William Butler Yeats

The Municipal Gallery Revisited

AROUND me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;
An Abbot or Archbishop with an upraised hand
Blessing the Tricolour. 'This is not,' I say,
'The dead Ireland of my youth, but an Ireland
The poets have imagined, terrible and gay.'
Before a woman's portrait suddenly I stand,
Beautiful and gentle in her Venetian way.
I met her all but fifty years ago
For twenty minutes in some studio.

III
Heart-smitten with emotion I Sink down,
My heart recovering with covered eyes;
Wherever I had looked I had looked upon
My permanent or impermanent images:
Augusta Gregory's son; her sister's son,
Hugh Lane, 'onlie begetter' of all these;
Hazel Lavery living and dying, that tale
As though some ballad-singer had sung it all;
Mancini's portrait of Augusta Gregory,
'Greatest since Rembrandt,' according to John Synge;
A great ebullient portrait certainly;
But where is the brush that could show anything
Of all that pride and that humility?
And I am in despair that time may bring
Approved patterns of women or of men
But not that selfsame excellence again.
My mediaeval knees lack health until they bend,
But in that woman, in that household where
Honour had lived so long, all lacking found.
Childless I thought, 'My children may find here
Deep-rooted things,' but never foresaw its end,
And now that end has come I have not wept;
No fox can foul the lair the badger swept --

VI
(An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought
All that we did, all that we said or sang
Must come from contact with the soil, from that
Contact everything Antaeus-like grew strong.
We three alone in modern times had brought
Everything down to that sole test again,
Dream of the noble and the beggar-man.

VII
And here's John Synge himself, that rooted man,
'Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone
This book or that, come to this hallowed place
Where my friends' portraits hang and look thereon;
Ireland's history in their lineaments trace;
Think where man's glory most begins and ends,
And say my glory was I had such friends.

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William Butler Yeats

You that would judge me, do not judge alone this book or that, come to this hallowed place where my friends' portraits hang and look thereon; Ireland's history in their lineaments trace; think where man's glory most begins and ends and say my glory was I had such friends.

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The Dead whno Died for Ireland

The dead who died for Ireland!
Oh, these are living words
To nerve the hearts of patriots —
to steel avenging swords —
They thrill the soul when spoken,
and lowly bend the head
With reverence for the memories
of all our martyred dead.

The dead who died for Ireland —
the noble ones — the best,
Who gave their lives for Motherland,
Who poured upon her breast,
In Freedom's cause, the blood she gave —
Who with their dying breath,
Sent prayers to God to heal her woes —
then sealed their love in death.

The dead who died for Ireland,
How hallowed are their graves!
With all the memories fresh and green,
Oh! how could we be slaves?
How could we patient clang the chain?
How could we fawn and bow?
How could we crouch like mongrels
'neath the keeper's frowning brow?

Be proud, ye men of Ireland!
Be proud of those who died;
Never men o'er all the earth
Had greater cause for pride —
Hope and strive, and league for freedom,
And again the souls will rise
Of the dead who died for Ireland
To cheer you to the prize.

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William Butler Yeats

Coole Park, 1929

I meditate upon a swallow's flight,
Upon a aged woman and her house,
A sycamore and lime-tree lost in night
Although that western cloud is luminous,
Great works constructed there in nature's spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.

There Hyde before he had beaten into prose
That noble blade the Muses buckled on,
There one that ruffled in a manly pose
For all his timid heart, there that slow man,
That meditative man, John Synge, and those
Impetuous men, Shawe-Taylor and Hugh Lane,
Found pride established in humility,
A scene well Set and excellent company.

They came like swallows and like swallows went,
And yet a woman's powerful character
Could keep a Swallow to its first intent;
And half a dozen in formation there,
That seemed to whirl upon a compass-point,
Found certainty upon the dreaming air,
The intellectual sweetness of those lines
That cut through time or cross it withershins.

Here, traveller, scholar, poet, take your stand
When all those rooms and passages are gone,
When nettles wave upon a shapeless mound
And saplings root among the broken stone,
And dedicate - eyes bent upon the ground,
Back turned upon the brightness of the sun
And all the sensuality of the shade -
A moment's memory to that laurelled head.

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Leonardo

The one on portrait hanging on the wall
Perhaps the best that history can recall
He lived and worked five hundred years ago
And still the legend of Leonardo grow.

A Poet, a Scientist and an Engineer
An Inventor and an Artist without peer
From near poverty to fame at a time
When to be poor was looked on as a crime.

Leonardo the greatest son of Italy
Opened the gate to modern technology
No stranger to the book of history
In five hundred years no greater one than he.

Five centuries back he said that man would fly
And the legend live his fame will never die
His dusty portrait in old frame hang on wall
Perhaps the best that history can recall.

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James Stephens

O'Bruaidar

I will sing no more songs: the pride of my country I sang
Through forty long years of good rhyme, without any avail;
And no one cared even as much as the half of a hang
For the song or the singer, so here is an end to the tale.


If a person should think I complain and have not got the cause,
Let him bring his eyes here and take a good look at my hand,
Let him say if a goose-quill has calloused this poor pair of paws
Or the spade that I grip on and dig with out there in the land?


When the great ones were safe and renowned and were rooted and tough,
Though my mind went to them and took joy in the fortune of those,
And pride in their pride and their fame, they gave little enough,
Not as much as two boots for my feet, or an old suit of clothes.


I ask a Craftsman that fashioned the fly and the bird,
Of the Champion whose passion will lift me from death in a time,
Of the Spirit that melts icy hearts with the wind of a word,
That my people be worthy, and get, better singing than mine.


I had hoped to live decent, when Ireland was quit of her care,
As a bailiff or steward perhaps in a house of degree,
But my end of the tale is, old brogues and old britches to wear,
So I'll sing no more songs for the men that care nothing for me.

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My Dear Sister Mary

It has been a few years since her I did see
Yet none quite so kind or as lovely as she
A grandmother to John Gregory son of Melissa and her son John
The years ticking by but she keeps keeping on.

As good a person would be so hard to find
As my dear sister Mary so honest and kind
About her she has such a beautiful way
The truth of her here is all that I can say.

Though she lives in New York in the U S of A
A mentor of my childhood and she still is today
I have always looked up to her and her I admire
And of singing her praises I could never tire.

Her deceased husband John was a good man and to him she was a good wife
And together they had such a wonderful life
But fond memories of him her and her son John will always retain
And in the life of John Gregory he lives again

My mentor and sibling much to her I do owe
The seeds of good karma for herself she does sow
She is one who believes on a fair go for all
And only good things about her I have to recall.

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Robert Emmet

“Let no man write my epitaph.”
The defiant rebel said.
'Let no woman eulogize me
After I am dead.'

'I give my life for Ireland-
An Ireland strong and free
An Ireland that‘s united,
One free of tyranny.'

'When my country takes its rightful place
Among nations of the world.
That day I will not live to see
When our banner is unfurled.'

'On that day, and only then
Let my suffering be recalled-
and that I died for Liberty-
The sweetest death of all.'

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Easter Week

1 "Romantic Ireland's dead and gone,
2 It's with O'Leary in the grave."
3 Then, Yeats, what gave that Easter dawn
4 A hue so radiantly brave?

5 There was a rain of blood that day,
6 Red rain in gay blue April weather.
7 It blessed the earth till it gave birth
8 To valour thick as blooms of heather.

9 Romantic Ireland never dies!
10 O'Leary lies in fertile ground,
11 And songs and spears throughout the years
12 Rise up where patriot graves are found.

13 Immortal patriots newly dead
14 And ye that bled in bygone years,
15 What banners rise before your eyes?
16 What is the tune that greets your ears?

17 The young Republic's banners smile
18 For many a mile where troops convene.
19 O'Connell street is loudly sweet
20 With strains of Wearing of the Green.

21 The soil of Ireland throbs and glows
22 With life that knows the hour is here
23 To strike again like Irishmen
24 For that which Irishmen hold dear.

25 Lord Edward leaves his resting place
26 And Sarsfield's face is glad and fierce.
27 See Emmet leap from troubled sleep
28 To grasp the hand of Padraic Pearse!

29 There is no rope can strangle song
30 And not for long death takes his toll.
31 No prison bars can dim the stars
32 Nor quicklime eat the living soul.

33 Romantic Ireland is not old.
34 For years untold her youth shall shine.
35 Her heart is fed on Heavenly bread,
36 The blood of martyrs is her wine.

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As Ireland Wore the Green

BY RIGHT of birth in southern land I send my warning forth.
I see my country ruined by the wrongs that damned the North.
And shall I stand with fireless eyes and still and silent mouth
While Mammon builds his Londons on the fair fields of the South?

CHORUS:
O must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we will wear our colour still,
As Ireland wore the green!

I see the shade of poverty fall on each sunny scene.
And slums and alley-ways extend where fields were evergreen.
There is a law that stamps the flower of freedom as it springs;
And this upon a soil that’s trod by prouder feet than kings’.

And must I hide my colour
In fear of Mammon’s spleen?
Or shall I wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland swore the green!
Aye, I will wear my colour yet,
As Ireland wore the green!

Out there beyond the lonely range our fathers toiled for years
’Neath all the hardships that beset true-hearted pioneers;
And our brave mothers journeyed there to do the work of men
On those great awful plains that were unfit for women then.

Then must we hide our colour
In fear of Mammon’s spleen?
Or shall we wear the bonnie blue
As Ireland swore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, we shall wear our colour still,
As Ireland wore the green!

O shall the fields our fathers won be yielded to the few
Who never touched the axe or spade, and hardships never knew?
Shall lordly robbers rule the land and build their mansions high,
And ladies flaunt their jewelled plumes where our brave mothers lie?

O must we hide our colour
In fear of Mammnon’s spleen?
Or shall the wear the bonnie blue
As Ireland wore the green?
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, the will wear our colour yet,
As Ireland wore the green!

What though our stalwart fathers came from every land on earth,
We will be loyal to the land that gives our children birth.
We’ll show our banner to the sun—the Southern Cross displayed—
And join our strength together for the home our fathers made.

Let cowards hide their colour
For fear of Mammon’s spleen!
But I will wear my bonnie blue
As Ireland swore the green!
As Ireland swore the green, my friends!
As Ireland wore the green!
Aye, I will wear my colour still,
As Ireland swore the green!

We’ll light the lamp of hope above the alley and the slum,
And teach the poor and drill them for the war that is to come.
We’ll send our songs recruiting far beneath the western sky,
And wake the towns and let them know the day of deeds is nigh.

And the twill wear our colour
In spite of Mammon’s spleen!
O the will wear the bonnie blue
As Ireland wore the green!
As Ireland wore the green, my friends!
As Ireland wore the green!
Aye, the will wear our colour yet,
As Ireland wore the green!

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Old Town Types No. 10 - Big Doc Littlejohn

Big Doc. Littlejohn, and ugly man and tall,
He wasn't very graceful, no part of him was small;
Big, frame, big head, huge hands, and red;
But gentle as a woman's as he stooped above the bed,
His great voice muted and the jaw out-thrust
And something there behind his eyes that captured human trust -
Big John Littlejohn, who drove until he died,
In his abbot buggy to the farms outside.

The family physician and the family's true friend;
No household in that wide, new land but loved him to the end;
And the old, fat midwife revered him as a saint:
'Sent straight from God, me dear,' says she. 'A human man she ain't.
No human flesh could bear it, no heart withstand the test,
The slavin', drivin', day an' night with no full hour of rest.'
But Big John Littlejohn, with one of his tired smiles,
Climbed in his abbot buggy for another seven miles.

He'd never met a vitamin, he seldom sought a knife;
But he healed full many a body and he saved full many a life.
For ten years, for twenty years, for forty years he toiled
His aid unstinted and his heart unspoiled,
The friend of rich and poor alike, at everybody's call
For large fee, for small fee, or no fee at all,
In his old abbot buggy, with his wind-blown hair,
Rushing to another case behind his bay blood mare.

They found him on one winter dawn, low-huddled in the seat
Of the old abbot buggy, with the rug about his feet;
The great frame at rest at last, the mind rid of its load,
While the blood mare nibbled at the grass beside the road.
And the sad folk who found him there, before ought else, they say,
First knelt them in the roadside mud and bent their heads to pray
For great John Littlejohn, the grey man and kind,
The healer and the friend, who left not wealth nor foe behind.

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The Abbot Of Innisfallen

The Abbot of Innisfallen
awoke ere dawn of day;
Under the dewy green leaves
went he forth to pray.
The lake around his island
lay smooth and dark and deep,
And wrapt in a misty stillness
the mountains were all asleep.
Low kneel'd the Abbot Cormac
when the dawn was dim and gray;
The prayers of his holy office
he faithfully 'gan say.
Low kneel'd the Abbot Cormac
while the dawn was waxing red;
And for his sins' forgiveness
a solemn prayer he said:
Low kneel'd that holy Abbot
while the dawn was waxing clear;
And he pray'd with loving-kindness
for his convent-brethren dear.
Low kneel'd that blessed Abbot
while the dawn was waxing bright;
He pray'd a great prayer for Ireland,
he pray'd with all his might.
Low kneel'd that good old Father
while the sun began to dart;
He pray'd a prayer for all men,
he pray'd it from his heart.
His blissful soul was in Heaven,
tho' a breathing man was he;
He was out of time's dominion,
so far as the living may be.

The Abbot of Innisfallen
arose upon his feet;
He heard a small bird singing,
and O but it sung sweet!
It sung upon a holly-bush,
this little snow-white bird;
A song so full of gladness
he never before had heard.
It sung upon a hazel,
it sung upon a thorn;
He had never heard such music
since the hour that he was born.
It sung upon a sycamore,
it sung upon a briar;
To follow the song and hearken
this Abbot could never tire.
Till at last he well bethought him;
he might no longer stay;
So he bless'd the little white singing-bird,
and gladly went his way.

But, when he came to his Abbey,
he found a wondrous change;
He saw no friendly faces there,
for every face was strange.
The strange men spoke unto him;
and he heard from all and each
The foreign tongue of the Sassenach,
not wholesome Irish speech.
Then the oldest monk came forward,
in Irish tongue spake he:
'Thou wearest the holy Augustine's dress,
and who hath given it to thee?'
'I wear the Augustine's dress,
and Cormac is my name,
The Abbot of this good Abbey
by grace of God I am.
I went forth to pray, at the dawn of day;
and when my prayers were said,
I hearken'd awhile to a little bird,
that sung above my head.'
The monks to him made answer,
'Two hundred years have gone o'er,
Since our Abbot Cormac went through the gate,
and never was heard of more.
Matthias now is our Abbot,
and twenty have pass'd away.
The stranger is lord of Ireland;
we live in an evil day.'
'Days will come and go,' he said,
'and the world will pass away,
In Heaven a day is a thousand years,
a thousand years are a day.'
'Now give me absolution;
for my time is come,' said he.
And they gave him absolution,
as speedily as might be.
Then, close outside the window,
the sweetest song they heard
That ever yet since the world began
was utter'd by any bird.
The monks look'd out and saw the bird,
its feathers all white and clean;
And there in a moment, beside it,
another white bird was seen.
Those two they sang together,
waved their white wings, and fled;
Flew aloft, and vanish'd;
but the good old man was dead.
They buried his blessed body
where lake and green-sward meet;
A carven cross above his head,
a holly-bush at his feet;
Where spreads the beautiful water
to gay or cloudy skies,
And the purple peaks of Killarney
from ancient woods arise.

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Modern Poets And Modern Poetry

Modern poets and modern poetry seem far too complex to understand
For such as I a common labourer from the boglands of Ireland
Though whether it be good or not so it is not for me to say
As I'm not a poetry critic and so I'll keep my tongue at bay.

Maybe some of these modern poets are special and the poems they write are great
And maybe they are superior thinkers writing from exalted state
Most poetical critics now acclaim them and prefer the modern style
And 'twould seem that modern style poets are now the in thing and their efforts seem worthwhile.

But for me it's old style ballad, give me good old fashioned rhyme
To the modern style of poetry I'd prefer it every time
Like I say I'm just a labourer from the boglands of Ireland
And the complex modern style of poetry is far too hard for me to understand.

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I Learned To Stutter/coffin Car

Recorded live 3 june 1973 at the first international feminist conference, harvard university, cambridge, ma.
While john is setting up the amp...
What happened to me was that I was living as an artist and, who had relative freedom
As a woman and was considered the bitch in the society.
Since I met john, I was upgraded into a witch and I was...and I think that thats very flattering.
Anyway, what I learned from being with john is that the society solely treated me as a woman, as a woman who belonged to a man who is one of the most powerful people in our generation, and some of his closest friends told me that probably I should stay in the background, I should shut up, I should give up my work and that way Ill be happy.
And I got those advises, I was luck, I was over thirty and it was too late for me to change,
But still, still, this is one thing I want to say, sisters, because, with the wish that you know
Youre not alone, i...because the whole society started to attack me and the whole society wished me dead, I started accumulating a tremendous amount of guilt complex and in result of that I started to stutter. and I consider myself a very eloquent woman and also an attractive woman all my life and suddenly, because I was associated to john, that was considered an ugly woman, ugly jap, who took your monument or something away from you.
And thats when I realised how hard it is for woman, if I can start to stutter, being a strong woman and having lived thirty years by then, learn to stutter in three years of being treated as such, it is a very hard road.
Now the next song is called coffin car and this is a song that I observed in myself and also in many sisters who are riding on coffin cars.
Okay
Coffin car, shes riding a coffin car,
She likes to ride a coffin car.
People watching her with tender eyes,
Friends whispering in kindly words,
Children running, waving hands,
Telling each other, how pretty she is.
Coffin car, shes riding a coffin car,
She likes to ride a coffin car.
Friends making ways for the first time,
People throwing kisses for the first time,
Showering flowers, ringing bells,
Telling each other, how nice she is.
Coffin car, she likes to ride a coffin car,
Shes riding a coffin car.
Wives showing tears for the first time,
Husbands taking their hats off for the first time,
Crushing their handkerchiefs, rubbing their nose,
Telling each other, how good she is.
Half the world is dead anyway,
The other half is asleep.
And life is killing her,
Telling her to join the dead.
So evry day, she likes to ride a coffin car,
A flower covered coffin car,
Pretending she was dead.
Coffin car,
A flower covered coffin car,
A flower covered coffin car,
A flower covered coffin car.

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The Betrayal

I'd come home unexpectedly,
I know I should have said,
But found you with another man
Both sleeping, in our bed,
I have no words to censure you
No words to spell my grief,
But years of trust have shattered,
You betrayed me with a thief.

What have I done, these thirty years
To turn your face from me,
That love you swore, undying
Now just some anomaly?
You opened up our secret place
For some dark stranger's whim,
What does he have that I must lack,
Why did you go with him?

I left you both there sleeping
Staggered down to nurse my pride,
Pacing back and forth the hallway
With my future to decide,
But my heart was drained, quite empty
I could see no way ahead,
And the dearth that came upon me
Cried, ‘I wish that I was dead! '

My eyes betrayed me, watered
Down my cheeks, so grey and lined,
You will never see me crying
Though the Lord should strike me blind!
Then I saw you on the stairway
With your gown bunched at your throat,
With that look of horror, branded
And your scream, that one high note.

In a moment, you recovered,
And your face took on a sneer,
‘So you caught us, I'm not bothered,
You'd not usually be here! '
Then her lover lumbered down
And put his arm around her waist,
He was young, and lithe, embarrassed,
Couldn't look me in the face.

‘Thirty years we've been together,
Thirty years, and now to this,
Tell me, what have you discovered
From a brief, flirtatious kiss?
Just how long d'you think you'll keep him
From the girls around his age? '
‘It's enough he says he needs me,
Gives me youth again, we Rage! '

I packed a few necessities
And turned to leave them there,
I was leaving half a lifetime
In a mood of deep despair,
‘So you're sure, ' I muttered, turning
And she nodded once, but slow,
I thought, as I looked briefly back,
‘Please ask me not to go! '

1 December 2012

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Ireland

O WE have loved you through cold and rain
And pitiless frost,
Consuming our offering of blood and brain
Gladly again and again and again,
Though it all seemed lost,
Ireland, Ireland!
O we will fight, fight on for you till
Your anguish is past,
The wronged ones righted, the tyrants still. —
Though God has not saved you, yet we will,
At the last, at the last,
Ireland, Ireland!
O we will love you in warmth and light
And the happy day,
When you have forgotten the terrible night,
Standing proud and beautiful bright
For ever and aye,
Ireland, Ireland!

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Painting From Memory

what could be more noble
than a son to paint a canvas
a portrait painted with years
of love heartfelt appreciation

a portrait of a beloved mother
lines of deep love appreciation
beauty bestowed upon mother
her face eternally young loving

you were extremely blessed
to have the love and discipline
of a wonderful caring mother
a mother among all mothers

radiant smile smiling as you smile
holding comforting ever loving
good fortune is having such a mother
a great blessing wonderful wise

a love like this is comfort blessing
during all the lived days of our life


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William Butler Yeats

Solomon And The Witch

AND thus declared that Arab lady:
'Last night, where under the wild moon
On grassy mattress I had laid me,
Within my arms great Solomon,
I suddenly cried out in a strange tongue
Not his, not mine.'
Who understood
Whatever has been said, sighed, sung,
Howled, miau-d, barked, brayed, belled, yelled, cried, crowed,
Thereon replied: 'A cockerel
Crew from a blossoming apple bough
Three hundred years before the Fall,
And never crew again till now,
And would not now but that he thought,
Chance being at one with Choice at last,
All that the brigand apple brought
And this foul world were dead at last.
He that crowed out eternity
Thought to have crowed it in again.
For though love has a spider's eye
To find out some appropriate pain --
Aye, though all passion's in the glance --
For every nerve, and tests a lover
With cruelties of Choice and Chance;
And when at last that murder's over
Maybe the bride-bed brings despair,
For each an imagined image brings
And finds a real image there;
Yet the world ends when these two things,
Though several, are a single light,
When oil and wick are burned in one;
Therefore a blessed moon last night
Gave Sheba to her Solomon.'
'Yet the world stays.'
'If that be so,
Your cockerel found us in the wrong
Although he thought it. worth a crow.
Maybe an image is too strong
Or maybe is not strong enough.'
'The night has fallen; not a sound
In the forbidden sacred grove
Unless a petal hit the ground,
Nor any human sight within it
But the crushed grass where we have lain!
And the moon is wilder every minute.
O! Solomon! let us try again.'

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God Be With You

The truth will ever hide
Even though I tried
They tried to take my pride
But they only took my father from me
They only took my father
Even though I cried
Even though I tried again
God be with you ireland
God be with you ireland
Sometimes I was afraid
Even though I prayed
Ive lost my religion now
You took that too somehow
Blood upon thy hands
Blood upon thy hands again
(I have served my time)
God be with you ireland
(suffered for my crime)
God be with you ireland
(I have served my time)
God be with you ireland
(suffered for my crime)
God be with you ireland
God be with you now
God be with you now
God be with you now
God be with you now

song performed by by CranberriesReport problemRelated quotes
Submitted by Lucian Velea
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Seasons Of The Heart

This song appears on nine albums, and was first released on the seasons of the heart album, and has also been released on the greatest hits vol 3, favourites, a portrait, the very best of john d
(double cd), country classics, the country roads collection and the rocky mountain collection albums. a new studio version has been released on the love again album.
Of course we have our differences
You shouldnt be surprised
Its as natural as changes
In the seasons and the skies
Sometimes we grow together
Sometimes we drift apart
A wiser man than I might know
The seasons of the heart
And Im walking here beside you
In the early evening chill
A thing weve always loved to do
I know we always will
We have so much in common
So many things we share
That I cant believe my heart
When it implies that youre not there
Love is why I came here in the first place
Love is now the reason I must go
Love is all I ever hoped to find here
Love is still the only dream I know
So I dont know how to tell you
Its difficult to say
I never in my wildest dreams
Imagined it this way
But sometimes I just dont know you
Theres a stranger in our home
When Im lying right beside you
Is when Im most alone
And I think my heart is broken
Theres an emptiness inside
So many things Ive longed for
Have so often been denied
Still I wouldnt try to change you
Theres no one thats to blame
Its just some things that mean so much
And we just dont feel the same
Love is why I came here in the first place
Love is now the reason I must go
Love is all I ever hoped to find here
Love is still the only dream I know
True love is still the only dream I know
Words and music by john denver

song performed by by John DenverReport problemRelated quotes
Submitted by Lucian Velea
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Written In July 01

One might have thought that time would heal and hatred would subside
But politics, religion and so called patriotism the things that divide
And in Northern Ireland trouble once more brewing and old hatreds live on
And those for peace are left to rue the latest chance for peace near gone.

The Loyalists and the Republicans with the same brush are tarred
For decades due to their intransigence the chance for peace they've marred
Old hatreds handed down from father to son and nurtured and kept alive
And in such a hostile atmosphere peace struggles to survive.

These troubles in Northern Ireland have gone on for far too long
And parents must take some blame for this for they ought to know right from wrong
Their children never encouraged by them for to integrate
They keep them rooted in the past and teach them how to hate.

Of a lasting peace in Northern Ireland it would be nice to hear
But peace seems further from there now than at this time last year
And one would have thought that time would heal and hatred would subside
But politics, religion and so called patriotism are the things that still divide.

poem by Francis DugganReport problemRelated quotes
Submitted by Poetry Lover
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