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Riderless

A broken bridle trailing,
A saddle scratched and scarred –
And Brown Bee at the railing
That rings the station yard;
No stockman sits astride her,
But, by those flanks a-foam,
Wild Terror was the rider
That lashed the good mare home!

She snorts across the moonlight
Through nostrils red and wide
The challenge of the unbacked colt
To those who dare not ride;
She snorts across the moonlight
Through nostrils wide and red
The terror of a dumb beast
That has looked upon the dead. . .

His saddle and his bridle
We’ve softly laid aside,
We’ll leave the rough gear idle
Till he comes back to ride –
But when the daylight gathers
And when the dawning pales,
The brown mare stands and whinnies
With her lean head on the rails.

poem by William Henry Ogilvie
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The Riding of the Rebel

He was the Red Creek overseer, a trusted man and true,
Whose shoulder never left the wheel when there was work to do;
Through all the day he rode the run, and when the lights grew dim
The sweetest wife that ever loved would wait and watch for him.
She brought him dower of golden hair and eyes of laughing blue,
Stout heart and cunning bridle-hand to guide the mulga through;
And when the mob was mustered from the box flats far and wide
She loved to mount the wildest colts that no one else would ride.

And once it chanced a wayward steed, half-mouthed and roughly broke,
Denied the touch of gentle hand and gentler words she spoke,
And, plunging forward like the ship that feels the autumn gales,
He reared and lost his footing and fell backwards on the rails.
Her husband bent above her with cold terror at his heart --
The form was still he loved so well, the wan lips would not part;
And all the day in trance she lay, but when the stars smiled down
He heard his name low-whispered and he claimed her still his own.

And afterwards he spoke his fear: 'Heart's love, if you should die! . . .
Unless you take our orders from some other man than I,
You shall never finger bridle, never mount on horse's back,
Till the outlaw on Glenidol is a broken lady's hack!'
There's an outlaw on Glenidol that is known through all the West,
And three men's lives are on his head, bold riders of the best;
The station lads have heard the sneer that travelled far and wide,
And flung the answering challenge: 'Come and teach us how to ride!'

Roll up, ye merry riders all, whose honour is to guard!
We've mustered up the ranges and the Rebel's in the yard,
His open mouth and stamping foot and keen eye flashing fire
Repeat the temper of his dam, the mettle of his sire.
Roll up, ye merry riders all, from hut and camp and town!
You'll have to stick like plaster when the stockyard rails go down.
But the boss will come down handsome, as the boss is wont to come,
To the first who brings The Rebel under spurs and greenhide home.

And the stockmen heard the challenge from the Cooper to the Bree,
And rode from hut and cattle-camp by one and two and three
To keep their horseman's honour clean and play a hero's part,
To best the bold Glenidol boys and break The Rebel's heart.
And Ruddy Neil, the breaker, from the Riverine came through
With all the latest breaking-gear and all the wiles he knew,
But ere the saddle was secured, before a girth was drawn,
The Rebel's forefoot split his skull -- they buried him at dawn!

Marora Mick, the half-caste, from the Flinders River came
To give the South-the-Border boys a lesson at the game;
But he got a roguish welcome when he entered New South Wales,
For The Rebel used his blood and brains to paint the stockyard rails!
And Mulga Jack came over from the Yuinburra side --
The horse was never foaled, they say, that Mulga could not ride;
With a mouth as hard as a miser's heart, a will like the Devil's own,
The Rebel made for the Stony Range, with the man who wouldn't be thrown;

The Rebel made for the Stony Range, where the plain and the scrub-land meet,
And the dead boughs cracked at his shoulder-blade, the stones leapt under his feet,
And the ragged stems of the gidyeas cut and tore as they blundered past . . .
And Jack lay cold in the sunset gold -- he had met with his match at last.
And once again the challenge rang, the bitterer for scorn,
And spoke the bold Glenidol boys, their jackets mutlga-torn:
'A week have we been hunting him and riding fast and hard
To give you all another chance -- The Rebel's in the yard!'

And the stockmen heard the challenge from the Cooper to the Bree;
But 'I'm getting old!' 'I'm getting stiff!' or 'I've a wife, you see!'
Came whispered to the border; and the horse they could not tame
Had saved Glenidol from disgrace and cleansed a sullied name.
But ere the reddening sun went down and night on the ranges broke
A stranger youth to the slip-rails rode, and fastened his horse and spoke
Softly and low, yet none so low but that every man there heard:
'I've come to tackle your outlaw colt,' -- and he looked as good as his word.

He bridled The Rebel in failing light, and saddled the colt and drew
The straps of his gearing doubly tight, and looked that his 'length' was true.
He mounted The Rebel and gave the word, and the clattering rails went down,
And the outlaw leapt at the open gate and into the shadows brown;
But he settled himself to the soothing voice and the touch of the fondling hand,
As it followed the curve of his arching neck from wither to forehead-band;
His flanks were wet with the fresh-sprung sweat, his shoulders lathered with foam,
And he bent to the bridle and played with the bit as he came at a canter home.

And the boys were dumb with wonder, and sat, and the Red Creek overseer
Was first to drop from the stockyard fence and give him a hearty cheer.
He raised his hat in answer and --- the golden hair floated free!
And the blue eyes lit with laughter as she shouted merrily:
'You can reach me down my bridle, give my girths and saddle back,
For the outlaw of Glenidol is a broken lady's hack!'

poem by William Henry Ogilvie
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Lost

"He ought to be home," said the old man, "without there's something amiss.
He only went to the Two-mile -- he ought to be back by this.
He would ride the Reckless filly, he would have his wilful way;
And, here, he's not back at sundown -- and what will his mother say?
"He was always his mother's idol, since ever his father died;
And there isn't a horse on the station that he isn't game to ride.
But that Reckless mare is vicious, and if once she gets away
He hasn't got strength to hold her -- and what will his mother say?"

The old man walked to the sliprail, and peered up the dark'ning track,
And looked and longed for the rider that would never more come back;
And the mother came and clutched him, with sudden, spasmodic fright:
"What has become of my Willie? Why isn't he home tonight?"

Away in the gloomy ranges, at the foot of an ironbark,
The bonnie, winsome laddie was lying stiff and stark;
For the Reckless mare had smashed him against a leaning limb,
And his comely face was battered, and his merry eyes were dim.

And the thoroughbred chestnut filly, the saddle beneath her flanks,
Was away like fire through the ranges to join the wild mob's ranks;
And a broken-hearted woman and an old man worn and grey
Were searching all night in the ranges till the sunrise brought the day.

And the mother kept feebly calling, with a hope that would not die,
"Willie! where are you, Willie?" But how can the dead reply;
And hope died out with the daylight, and the darkness brought despair,
God pity the stricken mother, and answer the widow's prayer!

Though far and wide they sought him, they found not where he fell;
For the ranges held him precious, and guarded their treasure well.
The wattle blooms above him, and the bluebells blow close by,
And the brown bees buzz the secret, and the wild birds sing reply.

But the mother pined and faded, and cried, and took no rest,
And rode each day to the ranges on her hopeless, weary quest.
Seeking her loved one ever, she faded and pined away,
But with strength of her great affection she still sought every day.

"I know that sooner or later I shall find my boy," she said.
But she came not home one evening, and they found her lying dead.
And stamped on the poor pale features, as the spirit homeward pass'd,
Was an angel smile of gladness -- she had found the boy at last.

poem by Andrew Barton Paterson
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A Mare

The mare is one,
Numerous are the riders
To ride on,
They ride on turn by turn,
By whipping her
Through the glades,
Forest and desert,
And all paths of wilderness,
Sometimes on serpentine routes
Through the mountains,
Caring least her needs,
Except a change of saddle,
They make on each ride.
After having ridden the beast
They go aboard,
Wait for their own next turn again,
Leaving her behind in trouble and pain.

poem by Muhammad Shanazar
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Some Other Somebody

Somebody's horse has finished his feed,
Somebody's saddle is on;
But never a nigger the tracks can read,
Or know where Somebody's gone.

Over the rails and up the creek,
As soon as the sun goes down:
How is it every night this week
That Somebody's off to town?

Grass is dewy, and overhead
Evening stars are bright;
And startled wallabies hear the tread
Of galloping hoofs at night.

Through the scrub and over the plain
Somebody's galloping fast;
Never a pull on the bridle rein
Till the town lights show at last.

Somebody's horse has whips o' work -
Whips o' work of late -
Since Somebody's brown was seen in town
Tied to Somebody's gate.

But the wherefore why Somebody rides,
And the track that the brown horse goes,
Only his rider (and one besides:
Some other Somebody) knows!

poem by Harry 'Breaker' Harbord Morant
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From The Wreck

'Turn out, boys'—'What's up with our super. to-night ?
The man's mad—Two hours to daybreak I'd swear—
Stark mad—why, there isn't a glimmer of light.'
'Take Bolingbroke, Alec, give Jack the young mare ;
Look sharp. A large vessel lies jamm'd on the reef,
And many on board still, and some wash'd on shore.
Ride straight with the news—they may send some relief
From the township ; and we—we can do little more.

You, Alec, you know the near cuts ; you can cross
'The Sugarloaf' ford with a scramble, I think ;
Don't spare the blood filly, nor yet the black horse ;
Should the wind rise, God help them ! the ship will soon sink.
Old Peter's away down the paddock, to drive
The nags to the stockyard as fast as he can—
A life and death matter ; so, lads, look alive.'
Half-dressed, in the dark to the stockyard we ran.

There was bridling with hurry, and saddling with haste,
Confusion and cursing for lack of a moon ;
'Be quick with these buckles, we've no time to waste ;'
'Mind the mare, she can use her hind legs to some tune.'
'Make sure of the crossing-place ; strike the old track,
They've fenced off the new one ; look out for the holes
On the wombat hills.' 'Down with the slip rails ; stand back.'
'And ride, boys, the pair of you, ride for your souls.'

In the low branches heavily laden with dew,
In the long grasses spoiling with deadwood that day,
Where the blackwood, the box, and the bastard oak grew,
Between the tall gum-trees we gallop'd away—
We crashed through a brush fence, we splash'd through a swamp—
We steered for the north near 'The Eaglehawk's Nest'—
We bore to the left, just beyond 'The Red Camp',
And round the black tea-tree belt wheel'd to the west—

We cross'd a low range sickly scented with musk
From wattle-tree blossom—we skirted a marsh—
Then the dawn faintly dappled with orange the dusk,
And peal'd overhead the jay's laughter note harsh,
And shot the first sunstreak behind us, and soon
The dim dewy uplands were dreamy with light ;
And full on our left flash'd 'The Reedy Lagoon,'
And sharply 'The Sugarloaf' rear'd on our right.
A smother'd curse broke through the bushman's brown beard,
He turn'd in his saddle, his brick-colour'd cheek
Flush'd feebly with sundawn, said, 'Just what I fear'd ;
Last fortnight's late rainfall has flooded the creek.'

Black Bolingbroke snorted, and stood on the brink
One instant, then deep in the dark sluggish swirl
Plunged headlong. I saw the horse suddenly sink,
Till round the man's armpits the waves seemed to curl.
We follow'd,—one cold shock, and deeper we sank
Than they did, and twice tried the landing in vain ;
The third struggle won it ; straight up the steep bank
We stagger'd, then out on the skirts of the plain.

The stockrider, Alec, at starting had got
The lead, and had kept it throughout ; 'twas his boast
That through thickest of scrub he could steer like a shot,
And the black horse was counted the best on the coast.
The mare had been awkward enough in the dark,
She was eager and headstrong, and barely half broke ;
She had had me too close to a big stringy-bark,
And had made a near thing of a crooked sheoak.

But now on the open, lit up by the morn,
She flung the white foam-flakes from nostril to neck,
And chased him—I hatless, with shirt sleeves all torn
(For he may ride ragged who rides from a wreck)—
And faster and faster across the wide heath
We rode till we raced. Then I gave her her head,
And she—stretching out with the bit in her teeth—
She caught him, outpaced him, and passed him, and led.
We neared the new fence, we were wide of the track;
I look'd right and left—she had never been tried
At a stiff leap ; 'twas little he cared on the black.
'You're more than a mile from the gateway,' he cried.
I hung to her head, touched her flank with the spurs
(In the red streak of rail not the ghost of a gap) ;
She shortened her long stroke, she pricked her sharp ears,
She flung it behind her with hardly a rap—
I saw the post quiver where Bolingbroke struck,
And guessed that the pace we had come the last mile
Had blown him a bit (he could jump like a buck).
We galloped more steadily then for a while.

The heath was soon pass'd, in the dim distance lay
The mountain. The sun was just clearing the tips
Of the ranges to eastward. The mare—could she stay?
She was bred very nearly as clean as Eclipse ;
She led, and as oft as he came to her side,
She took the bit free and untiring as yet ;
Her neck was arched double, her nostrils were wide,
And the tips of her tapering ears nearly met—
'You're lighter than I am,' said Alec at last ;
'The horse is dead beat and the mare isn't blown.
She must be a good one—ride on and ride fast,
You know your way now.' So I rode on alone.

Still galloping forward we pass'd the two flocks
At M'Intyre's hut and M'Allister's hill—
She was galloping strong at the Warrigal Rocks—
On the Wallaby Range she was galloping still—
And over the wasteland and under the wood,
By down and by dale, and by fell and by flat,
She gallop'd, and here in the stirrups I stood
To ease her, and there in the saddle I sat
To steer her. We suddenly struck the red loam
Of the track near the troughs—then she reeled on the rise—
From her crest to her croup covered over with foam,
And blood-red her nostrils, and bloodshot her eyes,
A dip in the dell where the wattle fire bloomed—
A bend round a bank that had shut out the view—
Large framed in the mild light the mountain had loomed,
With a tall, purple peak bursting out from the blue.

I pull'd her together, I press'd her, and she
Shot down the decline to the Company's yard,
And on by the paddocks, yet under my knee
I could feel her heart thumping the saddle-flaps hard.
Yet a mile and another, and now we were near
The goal, and the fields and the farms flitted past ;
And ‘twixt the two fences I turned with a cheer,
For a green grass-fed mare 'twas a far thing and fast ;
And labourers, roused by her galloping hoofs,
Saw bare-headed rider and foam-sheeted steed;
And shone the white walls and the slate-coloured roofs
Of the township. I steadied her then—I had need—
Where stood the old chapel (where stands the new church—
Since chapels to churches have changed in that town).
A short, sidelong stagger, a long, forward lurch,
A slight, choking sob, and the mare had gone down.
I slipp'd off the bridle, I slacken'd the girth,
I ran on and left her and told them my news ;
I saw her soon afterwards. What was she worth ?
How much for her hide ? She had never worn shoes.

poem by Adam Lindsay Gordon
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Long Grey Mare

Written by peter green.
Ive got a long grey mare, she wont let me ride
I got a long grey mare, she wont let me ride
She makes me brush her in the morning
And put her to bed every night
Long grey mare, why cant we be just like before
Long grey mare, why cant we be just like before
We used to ride so hard
Until we just couldnt ride no more
Break:
Look at me grey mare, dont I feed you everyday
Look at me grey mare, dont I feed you everyday
But when I dig you with my spurs
You turn around the other way

song performed by by Fleetwood Mac
Submitted by Lucian Velea
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Drunken Head Blues

Well the bricks are piled on main street
And the sun is turning brown
Anybody with any sense
Has already left town
The beast is hollering lonesome
And the ghost of rimbaud rides
Ive got a drunken head full of reasons why
Ive got a broken heart inside
I can hear a dog someplace barking
I hear the wind begin to moan
At night I walk these rain splattered streets
Dead on my feet and all alone
My dreams begin to crumble
I can feel the downward slide
Ive got a drunken head full of reasons why
Ive got a broken heart inside
I have seen all of my dreams
Slipping away like sand
Love has grown wings and left me
Flown right out of my hand
Now Im weary and bruised from singing the blues
And my fortunes are down
My face and my walk are known
In every bar and dive in town
You can ask me where am I going
But Ill let your question ride
Ive got a drunken head full of reasons why
Ive got a broken heart inside
Ive got a handful of mist
Ive got a barrel of it
What do I do with it
Now Ive got no place to run
And Ive got no place to hide
All my trials, all my cares
All my worries, all my pride
All my sins, all my troubles
Theyre being washed in by the tide
And I wish, how I wish
That I could get on that horse
And ride and ride, ride and ride, ride and ride
Onto the other side
Ride on to the other side
Ride on to the other side
Ride on to the other side
Ride on to the other side, the other side, the other side...
Now Ive got a pain in my soul
And its fifteen miles wide
Now Ive got a pain in my soul
And its fifteen miles wide
Now Ive got a pain in my soul
And its fifteen miles wide
Ive got a drunken head full of reasons why
Ive got a broken heart inside

song performed by by Waterboys
Submitted by Lucian Velea
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Drunken Head Blues

Well the bricks are piled on main street
And the sun is turning brown
Anybody with any sense
Has already left town
The beast is hollering lonesome
And the ghost of rimbaud rides
Ive got a drunken head full of reasons why
Ive got a broken heart inside
I can hear a dog someplace barking
I hear the wind begin to moan
At night I walk these rain splattered streets
Dead on my feet and all alone
My dreams begin to crumble
I can feel the downward slide
Ive got a drunken head full of reasons why
Ive got a broken heart inside
I have seen all of my dreams
Slipping away like sand
Love has grown wings and left me
Flown right out of my hand
Now Im weary and bruised from singing the blues
And my fortunes are down
My face and my walk are known
In every bar and dive in town
You can ask me where am I going
But Ill let your question ride
Ive got a drunken head full of reasons why
Ive got a broken heart inside
Ive got a handful of mist
Ive got a barrel of it
What do I do with it
Now Ive got no place to run
And Ive got no place to hide
All my trials, all my cares
All my worries, all my pride
All my sins, all my troubles
Theyre being washed in by the tide
And I wish, how I wish
That I could get on that horse
And ride and ride, ride and ride, ride and ride
Onto the other side
Ride on to the other side
Ride on to the other side
Ride on to the other side
Ride on to the other side, the other side, the other side...
Now Ive got a pain in my soul
And its fifteen miles wide
Now Ive got a pain in my soul
And its fifteen miles wide
Now Ive got a pain in my soul
And its fifteen miles wide
Ive got a drunken head full of reasons why
Ive got a broken heart inside

song performed by by Waterboys
Submitted by Lucian Velea
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Calamity Jane

He looked like a good saddle horse
though his hair was long
and his beard three days course
she soon had the saddle on him
and he worked at the ride
it was a matter of pride
everything that he tried
drew the noose tighter still
till she'd broken his will
till he'd do anything that she said
he worked like a mule
while she soaked the young fool
taking just about all that he made
when she cut the horse loose
he was well beyond use
and she advanced on the herd once again.

poem by George Murdock
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The Nutcrackers and the Sugar-Tongs

The Nutcrackers sate by a plate on the table,
The Sugar-tongs sate by a plate at his side;
And the Nutcrackers said, 'Don't you wish we were able
'Along the blue hills and green meadows to ride?
'Must we drag on this stupid existence for ever,
'So idle so weary, so full of remorse,--
'While every one else takes his pleasure, and never
'Seems happy unless he is riding a horse?

II

'Don't you think we could ride without being instructed?
'Without any saddle, or bridle, or spur?
'Our legs are so long, and so aptly constructed,
'I'm sure that an accident could not occur.
'Let us all of a sudden hop down from the table,
'And hustle downstairs, and each jump on a horse!
'Shall we try? Shall we go! Do you think we are able?'
The Sugar-tongs answered distinctly,'Of course!'

III

So down the long staircase they hopped in a minute,
The Sugar-tongs snapped, and the Crackers said 'crack!'
The stable was open, the horses were in it;
Each took out a pony, and jumped on his back.
The Cat in a fright scrambled out of the doorway,
The Mice tumbled out of a bundle of hay,
The brown and white Rats, and the black ones from Norway,
Screamed out, 'They are taking the horses away!'

IV

The whole of the household was filled with amazement,
The Cups and the Saucers danced madly about,
The Plates and the Dishes looked out of the casement,
The Saltcellar stood on his head with a shout,
The Spoons with a clatter looked out of the lattice,
The Mustard-pot climbed up the Gooseberry Pies,
The Soup-ladle peeped through a heap of Veal Patties,
And squeaked with a ladle-like scream of surprise.

V

The Frying-pan said, 'It's an awful delusion!'
The Tea-kettle hissed and grew black in the face;
And they all rushed downstairs in the wildest confusion,
To see the great Nutcracker-Sugar-tong race.
And out of the stable, with screamings and laughter,
(Their ponies were cream-coloured, speckled with brown,)
The Nutcrackers first, and the Sugar-tongs after,
Rode all round the yard, and then all round the town.

VI

They rode through the street, and they rode by the station,
They galloped away to the beautiful shore;
In silence they rode, and 'made no observation',
Save this: 'We will never go back any more!'
And still you might hear, till they rode out of hearing,
The Sugar-tongs snap, and the Crackers say 'crack!'
Till far in the distance their forms disappearing,
They faded away. -- And they never came back!

poem by Edward Lear
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How the Sailor rode the Brumby

There was an agile sailor lad
Who longed to know the bush
So with his swag and billy-can
He said he'd make a push.
He left his ship in Moreton Bay
And faced the Western run,
And asked his way, ten times a day,
And steered for Bandy's Run.
Said Bandy: "You can start, my son,
If you can ride a horse,"
For stockmen on the cattle-run
Were wanted there, of course.
Now Jack had strode the cross-bars oft
On many a bounding sea,
So reckoned he'd be safe enough
On any moke you see.

They caught him one and saddled it,
And led it from the yard,
It champed a bit and sidled round
And at the sailor sparred.
Jack towed her to him with a grin,
He eyed her fore and aft;
Then thrust his foot the gangway in
And swung aboard the craft.

The watchers tumbled off the rail,
The boss lay down and roared,
While Jack held tight by mane and tail
And rocked about on board.
But still he clung as monkeys cling
To rudder, line and flap,
Although at every bound and spring
They thought his neck must snap.

They stared to see him stick aloft
- The brum. bucked fierce and free,
But he had strode the cross-bars oft
On many a rolling sea.
The saddle from the rolling back
Went spinning in mid-air,
Whilst two big boots were flung off Jack
And four shoes off the mare.

The bridle broke and left her free,
He grasped her round the neck;
"We're 'mong the breakers now," cried he,
"There's bound to be a wreck."
The brumby struck and snorted loud,
She reared and pawed the air,
It was the grandest sight the crowd
Had ever witnessed there.
For Jack with arms and legs held tight
The brumby's neck hung round
And yelled, "A pilot, quick as light,
Or strike me I'm aground."

The whites and blacks climbed on the rails,
The boss stood smiling by
As Jack exclaimed, "Away she sails!"
- The brum. began to fly.
She bounded first against the gate,
And Jack cried out, "Astern!"
Then struck a whirlpool - at any rate
That was the sailor's yarn.
The brumby spun him round and round,
She reared and'kicked and struck,
And with alternate bump and bound
In earnest began to buck.

A tree loomed on the starboard bow,
And "Port your helm!" cried he;
She fouled a bush and he roared "You scow!"
And "Keep to the open sea!"
From ears to tail he rode her hard,
From tail to ears again,
One mile beyond the cattle-yard
And back across the plain.

Now high upon the pommel bumped,
Now clinging on the side,
And on behind the saddle lumped
With arms and legs flung wide.
They only laughed the louder then
When the mare began to back
Until she struck the fence at last
Then sat and looked at Jack.

He gasped, "I'm safe in port at last,
I'll quit your bounding mane!"
Dropped off and sang, "All danger's passed
And Jack's come home again."
Old Jack has been a stockman now
On Bandy's Run for years
Yet memories of that morning's fun
To many still bring tears.

poem by Anonymous Oceania
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By Flood and Field 2

They have saddled a hundred milk-white steeds,
They have bridled a hundred black.—Old Ballad.
'He turned in his saddle, now follow who dare,
I ride for my country, quoth . . .'—Lawrence.

I REMEMBER the lowering wintry morn,
And the mist on the Cotswold hills,
Where I once heard the blast of the huntsman's horn,
Not far from the seven rills.
Jack Esdale was there, and Hugh St. Clair,
Bob Chapman and Andrew Kerr,
And big George Griffiths on Devil-May-Care,
And—black Tom Oliver.
And one who rode on a dark-brown steed,
Clean jointed, sinewy, spare,
With the lean game head of the Blacklock breed,
And the resolute eye that loves the lead,
And the quarters massive and square—
A tower of strength, with a promise of speed
(There was Celtic blood in the pair).

I remember how merry a start we got,
When the red fox broke from the gorse,
In a country so deep, with a scent so hot,
That the hound could outpace the horse ;
I remember how few in the front rank show'd,
How endless appeared the tail,
On the brown hill side, where we cross'd the road,
And headed towards the vale.
The dark-brown steed on the left was there,
On the right was a dappled grey,
And between the pair, on a chestnut mare,
The duffer who writes this lay.
What business had 'this child' there to ride ?
But little or none at all ;
Yet I held my own for a while in 'the pride
That goeth before a fall.'
Though rashness can hope for but one result,
We are heedless when fate draws nigh us,
And the maxim holds good, 'Quem perdere vult
Deus, dementat prius.'

The right hand man to the left hand said,
As down in the vale we went,
'Harden your heart like a millstone, Ned,
And set your face as flint ;
Solid and tall is the rasping wall
That stretches before us yonder ;
You must have it at speed or not at all,
'Twere better to halt than to ponder,
For the stream runs wide on the take-off side,
And washes the clay bank under ;
Here goes for a pull, 'tis a madman's ride,
And a broken neck if you blunder.'

No word in reply his comrade spoke,
Nor waver'd nor once look'd round,
But I saw him shorten his horse's stroke
As we splash'd through the marshy ground ;
I remember the laugh that all the while
On his quiet features play'd :—
So he rode to his death, with that careless smile,
In the van of the 'Light Brigade' ;
So stricken by Russian grape, the cheer
Rang out, while he toppled back,
From the shattered lungs as merry and clear
As it did when it roused the pack.
Let never a tear his memory stain,
Give his ashes never a sigh,
One of many who perished, Not in vain,
As a type of our chivalry—

I remember one thrust he gave to his hat,
And two to the flanks of the brown,
And still as a statue of old he sat,
And he shot to the front, hands down ;
I remember the snort and the stag-like bound
Of the steed six lengths to the fore,
And the laugh of the rider while, landing sound,
He turned in his saddle and glanced around ;
I remember—but little more,
Save a bird's-eye gleam of the dashing stream
A jarring thud on the wall,
A shock and the blank of a nightmare's dream—
I was down with a stunning fall

poem by Adam Lindsay Gordon
Submitted by Poetry Lover
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Stewball

(yellin / rinzler / herald)
Old stewball was a racehorse
And I wished he were mine
He never drank water
He always drank wine
His bridle was silver
And his mane it was gold
But worth of his saddle
Has never been told
The fairgrounds was crowded
And old stewball was there
But the betting was heavy
On the bay and the mare
Oh, way up yonder
Ahead of them all
Came prancing and dancing
My noble stewball
If I bet on the grey mare
And I bet on the bay
And if Id bet on old stewball
Id be a free man today
Oh, the hoot owl she hollers
And the turtle dove moans
Im a poor boy in trouble
Im a long way from home
Old stewball was a racehorse
And I wished he was mine
He never drank water
He always drank wine

song performed by by Hollies
Submitted by Lucian Velea
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Dyes Cast

Each night
As he drops his head
To the deep dream
Of the dark bed,
A shape beckons him
Wellaway
From the starlight
And the dim day.

A mare
Black as a spade, calls
From the dark hill
As the wind falls,
The reeds mutter
The night is black
As he leaps blind
To the mare’s back.

Then like the roar
Of an ill wind
Or a black flame
From the devil’s kiln,
The mare speeds
To the night’s work
By the old mill
And the dark Kirk.

Shapes flutter
And leap alight
Before they sputter
And, out of sight
Disport and mutter
Of black arts
To see the mare
And the rider pass.

Hour on hour
He clings to scenes
Of dark images,
Wild dreams
And chance friends
From the dead past
In the grim haunts
Of dyes cast.

His face burns
And tears stream
In the long night
Of the dark dream,
He clings grim
To the mare’s back
For his soul’s sake
And a long lack.

The day brinks
At night’s mist;
‘There may be nothing
More than this, ’
The mare fades
From his wide eyes –
But the thoughts bide,
And the old lies.

‘There may be nothing
More than this! ’
And his mind seeks
The mare, the mist;
‘There may be nought
But the dead past,
And the dark haunts
Of dyes cast.’

27 December 1978

poem by David Lewis Paget
Submitted by Poetry Lover
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The Ballad Of East And West

Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face,
tho' they come from the ends of the earth!

Kamal is out with twenty men to raise the Border-side,
And he has lifted the Colonel's mare that is the Colonel's pride:
He has lifted her out of the stable-door between the dawn and the day,
And turned the calkins upon her feet, and ridden her far away.
Then up and spoke the Colonel's son that led a troop of the Guides:
"Is there never a man of all my men can say where Kamal hides?"
Then up and spoke Mahommed Khan, the son of the Ressaldar:
"If ye know the track of the morning-mist, ye know where his pickets are.
At dusk he harries the Abazai -- at dawn he is into Bonair,
But he must go by Fort Bukloh to his own place to fare,
So if ye gallop to Fort Bukloh as fast as a bird can fly,
By the favour of God ye may cut him off ere he win to the Tongue of Jagai.
But if he be past the Tongue of Jagai, right swiftly turn ye then,
For the length and the breadth of that grisly plain is sown with Kamal's men.
There is rock to the left, and rock to the right, and low lean thorn between,
And ye may hear a breech-bolt snick where never a man is seen."
The Colonel's son has taken a horse, and a raw rough dun was he,
With the mouth of a bell and the heart of Hell
and the head of the gallows-tree.
The Colonel's son to the Fort has won, they bid him stay to eat --
Who rides at the tail of a Border thief, he sits not long at his meat.
He's up and away from Fort Bukloh as fast as he can fly,
Till he was aware of his father's mare in the gut of the Tongue of Jagai,
Till he was aware of his father's mare with Kamal upon her back,
And when he could spy the white of her eye, he made the pistol crack.
He has fired once, he has fired twice, but the whistling ball went wide.
"Ye shoot like a soldier," Kamal said. "Show now if ye can ride."
It's up and over the Tongue of Jagai, as blown dustdevils go,
The dun he fled like a stag of ten, but the mare like a barren doe.
The dun he leaned against the bit and slugged his head above,
But the red mare played with the snaffle-bars, as a maiden plays with a glove.
There was rock to the left and rock to the right, and low lean thorn between,
And thrice he heard a breech-bolt snick tho' never a man was seen.
They have ridden the low moon out of the sky, their hoofs drum up the dawn,
The dun he went like a wounded bull, but the mare like a new-roused fawn.
The dun he fell at a water-course -- in a woful heap fell he,
And Kamal has turned the red mare back, and pulled the rider free.
He has knocked the pistol out of his hand -- small room was there to strive,
"'Twas only by favour of mine," quoth he, "ye rode so long alive:
There was not a rock for twenty mile, there was not a clump of tree,
But covered a man of my own men with his rifle cocked on his knee.
If I had raised my bridle-hand, as I have held it low,
The little jackals that flee so fast were feasting all in a row:
If I had bowed my head on my breast, as I have held it high,
The kite that whistles above us now were gorged till she could not fly."
Lightly answered the Colonel's son: "Do good to bird and beast,
But count who come for the broken meats before thou makest a feast.
If there should follow a thousand swords to carry my bones away,
Belike the price of a jackal's meal were more than a thief could pay.
They will feed their horse on the standing crop,
their men on the garnered grain,
The thatch of the byres will serve their fires when all the cattle are slain.
But if thou thinkest the price be fair, -- thy brethren wait to sup,
The hound is kin to the jackal-spawn, -- howl, dog, and call them up!
And if thou thinkest the price be high, in steer and gear and stack,
Give me my father's mare again, and I'll fight my own way back!"
Kamal has gripped him by the hand and set him upon his feet.
"No talk shall be of dogs," said he, "when wolf and gray wolf meet.
May I eat dirt if thou hast hurt of me in deed or breath;
What dam of lances brought thee forth to jest at the dawn with Death?"
Lightly answered the Colonel's son: "I hold by the blood of my clan:
Take up the mare for my father's gift -- by God, she has carried a man!"
The red mare ran to the Colonel's son, and nuzzled against his breast;
"We be two strong men," said Kamal then, "but she loveth the younger best.
So she shall go with a lifter's dower, my turquoise-studded rein,
My broidered saddle and saddle-cloth, and silver stirrups twain."
The Colonel's son a pistol drew and held it muzzle-end,
"Ye have taken the one from a foe," said he;
"will ye take the mate from a friend?"
"A gift for a gift," said Kamal straight; "a limb for the risk of a limb.
Thy father has sent his son to me, I'll send my son to him!"
With that he whistled his only son, that dropped from a mountain-crest --
He trod the ling like a buck in spring, and he looked like a lance in rest.
"Now here is thy master," Kamal said, "who leads a troop of the Guides,
And thou must ride at his left side as shield on shoulder rides.
Till Death or I cut loose the tie, at camp and board and bed,
Thy life is his -- thy fate it is to guard him with thy head.
So, thou must eat the White Queen's meat, and all her foes are thine,
And thou must harry thy father's hold for the peace of the Border-line,
And thou must make a trooper tough and hack thy way to power --
Belike they will raise thee to Ressaldar when I am hanged in Peshawur."

They have looked each other between the eyes, and there they found no fault,
They have taken the Oath of the Brother-in-Blood on leavened bread and salt:
They have taken the Oath of the Brother-in-Blood on fire and fresh-cut sod,
On the hilt and the haft of the Khyber knife, and the Wondrous Names of God.
The Colonel's son he rides the mare and Kamal's boy the dun,
And two have come back to Fort Bukloh where there went forth but one.
And when they drew to the Quarter-Guard, full twenty swords flew clear --
There was not a man but carried his feud with the blood of the mountaineer.
"Ha' done! ha' done!" said the Colonel's son.
"Put up the steel at your sides!
Last night ye had struck at a Border thief --
to-night 'tis a man of the Guides!"

Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face,
tho' they come from the ends of the earth!

poem by Rudyard Kipling
Submitted by Poetry Lover
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The Man to Follow

Apart from the crowd with its banter and mirth,
Sitting loose on his mare with an eye to the whins,
He has looked to his curb, he has tightened his girth,
He has marked out a place where the big double thins.
Here's a good one to follow,
To follow, to follow-
A good one to follow when business begins.
'Mid the murmur of meeting, the laugh and the joke,
'Mid the trampling of horses, the cheer and the rate,
He has caught the low whimper when Challenger spoke
And has seen the raised hat of the man by the gate.
He's the right one to follow,
To follow, to follow,
The right one to follow and trust with your fate.
When they tumble from covert, each hound giving tongue,
When they carry it, confident, over the plough,
When the hurrying Field down the headland is strung,
Here's the man for your money! You follow him now!
He's the right one to follow,
To follow, to follow,
So bundle and after him! Never mind how!
Ere the gay coffee-housers are into their stride
He is over the hedge with a trifle to spare
And down in his saddle and ready to ride,
For whoever may miss it he means to be there!
This right one to follow,
To follow, to follow,
This lean lashing lad on the bonny blood mare.
If you're riding a horse that can gallop and jump,
That can creep through a cat-hole or spread at a ditch,
If you don't mind a thorn-scratch, a bruise, or a bump,
A drain or a double and Devil care which,
Here's the right one to follow,
To follow, to follow-
The man that's a wizard, the mare that's a witch!

poem by William Henry Ogilvie
Submitted by Poetry Lover
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It’s the second day that I visit

It’s the second day that I visit
on the farm near Reivelo,
just past Vryburg.

They farm with cattle, goats,
a few sheep, muscovy ducks, turkeys
and chicken.

The scrambler bumps up and down
right through the field
and go past rocks and bushes,
while we drive along the rough field
and the hot wind
cut across my face
and there are places
where it cannot go.

It’s time to transform
young bulls to oxen,
to brand cattle
and to cut their horns
and I get a black stallion
to ride into the field.

My cousin rides in front
with a brown Arabian mare
and there are bushes
and flat slabs of rock
and small hillocks that we past
to try and round up young cattle
to the corral.

It’s nice to be a cattle herder
for a time
and to use legs and heels
and reigns,
to round up cattle in the field.

Every thing goes well until
I chase a young black bull
just to the entrance of the fold,
where it stops stubbornly
and doesn’t want to move
a feet further.

I jump out of the saddle,
fasten the reigns
to a small branch
and rush to the obstinate bull.

It stands and snorting
and stamp its feet
and when it sees me,
it rushes confused
at the horse.

That faithful horse stands firm
while the bulls horns swishes
onto the reigns
and the horse
stops that bull in its tracts,
that a piece of the bridle
breaks right off.

Then I am at the bull
and pull the reigns
out of its horns
and it walks meek
into the corral,
while in astonishment
I stand and look at that animal.

With a knee-strap
and pliers in the nose
we draw the bull to the ground
and when we shear it,
it moans like a heifer
and there’s a burning smell
that goes up from the branding iron
and I see the horns
dropp at my feet
and it’s another beast
when it stand on its feet.

poem by Gert Strydom
Submitted by Poetry Lover
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The Reveille

Trumpets of the Lancer Corps
Sound a loud reveille;
Sound it over Sydney shore,
Send the message far and wide
Down the Richmond River side.
Boot and Saddle, mount and ride,
Sound a loud reveille.
Whither go ye, Lancers gay,
With your bold reveille?
O'er the ocean far away
From your sunny southern home,
Over leagues of trackless foam
In a foreign land to roam,
With your bold reveille.

When we hear our brethren call,
Sound a clear reveille.
Then we answer, one and all,
Answer that the world may see,
Of the English stock are we,
At their side we still will be,
Sound a bold reveille.

English troops are buried deep.
Sound a soft reveille.
In this foreign land asleep,
Underneath Majuba Hill,
Lying sleeping very still,
Nevermore those squadrons will
Answer to reveille.

Onward without fear or doubt,
Sound a bold reveille.
'Till that shame is blotted out.
While our Empire's bounds are wide,
Britons all stand side by side,
Boot and saddle, mount and ride.
Hear the bold reveille.

poem by Andrew Barton Paterson
Submitted by Poetry Lover
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Saddle Up

Saddle up.
This ride we're taking,
Wont be easy.
Saddle up.
We're taking the direct route,
Without a scenic tease.
Saddle up.
This ride we're taking,
Wont be easy.
Saddle up.
We're taking the direct route,
Without a scenic tease.

I've got to speed up that peace,
That waits for me.
All that mess about aggression!
And who's got a better weapon,
To teach a lesson.
Ain't getting one thing done!
But keeping people on the run!

Saddle up.
This ride we're taking,
Wont be easy.
Saddle up.
We're taking the direct route,
Without a scenic tease.
Saddle up.
This ride we're taking,
Wont be easy.
Saddle up.
We're taking the direct route,
Without a scenic tease.

I've got to speed up that peace,
That waits for me.
All that mess about aggression!
And who's got a better weapon,
To teach a lesson.
Ain't getting one thing done!
But keeping people on the run!
I'm not accustomed to the cunning!

Saddle up.
This ride we're taking,
Wont be easy.
Saddle up.
We're taking the direct route,
Without a scenic tease.
If you wont to share that chaos,
You can have the piece I leave.
Or saddle up with me...
And let them keep this sick disease!

poem by Lawrence S. Pertillar
Submitted by Poetry Lover
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The Song of the Sulky Stockman

Come, let us sing with a right good ring
(Sing hey for lifting lay, sing hey!)
Of any old, sunny old, silly old thing.
(Sing ho for the ballad of a backblock day!)
The sun shone brightly overhead,
And the shearers stood by the shearing shed;
But "The run wants rain," the stockman said
(Sing di-dum, wattle-gum, Narrabori Ned.
For a lifting lay sing hey!)

The colts were clipped and the sheep were shorn
(Sing hey for a lilting lay, sing hey!)
But the stockman stood there all forlorn.
(Sing ho for the ballad of a backblock day!)
The rails were up and the gate was tied,
And the big black bull was safe inside;
But "The wind's gone West!" the stockman sighed
(Sing, di-dum, wattle-gum, rally for a ride.
For a lifting lay sing hey!)

The cook came out as the clock struck one
(Sing hey for a lilting lay, sing hey!)
And the boundary rider got his gun.
(Sing ho for the ballad of a backblock day!)
He fired it once at an old black crow;
But the shot went wide, for he aimed too low;
And the stockman said, "Fat stock is low."
(Sing, di-dum, wattle-gum, Jerridiiii Joe.
For a lifting lay sing hey!)

They spread their swags in the gum-tree's shade
(Sing hey for a lilting lay, sing hey!)
For the work was done and the cheques were paid.
(Sing ho for the ballad of a backblock day!)
The overseer rode in at three,
But his horse pulled back and would not gee,
And the stockman said, "We're up a tree!"
(Sing, di-dum, wattle-gum, Johnny-cake for tea.
For a lilting lay sing hey!)

The sun sank down and the stars shone out
(Sing hey for a lifting lay, sing hey!)
And the old book-keeper moped about.
(Sing ho for the ballad of a backblock day!)
The dingo walled to the mopoke's call,
The crazy colt stamped in his stall;
But the stockman groaned, "it's bunk for all."
(Sing, di-dum, wattle-gum, wattle-gum, wattle-gum,
Hey for a backblock day!
Sing hey!
Sing hey for a lifting lay!)

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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