Lacock Nunnery
I stood upon the stone where ELA lay,
The widowed founder of these ancient walls,
Where fancy still on meek devotion calls,
Marking the ivied arch, and turret gray--
For her soul's rest--eternal rest--to pray;
Where visionary nuns yet seem to tread,
A pale dim troop, the cloisters of the dead,
Though twice three hundred years have flown away!
But when, with silent step and pensive mien,
In weeds, as mourning for her sisters gone,
The mistress of this lone monastic scene
Came; and I heard her voice's tender tone,
I said, Though centuries have rolled between,
One gentle, beauteous nun is left, on earth, alone.
poem by William Lisle Bowles
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Picture Of A Young Lady
When I was sitting, sad, and all alone,
Remembering youth and love for ever fled,
And many friends now resting with the dead,
While the still summer's light departing shone,
Like many sweet and silent summers gone;
Thou camest, as a vision, with a mien
And smile like those I once on earth had seen,
And with a voice of that remembered tone
Which I in other days, long since, had heard:
Like Peace approaching, when distempers fret
Most the tired spirit, thy fair form appeared;
And till I die, I never shall forget,--
For at thy footstep light, the gloom was cheered,--
Thy look and voice, oh! gentle Margaret.
poem by William Lisle Bowles
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Little Libbie
One more little spirit to Heaven has flown,
To dwell in that mansion above,
Where dear little angels, together roam,
In God's everlasting love.
One little flower has withered and died,
A bud near ready to bloom,
Its life on earth is marked with pride;
Oh, sad it should die so soon.
Sweet little Libbie, that precious flower
Was a pride in her parents' home,
They miss their little girl every hour,
Those friends that are left to mourn.
Her sweet silvery voice no more is heard
In the home where she once roamed;
Her place is vacant around the hearth,
Where her friends are mourning lone.
They are mourning the loss of a little girl,
With black eyes and auburn hair,
She was a treasure to them in this world,
This beautiful child so fair.
One morning in April, a short time ago,
Libbie was active and gay;
Her Saviour called her, she had to go,
E're the close of that pleasant day.
While eating dinner, this dear little child
Was choked on a piece of beef.
Doctors came, tried their skill awhile,
But none could give relief.
She was ten years of age, I am told,
And in school stood very high.
Her little form now the earth enfolds,
In her embrace it must ever lie.
Her friends and schoolmates will not forget
Little Libbie that is no more;
She is waiting on the shining step,
To welcome home friends once more.
poem by Julia A Moore
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The White Lady
I cannot rest, I cannot rest
In straight and shiny wood,
My woven hands upon my breast--
The dead are all so good!
The earth is cool across their eyes;
They lie there quietly.
But I am neither old nor wise;
They do not welcome me.
Where never I walked alone before,
I wander in the weeds;
And people scream and bar the door,
And rattle at their beads.
We cannot rest, we never rest
Within a narrow bed
Who still must love the living best--
Who hate the pompous dead!
poem by Dorothy Parker
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The Recollect Church
Quickly are crumbling the old gray walls,
Soon the last stone will be gone,
The olden church of the Recollects,
We shall look no more upon;
And though, perchance, some stately pile
May rise its place to fill,
With carven piers and lofty towers,
Old Church, we shall miss thee still!
Though not like Europe’s ancient fanes,
Moss-grown and ivied o’er
Bearing long centuries’ darkened stains
On belfry and turrets hoar—
A hundred years and more hast thou
Thy shadow o’er us cast;
And we claim thee in our country’s youth
As a land-mark of the past.
Thou’st seen the glittering Fleur-de-lys
Fling out its folds on high
From old Dalhousie’s fortress hill,
Against the morning sky;
And, later, the gleam of an English flag
From its cannon-crowned brow,—
That flag which, despite the changing years,
Floateth proudly o’er us now.
Thou’st seen the dark-browed Indians, too,
Thronging each narrow street,
In their garb so strangely picturesque,
Their gaily moccassined feet;
And beside them gentle helpmates stood,
Dark-hued, with soft black eyes,
In blanket robes, with necklets bright—
Large beads of brilliant dyes.
Thou’st seen our city far outgrow
The bounds of its ancient walls,
In beauty growing and in wealth,
And free from early thralls,
Till round Mount Royal’s queenly heights,
That stretch toward the sky,
In pomp and splendor, beauteous homes
Of luxury closely lie.
Within this time-worn portal prayed
The sons of differing creeds,
And unto God, in various ways,
Made known their various needs.
Better dwell thus in brotherly love,
All seeking one common weal,
Than stir the stormy waters of strife
Through hasty and misjudged zeal.
And for many years the exiles lone,
Who landed upon our shore
From Erin’s green and sunny isle,
Did here their God adore;
And laid their aching sad hearts bare
To His kind, pitying gaze,
And prayed to Him in this new strange land
For better and brighter days.
And humble Recollect Friars here
Their matins recited o’er,
And glided with noiseless, sandalled feet
O’er the chapel’s sacred floor;
Again, at the close of day they met,
Amid clouds of incense dim
And the softened, rays of tapers’ blaze,
To sing their evening hymn.
They and their order have passed away
From among their fellow-men.
Little recked they for earth’s joys or gains,
On heaven bent their ken.
The lowly church that has borne their name
So faithfully to the last,
Linked with our city’s young days, like them,
Will henceforth be of the past.
poem by Rosanna Eleanor Leprohon
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Saint Monica
AMONG deep woods is the dismantled scite
Of an old Abbey, where the chaunted rite,
By twice ten brethren of the monkish cowl,
Was duly sung; and requiems for the soul
Of the first founder: For the lordly chief,
Who flourish'd paramount of many a fief,
Left here a stipend yearly paid, that they,
The pious monks, for his repose might say
Mass and orisons to Saint Monica.
Beneath the falling archway overgrown
With briars, a bench remains, a single stone,
Where sat the indigent, to wait the dole
Given at the buttery; that the baron's soul
The poor might intercede for; there would rest,
Known by his hat of straw with cockles drest,
And staff and humble weed of watchet gray,
The wandering pilgrim; who came there to pray
The intercession of Saint Monica.
Stern Reformation and the lapse of years
Have reft the windows, and no more appears
Abbot or martyr on the glass anneal'd;
And half the falling cloisters are conceal'd
By ash and elder: the refectory wall
Oft in the storm of night is heard to fall,
When, wearied by the labours of the day,
The half awaken'd cotters, starting say,
'It is the ruins of Saint Monica.'
Now with approaching rain is heard the rill,
Just trickling thro' a deep and hollow gill
By osiers, and the alder's crowding bush,
Reeds, and dwarf elder, and the pithy rush,
Choak'd and impeded: to the lower ground
Slowly it creeps; there traces still are found
Of hollow squares, embank'd with beaten clay,
Where brightly glitter'd in the eye of day
The peopled waters of Saint Monica.
The chapel pavement, where the name and date,
Or monkish rhyme, had mark'd the graven plate,
With docks and nettles now is overgrown;
And brambles trail above the dead unknown.
Impatient of the heat, the straggling ewe
Tinkles her drowsy bell, as nibbling slow
She picks the grass among the thistles gray,
Whose feather'd seed the light air bears away,
O'er the pale relicks of Saint Monica.
Reecho'd by the walls, the owl obscene
Hoots to the night; as thro' the ivy green
Whose matted tods the arch and buttress bind,
Sobs in low gusts the melancholy wind:
The Conium there, her stalks bedropp'd with red,
Rears, with Circea, neighbour of the dead;
Atropa too, that, as the beldams say,
Shews her black fruit to tempt and to betray,
Nods by the mouldering shrine of Monica.
Old tales and legends are not quite forgot.
Still Superstition hovers o'er the spot,
And tells how here, the wan and restless sprite,
By some way-wilder'd peasant seen at night,
Gibbers and shrieks, among the ruins drear;
And how the friar's lanthorn will appear
Gleaming among the woods, with fearful ray,
And from the church-yard take its wavering way,
To the dim arches of Saint Monica.
The antiquary comes not to explore,
As once, the unrafter'd roof and pathless floor;
For now, no more beneath the vaulted ground
Is crosier, cross, or sculptur'd chalice found,
Nor record telling of the wassail ale,
What time the welcome summons to regale,
Given by the matin peal on holiday,
The villagers rejoicing to obey,
Feasted, in honour of Saint Monica.
Yet often still at eve, or early morn,
Among these ruins shagg'd with fern and thorn,
A pensive stranger from his lonely seat
Observes the rapid martin, threading fleet
The broken arch: or follows with his eye,
The wall-creeper that hunts the burnish'd fly;
Sees the newt basking in the sunny ray,
Or snail that sinuous winds his shining way,
O'er the time-fretted walls of Monica.
He comes not here, from the sepulchral stone
To tear the oblivious pall that Time has thrown,
But meditating, marks the power proceed
From the mapped lichen, to the plumed weed,
From thready mosses to the veined flower,
The silent, slow, but ever active power
Of Vegetative Life, that o'er Decay
Weaves her green mantle, when returning May
Dresses the ruins of Saint Monica.
Oh Nature ! ever lovely, ever new,
He whom his earliest vows has paid to you
Still finds, that life has something to bestow;
And while to dark Forgetfulness they go,
Man, and the works of man; immortal Youth,
Unfading Beauty, and eternal Truth,
Your Heaven-indited volume will display,
While Art's elaborate monuments decay,
Even as these shatter'd aisles, deserted Monica !
poem by Charlotte Smith
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The Death of the Flowers
The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sere.
Heaped in the hollows of the grove, the autumn leaves lie dead;
They rustle to the eddying gust, and to the rabbit's tread;
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow through all the gloomy day.
Where are the flowers, the fair young flowers, that lately sprang and stood
In brighter light and softer airs, a beauteous sisterhood?
Alas! they all are in their graves, the gentle race of flowers
Are lying in their lowly beds, with the fair and good of ours.
The rain is falling where they lie, but the cold November rain
Calls not from out the gloomy earth the lovely ones again.
The wind-flower and the violet, they perished long ago,
And the brier-rose and the orchids died amid the summer glow;
But on the hills the golden-rod, and the aster in the wood,
And the yellow sun-flower by the brook in autumn beauty stood,
Till fell the frost from the clear cold heaven, as falls the plague on men,
And the brightness of their smile was gone, from upland, glade, and glen.
And now, when comes the calm mild day, as still such days will come,
To call the squirrel and the bee from out their winter home;
When the sound of dropping nuts is heard, though all the trees are still,
And twinkle in the smoky light the waters of the rill,
The south wind searches for the flowers whose fragrance late he bore,
And sighs to find them in the wood and by the stream no more.
And then I think of one who in her youthful beauty died,
The fair meek blossom that grew up and faded by my side.
In the cold moist earth we laid her, when the forests cast the leaf,
And we wept that one so lovely should have a life so brief:
Yet not unmeet it was that one, like that young friend of ours,
So gentle and so beautiful, should perish with the flowers.
poem by William Cullen Bryant
Submitted by Veronica Serbanoiu
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To The Chapel Bell
"Lo I, the man who erst the Muse did ask
Her deepest notes to swell the Patriot's meeds,
Am now enforst a far unfitter task
For cap and gown to leave my minstrel weeds,"
For yon dull noise that tinkles on the air
Bids me lay by the lyre and go to morning prayer.
Oh how I hate the sound! it is the Knell,
That still a requiem tolls to Comfort's hour;
And loth am I, at Superstition's bell,
To quit or Morpheus or the Muses bower.
Better to lie and dose, than gape amain,
Hearing still mumbled o'er, the same eternal strain.
Thou tedious herald of more tedious prayers
Say hast thou ever summoned from his rest,
One being awakening to religious awe?
Or rous'd one pious transport in the breast?
Or rather, do not all reluctant creep
To linger out the hour, in listlessness or sleep?
I love the bell, that calls the poor to pray
Chiming from village church its chearful sound,
When the sun smiles on Labour's holy day,
And all the rustic train are gathered round,
Each deftly dizen'd in his Sunday's best
And pleas'd to hail the day of piety and rest.
Or when, dim-shadowing o'er the face of day,
The mantling mists of even-tide rise slow,
As thro' the forest gloom I wend my way,
The minster curfew's sullen roar I know;
I pause and love its solemn toll to hear,
As made by distance soft, it dies upon the ear.
Nor not to me the unfrequent midnight knell
Tolls sternly harmonizing; on mine ear
As the deep death-fraught sounds long lingering dwell
Sick to the heart of Love and Hope and Fear
Soul-jaundiced, I do loathe Life's upland steep
And with strange envy muse the dead man's dreamless sleep.
But thou, memorial of monastic gall!
What Fancy sad or lightsome hast thou given?
Thy vision-scaring sounds alone recall
The prayer that trembles on a yawn to heaven;
And this Dean's gape, and that Dean's nosal tone,
And Roman rites retain'd, tho' Roman faith be flown.
poem by Robert Southey
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Away, Away, Ye Notes Of Woe!
Away, away, ye notes of woe!
Be silent, thou once soothing strain,
Or I must flee from hence--for, oh!
I dare not trust those sounds again.
To me they speak of brighter days
But lull the chords, for now, alas!
I must not think, I may not gaze,
On what I am--on what I was.
The voice that made those sounds more sweet
Is hush'd, and all their charms are fled
And now their softest notes repeat
A dirge, an anthem o'er the dead!
Yes, Thyrza! yes, they breathe of thee,
Beloved dust! since dust thou art;
And all that once was harmony
Is worse than discord to my heart!
'Tis silent all!--but on my ear
The well remember'd echoes thrill;
I hear a voice I would not hear,
A voice that now might well be still:
Yet oft my doubting soul 'twill shake;
Even slumber owns its gentle tone,
Till consciousness will vainly wake
To listen, though the dream be flown.
Sweet Thyrza! waking as in sleep,
Thou art but now a lovely dream;
A star that trembled o'er the deep,
Then turn'd from earth its tender beam.
But he who through life's dreary way
Must pass, when heaven is veil'd in wrath,
Will long lament the vanish'd ray
That scatter'd gladness o'er his path.
December 6, 1811.
The Soul's Quest
PART I
IN the land that is neither night nor day,
Where the mists sleep over the forests grey,
A sad, sad spirit wandered away.
The woods are still—no brooks, no wind,
No fair green meadows can she find;
5
But a low red light in the sky behind.
Far over the plain, to the spirit's sight,
The city's towers are black as night,
Against the edge of the low red light.
This side the city in darkness lies,
10
But westward, at the glowering skies,
It glares with a thousand fiery eyes.
The road is long, the hedgerows bare,
There's the chill of death in the silent air,
And a glimmer of darkness everywhere.
15
'O sad, sad spirit, what thy quest,
With those flowing locks and that shadowy vest? '
The spirit answers, 'I seek for rest.'
'Where seekest rest, when the air is cold
On the long, dim road, and the clock hath tolled
20
The muffled hours form the belfry old?
'Where seekest rest through the twilight grey
Of the mists that sleep on the woods alway? '—
'I seek to-morrow or yesterday! '
Her face is pale, her feet are bare,
25
Her sad dark eyes, wide open, stare
At the glimmering darkness everywhere.
To those cheeks no rose hath summer brought,
But on their pallor time hath wrought
The troubled lines of an after-thought.
30
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
And thus, all silent, seeks she rest.
Her tread is light on the cold, hard road;
For the tread may be light, yet heavy the load
35
Of grief at the heart and thoughts that goad.
She plucks a leaf from the roadway side,
And under its shade two violets hide—
As if from her cold touch, they hide.
She twines the violets in her hair;
40
They have no scent—she does not care,
For the glimmer of darkness is everywhere.
And on through the dim of the twilight grey,
While the pale sky gloweth far away,
She seeks to-morrow or yesterday.
45
PART II
'O Abbess, Abbess, the air is chill!
I heard the chaunting over the hill,
Like an angel's voice when the soul is still.
'O, Abbess, open wide thy gate!
Out on the cold, dim road I wait,
50
A spirit lone and desolate.
'Take thou these hands and these weary feet,
Cold as a corpse in its winding-sheet,
For the song of the nuns was so strange and sweet.
'Here with the sisters let me dwell,
55
Under these walls, in the loneliest cell,
Waiting the sound of the matin bell.
'Cut off these locks of flowing hair,
Cover with weeds this bosom bare,
For the glimmer of darkness is everywhere.
60
'Ask not my name, nor whence my way,
For the mist sleeps over the wood alway,
And I seek to-morrow or yesterday.'
She's passed beneath the chapel door;
The nuns are kneeling on the floor,
65
But a low wind moaneth evermore.
Sweeter and sweeter the sisters sing,
Till high in the roof the echoes ring,
For they know that God is listening.
'Ave Maria, hear our cry,
70
As the shadows roll across the sky,
For those that live and those that die!
'Ave Maria, Virgin blest,
Help the sin-stained and distrest,
Give the weary-hearted rest!
75
'Ave Maria, who didst bear
Jesus in this world of care,
Grant us all thy bliss to share! '
Sweeter and sweeter the sisters sing,
From arch to arch the echoes ring,
80
For they know that God is listening.
Out of the north the oceans roll,
Washing the lands from pole to pole:
No rest—no rest for the old world's soul.
The after-glow of suns that set
85
O'er fields with morning dew once wet,
Where all life's flowering roadways met,
Long shadows of our joys has sent,
Sloping adown the way we went
Towards darkness where our feet are bent.
90
Is it the moan of the evening wind?
Or the voice of the ocean in the mind,
While the pale red light looms up behind?
Is it moan of wind, or convent bell,
Or cry of the ocean? I cannot tell;
95
But a voice in her heart has locked the spell.
She does not hear the organ's swell;
In vain she strives her beads to tell,
For a voice in her heart has locked the spell.
She broods among the tangled fears,
100
The undergrowth of perished years,
That darken round the lake of tears.
Silent and dank, they fringe the brim
Of waters motionless and dim,
Unmoved by wings of Seraphim.
105
No lights on the altar the spirit sees,
The cloistered aisles are but leafless trees,
And the music, the sigh of the evening breeze.
No matin or vesper bell for her;
The leafless branches never stir
110
In the pale, pale light of the days that were.
No matin or vesper hymn or prayer
Can shut those eyes' wide-open stare
At the glimmering darkness everywhere.
The sweetest singing dies away;
115
No note of birds for those who stray
In the land that is neither night nor day.
PART III
In the shadowy light of the silent land,
With the tall gaunt hedges on either hand,
On the long, dim road doth the spirit stand.
120
Under the hedges the air is chill,
And the mists sleep over the forest still,
And are folded like wings on the sides of the hill.
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
125
Her feet are worn with seeking rest.
To her cheeks no rose hath summer brought,
While on their pallor time hath wrought
The troubled lines of an after-thought.
But sweet is the gaze of those sad dark eyes,
130
And sweet their look of mute surprise,
As something in the road she spies.
Spurned under foot, o'ergrown with moss,
Counted of foolish men but loss,
On the cold, hard road lies Jesus' cross.
135
In the dim twilight as she stood,
She saw the marks of Jesus' Blood,
Then stooped and kissed the Holy Rood.
There are sounds of joy from the years gone by,
There's a pale red light in the forward sky,
140
And a star looks down through the mist on high.
Hush! for the light falls clear from that star,
Hush! for the day-dawn kindles afar,
Hush! for the gate of the sky is ajar.
What is the voice of the boundless sea
145
As it clasps the lands excitedly?
Not the voice of the dead, but of what shall be—
Of what shall be when the world shall cease,
And oceans die in the reign of peace,
When God grants pardon and release.
150
O sweetest taste of Jesus' Blood!
Joy bursts upon her like a flood;
The spirit kisseth Holy Rood.
A low wind moaneth evermore,
The nuns still kneel upon the floor,
155
But Jesus trod this way before.
She lifts the sacred emblem up:
This was His drink, His bitter cup;
And all His loved with Him must sup.
Beneath its arms she bows her head,
160
Those arms so rudely fashionèd,
Which Jesus made His dying bed.
She bends beneath the cross's weight,
But now no longer desolate,
She stands before the convent gate.
165
Sweeter and sweeter the sisters sing,
From arch and roof the echoes ring,
While God above is listening.
'Ave Maria, Virgin blest,
Help the sin-stained and distrust,
170
Grant the weary-hearted rest! '
The altar-lights are shining fair,
And Jesus' cross is standing there;
The darkness brightens everywhere.
In silent bliss the spirit kneels,
175
For mortal utterance half conceals
The deepest joy the bosom feels.
She bears her burden day by day;
It wakens her at morning grey,
And calms her at eve's setting ray.
180
She bears it through the length of years;
The rough wood drives away her fears,
The blood-stains check all earthly tears.
Through daily round of deed and psalm,
She moves in silent strength and calm,
185
The cross her solace and her balm.
She bears it round from door to door,
And lonely hearts that ached before,
Find joy and peace for evermore.
So in the present, people say,
190
Of holy deed and prayer alway,
She finds to-morrow and yesterday.
poem by Frederick George Scott
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The Bird's Release
Go forth, for she is gone!
With the golden light of her wavy hair,
She is gone to the fields of the viewless air;
She hath left her dwelling lone!
Her voice hath pass'd away!
It hath pass'd away like a summer breeze,
When it leaves the hills for the far blue seas,
Where we may not trace its way.
Go forth, and like her be free!
With thy radiant wing, and thy glancing eye,
Thou hast all the range of the sunny sky,
And what is our grief to thee?
Is it aught ev'n to her we mourn?
Doth she look on the tears by her kindred shed?
Doth she rest with the flowers o'er her gentle head,
Or float on the light wind borne?
We know not-but she is gone!
Her step from the dance, her voice from the song,
And the smile of her eye from the festal throng;-
-She hath left her dwelling lone!
When the waves at sunset shine,
We may hear thy voice, amidst thousands more,
In the scented woods of our glowing shore,
But we shall not know 'tis thine!
Ev'n so with the lov'd one flown!
Her smile in the starlight may wander by,
Her breath may be near in the wind's low sigh,
Around us-but all unknown.
Go forth, we have loos'd thy chain!
We may deck thy cage with the richest flowers,
Which the bright day rears in our eastern bowers,
But thou wilt not be lur'd again.
Ev'n thus may the summer pour
All fragrant things on the land's green breast,
And the glorious earth like a bride be dress'd,
But it wins her back no more!
poem by Felicia Dorothea Hemans
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Korner And His Sister
Green wave the oak for ever o'er thy rest,
Thou that beneath its crowning foliage sleepest,
And, in the stillness of thy country's breast,
Thy place of memory, as an altar keepest;
Brightly thy spirit o'er her hills was pour'd,
Thou of the Lyre and Sword!
Rest, bard! rest, soldier! by the father's hand
Here shall the child of after years be led,
With his wreath-offering silently to stand,
In the hush'd presence of the glorious dead.
Soldier and bard! for thou thy path hast trod
With freedom and with God.
The oak wav'd proudly o'er thy burial-rite,
On thy crown'd bier to slumber warriors bore thee,
And with true hearts thy brethren of the fight
Wept as they vail'd their drooping banners o'er thee.
And the deep guns with rolling peal gave token,
That Lyre and Sword were broken.
Thou hast a hero's tomb: a lowlier bed
Is hers, the gentle girl beside thee lying,
The gentle girl, that bow'd her fair, young head
When thou wert gone, in silent sorrow dying.
Brother, true friend! the tender and the brave
She pined to share thy grave.
Fame was thy gift from others; but for her,
To whom the wide world held that only spot,
She loved thee! lovely in your lives ye were,
And in your early deaths divided not.
Thou hast thine oak, thy trophy:–What hath she?
Her own blest place by thee!
It was thy spirit, brother! which had made
The bright earth glorious to her thoughtful eye,
Since first in childhood midst the vines ye play'd,
And sent glad singing thro' the free blue sky.
Ye were but two and when that spirit pass'd,
Wo to the one, the last!
Wo, yet not long! She linger'd but to trace
Thine image from the image in her breast,
Once, once again to see that buried face
But smile upon her, ere she went to rest.
Too sad a smile! its living light was o'er,
It answer'd hers no more.
The earth grew silent when thy voice departed,
The home too lonely whence thy step had fled;
What then was left for her, the faithful-hearted?
Death, death, to still the yearning for the dead!
Softly she perish'd: be the Flower deplor'd
Here with the Lyre and Sword!
Have ye not met ere now? so let those trust
That meet for moments but to part for years,
That weep, watch, pray, to hold back dust from dust,
That love, where love is but a fount of tears.
Brother, sweet sister! peace around ye dwell:
Lyre, Sword, and Flower, farewell!
poem by Felicia Dorothea Hemans
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Mom And Dad
These walls once knew the laughter
Of children happy and gay
Of mom and dad with humble thanks
To God who blessed them on their way
Then came the war, Johnnie had to go
I remember the tears we shed
And precious memories that lingered on
After news came the boy was dead
The rest of us left one by one
Until mom and dad were alone
They seemed to weather the time
As the years rolled on and on
The Angels came for mother's soul
It's been about three years ago
Then dad seemed to wither away
Until the Lord said he must go
Yes this old house is empty now
All her glory passed and gone
The shutters and doors are crumbling
As are walls once filled with song
But I shall never forget the raising
That came from mom and dad
They led us children to the Lord
When I was but a strip of a lad
I want to thank you again Lord
For mom and dads special care
They filled my life with love and joy
In this old house of yesteryear
poem by Louis H. Thompson
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The Revellers
Ring, joyous chords!-ring out again!
A swifter still, and a wilder strain!
They are here-the fair face and the careless heart,
And stars shall wane ere the mirthful part.
-But I met a dimly mournful glance,
In a sudden turn of the flying dance;
I heard the tone of a heavy sigh,
In a pause of the thrilling melody!
And it is not well that woe should breathe
On the bright spring-flowers of the festal wreath!
-Ye that to thought or to grief belong,
Leave, leave the hall of song!
Ring, joyous chords!-but who art thou
With the shadowy locks o'er thy pale young brow,
And the world of dreamy gloom that lies
In the misty depths of thy soft dark eyes?
-Thou hast lov'd, fair girl! thou hast lov'd too well!
Thou art mourning now o'er a broken spell;
Thou hast pour'd thy heart's rich treasures forth,
And art unrepaid for their priceless worth!
Mourn on!-yet come thou not here the while,
It is but a pain to see thee smile!
There is not a tone in our songs for thee-
-Home with thy sorrows flee!
Ring, joyous chords!-ring out again!
-But what dost thou with the Revel's train?
A silvery voice through the soft air floats,
But thou hast no part in the gladdening notes;
There are bright young faces that pass thee by,
But they fix no glance of thy wandering eye!
Away! there's a void in thy yearning breast,
Thou weary man! wilt thou here find rest?
Away! for thy thoughts from the scene have fled,
And the love of thy spirit is with the dead!
Thou art but more lone midst the sounds of mirth-
-Back to thy silent hearth!
Ring, joyous chords!-ring forth again!
A swifter still, and a wilder strain!
-But thou , though a reckless mien be thine,
And thy cup be crown'd with the foaming wine,
By the fitful bursts of thy laughter loud,
By thine eye's quick flash through its troubled cloud,
I know thee!-it is but the wakeful fear
Of a haunted bosom that brings thee here!
I know thee!-thou fearest the solemn night,
With her piercing stars and her deep wind's might!
There's a tone in her voice which thou fain wouldst shun,
For it asks what the secret soul hath done!
And thou-there's a dark weight on thine-away!
-Back to thy home and pray!
Ring, joyous chords!-ring out again!
A swifter still, and a wilder strain!
And bring fresh wreaths!-we will banish all
Save the free in heart from our festive hall.
On through the maze of the fleet dance, on!
-But where are the young and the lovely?-gone!
Where are the brows with the red rose crown'd,
And the floating forms with the bright zone bound?
And the waving locks and the flying feet,
That still should be where the mirthful meet!
-They are gone-they are fled-they are parted all-
-Alas! the forsaken hall!
poem by Felicia Dorothea Hemans
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XII. Written at a Convent.
IF chance some pensive stranger, hither led,
His bosom glowing from majestic views,
The gorgeous dome, or the proud landscape's hues,
Should ask who sleeps beneath this lowly bed --
'Tis poor Matilda! To the cloister'd scene,
A mourner, beauteous and unknown, she came,
To shed her tears unseen; and quench the flame
Of fruitless love: yet was her look serene
As the pale midnight on the moon-light isle --
Her voice was soft, which e'en a charm could lend,
Like that which spoke of a departed friend,
And a meek sadness sat upon her smile!
Now here remov'd from ev'ry human ill,
Her woes are buried, and her heart is still.
poem by William Lisle Bowles
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New Earth
Ghost whispers in the canyon
Granite walls like times art
Voice of eternal angels
Winds, the metaphor of soul
Drink by the river of life
Music comes out of the solitude
Out of the places of spirit
Blood as mystical as time
Feel the ragged stones
Feel the dawn like birth
Circles of children’s angels
Turquoise like peyote of blue joy
Visions where jewels pray
Cactus and red sunsets
Rest in clay valleys of stars
Scorpions in ancient caves
Rattlesnakes in the Apache sun
Ghost towns
Old wagon wheels in dreams
Back into star fields
Back into freedom
The future like a dream catcher
Forward when the tribes meet
Dream and walk north
Eagles fly free
Hear the buffalo
Hear the song of the stars
Let your bones feel life
Rest in the new earth
poem by Joseph Narusiewicz
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Hidden Observer
The lone gray wolf sat still once more,
Next to another tree...
As if to tap his frozen paw,
In time, impatiently...
The snow had stopped, the breeze was cool,
He sighed another sigh...
And there he sat, as if a fool,
For something to pass by...
An hour vanished like the sun
That clouds had blocked from sight.
Yet there was nothing to be done,
Waiting in that twilight...
Starvation haunts the carnivores
When snow sets on the ground.
The lone gray wolf can't rest indoors
When there's no food around...
Then drooping ears pricked up at last!
A rustling sound was heard...
The lone gray wolf then ran so fast
To catch the helpless bird!
The ancient battle then ensued,
The hunter and the prey...
This time, the wolf had won the fued
And food was on its way...
The ancient rules must still apply...
For Nature's Laws must serve her...
That's why, beneath the twilight sky,
He's the hidden observer...
The poem is based on the magnificent painting
by Stephen Gayford called 'Hidden Observer'.
The Stephen Gayford poems can be viewed here:
denis-martindale-dot-blogspot-dot-com
poem by Denis Martindale
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Lonely Tombs
(e) I was strollin one day, in a lonely graveyard,
When a voice from the tomb, seemed to (b7) say,
I once (e) lived as you live, walked and talked as you talk,
But from earth I was (b7) soon called a- (e) way.
Chorus
(e) oh, those tombs, (oh those tombs),
Lonely tombs, (lonely tombs ),
Seemed to say in a low gentle (b7) tone,
Oh how (e) sweet, (oh how sweet),
Is the rest, (is the rest),
In our beautiful, (b7) heavenly (e) home.
Every voice from the tomb, seemed to whisper and say,
Livin man you must soon follow me,
And I thought as I gazed, on that cold marble slab,
What a sad lonesome place that must be.
Repeat chorus
I then came to the place, where my mother did lay,
And her voice, soft and low, from the tomb,
It said, son Im at rest, with the savior above,
I am safe in my heavenly home.
Repeat chorus
song performed by by Hank Williams
Submitted by Lucian Velea
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A Poet to...
Long ere I knew thee—years of loveless days,
A shape would gather from my dreams, and pour
The soul-sweet influence of its gentle gaze
Into my heart, to thrill it to the core:
Then would I wake, with lonely heart to pine
For the nocturnal image—it was thine.
Thine—for though long with a fond moody heed
I sought to find it in the beauteous creatures
I met in the world’s ways, twas but to bleed
With disappointment, for all forms, all features,
Yet left it void of living counterpart—
The shadowy mistress of my yearning heart.
Thine—when I saw thee first thou seem’dst to me
A being known, yet beautifully new!
As when, to crown some sage’s theory,
Amid heaven’s sisterhoods, into shining view
Comes the conjectured star!—his lucky name
To halo thenceforth with its virgin flame.
But I forget! Far from thy rural home,
Behold I wander mid primeval woods,
In which but savage things are wont to roam,
Mixing fond questionings with solitude’s
Wild voices, where amid her glades and dells
Enwrapt in twilight trance her shadowy presence dwells.
And now the Hunter, with a swollen speed,
Rushes in thunder at my side, but wears
A softened mien whene’er its reaches lead
My vision westward—where pale fancy rears
Thy wood—next by that brook whose murmurs first,
As with a flattering heed, my love’s new gladness nurst.
And with the river’s murmur, oft a tone
Of that far brook seems blending; accents, too,
Of the dear voice there heard—that voice alone
To me unequalled,—like a silvery dew
Honeyed with manna, dropping near me seems,
As oft I listen, lost in rich memorial dreams.
But vain these musings! Though my spirit’s bride,
Thou knewest not of my love! Though all my days
Must henceforth be inevitably dyed
Or bright, or dark, through thee,—this missive says
Thy lot is cast, and thou a wife wilt be
Ere I again may look (if e’er again) on thee!
The poet’s doom is on me! Poets make
Beauty immortal, and yet luckless miss
The charms they sing; martyrs at fortune’s stake,
As if their soul’s capacity for bliss
Might else mix earth with heaven, and so annul
That want which makes man seek the world-wide beautiful!
Yet, ye wild woods and waters of the earth,
How changed (with all things) shall ye grow to me!
And even the spirit of your summer mirth
Moan pine-like in the woods of memory;
Still, shorn of nearer joy, my heart alone
Out in the mother-whole may henceforth seek its own.
poem by Charles Harpur
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Canto XII from The Heights of Macchu Picchu
Arise to birth with me, my brother.
Give me your hand out of the depths
sown by your sorrows.
You will not return from these stone fastnesses.
You will not emerge from subterranean time.
Your rasping voice will not come back,
nor your pierced eyes rise from their sockets.
Look at me from the depths of the earth,
tiller of fields, weaver, reticent shepherd,
groom of totemic guanacos,
mason high on your treacherous scaffolding,
iceman of Andean tears,
jeweler with crushed fingers,
farmer anxious among his seedlings,
potter wasted among his clays--
bring to the cup of this new life
your ancient buried sorrows.
Show me your blood and your furrow;
say to me: here I was scourged
because a gem was dull or because the earth
failed to give up in time its tithe of corn or stone.
Point out to me the rock on which you stumbled,
the wood they used to crucify your body.
Strike the old flints
to kindle ancient lamps, light up the whips
glued to your wounds throughout the centuries
and light the axes gleaming with your blood.
I come to speak for your dead mouths.
Throughout the earth
let dead lips congregate,
out of the depths spin this long night to me
as if I rode at anchor here with you.
And tell me everything, tell chain by chain,
and link by link, and step by step;
sharpen the knives you kept hidden away,
thrust them into my breast, into my hands,
like a torrent of sunbursts,
an Amazon of buried jaguars,
and leave me cry: hours, days and years,
blind ages, stellar centuries.
And give me silence, give me water, hope.
Give me the struggle, the iron, the volcanoes.
Let bodies cling like magnets to my body.
Come quickly to my veins and to my mouth.
Speak through my speech, and through my blood.
poem by Pablo Neruda
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Dwelling In Mesech
What a mournful life is mine,
Fill with crosses, pains and cares!
Every work defiled with sin,
Every step beset with snares!
If alone I pensive fit,
I myself can hardly bear;
If I pass along the street,
Sin and riot triumph there.
Jesus! how my heart is pained,
How it mourns for souls deceived!
When I hear thy name profaned,
When I see thy Spirit grieved!
When thy children's griefs I view,
Their distress becomes my own;
All I hear, or see, or do,
Makes me tremble, weep and groan.
Mourning thus I long had been,
When I heard my Saviour's voice;
Thou hast cause to mourn for sin,
But in me thou may'st rejoice.
This kind word dispelled my grief,
Put to silence my complaints;
Though of sinners I am chief,
He his ranked me with his saints.
Though constrained to dwell a while
Where the wicked strive and brawl;
Let them frown; so he but smile,
Heav'n will make amends for all.
There, believers, we shall rest,
Free from sorrow, sin and fears;
Nothing there our peace molests,
Through eternal rounds of years.
Let us then the fight endure,
See our Captain looking down;
He will make the conquest sure,
And bestow the promised crown.
poem by John Newton
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