Sonnet 35: No more be grieved at that which thou hast done
No more be grieved at that which thou hast done.
Roses have thorns, and silver fountains mud,
Clouds and eclipses stain both moon and sun,
And loathsome canker lives in sweetest bud.
All men make faults, and even I in this,
Authorizing thy trespass with compare,
Myself corrupting, salving thy amiss,
Excusing thy sins more than thy sins are.
For to thy sensual fault I bring in sense—
Thy adverse party is thy advocate—
And 'gainst my self a lawful plea commence.
Such civil war is in my love and hate
That I an accessary needs must be
To that sweet thief which sourly robs from me.
poem by William Shakespeare
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You came to me at the autumn of my life
You came to me at the autumn of my life
At the end of the day at the dawn of my dusk
You came to me so suddenly and so swift
to stir the heart to shake the love I knew
You came to me a sweet flower of the field
Love forlorn, furrows of pain in the beauty of your face
anguish in your lengthy sigh
upon your checks the tears long ran dry
To remind me of forms of love I never knew
To challenge to intrigue life calm and satiate
Although I knew my years were past best
I smiled at your false speaking tongue
Outfacing faults in love with love fickle rest
But whenever you claim of true youth in your veins
Whenever say not I that I am old?
Remind you of love best characters of strength and sooth
And age in love? You mock
Loves not the years to be told
Hush to that false talk I listen no more
Nor shall I grieve for the betrayal in love done
Roses have thorns and fresh fountains mud
Cloud and eclipses stain both moon and sun
And the loathsome canker in the sweetest bud dwell
All mankind makes faults which they never tell
I shall not wear pretentious cloths not of my measure
To authorize your trespass with a moral compare
To excuse sins more than what they are
Is a sin itself
But against your sensual fault I try to bring sense
Your adverse playful nature is your advocator
The love we cherish and nourish at our youth
Will stay with us at old age to sooth
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You know that Portrait in the Moon
504
You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?
The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—
When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—
And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—
poem by Emily Dickinson
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Had I not This, or This, I said
904
Had I not This, or This, I said,
Appealing to Myself,
In moment of prosperity—
Inadequate—were Life—
"Thou hast not Me, nor Me"—it said,
In Moment of Reverse—
"And yet Thou art industrious—
No need—hadst Thou—of us"?
My need—was all I had—I said—
The need did not reduce—
Because the food—exterminate—
The hunger—does not cease—
But diligence—is sharper—
Proportioned to the Chance—
To feed upon the Retrograde—
Enfeebles—the Advance—
poem by Emily Dickinson
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Love—thou art high
453
Love—thou art high—
I cannot climb thee—
But, were it Two—
Who know but we—
Taking turns—at the Chimborazo—
Ducal—at last—stand up by thee—
Love—thou are deep—
I cannot cross thee—
But, were there Two
Instead of One—
Rower, and Yacht—some sovereign Summer—
Who knows—but we'd reach the Sun?
Love—thou are Veiled—
A few—behold thee—
Smile—and alter—and prattle—and die—
Bliss—were an Oddity—without thee—
Nicknamed by God—
Eternity—
poem by Emily Dickinson
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Tis Sunrise—Little Maid—Hast Thou
908
'Tis Sunrise—Little Maid—Hast Thou
No Station in the Day?
'Twas not thy wont, to hinder so—
Retrieve thine industry—
'Tis Noon—My little Maid—
Alas—and art thou sleeping yet?
The Lily—waiting to be Wed—
The Bee—Hast thou forgot?
My little Maid—'Tis Night—Alas
That Night should be to thee
Instead of Morning—Had'st thou broached
Thy little Plan to Die—
Dissuade thee, if I could not, Sweet,
I might have aided—thee—
poem by Emily Dickinson
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Again—his voice is at the door
663
Again—his voice is at the door—
I feel the old Degree—
I hear him ask the servant
For such an one—as me—
I take a flower—as I go—
My face to justify—
He never saw me—in this life—
I might surprise his eye!
I cross the Hall with mingled steps—
I—silent—pass the door—
I look on all this world contains—
Just his face—nothing more!
We talk in careless—and it toss—
A kind of plummet strain—
Each—sounding—shyly& mdash;
Just—how—deep—
The other's one—had been—
We walk—I leave my Dog—at home—
A tender—thoughtful Moon—
Goes with us—just a little way—
And—then—we are alone—
Alone—if Angels are "alone"—
First time they try the sky!
Alone—if those "veiled faces"—be—
We cannot count—on High!
I'd give—to live that hour—again—
The purple—in my Vein—
But He must count the drops—himself—
My price for every stain!
poem by Emily Dickinson
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The Court is far away
235
The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!
I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—
That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—
poem by Emily Dickinson
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Joy to have merited the Pain
788
Joy to have merited the Pain—
To merit the Release—
Joy to have perished every step—
To Compass Paradise—
Pardon—to look upon thy face—
With these old fashioned Eyes—
Better than new—could be—for that—
Though bought in Paradise—
Because they looked on thee before—
And thou hast looked on them—
Prove Me—My Hazel Witnesses
The features are the same—
So fleet thou wert, when present—
So infinite—when gone—
An Orient's Apparition—
Remanded of the Morn—
The Height I recollect—
'Twas even with the Hills—
The Depth upon my Soul was notched—
As Floods—on Whites of Wheels—
To Haunt—till Time have dropped
His last Decade away,
And Haunting actualize—to last
At least—Eternity—
poem by Emily Dickinson
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The name—of it—is "Autumn"
656
The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—
Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—
It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—
poem by Emily Dickinson
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I tend my flowers for thee
339
I tend my flowers for thee—
Bright Absentee!
My Fuchsia's Coral Seams
Rip—while the Sower—dreams—
Geraniums— tint—and spot—
Low Daisies—dot—
My Cactus—splits her Beard
To show her throat—
Carnations—tip their spice—
And Bees—pick up—
A Hyacinth—I hid—
Puts out a Ruffled Head—
And odors fall
From flasks—so small—
You marvel how they held—
Globe Roses—break their satin glake—
Upon my Garden floor—
Yet—thou—not there—
I had as lief they bore
No Crimson—more—
Thy flower—be gay—
Her Lord—away!
It ill becometh me—
I'll dwell in Calyx—Gray—
How modestly—alway—
Thy Daisy—
Draped for thee!
poem by Emily Dickinson
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The Daisy follows soft the Sun
106
The Daisy follows soft the Sun—
And when his golden walk is done—
Sits shyly at his feet—
He—waking—finds the flower there—
Wherefore—Marauder—art thou here?
Because, Sir, love is sweet!
We are the Flower—Thou the Sun!
Forgive us, if as days decline—
We nearer steal to Thee!
Enamored of the parting West—
The peace—the flight—the Amethyst—
Night's possibility!
poem by Emily Dickinson
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The One who could repeat the Summer day
307
The One who could repeat the Summer day—
Were greater than itself—though He
Minutest of Mankind should be—
And He—could reproduce the Sun—
At period of going down—
The Lingering—and the Stain—I mean—
When Orient have been outgrown
And Occident—become Unknown—
His Name—remain—
poem by Emily Dickinson
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A Murmur in the Trees—to note
416
A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—
A long—long Yellow—on the Lawn—
A Hubbub—as of feet—
Not audible—as Ours—to Us—
But dapperer—More Sweet—
A Hurrying Home of little Men
To Houses unperceived—
All this—and more—if I should tell—
Would never be believed—
Of Robins in the Trundle bed
How many I espy
Whose Nightgowns could not hide the Wings—
Although I heard them try—
But then I promised ne'er to tell—
How could I break My Word?
So go your Way—and I'll go Mine—
No fear you'll miss the Road.
poem by Emily Dickinson
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Grief is a Mouse
793
Grief is a Mouse—
And chooses Wainscot in the Breast
For His Shy House—
And baffles quest—
Grief is a Thief—quick startled—
Pricks His Ear—report to hear
Of that Vast Dark—
That swept His Being—back—
Grief is a Juggler—boldest at the Play—
Lest if He flinch—the eye that way
Pounce on His Bruises—One—say—or Three—
Grief is a Gourmand—spare His luxury—
Best Grief is Tongueless—before He'll tell—
Burn Him in the Public Square—
His Ashes—will
Possibly—if they refuse—How then know—
Since a Rack couldn't coax a syllable—now.
poem by Emily Dickinson
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It might be lonelier
405
It might be lonelier
Without the Loneliness—
I'm so accustomed to my Fate—
Perhaps the Other—Peace—
Would interrupt the Dark—
And crowd the little Room—
Too scant—by Cubits—to contain
The Sacrament—of Him—
I am not used to Hope—
It might intrude upon—
Its sweet parade—blaspheme the place—
Ordained to Suffering—
It might be easier
To fail—with Land in Sight—
Than gain—My Blue Peninsula—
To perish—of Delight—
poem by Emily Dickinson
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This was a Poet—It is That
448
This was a Poet—It is That
Distills amazing sense
From ordinary Meanings—
And Attar so immense
From the familiar species
That perished by the Door—
We wonder it was not Ourselves
Arrested it—before—
Of Pictures, the Discloser—
The Poet—it is He—
Entitles Us—by Contrast—
To ceaseless Poverty—
Of portion—so unconscious—
The Robbing—could not harm—
Himself—to Him—a Fortune—
Exterior—to Time—
poem by Emily Dickinson
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Her—"last Poems"
312
Her—"last Poems"—
Poets—ended—
Silver—perished—with her Tongue—
Not on Record—bubbled other,
Flute—or Woman—
So divine—
Not unto its Summer—Morning
Robin—uttered Half the Tune—
Gushed too free for the Adoring—
From the Anglo-Florentine—
Late—the Praise—
'Tis dull—conferring
On the Head too High to Crown—
Diadem—or Ducal Showing—
Be its Grave—sufficient sign—
Nought—that We—No Poet's Kinsman—
Suffocate—with easy woe—
What, and if, Ourself a Bridegroom—
Put Her down—in Italy?
poem by Emily Dickinson
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Sweet—You forgot—but I remembered
523
Sweet—You forgot—but I remembered
Every time—for Two—
So that the Sum be never hindered
Through Decay of You—
Say if I erred? Accuse my Farthings—
Blame the little Hand
Happy it be for You—a Beggar's—
Seeking More—to spend—
Just to be Rich—to waste my Guineas
On so Best a Heart—
Just to be Poor—for Barefoot Vision
You—Sweet—Shut me out—
poem by Emily Dickinson
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The Moon was but a Chin of Gold
737
The Moon was but a Chin of Gold
A Night or two ago—
And now she turns Her perfect Face
Upon the World below—
Her Forehead is of Amplest Blonde—
Her Cheek—a Beryl hewn—
Her Eye unto the Summer Dew
The likest I have known—
Her Lips of Amber never part—
But what must be the smile
Upon Her Friend she could confer
Were such Her Silver Will—
And what a privilege to be
But the remotest Star—
For Certainty She take Her Way
Beside Your Palace Door—
Her Bonnet is the Firmament—
The Universe—Her Shoe—
The Stars—the Trinkets at Her Belt—
Her Dimities—of Blue—
poem by Emily Dickinson
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Most she touched me by her muteness
760
Most she touched me by her muteness—
Most she won me by the way
She presented her small figure—
Plea itself—for Charity—
Were a Crumb my whole possession—
Were there famine in the land—
Were it my resource from starving—
Could I such a plea withstand—
Not upon her knee to thank me
Sank this Beggar from the Sky—
But the Crumb partook—departed—
And returned On High—
I supposed—when sudden
Such a Praise began
'Twas as Space sat singing
To herself—and men—
'Twas the Winged Beggar—
Afterward I learned
To her Benefactor
Making Gratitude
poem by Emily Dickinson
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