En.Citatepedia^®.ro

End of A Day

In the long evening of April through the cool light
Bayle's two sheep dogs sail down the lane like magpies
for the flock a moment before he appears near the oaks
a stub of a man rolling as he approaches
smiling and smiling and his dogs are afraid of him
we stand among the radiant stones looking out over
green lucent wheat and earth combed red under bare walnut limbs
bees hanging late in cowslips and lingering bird cherry
stumps and brush that were the grove of hazel trees
where the land turns above the draped slopes and the valley
filled with its one sunbeam and we exchange a few questions
as though nothing were different but he has bulldozed the upland
pastures and the shepherds' huts into piles of rubble
and has his sheep fenced in everyone's meadows now
the smell of box and damp leaves drifts from the woods where a blackbird
is warning of nightfall Bayle has plans to demolish
the ancient walls of the lane and level it wide
so that trucks can go all the way down to where the lambs
with perhaps two weeks to live are waiting for him at the wire
he hurries toward them while the sun sinks and the hour
turns chill as iron and in the oaks the first nightingales
of the year kindle their unapproachable voices

poem by William Stanley Merwin
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Sheep and Lambs

All in the April evening,
April airs were abroad;
The sheep with their little lambs
Passed me by on the road.

The sheep with their little lambs
Passed me by on the road;
All in the April evening
I thought on the Lamb of God.

The lambs were weary and crying
With a weak, human cry.
I thought on the Lamb of God
Going meekly to die.

Up in the blue, blue mountains
Dewy pastures are sweet;
Rest for the little bodies,
Rest for the little feet.

But for the Lamb of God,
Up on the hill-top green,
Only a Cross of shame
Two stark crosses between.

All in the April evening,
April airs were abroad;
I saw the sheep with their lambs,
And thought on the Lamb of God.

poem by Katharine Tynan
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At the Wars

Now that I am ta'en away
And may not see another day
What is it to my eye appears?
What sound rings in my stricken ears?
Not even the voice of any friend
Or eyes beloved-world-without-end,
But scenes and sounds of the country-side
In far England across the tide:
An upland field when spring's begun,
Mellow beneath the evening sun….
A circle of loose and lichened wall
Over which seven red pines fall….
An orchard of wizen blossoming trees
Wherein the nesting chaffinches
Begin again the self-same song
All the late April day-time long….
Paths that lead a shelving course
Between the chalk scarp and the gorse
By English downs; and oh! too well
I hear the hidden, clanking bell
Of wandering sheep…. I see the brown
Twilight of the huge, empty down
Soon blotted out! for now a lane
Glitters with warmth of May-time rain.
And on a shooting briar I see
A yellow bird who sings to me.

O yellow-hammer, once I heard
Thy yaffle when no other bird
Could to my sunk heart comfort bring;
But now I could not have thee sing
So sharp thy note is with the pain
Of England I may not see again!
Yet sing thy song: there answereth
Deep in me a voice which saith:

'The gorse upon the twilit down,
The English loam so sunset brown,
The bowed pines and the sheep-bells' clamour,
The wet, lit lane and the yellow-hammer,
The orchard and the chaffinch song
Only to the Brave belong.
And he shall lose their joy for aye
If their price he cannot pay.
Who shall find them dearer far
Enriched by blood alter long war.
'

poem by Robert Nichols
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Sonnet: God's Warning to Shepherds!

‘My sheep lie scattered and not tended well.
I'll find new shepherds who will do this job;
To ones who failed their duty, ‘twill be hell;
From me, my sheep, no one can ever rob! '

‘Disaster to shepherds who don't take care
Of my loved sheep, who leave my pastures green;
I'll get new shepherds, fearless and will dare,
Preventing sheep, from getting lost from scene! '

‘In prophets, priests, now Godlessness prevails;
They do not preach to people what's God-say;
They tell own versions and their made-up tales,
Deluding people, leading sheep astray! '

‘So, prophesy what comes from Yahweh's mouth.'
The Lord declares, ‘Just speak the Gospel's truth! '

poem by John Celes
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To Jośe Marίa Palacio

Palacio, good friend,
is spring there
showing itself on branches of black poplars
by the roads and river? On the steeps
of the high Duero, spring is late,
but so soft and lovely when it comes!
Are there a few new leaves
on the old elms?
The acacias must still be bare,
and the mountain peaks snow-filled.
Oh the massed pinks and whites
of Moncayo, massed up there,
beauty, in the sky of Aragon!
Are there brambles flowering,
among the grey stones,
and white daisies,
in the thin grass?

On the belltowers
the storks will be landing now.
The wheat must be green
and the brown mules working sown furrows,
the people seeding late crops,
in April rain. There’ll be bees,
drunk on rosemary and thyme.
Are the plum trees in flower? Violets still?
There must be hunters about, stealthy,
their decoys under long capes.
Palacio, good friend,
are there nightingales by the river?
When the first lilies,
and the first roses, open,
on a blue evening, climb to Espino,
high Espino, where she is in the earth.

poem by Antonio Machado
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The Shepherd

The shepherd goads his sheep by staff,
And leads them on to pastures green,
Instructing them to watch for wolves
That come in sheep-skin, in their midst!

The shepherd knows each sheep by name,
And calls them sweetly when they stray,
Or when they near the ledge atop
A valley deep or hill-side steep!

The sheep too know their shepherd's call,
And graze on meadows, keeping near;
They know he is their protector,
And will save them at any cost!

How safe it is when shepherd's near!
No sheep can ever lose its way;
The shepherd takes care of the flock,
But cannot bear to see one, lost!

Dedicated to Rev. Fr. Xavier Claudius, Parish Priest,
Holy Family Church, Perundurai, by his beloved parishioners
Copyright by Dr John Celes 31-05-2012

poem by John Celes
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The Sheep In The Ruins

for Learned and Augustus Hand

You, my friends, and you strangers, all of you,
Stand with me a little by the walls
Or where the walls once were.
The bridge was here, the city further:
Now there is neither bridge nor town—
A doorway where the roof is down
Opens on a foot-worn stair
That climbs by three steps into empty air.
(What foot went there?)
Nothing in this town that had a thousand steeples
Lives now but these flocks of sheep
Grazing the yellow grasses where the bricks lie dead beneath:
Dogs drive them with their brutal teeth.

Can none but sheep live where the walls go under?
Is man’s day over and the sheep’s begun?
And shall we sit here like the mourners on a dunghill
Shrilling with melodious tongue—
Disfiguring our faces with the nails of our despair?
(What dust is this we sift upon our hair?)
Because a world is taken from us as the camels from the man of Uz
Shall we sit weeping for the world that was
And curse God and so perish?
Shall monuments be grass and sheep inherit them?
Shall dogs rule in the rubble of the arches?

Consider, Oh consider what we are!
Consider what it is to be a man—
He who makes his journey by the glimmer of a candle;
Who discovers in his mouth, between his teeth, a word;
Whose heart can bear the silence of the stars— that burden;
Who comes upon his meaning in the blindness of a stone—
A girl’s shoulder, perfectly harmonious!

Even the talk of it would take us days together.
Marvels men have made, Oh marvels!—and our breath
Brief as it is: our death waiting—
Marvels upon marvels! Works of state—
The imagination of the shape of order!
Works of beauty—the cedar door
Perfectly fitted to the sill of basalt!
Works of grace—
The ceremony at the entering of houses,
At the entering of lives: the bride among the torches in the shrill carouse!

Works of soul—
Pilgrimages through the desert to the sacred boulder:
Through the mid night to the stroke of one!
Works of grace! Works of wonder!
All this have we done and more—
And seen—what have we not seen?—

A man beneath the sunlight in his meaning:
A man, one man, a man alone.

In the sinks of the earth that wanderer has gone down.
The shadow of his mind is on the mountains.
The word he has said is kept in the place beyond
As the seed is kept and the earth ponders it.
Stones—even the stones remember him:
Even the leaves—his image is in them.
And now because the city is a ruin in the waste of air
We sit here and despair!
Because the sheep graze in the dying grove
Our day is over!
We must end
Because the talk around the table in the dusk has ended,
Because the fingers of the goddesses are found
Like marble pebbles in the gravelly ground
And nothing answers but the jackal in the desert,—
Because the cloud proposes, the wind says!

Because the sheep are pastured where the staring statues lie
We sit upon the sand in silence
Watching the sun go and the shadows change!

Listen, my friends, and you, all of you, strangers,
Listen, the work of man, the work of splendor
Never has been ended or will end.
Even where the sheep defile the ruined stair
And dogs are masters—even there
One man’s finger in the dust shall trace the circle.

Even among the ruins shall begin the work,
Large in the level morning of the light
And beautiful with cisterns where the water whitens,
Rippling upon the lip of stone, and spills
By cedar sluices into pools, and the young builders
String their plumb lines, and the well-laid course
Blanches its mortar in the sun, and all the morning
Smells of wood-smoke, rope-tar, horse-sweat, pitch-pine,
Men and the trampled mint leaves in the ditch.

One man in the sun alone
Walks between the silence and the stone:
The city rises from his flesh, his bone.

poem by Archibald MacLeish
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Winter Rain

Every valley drinks,
Every dell and hollow;
Where the kind rain sinks and sinks,
Green of Spring will follow.

Yet a lapse of weeks
Buds will burst their edges,
Strip their wool-coats, glue-coats, streaks,
In the woods and hedges;

Weave a bower of love
For birds to meet each other,
Weave a canopy above
Nest and egg and mother.

But for fattening rain
We should have no flowers,
Never a bud or leaf again
But for soaking showers;

Never a mated bird
In the rocking tree-tops,
Never indeed a flock or herd
To graze upon the lea-crops.

Lambs so woolly white,
Sheep the sun-bright leas on,
They could have no grass to bite
But for rain in season.

We should find no moss
In the shadiest places,
Find no waving meadow grass
Pied with broad-eyed daisies:

But miles of barren sand,
With never a son or daughter,
Not a lily on the land,
Or lily on the water.

poem by Christina Georgina Rossetti
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Sheep

Sometimes I get so angry with the simple life they lead
The shepherds smile seems to confirm my fears
Theyve never questioned anything, theyve never disagreed
Sometimes I think they must have wool in their ears
And when you see a can I see a crook
And when you see a crowd I see a flock
Its sheep were up against
Sheep were up against
When I was young they used to get me counting sheep
But the counting I did was all in vain
No when Im tired and Im trying to get to sleep
I count humans jumping onto trains
And when you see a can I see a crook
And when you see a crowd I see a flock
Its sheep were up against
Sheep were up against
[influential guitar break]
And when you see a can I see a crook
And when you see a crowd I see a flock
Its sheep were up against
Sheep were up against

song performed by by Housemartins
Submitted by Lucian Velea
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Summer Is Over

(tom springfield / clive westlake)
The night runs away with the day
The grass that was green is now hay
The world goes around without even a sound
And it looks like the summer is over
The rains tumble down in the sky
Young swallows have learned how to fly
The leaves that were green are no longer so green
And it looks like the summer is over
The sun and the moon take turns in the sky
The days drift on by too soon
The meadows are kissed by a cool autumn mist
Far away now is june
The birds fly away to the sun
The leaves touch the ground one by one
The breeze hurries by without even goodbye
And it looks like the summer is over
The sun and the moon take turns in the sky
The days drift on by too soon
The meadows are kissed by a cool autumn mist
Far away now is june
The birds fly away to the sun
The leaves touch the ground one by one
The breeze hurries by without even goodbye
And it looks like the summer is over
And it looks like the summer is over

song performed by by Dusty Springfield
Submitted by Lucian Velea
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On The Downs

THE little moon is dead,
Drowned in the flood of rain
That drips from roof of byre and shed,
And splashes in the lane:
The leafless lean-flanked lane where last year's leaves are spread.

The sheep cower in the fold,
Where the rain beats them blind,
Where scarce the rotten hurdles hold
Against the weary wind
That moans with angry tears across the pathless wold.

Dim lights across the down
Show where the lone farms lie,
The twisted trees have lost their brown,
Are black against the sky,
And far below blink lights, gay lights of Brighton town.

Ah, was the moon once bright?
And did the thyme smell sweet
Where, between dewy dusk and light,
The warm turf felt our feet,
And bean-flowers scented all the enchanted summer night?

Did sheep-bells tinkle clear
Across the golden haze?
Were the woods ever leafy-dear,
In those forgotten days?
The wet wind shrieks denial: no other voice speaks here.

poem by Edith Nesbit
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Recovering Amid The Farms

Every morning the sad girl brings her three sheep
and two lambs laggardly to the top of the valley,
past my stone hut and onto the mountain to graze.
She turned twelve last year and it was legal
for the father to take her out of school. She knows
her life is over. The sadness makes her fine,
makes me happy. Her old red sweater makes
the whole valley ring, makes my solitude gleam.
I watch from hiding for her sake. Knowing I am
there is hard on her, but it is the focus of her days.
She always looks down or looks away as she passes
in the evening. Except sometimes when, just before
going out of sight behind the distant canebrake,
she looks quickly back. It is too far for me to see,
but there is a moment of white if she turns her face.

Anonymous submission.

poem by Jack Gilbert
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A Brueghel Winter

Winter winds are biting,
Etching the woods in shadows.

The paw prints of hunting dogs
Are black stars in the snow

Beyond the icy poles of denuded trees
Even the hawks have frozen
Hanging, still, in the bleak chill of day.

The hill is a perilous stair
Here and there, in isolated pools
Fish blink up through glassy windows of water
The year turns on its axis
Underground, numb snowdrops shiver and wait.

poem by Sheena Blackhall
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People In The Valley

Written by dewey bunnell, 1975
Found on hearts.
Some came down to hang out by the river
Others were waiting to find the night
We stood long just waiting for the picture
Looking at people to see what was right
Soon came the people
From over in the valley
Hundreds of them walking
Towards us in the rain
Then we turned around
And hid out in the alley
Met along the stones
Down tomorrow day lane
Take away the road and no one will remember
How many journeys we hedged in the stone
Friends around will take away the wonder
Sharing a moment of being alone
Soon came the people
From over in the valley
Hundreds of them walking
Towards us in the rain
And we turned around
And hid out in the alley
Met along the stones
Down tomorrow day lane
Ba ba ba ba ba ba ...
Ba da da da da da ba, ba da da da da da ba ba ba ...

song performed by by America
Submitted by Lucian Velea
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The Perch

There is a fork in a branch
of an ancient, enormous maple,
one of a grove of such trees,
where I climb sometimes and sit and look out
over miles of valleys and low hills.
Today on skis I took a friend
to show her the trees. We set out
down the road, turned in at
the lane which a few weeks ago,
when the trees were almost empty
and the November snows had not yet come,
lay thickly covered in bright red
and yellow leaves, crossed the swamp,
passed the cellar hole holding
the remains of the 1850s farmhouse
that had slid down into it by stages
in the thirties and forties, followed
the overgrown logging road
and came to the trees. I climbed up
to the perch, and this time looked
not into the distance but at
the tree itself, its trunk
contorted by the terrible struggle
of that time when it had its hard time.
After the trauma it grows less solid.
It may be some such time now comes upon me.
It would have to do with the unaccomplished,
and with the attempted marriage
of solitude and happiness. Then a rifle
sounded, several times, quite loud,
from across the valley, percussions
of the custom of male mastery
over the earth -- the most graceful,
most alert of the animals
being chosen to die. I looked
to see if my friend had heard,
but she was stepping about on her skis,
studying the trees, smiling to herself,
her lips still filled, for all
we had drained them, with hundreds
and thousands of kisses. Just then
she looked up -- the way, from low
to high, the god blesses -- and the blue
of her eyes shone out of the black
and white of bark and snow, as lovers
who are walking on a freezing day
touch icy cheek to icy cheek,
kiss, then shudder to discover
the heat waiting inside their mouths.

poem by Galway Kinnell
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An Indian at the Burial-Place of his Fathers.

It is the spot I came to seek,--
My fathers' ancient burial-place
Ere from these vales, ashamed and weak,
Withdrew our wasted race.
It is the spot--I know it well--
Of which our old traditions tell.

For here the upland bank sends out
A ridge toward the river-side;
I know the shaggy hills about,
The meadows smooth and wide,--
The plains, that, toward the southern sky,
Fenced east and west by mountains lie.

A white man, gazing on the scene,
Would say a lovely spot was here,
And praise the lawns, so fresh and green,
Between the hills so sheer.
I like it not--I would the plain
Lay in its tall old groves again.

The sheep are on the slopes around,
The cattle in the meadows feed,
And labourers turn the crumbling ground,
Or drop the yellow seed,
And prancing steeds, in trappings gay,
Whirl the bright chariot o'er the way.

Methinks it were a nobler sight
To see these vales in woods arrayed,
Their summits in the golden light,
Their trunks in grateful shade,
And herds of deer, that bounding go
O'er hills and prostrate trees below.

And then to mark the lord of all,
The forest hero, trained to wars,
Quivered and plumed, and lithe and tall,
And seamed with glorious scars,
Walk forth, amid his reign, to dare
The wolf, and grapple with the bear.

This bank, in which the dead were laid,
Was sacred when its soil was ours;
Hither the artless Indian maid
Brought wreaths of beads and flowers,
And the gray chief and gifted seer
Worshipped the god of thunders here.

But now the wheat is green and high
On clods that hid the warrior's breast,
And scattered in the furrows lie
The weapons of his rest;
And there, in the loose sand, is thrown
Of his large arm the mouldering bone.

Ah, little thought the strong and brave
Who bore their lifeless chieftain forth--
Or the young wife, that weeping gave
Her first-born to the earth,
That the pale race, who waste us now,
Among their bones should guide the plough.

They waste us--ay--like April snow
In the warm noon, we shrink away;
And fast they follow, as we go
Towards the setting day,--
Till they shall fill the land, and we
Are driven into the western sea.

But I behold a fearful sign,
To which the white men's eyes are blind;
Their race may vanish hence, like mine,
And leave no trace behind,
Save ruins o'er the region spread,
And the white stones above the dead.

Before these fields were shorn and tilled,
Full to the brim our rivers flowed;
The melody of waters filled
The fresh and boundless wood;
And torrents dashed and rivulets played,
And fountains spouted in the shade.

Those grateful sounds are heard no more,
The springs are silent in the sun;
The rivers, by the blackened shore,
With lessening current run;
The realm our tribes are crushed to get
May be a barren desert yet.

poem by William Cullen Bryant
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Badger

The badger grunting on his woodland track
With shaggy hide and sharp nose scrowed with black
Roots in the bushes and the woods, and makes
A great high burrow in the ferns and brakes.
With nose on ground he runs an awkward pace,
And anything will beat him in the race.
The shepherd's dog will run him to his den
Followed and hooted by the dogs and men.
The woodman when the hunting comes about
Goes round at night to stop the foxes out
And hurrying through the bushes to the chin
Breaks the old holes, and tumbles headlong in.
When midnight comes a host of dogs and men
Go out and track the badger to his den,
And put a sack within the hole, and lie
Till the old grunting badger passes bye.
He comes and hears—they let the strongest loose.
The old fox hears the noise and drops the goose.
The poacher shoots and hurries from the cry,
And the old hare half wounded buzzes bye.
They get a forked stick to bear him down
And clap the dogs and take him to the town,
And bait him all the day with many dogs,
And laugh and shout and fright the scampering hogs.
He runs along and bites at all he meets:
They shout and hollo down the noisy streets.
He turns about to face the loud uproar
And drives the rebels to their very door.
The frequent stone is hurled where e'er they go;
When badgers fight, then every one's a foe.
The dogs are clapt and urged to join the fray;
The badger turns and drives them all away.
Though scarcely half as big, demure and small,
He fights with dogs for bones and beats them all.
The heavy mastiff, savage in the fray,
Lies down and licks his feet and turns away.
The bulldog knows his match and waxes cold,
The badger grins and never leaves his hold.
He drives the crowd and follows at their heels
And bites them through—the drunkard swears and reels.
The frighted women take the boys away,
The blackguard laughs and hurries on the fray.
He tries to reach the woods, an awkward race,
But sticks and cudgels quickly stop the chase.
He turns again and drives the noisy crowd
And beats the many dogs in noises loud.
He drives away and beats them every one,
And then they loose them all and set them on.
He falls as dead and kicked by boys and men,
Then starts and grins and drives the crowd again;
Till kicked and torn and beaten out he lies
And leaves his hold and cackles, groans, and dies.
Some keep a baited badger tame as hog
And tame him till he follows like the dog.
They urge him on like dogs and show fair play.
He beats and scarcely wounded goes away.
Lapt up as if asleep, he scorns to fly
And seizes any dog that ventures nigh.
Clapt like a dog, he never bites the men
But worries dogs and hurries to his den.
They let him out and turn a harrow down
And there he fights the host of all the town.
He licks the patting hand, and tries to play
And never tries to bite or run away,
And runs away from the noise in hollow trees
Burnt by the boys to get a swarm of bees.

poem by John Clare
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Richborough Castle

THESE three grey walls are still stout and strong,
Though the fourth wide wall has crumbled away
Where the sea swept by when the land was young,
And the great waves thundered along the bay,
Under the sailing seagull's feather,
Wildly white in the stormy weather,
And, murmuring ever a restless song,
Shone, crumpled green, on a sunny day.

Through eighteen hundred years of our time,
With their storms and sieges, these walls have stood,
Till the cliff that the waves once strove to climb
Is left in a meadow solitude;
And now no sea-gulls' nests are there,
But ash-trees and thorns make the cliff-side fair,
And the green of the leaves, and the white of the lime,
And the red of the berries is sweet and good.

Over the walls, whence eagle-eyed
The Romans looked for the coming foes,
Swift keen-tongued snakes now curl and glide
Where the heavy weight of the ivy grows.
Oh, hand that builded, oh, scheming brain,
So long made one with the dust again,
Your old cement and your walls abide,
But stronger than they are the ivy and rose!

How the whole dear world is golden and green
With the marshy meadows, the dimpled wheat,
The hot strong sunshine, the ivy's sheen,
And the high white lights on the shiny beet.
See the far blue line--the retreating sea!
It is good to be here, it is good to be;
Whatever life is, or whatever has been,
To be now--to be here, is nothing but sweet!

There's an underground passage here, they say,
Here is the entrance with green set round;
You must stoop your head in this low-roofed way,
Leave day, light candles--pass underground.
Here, under the fields, it is damp and cold,
And whatever secret the place may hold
It has held it closely for many a day,
And will hold it for more in its hush profound.

Down here, last year, so the gossips tell,
Some archæological learned bore
Went chipping with hammer and chisel as well
To chip his way to the secret's core--
Shut away from the sun and the browning wheat,
The whitening barley, the purple beet--
In the dark with the damp, the earthy smell,
While the days burned through that return no more.

Oh, fool! not to see that the green of the trees,
The blue of the sky and the blue of the sea,
The placid pasture, the baby breeze,
And the outspread meadows' tranquillity,
With eyes to see them, are more than worth
The whole of the secrets of musty earth.
What secret outweighs such delights as these,
Or pays one lost moment's felicity?

Are we wise, we two, when we try to pierce
To the heart of things, to our own hearts' heart,
To learn the secret springs of the years,
And what that is of which we are part?
Free will--the Absolute--matter--mind--
Ah, we came like the wind and we go like the wind!
Would solving life's mysteries dry our tears,
Or absolute knowledge heal souls that smart?

And meantime one might lose what I'd die to keep--
The power to delight in a day like this,
In the brown wings' whir, and the faint-bell'd sheep,
In the million things that the millions miss.
And, think, had it happened one's in-turned eyes
Had missed the gateway of Paradise,
Had one questioned of dreams till one fell asleep,
Having never dreamed, oh, my Dream, of your kiss!

poem by Edith Nesbit
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A lane in England

In autumn I walked in England
in a lane full of trees
where leaves lay auburn
on a road wet from rain.

Barren, stripped oak trees
were between other green ones
and it was as if I was going
right through a tunnel
with here and there trees
of which the leaves were more yellow.

In the distance the road bended to the right
where a bush fence
cut neatly square
and telephone poles
ran along the edge of the road

and the green moss banks
were covered with auburn leaves
at places
and on the other side
of the road
a shrub stretched out green and long
like a sausage
that was lying next to the road

and I would love
to have a lane like that
next to my driveway.

poem by Gert Strydom
Submitted by Poetry Lover
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Lover's Lane

Summah night an' sighin' breeze,
'Long de lovah's lane;
Frien'ly, shadder-mekin' trees,
'Long de lovah's lane.
White folks' wo'k all done up gran'--
Me an' 'Mandy han'-in-han'
Struttin' lak we owned de lan',
'Long de lovah's lane.

Owl a-settin' 'side de road,
'Long de lovah's lane,
Lookin' at us lak he knowed
Dis uz lovah's lane.
Go on, hoot yo' mou'nful tune,
You ain' nevah loved in June,
An' come hidin' f'om de moon
Down in lovah's lane.

Bush it ben' an' nod an' sway,
Down in lovah's lane,
Try'n' to hyeah me whut I say
'Long de lovah's lane.
But I whispahs low lak dis,
An' my 'Mandy smile huh bliss--
Mistah Bush he shek his fis',
Down in lovah's lane.

Whut I keer ef day is long,
Down in lovah's lane.
I kin allus sing a song
'Long de lovah's lane.
An' de wo'ds I hyeah an' say
Meks up fu' de weary day
Wen I's strollin' by de way,
Down in lovah's lane.

An' dis t'ought will allus rise
Down in lovah's lane;
Wondah whethah in de skies
Dey 's a lovah's lane.
Ef dey ain't, I tell you true,
'Ligion do look mighty blue,
'Cause I do' know whut I 'd do
'Dout a lovah's lane.

poem by Paul Laurence Dunbar
Submitted by Poetry Lover
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The Red Flower

In the pleasant time of Pentecost,
By the little river Kyll,
I followed the angler's winding path
Or waded the stream at will,
And the friendly fertile German land
Lay round me green and still.

But all day long on the eastern bank
Of the river cool and clear,
Where the curving track of the double rails
Was hardly seen though near,
The endless trains of German troops
Went rolling down to Trier.

They packed the windows with bullet heads
And caps of hodden gray;
They laughed and sang and shouted loud
When the trains were brought to a stay;
They waved their hands and sang again
As they went on their iron way.

No shadow fell on the smiling land,
No cloud arose in the sky;
I could hear the river's quiet tune
When the trains had rattled by;
But my heart sank low with a heavy sense
Of trouble,--I knew not why.

Then came I into a certain field
Where the devil's paint-brush spread
'Mid the gray and green of the rolling hills
A flaring splotch of red,--
An evil omen, a bloody sign,
And a token of many dead.

I saw in a vision the field-gray horde
Break forth at the devil's hour,
And trample the earth into crimson mud
In the rage of the Will to Power,--
All this I dreamed in the valley of Kyll,
At the sign of the blood-red flower.

poem by Henry Van Dyke
Submitted by Poetry Lover
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