Sonnet VII.
Let the sublimer Muse, who wrapt in night
Rides on the raven pennons of the storm,
Or o'er the field with purple havock warm
Lashes her steeds and sings along the fight,-
Let her, whom more ferocious strains delight,
Disdain the plaintive sonnet's little form,
And scorn to its mild cadence to conform
The impetuous tenor of her hardy flight.
But me, far lowliest of the sylvan train
Who wake the wood-nymphs from the forest shade
With wildest song,-me much behooves the aid
Of mingled melody, to grace my strain,
And give it power to please, as soft it flows
Through the smooth murmurs of thy frequent close.
poem by Henry Kirke White

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The Bard's Incantation
The Forest of Glenmore is drear,
It is all of black pine, and the dark oak-tree;
And the midnight wind to the mountain deer,
Is whistling the forest lullaby:
The moon looks through the drifting storm,
But the troubled lake reflects not her form,
For the waves roll whitening to the land,
And dash against the shelvy strand.
There is a voice among the trees,
That mingles with the groaning oak-
That mingles with the stormy breeze,
And the lake-waves dashing against the rock;-
There is a voice within the wood,
The voice of the Bard in fitful mood;
His song was louder than the blast,
As the Bard of Glenmore through the forest past.
'Wake ye from your sleep of death,
Minstrels and bards of other days!
For the midnight wind is on the heath,
And the midnight meteors dimly blaze:
The Spectre with the Bloody Hand,
Is wandering through the wild woodland;
The owl and the raven are mute for dread,
And the time is meet to awake the dead!
'Souls of the mighty, wake, and say
To what high strain your harps were strung
When Lochlin plough'd her billowy way,
And on your shores her Norsemen flung?
Her Norsemen train'd to spoil and blood,
Skill'd to prepare the Raven's food,
All, by your harpings, doom'd to die
On bloody Largs and Loncarty.
'Mute are ye all? No murmurs strange
Upon the midnight breeze sail by;
Nor through the pines, with whistling change
Mimic the harp's wild harmony!
Mute are ye now? - Ye ne'er were mute,
When Murder with his bloody foot,
And Rapine with his iron hand,
Were hovering near yon mountain strand.
'O, yet awake, the strain to tell,
By every deed in song enroll’d,
By every chief who fought or fell
For Albion's weal in battle bold:-
From Coilgach, first, who rolled his car
Through the deep ranks of Roman war,
To him, of veteran memory dear,
Who, victor, died on Aboukir.
'By all their swords, by all their scars,
By all their names, a mighty spell!
By all their wounds, by all their wars,
Arise the mighty strain to tell!
For, fiercer than fierce Hengist’s strain,
More impious than the heathen Dane,
More grasping than all grasping Rome,
Gaul’s ravening legions hither come!'
The wind is hush'd, and still the lake-
Strange murmurs fill my tinkling ears,
Bristles my hair, my sinews quake
At the dread voice of other years-
'When targets clash'd and bugles rung,
And blades round warriors' heads were flung,
The foremost of the band were we,
And hymned the joys of liberty!'
poem by Sir Walter Scott

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Duet
in this song
once again we fight
defense our voices
singing heartbreak song
I chase you
you run from me
I pull you
you fight me back
playing melody on stage
slow and fast
low and high
you sing your chorus
I sing mine
the words are same
but I can hear you
and you can hear me
two different range in one refrain
I trust you
you know me well
we can see in each other eyes
but I won't lose from you
and you won't give up
this is my melody
soft and clear
that is your melody
warm and charmed
we have this song
we love this game
ask me again, challenge me
I only want your voice
sing with mine
for the encore, for the encore!
poem by Maria Sudibyo

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Moon-Light
COME, gentle muse! now all is calm,
The dew descends, the air is balm;
Unruffled is the glassy deep,
While moon-beams o'er its bosom sleep;
The gale of summer mildly blows,
The wave in soothing murmur flows;
Unclouded Vesper shines on high,
And ev'ry flow'r has clos'd its tearful eye.
Oh! at this hour, this placid hour,
Soft music, wake thy magic pow'r!
Be mine to hear thy dulcet measure,
Thy warbling strains, that whisper, pleasure;
Thy heavenly airs, of cadence dying,
And harp to every zephyr sighing;
When roving by the shadowy beam,
That gilds the fairy-bow'r and woodland-stream!
But all is still! no mellow sound
Floats on the breeze of night around ;
Yet fancy, with some airy spell,
Can wake 'sweet Echo' from her cell;
Can charm her pensive votary's ear,
With plaintive numbers melting near;
And bid celestial spirits rise,
To pour their wild, enchanted melodies.
I love the rosy dawn of day,
When Zephyr wakes the laughing May;
I love the summer-evening's close,
That lulls the mind in calm repose;
But sweeter far the hour serene,
When softer colours paint the scene;
When Vesper sheds a dewy ray,
And o'er the sleeping wave the moon-beams play.
poem by Felicia Dorothea Hemans

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Elegy VI. To a Lady, On the Language of Birds
Come then, Dione, let us range the grove,
The science of the feather'd choirs explore
Hear linnets argue, larks descant of love,
And blame the gloom of solitude, no more.
My doubt subsides-'tis no Italian song,
Nor senseless ditty, cheers the vernal tree:
Ah! who that hears Dione's tuneful tongue,
Shall doubt that music may with sense agree?
And come, my Muse! that lov'st the sylvan shade,
Evolve the mazes, and the mist dispel;
Translate the song; convince my doubting maid
No solemn dervise can explain so well-
Pensive beneath the twilight shades I sate,
The slave of hopeless vows and cold disdain!
When Philomel address'd his mournful mate,
And thus I construed the mellifluent strain.
'Sing on, my bird!-the liquid notes prolong;
At every note a lover sheds his tear;
Sing on, my bird!-'tis Damon hears thy song,
Nor doubt to gain applause, when lovers hear.
'He the sad source of our complaining knows!
A foe to Tereus, and to lawless love!
He mourns the story of our ancient woes;
Ah! could our music his complaints remove!
'Yon plains are govern'd by a peerless maid;
And see! pale Cynthia mounts the vaulted sky;
A train of lovers court the chequer'd shade:
Sing on, my bird! and hear thy mate's reply.
'Erewhile no shepherd to these woods retired,
No lover bless'd the glow-worm's pallid ray;
But ill-starr'd birds, that, listening, not admired;
Or, listening, envied our superior lay.
'Cheer'd by the sun, the vassals of his power,
Let such by day unite their jarring strains!
But let us choose the calm; the silent hour,
Nor want fit audience while Dione reigns.'
poem by William Shenstone

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In silence You speak! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
Slipped into bed and began to review,
The year that had gone, with a distant view.
Sky, a shade of grey pearls, on full moon night.
On last day and hour of year, ah, so bright.
As clock struck twelve, and crackers erupt.
Revellers cheered and sang, ushered in first.
Watching the sky show from my windowpane
Was filled with delight, touched by song’s soft strains.
Became oblivious to outside din.
And conversed with my celestial kin.
I can’t miss my appointment with night.
Just can’t retire early try as I might.
The night and quiet serenade and revive
Body and spirit, wake up feeling alive.
poem by Mamta Agarwal

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Scorn Not the Sonnet
Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakspeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camoens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains--alas, too few!
poem by William Wordsworth

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The Fugitive
The air is perfumed with the morning's fresh breeze,
From the bush peer the sunbeams all purple and bright,
While they gleam through the clefts of the dark-waving trees,
And the cloud-crested mountains are golden with light.
With joyful, melodious, ravishing, strain,
The lark, as he wakens, salutes the glad sun,
Who glows in the arms of Aurora again,
And blissfully smiling, his race 'gins to run.
All hail, light of day!
Thy sweet gushing ray
Pours down its soft warmth over pasture and field;
With hues silver-tinged
The meadows are fringed,
And numberless suns in the dewdrop revealed.
Young Nature invades
The whispering shades,
Displaying each ravishing charm;
The soft zephyr blows,
And kisses the rose,
The plain is sweet-scented with balm.
How high from yon city the smoke-clouds ascend!
Their neighing, and snorting, and bellowing blend
The horses and cattle;
The chariot-wheels rattle,
As down to the valley they take their mad way;
And even the forest where life seems to move,
The eagle, and falcon, and hawk soar above,
And flutter their pinions, in heaven's bright ray.
In search of repose
From my heart-rending woes,
Oh, where shall my sad spirit flee?
The earth's smiling face,
With its sweet youthful grace,
A tomb must, alas, be for me!
Arise, then, thou sunlight of morning, and fling
O'er plain and o'er forest thy purple-dyed beams!
Thou twilight of evening, all noiselessly sing
In melody soft to the world as it dreams!
Ah, sunlight of morning, to me thou but flingest
Thy purple-dyed beams o'er the grave of the past!
Ah, twilight of evening, thy strains thou but singest
To one whose deep slumbers forever must last!
poem by Friedrich Schiller

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Such, Such Is He Who Pleaseth Me
FLY, dearest, fly! He is not nigh!
He who found thee one fair morn in Spring
In the wood where thou thy flight didst wing.
Fly, dearest, fly! He is not nigh!
Never rests the foot of evil spy.
Hark! flutes' sweet strains and love's refrains
Reach the loved one, borne there by the wind,
In the soft heart open doors they find.
Hark! flutes' sweet strains and love's refrains,
Hark!--yet blissful love their echo pains.
Erect his head, and firm his tread,
Raven hair around his smooth brow strays,
On his cheeks a Spring eternal plays.
Erect his head, and firm his tread,
And by grace his ev'ry step is led.
Happy his breast, with pureness bless'd,
And the dark eyes 'neath his eyebrows placed,
With full many a beauteous line are graced.
Happy his breast, with pureness bless'd,
Soon as seen, thy love must be confess'd.
His mouth is red--its power I dread,
On his lips morn's fragrant incense lies,
Round his lips the cooling Zephyr sighs.
His mouth is red--its power I dread,
With one glance from him, all sorrow's fled.
His blood is true, his heart bold too,
In his soft arms, strength, protection, dwells
And his face with noble pity swells.
His blood is true, his heart bold too,
Blest the one whom those dear arms may woo!
poem by Johann Wolfgang von Goethe

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A Pastoral Ballad III: Solicitude
Why will you my passion reprove?
Why term it a folly to grieve?
Ere I shew you the charms of my love,
She is fairer than you can believe.
With her mien she enamours the brave;
With her wit she engages the free;
With her modesty pleases the grave;
She is ev'ry way pleasing to me.
O you that have been of her train,
Come and join in my amorous lays;
I could lay down my life for the swain,
That will sing but a song in her praise.
When he sings, may the nymphs of the town
Come trooping, and listen the while;
Nay on him let not Phyllida frown;
-- But I cannot allow her to smile.
For when Paridel tries in the dance
Any favour with Phyllis to find,
O how, with one trivial glance,
Might she ruin the peace of my mind!
In ringlets he dresses his hair,
And his crook is be-studded around;
And his pipe -- oh may Phyllis beware
Of a magic there is in the sound.
'Tis his with mock passion to glow;
'Tis his in smooth tales to unfold,
``How her face is as bright as the snow,
And her bosom, be sure, is as cold?
How the nightingales labour the strain,
With the notes of his charmer to vie;
How they vary their accents in vain,
Repine at her triumphs, and die.''
To the grove or the garden he strays,
And pillages every sweet;
Then, suiting the wreath to his lays
He throws it at Phyllis's feet.
``O Phyllis, he whispers, more fair,
More sweet than the jessamine's flow'r!
What are pinks, in a morn, to compare?
What is eglantine, after a show'r?
Then the lily no longer is white;
Then the rose is depriv'd of its bloom;
Then the violets die with despight,
And the wood-bines give up their perfume.''
Thus glide the soft numbers along,
And he fancies no shepherd his peer;
-- Yet I never should envy the song,
Were not Phyllis to lend it an ear.
Let his crook be with hyacinths bound,
So Phyllis the trophy despise:
Let his forehead with laurels be crown'd,
So they shine not in Phyllis's eyes.
The language that flows from the heart
Is a stranger to Paridel's tongue;
-- Yet may she beware of his art,
Or sure I must envy the song.
poem by William Shenstone

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The Danish Boy: A Fragment
I
Between two sister moorland rills
There is a spot that seems to lie
Sacred to flowerets of the hills,
And sacred to the sky.
And in this smooth and open dell
There is a tempest-stricken tree;
A corner-stone by lightning cut,
The last stone of a lonely hut;
And in this dell you see
A thing no storm can e'er destroy,
The shadow of a Danish Boy.
II
In clouds above, the lark is heard,
But drops not here to earth for rest;
Within this lonesome nook the bird
Did never build her nest.
No beast, no bird hath here his home;
Bees, wafted on the breezy air,
Pass high above those fragrant bells
To other flowers:--to other dells
Their burthens do they bear;
The Danish Boy walks here alone:
The lovely dell is all his own.
III
A Spirit of noon-day is he;
Yet seems a form of flesh and blood;
Nor piping shepherd shall he be,
Nor herd-boy of the wood.
A regal vest of fur he wears,
In colour like a raven's wing;
It fears not rain, nor wind, nor dew;
But in the storm 'tis fresh and blue
As budding pines in spring;
His helmet has a vernal grace,
Fresh as the bloom upon his face.
IV
A harp is from his shoulder slung;
Resting the harp upon his knee,
To words of a forgotten tongue
He suits its melody.
Of flocks upon the neighbouring hill
He is the darling and the joy;
And often, when no cause appears,
The mountain-ponies prick their ears,
--They hear the Danish Boy,
While in the dell he sings alone
Beside the tree and corner-stone.
V
There sits he; in his face you spy
No trace of a ferocious air,
Nor ever was a cloudless sky
So steady or so fair.
The lovely Danish Boy is blest
And happy in his flowery cove:
From bloody deeds his thoughts are far;
And yet he warbles songs of war,
That seem like songs of love,
For calm and gentle is his mien;
Like a dead Boy he is serene.
poem by William Wordsworth

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The Serenade
FROM THE SPANISH.
If slumber, sweet Lisena!
Have stolen o'er thine eyes,
As night steals o'er the glory
Of spring's transparent skies;
Wake, in thy scorn and beauty,
And listen to the strain
That murmurs my devotion,
That mourns for thy disdain.
Here by thy door at midnight,
I pass the dreary hour,
With plaintive sounds profaning
The silence of thy bower;
A tale of sorrow cherished
Too fondly to depart,
Of wrong from love the flatterer,
And my own wayward heart.
Twice, o'er this vale, the seasons
Have brought and borne away
The January tempest,
The genial wind of May;
Yet still my plaint is uttered,
My tears and sighs are given
To earth's unconscious waters,
And wandering winds of heaven.
I saw from this fair region,
The smile of summer pass,
And myriad frost-stars glitter
Among the russet grass.
While winter seized the streamlets
That fled along the ground,
And fast in chains of crystal
The truant murmurers bound.
I saw that to the forest
The nightingales had flown,
And every sweet-voiced fountain
Had hushed its silver tone.
The maniac winds, divorcing
The turtle from his mate,
Raved through the leafy beeches,
And left them desolate.
Now May, with life and music,
The blooming valley fills,
And rears her flowery arches
For all the little rills.
The minstrel bird of evening
Comes back on joyous wings,
And, like the harp's soft murmur,
Is heard the gush of springs.
And deep within the forest
Are wedded turtles seen,
Their nuptial chambers seeking,
Their chambers close and green.
The rugged trees are mingling
Their flowery sprays in love;
The ivy climbs the laurel,
To clasp the boughs above.
They change--but thou, Lisena,
Art cold while I complain:
Why to thy lover only
Should spring return in vain?
poem by William Cullen Bryant

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A Pastoral Ode. To the Hon. Sir Richard Lyttleton
The morn dispensed a dubious light,
A sudden mist had stolen from sight
Each pleasing vale and hill;
When Damon left his humble bowers,
To guard his flocks, to fence his flowers,
Or check his wandering rill.
Though school'd from Fortune's paths to fly,
The swain beneath each lowering sky
Would oft his fate bemoan,
That he, in sylvan shades forlorn,
Must waste his cheerless even and morn,
Nor praised, nor loved, nor known.
No friend to Fame's obstreperous noise,
Yet to the whispers of her voice,
Soft murmuring, not a foe:
The pleasures he through choice declined,
When gloomy fogs depress'd his mind,
It grieved him to forego.
Grieved him to lurk the lakes beside,
Where coots in rushy dingles hide,
And moorcocks shun the day;
While caitiff bitterns, undismay'd,
Remark the swain's familiar shade,
And scorn to quit their prey.
But see the radiant sun once more,
The brightening face of heaven restore,
And raise the doubtful dawn;
And, more to gild his rural sphere,
At once the brightest train appear
That ever trod the lawn.
Amazement chill'd the shepherd's frame,
To think Bridgewater's honour'd name
Should grace his rustic cell;
That she, on all whose motions wait
Distinction, titles, rank, and state,
Should rove where shepherds dwell.
But true it is, the generous mind,
By candour sway'd, by taste refined,
Will nought but vice disdain;
Nor will the breast where fancy glows,
Deem every flower a weed that blows
Amid the desert plain.
Beseems it such, with honour crown'd,
To deal its lucid beams around,
Nor equal meed receive;
At most such garlands from the field,
As cowslips, pinks, and pansies, yield,
And rural hands can weave.
Yet strive, ye shepherds! strive to find,
And weave the fairest of the kind,
The prime of all the spring;
If haply thus you lovely fair
May, round her temples, deign to wear
The trivial wreaths you bring.
O how the peaceful halcyons play'd,
Where'er the conscious lake betray'd
Athena's placid mien!
How did the sprightlier linnets throng,
Where Paphia's charms required the song,
'Mid hazel copses green!
Lo, Dartmouth on those banks reclined,
While busy Fancy calls to mind
The glories of his line!
Methinks my cottage rears its head,
The ruin'd walls of yonder shed,
As through enchantment, shine.
But who the nymph that guides their way?
Could ever nymph descend to stray
From Hagley's famed retreat?
Else, by the blooming features fair,
The faultless make, the matchless air,
'Twere Cynthia's form complete.
So would some tuberose delight,
That struck the pilgrim's wondering sight
'Mid lonely deserts drear;
All as at eve, the sovereign flower
Dispenses round its balmy power,
And crowns the fragrant year.
Ah! now no more, the shepherd cried,
Must I Ambition's charms deride,
Her subtle force disown;
No more of Fauns or Fairies dream,
While Fancy, near each crystal stream,
Shall paint these forms alone.
By low-brow'd rock or pathless mead,
I deem'd that splendour ne'er should lead
My dazzled eyes astray;
But who, alas! will dare contend,
If beauty add, or merit blend,
Its more illustrious ray?
Nor is it long, O plaintive swain!
Since Guernsey saw, without disdain,
Where, hid in woodlands green,
The partner of his early days,
And once the rival of his praise,
Had stolen through life unseen.
Scarce faded is the vernal flower,
Since Stamford left his honour'd bower
To smile familiar here:
O form'd by Nature to disclose,
How fair that courtesy which flows
From social warmth sincere!
Nor yet have many moons decay'd,
Since Pollio sought this lonely shade,
Admired this rural maze:
The noblest breast that Virtue fires,
The Graces love, the Muse inspires,
Might pant for Pollio's praise.
Say, Thomson here was known to rest;
For him you vernal seat I drest,
Ah, never to return!
In place of wit and melting strains,
And social mirth, it now remains
To weep beside his urn.
Come then, my Lelius! come once more,
And fringe the melancholy shore
With roses and with bays,
While I each wayward Fate accuse,
That envied his impartial Muse,
To sing your early praise.
While Philo, to whose favour'd sight
Antiquity, with full delight,
Her inmost wealth displays;
Beneath yon ruin's moulder'd wall
Shall muse, and with his friends recall
The pomp of ancient days.
Here, too, shall Conway's name appear;
He praised the stream so lovely clear,
That shone the reeds among;
Yet clearness could it not disclose,
To match the rhetoric that flows
From Conway's polish'd tongue.
Even Pitt, whose fervent periods roll
Resistless through the kindling soul
Of senates, councils, kings-
Though form'd for courts, vouchsafed to rove,
Inglorious, through the shepherd's grove,
And ope his bashful springs.
But what can courts discover more
Than these rude haunts have seen before,
Each fount and shady tree?
Have not these trees and fountains seen
The pride of courts, the winning mien
Of peerless Aylesbury?
And Grenville, she whose radiant eyes
Have mark'd by slow gradation rise
The princely piles of Stowe;
Yet praised these unembellish'd woods,
And smiled to see the babbling floods
Through self-worn mazes flow.
Say, Dartmouth, who your banks admired,
Again beneath your caves retired,
Shall grace the pensive shade;
With all the bloom, with all the truth,
With all the sprightliness of youth,
By cool reflection sway'd?
Brave, yet humane, shall Smith appear;
Ye sailors! though his name be dear,
Think him not yours alone:
Grant him in other spheres to charm;
The shepherds' breasts though mild are warm,
And ours are all his own.
O Lyttleton! my honour'd guest,
Could I describe thy generous breast,
Thy firm yet polish'd mind;
How public love adorns thy name,
How Fortune, too, conspires with Fame;
The song should please mankind.
poem by William Shenstone

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Word-Pictures In Three Liners
midsummer sun
in passion fury
river bared
mild winter-sun
blew a warm kiss
tree denuded
gods in fog
dispelling sun
god's head revealed
sun shines
colorful dew-drops
soft melody
flowing ochers
reflection in ripples
flows ganga
night hushed
day into hiding
moon on dream-spree
poem by Indira Babbellapati

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To Captain H------D, Of The 65th Regiment
SAY, muse divine, can hostile scenes delight
The warrior's bosom in the fields of fight?
Lo! here the christian and the hero join
With mutual grace to form the man divine.
In H-----D see with pleasure and surprise,
Where valour kindles, and where virtue lies:
Go, hero brave, still grace the post of fame,
And add new glories to thine honour'd name,
Still to the field, and still to virtue true:
Britannia glories in no son like you.
poem by Phillis Wheatley

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The Sonnet ii
SCORN not the Sonnet; Critic, you have frown'd,
Mindless of its just honours; with this key
Shakespeare unlock'd his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens sooth'd an exile's grief;
The Sonnet glitter'd a gay myrtle leaf
Amid the cypress with which Dante crown'd
His visionary brow: a glow-worm lamp,
It cheer'd mild Spenser, call'd from Faery-land
To struggle through dark ways; and when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains--alas, too few!
poem by William Wordsworth

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Purple Forest
I walk into a purple forest
The place is magical and free
The grass is violet, the sky is white
Purple defines every tree
I walk into a purple forest
There are purple buzzing bees
And a swamp of violet waters
creep up to my knees
I walk into a purple forest
A streak of purple runs across the sky
I hear a gentle whisper say
It was a fairy passing by
I walk into a purple forest
On violet sod I lie my head
But later, of course
I awake in my bed
poem by Summer Song

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Night Train (Smooth Alligator)
Leave the station
Somewhere down in east
Oh baby, across the nation
Looking for some fun
And some hey down hey
Tell the conductor you're headig
For the cocktail car
Yes you are
That is where I'll be with my sweet
Ooh, la la, hey
If you're tired of
That day after day ride
And you wanna get off
All aboard the night train
Like a smooth alligator
All aboard the night train
Such a cool calculator
All aboard the night train
Like a smooth operator
All aboard the night train
Such a cool calculator
What a beauty
Listen how the engine wails on the rails
Sing it to me
Come and play your tunes
Up and down my scales
Such a sweet melody
Reach out, the sky is wide
And the night is long
When you're right by my side
You can never go wrong
song performed by by Lionel Richie

Submitted by Lucian Velea
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The Cuckoo
The cuckoo, like a hawk in flight,
With narrow pointed wings
Whews o'er our heads - soon out of sight
And as she flies she sings:
And darting down the hedgerow side
She scares the little bird
Who leaves the nest it cannot hide
While plaintive notes are heard.
I've watched it on an old oak tree
Sing half an hour away
Until its quick eye noticed me
And then it whewed away.
Its mouth when open shone as red
As hips upon the brier,
Like stock doves seemed its winged head
But striving to get higher
It heard me rustle and above leaves
Soon did its flight pursue,
Still waking summer's melodies
And singing as it flew.
So quick it flies from wood to wood
'Tis miles off 'ere you think it gone;
I've thought when I have listening stood
Full twenty sang - when only one.
When summer from the forest starts
Its melody with silence lies,
And, like a bird from foreign parts,
It cannot sing for all it tries.
'Cuck cuck' it cries and mocking boys
Crie 'Cuck' and then it stutters more
Till quick forgot its own sweet voice
It seems to know itself no more.
poem by John Clare

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Spring - The First Pastoral ; or Damon
First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.
Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?
Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.
Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?
Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.
Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.
Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.
Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!
Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.
Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.
Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.
Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.
Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.
Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.
Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.
Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.
Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.
poem by Alexander Pope

Submitted by Poetry Lover
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He Speaks To Me At Midnight
When all is still, the potion spills
Soft shadows on the grave
In windswept dreams, where silence screams
Of passion that I crave
Away in flight, on wings of night
Held captive in his snare
He stokes the fires…of my desire
And chains me to his lair
Each night I bend, to whisperings winds
They haunt my midnight skies
He softly sings, into my dreams
Such wicked lullabies
I hold on tight, to his delight
I'm a puppet on a string
He whispers flame, upon my name
In a raging midnight fling
His purchase price, cold as ice
Leaves me fraught…alone
Left searching in the waning night
Wondering where he's gone
Like a kiss of death, my heart bereft
My soul, an empty shell
I face the day, in cold decay
And walk through living hell
With secrets sealed behind a shield
Hard frozen on my lips
I wake to find, my peace of mind
Trapped in a sinking ship
The sky above, a darkened glove
That paints my spirit gray
My heart bemoans, I'm cold as stone
Yearning for the close of day
With evenings flight, into the night
I come alive, restored
As whispers stream into my dreams
To bring him back once more
It's only when, the whispering wind
Breaths warm across my shade
To turn my blight into delight
On a windswept serenade
My soul's replete on twisted sheets
So long the night remains
Until the yawn of coming dawn
Binds tight my heart in chains
As morning creeps into my sleep
Once more I dread the day
When reality shines, between the blinds
To sweep my love away
poem by Leria Hawkins

Submitted by Poetry Lover
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