Oye Mi Canto
Take me... only for what i am
You've got a right to speak your mind
You've gotta take a stand
No one... has the right to say
This is right or that is wrong
It isn't just one way
Find common ground
Go in between
Things aren't always what they seem
Someday it'll be alright
Changes happen overnight
People, let's give each other room
If we're gonna work it out
We better make it soon
Love is... love is such a common word
When it's pride we mistake for love
Isn't that absurd
Why always take
The upper hand
It's better to understand
Someday it'll be alright
Changes happen overnight
Someday it'll be alright
Changes happen overnight
Oye mi canto
Oye mi canto
Oye mi canto
I believe in love but with no conditions
Oye mi canto
And giving in sometimes
Doesn't make it submission
Oye mi canto
Hate is so common it's almost tradition
Oye mi canto
Come on let's leave it behind
And make that transition
Oye mi canto
Oye mi canto
Oye mi canto
Oye mi canto
Oye mi canto....
song performed by by Gloria Estefan

Submitted by Lucian Velea
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Related quotes
Oyi Mi Canto
Oye mi canto
Hear my voice
Know that I am still here
Not so very far away
Still alive
Even after death has taken hold of me
We are not seperated
No matter what they may try to tell you
We are still one
We are still family
Blood and flesh
Joined forever more
Never to really be parted
No matter what you may have believed before
My son, I beg of you now
Believe, believe in the impossible
Oye mi canto
My son, if you will but listen
Listen deep in the night
Oye mi canto, my boy
You will indeed hear my voice
If you will but believe
Believe the impossible is indeed sometimes.....possible
2009 Ramona Thompson
poem by Ramona Thompson

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Oye Mi Canto - Feat. Nina Sky, Tego Calderon
If You proud to be Latino Stand The F**k Up!!!
SBK...(SBK)
Alive...(Alive We Comin' Up!)
Nina Sky...
N.O.R.E & Tego...(N.O.R.E. , Tego)
Gem Star...(Gem Star) Big Nato..(Ah Big Nato)
C'mon,..C'mon
Whoa...Whoa...Whoa...Whoa
What U Say?
pueriqua (HA!) Morena (HA!) Dominicano (HA!) Columbiano (HA!)
Pueriqua (HA!) Morena (HA!) Cubano(HA!) Mexicano (HA!)
Oye Mi Canto
You See This Is What they Want,
They want reggaeton,
What! What!
They Want Reggaeton,
Esta Lo Que Quieren,
Toma Reggaeton,
QUE? QUE?
Toma Reggaeton,
You See, I'm N.O.R.E. Keep My Story,
My Story I Always Kick It QUE?
When I Bone Shorty I Slap Culo And Listen QUE?
Soy El Gem Estrella Cuando Canto Lo Que Dicen, (WHAT?)
Una Nalga En El Culo Ella Grita, (WHAT?)
See Her Booty Gotta Rep For It's Own,
I Be fajardo,San Juan, Bayamon,
Sol En Campo Santiago, Tabacco Y Rome,
Aya En Puerto-Rico Con Bacardi Y Rome
Ahh This All That
and you can tell spanky on it
the remix to the remix we yankey on it
Toma Reggaeton,
Remix Wit' Tego On It
Esto moffongo, ma
Con N.O.R.E. On It
Un Reggaeton Con Gem Star Y Big Nato On It
Chorus:
Whoa...Whoa...Whoa...Whoa
pueriqua (HA!) Morena (HA!) Dominicano (HA!) Columbiano (HA!)
pueriqua (HA!) Morena (HA!) Cubano (HA!) Mexicano (HA!)
Oye Mi Canto
Al Dormir Cuando Suenan Venden Como Pan Caliente
No Se Me Duerman Con Aquella Gente
Si Quieren Comprar Vendale La Muerte
Y Contarle La Consencia Por Que No Le Encuentren
Digo Ayuda, Pero Si No Tiro La Sulla
La Jaula Esta Segura Antoja La Caulla
So Pica La Cuasahita Especialmente El Dia De Visita
Que No Llego Mi Viejita
La Muerte Corre, Se Sufre En Doble
No Llego El Sobre Que Cosa Pobrable Pal Puro
Investigarlo Mejo Creerlo Sin Verlo
hay que ser vegetaliano No Le Paso El Freno
Oye No Inverstigarlo Mejor Creerlo Sin
El Que Ser vegetaliano No Le Paso El Freno
Ay Dios..Ay Dios
Calderon..Calderon..Calderon
Chorus:
Whoa...Whoa...Whoa...Whoa
Boriqua (HA!) Morena (HA!) Dominicano (HA!) Columbiano (HA!)
Boriqua (HA!) Morena (HA!) Dominicano (HA!) Columbiano (HA!)
Oye Mi Canto
MAMI! Venga Ver Lo Que Tengo Yo PARA TI!
Ya Siento Que Sin Ti No Puedo Vivir
Ay MAMI...(MAMI)...MAMI...(MAMI)
Hey..(Hey)..Hey..(Hey)
Oye Mi Canto
Mira Con Mundo Linda
Yo Le Canto Mira Asea Norte Ami Hermano
Yo La Mando...(Mando)
Hey...(Hey)...Hey...(Hey)
Chorus:
Whoa...Whoa...Whoa...Whoa
Boriqua (HA!) Morena (HA!) Dominicano (HA!) Columbiano (HA!)
Boriqua (HA!) Morena (HA!) Dominicano (HA!) Columbiano (HA!)
Oye Mi Canto
(2X)
SBK Da Beast, Gem Star & Nato, Nina Sky ( Wassup Girls)
Better Make A Call To The Big Homie In Puerto Rico
Tego Calderon (Wassup Boi!)
....Oye Mi Canto,
....Oye Mi Canto,
....Oye Mi Canto,
....Oye Mi Canto,
....Oye Mi Canto,
...Canto
...Canto
...Canto
song performed by by N.O.R.E.

Submitted by Lucian Velea
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Oye Mi Canto (Hear My Voice) (English version)
Take me... only for what I am
You've got a right to speak your mind
You've gotta take a stand
No one... has the right to say
This is right or that is wrong
It isn't just one way
Find common ground
Go in between
Things aren't always what they seem
Someday it'll be alright
Changes happen overnight
People
song performed by by Gloria Estefan and Miami Sound Machine from Cuts Both Ways

Submitted by Lucian Velea
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La Misma Cancin
mi madre y padre tambien son de la tierra
y todos los que estamos aqui tambien somos de la tierra
y todos juntos tambien somos de la tierra
y todos los que no son de aqui tambien somos de la tierra
y por que hay politicos que me recuerden a la tierra
por que ?..
por que es la misma cancion, misma cancion de mi vida
con mi tequila y limon yo canto la misma cancion
mi madre y padre tambien son de la tierra
y nuestros hermanos tambien son de la tierra
tambien mi chela y mi alma tambien son de la tierra
y tambien la otra que viene tambien es de la tierra
y por la policia que no defienden a la tierra
por que ?
por que es la misma cancion, misma cancion de mi vida
con mi tequila y limon yo canto la misma cancion
por que es la misma cancion, misma cancion de mi vida
con mi tequila y limon yo canto la misma cancion
song performed by by Ozomatli

Submitted by Lucian Velea
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La Canto Finale
La Canto Finale
(An Ode to Joan Camahalan)
By: Benedict Salvacion
Canto I
I weep before the heaven shuts
perpetual remorse to the twilight of my rest
not even the hands of the sun shall pierce
beyond the wintriness of my lonely grave.
Salvage not the forlorn conferred
in the darkness of my cell I chose to stay
to embrace my sentence foretold by time
til’ the silent cry of the nightingale retires.
How much more poison ought to take?
before my remains denies the pain
the scar of my scarlet rose
that went astray one gloomy day.
Perhaps a thousand painful deaths
shall cease the sorrow that holds my soul
perhaps the echoes of the endless mourn
will break this cage, my eternal chills.
Canto II
Destined to drink the bitterness of life
from the chalice that my hands hath made
in her eyes a question in silence
must I take the potion of our end?
With the stars falling, kissing my cheeks
eyes wide shut I took my fate
not knowing that it will be my last
while she walked afar and bid goodbye
From thereon I lived and dwelled
counting the leaves from the laurel falls
unto the rivers of shameful acts
here in the realm of tortured souls
But will it change my stars from the skies?
if she hears my plead, my thousands of prayer
or will she be cold like a tree in the winter
nor will she play deaf ten folds as her last goodbye?
Canto Finale
Indeed, it will shatter the last of me
if then again from her lips, the final farewell
the final strike deeper from the first
the final chapter in the book of my life
But if my fate hath long been written
by the hands of my scarlet rose
then I shall face the final blow
with the bluest sky in the summer day
For no sweeter death that I discern
than my life be seized by madness for love
though in this battle I will lose
at least I’ll die complete and thirst no more
But still in my final breath
I shall whisper to the gods at the heavens
that no harm shall come your way
for thou art my love for eternity, constant as my death.
poem by Julian Salvacion

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La Abusadora
La Abusadora
Ivy Queen
Kilates 2
--------------------
Cuantas veces tengo que decirle, soy la abusadora
Nadie puede con la Queena', te lo he dado a demostrar
Quieren batirse con una mujer que es jodedora
En la musica que canto me tienen que respetar
Cuantas veces tengo que decirle, soy la abusadora
Nadie puede con la Queena', te lo he dado a demostrar
Quieren batirse con una mujer que es jodedora
En la musica que canto me tienen que respetar
Atencion
Cuando yo entro represento
Muchas veces he demostrado mi talento
En acci??e han visto muchos
Ellos saben que es muy facil
Contra el suelo los reviento
Todos veran
El mundo se va a enterar
Como esta mujer siempre llega
Donde tenga que llegar
Y lamentaran
Las veces que me tienen frente
Las veces que subestiman a un talento inteligente
Quieren furia
Y eso es lo que voy a dar
Por todas esas ocasiones que me han querido humillar
Por las veces que he caido
Las veces que he llorado
Las veces que he llevado
Mi bandera a todos lados
Desde altos lugares los he visto yo caer
Manada de ladrones nada pueden componer
Son los que pasan enmonopolizan lo que creen
No saben que lo que hizo Dios no pueden detener
Soy mujer
Cuantas veces tengo que decirle, soy la abusadora
Nadie puede con la Queena', te lo he dado a demostrar
Quieren batirse con una mujer que es jodedora
En la musica que canto me tienen que respetar
Cuantas veces tengo que decirle, soy la abusadora
Nadie puede con la Queena', te lo he dado a demostrar
Quieren batirse con una mujer que es jodedora
En la musica que canto me tienen que respetar
Digan lo que digan, Ivy sigue cuesta arriba
Dando miles bofetadas, a energias negativas
Destruccion
Es lo que ellos sentiran alrededor
Llenados de gran confusion
Compasion
No voy a dar si ninguno a mi la mano me pudo brindar
Como es
Muchos quieren que yo me rebaje
Y los tengo en la mirilla para darles lo que traje
Hey, tu, agarra aqui
Te envio todo el veneno que me has enviado a mi
What, what!?
Que se echen pa'tras si ellos no me han dado na'
What!?
Bofetadas liricales les acabo de dar
Todos veran
El mundo se va a enterar
Como esta mujer siempre llega
Donde tenga que llegar
Desde altos lugares los he visto yo caer
Manada de ladrones nada pueden componer
Soy mujer
Cuantas veces tengo que decirle, soy la abusadora
Nadie puede con la Queena', te lo he dado a demostrar
Quieren batirse con una mujer que es jodedora
En la musica que canto me tienen que respetar
Cuantas veces tengo que decirle, soy la abusadora
Nadie puede con la Queena', te lo he dado a demostrar
Quieren batirse con una mujer que es jodedora
En la musica que canto me tienen que respetar
Alright...
Tengan cuidado...
Si se fijan de mi...
Tengo este juego ganado...
Ganado...
Alright...
Tengan cuidado...
Si se fijan de mi...
Tengo este juego ganado...
Ganado...
Ivy Queen!
(And, Ecko!)
Diva!
(Ya!)
Diamond Music!
Yo, Ivan!
For real!
(Ya!)
song performed by by Ivy Queen

Submitted by Lucian Velea
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S, Seor!
S SEOR, S SEOR, ES MI SON. CMO NO, CMO NO.
BAILADOR, BAILADOR, VEN, GOZA EL SON. S SEOR, CMO NO (BIS)
Tengo este son que es fruto de inspiracin,
que viene del monte y del campo de caa.
Un canto alegre lleno de tradicin,
como sol que asoma tras de la montaa.
Que nace del alma, lleno de cielo azul y palmas, s seor.
Yo tengo mi Son.
S SEOR, .....
Caf y tabaco es el corazn del Son.
Con el ritmo del galope de un caballo.
Cgele el paso y coge la entonacin.
Grita tu alegra como el canto de un gallo.
Comenz la verbena,y aroma de albahaca y hierbabuena siento ya.
Quin baila mi Son?.
S SEOR, ....
Ritmo de alborozo, de risa y de gozo.
Msica de vida y fiesta, con mi son sabrosn. S seor, cmo no!.
Cgele el vaivn con sabrosura.
Dale bien, dale bien, bailador, bailador.
Cgele el vaivn con sabrosura (bis)
Yo le canto a todo el mundo, y les brindo mi alegra
con el cario profundo que en mi tierra es garanta, dice as:
Dale bien, dale bien, bailador, bailador.
Cgele el vaivn con sabrosura (bis)
Una sola humanidad con un slo corazn,
con una sola piedad que al fin nos traiga paz y amor, quiera Dios.
Dale bien, dale bien, bailador, bailador.
Cgele el vaivn con sabrosura (bis)
Ritmo de alborozo, de risa y de gozo.
Msica de vida y fiesta, con mi son sabrosn. S seor, cmo no!.
Cgele el vaivn con sabrosura.
Dale bien, dale bien, bailador, bailador.
Cgele el vaivn con sabrosura (bis)
Yo le canto a todo el mundo, y les brindo mi alegra
con el cario profundo que en mi tierra es garanta, dice as:
Dale bien, dale bien, bailador, bailador.
Cgele el vaivn con sabrosura (bis)
Una sola humanidad con un slo corazn,
con una sola piedad que al fin nos traiga paz y amor, quiera Dios.
Dale bien, dale bien, bailador, bailador.
Cgele el vaivn con sabrosura (bis)
song performed by by Gloria Estefan

Submitted by Lucian Velea
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On Lord Thurlow's Poems
When Thurlow this damn'd nonsense sent
(I hope I am not violent),
Nor men nor gods knew what he meant.
And since not even our Rogers' praise
To common sense his thoughts could raise--
Why would they let him print his lays'
To me, divine Apollo, grant--O!
Hermilda s first and second canto,
I'm fitting up a new portmanteau;
And thus to furnish decent lining,
My own and others' bays I'm twining,--
So, gentle Thurlow, throw me thine in.
Ezra Pound's Canto and The Girls's Behind.
It was the year
Elvis died
and you were working
in a warehouse
packing cakes
into pallets
reading Ezra Pound's
Cantos in lunch breaks
or studying
that book
on Spinoza
while the other guys
talked of ballgames
or sex
or who did what
to whom
in the daily news
and a young girl
from the upstairs office
came down
to the canteen
to use the drinks
vending machine
and as she turned to face
the machine
to make her choice
she wiggled her neat behind
and turned
and smiled at you
and Don said to you
I think she fancies you
I'm old enough
to be her father
you said
maybe she's looking
for a father figure
Kevin said
the girl pressed a button
and a disposable cup
fell into the slot
and hot coffee shot down
in a straight line
I'm happily married
you said keeping
a finger on your place
in Ezra's 20th Canto
she doesn't want
to marry you
Don said
she wants something
more basic
Kevin laughed
and the girl pushed
another button
and another cup fell
and cappuccino shot
into the cup
and you carried
an image
of the girl's neat butt
into your mind
where it mixed
with the Canto
and words
and images
Ezra was trying
to convey
and Don said to the girl
how far
do your legs go up?
and girl said
that's for me to know
and for you to guess
and she blushed
and walked off
with her wiggling behind
carrying the two coffees
in her small hands
and the guys followed her
with their lustful eyes
and you moved your finger
along the page
feeling like an old guy
weighed down with age.
poem by Terry Collett

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The Canto Of Begging - V
all long the day i beg
i beg rice pulses oil salt
royal blood
in exchange i also distribute
peace… peace… and peace…
and the horses of the gypsies making
a dip-swimming in the peace-water
in the canto of my begging
holding a whole texture of love
i learn how to be burnt
by the shadow of the trees
i give up all my courage
to book a room in your youth
only for me
poem by Murari Sinha

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Aurobindo 60 Savitri Book 3
An appreciation on Savitri-
Book 3-The Book of the Divine Mother
Canto Two: The Adoration of the Divine Mother
Words within inverted commas are Aurobindo's
'The Formless and the Formed were joined in her: '
'At the head she stands of birth and toil and fate,
In their slow round the cycles turn to her call; '
'She is the golden bridge, the wonderful fire.
The luminous heart of the Unknown is she,
A power of silence in the depths of God; '
'She is the Force' fierce and tranquil in every make
And 'The magnet of our difficult ascent, '..
'All Nature dumbly calls to her alone
To heal with her feet the aching throb of life
And break the seals on the dim soul of man
And kindle her fire in the closed heart of things.'
A sparkiling seed sown to first yell ma...in nature
'All here shall be one day her sweetness' home,
All contraries prepare her harmony; '
May that dream of hope come true....
'This known as in a thunder-flash of God,
The rapture of things eternal filled his limbs; '
'But now his being was too wide for self; '
'Her light, her bliss he asked for earth and men.'
'But vain are human power and human love'
A vast surrender was his only strength.'...
............My consciousness this moment,
O'Guru, I'm in awe....in invincible heights
Ineffable Thee embellishing poetic creation
My inquisitive apprehension, erring Thee may opine
May thereso, let Savitri in my self arise
Aroused thereso be knowledge and fortune
End of Canto Two
poem by Indira Renganathan

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Aurobindo 85 Savitri Book 5
An appreciation on Savitri-
Book Five: The Book of Love
Canto Three: Satyavan and Savitri
Words within inverted commas are Aurobindo's
'And Savitri, musing still, replied to him:
'Speak more to me, speak more, O Satyavan,
Speak of thyself and all thou art within;
I would know thee as if we had ever lived
Together in the chamber of our souls.
Speak till a light shall come into my heart
And my moved mortal mind shall understand
What all the deathless being in me feels.'
It knows that thou art he my spirit has sought
Amidst earth's thronging visages and forms
Across the golden spaces of my life.'
He answered in elaborate surrender....
'And Satyavan like a replying harp' Line 233 to
'And every bird remember in its cry.'Line 322
To me these verses actually symbolize a plea
A plea of the individual soul to the universal soul...
''O Satyavan, I have heard thee and I know;
I know that thou and only thou art he.'
'A sacrament of joy in treasuring palms
She brought, flower-symbol of her offered life,
Then with raised hands that trembled a little now
At the very closeness that her soul desired,
This bond of sweetness, their bright union's sign,
She laid on the bosom coveted by her love.'
'He led and showed to her her future world,
Love's refuge and corner of happy solitude.'
'Once more she mounted on the carven car'
'She sped swift-reined, swift-hearted but still saw'
'Pace towards a tranquil clearing Satyavan.'
'This now remained with her, her heart's constant scene.'...
............My consciousness this moment,
O'Guru, I'm in awe....in invincible heights
Ineffable Thee embellishing poetic creation
My inquisitive apprehension, erring Thee may opine
May thereso, let Savitri in my self arise
Aroused thereso be knowledge and fortune
End of Canto Three
End of Book Five
poem by Indira Renganathan

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Acquazzoni D' Aprile
Acquazzoni d' aprile
Nei gusci delle lumache
Mormorano come alberi al vento.
Un canto scontento dal cielo impetuoso
Nuvole amareggiano
Verso rive di quiete dimora.
Sui vivi giardini calpestati dalla pioggia.
poem by Luca Menin

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Aurobindo 121 Savitri Book 7
An appreciation on Savitri-
Book Seven: The Book of Yoga
Canto Six: Nirvana and the Discovery of the All-Negating Absolute
Words within inverted commas are Aurobindo's
'As if continuing old habitual turns,
And pushed by an old unexhausted force
The engine did the work for which it was made:
Her consciousness looked on and took no part; '
A new conscious mind in the front
Pushing behind all routine of a mechanical mind...
'A hollow physical shell persisted still.
'All seemed a brilliant shadow of itself, '
'Wherever she turned, at whatsoever she looked,
It was perceived, yet hid from mind and sight.
The One only real shut itself from Space
And stood aloof from the idea of Time.
Its truth escaped from shape and line and hue.'
'It faced her as some vast Nought's immensity,
An endless No to all that seems to be,
An endless Yes to things ever unconceived'
'If all existence could renounce to be
And Being take refuge in Non-being's arms
And Non-being could strike out its ciphered round,
Some lustre of that Reality might appear.
A formless liberation came on her.'
'She was no more a Person in a world,
She had escaped into infinity.'
'There was no frame of things, no figure of soul.'
'She shared the Superconscient's high retreat
Beyond the self-born Word, the nude Idea,
The first bare solid ground of consciousness; '
'A lonely Absolute negated all:
It effaced the ignorant world from its solitude
And drowned the soul in its everlasting peace.'....
............My consciousness this moment,
O'Guru, I'm in awe....in invincible heights
Ineffable Thee embellishing poetic creation
My inquisitive apprehension, erring Thee may opine
May thereso, let Savitri in my self arise
Aroused thereso be knowledge and fortune
End of Canto Six
poem by Indira Renganathan

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Aurobindo 124 Savitri Book 8
An appreciation on Savitri-
Book Eight: The Book of Death
Canto Three*: Death in the Forest
Words within inverted commas are Aurobindo's
* The Book of Death was taken from Canto Three of an early version of
Savitri which had only six cantos and an epilogue. It was slightly revised
at a late stage and a number of new lines were added, but it was never fully
worked into the final version of the poem. Its original designation,
``Canto Three'', has been retained as a reminder of this.-(As given in the book)
'By her still sleeping husband lain she gazed
Into her past as one about to die'
'The whole year in a swift and eddying race
Of memories swept through her and fled away
Into the irrecoverable past.'
Then silently she rose and, service done,
Bowed down to the great goddess simply carved
By Satyavan upon a forest stone.'
'What prayer she breathed her soul and Durga knew.
Perhaps she felt in the dim forest huge
The infinite Mother watching over her child,
Perhaps the shrouded Voice spoke some still word.'
Out of stress always cries the heart Ma
At last she came to the pale mother queen.
She spoke but with guarded lips and tranquil face
'All else she pressed back into her anguished heart'
'One year that I have lived with Satyavan Line 28 to
Release me now and let my heart have rest.' Line 43
'I have not gone into the silences
Of this great woodland that enringed my thoughts
With mystery, nor in its green miracles'
'Now has a strong desire seized all my heart
To go with Satyavan holding his hand
Into the life that he has loved'
O'my heart do not grieve, for Savitri is sure to win..
Such Thou words are bouffant with pathos o'Guru
She answered: 'Do as thy wise mind desires, '
'I hold thee for a strong goddess who has come
Pitying our barren days; so dost thou serve'
'Like the strong sun that serves earth from above.'...
............My consciousness this moment,
O'Guru, I'm in awe....in invincible heights
Ineffable Thee embellishing poetic creation
My inquisitive apprehension, erring Thee may opine
May thereso, let Savitri in my self arise
Aroused thereso be knowledge and fortune
poem by Indira Renganathan

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Si Seor
S seor, s seor, es mi son
Como no, como no
Bailador, bailador, ven goza el son
S seor, como no
Tengo este son que es fruto de inspiracin
Que viene del monte y del campo de caa
Un canto alegre lleno de tradicin
Como el sol que asoma tras de la montaa
Que nace del alma, lleno de cielo azul y palmas
S seor, yo tengo mi son
S seor, s seor, es mi son
Como no, como no
Bailador, bailador, ven goza el son
Caf y tabaco es el corazn del son
Con el ritmo del galope de un caballo
Cgele el paso y coge la entonacin
Grita tu alegra como el canto de un gallo
Comenzo la verbena
Y aroma de albahaca y hierbabuena siento ya
Ven baila mi son
S seor, s seor es mi son
Como no, como no
Bailador, bailador, ven goza el son
S seor, como no
Ritmo de alborozo, de risa y de gozo
Msica de vida y fiesta, con mi son sabroso
S seor, como no
Dale bien, dale bien
Bailador, bailador
Cgele el vaiven con sabrosura
Dale bien, dale bien
Bailador, bailador
Cgele el vaiven con sabrosura
Yo le canto a todo el mundo
Y les brindo mi alegra
Con el cario profundo que en mi tierra
Es garanta
Dice as
Dale bien, dale bien
Bailador, bailador
Cgele el vaiven con sabrosura
Una sola humanidad, con un solo corazn
Con una sola piedad que al fin
Nos traiga paz y amor...quiera dios
Dale bien, dale bien, con sabor
Bailador, bailador, que bueno el guateque
Cgele el vaiven, ay qu bien
Con sabrosura
Dale bien, dale bien por favor
Bailador, bailador
Aprieta tu paso, cgele el vaiven
T tambin con sabrosura
(solo de lad)
S seor..como no.. que paso
S seor..como no..que paso
Ritmo de alborozo, de risa, y de gozo
Msica de vida y fiesta, con mi son sabroso
S seor, como no
Dale bien, dale bien
Bailador, bailador
Cgele el vaiven con sabrosura
Yo le canto a todo el mundo
Y les brindo mi alegra con
El cario profundo que en mi tierra es garanta
Dice as
Dale bien, dale bien, con sabor
Bailador, bailador, qu bueno est esto
Cgele el vaiven, ay qu bien
Con sabrosura
Dale bien, dale, aprate
Bailador, bailador, que est amaneciendo
Este son se acab
S seor, como no
(hablado) qu caray
(translation:
(yes sir, its my s-o-n)
Yes sir, yes sir, its my s-o-n
Of course, of course
Dancer, dancer, come enjoy the s-o-n
Yes sir, of course
Heres my s-o-n, the fruit of inspiration
It comes from the forest and the cane fields
A happy song full of tradition
Like the sun peaking over the mountains
Its born from the soul
Full of blue skies and palm trees
Yes sir, its my s-o-n
Yes sir, yes sir, its my s-o-n
Of course, of course
Dancer, dancer, come enjoy the s-o-n
Yes sir, of course
Coffee and tobacco is the heart of the s-o-n
With the rhythm of a horses gallop
Find the step and the sound
Out your happiness like the roosters call
The partys begun
And the aroma of albahaca and hierbabuena
Are in the air
Come dance my s-o-n
Rhythm of excitement, of smiles and enjoyment
Music full of life and party with my tasty s-o-n
Do it well, do it well, with taste
Dancer, dancer, this partys great
Back and forth, oh thats good
Make it tasty, make it tasty
I sing for everyone and offer my good feelings
With the deep affection that in my homeland
Is a guarantee it goes like this
Do it well, do it well, with taste
(repeat chorus)
One mankind, with one heart
That, mercifully
Will bring us peace and love...god willing
Yes sir, its my s-o-n
Do it well, do it well, with taste
Dancer, dancer, this partys great
Back and forth, oh thats good
Make it tasty, make it tasty
song performed by by Gloria Estefan

Submitted by Lucian Velea
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That's The Man
Unknown -a stranger in Antioch- the man from Edessa
writes and writes. And at last, there,
the final canto's done. That makes
eighty-three poems in all. But so much writing,
so much versifying, the intense strain
of phrasing in Greek, has worn the poet out,
and now everything has gone stale.
But a thought suddenly brings him out of his dejection:
the sublime 'That's the man'
which Lucian once heard in his sleep.
poem by Constantine P. Cavafy

Submitted by Poetry Lover
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Aurobindo 90 Savitri Book 6
An appreciation on Savitri-
Book Six: The Book of Fate
Canto One: The Word of Fate
Words within inverted commas are Aurobindo's
'Then cried the sage piercing the mother's heart,
Forcing to steel the will of Savitri,
His words set free the spring of cosmic Fate.'
''The truth thou hast claimed; I give to thee the truth.'Line 531 to
'This day returning Satyavan must die.'Line 588
Fate of Satyavan revealed...
But the queen cried: 'Vain then can be heaven's grace! Line 590 to
A choice less rare may call a happier fate.'Line 608
'But Savitri answered from her violent heart, -
'Once my heart chose and chooses not again...
....I am stronger than death and greater than my fate;
My love shall outlast the world, doom falls from me
Helpless against my immortality.
Fate's law may change, but not my spirit's will.'
How determined the words here like Savitri
How determined was Savitri that we still wonder at...
'But in the queen's mind listening her words
Rang like the voice of a self-chosen Doom
Denying every issue of escape.'
'O child, in the magnificence of thy soul..Line 638 to
It greatens slowly into timeless peace.'Line 717
A mother's exemplary advice in Thou colourful words
A mother's caring plea in Thou poetic deliverance...
'But Savitri replied with steadfast eyes: '
'My will is part of the eternal Will, Line 719 to
I have seen the Eternal in a human face.'Line 755
What else could a true love ever be than immortal
And not 'Only to live and love awhile and die.'
'Then none could answer to her words. Silent
They sat and looked into the eyes of Fate.'.........
............My consciousness this moment,
O'Guru, I'm in awe....in invincible heights
Ineffable Thee embellishing poetic creation
My inquisitive apprehension, erring Thee may opine
May thereso, let Savitri in my self arise
Aroused thereso be knowledge and fortune
End of Canto One
poem by Indira Renganathan

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Aurobindo 123 Savitri Book 7
An appreciation on Savitri-
Book Seven: The Book of Yoga
Canto Seven: The Discovery of the Cosmic Spirit
and the Cosmic Consciousness
Words within inverted commas are Aurobindo's
'In its might of irresponsible sovereignty
It seized on speech to give those flamings shape,
Made beat the heart of wisdom in a word
And spoke immortal things through mortal lips.'
'A thought came through draped as an outer voice.'
'It came direct to the pure perception's seat,
An only centre now of consciousness,
If centre could be where all seemed only space; '
'In her the Unseen, the Unknown waited his hour.'
But now she sat by sleeping Satyavan,
Awake within, and the enormous Night
Surrounded her with the Unknowable's vast.
A voice began to speak from her own heart
That was not hers, yet mastered thought and sense.
As it spoke all changed within her and without;
All was, all lived; she felt all being one; '
'She passed beyond Time into eternity,
Slipped out of space and became the Infinite;
Her being rose into unreachable heights
And found no end of its journey in the Self.'
'Her mind became familiar with its mind,
Its body was her body's larger frame
In which she lived and knew herself in it
One, multitudinous in its multitudes.'
She challenged herself towards the divine goal
Captured it to live divine by supra mental practice
A journey detached victoriously from Matter-bond
Inwardly breaking all hindrance cosmic, universal
Atlast to the abode of the Absolute in oneness
Savitri is exemplary for human beings to follow....
............My consciousness this moment,
O'Guru, I'm in awe....in invincible heights
Ineffable Thee embellishing poetic creation
My inquisitive apprehension, erring Thee may opine
May thereso, let Savitri in my self arise
Aroused thereso be knowledge and fortune
End of Canto Seven
End of Book Seven
poem by Indira Renganathan

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Aurobindo 92 Savitri Book 6
An appreciation on Savitri-
Book Six: The Book of Fate
Canto Two: The Way of Fate and the Problem of Pain
Words within inverted commas are Aurobindo's
To Aswapati 'Narad answered covering truth with truth: '
'O Aswapati, random seem the ways
Along whose banks your footsteps stray or run'
'A greatness in thy daughter's soul resides
That can transform herself and all around
But must cross on stones of suffering to its goal.'
'She too must share the human need of grief
And all her cause of joy transmute to pain.'
'A Magician's formulas have made Matter's laws
And while they last, all things by them are bound;
But the spirit's consent is needed for each act
And Freedom walks in the same pace with Law.
All here can change if the Magician choose.
If human will could be made one with God's,
If human thought could echo the thoughts of God,
Man might be all-knowing and omnipotent; '
' The force of man can be driven by God's force,
'It is decreed and Satyavan must die;
'Arisen from the body's torture and death,
The spirit rises mightier by defeat; '
'In vain thou mournst that Satyavan must die;
His death is a beginning of greater life, '
'A vast intention has brought two souls close
And love and death conspire towards one great end.'
''Queen, strive no more to change the secret will; '
'As a star, uncompanioned, moves in heaven'
'The great are strongest when they stand alone.'
'He spoke and ceased and left the earthly scene.'
'A high and far imperishable voice
Chanted the anthem of eternal love.'..............
............My consciousness this moment,
O'Guru, I'm in awe....in invincible heights
Ineffable Thee embellishing poetic creation
My inquisitive apprehension, erring Thee may opine
May thereso, let Savitri in my self arise
Aroused thereso be knowledge and fortune
End of Canto Two
End of Book Six
poem by Indira Renganathan

Submitted by Poetry Lover
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