Memory

Late, late last night, when the whole world slept,
Along to the garden of dreams I crept.
And I pulled the bell of an old, old house
Where the moon dipped down like a little white mouse.
I tapped the door and I tossed my head:
"Are you in, little girl? Are you in?" I said.
And while I waited and shook with cold
Through the door tripped me---just eight years old.
I looked so sweet with my pigtails down,
Tied up with a ribbon of dusky brown,
With a dimpled chin full of childish charme,
And my old black dolly asleep in my arms.
I sat me down when I saw myself,
And I told little tales of a moonland elf.
I laughed and sang as I used to do
When the world was ruled by Little Boy Blue.
Then I danced with a toss and a twirl
And said: "Now have you been a good, good girl?
Have you had much spanking since you were Me?
And does it feel fine to be twenty-three?"
I kissed me then, and I said farewell,
For I've earned more spanks than I dared to tell,
And Eight must never see Twenty-three
As she peeps through the door of Memory.

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La Fontaine

Another Imitation Of Anacreon

PRONE, on my couch I calmly slept
Against my wont. A little child
Awoke me as he gently crept
And beat my door. A tempest wild
Was raging-dark and cold the night.
"Have pity on my naked plight,"
He begged, "and ope thy door".--"Thy name?"
I asked admitting him.--"The same
"Anon I'll tell, but first must dry
"My weary limbs, then let me try
"My mois'ened bow."--Despite my fear
The hearth I lit, then drew me near
My guest, and chafed his fingers cold.
"Why fear?" I thought. "Let me be bold
"No Polyphemus he; what harm
"In such a child?--Then I'll be calm!"
The playful boy drew out a dart,
Shook his fair locks, and to my heart
His shaft he launch'd.--"Love is my name,"
He thankless cried, "I hither came
"To tame thee. In thine ardent pain
"Of Cupid think and young Climene."--
"Ah! now I know thee, little scamp,
"Ungrateful, cruel boy! Decamp!"
Cupid a saucy caper cut,
Skipped through the door, and as it shut,
"My bow," he taunting cried, "is sound,
"Thy heart, poor comrade, feels the wound."

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George and the Dragon

I'll tell you the tale of an old country pub
As fancied itself up to date,
It had the word " Garage" wrote on t' stable door
And a petrol pump outside the gate.

The " George and the Dragon" were t' name of the pub,
And it stood in a spot wild and bleak,
Where nowt ever seemed to be passing that way
Except Carrier's cart once a week.

The Carrier's cart were a sturdy old Ford
And its driver were known as " Old Joe
He had passed pub each week but he'd never been in,
It's name even he didn't know.

One cold winter night, about quarter to one,
He were driving home over the moor,
And had just reached the pub, when his engine stopped dead
A thing it had ne'er done before.

He lifted the bonnet and fiddled around
And gave her a bit of a crank;
When he looked at his petrol he found what were wrong,
There wasn't a drop in the tank.

He had eight miles to go and 'twere starting to rain,
And he thought he were there for the night,
Till he saw the word " Garage" wrote on t' stable door;
Then he said, " Lizzie, Lass... we're all right."

He went up to t' pub and he hammered at door
Till a voice up above said " Hello!"
It were t' Publican's Wife-she said,
"Now what's to do?", "I've run out of petrol," said Joe.

She said " Who are you? " He said " Carrier Joe."
" Oh, so that's who it is," she replied
You've been passing this door now for close on ten years
And never once set foot inside."

"A nice time of night to come knocking folks up,
She continued. "Away with your truck,
" You'd best get your petrol where you buy your beer...
" You only come here when you re stuck."

Said Joe, "Aye, I'll go if you'll sell me some fuel,
"I can't start my engine without.
"I'm willing to pay." but she told him to go
Where he'd get his fuel for nowt.

"Coom, coom, Lass!" said Joe, conci-latory like,
"Let bygones be bygones, and when
I come round next time I'll look in."
She said, "Oh, Well, your petrol can wait until then."

With these few remarks th' old girl took in her head
And slammed winder to in his face;
He took a look round and for t' very first time
He noticed the name of the place.

He picked up some pebbles he found in the road
And tossed them against winder pane,
And before very long lattice opened above
And out came the old girl again.

What d'ye want? " she enquired. And " Not you," Joe replied,
For this treatment had fair raised his gorge
"I see George and t' Dragon's the name on the house,
"And I'd just like a word now with George."

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Thomas Hardy

At Lulworth Cove a Century Back

Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:

"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."

"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."

"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"

"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."

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Emily Dickinson

Unto Me? I do not know you—

"Unto Me?" I do not know you—
Where may be your House?

"I am Jesus—Late of Judea—
Now—of Paradise"—

Wagons—have you—to convey me?
This is far from Thence—

"Arms of Mine—sufficient Phaeton—
Trust Omnipotence"—

I am spotted—"I am Pardon"—
I am small—"The Least
Is esteemed in Heaven the Chiefest—
Occupy my House"—

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Dream Fable

I saw myself in a wide green garden, more beautiful than I could begin to understand. In this garden was a young girl. I said to her, "How wonderful this place is!"

"Would you like to see a place even more wonderful than this?" she asked.

"Oh yes," I answered. Then taking me by the hand, she led me on until we came to a magnificent palace, like nothing that was ever seen by human eyes. The young girl knocked on the door, and someone opened it. Immediately both of us were flooded with light.

Only Allah knows the inner meaning of the maidens we saw living there. Each one carried in her hand a serving-tray filled with light. The young girl asked the maidens where they were going, and they answered her, "We are looking for someone who was drowned in the sea, and so became a martyr. She never slept at night, not one wink! We are going to rub funeral spices on her body."

"Then rub some on my friend here," the young girl said.

"Once upon a time," said the maidens, "part of this spice and the fragrance of it clung to her body -- but then she shied away."

Quickly the young girl let go of my hand, turned, and said to me:

"Your prayers are your light;
Your devotion is your strength;
Sleep is the enemy of both.
Your life is the only opportunity that life can give you.
If you ignore it, if you waste it,
You will only turn to dust."

Then the young girl disappeared.

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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As We Teach We Learn

As we teach we learn, each day
And as we learn we see fresh ways,
To forward go, in boundless joy
Our "blueprint" lives to so enjoy.
The circles turn and spirals wend
Through journeys galore without an end.
So open up your soul and eye
To realise that we never die.
We roam Eternal through the sky
With sun and moon and stars, to cry
Their messages of love and peace
We see the light as we complete
Another Universal twirl,
Sometimes as "boy", and sometimes as "girl, "
though all that truly counts you see,
Is that "I" is always ever "Me"

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Henry Van Dyke

A Child in the Garden

When to the garden of untroubled thought
I came of late, and saw the open door,
And wished again to enter, and explore
The sweet, wild ways with stainless bloom inwrought,
And bowers of innocence with beauty fraught,
It seemed some purer voice must speak before
I dared to tread that garden loved of yore,
That Eden lost unknown and found unsought.

Then just within the gate I saw a child, --
A stranger-child, yet to my heart most dear;
He held his hands to me, and softly smiled
With eyes that knew no shade of sin or fear:
"Come in," he said, "and play awhile with me;"
"I am the little child you used to be."

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Song

I came to the door of the House of Love
And knocked as the starry night went by;
And my true love cried "Who knocks?" and I said
"It is I."

And Love looked down from a lattice above
Where the roses were dry as the lips of the dead:
"There is not room in the House of Love
For you both," he said.

I plucked a leaf from the porch and crept
Away through a desert of scoffs and scorns
To a lonely place where I prayed and wept
And wove me a crown of thorns.

I came once more to the House of Love
And knocked, ah, softly and wistfully,
And my true love cried "Who knocks?" and I said
"None now but thee."

And the great doors opened wide apart
And a voice rang out from a glory of light,
"Make room, make room for a faithful heart
In the House of Love, to-night."

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Katherine Mansfield

Night-Scented Stock

White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!"
Someone whispered to me.

"Oh, do-do-do!" cooed someone else,
And clasped her hands to her chin.
"I should so love to see the white bodies--
All the white bodies jump in!"

The big dark house hid secretly
Behind the magnolia and the spreading pear-tree;
But there was a sound of music--music rippled and ran
Like a lady laughing behind her fan,
Laughing and mocking and running away...
"Come into the garden--it's as light as day!"

"I can't dance to that Hungarian stuff,
The rhythm in it is not passionate enough,"
Said somebody. "I absolutely refuse...."
But he took off his socks and his shoes
And round he spun. "It's like Hungarian fruit dishes
Hard and bright--a mechanical blue!"
His white feet flicked in the grass like fishes...
Someone cried: "I want to dance, too!"

But one with a queer Russian ballet head
Curled up on a blue wooden bench instead.
And another, shadowy--shadowy and tall--
Walked in the shadow of the dark house wall,
Someone beside her. It shone in the gloom,
His round grey hat, like a wet mushroom.

"Don't you think perhaps..." piped someone's flute.
"How sweet the flowers smell!" I heard the other say.
Somebody picked a wet, wet pink,
Smelled it and threw it away.
"Is the moon a virgin or is she a harlot?"
Asked somebody. Nobody would tell.
The faces and the hands moved in a pattern
As the music rose and fell,
In a dancing, mysterious, moon-bright pattern
Like flowers nodding under the sea...

The music stopped and there was nothing left of them
But the moon dancing over the tree.

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Lewis Carroll

You Are Old Father William

"You are old, father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head --
Do you think, at your age, it is right?

"In my youth," father William replied to his son,
"I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again."

"You are old," said the youth, "as I mentioned before,
And you have grown most uncommonly fat;
Yet you turned a back-somersault in at the door --
Pray what is the reason for that?"

"In my youth," said the sage, as he shook his grey locks,
"I kept all my limbs very supple
By the use of this ointment -- one shilling a box --
Allow me to sell you a couple?"

"You are old," said the youth, "and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak --
Pray, how did you mange to do it?"

"In my youth," said his fater, "I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."

"You are old," said the youth, "one would hardly suppose
That your eye was as steady as every;
Yet you balanced an eel on the tend of your nose --
What made you so awfully clever?"

"I have answered three questions, and that is enough,"
Said his father. "Don't give yourself airs!
Do you think I can listen all day to such stuff?

Be off, or I'll kick you down stairs.

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Thomas Hardy

Middle-Age Enthusiasms

To M. H.

WE passed where flag and flower
Signalled a jocund throng;
We said: "Go to, the hour
Is apt!"--and joined the song;
And, kindling, laughed at life and care,
Although we knew no laugh lay there.

We walked where shy birds stood
Watching us, wonder-dumb;
Their friendship met our mood;
We cried: "We'll often come:
We'll come morn, noon, eve, everywhen!"
--We doubted we should come again.

We joyed to see strange sheens
Leap from quaint leaves in shade;
A secret light of greens
They'd for their pleasure made.
We said: "We'll set such sorts as these!"
--We knew with night the wish would cease.

"So sweet the place," we said,
"Its tacit tales so dear,
Our thoughts, when breath has sped,
Will meet and mingle here!"...
"Words!" mused we. "Passed the mortal door,
Our thoughts will reach this nook no more."

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Revolt In The Ranks

I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!& quot;
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.

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Emily Dickinson

They won't frown always—some sweet Day

874

They won't frown always—some sweet Day
When I forget to tease—
They'll recollect how cold I looked
And how I just said "Please."

Then They will hasten to the Door
To call the little Girl
Who cannot thank Them for the Ice
That filled the lisping full.

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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The Front Tooth

A-sittin' in the Bull and Pump
With double gins to keep us cheery
Says she to me, says Polly Crump"
"What makes ye look so sweet. me dearie?
As if ye'd gotten back yer youth . . . ."
Says I: "It's just me new front tooth."

Says Polly Crump: "A gummy grin
Don't help to make one's business active;
We gels wot gains our bread by sin
Have got to make ourselves attractive.
I hope yer dentist was no rook?"
Says I: "A quid is what he took."

Says Polly Crump: "The shoes you wear
Are down at heel and need new soleing;
Why doncher buy a better pair?
The rain goes in and out the holeing.
They're squelchin' as ye walk yer beat. . . ."
Says I: "blokes don't look at me feet."

Says Polly Crump: "You cough all day;
It just don't do in our profession;
A girl's got to be pert and gay
To give a guy a good impression;
For if ye cough he's shy of you. . . ."
Says I: "An' wots a gel to do?"

Says Polly Crump: "I'm pink an' fat,
But you are bones an' pale as plaster;
At this dam' rate you're goin' at
You'll never live to be a laster.
You'll have the daisy roots for door. . . ."
Says I: "It's 'ell to be a 'ore.

"But I don't care now I can smile,
Smile, smile and not that gap-toothed grinning;
I'm wet and cold, but it's worth while
To once again look fairly winning.
And send ten bob or so to Mother. . . ."
Said Polly Crump: "Gwad! Have another?"

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La Fontaine

The Dress-Maker

A CLOISTERED nun had a lover
Dwelling in the neighb'ring town;
Both racked their brains to discover
How they best their love might crown.
The swain to pass the convent-door!--
No easy matter!--Thus they swore,
And wished it light.--I ne'er knew a nun
In such a pass to be outdone:--
In woman's clothes the youth must dress,
And gain admission. I confess
The ruse has oft been tried before,
But it succeeded as of yore.
Together in a close barred cell
The lovers were, and sewed all day,
Nor heeded how time flew away.--
"What's that I hear? Refection bell!
"'Tis time to part. Adieu!--Farewell!--
"How's this?" exclaimed the abbess, "why
"The last at table?"--"Madam, I
"Have had my dress-maker."--"The rent
"On which you've both been so intent
"Is hard to stop, for the whole day
"To sew and mend, you made her stay;
"Much work indeed you've had to do!
"--Madam, 't would last the whole night through,
"When in our task we find enjoyment
"There is no end of the employment."

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