On The Way To Church
There is one I know. I see her sometimes pass
In the morning streets upon her way to Mass,
A calm sweet woman with unearthly eyes.
Men turn to look at her, but ever stop,
Reading in those blue depths the death of hope
And a wise chastisement for thoughts unwise.
Pure is her brow as of a marble Saint.
Her brown hair pencils it with ripples faint.
There is no shadow on it and no light.
Her cheeks are pale like lilies in eclipse.
Hardly a little redness on her lips
Paints the sad smile where all the rest is white.
Tall is she and bent forward like a reed
Which the wind toys with as she walks with speed:
Girl--like her limbs and virginal her waist.
Of the world's wonders there is none so sweet
As this, the summer lightning of her feet,
Speeding her onward like a fawn in haste.
What is her secret? All the world has tried
To guess it. One I knew in guessing died
And was no wiser for his mortal pain.
Each has turned sadder from the thankless quest,
And gone back silent, even if he guessed,
Knowing all answer would be counted vain.
I knew her once. I know her not to--day.
Our eyes meet sometimes, but hers turn away
Quicker from mine than from the rest that look.
Her pale cheek quivers, a flush comes and goes,
As in the presence of a soul that knows,
And her hands tighten on her missal book.
Men have done evil yet have won to Heaven,
Lived in blood guiltiness yet died forgiven.
May I not, I too, one day win my grace?
Ah no. The sacrilege of this worst sin
Outweighs all grace. I dare not enter in
Nor kneel, God's robber, near that angel face.
poem by Wilfrid Scawen Blunt
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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I Cheated Death.
Suddenly all went cold
And of my mother's hand I took hold
I held on like a drowning man would a lifeline
For I knew this might be the end of my timeline
And there in the corner he stood
Bright silvery robes, a golden cord around his waist, there he stood
Shoulder length hair as golden as the sun's rays
Eyes bluer than the Caspian, bronze skin that hath no flaws
His feet shod in sandals
His presence brightened the candles
I felt a hope build inside
A fire rekindled inside
But as quickly as it came
The hope left and with it the fear came
As I looked in horror to the other corner
There she stood, crowned by darkness in the left corner
Her eyes the colour of blood
In a black robe of death she was clad
As I focused on her, I felt the life leave me
Just as the anaconda squeezes the life out of its prey, the life left me
The odour of burning Sulphur filled the room
And with it an impeding gloom
I squeezed my mother's hand ‘til it hurt
Every breath I took hurt
I tried to tell my mother I loved her
But all that came out was a croak
Slowly the woman in the left corner removed her cloak
Revealing a crown of long fiery hair
Her eyes fixed on me in an evil stare
Her blood red lips parted in a smile
A smile so evil it shouldn't be called a smile
I turned to the other corner seeking comfort from my angel and this evil evade
But woe unto me he had slowly began to fade
And with him, the light
Impeding my sight
I felt my body consumed by a cloud of darkness
And at that moment, I felt the presence of death in the darkness
Funny how in the movies they tell you to stay away from the light
How I longed to see a light
For I knew the darkness would only lead to more pain
I shut my eyes hoping that when I opened them again
My angel would be there telling me it's alright
Bringing back hope and light
But lo and behold as I re-opened mine eyes
There I lay, in my hospital bed my mother looking on with wet eyes
She told of how I almost died
Of how my breathing stopped but her hope never died
I sat up in wonder looked to the right and there my angel stood
In fear, I turned to the left, and she too in her shroud of evil, stood
Her eyes blazing with anger
For death had been cheated and left with a deep hunger
And I knew, she would be back
And then it struck me,
Death never leaves empty handed
That's when I saw the nurses covering the old woman's body across
With a white sheet and a priest making the sign of a cross
Once again, death did reap
And it is inevitable that she will return to reap
Her taste of fruit, the unripe fruit...
poem by Esperanza Chilupula
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For You
Written by Travis Tritt & Bruce Ray Brown
You don't ask for much
And I tremble at the touch of your sweet hand
When I look into your eyes
I realize I'm such a lucky man
You've shown me love I never knew
And there is nothing I won't do for you
I'd almost given up
On the hope of having someone of my own
But you came into my life
And you made this empty house into a home
I could never ask for more
And every day I'm thankful for you
The first time that I held you girl
I knew that it was real
And now I wake up every morning
Knowing what it's like to feel
So much love for you
As the years go passing by
There'll be lows and highs
That we'll go through
But I can close my eyes and rest
'Cause come what may I'm blessed if I have you
As time paints silver in our hair
Just turn around, I'll still be there for you
You've shown me love I never knew
And there is nothing I won't do for you
song performed by by Travis Tritt
Submitted by Lucian Velea
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Letter To A Dream Named Anna
My dear sweet Anna,
You are like a dream come true, but I fear that you are just a dream. A dream I had one night so long ago. How I wish that you were real to me for I could devote the rest of my life with a woman like you. If I had the world I would lay it at your feet. A woman as beautiful as your self can only be a dream. All my waking hours I dream of a lovely lady like you.
I would fly you away to my arms if I could. I have not the means to do such a thing so you remain a dream. A dream I wished I could have, but I have to face reality each day knowing you are so far away. I am hunted by your spell over me. You are a dream that I wish never to wake from. For if I were to pass away in my dream, I would die a happy man knowing an angel loved me once.
To hold and kiss you would be heaven divine. Your lips are perfect and sensuous. Your eyes are warm and welcoming. Your face men would die for. Your hair is so perfect and neat. You are so sultry and sexy only to be found in a dream. What else could any man ask for? I am but a mere mortal touched by an angel for you are like a wisp of the wind. You can be felt but never touched.
You are too lovely to be a lone. Any man that would pass you up is a fool. How I have prayed and wish you were real. How I wish you were that dream that came true. How I wish that when I wake from my dream I saw your lovely face looking back at me for then I would know that I have truly died and went to heaven. I would know that all my prayers are now answered. O’ what a lovely day that would be, but you are just a dream and I am awake now.
dreams
poem by Wilfred Mellers
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Angel
the halo that appears above your head
just that i wished once before
now to actually appear before me
cuz you're the salt of the earth
a saint
a symbol
one to never let go
from which that i wish to hold you and kiss your lips so
the angel of mine
those wings of yours seem so tired
so small for you to fly
so come here
let me comfort your heart and lighten the load
so...
let me, my baby, my angel, smile once again for me
cuz don't let me see that broken smile once more
cuz you lie to my very face with this negativity
but I can see the pain in your cute eyes
you appear like a mortal
but you truly an angel to my eyes
I know when I see one cuz you give off the very light of this very angel
your steps have no sound
from my side, it looks like you fly instead
those feathers in your wings looked rumpled as if someone were harsh to my angel
so come here...
you are in the care of my arms
though i'm a mere little mortal to you
I still think to want to hold and kiss there on your lips
so if I can't trust you, I can trust no one
I can only give you so much
but I can do is give you protection and my heart
my angel, my angel
*sigh*
what a beautiful sight you are
greater, grander than any 7 wonders of Earth
greater than riches, gold, and any sweet car any boy would want
not that I love cars but very distant from it
like I am to you
so I hope to pull this rope between us
to hold you tight
but an angel, an angel
that halo above you head
the beauty greater than pure silver
those eyes greater than any other brown
you say you're no greater than I
I say yes
but I say to myself
you are forever an angel to me ^-^
poem by Kevin Wang
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The First Embrace
Come to me, grief, on my bosom press,
Lest it should burst with joy’s excess:
Heaven, with disaster, hell, with your pains,
Calm its commotion. For here awhile
She has lain. Strike, foes!
Your shafts but soothe, when they pierce the veins
Of a breast that lows
With the bliss of her thrill and her smile.
Sorrow and trouble have died away
Here, where her face in its loveliness lay.
Drowned she these in the deep of her eye?
Or sucked she their venom? I seemed to mark,
On her smiling lips,
How a tremulous shadow of pain passed by:
And the blue grew dark,
As her eyes’ light found eclipse.
Innocent bride, thou hast joined afresh
Soul with earth, and with God the flesh.
When on my breast, as pure and bright
As a saint’s white robe, thy perfect brow
Gently was lain,
Guilt with its tear-steins vanished quite,
And my mind is now
Like a cleansed and lighted fane.
My heart reflected an inward grace
From the sinless blush of thy maiden face:
To the waft of celestial wings was changed
The tress that wavered over me;
And, O joy, my soul,
Demoniac once, from heaven estranged,
Is, thanks to thee,
Darling, restored and whole.
I feel, where thy loving lips have pressed,
A glory shining within my breast,
And O, the paeans of love that burst,
At the touch of thy passionless, drowsy kiss.
I was fired and manned, -
While my fancy drank with a burning thirst
All the sweet of this
By a tender angel’s hand.
Love, while you lay by my beating heart,
What burgeoning blossoms seemed to start!
Blossoms that lived, and dreamed, and thought.
Almond or apple ws never so gay;
So rich a stream
Of the sun’s blood never the roses caught.
My soul its clay
Left in a blissful dram.
Cold, dark spirit, hold thee apart,
Or blend with the blood that stirs my heart;
Let it flow supreme in its pulses still,
Let nerves aquiver their passion prove,
And in ecstasy
Hark to the breast’s tense chords athrill,
Where, tranced in love,
She late at rest did lie
poem by Henrik Wergeland
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My Bride That Is To Be
O soul of mine, look out and see
My bride, my bride that is to be!
Reach out with mad, impatient hands,
And draw aside futurity
As one might draw a veil aside--
And so unveil her where she stands
Madonna-like and glorified--
The queen of undiscovered lands
Of love, to where she beckons me--
My bride--my bride that is to be.
The shadow of a willow-tree
That wavers on a garden-wall
In summertime may never fall
In attitude as gracefully
As my fair bride that is to be;--
Nor ever Autumn's leaves of brown
As lightly flutter to the lawn
As fall her fairy-feet upon
The path of love she loiters down.--
O'er drops of dew she walks, and yet
Not one may stain her sandal wet--
Aye, she might _dance_ upon the way
Nor crush a single drop to spray,
So airy-like she seems to me,--
My bride, my bride that is to be.
I know not if her eyes are light
As summer skies or dark as night,--
I only know that they are dim
With mystery: In vain I peer
To make their hidden meaning clear,
While o'er their surface, like a tear
That ripples to the silken brim,
A look of longing seems to swim
All worn and wearylike to me;
And then, as suddenly, my sight
Is blinded with a smile so bright,
Through folded lids I still may see
My bride, my bride that is to be.
Her face is like a night of June
Upon whose brow the crescent-moon
Hangs pendant in a diadem
Of stars, with envy lighting them.--
And, like a wild cascade, her hair
Floods neck and shoulder, arm and wrist,
Till only through a gleaming mist
I seem to see a siren there,
With lips of love and melody
And open arms and heaving breast
Wherein I fling myself to rest,
The while my heart cries hopelessly
For my fair bride that is to be....
Nay, foolish heart and blinded eyes!
My bride hath need of no disguise.--
But, rather, let her come to me
In such a form as bent above
My pillow when in infancy
I knew not anything but love.--
O let her come from out the lands
Of Womanhood--not fairy isles,--
And let her come with Woman's hands
And Woman's eyes of tears and smiles,--
With Woman's hopefulness and grace
Of patience lighting up her face:
And let her diadem be wrought
Of kindly deed and prayerful thought,
That ever over all distress
May beam the light of cheerfulness.--
And let her feet be brave to fare
The labyrinths of doubt and care,
That, following, my own may find
The path to Heaven God designed.--
O let her come like this to me--
My bride--my bride that is to be.
poem by James Whitcomb Riley
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Sacred To the Memory of Algernon R. G. Stanhope
“THE silver cord is loosed,” he said,
“The golden bowl is broken;
A few more prayers having been prayed,
A few more love-words spoken,
I shall turn my face unto the wall,
And sleeping, not be woken.”
“Is it a better place, my child,
That thou art gone unto?
Upon this earth that thou hast left
Hadst thou not much to do?
Would not thy joys have been a crowd
And thy troubles small and few?
“Beauty and rank and friends and wealth,
Genius and excellence,—
Could not all these, thy heritage,
Win thee from hastening hence?
Was the soul so much more unto thee
Than joys of mind and sense?
“And, bending with an English grace,
The ladies of our isle,
With their soft curls and their virgin eyes
Which look so sweet the while,
Had given thee for thy nobleness
A precious golden smile.
“These will not now be thine: thy life's
Appointed period
Being past o'er, thou liest on
The folded pinions broad
Of the Seraph who is bearing thee
Up through the sun to God.
“It has a solemn sound—‘to God’;
And strange high thoughts it weaves
Of a garden where the Tree of Life
Its mystic shadow gives,
And the music of the rapid worlds
Is the wind that stirs the leaves.
“Surely, it is a better place:
Wealth shuts not there his ken
From woes his heart yearns to assuage;
Nor noble origin
Wounds him by lessening trust betwixt
Him and his fellow-men.
“Nor friends die from him, but instead
Come to him where he is;
Nor Passion, rank with evil joys
And worse satieties,
Pouting her crimson lips at him
Layeth her cheek to his.
“Nor priests be there, like a bad dream
That at your bed's foot stands
All night (and yet it goes at last);
Nor moans of king-curst lands
Make his breast heave and his pale brow
To drop into his hands.
“But Love walks always with him now;
And Faith, not chained but free;
And Hope, bent forward, and with hair
Held back continually
To hear the distant chariot-wheels;
And wise calm Charity.”
poem by Dante Gabriel Rossetti
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He Stalks Slim Beauty after Lord Byron She Walks in Beauty
He stalks slim beauty's silent flight
through sunless streets, 'neath sullen skies;
stands gall, all's worst below wrong, spite,
defeat, cheat aspect, shady eyes.
This yellow liver would end her light
rich heaven to gaudy fay denies.
One shade the more, one ray the less,
impairing graceful loveliness.
Itch raves to touch each raven tress,
hard hollow follows fairest face;
his thoughts touch base with base duress
impure, now fear unequal race.
And on that cheek, and o'er that brow,
once soft, so calm, yet eloquent,
where smile once won, now life's tints flow,
destroying days in goodness spent,
A mind at peace with all below,
A heart whose love was innocent!
(12 October 2011)
She walks in Beauty
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that 's best of dark and bright
Meet in her aspect and her eyes:
Thus mellow'd to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impair'd the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
poem by Jonathan Robin
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Giacinta
Giacinta sat upon the garden wall
Among the autumn lilies, and let fall
Their crimson petals on her lover's head,
And laughed because her little hands were red.
She was the fairest child of Italy,
And it was well the lilies thus should die.
But Giulio shuddered when she made him kiss
The stains away in her pride's wantonness
And held them up between him and the sun
That he might see the red blood flame and run
In the long finger--clefts from root to tip,
And still she pressed them closer to his lip,
And still she laughed. But Giulio looked at her
And it was half in love and half in fear.
And, when she saw him tremble, childishly
She laid both hands in his, and with a sigh
Told him to pity them. And he in vain
Hid them in his and would have hid his pain,
And tried to speak but could not for the weight
Upon his breast. And so the lovers sat
In a hard silence, while Giacinta's laugh
Rang in his ears like the discordant half
Of some fair carol from a tavern flung,
She watching him above, the flowers among,
First with her smile and then with a hurt pride
Kindling to wrath. And ``Fool'' at last she cried,
``You think because this hand of mine is white
And smooth to touch and wise in love's delight
It had not dared to dabble in such red,
The blood--of these dead flowers--for dead is dead;
And you sit dumb and tremble and turn pale
Because I laugh to see the lilies fall.
Why not laugh with me, since you have the heart
To say you love me in my tragic part?
Think you that blood can make a hand less white,
Or all the ink of heaven blot out to--night
The innocent stars, or kisses steal away
The sweetness of red lips, or memory
Drive laughter from the world? The moon grows wan
And wastes and fades and shrivels to a span,
Yet men watch on beyond the hills at even,
And lo there is a new moon in the heaven!
Look in my eyes. Are they less pure and keen
For all the passion which their depths have seen?
Is there a stain upon my brows? My cheek
Is it less fair for what it dares not speak?
Oh, Simon's blood was not so red a thing
But it has left my face its colouring.
Or think you drops from any vein of his
Could make my fingers blush as deep as this?''
And Giulio's courage sickened when he heard
Giacinta suddenly speak out this word.
She was the fairest child of Italy,
But Giulio thought it had been well to die.
``yet, had it left me pale,'' she said, ``I know
It had been all as one to Giulio
To love a pale face. You will love me yet
Though I have told you how my hands are wet,
And when I hold them out to you to kiss
Your lips will burn to drink away the lees.
Oh, lovers, lovers! Wherefore will you preach,
When women laugh at what you dare to teach
Of truth and honour? Is there one of you,
One honourable friend, one bosom true,
That will not sell his virtue for a kiss
Though the mouth that gave it were a nest of lies,
And will not soothe his soul with the deceit
Which swears a rose is not a whit less sweet
Because an angry bee was in its cell
An hour ago?--Oh, lovers reason well!
So take the flower and deign forget the bee.
But Giulio, do not bid me stop and see
How beautiful a thing your virtue is,
And do not cry to the unheeding skies
`Did I not love her?' See, I hate your love
More than I hate yourself.'' And Giulio strove
With his weak heart and could not bear the pain.
And so he took Giacinta's hand again,
Without more word. But she in softened mood
Looked on the boy her beauty had subdued,
And said ``Poor Giulio! I have never shown
Much hate to you, and this you needs must own,
Only beware of loving me. 'Tis strange
That men are wise, yet cannot take the range
Of a silly woman's mind, but still devise
Of their fool's love, as if it were the prize
For which a woman might forget the cost
Of her undoing and a world well lost,
And cannot see that love is only this,
A pretty word to whisper in a kiss,
As when one says, `God bless you' with `Good--night.'
But Giulio, who would ever suffer it
A man should always have the name of God
Upon his lips?'' Her lover only trod
The lilies with his heel. At last he sighed,
``And Simon loved you, and for this he died?''
They sat till dusk upon the garden wall,
And she began to sing a madrigal
About the falling leaves and quite forgot
To answer him. But Giulio heeded not
Because he held her hand. He could not flee.
She was the fairest child of Italy.
poem by Wilfrid Scawen Blunt
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The Flame
‘Tis not a game that plays at mates and mating,
Provençe knew;
'Tis not a game of barter, lands and houses,
Provençe knew.
We who are wise beyond your dream of wisdom,
Drink our immortal moments; we 'pass through'.
We have gone forth beyond your bonds and borders,
Provençe knew;
And all the tales of Oisin say but this:
That man doth pass the net of days and hours.
Where time is shrivelled down to time's seed corn
We of the Ever-living, in that light
Meet through our veils and whisper, and of love.
O smoke and shadow of a darkling world,
These, and the rest, and all the rest we knew.
'Tis not a game that plays at mates and mating,
'Tis not a game of barter, lands and houses,
'Tis not 4of days and nights' and troubling years,
Of cheeks grown sunken and glad hair gone gray;
There is the subtler music, the clear light
Where time burns back about th' eternal embers.
We are not shut from all the thousand heavens:
Lo, there are many gods whom we have seen,
Folk of unearthly fashion, places splendid,
Bulwarks of beryl and of chrysoprase.
Sapphire Benacus, in thy mists and thee
Nature herself's turned metaphysical,
Who can look on that blue and not believe?
Thou hooded opal, thou eternal pearl,
O thou dark secret with a shimmering floor,
Through all thy various mood I know thee mine;
If I have merged my soul, or utterly
Am solved and bound in, through aught here on earth,
There canst thou find me, O thou anxious thou,
Who call’st about my gates for some lost me;
I say my soul flowed back, became translucent.
Search not my lips, O Love, let go my hands,
This thing that moves as man is no more mortal.
If thou hast seen my shade sans character,
If thou hast seen that mirror of all moments,
That glass to all things that o'ershadow it,
Call not that mirror me, for I have slipped
Your grasp, I have eluded.
poem by Ezra Pound
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Gertrude, Or Fidelity Till Death
Dark lowers our fate,
And terrible the storm that gathers o'er us;
But nothing, till that latest agony
Which severs thee from nature, shall unloose
This fix'd and sacred hold. In thy dark prison-house,
In the terrific face of armed law,
Yea, on the scaffold, if it needs must be,
I never will forsake thee.
-Joanna Baillie
HER hands were clasp'd, her dark eyes rais'd,
The breeze threw back her hair;
Up to the fearful wheel she gaz'd–
All that she lov'd was there.
The night was round her clear and cold,
The holy heaven above,
Its pale stars watching to behold
The might of earthly love.
'And bid me not depart,' she cried,
'My Rudolph, say not so!
This is no time to quit thy side,
Peace, peace! I cannot go.
Hath the world aught for me to fear,
When death is on thy brow?
The world!–what means it?–mine is here–
I will not leave thee now.
'I have been with thee in thine hour
Of glory and of bliss;
Doubt not its memory's living power
To strengthen me thro' this!
And thou, mine honour'd love and true,
Bear on, bear nobly on!
We have the blessed heaven in view,
Whose rest shall soon be won.'
And were not these high words to flow
From woman's breaking heart?
Thro' all that night of bitterest woe
She bore her lofty part;
But oh! with such a glazing eye,
With such a curdling cheek–
Love, love! of mortal agony,
Thou, only thou, should'st speak!
The wind rose high–but with it rose
Her voice, that he might hear:
Perchance that dark hour brought repose
To happy bosoms near;
While she sat striving with despair
Beside his tortured form,
And pouring her deep soul in prayer
Forth on the rushing storm.
She wiped the death-damps from his brow
With her pale hands and soft,
Whose touch upon the lute-chords low
Had still'd his heart so oft.
She spread her mantle o'er his breast,
She bath'd his lips with dew,
And on his cheek such kisses press'd
As hope and joy ne'er knew.
Oh! lovely are ye, Love and Faith,
Enduring to the last!
She had her meed–one smile in death–
And his worn spirit pass'd.
While ev'n as o'er a martyr's grave
She knelt on that sad spot,
And, weeping, bless'd the God who gave
Strength to forsake it not!
poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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The Desert Wind
I went with happy heart (how happy!) a while since
Behind my camel flocks,
Piping all day where the Nile pastures end
And the white sand begins
Among the rocks.
The wheeling eagles mocked me high there from the skies,
The red blast of the desert wind
Hath seared mine eyes.
I saw a lady pass, (what lady?) none could tell,
Nor of her tribe nor race,
Of Roum or Franjistan or Fars or Hind;
None knew. But I knew well
That her sweet face
Had blossomed first within the gates of Paradise.
The red blast of the desert wind
Hath seared mine eyes.
Within a tasselled frame, rich wrought, she sat and sang
A song of love so sweet,
That beast and bird and serpent came behind,
And lizard with shut fang
And faltering feet.
My flocks strayed after them, and I who heard likewise.
The red blast of the desert wind
Hath seared mine eyes.
Upon a camel tall (how tall!) she rode by me
Enrobed in white and red,
And veiled to her bright eyes in bands that bind
But hide not all souls see;
And on her head
A crown entwined of wool with gold and various dyes.
The red blast of the desert wind
Hath seared mine eyes.
Out to the wilderness, all day, we followed her.
By winding paths untrod,
O'er rock and plain none knew nor I could find,
Although my home was there;
And still we rode.
The creatures tired and stopped; but I went on with sighs.
The red blast of the desert wind
Hath seared mine eyes.
We came to a deep pool (how deep!) I knew of none
In all that land accursed,
A pool of waters clear with white shells lined,
And there we lighted down
And suaged our thirst,
And bathed our weary limbs, we two without disguise.
The red blast of the desert wind
Hath seared mine eyes.
Upon the brink we sat (ah me!) alone, we two,
In that fair empty place.
I kissed her hands and told her all my mind,
And dared her grace to sue,
Her utter grace.
And she with smiles said ``yea'' to my too blest surprise.
The red blast of the desert wind
Hath seared mine eyes.
Ah me, that night of stars, those bridal stars of heaven!
Ah me, those eyes of hers,
So sweet, so near, of that same starry kind,
Which drank their light ungiven,
(Poor blinded stars!)
And left them dark as they have left me wise.
The red blast of the desert wind
Hath seared mine eyes.
How shall I tell it? All three months of happy love
I lived with her, blest queen,
Fed on sole joy and what God's care might send
Of milk and treasure--trove
Of sorrels green,
And roots and tubers fine and samh which we made prize.
The red blast of the desert wind
Hath seared mine eyes.
Since when I search the Earth (sad Earth!) in vain to win
Once more her wondrous voice,
Which led me forth to doom and left me blind,
Bereft of flocks and kin
And homely joys,
Of wife and children's love and to behold the skies.
The red blast of the desert wind
Hath seared mine eyes.
poem by Wilfrid Scawen Blunt
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Venus and Madonna [Venere şi Madonă]
An ideal lost in darkness of a world that's gone for ever,
Which in fairy tales was thinking and in poems used to speak,
I can see and hear you, goddess, my sweet news, so young and clever
Living in a starry heaven full of deities antique.
Venus, warm and tender marble, eye of stone, which sparkles lively
Lazy arm, like the slow thinking of a king and poet, too,
Wonderful deification of the woman looking nicely,
Of that woman, which at present, still I think she's fair and true.
Raphael, lost in his visions, in a night when stars were present,
Soul by rays intoxicated and by many lovely springs,
Saw you and he dreamed the heaven with its gardens, smelling pleasant,
Saw you floating among angels and among the holy things.
And created on the canvas the Madonna, divine being,
With her maiden smile and wearing a tiara of stars bright
With pale face and yellow tresses, woman-angel and appealing,
For the woman is the image of the angels pure and white.
So did I, lost in the darkness of a life of rhymes enchanting,
I saw you, O, barren woman without soul, and I was struck
And I took you for an angel, sweet like magic and like chanting,
When the wretched life is lighted by a strong ray of good luck.
And I saw your pale complexion, sign of sick intoxication,
Your lips bruised by the corruption, which is biting nastily,
And I covered you, cruel woman, with white veils of inspiration,
On your pallor, with my poems, throwing rays of chastity.
I gave you the rays encircling with their magic and their power
The white forehead of the angel who will help us carry on,
Turned the fiend into a hermit and the sneer into a flower
And your bold and filthy glances into a majestic dawn.
But today, the veil is falling, ruthless woman! dreams are shattered,
Your chilled lips awaken quickly my sincere and sleepy brow
And I watch you, evil demon, and my love, so cold and scattered,
Teaches me a precious lesson, that I should despise you now!
You are like a young bacchante, who has stolen without caring
The green myrtle of the martyr from the forehead of a maid,
A young virgin, whose soul surely, is as holy as a praying,
While the one of the bacchante raves and wriggles in the shade.
Oh, as Raphael created the Madonna, divine being,
With her maiden smile and wearing a tiara of stars bright,
I made out of a pale woman a true goddess, nice and pleasing,
But devoid of any feelings, with a soul as black as night!
Are you crying, child? - I wonder, with your wet and pleading glances
Can you break again my poor heart as the wind would break a bough?
Falling at your feet I'm looking in your eyes, two black expanses,
And I kiss your hands while asking if they can forgive me now.
* * *
Wipe your eyes and stop your crying!... Blaming you was cruel, disgusting,
An unjust, crooked accusation, without essence, full of lies.
Even if you were a demon, love makes you a saint, I'm trusting,
And I love this evil demon with blonde hair and deep large eyes.
poem by Mihai Eminescu, translated by Octavian Cocoş
Submitted by anonym
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I Once Knew A Woman
Well now I once knew a woman listen while I tell you all about her yeah
And the first time I seen her I knew I couldn't live without her
Well now she swore she'd love me all her life and I knew I'd do the same
God damn but I don't even remember her name I don't remember her name
Well now I once knew a woman and oh listen while I'm tellin' it to ya yeah
She had big brown eyes the kind that could look right through ya
Now that she looked in my soul with those big brown eyes
Got a feelin' like I never knew hey come to think of it those eyes were blue
I think those eyes were blue
Well now you end one love then onto another never thinkin' back at the past one
Never stop to think oh brother that the next one gonna be just like the last one
I once knew a woman listen while I tell you my story
She had a heart like the world her lips like a morning glory yeah
Well I knew at last I met my fate and I'm bound to settle down
Hey I wonder if she's still in town
Yeah I once knew a woman and listen while I tell you some more boys
Hey come to think of it I think I told bout her before boys
Well she is the one who gets my heart she sets my heart aflame
Yeah I still don't remember her name
Hmm come to think of it those eyes were blue or were they green
Hmm I wonder if she's still around hmm you know I'm really not to blame
Oh I still don't remember her name
poem by Sheldon Allan Silverstein
Submitted by Poetry Lover
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The Nymph Complaining for the Death of Her Fawn
The wanton troopers riding by
Have shot my fawn, and it will die.
Ungentle men! They cannot thrive
To kill thee. Thou ne'er didst, alive,
Them any harm: alas nor could
Thy death yet do them any good.
I'm sure I never wished them ill,
Nor do I for all this; nor will:
But, if my simple pray'rs may yet
Prevail with Heaven to forget
Thy murder, I will join my tears
Rather than fail. But, O my fears!
It cannot die so. Heaven's King
Keeps register of every thing,
And nothing may we use in vain:
Ev'n beasts must be with justice slain,
Else men are made their deodands.
Though they should wash their guilty hands
In this warm life-blood, which doth part
From thine, and wound me to the heart,
Yet could they not be clean; their stain
Is dyed in such a purple grain.
There is not such another in
The world to offer for their sin.
Unconstant Sylvio, when yet
I had not found him counterfeit,
One morning (I remember well),
Tied in this silver chain and bell,
Gave it to me: nay and I know
What he said then -I'm sure I do.
Said he, "Look how your huntsman here
Hath taught a fawn to hunt his dear."
But Sylvio soon had me beguiled:
This waxed tame, while he grew wild,
And quite regardless of my smart,
Left me his fawn, but took his heart.
Thenceforth I set myself to play
My solitary time away,
With this: and very well content,
Could so mine idle life have spent.
For it was full of sport, and light
Of foot and heart; and did invite
Me to its game: it seemed to bless
Itself to me. How could I less
Than love it? O I cannot be
Unkind t' a beast that loveth me.
Had it lived long, I do not know
Whether it too might have done so
As Sylvio did: his gifts might be
Perhaps as false or more than he.
But I am sure, for aught that I
Could in so short a time espy,
Thy love was far more better then
The love of false and cruel men.
With sweetest milk and sugar first
I it at mine own fingers nursed.
And as it grew, so every day
It waxed more white and sweet than they.
It had so sweet a breath! And oft
I blushed to see its foot more soft
And white (shall I say?) than my hand -
Nay, any lady's of the land!
It is a wond'rous thing how fleet
'Twas on those little silver feet;
With what a pretty skipping grace
It oft would challenge me the race;
And when 't had left me far away,
'Twould stay, and run again, and stay.
For it was nimbler much than hinds;
And trod as if on the four winds.
I have a garden of my own,
But so with roses overgrown
And lilies, that you would it guess
To be a little wilderness;
And all the spring-time of the year
It only loved to be there.
Among the beds of lilies I
Have sought it oft, where it should lie,
Yet could not, till itself would rise,
Find it, although before mine eyes;
For in the flaxen lilies' shade,
It like a bank of lilies laid.
Upon the roses it would feed,
Until its lips ev'n seemed to bleed:
And then to me 'twould boldly trip,
And print those roses on my lip.
But all its chief delight was still
On roses thus itself to fill,
And its pure virgin limbs to fold
In whitest sheets of lilies cold.
Had it lived long, it would have been
Lilies without, roses within.
O help! O help! I see it faint
And die as calmly as a saint!
See how it weeps! The tears do come
Sad, slowly dropping like a gum.
So weeps the wounded balsam; so
The holy frankincense doth flow;
The brotherless Heliades
Melt in such amber tears as these.
I in a golden vial will
Keep these two crystal tears; and fill
It till it do o'erflow with mine,
Then place it in Diana's shrine.
Now my sweet fawn is vanished to
Whither the swans and turtles go:
In fair Elysium to endure,
With milk-white lambs and ermins pure.
O do not run too fast, for I
Will but bespeak thy grave, and die.
First, my unhappy statue shall
Be cut in marble; and withal
Let it be weeping too: but there
Th' engraver sure his art may spare;
For I so truly thee bemoan
That I shall weep though I be stone,
Until my tears, still dropping, wear
My breast, themselves engraving there.
There at my feet shalt thou be laid,
Of purest alabaster made;
For I would have thine image be
White as I can, though not as thee.
poem by Andrew Marvell
Submitted by Poetry Lover
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Pictures On Enamel
When Astraled was lying, like to die
Of love's green sickness, all his bed was strown
With buds of crocus and anemone,
For other flowers yet were barely none,
And these he loved. And so it came to pass
That, when they deemed he slept, then one by one
The watchers left him for the Candlemas;
And thus he chanced upon his bed alone
When the day broke. You might have deemed he was
An image of Hope slain by drear Oblivion.
The chamber where he lay was hushed as sorrow,
Which is joy's anteroom. The holy night,
In silent expectation of the morrow,
Gazed on the moon, as some fair anchorite
On her own chastity, until the sight
Made her heart ache. But, as the morning broke,
Down the dim lobby came Somandolin,
With her thick hair around her like a cloak,
Even to her feet. I wot she might have been
The dawn's own sister. Clad in mystic white,
More beautiful than awe, came that fair woman in.
Long while she stood before the dreaming boy,
Still as he lay on crimson cushions piled.
And when she bent o'er him, her breath did toy
With his dank hair. Long while she stood and smiled
As smiled Elisha on the widow's child
In Shunam. For although her lips were sad
As a broken bow, if you had read their meaning
You would have learned the sense that smiling had
Was less of sorrow than of joy beguiled
To grief at the sad world and its revealing,
As when the name of Death is whispered to a child.
Doubtless that lady knew the spell to win
The life--blood back; for, when she bent her down
And laid her cheek to his that was so thin,
The shut lips quivered and let fall a moan,
As in sweet pain. And next Somandolin
Put her white hand upon the sleeper's arm
Entangled in his tresses. She could feel
The curls crisp back like leaves when they grow warm
Before a watchfire. Then she took his chin
In her two palms, and bade his eyes unseal
Their close--shut lids, and laid her lips upon his own.
Slowly, as in a trance of wonderment,
Those blue eyes opened wide, as from the dead
His spirit stole. Old memories came and went
Like summer lightnings, and a murmur sped
To his dull ear, until he deemed it said,
In a new tongue which none might heed but he,
``Arise and worship, for behold thy bed
And all about thee is as holy ground!''
And then he cried, ``Behold, dear love, I rise!''
And on a sudden, waking from his swound,
A countenance of tearful majesty
And strange ecstatic love looked in his eyes.
These things were written for a mystery
In the Book of Life, lest lovers in their need
Should faint for hunger by the road and die.
Thus were they written. Though a god should read,
He could not choose but learn a newer creed,
Transcending his own knowledge. For anon,
The Mass being ended, came the rest with speed,
Bearing with them the blest viaticum
And holy oils, nor guessed he needed not,
Who sought him a long hour. The warder told
Erewhile a knight, belike Sir Astraled,
With a white lady rode the castle out,
And all his harness was of burnished gold,
Who, pricking fast towards the rising sun,
Was gone beyond the hills upon his battle--steed.
poem by Wilfrid Scawen Blunt
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The Lady Of The Castle
Thou see'st her pictured with her shining hair,
(Famed were those tresses in Provencal song,)
Half braided, half o'er cheek and bosom fair
Let loose, and pouring sunny waves along
Her gorgeous vest. A child's light hand is roving
Midst the rich curls; and, oh! how meekly loving
Its earnest looks are lifted to the face,
Which bends to meet its lip in laughing grace!
Yet that bright lady's eye methinks hath less
Of deep, and still, and pensive tenderness,
Than might beseem a mother's; on her brow
Something too much there sits of native scorn,
And her smile kindles with a conscious glow,
As from the thought of sovereign beauty born.
These may be dreams but how shall woman tell
Of woman's shame, and not with tears?–She fell!
That mother left that child! went hurrying by
Its cradle haply, not without a sigh,
Haply one moment o'er its rest serene
She hung but no! it could not thus have been,
For she went on! forsook her home, her hearth,
All pure affection, all sweet household mirth,
To live a gaudy and dishonour'd thing,
Sharing in guilt the splendours of a king.
Her lord, in very weariness of life,
Girt on his sword for scenes of distant strife;
He reck'd no more of glory: grief and shame
Crush'd out his fiery nature, and his name
Died silently. A shadow o'er his halls
Crept year by year; the minstrel pass'd their walls;
The warder's horn hung mute: meantime the child
On whose first flowering thoughts no parent smiled,
A gentle girl, and yet deep-hearted, grew
Into sad youth; for well, too well, she knew
Her mother's tale! Its memory made the sky
Seem all too joyous for her shrinking eye;
Check'd on her lip the flow of song, which fain
Would there have linger'd; flush'd her cheek to pain
If met by sudden glance; and gave a tone
Of sorrow, as for something lovely gone,
Ev'n to the spring's glad voice. Her own was low
And plaintive Oh! there lie such depths of wo
In a young blighted spirit! Manhood rears
A haughty brow, and age has done with tears;
But youth bows down to misery, in amaze
At the dark cloud o'ermantling its fresh days,
And thus it was with her. A mournful sight
In one so fair for she indeed was fair
Not with her mother's dazzling eyes of light,
Hers were more shadowy, full of thought and prayer,
And with long lashes o'er a white-rose cheek,
Drooping in gloom, yet tender still and meek,
Still that fond child's–and oh! the brow above,
So pale and pure! so form'd for holy love
To gaze upon in silence! But she felt
That love was not for her, tho' hearts would melt
Where'er she mov'd, and reverence mutely given
Went with her; and low prayers, that call'd on Heaven
To bless the young Isaure.
One sunny morn
With alms before her castle gate she stood,
Midst peasant-groups; when, breathless and o'erworn,
And shrouded in long weeds of widowhood,
A stranger thro' them broke: the orphan maid
With her sweet voice, and proffer'd hand of aid,
Turn'd to give welcome; but a wild sad look
Met hers; a gaze that all her spirit shook;
And that pale woman, suddenly subdued
By some strong passion in its gushing mood,
Knelt at her feet, and bath'd them with such tears
As rain the hoarded agonies of years
From the heart's urn; and with her white lips press'd
The ground they trod; then, burying in her vest
Her brow's deep flush, sobb'd out 'Oh! undefiled!
I am thy mother spurn me not, my child!'
Isaure had pray'd for that lost mother; wept
O'er her stain'd memory, while the happy slept
In the hush'd midnight: stood with mournful gaze
Before yon picture's smile of other days,
But never breath'd in human ear the name
Which weigh'd her being to the earth with shame.
What marvel if the anguish, the surprise,
The dark remembrances, the alter'd guise,
Awhile o'erpower'd her? from the weeper's touch
She shrank 'twas but a moment yet too much
For that all humbled one; its mortal stroke
Came down like lightning, and her full heart broke
At once in silence. Heavily and prone
She sank, while o'er her castle's threshold-stone,
Those long fair tresses they still brightly wore
Their early pride, though bound with pearls no more
Bursting their fillet, in sad beauty roll'd,
And swept the dust with coils of wavy gold.
Her child bent o'er her call'd her 'twas too late
Dead lay the wanderer at her own proud gate!
The joy of courts, the star of knight and bard,
How didst thou fall, O bright-hair'd Ermengarde!
poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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A Brown Angel
you see me
run and play
you see me
laugh and cry
but there is one place
your never see me
and i don't know why?
you see jonbenet
a tiny blond girl
who died that christmas day
her skin pale
you see her all the time
you gave her
her justice so where is mine
you see my skin
not white
but brown
you turn away
without a frown
for you never see me on tv
the only one you will see
is the kids
not like me
you see
i've died
of a horrible death
i've been raped
and beatened to death
but never once was i on
the tv and news
my face is not familiar
like samantha and jonbenet
who you see everyday
i walked alone
in this world so cold
no justice for me
my sister
and family
cause i'm brown
not white with blond hair
you see me
run and play
you see me laugh and cry
but you never once
saw me on tv
and now i know why
by: crystal sonier
age: 15
poem by Natalia Anna Joelie
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The Captive Child
September 8: 1650
Child in girlhood's early grace,
Pale white rose of royal race,
Flower of France, and England's flower,
What dost here at twilight hour
Captive bird in castle-hold,
Picture-fair and calm and cold,
Cold and still as marble stone
In gray Carisbrook alone?
--Fold thy limbs and take thy rest,
Nestling of the silent nest!
Ah fair girl! So still and meek,
One wan hand beneath her cheek,
One on the holy texts that tell
Of God's love ineffable;--
Last dear gift her father gave
When, before to-morrow's grave,
By no unmanly grief unmann'd,
To his little orphan band
In that stress of anguish sore
He bade farewell evermore.
Doom'd, unhappy King! Had he
Known the pangs in store for thee,
Known the coarse fanatic rage
That,--despite her flower-soft age,
Maidenhood's first blooming fair,--
Fever-struck in the imprison'd air
As rosebud on the dust-hill thrown
Cast a child to die alone,--
He had shed, with his last breath,
Bitterer tears than tears of death!
As in her infant hour she took
In her hand the pictured book
Where Christ beneath the scourger bow'd,
Crying 'O poor man!' aloud,
And in baby tender pain
Kiss'd the page, and kiss'd again,
While the happy father smiled
On his sweet warm-hearted child;
--So now to him, in Carisbrook lone,
All her tenderness has flown.
Oft with a child's faithful heart
She has seen him act his part;
Nothing in his life so well
Gracing him as when he fell;
Seen him greet his bitter doom
As the mercy-message Home;
Seen the scaffold and the shame,
The red shower that fell like flame;
Till the whole heart within her died,
Dying in fancy by his side.
--Statue-still and statue-fair
Now the low wind may lift her hair,
Motionless in lip and limb;
E'en the fearful mouse may skim
O'er the window-sill, nor stir
From the crumb at sight of her;
Through the lattice unheard float
Summer blackbird's evening note;--
E'en the sullen foe would bless
That pale utter gentleness.
--Eyes of heaven, that pass and peep,
Do not question, if she sleep!
She has no abiding here,
She is past the starry sphere;
Kneeling with the children sweet
At the palm-wreathed altar's feet;
--Innocents who died like thee,
Heaven-ward through man's cruelty,
To the love-smiles of their Lord
Borne through pain and fire and sword.
poem by Francis Turner Palgrave
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