Nineteen Hundred And Nineteen
MANY ingenious lovely things are gone
That seemed sheer miracle to the multitude,
protected from the circle of the moon
That pitches common things about. There stood
Amid the ornamental bronze and stone
An ancient image made of olive wood --
And gone are phidias' famous ivories
And all the golden grasshoppers and bees.
We too had many pretty toys when young:
A law indifferent to blame or praise,
To bribe or threat; habits that made old wrong
Melt down, as it were wax in the sun's rays;
Public opinion ripening for so long
We thought it would outlive all future days.
O what fine thought we had because we thought
That the worst rogues and rascals had died out.
All teeth were drawn, all ancient tricks unlearned,
And a great army but a showy thing;
What matter that no cannon had been turned
Into a ploughshare? Parliament and king
Thought that unless a little powder burned
The trumpeters might burst with trumpeting
And yet it lack all glory; and perchance
The guardsmen's drowsy chargers would not prance.
Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.
He who can read the signs nor sink unmanned
Into the half-deceit of some intoxicant
From shallow wits; who knows no work can stand,
Whether health, wealth or peace of mind were spent
On master-work of intellect or hand,
No honour leave its mighty monument,
Has but one comfort left: all triumph would
But break upon his ghostly solitude.
But is there any comfort to be found?
Man is in love and loves what vanishes,
What more is there to say? That country round
None dared admit, if Such a thought were his,
Incendiary or bigot could be found
To burn that stump on the Acropolis,
Or break in bits the famous ivories
Or traffic in the grasshoppers or bees.
When Loie Fuller's Chinese dancers enwound
A shining web, a floating ribbon of cloth,
It seemed that a dragon of air
Had fallen among dancers, had whirled them round
Or hurried them off on its own furious path;
So the platonic Year
Whirls out new right and wrong,
Whirls in the old instead;
All men are dancers and their tread
Goes to the barbarous clangour of a gong.
III
Some moralist or mythological poet
Compares the solitary soul to a swan;
I am satisfied with that,
Satisfied if a troubled mirror show it,
Before that brief gleam of its life be gone,
An image of its state;
The wings half spread for flight,
The breast thrust out in pride
Whether to play, or to ride
Those winds that clamour of approaching night.
A man in his own secret meditation
Is lost amid the labyrinth that he has made
In art or politics;
Some platonist affirms that in the station
Where we should cast off body and trade
The ancient habit sticks,
And that if our works could
But vanish with our breath
That were a lucky death,
For triumph can but mar our solitude.
The swan has leaped into the desolate heaven:
That image can bring wildness, bring a rage
To end all things, to end
What my laborious life imagined, even
The half-imagined, the half-written page;
O but we dreamed to mend
Whatever mischief seemed
To afflict mankind, but now
That winds of winter blow
Learn that we were crack-pated when we dreamed.
We, who seven yeats ago
Talked of honour and of truth,
Shriek with pleasure if we show
The weasel's twist, the weasel's tooth.
Come let us mock at the great
That had such burdens on the mind
And toiled so hard and late
To leave some monument behind,
Nor thought of the levelling wind.
Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.
Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked -- and where are they?
Mock mockers after that
That would not lift a hand maybe
To help good, wise or great
To bar that foul storm out, for we
Traffic in mockery.
Violence upon the roads: violence of horses;
Some few have handsome riders, are garlanded
On delicate sensitive ear or tossing mane,
But wearied running round and round in their courses
All break and vanish, and evil gathers head:
Herodias' daughters have returned again,
A sudden blast of dusty wind and after
Thunder of feet, tumult of images,
Their purpose in the labyrinth of the wind;
And should some crazy hand dare touch a daughter
All turn with amorous cries, or angry cries,
According to the wind, for all are blind.
But now wind drops, dust settles; thereupon
There lurches past, his great eyes without thought
Under the shadow of stupid straw-pale locks,
That insolent fiend Robert Artisson
To whom the love-lorn Lady Kyteler brought
Bronzed peacock feathers, red combs of her cocks.
poem by William Butler Yeats
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The Hour Before Dawn
A CURSING rogue with a merry face,
A bundle of rags upon a crutch,
Stumbled upon that windy place
Called Cruachan, and it was as much
As the one sturdy leg could do
To keep him upright while he cursed.
He had counted, where long years ago
Queen Maeve's nine Maines had been nursed,
A pair of lapwings, one old sheep,
And not a house to the plain's edge,
When close to his right hand a heap
Of grey stones and a rocky ledge
Reminded him that he could make.
If he but shifted a few stones,
A shelter till the daylight broke.
But while he fumbled with the stones
They toppled over; 'Were it not
I have a lucky wooden shin
I had been hurt'; and toppling brought
Before his eyes, where stones had been,
A dark deep hollow in the rock.
He gave a gasp and thought to have fled,
Being certain it was no right rock
Because an ancient history said
Hell Mouth lay open near that place,
And yet stood still, because inside
A great lad with a beery face
Had tucked himself away beside
A ladle and a tub of beer,
And snored, no phantom by his look.
So with a laugh at his own fear
He crawled into that pleasant nook.
'Night grows uneasy near the dawn
Till even I sleep light; but who
Has tired of his own company?
What one of Maeve's nine brawling sons
Sick of his grave has wakened me?
But let him keep his grave for once
That I may find the sleep I have lost.'
What care I if you sleep or wake?
But I'Il have no man call me ghost.'
Say what you please, but from daybreak
I'll sleep another century.'
And I will talk before I sleep
And drink before I talk.'
And he
Had dipped the wooden ladle deep
Into the sleeper's tub of beer
Had not the sleeper started up.
Before you have dipped it in the beer
I dragged from Goban's mountain-top
I'll have assurance that you are able
To value beer; no half-legged fool
Shall dip his nose into my ladle
Merely for stumbling on this hole
In the bad hour before the dawn.'
Why beer is only beer.'
'But say
''I'll sleep until the winter's gone,
Or maybe to Midsummer Day,''
And drink and you will sleep that length.
'I'd like to sleep till winter's gone
Or till the sun is in his srrength.
This blast has chilled me to the bone.'
'I had no better plan at first.
I thought to wait for that or this;
Maybe the weather was accursed
Or I had no woman there to kiss;
So slept for half a year or so;
But year by year I found that less
Gave me such pleasure I'd forgo
Even a half-hour's nothingness,
And when at one year's end I found
I had not waked a single minute,
I chosc this burrow under ground.
I'll sleep away all time within it:
My sleep were now nine centuries
But for those mornings when I find
The lapwing at their foolish dies
And the sheep bleating at the wind
As when I also played the fool.'
The beggar in a rage began
Upon his hunkers in the hole,
'It's plain that you are no right man
To mock at everything I love
As if it were not worth, the doing.
I'd have a merry life enough
If a good Easter wind were blowing,
And though the winter wind is bad
I should not be too down in the mouth
For anything you did or said
If but this wind were in the south.'
'You cty aloud, O would 'twere spring
Or that the wind would shift a point,
And do not know that you would bring,
If time were suppler in the joint,
Neither the spring nor the south wind
But the hour when you shall pass away
And leave no smoking wick behind,
For all life longs for the Last Day
And there's no man but cocks his ear
To know when Michael's trumpet cries
'That flesh and bone may disappear,
And souls as if they were but sighs,
And there be nothing but God left;
But, I aone being blessed keep
Like some old rabbit to my cleft
And wait Him in a drunken sleep.'
He dipped his ladle in the tub
And drank and yawned and stretched him out,
The other shouted, 'You would rob
My life of every pleasant thought
And every comfortable thing,
And so take that and that.' Thereon
He gave him a great pummelling,
But might have pummelled at a stone
For all the sleeper knew or cared;
And after heaped up stone on stone,
And then, grown weary, prayed and cursed
And heaped up stone on stone again,
And prayed and cursed and cursed and bed
From Maeve and all that juggling plain,
Nor gave God thanks till overhead
The clouds were brightening with the dawn.
poem by William Butler Yeats
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The Double Vision Of Michael Robartes
I
ON the grey rock of Cashel the mind's eye
Has called up the cold spirits that are born
When the old moon is vanished from the sky
And the new still hides her horn.
Under blank eyes and fingers never still
The particular is pounded till it is man.
When had I my own will?
O not since life began.
Constrained, arraigned, baffled, bent and unbent
By these wire-jointed jaws and limbs of wood,
Themselves obedient,
Knowing not evil and good;
Obedient to some hidden magical breath.
They do not even feel, so abstract are they.
So dead beyond our death,
Triumph that we obey.
On the grey rock of Cashel I suddenly saw
A Sphinx with woman breast and lion paw.
A Buddha, hand at rest,
Hand lifted up that blest;
And right between these two a girl at play
That, it may be, had danced her life away,
For now being dead it seemed
That she of dancing dreamed.
Although I saw it all in the mind's eye
There can be nothing solider till I die;
I saw by the moon's light
Now at its fifteenth night.
One lashed her tail; her eyes lit by the moon
Gazed upon all things known, all things unknown,
In triumph of intellect
With motionless head erect.
That other's moonlit eyeballs never moved,
Being fixed on all things loved, all things unloved.
Yet little peace he had,
For those that love are sad.
Little did they care who danced between,
And little she by whom her dance was seen
So she had outdanced thought.
Body perfection brought,
For what but eye and ear silence the mind
With the minute particulars of mankind?
Mind moved yet seemed to stop
As 'twere a spinning-top.
In contemplation had those three so wrought
Upon a moment, and so stretched it out
That they, time overthrown,
Were dead yet flesh and bone.
I knew that I had seen, had seen at last
That girl my unremembering nights hold fast
Or else my dreams that fly
If I should rub an eye,
And yet in flying fling into my meat
A crazy juice that makes the pulses beat
As though I had been undone
By Homer's Paragon
Who never gave the burning town a thought;
To such a pitch of folly I am brought,
Being caught between the pull
Of the dark moon and the full,
The commonness of thought and images
That have the frenzy of our western seas.
Thereon I made my moan,
And after kissed a stone,
And after that arranged it in a song
Seeing that I, ignorant for So long,
Had been rewarded thus
In Cormac's ruined house.
MICHAEL ROBARTES AND THE DANCER
He. Opinion is not worth a rush;
In this altar-piece the knight,
Who grips his long spear so to push
That dragon through the fading light,
Loved the lady; and it's plain
The half-dead dragon was her thought,
That every morning rose again
And dug its claws and shrieked and fought.
Could the impossible come to pass
She would have time to turn her eyes,
Her lover thought, upon the glass
And on the instant would grow wise.
She. You mean they argued.
He. Put it so;
But bear in mind your lover's wage
Is what your looking-glass can show,
And that he will turn green with rage
At all that is not pictured there.
She. May I not put myself to college?
He. Go pluck Athene by the hair;
For what mere book can grant a knowledge
With an impassioned gravity
Appropriate to that beating breast,
That vigorous thigh, that dreaming eye?
And may the Devil take the rest.
She. And must no beautiful woman be
Learned like a man?
He. Paul Veronese
And all his sacred company
Imagined bodies all their days
By the lagoon you love so much,
For proud, soft, ceremonious proof
That all must come to sight and touch;
While Michael Angelo's Sistine roof,
His 'Morning' and his 'Night' disclose
How sinew that has been pulled tight,
Or it may be loosened in repose,
Can rule by supernatural right
Yet be but sinew.
She. I have heard said
There is great danger in the body.
He. Did God in portioning wine and bread
Give man His thought or His mere body?
She. My wretched dragon is perplexed.
Hec. I have principles to prove me right.
It follows from this Latin text
That blest souls are not composite,
And that all beautiful women may
Live in uncomposite blessedness,
And lead us to the like -- if they
Will banish every thought, unless
The lineaments that please their view
When the long looking-glass is full,
Even from the foot-sole think it too.
She. They say such different things at school.
poem by William Butler Yeats
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All Souls' Night
Epilogue to 'A Vision'
MIDNIGHT has come, and the great Christ Church Bell
And may a lesser bell sound through the room;
And it is All Souls' Night,
And two long glasses brimmed with muscatel
Bubble upon the table. A ghost may come;
For it is a ghost's right,
His element is so fine
Being sharpened by his death,
To drink from the wine-breath
While our gross palates drink from the whole wine.
I need some mind that, if the cannon sound
From every quarter of the world, can stay
Wound in mind's pondering
As mummies in the mummy-cloth are wound;
Because I have a marvellous thing to say,
A certain marvellous thing
None but the living mock,
Though not for sober ear;
It may be all that hear
Should laugh and weep an hour upon the clock.
Horton's the first I call. He loved strange thought
And knew that sweet extremity of pride
That's called platonic love,
And that to such a pitch of passion wrought
Nothing could bring him, when his lady died,
Anodyne for his love.
Words were but wasted breath;
One dear hope had he:
The inclemency
Of that or the next winter would be death.
Two thoughts were so mixed up I could not tell
Whether of her or God he thought the most,
But think that his mind's eye,
When upward turned, on one sole image fell;
And that a slight companionable ghost,
Wild with divinity,
Had so lit up the whole
Immense miraculous house
The Bible promised us,
It seemed a gold-fish swimming in a bowl.
On Florence Emery I call the next,
Who finding the first wrinkles on a face
Admired and beautiful,
And knowing that the future would be vexed
With 'minished beauty, multiplied commonplace,
preferred to teach a school
Away from neighbour or friend,
Among dark skins, and there
permit foul years to wear
Hidden from eyesight to the unnoticed end.
Before that end much had she ravelled out
From a discourse in figurative speech
By some learned Indian
On the soul's journey. How it is whirled about,
Wherever the orbit of the moon can reach,
Until it plunge into the sun;
And there, free and yet fast,
Being both Chance and Choice,
Forget its broken toys
And sink into its own delight at last.
And I call up MacGregor from the grave,
For in my first hard springtime we were friends.
Although of late estranged.
I thought him half a lunatic, half knave,
And told him so, but friendship never ends;
And what if mind seem changed,
And it seem changed with the mind,
When thoughts rise up unbid
On generous things that he did
And I grow half contented to be blind!
He had much industry at setting out,
Much boisterous courage, before loneliness
Had driven him crazed;
For meditations upon unknown thought
Make human intercourse grow less and less;
They are neither paid nor praised.
but he d object to the host,
The glass because my glass;
A ghost-lover he was
And may have grown more arrogant being a ghost.
But names are nothing. What matter who it be,
So that his elements have grown so fine
The fume of muscatel
Can give his sharpened palate ecstasy
No living man can drink from the whole wine.
I have mummy truths to tell
Whereat the living mock,
Though not for sober ear,
For maybe all that hear
Should laugh and weep an hour upon the clock.
Such thought -- such thought have I that hold it tight
Till meditation master all its parts,
Nothing can stay my glance
Until that glance run in the world's despite
To where the damned have howled away their hearts,
And where the blessed dance;
Such thought, that in it bound
I need no other thing,
Wound in mind's wandering
As mummies in the mummy-cloth are wound.
poem by William Butler Yeats
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In Memory of Major Robert Gregory
Now that we're almost settled in our house
I'll name the friends that cannot sup with us
Beside a fire of turf in th' ancient tower,
And having talked to some late hour
Climb up the narrow winding stairs to bed:
Discoverers of forgotten truth
Or mere companions of my youth,
All, all are in my thoughts to-night being dead.
Always we'd have the new friend meet the old
And we are hurt if either friend seem cold,
And there is salt to lengthen out the smart
In the affections of our heart,
And quarrels are blown up upon that head;
But not a friend that I would bring
This night can set us quarrelling,
For all that come into my mind are dead.
Lionel Johnson comes the first to mind,
That loved his learning better than mankind.
Though courteous to the worst; much falling he
Brooded upon sanctity
Till all his Greek and Latin learning seemed
A long blast upon the horn that brought
A little nearer to his thought
A measureless consummation that he dreamed.
And that enquiring man John Synge comes next,
That dying chose the living world for text
And never could have rested in the tomb
But that, long travelling, he had come
Towards nightfall upon certain set apart
In a most desolate stony place,
Towards nightfall upon a race
Passionate and simple like his heart.
And then I think of old George Pollexfen,
In muscular youth well known to Mayo men
For horsemanship at meets or at racecourses,
That could have shown how pure-bred horses
And solid men, for all their passion, live
But as the outrageous stars incline
By opposition, square and trine;
Having grown sluggish and contemplative.
They were my close companions many a year.
A portion of my mind and life, as it were,
And now their breathless faces seem to look
Out of some old picture-book;
I am accustomed to their lack of breath,
But not that my dear friend's dear son,
Our Sidney and our perfect man,
Could share in that discourtesy of death.
For all things the delighted eye now sees
Were loved by him: the old storm-broken trees
That cast their shadows upon road and bridge;
The tower set on the stream's edge;
The ford where drinking cattle make a stir
Nightly, and startled by that sound
The water-hen must change her ground;
He might have been your heartiest welcomer.
When with the Galway foxhounds he would ride
From Castle Taylor to the Roxborough side
Or Esserkelly plain, few kept his pace;
At Mooneen he had leaped a place
So perilous that half the astonished meet
Had shut their eyes; and where was it
He rode a race without a bit?
And yet his mind outran the horses' feet.
We dreamed that a great painter had been born
To cold Clare rock and Galway rock and thorn,
To that stern colour and that delicate line
That are our secret discipline
Wherein the gazing heart doubles her might.
Soldier, scholar, horseman, he,
And yet he had the intensity
To have published all to be a world's delight.
What other could so well have counselled us
In all lovely intricacies of a house
As he that practised or that understood
All work in metal or in wood,
In moulded plaster or in carven stone?
Soldier, scholar, horseman, he,
And all he did done perfectly
As though he had but that one trade alone.
Some burn damp faggots, others may consume
The entire combustible world in one small room
As though dried straw, and if we turn about
The bare chimney is gone black out
Because the work had finished in that flare.
Soldier, scholar, horseman, he,
As 'twere all life's epitome.
What made us dream that he could comb grey hair?
I had thought, seeing how bitter is that wind
That shakes the shutter, to have brought to mind
All those that manhood tried, or childhood loved
Or boyish intellect approved,
With some appropriatc commentary on each;
Until imagination brought
A fitter welcome; but a thought
Of that late death took all my heart for speech.
poem by William Butler Yeats
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Meditations In Time Of Civil War
I
Ancestral Houses
SURELY among a rich man s flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II
My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III
My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV
My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V
The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI
The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII
I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
poem by William Butler Yeats
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A Man Young And Old
I
First Love
THOUGH nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.
But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.
She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.
II
Human Dignity
Like the moon her kindness is,
If kindness I may call
What has no comprehension in't,
But is the same for all
As though my sorrow were a scene
Upon a painted wall.
So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb
From human dignity.
III
The Mermaid
A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.
IV
The Death of the Hare
I have pointed out the yelling pack,
The hare leap to the wood,
And when I pass a compliment
Rejoice as lover should
At the drooping of an eye,
At the mantling of the blood.
Then' suddenly my heart is wrung
By her distracted air
And I remember wildness lost
And after, swept from there,
Am set down standing in the wood
At the death of the hare.
V
The Empty Cup
A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.
VI
His Memories
We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.
The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a jackass bray;
My arms are like the twisted thorn
And yet there beauty lay;
The first of all the tribe lay there
And did such pleasure take --
She who had brought great Hector down
And put all Troy to wreck --
That she cried into this ear,
'Strike me if I shriek.'
VII
The Friends of his Youth
Laughter not time destroyed my voice
And put that crack in it,
And when the moon's pot-bellied
I get a laughing fit,
For that old Madge comes down the lane,
A stone upon her breast,
And a cloak wrapped about the stone,
And she can get no rest
With singing hush and hush-a-bye;
She that has been wild
And barren as a breaking wave
Thinks that the stone's a child.
And Peter that had great affairs
And was a pushing man
Shrieks, 'I am King of the Peacocks,'
And perches on a stone;
And then I laugh till tears run down
And the heart thumps at my side,
Remembering that her shriek was love
And that he shrieks from pride.
VIII
Summer and Spring
We sat under an old thorn-tree
And talked away the night,
Told all that had been said or done
Since first we saw the light,
And when we talked of growing up
Knew that we'd halved a soul
And fell the one in t'other's arms
That we might make it whole;
Then peter had a murdering look,
For it seemed that he and she
Had spoken of their childish days
Under that very tree.
O what a bursting out there was,
And what a blossoming,
When we had all the summer-time
And she had all the spring!
IX
The Secrets of the Old
I have old women's sectets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.
Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:
How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw
Or the bed of down.
X
His Wildness
O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.
Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.
XI
From 'Oedipus at Colonus'
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.
Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.
In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber
through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.
Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have
looked into the eye of day;
The second best's a gay goodnight and quickly turn away.
poem by William Butler Yeats
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Michael Robartes and the Dancer
He. Opinion is not worth a rush;
In this altar-piece the knight,
Who grips his long spear so to push
That dragon through the fading light,
Loved the lady; and it's plain
The half-dead dragon was her thought,
That every morning rose again
And dug its claws and shrieked and fought.
Could the impossible come to pass
She would have time to turn her eyes,
Her lover thought, upon the glass
And on the instant would grow wise.
She. You mean they argued.
He. Put it so;
But bear in mind your lover's wage
Is what your looking-glass can show,
And that he will turn green with rage
At all that is not pictured there.
She. May I not put myself to college?
He. Go pluck Athena by the hair;
For what mere book can grant a knowledge
With an impassioned gravity
Appropriate to that beating breast,
That vigorous thigh, that dreaming eye?
And may the devil take the rest.
She. And must no beautiful woman be
Learned like a man?
He. Paul Veronese
And all his sacred company
Imagined bodies all their days
By the lagoon you love so much,
For proud, soft, ceremonious proof
That all must come to sight and touch;
While Michael Angelo's Sistine roof
His 'Morning' and his 'Night' disclose
How sinew that has been pulled tight,
Or it may be loosened in repose,
Can rule by supernatural right
Yet be but sinew.
She. I have heard said
There is great danger in the body.
He. Did God in portioning wine and bread
Give man His thought or His mere body?
She. My wretched dragon is perplexed.
He. I have principles to prove me right.
It follows from this Latin text
That blest souls are not composite,
And that all beautiful women may
Live in uncomposite blessedness,
And lead us to the like -- if they
Will banish every thought, unless
The lineaments that please their view
When the long looking-glass is full,
Even from the foot-sole think it too.
She. They say such different things at school.
poem by William Butler Yeats
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The Phases Of The Moon
An old man cocked his car upon a bridge;
He and his friend, their faces to the South,
Had trod the uneven road. Their hoots were soiled,
Their Connemara cloth worn out of shape;
They had kept a steady pace as though their beds,
Despite a dwindling and late-risen moon,
Were distant still. An old man cocked his ear.
Aherne. What made that Sound?
Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.
Ahernc. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?
Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.
Aherne. Sing me the changes of the moon once more;
True song, though speech: 'mine author sung it me.'
Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!
Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.
Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.
Aherne. All dreams of the soul
End in a beautiful man's or woman's body.
Robartes, Have you not always known it?
Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.
Robartes. The lover's heart knows that.
Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.
Robartes. When the moon's full those creatures of the full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.
And thereupon with aged, high-pitched voice
Aherne laughed, thinking of the man within,
His sleepless candle and lahorious pen.
Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.
Aherne. Before the full
It sought itself and afterwards the world.
Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.
Aherne. And what of those
That the last servile crescent has set free?
Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.
Aherne. And then?
Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.
Aherne. But the escape; the song's not finished yet.
Robartes. Hunchback and Saint and Fool are the last crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter --
Out of that raving tide -- is drawn betwixt
Deformity of body and of mind.
Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
'Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.
And then he laughed to think that what seemed hard
Should be so simple -- a bat rose from the hazels
And circled round him with its squeaky cry,
The light in the tower window was put out.
poem by William Butler Yeats
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Fergus And The Druid
Fergus. This whole day have I followed in the rocks,
And you have changed and flowed from shape to shape,
First as a raven on whose ancient wings
Scarcely a feather lingered, then you seemed
A weasel moving on from stone to stone,
And now at last you wear a human shape,
A thin grey man half lost in gathering night.
Druid. What would you, king of the proud Red Branch kings?
Fergus. This would I Say, most wise of living souls:
Young subtle Conchubar sat close by me
When I gave judgment, and his words were wise,
And what to me was burden without end,
To him seemed easy, So I laid the crown
Upon his head to cast away my sorrow.
Druid. What would you, king of the proud Red Branch kings?
Fergus. A king and proud! and that is my despair.
I feast amid my people on the hill,
And pace the woods, and drive my chariot-wheels
In the white border of the murmuring sea;
And still I feel the crown upon my head
Druid. What would you, Fergus?
Fergus. Be no more a king
But learn the dreaming wisdom that is yours.
Druid. Look on my thin grey hair and hollow cheeks
And on these hands that may not lift the sword,
This body trembling like a wind-blown reed.
No woman's loved me, no man sought my help.
Fergus. A king is but a foolish labourer
Who wastes his blood to be another's dream.
Druid. Take, if you must, this little bag of dreams;
Unloose the cord, and they will wrap you round.
Fergus. I See my life go drifting like a river
From change to change; I have been many things --
A green drop in the surge, a gleam of light
Upon a sword, a fir-tree on a hill,
An old slave grinding at a heavy quern,
A king sitting upon a chair of gold --
And all these things were wonderful and great;
But now I have grown nothing, knowing all.
Ah! Druid, Druid, how great webs of sorrow
Lay hidden in the small slate-coloured thing!
poem by William Butler Yeats
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The House of the Commonwealth
We sent a word across the seas that said,
"The house is finished and the doors are wide,
Come, enter in.
A stately house it is, with tables spread,
Where men in liberty and love abide
With hearts akin.
"Behold, how high our hands have lifted it!
The soil it stands upon is pure and sweet
As are our skies.
Our title deeds in holy sweat are writ,
Not red accusing blood -- and 'neath our feet
No foeman lies."
And England, Mother England, leans her face
Upon her hand and feels her blood burn young
At what she sees:
The image here of that fair strength and grace
That made her feared and loved and sought and sung
Through centuries.
What chorus shall we lift, what song of joy,
What boom of seaward cannon, roll of drums?
The majesty of nationhood demands
A burst of royal sounds, as when a victor comes
From peril of a thousand foes;
An empire's honour saved from death
Brought home again; an added rose
Of victory upon its wreath.
In this wise men have greeted kings,
In name or fame,
But such acclaim
Were vain and emptiest of things
If love were silent, drawn apart,
And mute the People's mighty heart.
The love that ivy-like an ancient land doth cherish,
It grows not in a day, nor in a year doth perish.
But, little leaf by leaf,
It creeps along the walls and wreathes the ramparts hoary.
The sun that gives it strength -- it is a nation's glory;
The dew, a people's grief.
The love that ivy-like around a home-land lingers,
With soft embrace of breast and green, caressive fingers,
We are too young to know.
Not ours the glory-dome, the monuments and arches
At thought of which takes arms the blood, and proudly marches
Exultant o'er the foe.
Green lands undesolated
For no avengement cry;
No feud of race unsated
Leaps out again to triumph,
Leaps out again to triumph, or to die!
Attendant here to-day in heart and mind
Must be all lovers of mankind,
Attendant, too, the souls sublime --
The Prophet-souls of every clime,
Who, living, in a tyrant's time,
Yet thought and wrought and sought to break
The chains about mankind and make
A man where men had made a slave:
Who all intent to lift and save
Beheld the flag of Freedom wave
And scorned the prison or the grave;
For whom the darkness failed to mar
The vision of a world afar,
The shining of the Morning Star.
Attendant here, then, they must be,
And gathering close with eyes elate
Behold the vision of a State
Where men are equal, just, and free:
A State that hath no stain upon her,
No taint to hurt her maiden honour;
A Home where love and kindness centre;
A People's House where all may enter.
And, being entered, meet no dearth
Of welcome round a common hearth;
A People's House not built of stone,
Nor wrought by hand and brain alone,
But formed and founded on the heart;
A People's House, A People's Home,
En-isled in foam and far apart;
A People's House, where all may roam
The many rooms and be at ease;
A People's House, with tower and dome;
And over all a People's Flag --
A Flag upon the breeze.
poem by Roderic Quinn
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The Thought
Into the skies, one summer's day,
I sent a little Thought away;
Up to where, in the blue round,
The sun sat shining without sound.
Then my Thought came back to me.—
Little Thought, what did you see
In the regions whence you come?
And when I spoke, my Thought was dumb.
But she breathed of what was there,
In the pure bright upper air;
And, because my Thought so shone,
I knew she had been shone upon.
Next, by night a Thought I sent
Up into the firmament;
When the eager stars were out,
And the still moon shone about.
And my Thought went past the moon
In between the stars, but soon
Held her breath and durst not stir,
For the fear that covered her;
Then she thought, in this demur:
'Dare I look beneath the shade,
Into where the worlds are made;
Where the suns and stars are wrought?
Shall I meet another Thought?
'Will that other Thought have wings?
Shall I meet strange, heavenly things?
Thought of Thoughts, and Light of Lights,
Breath of Breaths, and Night of Nights?'
Then my Thought began to hark
In the illuminated dark,
Till the silence, over, under,
Made her heart beat more than thunder.
And my Thought, came trembling back,
But with something on her track,
And with something at her side;
Nor till she has lived and died,
Lived and died, and lived again,
Will that awful thing seem plain.
poem by William Brighty Rands
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The Tower
SAILING TO BYZANTIUM
I
THAT is no country for old men. The young
In one another's arms, birds in the trees
-- Those dying generations -- at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out Of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
WHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
THE TOWER
I
HDRWHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
poem by William Butler Yeats
Submitted by Poetry Lover
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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Leda
Do you remember, Leda?
There are those who love, to whom Love brings
Great gladness: such things have not I.
Love looks and has no mercy, brings
Long doom to others. Such was I.
Heart breaking hand upon the lute
Long last made musical by you?
Sharp bird-beak in the swelling fruit,
Or raise the eyelids of these flowers?
I dare not watch that hidden pool,
Nor see the wild bird's sudden wing
Lifting the wide, brown shaken pool,
But round me falls that secret wing,
And in that sharp, perverse, sweet pain
That is half-terror and half-bliss
My withered hands are curled on pain
That were so wide once, after bliss.
And gold is springing in my hair
As my thought spring and flower with it,
Though I sit hid in my grey hair,
Without love or the pain of it.
Yet, oh my Swan, if love have wings,
As the gods tell us, you were love
Who took and broke me with those wings.
I, weak, and being far gone in love
Let blushless things be breathed and done-
Things flowered out now in bitter fruit
That once done are no more undone
Than last year's frost and last year's fruit.
For what has come of love and me
Who knew the first joy that loving is?
Where has love led and beckoned me
But to the end where nothing is?
I have seen my blood beat out again
Red in the hands of all my line,
My sin has swelled and flowered again
Corrupt and fierce through Sparta's line.
Bred through me-bred through delicate hands
And wandering eyes and wanton lips,
Sighing after strange flesh as sighed these lips,
Straying after new sin as strayed these hands.
Mother of Helen! She whose breasts
To new desires unshaped the world;
Above Troy's summit towered these breasts
Helen who wantoned with the world!
Helen is dead (she had love enough
To mock at doom and laugh at shrine)
And Clytemnestra, quiet enough
To-night beneath Apollo's shrine.
And I am left, the source, the spring
Of all their madness. They are dead
While I still sit here, the old spring
That fouled them flows above the dead.
But I have paid. I have borne enough.
I am very old in love and woe.
For all souls these things are enough-
Who have known love are the friends of woe.
There those who love, and who escape,
There are those who love and do not die.
I loved, and there was no escape,
Long since I died and daily die.
And death alone makes hate and love
Friends with each other and with sleep . . .
All's quiet here that once was love,
This that is left belongs to sleep.
poem by Muriel Stuart
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Available Light
Words by neil peart, music by geddy lee and alex lifeson
The restless wind
Has seen all things
In every kind of light
Rising with the full moon
To go howling through the night
The sleepless wind
Has heard all things
Between the sea and sky
In the canyons of the city
You can hear the buildings cry
Oh the wind can carry
All the voices of the sea
Oh the wind can carry
All the echoes home to me
Run with wind and weather
To the music of the sea
All four winds together
Cant bring the world to me
Chase the wind around the world
I want to look at life --- in the available light
Play of light
A photograph
The way I used to be
Some half-forgotten stranger
Doesnt mean that much to me
Trick of light
Moving picture
Moments caught in flight
Make the shadows darker
Or the colors shine too bright
Oh the light can carry
All the visions of the sea
Oh the light can carry
All the images to me
Run to light from shadow
Sun gives me no rest
Promise offered in the east
Broken in the west
Chase the sun around the world
I want to look at life --- in the available light
All four winds together
Cant bring the world to me
Shadows hide the play of light
So much I want to see
Chase the light around the world
I want to look at life --- in the available light
Ill go with the wind
Ill stand in the light
song performed by by Rush
Submitted by Lucian Velea
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My Thoughts
Thought in the eyes,
The ears.
Thought in mind,
The brain,
Thought in heart,
The soul.
Great thought is great
when it becomes great deeds.
With my thoughts within
Building my world within
Learning with thought;
Is great learning wisdom.
Learning without thought,
Is opportunity lost.
Thought for others
Thought for God
Thought for good
Thought for God’s blessing
Thoughts teach me,
Thoughts educate me,
Thoughts clarify me,
Thoughts enlighten me.
Thoughts make me wise
Thoughts make me patience
Thoughts make me trust others
Thoughts make me clam.
Thoughts before act
Is smart and wise
Act before thoughts
Is stupid and foolish
That’s my thoughts
They make thinking clear
They make belief deepen
They make confidence high.
In thoughts, my world
In my world, make my thoughts.
In thoughts, my words
In my words, make my speech
It’s my thoughts count
Counting my thoughts
To endless counting thoughts
Thinking the thoughts endlessly
My thoughts and thoughts again.
poem by Lawrence Hiung
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The Storm
I thought of you when I was wakened
By a wind that made me glad and afraid
Of the rushing, pouring sound of the sea
That the great trees made.
One thought in my mind went over and over
While the darkness shook and the leaves were thinned --
I thought it was you who had come to find me,
You were the wind.
poem by Sara Teasdale
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Magdalen
All things I can endure, save one.
The bare, blank room where is no sun;
The parcelled hours; the pallet hard;
The dreary faces here within;
The outer women's cold regard;
The Pastor's iterated "sin";--
These things could I endure, and count
No overstrain'd, unjust amount;
No undue payment for such bliss--
Yea, all things bear, save only this:
That you, who knew what thing would be,
Have wrought this evil unto me.
It is so strange to think on still--
That you, that you should do me ill!
Not as one ignorant or blind,
But seeing clearly in your mind
How this must be which now has been,
Nothing aghast at what was seen.
Now that the tale is told and done,
It is so strange to think upon.
You were so tender with me, too!
One summer's night a cold blast blew,
Closer about my throat you drew
That half-slipt shawl of dusky blue.
And once my hand, on summer's morn,
I stretched to pluck a rose; a thorn
Struck through the flesh and made it bleed
(A little drop of blood indeed!)
Pale grew your cheek you stoopt and bound
Your handkerchief about the wound;
Your voice came with a broken sound;
With the deep breath your breast was riven;
I wonder, did God laugh in Heaven?
How strange, that you should work my woe!
How strange! I wonder, do you know
How gladly, gladly I had died
(And life was very sweet that tide)
To save you from the least, light ill?
How gladly I had borne your pain.
With one great pulse we seem'd to thrill,--
Nay, but we thrill'd with pulses twain.
Even if one had told me this,
"A poison lurks within your kiss,
Gall that shall turn to night his day:"
Thereon I straight had turned away--
Ay, tho' my heart had crack'd with pain--
And never kiss'd your lips again.
At night, or when the daylight nears,
I hear the other women weep;
My own heart's anguish lies too deep
For the soft rain and pain of tears.
I think my heart has turn'd to stone,
A dull, dead weight that hurts my breast;
Here, on my pallet-bed alone,
I keep apart from all the rest.
Wide-eyed I lie upon my bed,
I often cannot sleep all night;
The future and the past are dead,
There is no thought can bring delight.
All night I lie and think and think;
If my heart were not made of stone,
But flesh and blood, it needs must shrink
Before such thoughts. Was ever known
A woman with a heart of stone?
The doctor says that I shall die.
It may be so, yet what care I?
Endless reposing from the strife?
Death do I trust no more than life.
For one thing is like one arrayed,
And there is neither false nor true;
But in a hideous masquerade
All things dance on, the ages through.
And good is evil, evil good;
Nothing is known or understood
Save only Pain. I have no faith
In God, or Devil, Life or Death.
The doctor says that I shall die.
You, that I knew in days gone by,
I fain would see your face once more,
Con well its features o'er and o'er;
And touch your hand and feel your kiss,
Look in your eyes and tell you this:
That all is done, that I am free;
That you, through all eternity,
Have neither part nor lot in me.
After Blenheim
It was a summer evening,
Old Kaspar's work was done,
And he before his cottage door
Was sitting in the sun,
And by him sported on the green
His little grandchild Wilhelmine.
She saw her brother Peterkin
Roll something large and round,
Which he beside the rivulet
In playing there had found;
He came to ask what he had found,
That was so large, and smooth, and round.
Old Kaspar took it from the boy,
Who stood expectant by;
And then the old man shook his head,
And, with a natural sigh,
''Tis some poor fellow's skull,' said he,
'Who fell in the great victory.
'I find them in the garden,
For there's many here about;
And often when I go to plough,
The ploughshare turns them out!
For many thousand men,' said he,
'Were slain in that great victory.'
'Now tell us what 'twas all about,'
Young Peterkin, he cries;
And little Wilhelmine looks up
With wonder-waiting eyes;
'Now tell us all about the war,
And what they fought each other for.'
'It was the English,' Kaspar cried,
'Who put the French to rout;
But what they fought each other for,
I could not well make out;
But everybody said,' quoth he,
'That 'twas a famous victory.
'My father lived at Blenheim then,
Yon little stream hard by;
They burnt his dwelling to the ground,
And he was forced to fly;
So with his wife and child he fled,
Nor had he where to rest his head.
'With fire and sword the country round
Was wasted far and wide,
And many a childing mother then,
And new-born baby died;
But things like that, you know, must be
At every famous victory.
'They say it was a shocking sight
After the field was won;
For many thousand bodies here
Lay rotting in the sun;
But things like that, you know, must be
After a famous victory.
'Great praise the Duke of Marlbro' won,
And our good Prince Eugene.'
'Why, 'twas a very wicked thing!'
Said little Wilhelmine.
'Nay… nay… my little girl,' quoth he,
'It was a famous victory.
'And everybody praised the Duke
Who this great fight did win.'
'But what good came of it at last?'
Quoth little Peterkin.
'Why that I cannot tell,' said he,
'But 'twas a famous victory.'
poem by Robert Southey
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Against The Wind
Words and music by bob seger
It seems like yesterday
But it was long ago
Janey was lovely, she was the queen of my nights
There in the darkness with the radio playlng low
And the secrets that we shared
The mountains that we moved
Caught like a wildfire out of control
Till there was nothing left to burn and nothing left to prove
And I remember what she said to me
How she swore that it never would end
I remember how she held me oh so tight
Wish I didnt know now what I didnt know then
Against the wind
We were runnin against the wind
We were young and strong, we were runnin
Against the wind
And the years rolled slowly past
And I found myself alone
Surrounded bv stranners I thought were my friends
I found myself further and further from my home
And I guess I lost my way
There were oh so many roads
I was living to run and running to live
Never worried about paying or even how much I owed
Moving eight miles a minute for months at a time
Breaking all of the rules that would bend
I began to find myself searchin
Searching for shelter again and again
Against the wind
A little something against the wind
I found myself seeking shelter against the wind
Well those drifters days are past me now
Ive got so much more to think about
Deadlines and commitments
What to leave in, what to leave out
Against the wind
Im still runnin against the wind
Well Im older now and still
Against the wind
song performed by by Bob Seger
Submitted by Lucian Velea
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