En.Citatepedia^®.ro

The Golden Journey

All day he drowses by the sail
With dreams of her, and all night long
The broken waters are at song
Of how she lingers, wild and pale,
When all the temple lights are dumb,
And weaves her spells to make him come.

The wide sea traversed, he will stand
With straining eyes, until the shoal
Green water from the prow shall roll
Upon the yellow strip of sand -
Searching some fern-hid tangled way
Into the forest old and grey.

Then he will leap upon the shore,
And cast one look up at the sun,
Over his loosened locks will run
The dawn breeze, and a bird will pour
Its rapture out to make life seem
Too sweet to leave for such a dream.

But all the swifter will he go
Through the pale, scattered asphodels,
Down mote-hung dusk of olive dells,
To where the ancient basins throw
Fleet threads of blue and trembling zones
Of gold upon the temple stones.

There noon keeps just a twilight trace;
Twixt love and hate, and death and birth,
No man may choose; nor sobs nor mirth
May enter in that haunted place.
All day the fountain sphynx lets drip
Slow drops of silence from her lip.

To hold the porch-roof slender girls
Of milk-white marble stand arow;
Doubt never blurs a single brow,
And never the noon's faintness curls
From their expectant hush of pride
The lips the god has glorified.

But these things he will barely view,
Or if he stay to heed them, still
But as the lark the lights that spill
From out the sun it soars unto,
Where, past the splendors and the heats,
The sun's heart's self forever beats.

For wide the brazen doors will swing
Soon as his sandals touch the pave;
The anxious light inside will wave
And tremble to a lunar ring
About the form that lieth prone
Before the dreadful altar-stone.

She will not look or speak or stir,
But with drowned lips and cheeks death-white
Will lie amid the pool of light,
Until, grown faint with thirst of her,
He shall bow down his face and sink
Breathless beneath the eddying brink.

Then a swift music will begin,
And as the brazen doors shut slow,
There will be hurrying to and fro,
And lights and calls and silver din,
While through the star-freaked swirl of air
The god's sweet cruel eyes will stare.

poem by William Vaughn Moody
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Late Loved--Well Loved

He stood beside her in the dawn
(And she his Dawn and she his Spring),
From her bright palm she fed her fawn,
Her swift eyes chased the swallow's wing:
Her restless lips, smile-haunted, cast
Shrill silver calls to hound and dove:
Her young locks wove them with the blast.
To the flush'd, azure shrine above,
The light boughs o'er her golden head
Toss'd em'rald arm and blossom palm.
The perfume of their prayer was spread
On the sweet wind in breath of balm.

'Dawn of my heart,' he said, 'O child,
Knit thy pure eyes a space with mine:
O chrystal, child eyes, undefiled,
Let fair love leap from mine to thine!'
'The Dawn is young,' she smiled and said,
'Too young for Love's dear joy and woe;
Too young to crown her careless head
With his ripe roses. Let me go--
Unquestion'd for a longer space,
Perchance, when day is at the flood,
In thy true palm I'll gladly place
Love's flower in its rounding bud.
But now the day is all too young,
The Dawn and I are playmates still.'
She slipped the blossomed boughs among,
He strode beyond the violet hill.

Again they stand (Imperial noon
Lays her red sceptre on the earth),
Where golden hangings make a gloom,
And far off lutes sing dreamy mirth.
The peacocks cry to lily cloud,
From the white gloss of balustrade:
Tall urns of gold the gloom make proud,
Tall statues whitely strike the shade,
And pulse in the dim quivering light
Until, most Galatea-wise--
Each looks from base of malachite
With mystic life in limbs and eyes.

Her robe, (a golden wave that rose,
And burst, and clung as water clings
To her long curves) about her flows.
Each jewel on her white breast sings
Its silent song of sun and fire.
No wheeling swallows smite the skies
And upward draw the faint desire,
Weaving its myst'ry in her eyes.
In the white kisses of the tips
Of her long fingers lies a rose,
Snow-pale beside her curving lips,
Red by her snowy breast it glows.

'Noon of my soul,' he says, 'behold!
The day is ripe, the rose full blown,
Love stands in panoply of gold,
To Jovian height and strength now grown,
No infant he, a king he stands,
And pleads with thee for love again.'
'Ah, yes!' she says, 'in known lands,
He kings it--lord of subtlest pain;
The moon is full, the rose is fair--
Too fair! 'tis neither white nor red:
'I know the rose that love should wear,
Must redden as the heart had bled!
The moon is mellow bright, and I
Am happy in its perfect glow.
The slanting sun the rose may dye--
But for the sweet noon--let me go.'
She parted--shimm'ring thro' the shade,
Bent the fair splendour of her head:
'Would the rich noon were past,' he said,
Would the pale rose were flush'd to red!'

Again. The noon is past and night
Binds on his brow the blood red Mars--
Down dusky vineyards dies the fight,
And blazing hamlets slay the stars.
Shriek the shrill shells: the heated throats
Of thunderous cannon burst--and high
Scales the fierce joy of bugle notes:
The flame-dimm'd splendours of the sky.
He, dying, lies beside his blade:
Clear smiling as a warrior blest
With victory smiles, thro' sinister shade
Gleams the White Cross upon her breast.

'Soul of my soul, or is it night
Or is it dawn or is it day?
I see no more nor dark nor light,
I hear no more the distant fray.'
''Tis Dawn,' she whispers: 'Dawn at last!
Bright flush'd with love's immortal glow
For me as thee, all earth is past!
Late loved--well loved, now let us go!'

poem by Isabella Valancy Crawford
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The Wishing Star.

Day floated down the sky; a perfect day,
Leaving a footprint of pale primrose gold
Along the west, that when her lover, Night,
Fled with his starry lances in pursuit,
Across the sky, the way she went might shew.
From the faint ting'd ridges of the sea, the Moon
Sprang up like Aphrodite from the wave,
Which as she climb'd the sky still held
Her golden tresses to its swelling breast,
Where wide dispread their quiv'ring glories lay,
(Or as the shield of night, full disk'd and red,
As flowers that look forever towards the Sun),
A terrace with a fountain and an oak
Look'd out upon the sea: The fountain danced
Beside the huge old tree as some slim nymph,
Rob'd in light silver might her frolics shew
Before some hoary king, while high above,
He shook his wild, long locks upon the breeze--
And sigh'd deep sighs of 'All is vanity!'
Behind, a wall of Norman William's time
Rose mellow, hung with ivy, here and there
Torn wide apart to let a casement peer
Upon the terrace. On a carv'd sill I leant
(A fleur-de-lis bound with an English rose)
And look'd above me into two such eyes
As would have dazzl'd from that ancient page
That new old cry that hearts so often write
In their own ashes, 'All is vanity!'
'Know'st thou--' she said, with tender eyes far-fix'd,
On the wide arch that domes our little earth,
'That when a star hurls on with shining wings,
'On some swift message from his throne of light,
'The ready heart may wish, and the ripe fruit--
'Fulfilment--drop into the eager palm?'
'Then let us watch for such a star,' quoth I.
'Nay, love,' she said, ''Tis but an idle tale.'
But some swift feeling smote upon her brow
A rosy shadow. I turn'd and watch'd the sky--
Calmly the cohorts of the night swept on,
Led by the wide-wing'd vesper; and against the moon
Where low her globe trembl'd upon the edge
Of the wide amethyst that clearly paved
The dreamy sapphire of the night, there lay
The jetty spars of some tall ship, that look'd
The night's device upon his ripe-red shield.
And suddenly down towards the moon there ran--
From some high space deep-veil'd in solemn blue,
A little star, a point of trembling gold,
Gone swift as seen. 'My wishing-star,' quoth I,
'Shall tell my wish? Did'st note that little star?
'Its brightness died not, it but disappeared,
'To whirl undim'd thro' space. I wish'd our love
'Might blot the 'All is vanity' from this brief life,
'Burning brightly as that star and winging on
'Thro' unseen space of veil'd Eternity,
'Brightened by Immortality--not lost.'
'Awful and sweet the wish!' she said, and so--
We rested in the silence of content.

poem by Isabella Valancy Crawford
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Green Eyes

Your green eyes with the soft light
Your eyes that promise sweet nights
Bring to my soul a longing
Of thirst for love's devine
In dreams I seem to hold you
To find you and enfold you
Our lips meet and our hearts too
With a thrill so sublime
Those cool and limbit green eyes
A pool where in my love lies
So deep that in my searching
For happiness I feel
That they will ever hunt me
All through my life they'll taunt me
But will they ever want me
Green eyes
Make my dream come true
Green eyes with there soft lights
And eyes that promise sweet nights
Bring to my soul a longing
A thirst for love devine
In dreams I seem to hold you
To find you and enfold you
Our lips meet and our hearts too
With a thrill so sublime
Those cool and limbit green eyes
A pool where in my love lies
So deep that in my searching
For happiness I feel
That they will ever hunt me
All through my life they'll taunt me
But will they ever want me
Green eyes
Make my dream come true

song performed by by Barry Manilow
Submitted by Lucian Velea
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Slow Dancing

(jack tempchin)
Its late at night and were all alone
With just the music of the radio
No ones comin, no ones gonna telephone
Just me and him and the lights down low
And were slow dancing, swaying to the music
Slow dancing, just me and my guy
Slow dancing, swaying to the music
No one else in the whole wide world
In the whole wide world
And we just float together when the lights are low
And the shadows dancing across the wall
The musics playing so soft and slow
And the rest of the worlds so far away and small
Slow dancing, swaying to the music
Slow dancing, just me and my guy
Slow dancing, swaying to the music
No one else in the whole wide world
In the whole wide world
Hold me, please hold me
Dont ever let me go
And as we dance together in the dark
Theres so much love in this heart of mine
He whispers to me and I hold him tight
Hes the one I thought Id never find
Slow dancing, swaying to the music
Slow dancing, just me and my guy
Slow dancing, swaying to the music
No one else in the whole wide world
In the whole wide world

song performed by by Olivia Newton-John
Submitted by Lucian Velea
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Song VII: Dawn Talks to Day

Dawn talks to Day
Over dew-gleaming flowers,
Night flies away
Till the resting of hours:
Fresh are thy feet
And with dreams thine eyes glistening,
Thy still lips are sweet
Though the world is a-listening.
O Love, set a word in my mouth for our meeting,
Cast thine arms round about me to stay my heart's beating!
O fresh day, O fair day, O long day made ours!

Morn shall meet noon
While the flower-stems yet move,
Though the wind dieth soon
And the clouds fade above.
Loved lips are thine
As I tremble and hearken;
Bright thine eyes shine,
Though the leaves thy brow darken.
O Love, kiss me into silence, lest no word avail me,
Stay my head with thy bosom lest breath and life fail me!
O sweet day, O rich day, made long for our love!

Late day shall greet eve,
And the full blossoms shake,
For the wind will not leave
The tall trees while they wake.
Eyes soft with bliss,
Come nigher and nigher!
Sweet mouth I kiss,
Tell me all thy desire!
Let us speak, love, together some words of our story,
That our lips as they part may remember the glory!
O soft day, O calm day, made clear for our sake!

Eve shall kiss night,
And the leaves stir like rain
As the wind stealeth light
O'er the grass of the plain.
Unseen are thine eyes
Mid the dreamy night's sleeping,
And on my mouth there lies
The dear rain of thy weeping.
Hold silence, love, speak not of the sweet day departed,
Cling close to me, love, lest I waken sad-hearted!
O kind day, O dear day, short day, come again!

poem by William Morris
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The Bridegroom Of Cana

'There was a marriage in Cana of Galilee. . . . And both Jesus was called, and His disciples, to the marriage.'

VEIL thine eyes, O belovéd, my spouse,
Turn them away,
Lest in their light my life withdrawn
Dies as a star, as a star in the day,
As a dream in the dawn.

Slenderly hang the olive leaves
Sighing apart;
The rose and silver doves in the eaves
With a murmur of music bind our house.
Honey and wine in thy words are stored,
Thy lips are bright as the edge of a sword
That hath found my heart,
That hath found my heart.

Sweet, I have waked from a dream of thee,–
And of Him.
He who came when the songs were done.
From the net of thy smiles my heart went free
And the golden lure of thy love grew dim.
I turned to them asking, 'Who is He,
Royal and sad, who comes to the feast
And sits Him down in the place of the least?'
And they said, 'He is Jesus, the carpenter's son.'

Hear how my harp on a single string
Murmurs of love.
Down in the fields the thrushes sing
And the lark is lost in the light above,
Lost in the infinite, glowing whole,
As I in thy soul,
As I in thy soul.

Love, I am fain for thy glowing grace
As the pool for the star, as the rain for the rill.
Turn to me, trust to me, mirror me
As the star in the pool, as the cloud in the sea.
Love, I looked awhile in His face
And was still.

The shaft of the dawn strikes clear and sharp;
Hush, my harp.
Hush my harp, for the day is begun,
And the lifting, shimmering flight of the swallow
Breaks in a curve on the brink of morn,
Over the sycamores, over the corn,
Cling to me, cleave to me, prison me
As the mote in the flame, as the shell in the sea,
For the winds of the dawn say, 'Follow, follow
Jesus Bar-Joseph, the carpenter's son.'

poem by Marjorie Lowry Christie Pickthall
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Orara

THE STRONG sob of the chafing stream
That seaward fights its way
Down crags of glitter, dells of gleam,
Is in the hills to-day.

But far and faint, a grey-winged form
Hangs where the wild lights wane—
The phantom of a bygone storm,
A ghost of wind and rain.

The soft white feet of afternoon
Are on the shining meads,
The breeze is as a pleasant tune
Amongst the happy reeds.

The fierce, disastrous, flying fire,
That made the great caves ring,
And scarred the slope, and broke the spire,
Is a forgotten thing.

The air is full of mellow sounds,
The wet hill-heads are bright,
And down the fall of fragrant grounds
The deep ways flame with light.

A rose-red space of stream I see,
Past banks of tender fern;
A radiant brook, unknown to me
Beyond its upper turn:

The singing silver life I hear,
Whose home is in the green,
Far-folded woods of fountains clear,
Where I have never been.

Ah, brook above the upper bend,
I often long to stand
Where you in soft, cool shades descend
From the untrodden land!

Ah, folded woods, that hide the grace
Of moss and torrents strong,
I often wish to know the face
Of that which sings your song!

But I may linger, long, and look
Till night is over all:
My eyes will never see the brook,
Or sweet, strange waterfall.

The world is round me with its heat,
And toil, and cares that tire;
I cannot with my feeble feet
Climb after my desire.

But, on the lap of lands unseen,
Within a secret zone,
There shine diviner gold and green
Than man has ever known.

And where the silver waters sing
Down hushed and holy dells,
The flower of a celestial Spring,
A tenfold splendour, dwells.

Yea, in my dream of fall and brook
By far sweet forests furled,
I see that light for which I look
In vain through all the world—

The glory of a larger sky
On slopes of hills sublime,
That speak with God and morning, high
Above the ways of Time!

Ah! haply, in this sphere of change
Where shadows spoil the beam,
It would not do to climb that range
And test my radiant Dream.

The slightest glimpse of yonder place,
Untrodden and alone,
Might wholly kill that nameless grace
The charm of the unknown.

And therefore, though I look and long,
Perhaps the lot is bright
Which keeps the river of the song
A beauty out of sight

poem by Henry Kendall
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The Coronation Of Inez De Castro

There was music on the midnight;
From a royal fane it roll'd,
And a mighty bell, each pause between,
Sternly and slowly toll'd.
Strange was their mingling in the sky,
It hush'd the listener's breath;
For the music spoke of triumph high,
The lonely bell, of death.

There was hurrying through the midnight:-
A sound of many feet;
But they fell with a muffled fearfulness,
Along the shadowy street;
And softer, fainter, grew their tread,
As it near'd the Minster-gate,
Whence broad and solemn light was shed
From a scene of royal state.

Full glow'd the strong red radiance
In the centre of the nave,
Where the folds of a purple canopy
Sweep down in many a wave;
Loading the marble pavement old
With a weight of gorgeous gloom;
For something lay 'midst their fretted gold,
Like a shadow of the tomb.

And within that rich pavilion
High on a glittering throne,
A woman's form sat silently,
Midst the glare of light alone.
Her Jewell'd robes fell strangely still-
The drapery on her breast
Seem'd with no pulse beneath to thrill,
So stone-like was its rest.

But a peal of lordly music
Shook e'en the dust below,
When the burning gold of the diadem
Was set on her pallid brow!
Then died away that haughty sound,
And from th' encircling band,
Stept Prince and Chief, 'midst the hush profound,
With homage to her hand.

Why pass'd a faint cold shuddering
Over each martial frame,
As one by one, to touch that hand,
Noble and leader came?
Was not the settled aspect fair?
Did not a queenly grace,
Under the parted ebon hair.
Sit on the pale still face?

Death, Death! canst
thou
be lovely
Unto the eye of Life?
Is not each pulse of the quick high breast
With thy cold mien at strife?
-It was a strange and fearful sight,
The crown upon that head,
The glorious robes and the blaze of light,
All gather'd round the Dead!

And beside her stood in silence
One with a brow as pale,
And white lips rigidly compress'd,
Lest the strong heart should fail;
King Pedro with a jealous eye
Watching the homage done
By the land's flower and chivalry
To her, his martyr'd one.

But on the face he look'd not
Which once his star had been:
To every form his glance was turn'd,
Save of the breathless queen;
Though something, won from the grare's embrace,
Of her beauty still was there,
Its hues were all of that shadowy place,
'Twas not for
him
to bear.

Alas! the crown, the sceptre,
The treasures of the earth,
And the priceless love that pour'd those gifts,
Alike of wasted worth!
The rites are closed-bear back the Dead
Unto the chamber deep,
Lay down again the royal head,
Dust with the dust to sleep.

There is music on the midnight-
A requiem sad and slow.
As the mourners through the sounding aisle
In dark procession go,
And the ring of state, and the starry crown,
And all the rich array,
Are borne to the house of silence down,
With her, that queen of clay.

And tearlessly and firmly,
King Pedro led the train-
But his face was wrapt in his folding robe,
When they lower'd the dust again.
-'Tis hush'd at last, the tomb above,
Hymns die, and steps depart:
Who call'd thee strong as Death, O Love?

Mightier
thou wert and art!

poem by Felicia Dorothea Hemans
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Fragments Pts 1, 11, 111

These broken lines for pardon crave;
I cannot end the song with art:
My grief is gray and old—her grave
Is dug so deep within my heart.

I.—Her Last Day
IT was a day of sombre heat:
The still, dense air was void of sound
And life; no wing of bird did beat
A little breeze through it—the ground
Was like live ashes to the feet.
From the black hills that loomed around
The valley many a sudden spire
Of flame shot up, and writhed, and curled,
And sank again for heaviness:
And heavy seemed to men that day
The burden of the weary world.
For evermore the sky did press
Closer upon the earth that lay
Fainting beneath, as one in dire
Dreams of the night, upon whose breast
Sits a black phantom of unrest
That holds him down. The earth and sky
Appeared unto the troubled eye
A roof of smoke, a floor of fire.

There was no water in the land.
Deep in the night of each ravine
Men, vainly searching for it, found
Dry hollows in the gaping ground,
Like sockets where clear eyes had been,
Now burnt out with a burning brand.
There was no water in the land
But the salt sea tide, that did roll
Far past the places where, till then,
The sweet streams met and flung it back;
The beds of little brooks, that stole
In spring-time down each ferny glen,
And rippled over rock and sand,
Were drier than a cattle-track.
A dull, strange languor of disease,
That ever with the heat increased,
Fell upon man, and bird, and beast;
The thin-flanked cattle gasped for breath;
The birds dropped dead from drooping trees;
And men, who drank the muddy lees
From each near-dry though deep-dug well,
Grew faint; and over all things fell
A heavy stupor, dank as Death.

Fierce Nature, glaring with a face
Of savage scorn at my despair,
Withered my heart. From cone to base
The hills were full of hollow eyes
That rayed out darkness, dead and dull;
Gray rocks grinned under ridges bare,
Like dry teeth in a mouldered skull;
And ghastly gum-tree trunks did loom
Out of black clefts and rifts of gloom,
As sheeted spectres that arise
From yawning graves at dead of night
To fill the living with affright;
And, like to witches foul that bare
Their withered arms, and bend, and cast
Dread curses on the sleeping lands
In awful legends of the past,
Red gums, with outstretched bloody hands,
Shook maledictions in the air.
Fear was around me everywhere:
The wrinkled foreheads of the rocks
Frowned on me, and methought I saw—
Deep down in dismal gulfs of awe,
Where gray death-adders have their lair,
With the fiend-bat, the flying-fox,
And dim sun-rays, down-groping far,
Pale as a dead man’s fingers are—
The grisly image of Decay,
That at the root of Life doth gnaw,
Sitting alone upon a throne
Of rotting skull and bleaching bone.

“There is an end to all our griefs:
Little the red worm of the grave
Will vex us when our days are done.”
So changed my thought: up-gazing then
On gray-piled stones that seemed the cairns
Of dead and long-forgotten chiefs—
The men of old, the poor wild men
Who, under dim lights, fought a brave,
Sad fight of Life, where hope was none,
In the vague, voiceless, far-off years—
It changed again to present pain,
And I saw Sorrow everywhere:
In blackened trees and rust-red ferns,
Blasted by bush-fires and the sun;
And by the salt-flood—salt as tears—
Where the wild apple-trees hung low,
And evermore stooped down to stare
At their drowned shadows in the wave,
Wringing their knotted hands of woe;
And the dark swamp-oaks, row on row,
Lined either bank—a sombre train
Of mourners with down-streaming hair.

II.—Sunset
THE DAY and its delights are done;
So all delights and days expire:
Down in the dim, sad West the sun
Is dying like a dying fire.

The fiercest lances of his light
Are spent; I watch him droop and die
Like a great king who falls in fight;
None dared the duel of his eye

Living, but, now his eye is dim,
The eyes of all may stare at him.

How lovely in his strength at morn
He orbed along the burning blue!
The blown gold of his flying hair
Was tangled in green-tressèd trees,
And netted in the river sand
In gleaming links of amber clear;
But all his shining locks are shorn,
His brow of its bright crown is bare,
The golden sceptre leaves his hand,
And deeper, darker, grows the hue
Of the dim purple draperies
And cloudy banners round his bier.

O beautiful, rose-hearted dawn!—
O splendid noon of gold and blue!—
Is this wan glimmer all of you?
Where are the blush and bloom ye gave
To laughing land and smiling sea?—
The swift lights that did flash and shiver
In diamond rain upon the river,
And set a star in each blue wave?
Where are the merry lights and shadows
That danced through wood and over lawn,
And flew across the dewy meadows
Like white nymphs chased by satyr lovers?
Faded and perished utterly.

All delicate and all rich colour
In flower and cloud, on lawn and lea,
On butterfly, and bird, and bee,
A little space and all are gone—
And darkness, like a raven, hovers
Above the death-bed of the day.

So, when the long, last night draws on,
And all the world grows ghastly gray,
We see our beautiful and brave
Wither, and watch with heavy sighs
The life-light dying in their eyes,
The love-light slowly fading out,
Leaving no faint hope in their place,
But only on each dear wan face
The shadow of a weary doubt,
The ashen pallor of the grave.
O gracious morn and golden noon!
With what fair dreams did ye depart—
Beloved so well and lost so soon!
I could not fold you to my breast:
I could not hide you in my heart;
I saw the watchers in the West—
Sad, shrouded shapes, with hands that wring
And phantom fingers beckoning!

III.—Years After
Fade off the ridges, rosy light,
Fade slowly from the last gray height,
And leave no gloomy cloud to grieve
The heart of this enchanted eve!

All things beneath the still sky seem
Bound by the spell of a sweet dream;
In the dusk forest, dreamingly,
Droops slowly down each plumèd head;
The river flowing softly by
Dreams of the sea; the quiet sea
Dreams of the unseen stars; and I
Am dreaming of the dreamless dead.

The river has a silken sheen,
But red rays of the sunset stain
Its pictures, from the steep shore caught,
Till shades of rock, and fern, and tree
Glow like the figures on a pane
Of some old church by twilight seen,
Or like the rich devices wrought
In mediaeval tapestry.

All lonely in a drifting boat
Through shine and shade I float and float,
Dreaming and dreaming, till I seem
Part of the picture and the dream.

There is no sound to break the spell,
No voice of bird or stir of bough;
Only the lisp of waters wreathing
In little ripples round the prow,
And a low air, like Silence breathing,
That hardly dusks the sleepy swell
Whereon I float to that strange deep
That sighs upon the shores of Sleep.

But in the silent heaven blooming
Behold the wondrous sunset flower
That blooms and fades within the hour—
The flower of fantasy, perfuming
With subtle melody of scent
The blue aisles of the firmament!
For colour, music, scent, are one;
From deeps of air to airless heights,
Lo! how he sweeps, the splendid sun,
His burning lyre of many lights!

See the clear golden lily blowing!
It shines as shone thy gentle soul,
O my most sweet, when from the goal
Of life, far-gazing, thou didst see—
While Death still feared to touch thine eyes,
Where such immortal light was glowing—
The vision of eternity,
The pearly gates of Paradise!

Now richer hues the skies illume:
The pale gold blushes into bloom,
Delicate as the flowering
Of first love in the tender spring
Of Life, when love is wizardry
That over narrow days can throw
A glamour and a glory! so
Did thine, my Beautiful, for me
So long ago; so long ago.

So long ago! so long ago!
Ah, who can Love and Grief estrange?
Or Memory and Sorrow part?
Lo, in the West another change—
A deeper glow: a rose of fire:
A rose of passionate desire
Lone burning in a lonely heart.

A lonely heart; a lonely flood.
The wave that glassed her gleaming head
And smiling passed, it does not know
That gleaming head lies dark and low;
The myrtle-tree that bends above,
I pray that it may early bud,
For under its green boughs sat we—
We twain, we only, hand in hand,
When Love was lord of all the land—
It does not know that she is dead
And all is over now with Love,
Is over now with Love and me.

Once more, once more, O shining years
Gone by; once more, O vanished days
Whose hours flew by on iris-wings,
Come back and bring my love to me!
My voice faints down the wooded ways
And dies along the darkling flood.
The past is past; I cry in vain,
For when did Death an answer deign
To Love’s heart-broken questionings?
The dead are deaf; dust chokes their ears;
Only the rolling river hears
Far off the calling of the sea—
A shiver strikes through all my blood,
Mine eyes are full of sudden tears.

. . . . .
The shadows gather over all,
The valley, and the mountains old;
Shadow on shadow fast they fall
On glooming green and waning gold;
And on my heart they gather drear,
Damp as with grave-damps, dark with fear.

O Sorrow, Sorrow, couldst thou leave me
Not one brief hour to dream alone?
Hast thou not all my days to grieve me?
My nights, are they not all thine own?
Thou hauntest me at morning light,
Thou blackenest the white moonbeams;
A hollow voice at noon; at night
A crowned ghost, sitting on a throne,
Ruling the kingdom of my dreams.

Maker of men, Thou gavest breath,
Thou gavest love to all that live,
Thou rendest loves and lives apart;
Allwise art Thou; who questioneth
Thy will, or who can read Thy heart?
But couldst Thou not in mercy give
A sign to us—one little spark
Of sure hope that the end of all
Is not concealed beneath the pall,
Or wound up with the winding-sheet?
Who heedeth aught the preacher saith
When eyes wax dim, and limbs grow stark,
And fear sits on the darkened bed?
The dying man turns to the wall.
What hope have we above our dead?—
Tense fingers clutching at the dark,
And hopeless hands that vainly beat
Against the iron doors of Death!

poem by Victor James Daley
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Lover's Gifts XIII: Last Night in the Garden

Last night in the garden I offered you my youth's foaming wine. You
lifted the cup to your lips, you shut your eyes and smiled while
I raised your veil, unbound your tresses, drawing down upon my
breast your face sweet with its silence, last night when the moon's
dream overflowed the world of slumber.
To-day in the dew-cooled calm of the dawn you are walking to
God's temple, bathed and robed in white, with a basketful of
flowers in your hand. I stand aside in the shade under the tree,
with my head bent, in the calm of the dawn by the lonely road to
the temple.

poem by Rabindranath Tagore
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Venetian Night

Her eyes in the darkness shone, in the twilight shed
By the gondola bent like the darkness over her head.
Softly the gondola rocked, lights came and went;
A white glove shone as her black fan lifted and leant
Where the silk of her dress, the blue of a bittern's wing,
Rustled against my knee, and, murmuring
The sweet slow hesitant English of a child,
Her voice was articulate laughter, her soul smiled.
Softly the gondola rocked, lights came and went;
From the sleeping houses a shadow of slumber leant
Over our heads like a wing, and the dim lagoon,
Rustling with silence, slumbered under the moon.
Softly the gondola rocked, and a pale light came
Over the waters, mild as a silver flame;
She lay back, thrilling with smiles, in the twilight shed
By the gondola bend like the darkness over her head;
I saw her eyes shine subtly, then close awhile:
I remember her silence, and, in the night, her smile.

poem by Arthur Symons
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Morning Song Of Senlin

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.
Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.
It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!—
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea. . .
And a sun far off in a shell of silence
Dapples my walls for me. . .
It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.
Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.
It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.
There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains. . .
It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor. . .
. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know. . .
Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

poem by Conrad Potter Aiken
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Names Upon a Stone: (Inscribed to G. L. Fagan, Esq.)

ACROSS bleak widths of broken sea
A fierce north-easter breaks,
And makes a thunder on the lea—
A whiteness of the lakes.
Here, while beyond the rainy stream
The wild winds sobbing blow,
I see the river of my dream
Four wasted years ago.

Narrara of the waterfalls,
The darling of the hills,
Whose home is under mountain walls
By many-luted rills!
Her bright green nooks and channels cool
I never more may see;
But, ah! the Past was beautiful—
The sights that used to be.

There was a rock-pool in a glen
Beyond Narrara’s sands;
The mountains shut it in from men
In flowerful fairy lands;
But once we found its dwelling-place—
The lovely and the lone—
And, in a dream, I stooped to trace
Our names upon a stone.

Above us, where the star-like moss
Shone on the wet, green wall
That spanned the straitened stream across,
We saw the waterfall—
A silver singer far away,
By folded hills and hoar;
Its voice is in the woods to-day—
A voice I hear no more.

I wonder if the leaves that screen
The rock-pool of the past
Are yet as soft and cool and green
As when we saw them last!
I wonder if that tender thing,
The moss, has overgrown
The letters by the limpid spring—
Our names upon the stone!

Across the face of scenes we know
There may have come a change—
The places seen four years ago
Perhaps would now look strange.
To you, indeed, they cannot be
What haply once they were:
A friend beloved by you and me
No more will greet us there.

Because I know the filial grief
That shrinks beneath the touch—
The noble love whose words are brief—
I will not say too much;
But often when the night-winds strike
Across the sighing rills,
I think of him whose life was like
The rock-pool’s in the hills.

A beauty like the light of song
Is in my dreams, that show
The grand old man who lived so long
As spotless as the snow.
A fitting garland for the dead
I cannot compass yet;
But many things he did and said
I never will forget.

In dells where once we used to rove
The slow, sad water grieves;
And ever comes from glimmering grove
The liturgy of leaves.
But time and toil have marked my face,
My heart has older grown
Since, in the woods, I stooped to trace
Our names upon the stone.

poem by Henry Kendall
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Communion (Dance of the Lovers)

if you can hear me
before i speak, and
know what i'm saying
even before my heart knows...
if you can touch me
across the miles,
leaving no doubt
that it was you...
if you can smell me
in the wind... and your
lips quiver, your heart races...
if you can taste me
in the rain... and your body
burns with a holy fire...
if you can miss me
amid the lights and
the hustle and bustle
till your soul moans
with darkness....

i can hear you
before you speak...
i can touch you
across the miles...
i can smell you
in the wind...
i can taste you
in the rain...
i can miss you
amid the lights...

neither kings nor kingdoms,
beasts of the night,
nor fogs of illusion...
nor the death chimes
of time can keep
us apart....

i live in you,
you drink deeply in me...
we are one flame
that lights up the
entire night sky...

wave upon wave...
lapping at the shore!

poem by Eric Cockrell
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The Red Mist

SHE thinks aloud as she sits alone,
And the magpies call in the evening grey —
Oh, sorrow to her with the heart of stone
Who stole my lover away, away!
There is no peace in the light of the moon,
And little enough in the shine of the sun;
And it's grieving and grieving that darkens the noon,
And troubles me sore till the salt tears run.
There's Joyce with the red cheeks says to me,
Herself as gay as a crowned young queen:
'It's pale you are, and it's sick, maybe;
And what is it ails your heart, Noreen?'
At that I say, with a laugh in my voice
(For grief is an ill, dark thing to show):
'It's you with your tricks and your capers, Joyce,
And the imp in your eyes that makes me so.'
There's one and another from near and far
Who come with their kind, sweet neighbour-speech;
'It's sick you look, and it's pale you are;
And what have you done with your bloom of the peach?'
I sit and listen, but may not tell;
As an actor plays, I play my part;
It's little they'd care (as my heart knows well),
If they but knew the hurt of my heart.
And even Joyce, who is kind as kind,
Would make a jest of my pain, perchance;
For a feather afloat on an idle wind
Means more to the world than a spoiled romance.
If I were a man I would do so much —
Be brave, make light of my weight of care,
Bring ease to my mind with a master-touch,
And find fit food for my heart elsewhere.
Yet soft and shy as a cooing dove
(For that he thought me, and thinks me yet)
I cannot rest for remembering love,
Nor dream of a time when I may forget.
I think of his kisses that warmed like wine
When the low night-winds in the pine trees played,
And the lilies, white in the white moonshine,
A startling light in the garden made.
I think of his voice in those honeyed hours,
And wonder if words are flowers sometimes,
All scent and colour — are chiming flowers
That thrill the blood with their magic chimes
And then, the thought of the Other comes,
Her wiles and wonder and luring lies,
And the blood in my ears is a throb of drums,
And a red mist glimmers before my eyes.
And I go to the place where the thing lies hid,
And its blade takes fire at my burning touch;
And I say to myself: 'If the world were rid
Of three lives more, would it matter much?
'Would it matter much in the big world's sight
If the sorry farce to the end were played.
And three ghosts trod through the Outer Night —
The Loved, the Lover, the Love Betrayed?
'If one that suffers and two that sing
Were made cold clay, were it well or ill?'
And I grasp the haft of the jewelled thing,
And stand in the lamplight pale and still.
And then I shudder, and sob and sink,
And lie, eyes hid, with the light turned low,
Like one who stands on an awful brink,
Wild-eyed, and trembling, and breathing slow;
And then comes Joyce with her joyous cries:
'Come out in the night, come dance with me!'
And I smooth my hair and I soothe my eyes —
But I know what the end of it all shall be.

poem by Roderic Quinn
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Between The Rapids

The point is turned; the twilight shadow fills
The wheeling stream, the soft receding shore,
And on our ears from deep among the hills
Breaks now the rapid's sudden quickening roar.
Ah yet the same, or have they changed their face,
The fair green fields, and can it still be seen,
The white log cottage near the mountain's base,
So bright and quiet, so home-like and serene?
Ah, well I question, for as five years go,
How many blessings fall, and how much woe.

Aye there they are, nor have they changed their cheer,
The fields, the hut, the leafy mountain brows;
Across the lonely dusk again I hear
The loitering bells, the lowing of the cows,
The bleat of many sheep, the stilly rush
Of the low whispering river, and through all,
Soft human tongues that break the deepening hush
With faint-heard song or desultory call:
Oh comrades hold; the longest reach is past;
The stream runs swift, and we are flying fast.

The shore, the fields, the cottage just the same,
But how with them whose memory makes them sweet?
Oh if I called them, hailing name by name,
Would the same lifts the same old shouts repeat?
Have the rough years, so big with death and ill,
Gone lightly by and left them smiling yet?
Wild black-eyed Jeanne whose tongue was never still,
Old wrinkled Picaud, Pierre and pale Lisette,
The homely hearts that never cared to range,
While life's wide fields were filled with rush and change.

And where is Jacques, and where is Verginie?
I cannot tell; the fields are all a blur.
The lowing cows whose shapes I scarcely see,
Oh do they wait and do they call for her?
And is she changed, or is her heart still clear
As wind or morning, light as river foam?
Or have life's changes borne her far from here,
And far from rest, and far from help and home?
Ah comrades, soft, and let us rest awhile,
For arms grow tired with paddling many a mile.

The woods grow wild, and from the rising shore
The cool wind creeps, the faint wood odours steal;
Like ghosts down the rivers blackening floor
The misty fumes begin to creep and reel.
Once more I leave you, wandering toward the night,
Sweet home, sweet heart, that would have held me in;
Whither I go I know not, and the light
Is faint before, and rest is hard to win.
Ah sweet ye were and near to heaven's gate;
But youth is blind and wisdom comes too late.

Blacker and loftier grow the woods, and hark!
The freshening roar! The chute is near us now,
And dim the canyon grows, and inky dark
The water whispering from the birchen prow.
One long last look, and many a sad adieu,
While eyes can see and heart can feel you yet,
I leave sweet home and sweeter hearts to you,
A prayer for Picaud, one for pale Lisette,
A kiss for Pierre, my little Jacques, and thee,
A sigh for Jeanne, a sob for Verginie.

Oh, does she still remember? Is the dream
Now dead, or has she found another mate?
So near, so dear; and ah, so swift the stream;
Even now perhaps it were not yet too late.
But oh, what matter; for before the night
Has reached its middle, we have far to go:
Bend to your paddles, comrades; see, the light
Ebbs off apace; we must not linger so.
Aye thus it is! Heaven gleams and then is gone
Once, twice, it smiles, and still we wander on.

poem by Archibald Lampman
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Song

WE sail toward evening’s lonely star
That trembles in the tender blue;
One single cloud, a dusky bar,
Burnt with dull carmine through and through,
Slow smouldering in the summer sky,
Lies low along the fading west.
How sweet to watch its splendors die,
Wave-cradled thus and wind-caressed!

The soft breeze freshens, leaps the spray
To kiss our cheeks, with sudden cheer;
Upon the dark edge of the bay
Lighthouses kindle, far and near,
And through the warm deeps of the sky
Steal faint star-clusters, while we rest
In deep refreshment, thou and I,
Wave-cradled thus and wind-caressed.

How like a dream are earth and heaven,
Star-beam and darkness, sky and sea;
Thy face, pale in the shadowy even,
Thy quiet eyes that gaze on me!
O realize the moment’s charm,
Thou dearest! we are at life’s best,
Folded in God’s encircling arm,
Wave-cradled thus and wind-caressed.

poem by Celia Thaxter
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My Heart's Treasure

Love swells like the ocean,
But it ebbs like its tide;
With a smile on her lips i look forward,
Like Romeo and Juliet.
One touch to her hand and,
One word in her ear;
So faithful in love to swing her muse.
Oh my heart's treasure!
You are all that i have;
Like the fair breeze that blows around.
Oh my heart's treasure!
Of a river steep and wide;
Day after day,
Night after night,
Into the silent sea of love.
The fair breeze blew,
The white foam of love flew,
Like something sweet from my lover's breasts.
You are my beloved from Pole to Pole,
You are my beloved from North to South,
You are my beloved from East to West,
From the very deep blue sea to play;
Like a soft floating witchery of sound.
Of one word in her ear,
Lovely dropping like flowers;
Of the animated nature of sweet love to share,
Like diamonds which are forever! !
Half closed eyelids,
The frost of the midnight spells our names;
So save that which was on your side.
Of the thin blue flames,
Inaudible as dreams;
She's my heart honoured maid,
Like the bubbles that glitter.
To the extreme silentness of her love,
Like a toy of thoughts gone by;
At school she was first but, at love she was last.
Of my sweet birth place with unclosed lids,
But this love is with wild pleasure!
With articulated sounds of things to come.
Sweetly is this love like,
The poor man's only music;
In this dep calm,
In this love so sweet,
Like the golden exhalations of the dawn.

poem by Edward Kofi Louis
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The Dole Of Jarl Thorkell

THE land was pale with famine
And racked with fever-pain;
The frozen fiords were fishless,
The earth withheld her grain.

Men saw the boding Fylgja
Before them come and go,
And, through their dreams, the Urdarmoon
From west to east sailed slow.

Jarl Thorkell of Thevera
At Yule-time made his vow;
On Rykdal's holy Doom-stone
He slew to Frey his cow.

To bounteous Frey he slew her;
To Skuld, the younger Norn,
Who watches over birth and death,
He gave her calf unborn.

And his little gold-haired daughter
Took up the sprinkling-rod,
And smeared with blood the temple
And the wide lips of the god.

Hoarse below, the winter water
Ground its ice-blocks o'er and o'er;
Jets of foam, like ghosts of dead waves,
Rose and fell along the shore.

The red torch of the Jokul,
Aloft in icy space,
Shone down on the bloody Horg-stones
And the statue's carven face.

And closer round and grimmer
Beneath its baleful light
The Jotun shapes of mountains
Came crowding through the night.

The gray-haired Hersir trembled
As a flame by wind is blown;
A weird power moved his white lips,
And their voice was not his own.

'The AEsir thirst!' he muttered;
'The gods must have more blood
Before the tun shall blossom
Or fish shall fill the flood.

'The AEsir thirst and hunger,
And hence our blight and ban;
The mouths of the strong gods water
For the flesh and blood of man!

'Whom shall we give the strong ones?
Not warriors, sword on thigh;
But let the nursling infant
And bedrid old man die.'

'So be it!' cried the young men,
'There needs nor doubt nor parle.'
But, knitting hard his red brows,
In silence stood the Jarl.

A sound of woman's weeping
At the temple door was heard,
But the old men bowed their white heads,
And answered not a word.

Then the Dream-wife of Thingvalla,
A Vala young and fair,
Sang softly, stirring with her breath
The veil of her loose hair.

She sang: 'The winds from Alfheim
Bring never sound of strife;
The gifts for Frey the meetest
Are not of death, but life.

'He loves the grass-green meadows,
The grazing kine's sweet breath;
He loathes your bloody Horg-stones,
Your gifts that smell of death.

'No wrong by wrong is righted,
No pain is cured by pain;
The blood that smokes from Doom-rings
Falls back in redder rain.

'The gods are what you make them,
As earth shall Asgard prove;
And hate will come of hating,
And love will come of love.

'Make dole of skyr and black bread
That old and young may live;
And look to Frey for favor
When first like Frey you give.

'Even now o'er Njord's sea-meadows
The summer dawn begins
The tun shall have its harvest,
The fiord its glancing fins.'

Then up and swore Jarl Thorkell
'By Gimli and by Hel,
O Vala of Thingvalla,
Thou singest wise and well!

'Too dear the AEsir's favors
Bought with our children's lives;
Better die than shame in living
Our mothers and our wives.

'The full shall give his portion
To him who hath most need;
Of curdled skyr and black bread,
Be daily dole decreed.'

He broke from off his neck-chain
Three links of beaten gold;
And each man, at his bidding,
Brought gifts for young and old.

Then mothers nursed their children,
And daughters fed their sires,
And Health sat down with Plenty
Before the next Yule fires.

The Horg-stones stand in Rykdal;
The Doom-ring still remains;
But the snows of a thousand winters
Have washed away the stains.

Christ ruleth now; the Asir
Have found their twilight dim;
And, wiser than she dreamed, of old
The Vala sang of Him

poem by John Greenleaf Whittier
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The Sea of Death

——Methought I saw
Life swiftly treading over endless space;
And, at her foot-print, but a bygone pace,
The ocean-past, which, with increasing wave,
Swallow'd her steps like a pursuing grave.
Sad were my thoughts that anchor'd silently
On the dead waters of that passionless sea,
Unstirr'd by any touch of living breath:
Silence hung over it, and drowsy Death,
Like a gorged sea-bird, slept with folded wings
On crowded carcases—sad passive things
That wore the thin gray surface, like a veil
Over the calmness of their features pale.
And there were spring-faced cherubs that did sleep
Like water-lilies on that motionless deep,
How beautiful! with bright unruffled hair
On sleek unfretted brows, and eyes that were
Buried in marble tombs, a pale eclipse!
And smile-bedimpled cheeks, and pleasant lips,
Meekly apart, as if the soul intense
Spake out in dreams of its own innocence:
And so they lay in loveliness, and kept
The birth-night of their peace, that Life e'en wept
With very envy of their happy fronts;
For there were neighbor brows scarr'd by the brunts
Of strife and sorrowing—where Care had set
His crooked autograph, and marr'd the jet
Of glassy locks, with hollow eyes forlorn,
And lips that curl'd in bitterness and scorn—
Wretched,—as they had breathed of this world's pain,
And so bequeathed it to the world again,
Through the beholder's heart in heavy sighs.
So lay they garmented in torpid light,
Under the pall of a transparent night,
Like solemn apparitions lull'd sublime
To everlasting rest,—and with them Time
Slept, as he sleeps upon the silent face
Of a dark dial in a sunless place.

poem by Thomas Hood
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