Ode, Intimations of Immortality from Recollections of Early Childhood

THERE was a time when meadow, grove, and stream,
   The earth, and every common sight,
   To me did seem
   Apparell'd in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;--
   Turn wheresoe'er I may,
   By night or day,
The things which I have seen I now can see no more.

   The rainbow comes and goes,
   And lovely is the rose;
   The moon doth with delight
   Look round her when the heavens are bare;
   Waters on a starry night
   Are beautiful and fair;
   The sunshine is a glorious birth;
   But yet I know, where'er I go,
That there hath pass'd away a glory from the earth.

Now, while the birds thus sing a joyous song,
   And while the young lambs bound
   As to the tabor's sound,
To me alone there came a thought of grief:
A timely utterance gave that thought relief,
   And I again am strong:
The cataracts blow their trumpets from the steep;
No more shall grief of mine the season wrong;
I hear the echoes through the mountains throng,
The winds come to me from the fields of sleep,
   And all the earth is gay;
   Land and sea
   Give themselves up to jollity,
   And with the heart of May
   Doth every beast keep holiday;--
   Thou Child of Joy,
Shout round me, let me hear thy shouts, thou happy
   Shepherd-boy!

Ye blessed creatures, I have heard the call
   Ye to each other make; I see
The heavens laugh with you in your jubilee;
   My heart is at your festival,
   My head hath its coronal,
The fulness of your bliss, I feel--I feel it all.
   O evil day! if I were sullen
   While Earth herself is adorning,
   This sweet May-morning,
   And the children are culling
   On every side,
   In a thousand valleys far and wide,
   Fresh flowers; while the sun shines warm,
And the babe leaps up on his mother's arm:--
   I hear, I hear, with joy I hear!
   --But there's a tree, of many, one,
A single field which I have look'd upon,
Both of them speak of something that is gone:
   The pansy at my feet
   Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?

Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life's Star,
   Hath had elsewhere its setting,
   And cometh from afar:
   Not in entire forgetfulness,
   And not in utter nakedness,
But trailing clouds of glory do we come
   From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
   Upon the growing Boy,
But he beholds the light, and whence it flows,
   He sees it in his joy;
The Youth, who daily farther from the east
   Must travel, still is Nature's priest,
   And by the vision splendid
   Is on his way attended;
At length the Man perceives it die away,
And fade into the light of common day.

Earth fills her lap with pleasures of her own;
Yearnings she hath in her own natural kind,
And, even with something of a mother's mind,
   And no unworthy aim,
   The homely nurse doth all she can
To make her foster-child, her Inmate Man,
   Forget the glories he hath known,
And that imperial palace whence he came.

Behold the Child among his new-born blisses,
A six years' darling of a pigmy size!
See, where 'mid work of his own hand he lies,
Fretted by sallies of his mother's kisses,
With light upon him from his father's eyes!
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly-learned art;
   A wedding or a festival,
   A mourning or a funeral;
   And this hath now his heart,
   And unto this he frames his song:
   Then will he fit his tongue
To dialogues of business, love, or strife;
   But it will not be long
   Ere this be thrown aside,
   And with new joy and pride
The little actor cons another part;
Filling from time to time his 'humorous stage'
With all the Persons, down to palsied Age,
That Life brings with her in her equipage;
   As if his whole vocation
   Were endless imitation.

Thou, whose exterior semblance doth belie
   Thy soul's immensity;
Thou best philosopher, who yet dost keep
Thy heritage, thou eye among the blind,
That, deaf and silent, read'st the eternal deep,
Haunted for ever by the eternal mind,--
   Mighty prophet! Seer blest!
   On whom those truths do rest,
Which we are toiling all our lives to find,
In darkness lost, the darkness of the grave;
Thou, over whom thy Immortality
Broods like the Day, a master o'er a slave,
A presence which is not to be put by;
   To whom the grave
Is but a lonely bed without the sense or sight
   Of day or the warm light,
A place of thought where we in waiting lie;
Thou little Child, yet glorious in the might
Of heaven-born freedom on thy being's height,
Why with such earnest pains dost thou provoke
The years to bring the inevitable yoke,
Thus blindly with thy blessedness at strife?
Full soon thy soul shall have her earthly freight,
And custom lie upon thee with a weight,
Heavy as frost, and deep almost as life!

   O joy! that in our embers
   Is something that doth live,
   That nature yet remembers
   What was so fugitive!
The thought of our past years in me doth breed
Perpetual benediction: not indeed
For that which is most worthy to be blest--
Delight and liberty, the simple creed
Of childhood, whether busy or at rest,
With new-fledged hope still fluttering in his breast:--
   Not for these I raise
   The song of thanks and praise;
   But for those obstinate questionings
   Of sense and outward things,
   Fallings from us, vanishings;
   Blank misgivings of a Creature
Moving about in worlds not realized,
High instincts before which our mortal Nature
Did tremble like a guilty thing surprised:
   But for those first affections,
   Those shadowy recollections,
   Which, be they what they may,
Are yet the fountain-light of all our day,
Are yet a master-light of all our seeing;
   Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
Of the eternal Silence: truths that wake,
   To perish never:
Which neither listlessness, nor mad endeavour,
   Nor Man nor Boy,
Nor all that is at enmity with joy,
Can utterly abolish or destroy!
   Hence in a season of calm weather
   Though inland far we be,
Our souls have sight of that immortal sea
   Which brought us hither,
   Can in a moment travel thither,
And see the children sport upon the shore,
And hear the mighty waters rolling evermore.

Then sing, ye birds, sing, sing a joyous song!
   And let the young lambs bound
   As to the tabor's sound!
We in thought will join your throng,
   Ye that pipe and ye that play,
   Ye that through your hearts to-day
   Feel the gladness of the May!
What though the radiance which was once so bright
Be now for ever taken from my sight,
   Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
   We will grieve not, rather find
   Strength in what remains behind;
   In the primal sympathy
   Which having been must ever be;
   In the soothing thoughts that spring
   Out of human suffering;
   In the faith that looks through death,
In years that bring the philosophic mind.

And O ye Fountains, Meadows, Hills, and Groves,
Forebode not any severing of our loves!
Yet in my heart of hearts I feel your might;
I only have relinquish'd one delight
To live beneath your more habitual sway.
I love the brooks which down their channels fret,
Even more than when I tripp'd lightly as they;
The innocent brightness of a new-born Day
   Is lovely yet;
The clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o'er man's mortality;
Another race hath been, and other palms are won.
Thanks to the human heart by which we live,
Thanks to its tenderness, its joys, and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.

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People at Night

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.       & nbsp;  We won't
      &nbs p;         ;     look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
               & nbsp;     under movie signs,
      &nb sp;       &nbs p;     pictures made of a million lights,
      &n bsp;       &nb sp;     giants that move and again move
        ;              again, above a cloud of thick smells,
      &n bsp;       &nb sp;     franks, roasted nutmeats-

Or going up to some apartment, yours
      &nbs p;         ;     or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
       &n bsp;  But you won't see.

The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
      &nbs p;         ;     You  &nb sp;and   you and I   repeat
   &n bsp;       &nb sp;       &nbs p;gestures that make do when speech
      &nb sp;       &nbs p;     has failed       & nbsp;  and talk
        ;              and talk, laughing, saying
      &nb sp;       &nbs p;     'I', and 'I',
meaning 'Anybody'.
       ;                 & nbsp;       No one.

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The Words

Clouds scattered across the sky       &nbs p;all so far away
and then the space between         this strange 'distance'
What does 'normal' mean, after all?       &nb sp;you move
toward the window       & nbsp;lights marking the headland
and the night becomes a milestone      &nbs p; though
I         the fog rolls up the hill from the sea
in waves the town       &nb sp;desperate?
Whichever way we look       &nb sp;though so much at hand
only held back by obsessions
but 'home' is so long ago       &nbs p;don't cry
the light's a very pale blue       &nb sp;then maybe       &n bsp;the next time too
a faint glimmer across the bay       &nbs p;neither moon
nor stars
and your letter making signs       &n bsp;concerning 'understanding'
and 'the magic tortoise'      &nbs p; what then?       &n bsp;or just tiredness

At each alternative      &n bsp; the colours in the sky
gradually changing        ; until you're lulled into believing
you've seen this before       & nbsp;but not quite
The wood-cut of a lone horseman
riding through a deathly countryside      &n bsp; raped

'You're very brave'       & nbsp;I clean the table-top
and you sat in that chair       &n bsp;two red poppies
in the garden below       &n bsp;at dawn
This apparent clumsiness is far from true

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A Revocation

WHAT should I say?
   --Since Faith is dead,
And Truth away
   From you is fled?
   Should I be led
   With doubleness?
   Nay! nay! mistress.

I promised you,
   And you promised me,
To be as true
   As I would be.
   But since I see
   Your double heart,
   Farewell my part!

Thought for to take
   'Tis not my mind;
But to forsake
   One so unkind;
   And as I find
   So will I trust.
   Farewell, unjust!

Can ye say nay
   But that you said
That I alway
   Should be obeyed?
   And--thus betrayed
   Or that I wist!
   Farewell, unkist!

poem by Sir Thomas WyattReport problemRelated quotes
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Old Woman

I see Senora Sanchez
along the river.
Black catfish
pop the silver
water surface,
waves unroll
as the gnarled
bronze face and
black eyes
remember
cool sea shells
and warm turquoise,
the turkey gobbling
behind bushes,
and the red skirt
hanging on boughs
as she bathed….
She pulls her black sweater
snug around her, folded arms
across her stomach.
She who remembers
cannot say amen
but smiles to sunrise
as she walks through the grass,
      &nb sp;       &nbs p;         ;       the tall,
      &nbs p;         ;                green grass,
grass that does not listen to
       & nbsp;       &n bsp;       &nb sp;      the priest
in black robes, blooms green
as she walks through the grass
and talks with them.

poem by Jimmy Santiago BacaReport problemRelated quotes
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Music in an Empty House

The house was empty and
      the people of the house
      gone many months

Months for the weevil
      for the patient worm
      timbe r-mole softly tunnelling
       ;for the parliament of rats

Footsteps slink past
      damp walls
      down
      long
& nbsp;     corridors

Slow feet
      warily scuff
      bare boards
The much-bitten
     &nbs p;tapestry
       ;  holds
    &nb sp;     many
 &n bsp;    moths

In a certain curtain'd room
      the halting steps evade
      chai rs white shrouded

To twitch the winding-sheet
     &n bsp;around a grand piano
      thin phalanx of sound
      sharp rat's teeth edge yellow
      with decay

The much-bitten
     &nbs p;tapestry
       ;holds
      man y
      moths

On rat's teeth-edge
       ;fingers preparate
       hesitate

Then falling send
  as tenantry
    darnp-muffied chords
      rus ting strings
  a still-born song

Their fortissimoThe tattered   scarcetapestry   stirsholds   nearmany   cobwebsmoths

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William Shakespeare

Fairy Land i

OVER hill, over dale,
   Thorough bush, thorough brier,
   Over park, over pale,
   Thorough flood, thorough fire,
   I do wander everywhere,
   Swifter than the moone's sphere;
   And I serve the fairy queen,
   To dew her orbs upon the green:
   The cowslips tall her pensioners be;
   In their gold coats spots you see;
   Those be rubies, fairy favours,
   In those freckles live their savours:
   I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.

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Thomas Hardy

A Spot

In years defaced and lost,
   Two sat here, transport-tossed,
   Lit by a living love
The wilted world knew nothing of:
   Scared momently
   By gaingivings,
   Then hoping things
   That could not be.

   Of love and us no trace
   Abides upon the place;
   The sun and shadows wheel,
Season and season sereward steal;
   Foul days and fair
   Here, too, prevail,
   And gust and gale
   As everywhere.

   But lonely shepherd souls
   Who bask amid these knolls
   May catch a faery sound
On sleepy noontides from the ground:
   "O not again
   Till Earth outwears
   Shall love like theirs
   Suffuse this glen!"

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Amy Lowell

Apology

Be not angry with me that I bear
   Your colours everywhere,
   All through each crowded street,
   And meet
   The wonder-light in every eye,
   As I go by.

Each plodding wayfarer looks up to gaze,
   Blinded by rainbow haze,
   The stuff of happiness,
   No less,
   Which wraps me in its glad-hued folds
   Of peacock golds.

Before my feet the dusty, rough-paved way
   Flushes beneath its gray.
   My steps fall ringed with light,
   So bright,
   It seems a myriad suns are strown
   About the town.

Around me is the sound of steepled bells,
   And rich perfumed smells
   Hang like a wind-forgotten cloud,
   And shroud
   Me from close contact with the world.
   I dwell impearled.

You blazon me with jewelled insignia.
   A flaming nebula
   Rims in my life. And yet
   You set
   The word upon me, unconfessed
   To go unguessed.

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Thomas Hardy

To Life

O life with the sad seared face,
   I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
   And thy too-forced pleasantry!

   I know what thou would'st tell
   Of Death, Time, Destiny -
I have known it long, and know, too, well
   What it all means for me.

   But canst thou not array
   Thyself in rare disguise,
And feign like truth, for one mad day,
   That Earth is Paradise?

   I'll tune me to the mood,
   And mumm with thee till eve;
And maybe what as interlude
   I feign, I shall believe!

poem by Thomas HardyReport problemRelated quotes
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Wedding-Ring

My wedding-ring lies in a basket
as if at the bottom of a well.
Nothing will come to fish it back up
and onto my finger again.
       &nb sp;       &nbs p;    It lies
among keys to abandoned houses,
nails waiting to be needed and hammered
into some wall,
telephone numbers with no names attached,
idle paperclips.
       &nb sp;  It can't be given away
for fear of bringing ill-luck.
       &nb sp;  It can't be sold
for the marriage was good in its own
time, though that time is gone.
       &nb sp;  Could some artificer
beat into it bright stones, transform it
into a dazzling circlet no one could take
for solemn betrothal or to make promises
living will not let them keep? Change it
into a simple gift I could give in friendship?

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William Shakespeare

Fairy Land iii

COME unto these yellow sands,
   And then take hands:
Court'sied when you have, and kiss'd,--
   The wild waves whist,--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
   Hark, hark!
   Bow, wow,
   The watch-dogs bark:
   Bow, wow.
   Hark, hark! I hear
   The strain of strutting chanticleer
   Cry, Cock-a-diddle-dow!

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John Bunyan

The Shepherd Boy sings in the Valley of Humiliation

HE that is down needs fear no fall,
   He that is low, no pride;
He that is humble ever shall
   Have God to be his guide.

I am content with what I have,
   Little be it or much:
And, Lord, contentment still I crave,
   Because Thou savest such.

Fullness to such a burden is
   That go on pilgrimage:
Here little, and hereafter bliss,
   Is best from age to age.

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Soft White

When the sea is as grey as her eyes
On these days for sure       &nb sp;the soft white
mist blown in from the ocean       &n bsp;the town dissolving
It all adds up         ;her bare shoulders

Nakedness     ;    rolling in from the sea
on winter afternoons - a fine rain
looking down on the sand       &nb sp;& shingle
the waves breaking on the shore       &n bsp;& white

It is impossible to deny what
taken by surprise        ; then wonder
the many details of her body
to be held first now       &nbs p;then later

In body & mind       &nb sp;the fine rain outside
on winter afternoons      &nb sp; the nakedness
of her bare shoulders      &nbs p; as grey as her eyes
the sea rushing up the beach as white as

The whole outline called 'geography'
meeting at a set of erotic points
lips    shoulders&n bsp;   breasts   &n bsp;stomach
the town dissolves      &nbs p; sex    thighs &n bsp;  legs

Outside  &n bsp;     then across her nakedness
it rains in the afternoon      &nbs p; then the wonder
her body so young & firm       &nb sp;dissolves the town
in winter       & nbsp;grey as her eyes

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Thomas Hardy

The Superseded

I

As newer comers crowd the fore,
   We drop behind.
- We who have laboured long and sore
   Times out of mind,
And keen are yet, must not regret
   To drop behind.

II

Yet there are of us some who grieve
   To go behind;
Staunch, strenuous souls who scarce believe
   Their fires declined,
And know none cares, remembers, spares
   Who go behind.

III

'Tis not that we have unforetold
   The drop behind;
We feel the new must oust the old
   In every kind;
But yet we think, must we, must WE,
   Too, drop behind?

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Beauty Clear and Fair

BEAUTY clear and fair,
   Where the air
Rather like a perfume dwells;
   Where the violet and the rose
   Their blue veins and blush disclose,
And come to honour nothing else:

   Where to live near
   And planted there
Is to live, and still live new;
   Where to gain a favour is
   More than light, perpetual bliss--
Make me live by serving you!

Dear, again back recall
   To this light,
A stranger to himself and all!
   Both the wonder and the story
   Shall be yours, and eke the glory;
I am your servant, and your thrall.

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To Mistress Margaret Hussey

MERRY Margaret
   As midsummer flower,
   Gentle as falcon
   Or hawk of the tower:
With solace and gladness,
Much mirth and no madness,
All good and no badness;
   So joyously,
   So maidenly,
   So womanly
   Her demeaning
   In every thing,
   Far, far passing
   That I can indite,
   Or suffice to write
   Of Merry Margaret
   As midsummer flower,
   Gentle as falcon
   Or hawk of the tower.
   As patient and still
   And as full of good will
   As fair Isaphill,
   Coliander,
   Sweet pomander,
   Good Cassander;
   Steadfast of thought,
   Well made, well wrought,
   Far may be sought,
   Ere that ye can find
   So courteous, so kind
   As merry Margaret,
   This midsummer flower,
   Gentle as falcon
   Or hawk of the tower.

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Thomas Hardy

Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)

Who, then, was Cestius,
   And what is he to me? -
Amid thick thoughts and memories multitudinous
   One thought alone brings he.

   I can recall no word
   Of anything he did;
For me he is a man who died and was interred
   To leave a pyramid

   Whose purpose was exprest
   Not with its first design,
Nor till, far down in Time, beside it found their rest
   Two countrymen of mine.

   Cestius in life, maybe,
   Slew, breathed out threatening;
I know not. This I know: in death all silently
   He does a kindlier thing,

   In beckoning pilgrim feet
   With marble finger high
To where, by shadowy wall and history-haunted street,
   Those matchless singers lie . . .

   --Say, then, he lived and died
   That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
   It is an ample fame.

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Thank-you Note

I wanted small pierced earrings (gold).
You gave me slippers (gray).
My mother said that she would scold
Unless I wrote to say
How much I liked them.

               & nbsp; Not much.

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Lucy ii

SHE dwelt among the untrodden ways
   Beside the springs of Dove,
A Maid whom there were none to praise
   And very few to love:

A violet by a mossy stone
   Half hidden from the eye!
Fair as a star, when only one
   Is shining in the sky.

She lived unknown, and few could know
   When Lucy ceased to be;
But she is in her grave, and oh,
   The difference to me!

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Bridal Song

CYNTHIA, to thy power and thee
   We obey.
Joy to this great company!
   And no day
Come to steal this night away
   Till the rites of love are ended,
And the lusty bridegroom say,
   Welcome, light, of all befriended!

Pace out, you watery powers below;
   Let your feet,
Like the galleys when they row,
   Even beat;
Let your unknown measures, set
   To the still winds, tell to all
That gods are come, immortal, great,
   To honour this great nuptial!

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