A Pastoral Ballad II: Hope
My banks they are furnish'd with bees,
Whose murmur invites one to sleep;
My grottos are shaded with trees,
And my hills are white-over with sheep.
I seldom have met with a loss,
Such health do my fountains bestow;
My fountains all border'd with moss,
Where the hare-bells and violets grow.
Not a pine in my grove is there seen,
But with tendrils of woodbine is bound:
Not a beech's more beautiful green,
But a sweet-briar entwines it around.
Not my fields, in the prime of the year,
More charms than my cattle unfold;
Not a brook that is limpid and clear,
But it glitters with fishes of gold.
One would think she might like to retire
To the bow'r I have labour'd to rear;
Not a shrub that I heard her admire,
But I hasted and planted it there.
O how sudden the jessamine strove
With the lilac to render it gay!
Already it calls for my love,
To prune the wild branches away.
From the plains, from the woodlands and groves,
What strains of wild melody flow!
How the nightingales warble their loves
From thickets of roses that blow!
And when her bright form shall appear,
Each bird shall harmoniously join
In a concert so soft and so clear,
As -- she may not be fond to resign.
I have found out a gift for my fair;
I have found where the wood-pigeons breed:
But let me that plunder forbear,
She will say 'twas a barbarous deed.
For he ne'er could be true, she aver'd,
Who could rob a poor bird of its young:
And I lov'd her the more, when I heard
Such tenderness fall from her tongue.
I have heard her with sweetness unfold
How that pity was due to -- a dove:
That it ever attended the bold;
And she call'd it the sister of love.
But her words such a pleasure convey,
So much I her accents adore,
Let her speak, and whatever she say,
Methinks I should love her the more.
Can a bosom so gentle remain
Unmov'd, when her Corydon sighs!
Will a nymph that is fond of the plain,
These plains and this valley despise?
Dear regions of silence and shade!
Soft scenes of contentment and ease!
Where I could have pleasingly stray'd,
If aught, in her absence, could please.
But where does my Phyllida stray?
And where are her grots and her bow'rs?
Are the groves and the valleys as gay,
And the shepherds as gentle as ours?
The groves may perhaps be as fair,
And the face of the valleys as fine;
The swains may in manners compare,
But their love is not equal to mine.
poem by William Shenstone
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Song XVIII. - Imitated from the French
Yes, these are the scenes where with Iris I stray'd,
But short was her sway for so lovely a maid!
In the bloom of her youth to a cloister she run,
In the bloom of her graces too fair for a nun!
Ill-grounded, no doubt, a devotion must prove,
So fatal to beauty, so killing to love!
Yes, these are the meadows, the shrubs, and the plains,
Once the scene of my pleasures, the scene of my pains;
How many soft moments I spent in this grove!
How fair was my nymph! and how fervent my love!
Be still though, my Heart! thine emotion give o'er;
Remember, the season of love is no more.
With her how I stray'd amid fountains and bowers
Or loiter'd behind, and collected the flowers!
Then breathless with ardour my fair one pursued,
And to think with what kindness my garland she view'd!
But be still, my fond Heart! this emotion give o'er;
Fain wouldst thou forget thou must love her no more.
poem by William Shenstone
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A Pastoral Ballad
Ye shepherds so cheerful and gay,
Whose flocks never carelessly roam;
Should Corydon's happen to stray,
Oh! call the poor wanderers home.
Allow me to muse and to sigh,
Nor talk of the change that ye find;
None once was so watchful as I;
I have left my dear Phillis behind.
Now I know what it is, to have strove
With the torture of doubt and desire;
What it is to admire and to love,
And to leave her we love and admire,
Ah, lead forth my flock in the morn,
And the damps of each evening repel;
Alas! I am faint and forlorn:
-I have bade my dear Phillis farewell.
Since Phillis vouchsaf'd me a look,
I never once dreamed of my vine;
May I lose both my pipe and my crook,
If I knew of a kid that was mine!
I priz'd every hour that went by,
Beyond all that had pleas'd me before;
But now they are past, and I sigh;
And I grieve that I priz'd them no more.
But why do I languish in vain;
Why wander thus pensively here?
Oh! why did I come from the plain,
Where I fed on the smiles of my dear?
They tell me, my favourite maid,
The pride of that valley, is flown;
Alas! where with her I have stray'd,
I could wander with pleasure, alone.
When forc'd the fair nymph to forgo,
What anguish I felt at my heart!
Yet I thought-but it might not be so-
'Twas with pain that she saw me depart.
She gaz'd, as I slowly withdrew:
My path I could hardly discern;
So sweetly she bade me adieu,
I thought that she bade me return.
The pilgrim that journeys all day
To visit some far distant shrine,
If he bear but a relique away,
Is happy, nor heard to repine.
Thus widely remov'd from the fair,
Where my vows, my devotion, I owe,
Soft hope is the relique I bear,
And my solace wherever I go.
poem by William Shenstone
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Astrophel's Song Of Phyllida And Corydon
Fair in a morn (O fairest morn!),
Was never morn so fair,
There shone a sun, though not the sun
That shineth in the air.
For the earth, and from the earth,
(Was never such a creature!)
Did come this face (was never face
That carried such a feature).
Upon a hill (O blessèd hill!
Was never hill so blessèd),
There stood a man (was never man
For woman so distressed):
This man beheld a heavenly view,
Which did such virtue give
As clears the blind, and helps the lame,
And makes the dead man live.
This man had hap (O happy man!
More happy none than he);
For he had hap to see the hap
That none had hap to see.
This silly swain (and silly swains
Are men of meanest grace):
Had yet the grace (O gracious gift!)
To hap on such a face.
He pity cried, and pity came
And pitied so his pain,
As dying would not let him die
But gave him life again.
For joy whereof he made such mirth
As all the woods did ring;
And Pan with all his swains came forth
To hear the shepherd sing;
But such a song sung never was,
Nor shall be sung again,
Of Phyllida the shepherds' queen,
And Corydon the swain.
Fair Phyllis is the shepherds' queen,
(Was never such a queen as she,)
And Corydon her only swain
(Was never such a swain as he):
Fair Phyllis hath the fairest face
That ever eye did yet behold,
And Corydon the constant'st faith
That ever yet kept flock in fold;
Sweet Phyllis is the sweetest sweet
That ever yet the earth did yield,
And Corydon the kindest swain
That ever yet kept lambs in field.
Sweet Philomel is Phyllis' bird,
Though Corydon be he that caught her,
And Corydon doth hear her sing,
Though Phyllida be she that taught her:
Poor Corydon doth keep the fields
Though Phyllida be she that owes them,
And Phyllida doth walk the meads,
Though Corydon be he that mows them:
The little lambs are Phyllis' love,
Though Corydon is he that feeds them,
The gardens fair are Phyllis' ground,
Though Corydon is he that weeds them.
Since then that Phyllis only is
The only shepherd's only queen;
And Corydon the only swain
That only hath her shepherd been,--
Though Phyllis keep her bower of state,
Shall Corydon consume away?
No, shepherd, no, work out the week,
And Sunday shall be holiday.
poem by Nicholas Breton
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A Pastoral Ballad I: Absence
Arbusta humilesque myricæ. Virg.
Ye shepherds so chearful and gay,
Whose flocks never carelessly roam;
Should Corydon's happen to stray,
Oh! call the poor wanderers home.
Allow me to muse and to sigh,
Nor talk of the change that ye find;
None once was so watchful as I;
-- I have left my dear Phyllis behind.
Now I know what it is, to have strove
With the torture of doubt and desire;
What it is, to admire and to love,
And to leave her we love and admire.
Ah lead forth my flock in the morn,
And the damps of each ev'ning repel;
Alas! I am faint and forlorn:
-- I have bade my dear Phyllis farewel.
Since Phyllis vouchsaf'd me a look,
I never once dreamt of my vine;
May I lose both my pipe and my crook,
If I knew of a kid that was mine.
I priz'd every hour that went by,
Beyond all that had pleas'd me before;
But now they are past, and I sigh;
And I grieve that I priz'd them no more.
But why do I languish in vain;
Why wander thus pensively here?
Oh! why did I come from the plain,
Where I fed on the smiles of my dear?
They tell me, my favourite maid,
The pride of that valley, is flown;
Alas! where with her I have stray'd,
I could wander with pleasure, alone.
When forc'd the fair nymph to forego,
What anguish I felt at my heart!
Yet I thought -- but it might not be so --
'Twas with pain that she saw me depart.
She gaz'd, as I slowly withdrew;
My path I could hardly discern;
So sweetly she bade me adieu,
I thought that she bade me return.
The pilgrim that journeys all day
To visit some far-distant shrine,
If he bear but a relique away,
Is happy, nor heard to repine.
Thus widely remov'd from the fair,
Where my vows, my devotion, I owe,
Soft hope is the relique I bear,
And my solace wherever I go.
poem by William Shenstone
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A Pastoral Ballad III: Solicitude
Why will you my passion reprove?
Why term it a folly to grieve?
Ere I shew you the charms of my love,
She is fairer than you can believe.
With her mien she enamours the brave;
With her wit she engages the free;
With her modesty pleases the grave;
She is ev'ry way pleasing to me.
O you that have been of her train,
Come and join in my amorous lays;
I could lay down my life for the swain,
That will sing but a song in her praise.
When he sings, may the nymphs of the town
Come trooping, and listen the while;
Nay on him let not Phyllida frown;
-- But I cannot allow her to smile.
For when Paridel tries in the dance
Any favour with Phyllis to find,
O how, with one trivial glance,
Might she ruin the peace of my mind!
In ringlets he dresses his hair,
And his crook is be-studded around;
And his pipe -- oh may Phyllis beware
Of a magic there is in the sound.
'Tis his with mock passion to glow;
'Tis his in smooth tales to unfold,
``How her face is as bright as the snow,
And her bosom, be sure, is as cold?
How the nightingales labour the strain,
With the notes of his charmer to vie;
How they vary their accents in vain,
Repine at her triumphs, and die.''
To the grove or the garden he strays,
And pillages every sweet;
Then, suiting the wreath to his lays
He throws it at Phyllis's feet.
``O Phyllis, he whispers, more fair,
More sweet than the jessamine's flow'r!
What are pinks, in a morn, to compare?
What is eglantine, after a show'r?
Then the lily no longer is white;
Then the rose is depriv'd of its bloom;
Then the violets die with despight,
And the wood-bines give up their perfume.''
Thus glide the soft numbers along,
And he fancies no shepherd his peer;
-- Yet I never should envy the song,
Were not Phyllis to lend it an ear.
Let his crook be with hyacinths bound,
So Phyllis the trophy despise:
Let his forehead with laurels be crown'd,
So they shine not in Phyllis's eyes.
The language that flows from the heart
Is a stranger to Paridel's tongue;
-- Yet may she beware of his art,
Or sure I must envy the song.
poem by William Shenstone
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In The Shade Of The Green Wood
In the shade of the green wood
The holly does grow,
While in soft rays of sunlight
The wild roses glow,
And I smell their sweet perfume
That gently floats by,
Past trees strong and mighty
That reach to the sky,
The pathway of gold autumn
Leaves still remain,
As I walk through the green wood again.
In the shade of the green wood
This bright sunny morn,
That's so cool in the shadows
A new day is born,
All the birds in the treetops
Are singing for me,
Sweet songs of the summer
Which fill me with glee,
And know from its beauty
I never shall part,
For the green wood does live in my heart.
In the shade of the green wood
A soft gentle breeze,
Now caresses the branches
And whispers through trees,
A sound reassuring
Shall carry me to,
All the scenes that exist
In each marvellous view,
It's here that my spirit
Shall always now stay,
And the green wood is guiding my way.
poem by Andrew Blakemore
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Song XXX. The Lovely Brown Maid
When May--scented zephyrs breathe gladness around,
Enliv'ning the meadow and grove,
And in each mossy cottage Contentment is found,
Crown'd with health, peace, retirement, and love;
Then far from the village the swains they retire,
At noon to the lonely sweet shade;
Grant me Health, rosy Health, all I ask and desire,
With a smile from my lovely brown maid.
When my flocks bleat around me upon the wide plain,
Contented I lie at my ease;
And at eve I retire, free from sorrow and pain,
To enjoy the soft fragrant breeze:
When music and gladness are heard thro' the grove,
By moonlight I steal from the shade,
And o'er hills and deep valleys unheeded I rove,
For a smile from my lovely brown maid.
Each morn I rise happy, each night I lie down
With a heart free from envy and care;
In my plain humble cottage, far from the gay town
With my neighbours each comfort I share:
I envy no monarch, I boast not of wealth,
No troubles my cot e'er invade:
All the blessings I ask is the blessing of health,
And a smile from my lovely brown maid.
poem by Robert Anderson
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Larkspur
Words roll free from a tongue sometime
From a sometime, tongue-tied tongue,
Words that were heard by the stream and the bird
When the world and the wild were young,
When the world and the wild were young, sometime…
(Larkspur, marigold, ebony, lime) .
Sounds that were born in sweet young breath
In a bubble-sighed, trouble-tried time,
Sounds that were found by a child at the breast
In a bubble-tried pantomime,
In a bubble-tried pantomime, no less…
(Nightshade, cinnamon, green watercress) .
Love is the sound of a word, soft-said
From the lips of the love you too,
Love is the dove of the bubble-thought read
Soft sift from the me to you,
Soft sift from the me to you, soft said…
(Homespun, empathy, marmalade, bread) .
poem by David Lewis Paget (16 December 1973)
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Phyllida's Love-Call
Phyllida. CORYDON, arise, my Corydon!
Titan shineth clear.
Corydon. Who is it that calleth Corydon?
Who is it that I hear?
Phyl. Phyllida, thy true love, calleth thee,
Arise then, arise then,
Arise and keep thy flock with me!
Cor. Phyllida, my true love, is it she?
I come then, I come then,
I come and keep my flock with thee.
Phyl. Here are cherries ripe for my Corydon;
Eat them for my sake.
Cor. Here 's my oaten pipe, my lovely one,
Sport for thee to make.
Phyl. Here are threads, my true love, fine as silk,
To knit thee, to knit thee,
A pair of stockings white as milk.
Cor. Here are reeds, my true love, fine and neat,
To make thee, to make thee,
A bonnet to withstand the heat.
Phyl. I will gather flowers, my Corydon,
To set in thy cap.
Cor. I will gather pears, my lovely one,
To put in thy lap.
Phyl. I will buy my true love garters gay,
For Sundays, for Sundays,
To wear about his legs so tall.
Cor. I will buy my true love yellow say,
For Sundays, for Sundays,
To wear about her middle small.
Phyl. When my Corydon sits on a hill
Making melody--
Cor. When my lovely one goes to her wheel,
Singing cheerily--
Phyl. Sure methinks my true love doth excel
For sweetness, for sweetness,
Our Pan, that old Arcadian knight.
Cor. And methinks my true love bears the bell
For clearness, for clearness,
Beyond the nymphs that be so bright.
Phyl. Had my Corydon, my Corydon,
Been, alack! her swain--
Cor. Had my lovely one, my lovely one,
Been in Ida plain--
Phyl. Cynthia Endymion had refused,
Preferring, preferring,
My Corydon to play withal.
Cor. The Queen of Love had been excused
Bequeathing, bequeathing,
My Phyllida the golden ball.
Phyl. Yonder comes my mother, Corydon!
Whither shall I fly?
Cor. Under yonder beech, my lovely one,
While she passeth by.
Phyl. Say to her thy true love was not here;
Remember, remember,
To-morrow is another day.
Cor. Doubt me not, my true love, do not fear;
Farewell then, farewell then!
Heaven keep our loves alway!
Elegy XVI. He Suggests the Advantage of Birth To a Person of Merit
When genius, graced with lineal splendour, glows,
When title shines, with ambient virtues crown'd,
Like some fair almond's flowery pomp it shows,
The pride, the perfume, of the regions round.
Then learn, ye Fair! to soften splendour's ray;
Endure the swain, the youth of low degree;
Let meekness join'd its temperate beam display;
'Tis the mild verdure that endears the tree.
Pity the sandall'd swain, the shepherd's boy;
He sighs to brighten a neglected name;
Foe to the dull applause of vulgar joy,
He mourns his lot; he wishes, merits fame.
In vain to groves and pathless vales we fly;
Ambition there the bowery haunt invades;
Fame's awful rays fatigue the courtier's eye,
But gleam still lovely through the chequer'd shades.
Vainly, to guard from Love's unequal chain,
Has Fortune rear'd us in the rural grove;
Should --'s eyes illume the desert plain,
Even I may wonder, and even I must love.
Not unregarded sighs the lowly hind;
Though you contemn, the gods respect his vow;
Vindictive rage awaits the scornful mind,
And vengeance, too severe! the gods allow.
On Sarum's plain I met a wandering fair;
The look of sorrow, lovely still, she bore;
Loose flow'd the soft redundance of her hair,
And on her brow a flowery wreath she wore.
Oft stooping as she stray'd, she cull'd the pride
Of every plain; she pillaged every grove!
The fading chaplet daily she supplied,
And still her hand some various garland wove.
Erroneous Fancy shaped her wild attire:
From Bethlem's walls the poor lymphatic stray'd;
Seem'd with her air, her accent, to conspire,
When, as wild Fancy taught her, thus she said:
'Hear me, dear Youth! oh, bear an hapless maid,
Sprung from the scepter'd line of ancient kings!
Scorn'd by the world, I ask thy tender aid;
Thy gentle voice shall whisper kinder things.
'The world is frantic-fly the race profane-.
Nor I, nor you, shall its compassion move:
Come, friendly let us wander and complain;
And tell me, Shepherd! hast thou seen my love?
'My love is young-but other loves are young;
And other loves are fair, and so is mine;
An air divine discloses whence he sprung;
He is my love, who boasts that air divine.
'No vulgar Damon robs me of my rest;
Ianthe listens to no vulgar vow;
A prince, from gods descended, fires her breast;
A brilliant crown distinguishes his brow.
'What! shall I stain the glories of my race,
More clear, more lovely bright, than Hesper's beam?
The porcelain pure with vulgar dirt debase?
Or mix with puddle the pellucid stream?
'See through these veins the sapphire current shine!
'Twas Jove's own nectar gave th' ethereal hue:
Can base plebeian forms contend with mine,
Display the lovely white, or match the blue?
'The painter strove to trace its azure ray;
He changed his colours, and in vain he strove:
He frown'd-I, smiling, view'd the faint essay:
Poor youth! he little knew it flow'd from Jove.
'Pitying his toil, the wondrous truth I told,
How amorous Jove trepann'd a mortal fair;
How through the race the generous current roll'd,
And mocks the poet's art and painter's care.
'Yes, from the gods, from earliest Saturn, sprung
Our sacred race, through demi-gods convey'd,
And he, allied to Phœbus, ever young,
My godlike boy! must wed their duteous maid.
'Oft, when a mortal vow profanes my ear,
My sire's dread fury murmurs through the sky;
And should I yield-his instant rage appears;
He darts th' uplifted vengeance-and I die.
'Have you not heard unwonted thunders roll?
Have you not seen more horrid lightnings glare?
'Twas then a vulgar love ensnared my soul;
'Twas then-I hardly 'scaped the fatal snare.
''Twas then a peasant pour'd his amorous vow,
All as I listen'd to his vulgar strain;-
Yet such his beauty-would my birth allow,
Dear were the youth, and blissful were the plain.
'But, oh, I faint! why wastes my vernal bloom,
In fruitless searches ever doom'd to rove?
My nightly dreams the toilsome path resume,
And I shall die-before I find my love.
'When last I slept, methought my ravish'd eye
On distant heaths his radiant form survey'd;
Though night's thick clouds encompass'd all the sky,
The gems that bound his brow dispell'd the shade.
'O how this bosom kindled at the sight!
Led by their beams I urged the pleasing chase,
Till, on a sudden, these withheld their light-
All, all things envy the sublime embrace.
'But now no more-Behind the distant grove
Wanders my destined youth, and chides my stay:
See, see! he grasps the steel-Forbear, my Love-
Ianthe comes; thy princess hastes away.'
Scornful she spoke, and, heedless of reply,
The lovely maniac bounded o'er the plain,
The piteous victim of an angry sky!
Ah me! the victim of her proud disdain.
poem by William Shenstone
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Spring - The First Pastoral ; or Damon
First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.
Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?
Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.
Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?
Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.
Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.
Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.
Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!
Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.
Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.
Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.
Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.
Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.
Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.
Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.
Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.
Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.
poem by Alexander Pope
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A Man in Love
L'Homme qui ne se trouve point, et ne se trouvera jamais.
The man who feels the dear disease,
Forgets himself, neglects to please,
The crowd avoids, and seeks the groves,
And much he thinks when much he loves;
Press'd with alternate hope and fear,
Sighs in her absence, sighs when near.
The gay, the fond, the fair, the young,
Those trifles pass unseen along,
To him a pert insipid throng.
But most he shuns the vain coquette;
Contemns her false affected wit:
The minstrel's sound, the flowing bowl,
Oppress and hurt the amorous soul.
'Tis solitude alone can please,
And give some intervals of ease.
He feeds the soft distemper there,
And fondly courts the distant fair;
To balls the silent shade prefers,
And hates all other charms but hers.
When thus your absent swain can do,
Molly, you may believe him true.
poem by Lady Mary Wortley Montagu
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A Pastoral Ballad IV: Disappointment
Ye shepherds give ear to my lay,
And take no more heed of my sheep:
They have nothing to do but to stray;
I have nothing to do but to weep.
Yet do not my folly reprove;
She was fair -- and my passion begun;
She smil'd -- and I could not but love;
She is faithless -- and I am undone.
Perhaps I was void of all thought:
Perhaps it was plain to foresee,
That a nymph so compleat would be sought
By a swain more engaging than me.
Ah! love ev'ry hope can inspire;
It banishes wisdom the while;
And the lip of the nymph we admire
Seems for ever adorn'd with a smile.
She is faithless, and I am undone;
Ye that witness the woes I endure;
Let reason instruct you to shun
What it cannot instruct you to cure.
Beware how you loiter in vain
Amid nymphs of an higher degree:
It is not for me to explain
How fair, and how fickle they be.
Alas! from the day that we met,
What hope of an end to my woes?
When I cannot endure to forget
The glance that undid my repose.
Yet time may diminish the pain:
The flow'r, and the shrub, and the tree,
Which I rear'd for her pleasure in vain,
In time may have comfort for me.
The sweets of a dew-sprinkled rose,
The sound of a murmuring stream,
The peace which from solitude flows,
Henceforth shall be Corydon's theme.
High transports are shewn to the sight,
But we are not to find them our own;
Fate never bestow'd such delight,
As I with my Phyllis had known.
O ye woods, spread your branches apace;
To your deepest recesses I fly;
I would hide with the beasts of the chace;
I would vanish from every eye.
Yet my reed shall resound thro' the grove
With the same sad complaint it begun;
How she smil'd, and I could not but love;
Was faithless, and I am undone!
poem by William Shenstone
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Winter - The Fourth Pastoral, or Daphne
Lycidas.
Thyrsis, the music of that murm'ring spring,
Is not so mournful as the strains you sing.
Nor rivers winding thro' the vales below,
So sweetly warble, or so smoothly flow.
Now sleeping flocks on their soft fleeces lie,
The moon, serene in glory, mounts the sky,
Wile silent birds forget their tuneful lays,
Oh sing of Daphne's fate, and Daphne's praise!
Thyrsis.
Behold the groves that shine with silver frost,
Their beauty wither'd, and their verdure lost.
Here shall I try the sweet Alexis' strain,
That call'd the list'ning Dryads to the plain?
Thames heard the numbers as he flow'd along,
And bade his willows learn the moving song.
Lycidas.
So may kind rains their vital moisture yield,
And swell the future harvest of the field.
Begin; this charge the dying Daphne gave,
And said; 'Ye shepherds, sing around my grave!
Sing, while beside the shaded tomb I mourn,
And with fresh bays her rural shrine adorn.'
Thyrsis.
Ye gentle Muses, leave your crystal spring,
Let Nymphs and Sylvans cypress garlands bring;
Ye weeping Loves, the stream with myrtles hide,
And break your vows, as when Adonis died;
And with your golden darts, now useless grown,
Inscribe a verse on this relenting stone:
'Let nature change, let heav'n and earth deplore,
Fair Daphne's dead, and love is now no more!'
'Tis done, and nature's various charms decay,
See gloomy clouds obscure the cheerful day!
Now hung with pearls the dropping trees appear,
Their faded honours scatter'd on her bier.
See, where on earth the flow'ry glories lie,
With her they flourish'd, and with her they die.
Ah what avail the beauties nature wore?
Fair Daphne's dead, and beauty is no more!
For her the flocks refuse their verdant food,
Nor thirsty heifers seek the gliding flood.
The silver swans her hapless fate bemoan,
In notes more sad than when they sing their own;
In hollow caves sweet Echo silent lies,
Silent, or only to her name replies;
Her name with pleasure once she taught the shore,
Now Daphne's dead, and pleasure is no more!
No grateful dews descend from ev'ning skies,
Nor morning odours from the flow'rs arise;
No rich perfumes refresh the fruitful field,
Nor fragrant herbs their native incense yield.
The balmy Zephyrs, silent since her death,
Lament the ceasing of a sweeter breath;
Th' industrious bees neglect their golden store;
Fair Daphne's dead, and sweetness is no more!
No more the mounting larks, while Daphne sings,
Shall list'ning in mid air suspend their wings;
No more the birds shall imitate her lays,
Or hush'd with wonder, hearken from the sprays;
No more the streams their murmur shall forbear,
A sweeter music than their own to hear,
But tell the reeds, and tell the vocal shore,
Fair Daphne's dead, and music is no more!
Her fate is whisper'd by the gentle breeze,
And told in sighs to all the trembling trees;
The trembling trees, in ev'ry plain and wood,
Her fate remurmur to the silver flood;
The silver flood, so lately calm, appears
Swell'd with new passion, and o'erflows with tears;
The winds and trees and floods her death deplore,
Daphne, our grief! our glory now no more!
But see! where Daphne wond'ring mounts on high
Above the clouds, above the starry sky!
Eternal beauties grace the shining scene,
Fields ever fresh, and groves for ever green!
There while you rest in Amaranthine bow'rs,
Or from those meads select unfading flow'rs,
Behold us kindly, who your name implore,
Daphne, our Goddess, and our grief no more!
Lycidas.
How all things listen, while thy Muse complains!
Such silence waits on Philomela's strains,
In some still ev'ning, when the whisp'ring breeze
Pants on the leaves, and dies upon the trees.
To thee, bright goddess, oft a lamb shall bleed,
If teeming ewes increase my fleecy breed.
While plants their shade, or flow'rs their odours give,
Thy name, thy honour, and thy praise shall live!
Thyrsis.
But see, Orion sheds unwholesome dews,
Arise, the pines a noxious shade diffuse;
Sharp Boreas blows, and Nature feels decay,
Time conquers all, and we must Time obey.
Adieu, ye vales, ye mountains, streams and groves,
Adieu, ye shepherd's rural lays and loves;
Adieu, my flocks, farewell ye sylvan crew,
Daphne, farewell, and all the world adieu!
poem by Alexander Pope
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Eclogue the First Selim
SCENE, a Valley near Bagdat TIME, the Morning
`Ye Persian maids, attend your poet's lays,
And hear how shepherds pass their golden days:
Not all are blest, whom fortune's hand sustains
With wealth in courts, nor all that haunt the plains:
Well may your hearts believe the truths I tell;
'Tis virtue makes the bliss, where'er we dwell.'
Thus Selim sung, by sacred Truth inspired;
No praise the youth, but hers alone, desired.
Wise in himself, his meaning songs conveyed
Informing morals to the shepherd maid,
Or taught the swains that surest bliss to find,
What groves nor streams bestow, a virtuous mind.
When sweet and odorous, like an eastern bride,
The radiant morn resumed her orient pride,
When wanton gales along the valleys play,
Breathe on each flower, and bear their sweets away:
By Tigris' wandering waves he sat, and sung
This useful lesson for the fair and young.
`Ye Persian dames,' he said, `to you belong,
Well may they please, the morals of my song;
No fairer maids, I trust, than you are found,
Graced with soft arts, the peopled world around!
The morn that lights you to your loves supplies
Each gentler ray delicious to your eyes:
For you those flowers her fragrant hands bestow,
And yours the love that kings delight to know.
Yet think not these, all beauteous as they are,
The best kind blessings heaven can grant the fair!
Who trust alone in beauty's feeble ray,
Balsora's pearls have more of worth than they;
Drawn from the deep, they sparkle to the sight,
And all-unconscious shoot a lustrous light:
Such are the maids and such the charms they boast,
By sense unaided or to virtue lost.
Self-flattering sex! your hearts believe in vain
That love shall blind when once he fires the swain,
Or hope a lover by your faults to win,
As spots on ermine beautify the skin.
Who seeks secure to rule, be first her care
Each softer virtue that adorns the fair,
Each tender passion man delights to find,
The loved perfections of a female mind.
`Blest were the days when Wisdom held her reign,
And shepherds sought her on the silent plain;
With Truth she wedded in the secret grove,
The fair-eyed Truth, and daughters blessed their love.
`O haste, fair maids, ye Virtues, come away,
Sweet Peace and Plenty lead you on your way!
The balmy shrub for you shall love our shore,
By Ind excelled or Araby no more.
`Lost to our fields, for so the fates ordain,
The dear deserters shall return again.
O come thou, Modesty, as they decree,
The rose may then improve her blush by thee.
Here make thy court amidst our rural scene,
And shepherd-girls shall own thee for their queen.
With thee be Chastity, of all afraid,
Distrusting all, a wise suspicious maid,
But man the most -- not more the mountain doe
Holds the swift falcon for her deadly foe.
Cold is her breast, like flowers that drink the dew;
A silken veil conceals her from the view.
No wild desires amidst thy train be known,
But Faith, whose heart is fixed on one alone;
Desponding Meekness with her down-cast eyes,
And friendly Pity full of tender sighs;
And Love the last: by these your hearts approve,
These are the Virtues that must lead to love.'
Thus sung the swain, and eastern legends say
The maids of Bagdat verified the lay:
Dear to the plains, the Virtues came along,
The shepherds loved, and Selim blessed his song.
poem by William Taylor Collins
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The Homes Of England
The stately homes of England
How beautiful they stand!
Amidst their tall ancestral trees,
O'er all the pleasant land!
The deer across their green sward bound
Through shade and sunny gleam,
And the swan glides past them with the sound
Of some rejoicing stream.
The merry homes of England!
Around their hearths by night,
What gladsome looks of household love
Meet in the ruddy light!
There woman's voice flows forth in song,
Or childhood's tale is told;
Or lips move tunefully along
Some glorious page of old.
The cottage homes of England!
By thousands on her plains,
They are smiling o'er the silv'ry brook,
And round the hamlet-fanes;
Through glowing orchards forth they peep,
Each from its nook of leaves;
And fearless there the lowly sleep,
As the bird beneath their eaves.
The free fair homes of England!
Long, long in hut and hall
May hearts of native proof be rear'd
To guard each hallow'd wall.
And green for ever be the groves,
And bright the flow'ry sod,
Where first the child's glad spirit loves
Its country and its God.
poem by Felicia Dorothea Hemans
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Elegy I. He Arrives at His Retirement in the Country
He Arrives at His Retirement in the Country, and Takes Occasion To Expatiate in Praise of Simplicity.
To a Friend
For rural virtues, and for native skies,
I bade Augusta's venal sons farewell;
Now 'mid the trees I see my smoke arise,
Now hear the fountains bubbling round my cell.
O may that Genius, which secures my rest,
Preserve this villa for a friend that's dear!
Ne'er may my vintage glad the sordid breast,
Ne'er tinge the lip that dares be insincere!
Far from these paths, ye faithless Friends, depart!
Fly my plain board, abhor my hostile name!
Hence the faint verse that flows not from the heart,
But mourns, in labour'd strains, the price of fame!
O loved Simplicity! be thine the prize!
Assiduous Art correct her page in vain!
His be the palm, who, guiltless of disguise,
Contemns the power the dull resource to feign!
Still may the mourner, lavish of his tears
For lucre's venal need, invite my scorn!
Still may the bard, dissembling doubts and fears,
For praise, for flattery sighing, sigh forlorn!
Soft as the line of lovesick Hammond flows,
'Twas his fond heart effused the melting theme;
Ah! never could Aonia's hill disclose
So fair a fountain, or so loved a stream.
Ye loveless Bards! intent with artful pains
To form a sigh, or to contrive a tear!
Forego your Pindus, and on - plains
Survey Camilla's charms, and grow sincere.
But thou, my Friend! while in thy youthful soul
Love's gentle tyrant seats his awful throne,
Write from thy bosom-let not art control
The ready pen, that makes his edicts known.
Pleasing, when youth is long expired, to trace
The forms our pencil or our pen design'd!
'Such was our youthful air, and shape, and face!
Such the soft image of our youthful mind!'
Soft, whilst we sleep beneath the rural bowers,
The Loves and Graces steal unseen away;
And where the turf diffused its pomp of flowers,
We wake to wintry scenes of chill decay!
Curse the sad fortune that detains thy fair;
Praise the soft hours that gave thee to her arms;
Paint thy proud scorn of every vulgar care,
When hope exalts thee, or when doubt alarms.
Where with Oenone thou hast worn the day,
Near fount or stream, in meditation, rove;
If in the grove Oenone loved to stray,
The faithful Muse shall meet thee in the grove.
poem by William Shenstone
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Eclogue the Fourth Agib
SCENE, a Mountain in Circassia TIME, Midnight
In fair Circassia, where, to love inclined,
Each swain was blest, for every maid was kind!
At that still hour, when awful midnight reigns,
And none but wretches haunt the twilight plains;
What time the moon had hung her lamp on high,
And passed in radiance through the cloudless sky:
Sad o'er the dews two brother shepherds fled,
Where wildering fear and desperate sorrow led.
Fast as they pressed their flight, behind them lay
Wide ravaged plains and valleys stole away.
Along the mountain's bending sides they ran,
Till faint and weak Secander thus began.
SECANDER
O stay thee, Agib, for my feet deny,
No longer friendly to my life, to fly.
Friend of my heart, O turn thee and survey,
Trace our sad flight through all its length of way!
And first review that long-extended plain,
And yon wide groves, already passed with pain!
Yon ragged cliff whose dangerous path we tried,
And last this lofty mountain's weary side!
AGIB
Weak as thou art, yet hapless must thou know
The toils of flight, or some severer woe!
Still as I haste, the Tartar shouts behind,
And shrieks and sorrows load the saddening wind:
In rage of heart, with ruin in his hand,
He blasts our harvests and deforms our land.
Yon citron grove, whence first in fear we came,
Droops its fair honours to the conquering flame:
Far fly the swains, like us, in deep despair,
And leave to ruffian bands their fleecy care.
SECANDER
Unhappy land, whose blessings tempt the sword,
In vain, unheard, thou call'st thy Persian Lord!
In vain thou court'st him, helpless to thine aid,
To shield the shepherd and protect the maid.
Far off in thoughtless indolence resigned,
Soft dreams of love and pleasure soothe his mind:
Midst fair sultanas lost in idle joy,
No wars alarm him and no fears annoy.
AGIB
Yet these green hills, in summer's sultry heat,
Have lent the monarch oft a cool retreat.
Sweet to the sight is Zabran's flowery plain,
And once by maids and shepherds loved in vain!
No more the virgins shall delight to rove
By Sargis' banks or Irwan's shady grove:
On Tarkie's mountain catch the cooling gale,
Or breathe the sweets of Aly's flowery vale:
Fair scenes! but ah! no more with peace possessed,
With ease alluring and with plenty blest.
No more the shepherds' whitening tents appear,
Nor the kind products of a bounteous year;
No more the date with snowy blossoms crowned,
But Ruin spreads her baleful fires around.
SECANDER
In vain Circassia boasts her spicy groves,
For ever famed for pure and happy loves;
In vain she boasts her fairest of the fair,
Their eyes' blue languish and their golden hair!
Those eyes in tears their fruitless grief must send;
Those hairs the Tartar's cruel hand shall rend.
AGIB
Ye Georgian swains that piteous learn from far
Circassia's ruin and the waste of war:
Some weightier arms than crooks and staves prepare,
To shield your harvests and defend your fair:
The Turk and Tartar like designs pursue,
Fixed to destroy and steadfast to undo.
Wild as his land, in native deserts bred,
By lust incited or by malice led,
The villain-Arab, as he prowls for prey,
Oft marks with blood and wasting flames the way;
Yet none so cruel as the Tartar foe,
To death inured and nursed in scenes of woe.
He said, when loud along the vale was heard
A shriller shriek and nearer fires appeared:
The affrighted shepherds through the dews of night,
Wide o'er the moonlight hills, renewed their flight.
poem by William Taylor Collins
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Flower and Bird
Amongst the lonely branches of a tree,
Stood a lovely flower fragrant and free,
She was the sight of every passer-by,
'What a beautiful flower! ' people would cry.
The flower in the prime of its youth,
Couldn’t identify life and its real truth,
Proud by its fragrance and beauty it stood,
And thought that beauty was what made it good,
Impressed by its beauty a little bird would sing,
The tale of its love and the whole valley would ring,
Perched on the branch of the great oak tree,
The bird sings its love for the flower to see,
People would stop and look at this tale,
Of the beautiful lady and the gallant male.
And one day the bird let its heart out,
And the beautiful flower refused with pout,
The bird wanting its beloved’s heart,
Asked her, 'What do I do so that we don’t part? '
And the proud flower told the lonely bird,
'There is a flower down the valley, have you heard?
Its brilliant red, is said is more beautiful than me,
So dear bird, make me red, as red as I can be! '
The bird said, 'But your beauty is no match,
So beautiful are you that my heart, you did catch! '
The flower in its pride and anger,
Told the bird 'Oh! Don’t bother',
The sadness in its eyes, the bird couldn’t see,
And said, 'I gift the colour red to thee! '
Saying this he pierced his heart on a thorn,
And spilt the blood on her till he was torn,
And the flower indeed did become red,
With the love of the little bird’s blood,
People would stare at the beautiful flower,
And amongst the branches it would hover,
The people passing soon forgot the song of the bird,
But the silent lament of the flower was never heard,
The flower never forgot the love of its bird,
But the melody of the poor bird was never heard!
poem by Supriya Mothay
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An Irregular Ode, After Sickness
-Melius, bunny venerit ipsa, canemus.
-Virg.
Imitation.
His wish'd-for presence will improve the song.
Too long a stranger to repose,
At length from Pain's abhorred couch I rose,
And wander'd forth alone,
To court once more the balmy breeze,
And catch the verdure of the trees,
Ere yet their charms were flown.
'Twas from a bank with pansies gay,
I hail'd once more the cheerful day,
The sun's forgotten beams
O Sun! how pleasing were thy rays,
Reflected from the polish'd face
Of yon refulgent streams!
Raised by the scene, my feeble tongue
Essay'd again the sweets of song:
And thus, in feeble strains and slow,
The loitering numbers 'gan to flow.
'Come, gentle Air! my languid limbs restore,
And bid me welcome from the Stygian shore;
For sure I heard the tender sighs,
I seem'd to join the plaintive cries,
Of hapless youths who through the myrtle grove
Bewail for ever their unfinish'd love;
To that unjoyous clime,
Torn from the sight of these ethereal skies;
Debarr'd the lustre of their Delia's eyes,
And banish'd in their prime.
'Come, gentle Air! and, while the thickets bloom,
Convey the jasmine's breath divine;
Convey the woodbine's rich perfume,
Nor spare the sweet-leaf'd eglantine
And mayst thou shun the rugged storm,
Till Health her wonted charms explain,
With Rural Pleasure in her train,
To greet me in her fairest form
While from this lofty mount I view
The Sons of earth, the vulgar crew,
Anxious for futile gains, beneath me stray,
And seek with erring step Contentment's obvious way.
'Come, gentle Air! and thou, celestial Muse!
Thy genial flame infuse,
Enough to lend a pensive bosom aid,
And gild Retirement's gloomy shade;
Enough to rear such rustic lays
As foes may slight, but partial friends will praise.'
The gentle Air allow'd my claim,
And, more to cheer my drooping frame,
She mixt the balm of opening flowers,
Such as the bee, with chemic powers,
From Hybla's fragrant hills inhales,
Or scents Sabea's blooming vales:
But, ah! the nymphs that heal the pensive mind,
By prescripts more refined,
Neglect their votary's anxious moan:
Oh! how should they relieve?-the Muses all were flown.
By flowery plain or woodland shades
I fondly sought the charming maids;
By woodland shades or flowery plain
I sought them, faithless maids! in vain;
When, lo! in happier hour,
I leave behind my native mead,
To range where Zeal and Friendship lead,
To visit Luxborough's honour'd bower.
Ah! foolish man! to seek the tuneful maids
On other plains, or near less verdant shades;
Scarce have my footsteps press'd the favour'd ground,
When sounds ethereal strike my ear;
At once celestial forms appear;
My fugitives are found!
The Muses here attune their lyres,
Ah! partial, with unwonted fires;
Here, hand in hand, with careless mien,
The sportive graces trip the green.
But whilst I wander'd o'er a scene so fair,
Too well at one survey I trace
How every Muse and every Grace
Had long employ'd their care.
Lurks not a stone enrich'd with lively stain,
Blooms not a flower amid the vernal store,
Falls not a plume on India's distant plain,
Glows not a shell on Adria's rocky shore,
But torn, methought, from native lands or seas,
From their arrangement gain fresh power to please.
And some had bent the wildering maze,
Bedeck'd with every shrub that blows,
And some entwined the willing sprays,
To shield th' illustrious dame's repose;
Others had graced the sprightly dome,
And taught the portrait where to glow;
Others arranged the curious tome,
Or, 'mid the decorated space,
Assign'd the laurell'd bust a place,
And given to learning all the pomp of show.
And now from every task withdrawn,
They met and frisk'd it o'er the lawn.
Ah! woe is me, said I,
And - -'s hilly circuit heard my cry:
Have I for this with labour strove,
And lavish'd all my little store,
To fence for you my shady grove,
And scollop every winding shore,
And fringe with every purple rose,
The sapphire stream that down my valley flows?
Ah! lovely treacherous maids!
To quit unseen my votive shades,
When pale Disease, and torturing Pain,
Had torn me from the breezy plain,
And to a restless couch confined,
Who ne'er your wonted tasks declined.
She needs not your officious aid
To swell the song, or plan the shade;
By genuine Fancy fired,
Her native genius guides her hand,
And while she marks the sage command,
More lovely scenes her skill shall raise,
Her lyre resound with nobler lays
Than ever you inspired.
Thus I my rage and grief display,
But vainly blame, and vainly mourn,
Nor will a Grace, or Muse, return
Till Luxborough lead the way.
poem by William Shenstone
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