Muse And Centaur
He says that she is his muse,
she declares he is her mentor;
the former’s cognomen is Cruz,
the latter’s Almodóvar, center
of her artistic life, director
of her best movies, their embraces
shown not on screens by a projector,
but promontories in private places,
collaboration of Penel-
ope and Pedro paradigm
of poetry whose words excel
by pivoting their prose on rhyme.
Charlie Rose interviewed Penelope Cruz in a segment of “60 Minutes” on January 17,2010. She declared that Pedro Almodóvar had called her his muse, declaring that he was her mentor.
1/17/10
poem by Gershon Hepner

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Pain and Glory
Antonio Banderas, Penelope Cruz, Asier Etxeandia, Leonardo Sbaraglia, Nora Navas, Julieta Serrano, Cesar Vicente, Asier Flores
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Being a film director in Spain is like being a bullfighter in Japan.
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All my movies are difficult to classify because they are very eclectic in mixing genres.
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I used this line to demonstrate how important colors are in movies: It's not a caprice.
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Blood Brothers
The tiger
(it was my tiger)
sat beside me
on the bus
& despite the quque
we had got on first.
We had gone
ice skating
& the tiger proved to be
quite adept.
I...I...fell on my bum
to be laughed at by some
he growled and they
shut de ****up!
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we sat through it
...twice.
The tiger thought
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I liked my popcorn sweet...
...the liked his salty.
Later we chatted
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went & went.
I washed my hands...he washed his paws.
The tiger
using the hairdryer
like Madonna
in DESPERATELY SEEKING SUSAN.
He said he fancied
'A little Japanese! '
'Me too! ' I agreed.
He went home
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It was only then
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poem by Dónall Dempsey

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I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
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The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
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It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing.
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I think that the consciousness of passion makes you act very differently.
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I was born at a bad time for Spain, but a really good one for cinema.
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The 1980s really ended for me in 1992 with the film Kika.
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Cukor is one of my favorite directors. He was a master at directing women.
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The Human Voice
Tilda Swinton, Agustin Almodovar, Pablo Almodovar, Miguel Almodovar
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Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places.
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I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
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Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities.
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The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
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Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be. When I was moving around with the lens, I discovered things that the naked eye would not have.
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I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
quote by Pedro Almodovar

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In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government.
quote by Pedro Almodovar

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