses universal language of the world
and brings people together where ever they live
The music is the best gift of God to all of us
where its fills our soul with peace and mind with creativity
Every music has its own rhythm
and it's creates a great sound of music
Music in the mountain brings peace in our heart
and music in the ocean fills our soul with love
When I hear the sound of music
then I begin to write a song as a soul of music
If you don't love the sound of music
then your soul will be unsung
Because music can put life in to a dead man

Ravi Sathasivam / Sri Lanka

Copyright @2006 Ravi Sathasivam

poem by Ravi Sathasivam
Submitted by Poetry Lover
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The Organist

In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.

One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.

She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'

'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'

And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.

And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.

And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'

So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.

At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.

'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.

And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.

The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.

And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.

poem by Archibald Lampman
Submitted by Poetry Lover
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Let It All Be Music

Music is a mirror
Near around my soul
Music is the spirit
Come on let it roll
Music is my nature
People have you heard
Music is my future
Music is the world
Let it all be music
People sing a song
Let it all be music
Let us sing it on and on and on and on
Lets play the music
My kind of music
Lets play the music
Play it on
Lets play the music
My kind of music
Lets play the music
Play it on and on and on
Music isnt somewhere
Music turns you right
Music is a fever
Leads you day and night
Music is like heaven
Where you wanna be
Music is religion
Music sets you free
Let it all be music
People sing a song
Let it all be music
Let us sing it on and on and on and on
Lets play the music
My kind of music
Lets play the music
Play it on
Lets play the music
My kind of music
Lets play the music
Play it on and on and on
Music is tomorrow
Music is today
Music is forever
Music is the way
Music is for women
Music is for men
Music is for children
Sing it all again
Let it all be music
People sing a song
Let it all be music
Let us sing it on and on and on and on
Lets play the music
My kind of music
Lets play the music
Play it on
Lets play the music
My kind of music
Lets play the music
Play it on and on and on
I can feel it, in my soul
I can feel it, in my heart
Sweet sweet sweet music
Music
Sweet sweet sweet music
Sweet music
Play it on
Play it on
My my my my my kind of music
Play it
Play the music
My my my my my kind of music
Play it
I said play it
On and on and on and on
Music

song performed by by Boney M.
Submitted by Lucian Velea
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Don Rafael

'I would not have,' he said,
'Tears, nor the black pall, nor the wormy grave,
Grief's hideous panoply I would not have
Round me when I am dead.

'Music and flowers and light,
And choric dances to guitar and flute,
Be these around me when my lips are mute,
Mine eyes are sealed from sight.

'So let me lie one day,
One long, eternal day, in sunshine bathed,
In cerements of silken tissue swathed,
Smothered 'neath flowers of May.

'One perfect day of peace,
Or ere clean flame consume my fleshly veil,
My life-a gilded vapor-shall exhale,
Brief as a sigh-and cease.

'But ere the torch be laid
To my unshrinking limbs by some true hand,
Athwart the orange-fragrant laughing land,
Bring many a dark-eyed maid

'From the bright, sea-kissed town;
My beautiful, beloved enemies,
Gemmed as the dew, voluptuous as the breeze,
Each in her festal gown.

'All those through whom I learned
The sweet of folly and the pains of love,
My Rose, my Star, my Comforter, my Dove,
For whom, poor moth, I burned.

'Loves of a day, and hour,
Or passions (vowed eternal) of a year,
Though each be strange to each, to me all dear
As to the bee the flower.

'Around me they shall move
In languid contra dances, and shall shed
Their smiling eyebeams as I were not dead,
But quick to flash back love.

'Something not alien quite
To tender ruth, perchance their breast shall fill,
Seeing him that was so mobile grown so still,
The fiery-veined so white.

'And when the dance is o'er,
The pinched guitar, the smitten tambourine,
Have ceased their rhythmic beat,-oh, friends of mine,
On my rich bier, then pour

'The garlands that ye wear,
The happy rose that on your bosom breathes,
The fresh-culled clusters and the dewy wreaths
That crown your fragrant hair.

'Though blind, I still shall see,
Though dead, shall feel your presence and shall know,
I who was beauty's life-long slave, shall so
Win her in death to me.

'Thanks, sisters, and farewell!
Back to your joys. My brother shall make room
For my tried sword upon the high-piled bloom,
And fire the pinnacle.

'My soul, pure flame, shall leap
To meet its parent essence once again
My body dust and ashes shall remain,
Tired heart and brain shall sleep.

'Life has one gate alone,
Obscure, beset with peril and fierce pain.
Large death has many portals to his fane,
Why choose we to make moan?

'Why dwell with worms and clay
When we may soar through air on wings of flame,
Dissolve to small, white dust our perfect frame,
And never know decay?

'A brother's pious hand
The pure, fire-winnowed ashes shall inurn,
And lay them in the orange grove where burn
Globed suns that scent the land.

'The leaf shall be more green,
Even for my dust-more snowy-soft the flower,
More juicy-sweet the fruit's live pulp-the bower
Richer that I have been.

'For I would not,' he said,
'Tears and the black pall and the wormy grave,
Grief's hideous panoply I would not have
Round me when I am dead.'

poem by Emma Lazarus
Submitted by Poetry Lover
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Soror Tua

For the statue of Lorenzetti, in the Venice Exhibition, 1887, representing a chained and recumbent figure larger than life; who, if she broke the silence of her misery, might speak thus:--
Ye that pass by, come near and look on me;
I am despised, rejected and out-thrust;
My garments are acquainted with the dust,
My soul is bosom-mate of misery.

Come near and look upon me, sons of men.
Would I were dead; yea, peace is with the dead,
The dead are happy, having no desire.
I rise and fall, and rise and fall again,
Something is in me, famishing for bread,
Baffled and unappeasable as fire.
Woe, woe is me, I tire and may not tire!
Eternal strength in weariness is mine.
Raise me, I call. Come nearer, I am thine.
What? Knowest thou not thy sister? I am she.

poem by Arthur Symons
Submitted by Poetry Lover
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Three Dead Friends

Always suddenly they are gone--
The friends we trusted and held secure--
Suddenly we are gazing on,
Not a _smiling_ face, but the marble-pure
Dead mask of a face that nevermore
To a smile of ours will make reply--
The lips close-locked as the eyelids are--
Gone--swift as the flash of the molten ore
A meteor pours through a midnight sky,
Leaving it blind of a single star.

Tell us, O Death, Remorseless Might!
What is this old, unescapable ire
You wreak on us?--from the birth of light
Till the world be charred to a core of fire!
We do no evil thing to you--
We seek to evade you--that is all--
That is your will--you will not be known
Of men. What, then, would you have us do?--
Cringe, and wait till your vengeance fall,
And your graves be fed, and the trumpet blown?

You desire no friends; but _we_--O we
Need them so, as we falter here,
Fumbling through each new vacancy,
As each is stricken that we hold dear.
One you struck but a year ago;
And one not a month ago; and one--
(God's vast pity!)--and one lies now
Where the widow wails, in her nameless woe,
And the soldiers pace, with the sword and gun,
Where the comrade sleeps, with the laureled brow.

And what did the first?--that wayward soul,
Clothed of sorrow, yet nude of sin,
And with all hearts bowed in the strange control
Of the heavenly voice of his violin.
Why, it was music the way he _stood_,
So grand was the poise of the head and so
Full was the figure of majesty!--
One heard with the eyes, as a deaf man would,
And with all sense brimmed to the overflow
With tears of anguish and ecstasy.

And what did the girl, with the great warm light
Of genius sunning her eyes of blue,
With her heart so pure, and her soul so white--
What, O Death, did she do to you?
Through field and wood as a child she strayed,
As Nature, the dear sweet mother led;
While from her canvas, mirrored back,
Glimmered the stream through the everglade
Where the grapevine trailed from the trees to wed
Its likeness of emerald, blue and black.

And what did he, who, the last of these,
Faced you, with never a fear, O Death?
Did you hate _him_ that he loved the breeze,
And the morning dews, and the rose's breath?
Did you hate him that he answered not
Your hate again--but turned, instead,
His only hate on his country's wrongs?
Well--you possess him, dead!--but what
Of the good he wrought? With laureled head
He bides with us in his deeds and songs.

Laureled, first, that he bravely fought,
And forged a way to our flag's release;
Laureled, next--for the harp he taught
To wake glad songs in the days of peace--
Songs of the woodland haunts he held
As close in his love as they held their bloom
In their inmost bosoms of leaf and vine--
Songs that echoed, and pulsed and welled
Through the town's pent streets, and the sick child's room,
Pure as a shower in soft sunshine.

Claim them, Death; yet their fame endures,
What friend next will you rend from us
In that cold, pitiless way of yours,
And leave us a grief more dolorous?
Speak to us!--tell us, O Dreadful Power!--
Are we to have not a lone friend left?--
Since, frozen, sodden, or green the sod,--
In every second of every hour,
_Some one_, Death, you have left thus bereft,
Half inaudibly shrieks to God.

poem by James Whitcomb Riley
Submitted by Poetry Lover
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Play On The Music

Play on the music
Drop by drop

The strings divine
The nature at its eloquence
From heavens to earth
Stretch the string
Play on the music
Drop by drop
Beethoven’s symphony
Chopin’s piano
Santana’s guitar
Or the cuckoos song
Play on the music
Drop by drop
In the heat of the night
In cold surroundings
The story of my love
My illusions great
I construct heavens
Play on the music
Drop by drop
For the moments rare
It’s only for those
The discerning here
The enchanted being
Play on the music
Drop by drop

Don’t leave me alone
O soul you fly
The body shivers
With the thought
Of death and destruction
O soul we were friends
Thou fly to eternity
Play on the music
Drop by drop
Your place is heaven
I want to be heard
A slave to a master
So ungrateful
Your beauty in this world
I hath been
You decorated me
With ornaments rare
Play on the music
Drop by drop

For this is your fate
O carrier of soul

The life’s going by
Take your share
O body of the soul
Freedom anew
In the world here
Play on the music
Drop by drop

For I am the real
The being and the nothing
The beloved and the rival
The saki and the wine
Play on the music
Drop by drop
In the deep longing
Of the night long
The strings so stretched
From the heavens to earth
Sing songs of love, O beloved mine
Reveal thy face, in my imaginations wild
Torn is my being, between real and unreal
Play on the music
Drop by drop

In the middle of the night
The rain drops falling
From the clouds high
Is telling me this story
Khayyam’s disciple
Sings a song
Play on the music
Drop by drop

poem by Sadiqullah Khan
Submitted by Poetry Lover
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Mother and Poet

I.

Dead ! One of them shot by the sea in the east,
And one of them shot in the west by the sea.
Dead ! both my boys ! When you sit at the feast
And are wanting a great song for Italy free,
Let none look at me !

II.
Yet I was a poetess only last year,
And good at my art, for a woman, men said ;
But this woman, this, who is agonized here,
-- The east sea and west sea rhyme on in her head
For ever instead.

III.
What art can a woman be good at ? Oh, vain !
What art is she good at, but hurting her breast
With the milk-teeth of babes, and a smile at the pain ?
Ah boys, how you hurt ! you were strong as you pressed,
And I proud, by that test.

IV.
What art's for a woman ? To hold on her knees
Both darlings ! to feel all their arms round her throat,
Cling, strangle a little ! to sew by degrees
And 'broider the long-clothes and neat little coat ;
To dream and to doat.

V.
To teach them ... It stings there ! I made them indeed
Speak plain the word country. I taught them, no doubt,
That a country's a thing men should die for at need.
I prated of liberty, rights, and about
The tyrant cast out.

VI.
And when their eyes flashed ... O my beautiful eyes ! ...
I exulted ; nay, let them go forth at the wheels
Of the guns, and denied not. But then the surprise
When one sits quite alone ! Then one weeps, then one kneels !
God, how the house feels !

VII.
At first, happy news came, in gay letters moiled
With my kisses, -- of camp-life and glory, and how
They both loved me ; and, soon coming home to be spoiled
In return would fan off every fly from my brow
With their green laurel-bough.

VIII.
Then was triumph at Turin : `Ancona was free !'
And some one came out of the cheers in the street,
With a face pale as stone, to say something to me.
My Guido was dead ! I fell down at his feet,
While they cheered in the street.

IX.
I bore it ; friends soothed me ; my grief looked sublime
As the ransom of Italy. One boy remained
To be leant on and walked with, recalling the time
When the first grew immortal, while both of us strained
To the height he had gained.

X.
And letters still came, shorter, sadder, more strong,
Writ now but in one hand, `I was not to faint, --
One loved me for two -- would be with me ere long :
And Viva l' Italia ! -- he died for, our saint,
Who forbids our complaint."

XI.
My Nanni would add, `he was safe, and aware
Of a presence that turned off the balls, -- was imprest
It was Guido himself, who knew what I could bear,
And how 'twas impossible, quite dispossessed,
To live on for the rest."

XII.
On which, without pause, up the telegraph line
Swept smoothly the next news from Gaeta : -- Shot.
Tell his mother. Ah, ah, ` his, ' ` their ' mother, -- not ` mine, '
No voice says "My mother" again to me. What !
You think Guido forgot ?

XIII.
Are souls straight so happy that, dizzy with Heaven,
They drop earth's affections, conceive not of woe ?
I think not. Themselves were too lately forgiven
Through THAT Love and Sorrow which reconciled so
The Above and Below.

XIV.
O Christ of the five wounds, who look'dst through the dark
To the face of Thy mother ! consider, I pray,
How we common mothers stand desolate, mark,
Whose sons, not being Christs, die with eyes turned away,
And no last word to say !

XV.
Both boys dead ? but that's out of nature. We all
Have been patriots, yet each house must always keep one.
'Twere imbecile, hewing out roads to a wall ;
And, when Italy 's made, for what end is it done
If we have not a son ?

XVI.
Ah, ah, ah ! when Gaeta's taken, what then ?
When the fair wicked queen sits no more at her sport
Of the fire-balls of death crashing souls out of men ?
When the guns of Cavalli with final retort
Have cut the game short ?

XVII.
When Venice and Rome keep their new jubilee,
When your flag takes all heaven for its white, green, and red,
When you have your country from mountain to sea,
When King Victor has Italy's crown on his head,
(And I have my Dead) --

XVIII.
What then ? Do not mock me. Ah, ring your bells low,
And burn your lights faintly ! My country is there,
Above the star pricked by the last peak of snow :
My Italy 's THERE, with my brave civic Pair,
To disfranchise despair !

XIX.
Forgive me. Some women bear children in strength,
And bite back the cry of their pain in self-scorn ;
But the birth-pangs of nations will wring us at length
Into wail such as this -- and we sit on forlorn
When the man-child is born.

XX.
Dead ! One of them shot by the sea in the east,
And one of them shot in the west by the sea.
Both ! both my boys ! If in keeping the feast
You want a great song for your Italy free,
Let none look at me !

[This was Laura Savio, of Turin, a poetess and patriot, whose sonswere killed at Ancona and Gaeta.]

poem by Elizabeth Barrett Browning
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