On The Late Indecent Liberties Taken With The Remains Of Milton
"Me too, perchance, in future days,
The sculptured stone shall show,
With Paphian myrtle or with bays
Parnassian on my brow.
But I, or e'er that season come,
Escaped from every care,
Shall reach my refuge in the tomb,
And sleep securely there."
So sang, in Roman tone and style,
The youthful bard, ere long
Ordained to grace his native isle
With her sublimest song.
Who then but must conceive disdain,
Hearing the deed unblest,
Of wretches who have dared profane
His dread sepulchral rest?
Ill fare the hands that heaved the stones
Where Milton's ashes lay,
That trembled not to grasp his bones
And steal his dust away!
O ill-requited bard! neglect
Thy living worth repaid,
And blind idolatrous respect
As much affronts thee dead.
poem by William Cowper
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Stanzas On The Late Indecent Liberties Taken With The Remains Of The Great Milton
'Me too, perchance, in future days,
The sculptured stone shall show,
With Paphian myrtle or with bays
Parnassian on my brow.
'But I, or e'er that season come,
Escaped from every care,
Shall reach my refuge in the tomb,
And sleep securely there.'
So sang, in Roman tone and style,
The youthful bard, ere long
Ordained to grace his native isle
With her sublimest song.
Who then but must conceive disdain,
Hearing the deed unblest,
Of wretches who have dared profane
His dread sepulchral rest?
Ill fare the hands that heaved the stones
Where Milton's ashes lay,
That trembled not to grasp his bones
And steal his dust away!
O ill-requited bard! neglect
Thy living worth repaid,
And blind idolatrous respect
As much affronts thee dead.
poem by William Cowper
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A Song Of Comfort
"Sleep, weary ones, while ye may --
Sleep, oh, sleep!"
Eugene Field.
Thro' May time blossoms, with whisper low,
The soft wind sang to the dead below:
"Think not with regret on the Springtime's song
And the task ye left while your hands were strong.
The song would have ceased when the Spring was past,
And the task that was joyous be weary at last."
To the winter sky when the nights were long
The tree-tops tossed with a ceaseless song:
"Do ye think with regret on the sunny days
And the path ye left, with its untrod ways?
The sun might sink in a storm cloud's frown
And the path grow rough when the night came down."
In the grey twilight of the autumn eves,
It sighed as it sang through the dying leaves:
"Ye think with regret that the world was bright,
That your path was short and your task was light;
The path, though short, was perhaps the best
And the toil was sweet, that it led to rest."
poem by John McCrae
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I have lived with Shades
I
I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."
IV
"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"
poem by Thomas Hardy
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Walter Von Der Vogel Weid
Vogelweid the Minnesinger,
When he left this world of ours,
Laid his body in the cloister,
Under Wurtzburg's minster towers.
And he gave the monks his treasures,
Gave them all with this behest:
They should feed the birds at noontide
Daily on his place of rest;
Saying, "From these wandering minstrels
I have learned the art of song;
Let me now repay the lessons
They have taught so well and long."
Thus the bard of love departed;
And, fulfilling his desire,
On his tomb the birds were feasted
By the children of the choir.
Day by day, o'er tower and turret,
In foul weather and in fair,
Day by day, in vaster numbers,
Flocked the poets of the air.
On the tree whose heavy branches
Overshadowed all the place,
On the pavement, on the tombstone,
On the poet's sculptured face,
On the cross-bars of each window,
On the lintel of each door,
They renewed the War of Wartburg,
Which the bard had fought before.
There they sang their merry carols,
Sang their lauds on every side;
And the name their voices uttered
Was the name of Vogelweid.
Till at length the portly abbot
Murmured, "Why this waste of food?
Be it changed to loaves henceforward
For our tasting brotherhood."
Then in vain o'er tower and turret,
From the walls and woodland nests,
When the minster bells rang noontide,
Gathered the unwelcome guests.
Then in vain, with cries discordant,
Clamorous round the Gothic spire,
Screamed the feathered Minnesingers
For the children of the choir.
Time has long effaced the inscriptions
On the cloister's funeral stones,
And tradition only tells us
Where repose the poet's bones.
But around the vast cathedral,
By sweet echoes multiplied,
Still the birds repeat the legend,
And the name of Vogelweid.
poem by Henry Wadsworth Longfellow
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Book Of Suleika - Hatem 03
HOLD me, locks, securely caught
In the circle of her face!
Dear brown serpents, I have nought
To repay this act of grace,
Save a heart whose love ne'er dies,
Throbbing with aye-youthful glow;
For a raging ETA lies
'Neath its veil of mist and snow.
Yonder mountain's stately brow
Thou, like morning beams, dost shame;
Once again feels Hatem now
Spring's soft breath and summer's flame.
One more bumper! Fill the glass;
This last cup I pledge to thee!--
By mine ashes if she pass,
"He consumed," she'll say, "for me."
poem by Johann Wolfgang von Goethe
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Not to Keep
They sent him back to her. The letter came
Saying... And she could have him. And before
She could be sure there was no hidden ill
Under the formal writing, he was in her sight,
Living. They gave him back to her alive
How else? They are not known to send the dead
And not disfigured visibly. His face?
His hands? She had to look, and ask,
"What was it, dear?" And she had given all
And still she had all they had they the lucky!
Wasn’t she glad now? Everything seemed won,
And all the rest for them permissible ease.
She had to ask, "What was it, dear?"
"Enough,"
Yet not enough. A bullet through and through,
High in the breast. Nothing but what good care
And medicine and rest, and you a week,
Can cure me of to go again." The same
Grim giving to do over for them both.
She dared no more than ask him with her eyes
How was it with him for a second trial.
And with his eyes he asked her not to ask.
They had given him back to her, but not to keep.
poem by Robert Frost
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The Pannikin Poet
There's nothing here sublime,
But just a roving rhyme,
Run off to pass the time,
With nought titanic in.
The theme that it supports,
And, though it treats of quarts,
It's bare of golden thoughts --
It's just a pannikin.
I think it's rather hard
That each Australian bard --
Each wan, poetic card --
With thoughts galvanic in
His fiery thought alight,
In wild aerial flight,
Will sit him down and write
About a pannikin.
He makes some new-chum fare
From out his English lair
To hunt the native bear,
That curious mannikin;
And then the times get bad
That wandering English lad
Writes out a message sad
Upon his pannikin:
"O mother, think of me
Beneath the wattle tree"
(For you may bet that he
Will drag the wattle in)
"O mother, here I think
That I shall have to sink,
There ain't a single drink
The water-bottle in."
The dingo homeward hies,
The sooty crows uprise
And caw their fierce surprise
A tone Satanic in;
And bearded bushmen tread
Around the sleeper's head --
"See here -- the bloke is dead!
Now where's his pannikin?"
They read his words and weep,
And lay him down to sleep
Where wattle branches sweep,
A style mechanic in;
And, reader, that's the way
The poets of today
Spin out their little lay
About a pannikin.
poem by Andrew Barton Paterson
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The Old Armchair
In all the pubs from Troon to Ayr
Grandfather's father would repair
With Bobby Burns, a drouthy pair,
The glass to clink;
And oftenwhiles, when not too "fou,"
They'd roar a bawdy stave or two,
From midnight muk to morning dew,
And drink and drink.
And Grandfather, with eye aglow
And proper pride, would often show
An old armchair where long ago
The Bard would sit;
Reciting there with pawky glee
"The Lass that Made the Bed for Me;"
Or whiles a rhyme about the flea
That ne'er was writ.
Then I would seek the Poet's chair
And plant my kilted buttocks there,
And read with joy the Bard of Ayr
In my own tongue;
The Diel, the Daisy and the Louse
The Hare, the Haggis and the Mouse,
(What fornication and carouse!)
When I was young.
Though Kipling, Hardy, Stevenson
Have each my admiration won,
Today, my rhyme-race almost run,
My fancy turns
To him who did Pegasus prod
For me, Bard of my native sod,
The sinner best-loved of God -
Rare Robbie Burns.
poem by Robert William Service
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The Minstrel Boy
The Minstrel-Boy to the war is gone,
In the ranks of death you'll find him;
His father's sword he has girded on,
And his wild harp slung behind him.
"Land of song!" said the warrior-bard,
"Though all the world betrays thee,
One sword, at least, thy rights shall guard,
One faithful harp shall praise thee!"
The Minstrel fell! -- but the foeman's chain
Could not bring his proud soul under;
The harp he loved ne'er spoke again,
For he tore its chords asunder;
And said, "No chains shall sully thee,
Thou soul of love and bravery!
Thy songs were made for the pure and free,
They shall never sound in slavery."
poem by Thomas Moore
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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Forced Austerity
Gone the days of "Great prosperity"
"Middle Class" has "Gone to seed"
Feds' impose "Forced austerity"
After failing economy atrophied
Poor n' homeless hit the street
Becoming denizens of the night
Burgling cars n' homes to eat
Wrath n' fury of police incite
President n' Congress
Are both deaf n' blind
Criminals!
Ah…but I digress,
Don't wanna be unkind
Future now controlled by "World Banks"
Who care not for what they burn n' crash
They just roll our more troops n' tanks
Create more debt n' steal our cash
Seems to be but one solution;
A peaceful-global revolution
ROTMS
View ROTMS poems, images and video at;
rotms.blogspot.com
poem by Ray Lucero
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Robert Burns
Immortal Robert Burns of Ayr,
There's but few poets can with you compare;
Some of your poems and songs are very fine:
To "Mary in Heaven" is most sublime;
And then again in your "Cottar's Saturday Night,"
Your genius there does shine most bright,
As pure as the dewdrops of the night.
Your "Tam O'Shanter" is very fine,
Both funny, racy, and divine,
From John O'Groats to Dumfries
All critics consider it to be a masterpiece,
And, also, you have said the same,
Therefore they are not to blame.
And in my own opinion both you and they are right,
For your genius there does sparkle bright,
Which I most solemnly declare
To thee, Immortal Bard of Ayr!
Your "Banks and Braes of Bonnie Doon"
Is sweet and melodious in its tune,
And the poetry is moral and sublime,
And in my opinion nothing can be more fine.
Your "Scots wha hae wi' Wallace bled"
Is most beautiful to hear sung or read;
For your genius there does shine as bright,
Like unto the stars of night
Immortal Bard of Ayr! I must conclude my muse
To speak in praise of thee does not refuse,
For you were a mighty poet, few could with you compare,
And also an honour to Scotland, for your genius it is rare.
poem by William Topaz McGonagall
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The Last Sundowner
He sat upon a fallen log
And heaved a long, deep sigh.
His gnarled hand fondling his old dog
As his gaze went to the sky.
"There goes another pane," said he
"A soarin', roarin' pest!
They robs a man of privacy,
An' motor cars of rest."
"Sundownin' ain't the game ut was
Since men have took to wings;
An' life grows narrer, jist because
Of plans an' cars an' things.
For the planes have pinched me privit skies
An' the cars have grabbed me earth
An' all the news by wireless flies;
So what's sundownin' worth?
"Time was when I could sit me down
Where man had left no sign,
An' earth an' sky for miles aroun'
For that one hour was mine.
And I could sit an' think me thorts
An' watch the sun go west
Without no crazy ingine's snorts
To break into me rest.
"And as the afternoon grew late
I'd seek the haunts of men,
An' at some lonely homestead gate
I'd have sure welcome then;
An' tucker-bags were gladly filled,
And rest found for my back,
In ‘change for bits of news I spilled
And gossip of the track.
"But now that wireless spreads its lies
From this and other lands,
They look on me with hard, cold eyes
An' give with grudgin' hands.
It's them that has to give me news;
And when I seek some wide,
Once silent scene, planes spoil me views,
An' cars honk me aside."
He sat upon a fallen log
And heaved a long, deep sigh:
"We're agein', me an' my ole dog,
An' old things have to die.
Sundownin's dead; men's minds an' ways
Is changin' with a jerk.
Seems like I'll have to end me days,
Travellin'; in search of work."
poem by Clarence Michael James Stanislaus Dennis
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Frogs in chorus
The chorus frogs in the big lagoon
Would sing their songs to the silvery moon.
Tenor singers were out of place,
For every frog was a double bass.
But never a human chorus yet
Could beat the accurate time they set.
The solo singer began the joke;
He sang, "As long as I live I'll croak,
Croak, I'll croak,"
And the chorus followed him: "Croak, croak, croak!"
The poet frog, in his plaintive tone,
Sang of a sorrow was all his own;
"How shall I win to my heart's desire?
How shall I feel my spirit's fire?"
And the solo frog in his deepest croak,
"To fire your spirit," he sang, "eat coke,
Coke, eat coke,"
And the chorus followed him: "Coke, coke, coke!"
The green frog sat in a swampy spot
And he sang the song of he knew not what.
"The world is rotten, oh cursed plight,
That I am the frog that must set it right.
How shall I scatter the shades that lurk?"
And the old man bullfrog sang, "Get work,
Work, get work,"
And the chorus followed him: "Work, work, work!"
The soaring spirits that fain would fly
On wings of hope to the starry sky
Must face the snarls of the jealous dogs,
For the world is ruled by its chorus frogs.
poem by Andrew Barton Paterson
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Her Beauty
I heard them say, "Her hands are hard as stone,"
And I remembered how she laid for me
The road to heaven. They said, "Her hair is grey."
Then I remembered how she once had thrown
Long plaited strands, like cables, into the sea
I battled in -- the salt sea of dismay.
They say, "Her beauty's past." And then I wept,
That these, who should have been in love adept,
Against my font of beauty should blaspheme.
And hearing a new music, miss the theme.
poem by Max Plowman
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An Unfortunate Likeness
I'VE painted SHAKESPEARE all my life -
"An infant" (even then at "play"!)
"A boy," with stage-ambition rife,
Then "Married to ANN HATHAWAY."
"The bard's first ticket night" (or "ben."),
His "First appearance on the stage,"
His "Call before the curtain" - then
"Rejoicings when he came of age."
The bard play-writing in his room,
The bard a humble lawyer's clerk.
The bard a lawyer (3) - parson (4) - groom (5) -
The bard deer-stealing, after dark.
The bard a tradesman (6) - and a Jew (7) -
The bard a botanist (8) - a beak (9) -
The bard a skilled musician (10) too -
A sheriff (11) and a surgeon (12) eke!
Yet critics say (a friendly stock)
That, though it's evident I try,
Yet even I can barely mock
The glimmer of his wondrous eye!
One morning as a work I framed,
There passed a person, walking hard:
"My gracious goodness," I exclaimed,
"How very like my dear old bard!
"Oh, what a model he would make!"
I rushed outside - impulsive me! -
"Forgive the liberty I take,
But you're so very" - "Stop!" said he.
"You needn't waste your breath or time, -
I know what you are going to say, -
That you're an artist, and that I'm
Remarkably like SHAKESPEARE. Eh?
"You wish that I would sit to you?"
I clasped him madly round the waist,
And breathlessly replied, "I do!"
"All right," said he, "but please make haste."
I led him by his hallowed sleeve,
And worked away at him apace,
I painted him till dewy eve, -
There never was a nobler face!
"Oh, sir," I said, "a fortune grand
Is yours, by dint of merest chance, -
To sport HIS brow at second-hand,
To wear HIS cast-off countenance!
"To rub HIS eyes whene'er they ache -
To wear HIS baldness ere you're old -
To clean HIS teeth when you awake -
To blow HIS nose when you've a cold!"
His eyeballs glistened in his eyes -
I sat and watched and smoked my pipe;
"Bravo!" I said, "I recognize
The phrensy of your prototype!"
His scanty hair he wildly tore:
"That's right," said I, "it shows your breed."
He danced - he stamped - he wildly swore -
"Bless me, that's very fine indeed!"
"Sir," said the grand Shakesperian boy
(Continuing to blaze away),
"You think my face a source of joy;
That shows you know not what you say.
"Forgive these yells and cellar-flaps:
I'm always thrown in some such state
When on his face well-meaning chaps
This wretched man congratulate.
"For, oh! this face - this pointed chin -
This nose - this brow - these eyeballs too,
Have always been the origin
Of all the woes I ever knew!
"If to the play my way I find,
To see a grand Shakesperian piece,
I have no rest, no ease of mind
Until the author's puppets cease.
"Men nudge each other - thus - and say,
'This certainly is SHAKESPEARE'S son,'
And merry wags (of course in play)
Cry 'Author!' when the piece is done.
"In church the people stare at me,
Their soul the sermon never binds;
I catch them looking round to see,
And thoughts of SHAKESPEARE fill their minds.
"And sculptors, fraught with cunning wile,
Who find it difficult to crown
A bust with BROWN'S insipid smile,
Or TOMKINS'S unmannered frown,
"Yet boldly make my face their own,
When (oh, presumption!) they require
To animate a paving-stone
With SHAKESPEARE'S intellectual fire.
"At parties where young ladies gaze,
And I attempt to speak my joy,
'Hush, pray,' some lovely creature says,
'The fond illusion don't destroy!'
"Whene'er I speak, my soul is wrung
With these or some such whisperings:
''Tis pity that a SHAKESPEARE'S tongue
Should say such un-Shakesperian things!'
"I should not thus be criticised
Had I a face of common wont:
Don't envy me - now, be advised!"
And, now I think of it, I don't!
poem by William Schwenck Gilbert
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Anna
The pale discrowned stacks of maize,
Like spectres in the sun,
Stand shivering nigh Avonaise,
Where all is dead and gone.
The sere leaves make a music vain,
With melancholy chords;
Like cries from some old battle-plain,
Like clash of phantom swords.
But when the maize was lush and green
With musical green waves,
She went, its plumed ranks between,
Unto the hill of graves.
There you may see sweet flowers set
O'er damsels and o'er dames --
Rose, Ellen, Mary, Margaret --
The sweet old quiet names.
The gravestones show in long array,
Though white or green with moss,
How linked in Life and Death are they --
The Shamrock and the Cross.
The gravestones face the Golden East,
And in the morn they take
The blessing of the Great High Priest,
Before the living wake.
Who was she? Never ask her name,
Her beauty and her grace
Have passed, with her poor little shame,
Into the Silent Place.
In Avonaise, in Avonaise,
Where all is dead and done,
The folk who rest there all their days
Care not for moon or sun.
They care not, when the living pass,
Whether they sigh or smile;
They hear above their graves the grass
That sighs -- "A little while!"
A white stone marks her small green bed
With "Anna" and "Adieu".
Madonna Mary, rest her head
On your dear lap of blue!
poem by Victor James Daley
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Uhland's
There were three cavaliers that went over the Rhine,
And gayly they called to the hostess for wine.
"And where is thy daughter? We would she were here,--
Go fetch us that maiden to gladden our cheer!"
"I'll fetch thee thy goblets full foaming," she said,
"But in yon darkened chamber the maiden lies dead."
And lo! as they stood in the doorway, the white
Of a shroud and a dead shrunken face met their sight.
Then the first cavalier breathed a pitiful sigh,
And the throb of his heart seemed to melt in his eye,
And he cried, "Hadst thou lived, O my pretty white rose,
I ween I had loved thee and wed thee--who knows?"
The next cavalier drew aside a small space,
And stood to the wall with his hands to his face;
And this was the heart-cry that came with his tears:
"I loved her, I loved her these many long years!"
But the third cavalier kneeled him down in that place,
And, as it were holy, he kissed that dead face:
"I loved thee long years, and I love thee to-day,
And I'll love thee, dear maiden, forever and aye!"
poem by Eugene Field
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Impromptus
Strahan, Tonson, Lintot of the times,
Patron and publisher of rhymes,
For thee the bard up Pindus climbs,
My Murray.
To thee, with hope and terror dumb,
The unfledged MS. authors come;
Thou printest all-and sellest some-
My Murray.
Upon thy table's baize so green
The last new Quarterly is seen,-
But where is thy new Magazine,
My Murray?
Along thy sprucest bookshelves shine
The works thou deemest most divine-
The "Art of Cookery,"and mine,
My Murray.
Tours, Travels, Essays, too, I wist,
And Sermons, to thy mill bring grist;
And then thou hast the "Navy List,"
My Murray.
And Heaven forbid I should conclude
Without "the Board of Longitude,"
Although this narrow paper would,
My Murray.
When a man hath no freedom to fight for at home,
Let him combat for that of his neighbours;
Let him think of the glories of Greece and of Rome,
And get knock'd on the head for his labours.
To do good to mankind is the chivalrous plan,
And is always as nobly requited;
Then battle for freedom wherever you can,
And, if not shot or hang'd, you'll get knighted.
The Key Of The Street
"Miss Rosemary," I dourly said,
"Our balance verges on the red,
We must cut down our overhead.
One of the staff will have to go.
There's Mister Jones, he's mighty slow,
Although he does his best, I know.
"A deer old man; I like him well,
But age, alas! will always tell.
Miss Rosemary, please ring the bell
And tell old Jones to step this way . . .
Oh dear, oh dear, it isn't gay
To say the things I have to say.
"Come in and sit down, Mister Jones."
He thanks me in sepulchral tones.
Poor chap! I hear his creaking bones.
"Have a cigar? And how's your wife?
What's that! You're fearing for her life -
A cancer and the surgeon's knife. . . .
"Yes, operations are so dear,
But it's your comfort and your cheer
To know your job's so steady here."
These are his words; so meek and mild,
He looks just like a simple child . . .
Go! darn it! Suddenly I'm riled.
And so I say: "That's just too bad.
But Mister Jones. it's very sad,
You know what losses we have had.
We must cut down in times like these,
So here's a cheque, Oh take it please -
'Twill help to pay your doctor's fees.
"And just to show how I appraise
Your work - despite these doleful days
I'm giving you . . . a little raise."
Said Rosemary: "Old Jones is crying."
Thought I: "Yes, each week I'll be sighing,
When from my pocket I am prying
Ten bucks to keep his wife from dying."
poem by Robert William Service
Submitted by Poetry Lover
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